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-It's Revelation! -Being in the Revelation family, | 0:00:02 | 0:00:04 | |
being able to look to someone for support, | 0:00:04 | 0:00:07 | |
it's just so refreshing to know that you're not on your own. | 0:00:07 | 0:00:11 | |
I'm so proud of the choir. Every time they've been... | 0:00:11 | 0:00:15 | |
# Somewhere over the rainbow | 0:00:15 | 0:00:20 | |
# Skies are blue... # | 0:00:20 | 0:00:23 | |
..is Matt. Congratulations. | 0:00:26 | 0:00:29 | |
Have you noticed how these days TV seems to be a vale of tears? | 0:00:34 | 0:00:39 | |
Everywhere you look, someone's crying! Reality shows, talent shows... | 0:00:39 | 0:00:45 | |
On the news, even, Fiona Bruce looks like she's going to go any minute. | 0:00:45 | 0:00:50 | |
If I have to watch one more little muppet squeezing out a tear | 0:00:50 | 0:00:54 | |
on Britain's Got Talent | 0:00:54 | 0:00:56 | |
or see someone crying on "Who Do You Think You Are?" | 0:00:56 | 0:00:59 | |
because they've just their great- great-grandma worked in a factory, | 0:00:59 | 0:01:04 | |
I'm going to turn into my mum and say, | 0:01:04 | 0:01:06 | |
"Now I'll give you something to really cry about." | 0:01:06 | 0:01:09 | |
You might be wondering why I'm fascinated with crying. | 0:01:13 | 0:01:17 | |
Well, it's something I don't do very often, like cleaning the oven. | 0:01:17 | 0:01:22 | |
And if I'm honest, I don't find it easy. | 0:01:22 | 0:01:24 | |
I've no idea why, so I'm off to explore weeping behaviour | 0:01:25 | 0:01:30 | |
and see if there's any way I can ever make a hankie soggy. | 0:01:30 | 0:01:34 | |
Along the way, I'll be talking to some friends who may be more sensitive than I am. | 0:01:35 | 0:01:42 | |
We'll come eye to eye with tear experts | 0:01:42 | 0:01:45 | |
and, in pursuit of my own tears, I'm going to jump in with both feet | 0:01:45 | 0:01:49 | |
and meet some of the world's most bizarre cry-babies. | 0:01:49 | 0:01:53 | |
# Don't want no more of the crying game | 0:01:54 | 0:02:01 | |
# I don't want no more of the crying game... # | 0:02:04 | 0:02:11 | |
Hello. | 0:02:25 | 0:02:26 | |
Hiya. | 0:02:27 | 0:02:29 | |
Good evening, ladies and gentlemen. I am indeed Jo Brand. | 0:02:29 | 0:02:33 | |
More glamorous than you were expecting, I'm sure. | 0:02:34 | 0:02:39 | |
I've been trying to make people laugh for over 20 years, | 0:02:39 | 0:02:43 | |
and at times it's been a bit like swimming through custard. | 0:02:43 | 0:02:46 | |
But people seem to be increasingly entertained by crying. | 0:02:46 | 0:02:51 | |
I'm not entertained by crying, particularly if it's in public. | 0:02:51 | 0:02:55 | |
If I cry, it's about something serious like a death | 0:02:55 | 0:02:59 | |
or the closure of my off-licence, | 0:02:59 | 0:03:01 | |
and I do it in the privacy of my bedroom. | 0:03:01 | 0:03:04 | |
Am I on my own? I mean, what sort of things is everyone crying about? | 0:03:04 | 0:03:10 | |
Do you cry? | 0:03:10 | 0:03:12 | |
-Yes. -All of you? -Yes. -Often? -Yes. Quite often. | 0:03:12 | 0:03:16 | |
-Do you cry? -Yeah, standard. | 0:03:16 | 0:03:18 | |
What sort of thing do you cry about? Films? Relationships? | 0:03:19 | 0:03:23 | |
-EastEnders, mostly. -Oh, do you? Right, fair enough. | 0:03:23 | 0:03:27 | |
-Do you cry at films, at books? -Yeah, Bridget Jones's Diary. | 0:03:27 | 0:03:30 | |
-Music. -Music? Yeah. -Particularly music. Family. | 0:03:30 | 0:03:35 | |
-When me dog's died. -Right. Well, fair enough. -When my parents died. | 0:03:35 | 0:03:40 | |
-Could be a love triangle, could be missing somebody. -You've been in a love triangle? -I'm not saying. | 0:03:40 | 0:03:45 | |
Seems like everyone's at it. | 0:03:46 | 0:03:48 | |
I feel so alone in my tearless world I could cry. | 0:03:48 | 0:03:52 | |
Even the web's awash with tears. I've Googled "crying", | 0:03:52 | 0:03:57 | |
and it's opened up a whole wet world of weirdness. | 0:03:57 | 0:04:00 | |
I've found a website here called Crying While Eating. | 0:04:00 | 0:04:04 | |
There's evidently a fascination with watching people crying. | 0:04:04 | 0:04:08 | |
I mean, there's over 100 entries here. | 0:04:08 | 0:04:10 | |
So, Daniel is eating a bagel with hummus | 0:04:12 | 0:04:17 | |
and he's crying about inconsistent weather. | 0:04:17 | 0:04:20 | |
God! | 0:04:21 | 0:04:23 | |
Who else have we got? | 0:04:23 | 0:04:25 | |
This is Fern, who's eating what looks like spaghetti. | 0:04:26 | 0:04:30 | |
That is worse than drama-school students. Now he's stopped eating, | 0:04:32 | 0:04:37 | |
so that's not even crying whilst eating, that's just crying. | 0:04:37 | 0:04:41 | |
Fern, that was pathetic. | 0:04:41 | 0:04:43 | |
Right, this is Bernhard from Germany. | 0:04:43 | 0:04:46 | |
He's eating yoghurt. Well, fair do's - cry, then. | 0:04:49 | 0:04:52 | |
And he's apparently crying because he's got to give his Macbook back. | 0:04:54 | 0:04:57 | |
I don't feel like crying, but I feel slightly disturbed by it. Can you hear him? | 0:04:57 | 0:05:04 | |
I don't cry while I'm eating. I cry when I've finished. | 0:05:05 | 0:05:09 | |
This lot seem happy to flaunt it in public. They need a smack. | 0:05:09 | 0:05:14 | |
But a gentle one that doesn't make them cry, obviously. | 0:05:15 | 0:05:18 | |
It's impossible to say when this started, | 0:05:24 | 0:05:27 | |
but most of us will remember an event when the entire nation dissolved into tears. | 0:05:27 | 0:05:32 | |
No, I don't mean It's A Royal Knockout. | 0:05:34 | 0:05:37 | |
In 1997, we all seemed to burst into tears at the death of Diana. | 0:05:38 | 0:05:44 | |
What was that about? Did we think she was our mate? | 0:05:44 | 0:05:47 | |
Were we all depressed and wanted to let it out? | 0:05:47 | 0:05:49 | |
Or do we all just like a good cry? | 0:05:49 | 0:05:51 | |
From that point, public crying seems to have got completely out of hand. | 0:06:02 | 0:06:07 | |
I mean, take talent shows, for example. | 0:06:07 | 0:06:10 | |
In the '70s, the losers would just grin and bear it, | 0:06:10 | 0:06:13 | |
and even the winners barely cracked a smile. | 0:06:13 | 0:06:16 | |
But look at things these days, | 0:06:16 | 0:06:19 | |
politicians grabbing their hankies - and they're famed for grimness. | 0:06:19 | 0:06:24 | |
# Weep no more, my baby Weep no more... # | 0:06:24 | 0:06:27 | |
Who could forget the shock of the Iron Lady demonstrating | 0:06:28 | 0:06:31 | |
she wasn't a zombie and having a tearful meltdown? | 0:06:31 | 0:06:34 | |
Now even Peter Mandelson, the so-called Prince of Darkness, is at it. | 0:06:38 | 0:06:44 | |
His tears are probably more like battery acid. | 0:06:44 | 0:06:47 | |
There's no doubt crying is out there. | 0:06:47 | 0:06:51 | |
Historian Thomas Dixon is researching a history of tears, | 0:06:51 | 0:06:55 | |
and I'm going to see if he can shed some light on this weepy phenomenon. | 0:06:55 | 0:06:59 | |
# I'm going to cry no tears... # | 0:06:59 | 0:07:04 | |
Thomas, my feeling is that crying in the last 10, 15 years | 0:07:04 | 0:07:09 | |
has amplified massively in society. | 0:07:09 | 0:07:13 | |
Is it a fairly recent phenomenon | 0:07:13 | 0:07:16 | |
or have people had to go through all this before? | 0:07:16 | 0:07:19 | |
I think we're currently in the middle or maybe near the beginning | 0:07:19 | 0:07:23 | |
of a new wave of weeping in public life. | 0:07:23 | 0:07:26 | |
We've had all sorts of examples, notably starting in the 1990s. | 0:07:26 | 0:07:30 | |
Maggie Thatcher when she left Downing Street had a tear in her eye, | 0:07:30 | 0:07:34 | |
feeling sorry for herself as she left. | 0:07:34 | 0:07:37 | |
In the same year Gazza bawled his eyes out at the World Cup | 0:07:37 | 0:07:41 | |
and then everybody cried when Princess Diana died. | 0:07:41 | 0:07:44 | |
I think the 1990s is the beginning of a new wave of weeping. | 0:07:44 | 0:07:48 | |
-Oh, dear. -And we may still have much more to come. -Oh, no! | 0:07:48 | 0:07:52 | |
But actually, we've been a pretty weepy country | 0:07:52 | 0:07:55 | |
until the 20th century. | 0:07:55 | 0:07:58 | |
I think the 20th century was unusually dry in terms of tears. | 0:07:58 | 0:08:02 | |
There was stoicism and reserve. | 0:08:02 | 0:08:04 | |
But before the 20th century, | 0:08:04 | 0:08:06 | |
we have another peak, I think, of sentiment, emotion and weeping | 0:08:06 | 0:08:11 | |
in the late 18th and up to the mid-19th century. | 0:08:11 | 0:08:14 | |
There's weeping judges, politicians, obviously actors and actresses... | 0:08:14 | 0:08:19 | |
There's been more crying than you might think. | 0:08:19 | 0:08:22 | |
So there was much more weeping in the Victorian era than I presumed, | 0:08:22 | 0:08:27 | |
but surely something like the funeral of Princess Diana | 0:08:27 | 0:08:32 | |
wasn't bettered by the Victorians? | 0:08:32 | 0:08:35 | |
Even in the 19th century, there were large outpourings of national grief | 0:08:35 | 0:08:40 | |
in response to the deaths of famous figures, | 0:08:40 | 0:08:42 | |
and so there are comparable events, and perhaps most notably | 0:08:42 | 0:08:47 | |
the death of Admiral Lord Nelson in 1805. | 0:08:47 | 0:08:51 | |
He's won the Battle of Trafalgar against the French and Spanish navies | 0:08:51 | 0:08:56 | |
-but died in doing so. -Was there a big funeral? -A huge state funeral. | 0:08:56 | 0:09:00 | |
There are many pieces of journalism reporting the event in the national press, | 0:09:00 | 0:09:05 | |
and a lot of them talk about "tears gushing from every eye" | 0:09:05 | 0:09:09 | |
and "the nation's tears, Britannia's tears at the falling of her hero, | 0:09:09 | 0:09:14 | |
and poems about Nelson and so on. | 0:09:15 | 0:09:18 | |
Dickens' novels. | 0:09:18 | 0:09:20 | |
Obviously, Dickens has a lot of very tear-inducing scenes, doesn't he? | 0:09:20 | 0:09:26 | |
Probably the peak of Victorian sentimentality, with his death scenes. | 0:09:26 | 0:09:31 | |
The most famous is Little Nell in The Old Curiosity Shop, | 0:09:31 | 0:09:35 | |
and I have a 19th-century edition of that here. | 0:09:35 | 0:09:38 | |
And so we can see | 0:09:38 | 0:09:40 | |
a picture entitled At Rest, and there she is, Little Nell, dead. | 0:09:40 | 0:09:45 | |
A whole nation mourned. | 0:09:45 | 0:09:47 | |
-Dickens was incredibly widely read, in Britain and also America. -Right. | 0:09:47 | 0:09:52 | |
And there's this story of a steamer arriving in New York | 0:09:52 | 0:09:57 | |
carrying the latest instalment of The Old Curiosity Shop | 0:09:57 | 0:10:00 | |
and people on the quayside shouting, "What happens to Little Nell?" | 0:10:00 | 0:10:05 | |
As people on board shouted back, "She dies," | 0:10:05 | 0:10:07 | |
apparently there were people sobbing on the quayside | 0:10:07 | 0:10:11 | |
to hear that Little Nell was no more. | 0:10:11 | 0:10:13 | |
I would be sobbing cos they'd ruined the story. | 0:10:13 | 0:10:16 | |
That's such a terrible thing to do. | 0:10:16 | 0:10:19 | |
But I suppose if they were shouting up and asking, yeah. | 0:10:19 | 0:10:23 | |
But what confuses me is we Brits are renowned for our stiff upper lip. | 0:10:23 | 0:10:27 | |
Where did that come from? | 0:10:27 | 0:10:29 | |
I think that came from the Second World War. | 0:10:31 | 0:10:34 | |
I think in the 20th century is when the tears start to dry up. | 0:10:34 | 0:10:39 | |
A time of war is no time for weeping, | 0:10:39 | 0:10:42 | |
whether you're on the home front or fighting the war against Hitler | 0:10:42 | 0:10:47 | |
around the world. | 0:10:47 | 0:10:48 | |
However much private grief one may have, | 0:10:48 | 0:10:51 | |
this ethos emerges that British people don't cry, | 0:10:51 | 0:10:55 | |
because they are strong and they are determined, resilient and stoical. | 0:10:55 | 0:11:00 | |
It struck me, as Thomas was talking, that the War | 0:11:01 | 0:11:04 | |
was the time when my mother was in her formative years. | 0:11:04 | 0:11:08 | |
Maybe this played a part in my upbringing | 0:11:08 | 0:11:10 | |
and left me reluctant to turn on the waterworks. | 0:11:10 | 0:11:14 | |
Time for a bit of domestic psychology. | 0:11:14 | 0:11:16 | |
-So, was I a bit of a crier as a child? -No. No, no, definitely not. | 0:11:22 | 0:11:27 | |
They were only times at which it was important for you to have your own way. | 0:11:27 | 0:11:33 | |
-And you had such a powerful voice when you were a little girl. -Note that. | 0:11:33 | 0:11:38 | |
-Powerful voice. -The rule was we didn't go in for crying. | 0:11:38 | 0:11:44 | |
-It wasn't part of family practice. -So there was a moratorium on crying? | 0:11:44 | 0:11:48 | |
There was. If you hurt yourself, that was different. | 0:11:48 | 0:11:52 | |
But even so, there was a limit to how long you could cry. | 0:11:52 | 0:11:58 | |
You've got a picture that I want to look at, | 0:11:58 | 0:12:00 | |
-because it looks like butter wouldn't melt. -It wouldn't! -Is it there? | 0:12:00 | 0:12:05 | |
I know I look like a very good girl in that picture. Look at that! | 0:12:05 | 0:12:09 | |
Well, that's exactly how you were. | 0:12:09 | 0:12:12 | |
You were a dear little girl. A real sweetie. You were so kind. | 0:12:12 | 0:12:17 | |
You weren't rotten in any way at all. | 0:12:17 | 0:12:20 | |
-That's going to ruin my image, Mum. -Is it? -Yeah. -I'm sorry! | 0:12:20 | 0:12:24 | |
That's all right! | 0:12:24 | 0:12:26 | |
-Look at us, lovely, happy, smiley. Gaze of steel. -I think I look nice. | 0:12:26 | 0:12:32 | |
You do look nice, but you can just see that steeliness behind it. | 0:12:32 | 0:12:36 | |
-That is true. For me, crying is a mechanism for control. -Right. | 0:12:36 | 0:12:40 | |
And I think with children, especially in public places, if they cry, | 0:12:41 | 0:12:47 | |
their parents are confounded, they don't know quite how to handle it, | 0:12:47 | 0:12:52 | |
and the child gains the control. I think I knew that. I KNOW I knew it. | 0:12:54 | 0:12:59 | |
So when I had children, I wasn't going to fall for it. | 0:12:59 | 0:13:03 | |
So now I know what I am. | 0:13:03 | 0:13:05 | |
I'm a repressed control freak! | 0:13:05 | 0:13:07 | |
Not only did my mum clearly discourage us from crying, | 0:13:13 | 0:13:16 | |
but I also had two brothers who treated me like a punch bag. | 0:13:16 | 0:13:20 | |
It would be too girlie to cry, | 0:13:22 | 0:13:24 | |
so I threw away my embroidered hankie and punched them back. | 0:13:24 | 0:13:29 | |
# I keep singing them sad, sad, songs... # | 0:13:29 | 0:13:32 | |
So did my generation, | 0:13:32 | 0:13:34 | |
brought up in the post-war wasteland of emotional austerity, | 0:13:34 | 0:13:38 | |
grow up with the same inhibitions around crying as me? | 0:13:38 | 0:13:42 | |
I'm meeting my friends Sam and Sally to find out | 0:13:42 | 0:13:45 | |
if they're emotional pygmies too. | 0:13:45 | 0:13:47 | |
Is there such a thing as a good cry, | 0:13:47 | 0:13:50 | |
and does that make you feel better? | 0:13:50 | 0:13:52 | |
If you've got stress and you have a cry and you're with somebody | 0:13:52 | 0:13:56 | |
and you talk to them about it, you do feel better. | 0:13:56 | 0:13:59 | |
Are you aware of feeling anything in particular when you cry, | 0:13:59 | 0:14:03 | |
-anything physically or...? -No, just the feeling of "Oh, here we go." | 0:14:03 | 0:14:08 | |
You then get all sweaty and hot and your eyes go and you feel like that. | 0:14:09 | 0:14:14 | |
Proper crying. | 0:14:14 | 0:14:16 | |
Cos there's too much pretty crying on television, where one tear falls. | 0:14:16 | 0:14:20 | |
There's no snot, no red face, blotchy... | 0:14:20 | 0:14:24 | |
I once had to pick up my son, and I'd been crying. | 0:14:25 | 0:14:29 | |
I thought, "I can't go to get him out of pre-school." | 0:14:29 | 0:14:32 | |
So I changed into my jogging gear, drove the car round, | 0:14:32 | 0:14:37 | |
got out an empty buggy, ran round, | 0:14:37 | 0:14:39 | |
said, "Oh, I felt like jogging here this morning," | 0:14:40 | 0:14:43 | |
cos I was in such a state, put him back in the buggy. | 0:14:43 | 0:14:47 | |
We drove back and I sobbed my heart out for the rest of the day. | 0:14:47 | 0:14:51 | |
BABY CRIES | 0:14:51 | 0:14:52 | |
And someone's crying, so that's very handy. | 0:14:52 | 0:14:55 | |
So, do you cry at home? | 0:14:55 | 0:14:58 | |
-Erm... Yes, I suppose I do occasionally but not often at all. -And not in front of the girls? | 0:14:58 | 0:15:05 | |
No, I don't in front of the kids because I think it's quite a scary sight, me crying. | 0:15:05 | 0:15:09 | |
So, just in front of Bernie. | 0:15:09 | 0:15:12 | |
No, I think even then, I quite prefer to go up to me bedroom, neck a bottle of vodka, | 0:15:13 | 0:15:20 | |
punch the telly out, and have a good cry, and then the next person that comes into the room gets punched, | 0:15:20 | 0:15:26 | |
unless it's the children. Obviously, I don't want social services on the phone. | 0:15:26 | 0:15:31 | |
Well, our chat confirms two things, | 0:15:38 | 0:15:40 | |
I can't just blame post war Britain for at my lack of crying. | 0:15:40 | 0:15:44 | |
My friends are much more emotional than me, and that's natural to them. | 0:15:44 | 0:15:48 | |
It seems, I really am unusual in my lack of squirty eyes after all. | 0:15:48 | 0:15:53 | |
It feels like it's time now for a little bit of academic input. | 0:16:11 | 0:16:15 | |
So, I'm going to go and have a chat with Virginia Eto, | 0:16:15 | 0:16:18 | |
who's a psychologist, who specialises in crying. | 0:16:18 | 0:16:22 | |
Virginia, we seem to cry for lots of different reasons - when we're angry, | 0:16:24 | 0:16:28 | |
when we're sad, when we're frustrated. Why is it we actually cry? What are we doing it for? | 0:16:28 | 0:16:34 | |
Well, from an evolutionary perspective, when infants cry, that is to do with survival, | 0:16:34 | 0:16:39 | |
so infants cry because they're hungry, because they're in pain | 0:16:39 | 0:16:42 | |
and because they want to be picked up, they want to be cared for. It's about forming a bond. | 0:16:42 | 0:16:47 | |
So, infants form a bond with their care-givers, but as adults, | 0:16:47 | 0:16:51 | |
we use crying sometimes to form an attachment bond with those that we love. | 0:16:51 | 0:16:55 | |
And, you could argue that at the heart of whether it's signalling distress | 0:16:55 | 0:17:01 | |
-or it's about getting support and comfort, is we are communicating something. -Right. | 0:17:01 | 0:17:06 | |
And I think, although the list is endless, | 0:17:06 | 0:17:09 | |
the main situations we tend to cry in | 0:17:09 | 0:17:11 | |
is if we're in conflict with somebody, over loss, but also, if we observe | 0:17:11 | 0:17:16 | |
suffering, and that particularly seems to be the case with women. | 0:17:16 | 0:17:19 | |
So, in my own research, women site TV news reports, | 0:17:19 | 0:17:25 | |
soap operas and sad movies, all situations and contexts that illicit crying. | 0:17:25 | 0:17:31 | |
Do you think men feel the need to control themselves more? | 0:17:31 | 0:17:34 | |
I'm thinking particularly the way boys are brought up - be a brave boy, don't cry, | 0:17:34 | 0:17:39 | |
it's not manly, and all the rest of it? | 0:17:39 | 0:17:41 | |
Well, not wanting to do men a disservice, | 0:17:41 | 0:17:44 | |
that's definitely a factor you would have to consider. | 0:17:44 | 0:17:47 | |
That's the difference between us, I do want to do them a disservice! | 0:17:47 | 0:17:51 | |
So you're obviously the cool academic in this situation, | 0:17:51 | 0:17:54 | |
which is what we need! So, you think occasionally, they might do. | 0:17:54 | 0:17:59 | |
Yes, just as some women might. I think it is the context. | 0:17:59 | 0:18:04 | |
When you ask women and men why they cry, | 0:18:04 | 0:18:06 | |
they tend to give similar reasons. | 0:18:06 | 0:18:09 | |
But, both women and men report that they would rather cry | 0:18:09 | 0:18:12 | |
-in front of another woman. -Oh, really? -Than in front of a man. Yes. | 0:18:12 | 0:18:15 | |
-Aww. Because we're nice, really. -Well, it's partly because women say they feel empathy and helpless in the | 0:18:15 | 0:18:21 | |
-face of someone crying and men say they feel confused, awkward and irritated. -Irritated. | 0:18:21 | 0:18:26 | |
-That's a great one, isn't it? -Yeah, I know. | 0:18:26 | 0:18:30 | |
So, men and women cry differently. That's no surprise to me. Even though it's | 0:18:32 | 0:18:37 | |
the first thing we do when we're born. | 0:18:37 | 0:18:41 | |
In fact, as toddlers, boys cry more than girls. | 0:18:41 | 0:18:45 | |
But then, at around nine, we start to go our separate crying ways. | 0:18:45 | 0:18:49 | |
Sadly, for my generation, little girls were expected to cry. | 0:18:49 | 0:18:54 | |
Whereas boys were encouraged to become as emotional as planks. | 0:18:54 | 0:18:59 | |
I've always thought the fear of being called | 0:18:59 | 0:19:02 | |
a cry-baby as a boy has left many men unable to express | 0:19:02 | 0:19:06 | |
themselves with any degree of emotional literacy. | 0:19:06 | 0:19:10 | |
But is that finally beginning to change? | 0:19:10 | 0:19:13 | |
Maybe after a bottle of wine and a broken relationship, | 0:19:13 | 0:19:17 | |
then maybe a few tears, do you know what I mean? | 0:19:17 | 0:19:20 | |
Men seem to be quite shy about crying, don't they? | 0:19:20 | 0:19:24 | |
I think so, yeah. | 0:19:24 | 0:19:26 | |
It's not something normal that you see, boys crying all the time. It's usually a girl thing. | 0:19:26 | 0:19:31 | |
I've cried in front of lots of people. Not felt ashamed, no. | 0:19:31 | 0:19:35 | |
Perfectly normal, perfectly natural, perfectly human. | 0:19:35 | 0:19:39 | |
I'm going to ask my friend and fellow comedian Phil Jupitus for a male perspective on crying. | 0:19:39 | 0:19:45 | |
Phil, are you a crier? | 0:19:45 | 0:19:47 | |
Yeah, yeah, quite a major weeper throughout my life, really. | 0:19:47 | 0:19:52 | |
What do you think about the wider population of men? | 0:19:52 | 0:19:56 | |
Do you think they're comfortable or do you think there is still a sort of reluctance or embarrassment? | 0:19:56 | 0:20:01 | |
I still think for a large proportion of men, it is a sign of weakness. | 0:20:01 | 0:20:08 | |
And particularly amongst their peer group. | 0:20:08 | 0:20:11 | |
They don't want to be seen within that group as a weak link. | 0:20:11 | 0:20:15 | |
As someone that cries. Not being funny, but I just think that there's this working-class perception | 0:20:15 | 0:20:20 | |
that you're allowed cry once in your life, | 0:20:20 | 0:20:22 | |
and that's your mum's funeral. Or your dad's funeral. Parents' funerals. | 0:20:22 | 0:20:26 | |
Then that's it. You're done. If you're weeping, you've given up. | 0:20:26 | 0:20:29 | |
I think that is the central thing. | 0:20:29 | 0:20:31 | |
I think that's what's great about crying as well, is that you have let go. | 0:20:31 | 0:20:35 | |
It's a release, an abandonment. | 0:20:35 | 0:20:38 | |
And that is what is so satisfying about it, that you just do. | 0:20:38 | 0:20:41 | |
You just, there is a...open the floodgates, here it comes. Wham! | 0:20:41 | 0:20:46 | |
And that's why it's so much fun. | 0:20:46 | 0:20:50 | |
There's nothing beats a really good cry. | 0:20:50 | 0:20:53 | |
I feel I could learn from you. | 0:20:53 | 0:20:57 | |
I can't help thinking that Phil's enjoyment of letting go is unusual. | 0:21:00 | 0:21:04 | |
The only time I've ever seen men cry is at the football. | 0:21:04 | 0:21:08 | |
And there was that one I tied up once! | 0:21:08 | 0:21:10 | |
But high emotion is not only confined to the fans. | 0:21:12 | 0:21:15 | |
In the 1990 World Cup, there was another iconic crying moment. | 0:21:15 | 0:21:20 | |
Paul Gascoigne regressed back to the age of four when he couldn't find his Smarties. | 0:21:20 | 0:21:24 | |
I mean, realised he couldn't play in the next match. | 0:21:26 | 0:21:29 | |
Well, I'm here at Crystal Palace to see what the increased | 0:21:40 | 0:21:44 | |
public crying effect has had here. There's certainly a lot more emotion on the pitch | 0:21:44 | 0:21:49 | |
than there used to be. In the old days, if you scored a goal, | 0:21:49 | 0:21:52 | |
it was a quick handshake and the ghost of a smile. | 0:21:52 | 0:21:55 | |
These days, it's like a West End production. | 0:21:55 | 0:21:58 | |
I'm actually a Crystal Palace fan myself, so obviously I've had plenty to cry about over the years. | 0:21:58 | 0:22:03 | |
Do you cry about football? | 0:22:03 | 0:22:05 | |
Erm...I might today. | 0:22:05 | 0:22:08 | |
Crystal Palace, always. | 0:22:08 | 0:22:10 | |
-Do you? Do you cry openly or do you wait until you get home? -Both. -Both? | 0:22:10 | 0:22:15 | |
-Do you cry at films or...? -No, not really, no. | 0:22:15 | 0:22:19 | |
-You're a proper man. -Yeah. But football is different. | 0:22:19 | 0:22:23 | |
-Yes, it is, so I understand. Do you ever cry at football? -Sometimes. -Do you? | 0:22:23 | 0:22:28 | |
-I've been with the Palace so long, I get all sorts. -Yeah. | 0:22:28 | 0:22:32 | |
Thank you very much. | 0:22:32 | 0:22:36 | |
This is a game that could see Palace well on the way to being relegated. | 0:22:47 | 0:22:52 | |
As usual, it's emotionally unpredictable. | 0:22:52 | 0:22:55 | |
One minute wild optimism, the next, sheer despair. | 0:22:55 | 0:23:00 | |
It is like PMT concertinaed into 90 minutes. | 0:23:00 | 0:23:02 | |
I reckon men feel more comfortable crying when they are amongst their own tribe. | 0:23:10 | 0:23:15 | |
Maybe the macho nature of the game makes crying more acceptable. | 0:23:15 | 0:23:21 | |
This time, with a 1-1 draw, there's thankfully no need for tears. | 0:23:21 | 0:23:25 | |
So far on my crying Odyssey, I've looked at why and when British men and women cry. | 0:23:32 | 0:23:37 | |
But interestingly, people around the world cry differently. | 0:23:37 | 0:23:41 | |
Russian men and women cry equally. And the Irish cry more than anyone else. | 0:23:41 | 0:23:46 | |
But that may be because they've got rain on their faces. | 0:23:46 | 0:23:49 | |
I think it's quite important to get a cultural perspective, | 0:23:49 | 0:23:51 | |
so I'm going to talk to my mate Shappi Khorsandi, who was born | 0:23:51 | 0:23:55 | |
in Iran and has written a book called A Beginner's Guide To Acting English. | 0:23:55 | 0:24:01 | |
-I guess Iranians aren't shy about crying. -They don't feel embarrassed about it. | 0:24:01 | 0:24:07 | |
They don't feel embarrassed and people are much more open about it. When we cry, we really cry. | 0:24:07 | 0:24:12 | |
It's almost less taboo to go all-out weeping and wailing than to have like a gentle little tear. | 0:24:12 | 0:24:18 | |
-Yes, you don't do Victorian dabbing a hankie. -No. | 0:24:18 | 0:24:22 | |
It's full on crying. And I remember when my grandfather died, my aunt telling me | 0:24:22 | 0:24:26 | |
that at the funeral, women in the street were poking her to cry harder, | 0:24:26 | 0:24:30 | |
-because it looked like she didn't... -No. -..because it looks like you don't love your dad. | 0:24:30 | 0:24:35 | |
So the more you cry, the more affection you felt for the person that died, and if you | 0:24:35 | 0:24:39 | |
collapse on a heap on the coffin, that means you were very close. | 0:24:39 | 0:24:43 | |
My mum told me some people in the neighbourhood, | 0:24:43 | 0:24:45 | |
-for a few pennies, would come and be professional mourners. -To up the whole level of weeping? | 0:24:45 | 0:24:50 | |
Up the whole level, yes. Up the whole level of weeping, add a bit of atmosphere to it | 0:24:50 | 0:24:55 | |
and a bit of theatre to it, because then you have | 0:24:55 | 0:24:58 | |
the professional mourners and they break the crying ice, and then everyone else... | 0:24:58 | 0:25:02 | |
I don't know why I'm laughing, sorry. | 0:25:02 | 0:25:04 | |
..can cry to their heart's content. And the British stiff upper lip really fascinates me, | 0:25:04 | 0:25:09 | |
because that's when I feel that I'm from a different background, | 0:25:09 | 0:25:13 | |
because I don't know what the etiquette is with grief. | 0:25:13 | 0:25:15 | |
Because normally, amongst Iranian people, | 0:25:15 | 0:25:18 | |
even if you don't tell someone very well, even if they're a casual acquaintance, | 0:25:18 | 0:25:22 | |
if a loved one of theirs dies, | 0:25:22 | 0:25:25 | |
you cook halva, which is a very sweet dish, | 0:25:25 | 0:25:28 | |
and you take halva to their house, and you say, | 0:25:28 | 0:25:32 | |
"May this be your final sorrow," and when relative strangers call you up | 0:25:32 | 0:25:38 | |
or come to your door to offer you their condolences, it's a real comfort. | 0:25:38 | 0:25:42 | |
Whereas you would not go round to an English person's house that | 0:25:42 | 0:25:45 | |
you just met a couple of times going, | 0:25:45 | 0:25:48 | |
"I heard your nana died, here's a Cornish pasty," or whatever! | 0:25:48 | 0:25:52 | |
In Fiji, funerals guests are not allowed to cry | 0:26:11 | 0:26:14 | |
until the body is buried. I suppose that's get bit like our custom of not getting | 0:26:14 | 0:26:18 | |
stuck into the buffet until after the funeral. But here, | 0:26:18 | 0:26:22 | |
we can cry at any time we like over the loss of a loved one. | 0:26:22 | 0:26:26 | |
Priests must have to come face-to-face with this | 0:26:29 | 0:26:32 | |
outpouring of emotion on a day-to-day basis. | 0:26:32 | 0:26:35 | |
I'm going to pop into St George's to see how my friend Father Ray deals with this. | 0:26:35 | 0:26:42 | |
I sometimes practise the organ here, | 0:26:48 | 0:26:51 | |
so while I'm waiting, I'll have a little tinkle and play the theme from Love Story - Romantic Tosh. | 0:26:51 | 0:26:57 | |
Still, it might wind up Father Ray. | 0:26:57 | 0:26:59 | |
-Oh, hello, Ray. -Hello, Jo. | 0:27:03 | 0:27:05 | |
-Sorry I'm playing. -No, no, that was a really sad film, | 0:27:05 | 0:27:09 | |
it reminds me of seeing that film years ago. | 0:27:09 | 0:27:11 | |
Very, very sad, but you're sounding good. Yah. | 0:27:11 | 0:27:14 | |
-Well, thank you, but it hasn't made me cry. -No. You trying to make yourself cry? | 0:27:14 | 0:27:18 | |
-I am a bit. -Do you feel like a weep? Need a weep. | 0:27:18 | 0:27:20 | |
-Well, apparently, weeping as quite a good thing to do. -I think it is. | 0:27:20 | 0:27:24 | |
I thought you were a good person to talk to | 0:27:24 | 0:27:27 | |
because you're on the receiving end of quite a lot of weeping. | 0:27:27 | 0:27:30 | |
A lot of the time, as priests, we share people's times of joy | 0:27:30 | 0:27:33 | |
and sadness, and sometimes, within an hour, | 0:27:33 | 0:27:37 | |
sort of thing, from different people. | 0:27:37 | 0:27:40 | |
But yes, I think part of our role, certainly in this culture | 0:27:40 | 0:27:44 | |
is to contain people's tears, people's sadness, and give | 0:27:44 | 0:27:50 | |
people a quiet place, a calm place n which they can express... | 0:27:50 | 0:27:55 | |
-So to sort of allow people to cry, really. -And I think there is something in, you can develop | 0:27:55 | 0:28:01 | |
an approach of permission, really, people just sense that they | 0:28:01 | 0:28:04 | |
can weep with you and so, almost unconsciously, something is freed. | 0:28:04 | 0:28:10 | |
Does the Church give you some sort of pragmatic advice about how | 0:28:10 | 0:28:14 | |
to deal with people who are very distressed or crying? | 0:28:14 | 0:28:17 | |
It doesn't, actually. | 0:28:17 | 0:28:19 | |
I think what I picked up within the culture I trained in | 0:28:19 | 0:28:23 | |
was that we were expected to be a solid rock that held everything together. | 0:28:23 | 0:28:30 | |
And somebody said to me recently, they came from a funeral, | 0:28:30 | 0:28:33 | |
and they said, "Well it was all right, | 0:28:33 | 0:28:36 | |
-"but the vicar got upset and I don't think that's on." -Really? | 0:28:36 | 0:28:41 | |
So somebody was offended. | 0:28:41 | 0:28:43 | |
And I think that comes from that need that people have of us, | 0:28:43 | 0:28:47 | |
-that whatever happens around us, we're going to hold things together. -I'm not much of a crier | 0:28:47 | 0:28:52 | |
and I have a bit of an abhorrence of crying in public. | 0:28:52 | 0:28:55 | |
I find it really embarrassing. Should I be crying more? | 0:28:55 | 0:29:00 | |
I think if you're aware of a build-up of some | 0:29:00 | 0:29:02 | |
emotion that you can't express, or if there is something | 0:29:02 | 0:29:06 | |
there that is preventing you from crying in a way that you need to, | 0:29:06 | 0:29:10 | |
then I think, yes, that is something we need to work on. | 0:29:10 | 0:29:13 | |
But I do think there is a risk in our culture of manufacturing | 0:29:13 | 0:29:18 | |
tears and assuming that something that is, you know, right on. | 0:29:18 | 0:29:24 | |
And that we are in touch with their feelings, etc. | 0:29:24 | 0:29:27 | |
So there is a certain type of crying that is good for you, I think. | 0:29:27 | 0:29:30 | |
And if it is going to lead you to feel shameful because you had | 0:29:30 | 0:29:33 | |
broken down in Sainsbury's, then maybe you need to do it elsewhere. | 0:29:33 | 0:29:39 | |
Yes, I think you're right. | 0:29:39 | 0:29:41 | |
-Keep your weeping to yourself, sort of thing. -Maybe in Morrisons! | 0:29:41 | 0:29:46 | |
So, Father Ray thinks I should have a good cry, but where? | 0:29:50 | 0:29:54 | |
Well, obviously, the most comfortable place to cry is in the cinema. | 0:29:54 | 0:29:59 | |
Do you think that there's such a thing as, like, | 0:29:59 | 0:30:02 | |
going to see a weepy film to have a good cry, and does it help? | 0:30:02 | 0:30:05 | |
Yeah, it does. I went through a phase of watching Armageddon | 0:30:05 | 0:30:08 | |
-just so I would cry. -Oh, good! | 0:30:08 | 0:30:10 | |
Clint East... | 0:30:12 | 0:30:13 | |
-No, Mel Gibson. -Mad Max? -And he lost his wife. | 0:30:13 | 0:30:17 | |
No, no, no. Erm, something Young. Er... | 0:30:17 | 0:30:21 | |
Hugh and Andie MacDowell, they're so good together. No, not that film! | 0:30:21 | 0:30:24 | |
-I've only ever cried once at the cinema. -What was that at? | 0:30:24 | 0:30:27 | |
Little Princess. | 0:30:27 | 0:30:29 | |
-Probably something like Schindler's List, some big tragedy. -Yeah. | 0:30:29 | 0:30:34 | |
Naturally, it's good acting that elicits tears in the cinema. | 0:30:34 | 0:30:37 | |
I'm going to see Richard E Grant, who had us all weeping | 0:30:37 | 0:30:41 | |
into our popcorn in Jack & Sarah - except me, of course. | 0:30:41 | 0:30:44 | |
Right up the front, please. | 0:30:44 | 0:30:46 | |
Thank you. | 0:30:46 | 0:30:48 | |
Richard, are you a crier? | 0:30:54 | 0:30:56 | |
-Yeah, big blubber. -Are you? | 0:30:56 | 0:30:57 | |
Yeah. | 0:30:57 | 0:31:00 | |
What at? What sort of things? | 0:31:00 | 0:31:01 | |
Standing ovations. | 0:31:01 | 0:31:03 | |
Standing ovations? | 0:31:03 | 0:31:04 | |
Yeah. If people do a standing ovation in something, | 0:31:04 | 0:31:07 | |
-I'll start crying. -Not just for you? | 0:31:07 | 0:31:09 | |
No, no! Never done one for me! | 0:31:09 | 0:31:11 | |
Yeah, that makes me cry. | 0:31:11 | 0:31:13 | |
Intense happiness makes me cry, movies, my daughter. | 0:31:14 | 0:31:20 | |
Anything to do with children on the news and I'm a goner. | 0:31:20 | 0:31:24 | |
And I know you don't cry at all. | 0:31:24 | 0:31:28 | |
-No, I don't. -Because you're a cold-hearted... | 0:31:28 | 0:31:30 | |
Old bag. | 0:31:30 | 0:31:32 | |
That's true. Do you think... | 0:31:32 | 0:31:34 | |
So I'm incontinent and you're constipated, emotionally? | 0:31:34 | 0:31:37 | |
Yes, that's right. So we both need... | 0:31:37 | 0:31:39 | |
-Because I blub and you can't. -Yes. | 0:31:39 | 0:31:41 | |
Somewhere in the middle, we meet to make a perfectly-rounded person. | 0:31:41 | 0:31:45 | |
Do you think going to the pictures to see a weepy film | 0:31:50 | 0:31:53 | |
is a positive thing for people in a sort of cathartic way? | 0:31:53 | 0:31:57 | |
Oh, yeah, hugely. | 0:31:57 | 0:31:58 | |
I remember in ET and Gandhi, those two movies that came out in 1983, | 0:31:58 | 0:32:02 | |
these two funny-looking guys, | 0:32:02 | 0:32:03 | |
and people blubbed openly in those movies. | 0:32:03 | 0:32:06 | |
You could hear them doing all that, | 0:32:06 | 0:32:08 | |
-because there are so many goodbyes in the story, built in. -Yes. | 0:32:08 | 0:32:11 | |
Do you think being able to cry easily as a person | 0:32:16 | 0:32:19 | |
helps you to cry more easily as an actor when it's called for? | 0:32:19 | 0:32:24 | |
Yeah, I can cry very, very quickly. | 0:32:24 | 0:32:26 | |
-Can you? -Yeah. | 0:32:26 | 0:32:27 | |
-Do you want to... Can you cry now? -Yeah. | 0:32:27 | 0:32:30 | |
-Go on, then. -Er... | 0:32:30 | 0:32:33 | |
Sorry. | 0:32:41 | 0:32:42 | |
That was... That was quick. | 0:32:42 | 0:32:45 | |
-That was about 20 seconds. -Yeah. | 0:32:45 | 0:32:48 | |
I hope you weren't thinking about me! | 0:32:51 | 0:32:53 | |
No, it's just... You either... You just can or you can't. | 0:32:53 | 0:32:58 | |
Do you use it? | 0:32:58 | 0:33:00 | |
If I'm required to in the part? | 0:33:00 | 0:33:01 | |
Say you got arrested for bad driving. | 0:33:01 | 0:33:04 | |
Would I burst into tears? | 0:33:04 | 0:33:07 | |
Would you have a crack at it? | 0:33:07 | 0:33:09 | |
I hadn't thought of that, but I will do, yeah. | 0:33:11 | 0:33:15 | |
But it is it purely a physical thing that you do, | 0:33:15 | 0:33:17 | |
or do you have an emotional picture in your head of something? | 0:33:17 | 0:33:21 | |
Yeah, just go straight to something that's sad. | 0:33:21 | 0:33:23 | |
Do you always pick the same one or do you pick different ones? | 0:33:23 | 0:33:27 | |
-Erm... -Any old one will do? | 0:33:27 | 0:33:29 | |
-Any old one will do, yeah. -I'm really interested in that. | 0:33:29 | 0:33:33 | |
-I've had such a tragic life that, I can draw on anything. -Have you? Yes! | 0:33:33 | 0:33:37 | |
Well, I was very impressed by Richard's ability to cry. | 0:33:46 | 0:33:49 | |
What a useful weapon to have in your arsenal, | 0:33:49 | 0:33:52 | |
particularly at moments of threat. | 0:33:52 | 0:33:55 | |
Some years ago, I was hitchhiking, foolishly, | 0:33:55 | 0:33:57 | |
got picked up by a squaddie and driven down a dark lane. | 0:33:57 | 0:34:00 | |
I actually feared for my life. | 0:34:00 | 0:34:02 | |
I decided to go on the offensive and I shouted, | 0:34:02 | 0:34:04 | |
"What is it you're going to do now?" And weirdly, he started crying. | 0:34:04 | 0:34:07 | |
A friend of mine said to me afterwards, "Had he just put his glasses on?" Charming(!) | 0:34:07 | 0:34:12 | |
It seems like everyone else can turn on the tears apart from me. | 0:34:13 | 0:34:17 | |
But do I really need to? Is it actually good for us? | 0:34:17 | 0:34:21 | |
Well, I've found a tear clinic in America | 0:34:21 | 0:34:24 | |
and I'm going to talk to crying guru and biochemist Bill Frey. | 0:34:24 | 0:34:30 | |
Am I going to America? Pfft! What do you think? | 0:34:30 | 0:34:34 | |
Hello, Bill. | 0:34:34 | 0:34:35 | |
Hi, Jo, it's nice to meet you. | 0:34:35 | 0:34:37 | |
How are you doing? | 0:34:37 | 0:34:38 | |
I'm doing great. | 0:34:38 | 0:34:39 | |
That's it. I've made you bigger. | 0:34:39 | 0:34:41 | |
You're much better. | 0:34:41 | 0:34:42 | |
Can I start by asking you, | 0:34:42 | 0:34:45 | |
what is the reason, in an evolutionary sense, that humans cry? | 0:34:45 | 0:34:51 | |
Why did they develop that ability? | 0:34:51 | 0:34:53 | |
Well, first of all, we do know that humans are the only animals that have | 0:34:53 | 0:34:58 | |
evolved this ability to shed tears in response to emotional stress, | 0:34:58 | 0:35:02 | |
and I think the reason this evolved is that | 0:35:02 | 0:35:05 | |
unalleviated emotional stress or chronic stress | 0:35:05 | 0:35:09 | |
is actually quite damaging to the body. | 0:35:09 | 0:35:11 | |
It causes the release of hormones, | 0:35:11 | 0:35:15 | |
and these hormones actually can damage brain cells in your brain, | 0:35:15 | 0:35:19 | |
so when you cry, this is a method that humans have evolved | 0:35:19 | 0:35:23 | |
to alleviate emotional stress. | 0:35:23 | 0:35:25 | |
So you're saying that, if you don't cry very much, like I don't, | 0:35:25 | 0:35:29 | |
you're in trouble? | 0:35:30 | 0:35:32 | |
Now, you're a comedian, | 0:35:32 | 0:35:33 | |
so laughter is, in fact, another mechanism of alleviating stress. | 0:35:33 | 0:35:40 | |
What about smoking a lot? | 0:35:40 | 0:35:41 | |
Not a good idea. THEY LAUGH | 0:35:42 | 0:35:45 | |
OK, fair enough. | 0:35:45 | 0:35:48 | |
So we're sort of saying, then - well, you're saying, | 0:35:48 | 0:35:51 | |
crying is very important for your psychological | 0:35:51 | 0:35:55 | |
and physical health, really? | 0:35:55 | 0:35:57 | |
It is. We know that 85% of women, 73% of men, say they feel better after crying, | 0:35:57 | 0:36:04 | |
and crying is an excretory process, | 0:36:04 | 0:36:06 | |
something coming out of the body, and if you think about it, | 0:36:06 | 0:36:10 | |
we exhale to get rid of carbon dioxide, | 0:36:10 | 0:36:12 | |
we urinate to get rid of waste products. | 0:36:12 | 0:36:15 | |
Crying, in fact, I think, is probably something similar, | 0:36:15 | 0:36:19 | |
only more involved in alleviating stress. | 0:36:19 | 0:36:22 | |
That's quite an uncomfortable image, though, isn't it, | 0:36:22 | 0:36:25 | |
-urinating out of your eyes? -HE LAUGHS | 0:36:25 | 0:36:28 | |
But if it's doing the job, I suppose it's doing the job. | 0:36:28 | 0:36:31 | |
So if you're someone like me that doesn't cry terribly often, | 0:36:31 | 0:36:35 | |
if hardly ever, would you advise me to just cry a bit more? | 0:36:35 | 0:36:39 | |
Yeah, I would advise you to cry a bit more. | 0:36:39 | 0:36:42 | |
But you can't really make yourself cry. | 0:36:42 | 0:36:44 | |
You more have to give yourself permission to sort of wallow in, | 0:36:44 | 0:36:48 | |
a little bit, what it is that's upsetting to you, | 0:36:48 | 0:36:52 | |
and once you're really upset, you'll cry. | 0:36:52 | 0:36:54 | |
It just happens almost automatically. | 0:36:54 | 0:36:57 | |
Well, I quite fancy having a wallow in misery. | 0:36:57 | 0:37:00 | |
I mean, I'd just probably have a talk with my husband. That'd do it. | 0:37:00 | 0:37:04 | |
That would probably do it, yes. | 0:37:04 | 0:37:06 | |
Listen, it's an absolute pleasure to talk to you. Thank you so much. | 0:37:06 | 0:37:10 | |
You've really added to my knowledge because I had no idea that crying | 0:37:10 | 0:37:14 | |
could be such a positive thing. | 0:37:14 | 0:37:16 | |
Thank you. Good to speak with you, Jo. | 0:37:16 | 0:37:18 | |
You're a genius. | 0:37:18 | 0:37:19 | |
OK. | 0:37:19 | 0:37:20 | |
-Bye. -Bye now. | 0:37:20 | 0:37:22 | |
Well, that was a bit of a revelation. Crying is good for you. | 0:37:26 | 0:37:29 | |
It is definitive. But I am just not a crier. | 0:37:29 | 0:37:33 | |
Bill has told me I'm not crying enough and I need to take it seriously. | 0:37:33 | 0:37:37 | |
I need to find out what are the things and where are the places that make us cry. | 0:37:37 | 0:37:42 | |
The bottom line is, I need to learn to do it a bit more. | 0:37:42 | 0:37:46 | |
First, I need to know if the old tear ducts are in good working order. | 0:37:51 | 0:37:55 | |
I'm off to see Dr Jimmy Uddin at Moorfields Eye Hospital. | 0:37:55 | 0:38:00 | |
Jimmy, let's say that something external makes me cry, like a horrible heckler. | 0:38:00 | 0:38:05 | |
I hear that, the message goes into my brain, and my brain says, "Oh dear, you poor thing, | 0:38:05 | 0:38:12 | |
"you'd better have a bit of a cry about that because he was so horrible." | 0:38:12 | 0:38:16 | |
What you have, you have pathways from places such as the hypothalamus, | 0:38:16 | 0:38:22 | |
basal ganglia, frontal cortex, these are complex parts of the brain | 0:38:22 | 0:38:26 | |
where you have the emotional response. | 0:38:26 | 0:38:28 | |
-It is quite complicated, isn't it? -You have a series of nerve pathways, that run to the tear gland, | 0:38:28 | 0:38:34 | |
the lacrimal gland, and the tear gland produces the tears. | 0:38:34 | 0:38:39 | |
It's time to give my lacrimal gland an MOT. | 0:38:42 | 0:38:45 | |
What we will try to do is examine your actual tear film, and try to see any actual tear production. | 0:38:45 | 0:38:52 | |
Sorry, it's a bit uncomfortable. That's OK. | 0:38:52 | 0:38:55 | |
Under the upper lid is where the tear gland drains. | 0:38:55 | 0:38:59 | |
The tear glands sits up here and drains into these special ducts | 0:38:59 | 0:39:06 | |
that sit under the lid here. | 0:39:06 | 0:39:07 | |
And if we are lucky, we may be able to demonstrate that. | 0:39:07 | 0:39:11 | |
-Are you going to poke me in the eye? -SHE LAUGHS | 0:39:11 | 0:39:14 | |
-OK, if you'd like to sit back. -I notice you didn't answer that! | 0:39:14 | 0:39:18 | |
If we can try and have a look and see any tears being produced. | 0:39:18 | 0:39:23 | |
If you look down, please. Look down and to your left. | 0:39:23 | 0:39:28 | |
That is the tear gland itself, | 0:39:29 | 0:39:32 | |
which is a nice shot. | 0:39:32 | 0:39:35 | |
Look down, please. I am going to put in this stain. | 0:39:35 | 0:39:39 | |
Those streams are streams of tears coming through it. | 0:39:42 | 0:39:46 | |
It is like a little river running through, | 0:39:46 | 0:39:49 | |
or the opposite way round, when you get dye going into a big pool. | 0:39:49 | 0:39:53 | |
It's sort of the opposite, it dilutes it out and you see this. | 0:39:53 | 0:39:56 | |
We can see it. | 0:39:56 | 0:39:57 | |
What we have demonstrated is your actual tear production from this lacrimal gland producing real tears, | 0:39:57 | 0:40:03 | |
those are the tears that come out of the tear gland, the actual tears. | 0:40:03 | 0:40:07 | |
-So I can cry? -Yes, you can. | 0:40:07 | 0:40:10 | |
Physiologically speaking. | 0:40:10 | 0:40:11 | |
-Absolutely. -Oh, jolly good. | 0:40:11 | 0:40:13 | |
That is good news, to know that, physically, I am able to cry, | 0:40:13 | 0:40:16 | |
so all I need now is some bad news to see if I can let it all out. | 0:40:16 | 0:40:22 | |
I am going to meet Jeremy Stockwell, who is a drama coach at RADA. | 0:40:22 | 0:40:26 | |
If anyone can make me cry, surely it has got to be him. | 0:40:26 | 0:40:30 | |
Hello, thank you for coming. | 0:40:33 | 0:40:35 | |
Walk around the room, walk around the room, walk around the room, walk around the room. | 0:40:35 | 0:40:39 | |
Try jogging around the room, folks, jogging! | 0:40:39 | 0:40:42 | |
Any which way, don't jog in a circle! | 0:40:45 | 0:40:48 | |
Any which way! When I clap my hands, stop. HE CLAPS | 0:40:48 | 0:40:51 | |
When I clap my hands, I want you to face a new direction. HE CLAPS | 0:40:51 | 0:40:54 | |
When I clap my hands, go off in that new direction, off you go. HE CLAPS | 0:40:54 | 0:40:58 | |
There'll be three claps. The first is stop, turn, go! | 0:40:58 | 0:41:01 | |
Keep going, ladies and gentlemen! | 0:41:01 | 0:41:04 | |
It's certainly going to make me cry if I have to do much more of this. | 0:41:04 | 0:41:07 | |
Stop, turn, go, stop, turn, go. Stop, turn, aaaah! | 0:41:07 | 0:41:11 | |
I haven't said go. So we get into the habit, the habit of acting. | 0:41:11 | 0:41:16 | |
The habit of producing emotions, whether that is crying or laughing, | 0:41:16 | 0:41:20 | |
the habit of saying, "I always do this scene this way." | 0:41:20 | 0:41:23 | |
It is very easy for us to get into the habit. | 0:41:23 | 0:41:26 | |
You couldn't go on to stage and really commit to the moment of now if you're stuck in that habit. | 0:41:26 | 0:41:31 | |
Does that make sense to you? | 0:41:31 | 0:41:33 | |
Yeah. | 0:41:33 | 0:41:34 | |
Acting is you. | 0:41:34 | 0:41:36 | |
As if whatever. As if you're tortured, upset, stressed, acting is you as if you're in love. | 0:41:36 | 0:41:43 | |
It is you, it is never not you. | 0:41:43 | 0:41:45 | |
Comedians can make fantastic actors. | 0:41:45 | 0:41:48 | |
-I've said this many times to Jo. -I've never believed you. | 0:41:48 | 0:41:51 | |
She won't buy it, but it's true! | 0:41:51 | 0:41:53 | |
Comedians can make very good actors because they are aware of that ocean of emotion, that connection. | 0:41:53 | 0:41:59 | |
We are connecting, we are riding, we are surfing that. | 0:41:59 | 0:42:02 | |
It's an old reference, but if you look at Laurence Olivier in The Entertainer, good though he was, | 0:42:02 | 0:42:07 | |
he wasn't really connecting with that audience there, he was acting that connection. | 0:42:07 | 0:42:12 | |
I don't want criticise, but it's true. | 0:42:12 | 0:42:14 | |
Go on. He was rubbish! | 0:42:14 | 0:42:17 | |
Sure. Or perhaps now, he looks rather over-the-top. | 0:42:17 | 0:42:20 | |
But if you look at someone like Billy Connolly, someone like Les Dawson, if you look at someone like Max Hall, | 0:42:20 | 0:42:27 | |
these are comedians of my youth, and they were fantastic actors, and they were fantastic actors | 0:42:27 | 0:42:34 | |
because they were aware of that connection, that inter-connectivity here. | 0:42:34 | 0:42:39 | |
If you can make people laugh, | 0:42:39 | 0:42:42 | |
a flipside is, you can certainly make them cry. | 0:42:42 | 0:42:45 | |
You certainly can make them cry. | 0:42:46 | 0:42:48 | |
Choose with no words, arms by your sides, out of pockets. | 0:42:48 | 0:42:52 | |
Choose at this moment to look into the eyes of your partner and choose now to love them. | 0:42:52 | 0:42:59 | |
This is what we've been waiting for. | 0:42:59 | 0:43:02 | |
You can choose to love this person right now. | 0:43:02 | 0:43:05 | |
Have a thought for this poor woman they've chosen to stare at me. | 0:43:05 | 0:43:08 | |
She wants to take it all seriously and she's got me to deal with. | 0:43:08 | 0:43:12 | |
I am more embarrassed than when I wet myself in assembly aged five. | 0:43:12 | 0:43:17 | |
Turn it up a little bit more. | 0:43:17 | 0:43:19 | |
No invention. | 0:43:19 | 0:43:23 | |
And now, turn. | 0:43:23 | 0:43:26 | |
Another aspect of yourself. | 0:43:26 | 0:43:28 | |
And choose it this time to have utter and total and absolute compassion for this person. | 0:43:28 | 0:43:34 | |
And let that build. | 0:43:34 | 0:43:36 | |
So that in your heart, there is warm feeling, | 0:43:38 | 0:43:41 | |
which will grow and grow, and there is a sadness about that. | 0:43:41 | 0:43:47 | |
And you can turn that up. | 0:43:48 | 0:43:51 | |
There is a human being in this form in front of you | 0:43:55 | 0:44:00 | |
that ultimately will pass... | 0:44:00 | 0:44:03 | |
..as the only constant truth in our universe is change. | 0:44:06 | 0:44:13 | |
All things shall pass. | 0:44:14 | 0:44:16 | |
And as sombre | 0:44:17 | 0:44:19 | |
and as tragic as this may be... | 0:44:19 | 0:44:24 | |
..it is also quite beautiful. | 0:44:26 | 0:44:29 | |
Thank you very much. | 0:44:52 | 0:44:53 | |
'I'm a bit rubbish at acting. It was impossible to let myself go. | 0:44:56 | 0:45:00 | |
'Somehow, I don't think the RSC are going to be battering my door down with a Lady Macbeth request.' | 0:45:00 | 0:45:07 | |
I'm going to have to find another way to release my inner weeper. | 0:45:08 | 0:45:12 | |
A lot of people are moved to tears by certain songs. | 0:45:12 | 0:45:15 | |
# Sunday is gloomy | 0:45:15 | 0:45:19 | |
# My hours are slumberless | 0:45:19 | 0:45:24 | |
# Dearest, the shadows I live with are numberless... # | 0:45:24 | 0:45:32 | |
That is Gloomy Sunday, a traditional folk song sung by Elvis Costello. | 0:45:33 | 0:45:39 | |
The perfect combination for me. I love him. | 0:45:39 | 0:45:42 | |
I remember that song being played a lot by my parents when I was a child, | 0:45:42 | 0:45:47 | |
sung by Paul Robeson. | 0:45:47 | 0:45:48 | |
Interestingly, when that song was originally written and played | 0:45:48 | 0:45:54 | |
in Hungary in the 1930s, | 0:45:54 | 0:45:57 | |
it was banned because legend has it that quite a lot of people committed suicide after they'd heard it. | 0:45:57 | 0:46:04 | |
So if I am ever going to cry, that will probably be the song I'll cry to. | 0:46:04 | 0:46:09 | |
But obviously I'm not crying now. | 0:46:09 | 0:46:11 | |
Music can sometimes do it for me. | 0:46:14 | 0:46:17 | |
JLS's last single REALLY made me want to weep. | 0:46:17 | 0:46:20 | |
I need to think of something more extreme, | 0:46:20 | 0:46:23 | |
so it's back to the Internet. | 0:46:23 | 0:46:25 | |
Apparently, they have crying clubs in Japan. | 0:46:25 | 0:46:28 | |
Sounds a bit weird, doesn't it? | 0:46:28 | 0:46:29 | |
Surely there's nothing like that in this country. | 0:46:29 | 0:46:33 | |
Oh, but there is. | 0:46:33 | 0:46:35 | |
I've just found Loss Club, where they dress up and cry. | 0:46:35 | 0:46:40 | |
Sounds suitably bonkers to me. I'm there! | 0:46:40 | 0:46:44 | |
Over in east London is the little-known, morosely-named Loss Club. | 0:46:51 | 0:46:55 | |
Modelled on the onion seller in Gunter Grass's novel The Tin Drum, the aim of the night | 0:46:55 | 0:47:03 | |
is to get everyone weeping bitterly into their gin glasses. | 0:47:03 | 0:47:07 | |
-Are you passing the gin? -Why do I feel I'm going to piss myself laughing? | 0:47:17 | 0:47:22 | |
-Good evening. -Good evening. | 0:47:24 | 0:47:27 | |
Would you like to sit down? | 0:47:27 | 0:47:28 | |
-I'd love to, yeah. -She's smiling! No smiling here! | 0:47:28 | 0:47:33 | |
-I've only got four quid on me. -That'll do. | 0:47:33 | 0:47:37 | |
Is that four smiles? | 0:47:37 | 0:47:39 | |
That's my first one. That'll teach me. | 0:47:39 | 0:47:43 | |
No-one's ever smiled before. | 0:47:43 | 0:47:45 | |
-Oh, crikey. -That's a really sad case. | 0:47:45 | 0:47:48 | |
Are you all unhappy? | 0:47:48 | 0:47:52 | |
Desperately, yes. | 0:47:52 | 0:47:54 | |
Can you be ever happy? | 0:47:54 | 0:47:56 | |
-Well, I manage it. -Really? | 0:47:56 | 0:47:58 | |
-Ish. -Are you sure? | 0:47:58 | 0:48:00 | |
I don't know, are you going to try and talk me out of it? | 0:48:00 | 0:48:03 | |
-I think so. -I think you need a real good cry. | 0:48:03 | 0:48:07 | |
-Do you? -Yeah. | 0:48:07 | 0:48:09 | |
You've got a great face. | 0:48:09 | 0:48:11 | |
-Do you like crying? -No. -You don't? | 0:48:11 | 0:48:15 | |
So what brings you here tonight? | 0:48:15 | 0:48:17 | |
-Loss. -Loss. -Like some onions? | 0:48:17 | 0:48:21 | |
-Three for me. -Three for Mr Carter. | 0:48:21 | 0:48:25 | |
-You've got a big sack of onions! Sorry. -SHE LAUGHS | 0:48:26 | 0:48:29 | |
Oh, that is more! | 0:48:29 | 0:48:31 | |
Do you take credit cards? No? OK. There's my last pound. | 0:48:31 | 0:48:38 | |
You won't be smiling soon. BANGING | 0:48:38 | 0:48:40 | |
SOBBING | 0:48:40 | 0:48:43 | |
What is it about crying that is so satisfying? | 0:48:43 | 0:48:47 | |
-It's like a drug. -Oh, is it? | 0:48:47 | 0:48:49 | |
It's cathartic. | 0:48:49 | 0:48:51 | |
-Cathartic. -Yeah. | 0:48:51 | 0:48:53 | |
You have heard of wedding crashers. | 0:48:53 | 0:48:55 | |
-You are funeral crashers, are you? -I am, yeah. | 0:48:55 | 0:48:58 | |
-Do you go to funerals of people you don't know? -Yeah. | 0:48:58 | 0:49:01 | |
You might go to a funeral of someone you've never met before? | 0:49:01 | 0:49:04 | |
-That's better. -Is it? -Yeah. | 0:49:04 | 0:49:06 | |
-When was the last time you cried? -When was the last time I cried? | 0:49:06 | 0:49:10 | |
Absolutely ages ago. | 0:49:10 | 0:49:13 | |
I've hardened my heart, so I would say I'm probably quite an emotionally-blunted person now. | 0:49:13 | 0:49:20 | |
Chop the onions! | 0:49:20 | 0:49:21 | |
Let the onion juice flow. | 0:49:21 | 0:49:24 | |
Chop the onions, chop the onions, chop the onions. | 0:49:24 | 0:49:29 | |
A little bit of onion juice in your eyes will make you cry. | 0:49:32 | 0:49:35 | |
Thank you so much, and I'll smell nice as well. | 0:49:35 | 0:49:37 | |
You will. | 0:49:37 | 0:49:40 | |
A little bit of onion juice in your eye, madam, that will make you cry. | 0:49:40 | 0:49:44 | |
I'm being forced to cry now, and I feel that somehow my civil liberties | 0:49:45 | 0:49:50 | |
have been in some way... Pardon? | 0:49:50 | 0:49:53 | |
-Violated. -Violated! Yes, good word. | 0:49:53 | 0:49:56 | |
Chop, chop, nobody is leaving until every single onion is chopped. | 0:49:56 | 0:50:01 | |
Well, that was a very strange experience indeed. | 0:50:29 | 0:50:32 | |
I don't really know what it was about, whether they are art students having a laugh | 0:50:32 | 0:50:37 | |
or they are all seriously disturbed, and I know I kind of looked like I was crying, but I wasn't. | 0:50:37 | 0:50:43 | |
That's just water coming out of my eyes because some bloke in a frock coat had assaulted me with an onion. | 0:50:43 | 0:50:49 | |
So I didn't cry, all right? Peh! | 0:50:49 | 0:50:51 | |
This crying game is getting exhausting. | 0:50:59 | 0:51:01 | |
What haven't I tried? | 0:51:01 | 0:51:03 | |
I've been poked in the eye, given acting a go, music, | 0:51:03 | 0:51:07 | |
weird onion torture, but none of them have worked. | 0:51:07 | 0:51:10 | |
It isn't an issue for most people, but it clearly is for me. | 0:51:10 | 0:51:14 | |
It's time to confront my stubborn subconscious. | 0:51:14 | 0:51:19 | |
Many people seek help from psychotherapists to try and unlock long-standing emotional problems. | 0:51:19 | 0:51:26 | |
There seems to be a supposition that crying is in some way cathartic. | 0:51:26 | 0:51:32 | |
I've actually been invited by psychotherapist Susie Orbach | 0:51:32 | 0:51:37 | |
to have a session. | 0:51:37 | 0:51:39 | |
Last time I met her, she wasn't terribly impressed with me, | 0:51:39 | 0:51:43 | |
because I said that I'd read her book, Fat Is A Feminist Issue, | 0:51:43 | 0:51:46 | |
got halfway through it and eaten it. | 0:51:46 | 0:51:49 | |
Susie, I was really interested to come and talk to you because it seems to me that, | 0:51:54 | 0:51:59 | |
particularly over the last ten to 20 years, | 0:51:59 | 0:52:02 | |
there has been a huge increase, on television particularly, | 0:52:02 | 0:52:07 | |
of people kind of letting everything out and crying their eyes out. | 0:52:07 | 0:52:13 | |
I find it really irritating, and I think that is because I, | 0:52:13 | 0:52:18 | |
as a person, think that grief is a thing you should do in private, | 0:52:18 | 0:52:22 | |
and I don't know, I have a feeling about it. | 0:52:22 | 0:52:26 | |
It's crocodile tears, it's done for effect and it's to try and make the viewing public | 0:52:26 | 0:52:34 | |
be more sympathetic towards the individual. | 0:52:34 | 0:52:38 | |
There is so much stuff in what you've just said. | 0:52:38 | 0:52:41 | |
Do you think it is easy to cry? | 0:52:41 | 0:52:44 | |
Personally, not that easy for me. | 0:52:44 | 0:52:47 | |
So why do think it is for other people? | 0:52:47 | 0:52:50 | |
Because I think they're sort of emotionally incontinent. | 0:52:50 | 0:52:54 | |
Let's take something like Who Do You Think You Are? | 0:52:54 | 0:52:58 | |
where people go back through their family ancestry. | 0:52:58 | 0:53:02 | |
It seems to me, it is almost essential for them to cry to make the programme, if you like. | 0:53:02 | 0:53:09 | |
So what offends you about that? | 0:53:09 | 0:53:12 | |
First of all, I feel it is false, | 0:53:12 | 0:53:15 | |
because I think, | 0:53:15 | 0:53:16 | |
if you find out that your great-great-great-great-grandfather | 0:53:16 | 0:53:20 | |
had a hard life, to me, | 0:53:20 | 0:53:23 | |
that is not an important enough thing to you as a person to cry about. | 0:53:23 | 0:53:29 | |
What is more important to me for someone to cry about | 0:53:29 | 0:53:34 | |
is something going on in their life... | 0:53:34 | 0:53:37 | |
So crying for you is a different kind of emotion than other emotions? | 0:53:37 | 0:53:43 | |
You want to reserve crying for something particular? | 0:53:43 | 0:53:48 | |
I suppose I do, yes. | 0:53:48 | 0:53:51 | |
And I also think that I feel quite strongly that crying isn't something | 0:53:51 | 0:53:56 | |
that you do for the entertainment of the television viewing population. | 0:53:56 | 0:54:01 | |
So on the one hand, | 0:54:01 | 0:54:03 | |
you distrust it, on the other hand, | 0:54:03 | 0:54:06 | |
you feel...queasy. | 0:54:06 | 0:54:09 | |
Yes, I suppose I'm saying I don't actually know. | 0:54:09 | 0:54:13 | |
I can't tell if they're full of grief or not, but sometimes | 0:54:13 | 0:54:17 | |
they don't seem to be, it seems to be put on. | 0:54:17 | 0:54:21 | |
I think that is the thing about emotions, that maybe, | 0:54:21 | 0:54:25 | |
coming from it from where you do in your job, | 0:54:25 | 0:54:28 | |
which is to make us laugh... | 0:54:28 | 0:54:30 | |
I don't understand where that laugh comes from | 0:54:32 | 0:54:35 | |
-that you can produce in me. -Yes. -Yet it can come. | 0:54:35 | 0:54:38 | |
And I think it is the same with tears. | 0:54:38 | 0:54:41 | |
Let me put it this way. | 0:54:41 | 0:54:44 | |
Your professional life is about making sure we are not crying, | 0:54:44 | 0:54:48 | |
and there is quite a lot to cry about. | 0:54:48 | 0:54:50 | |
There is quite a lot to cry about. | 0:54:50 | 0:54:52 | |
And you don't like to cry yourself, and you don't find it easy to cry. | 0:54:52 | 0:54:55 | |
No, and I think what that is about in me | 0:54:55 | 0:54:59 | |
is that I defend myself against it by laughing | 0:54:59 | 0:55:03 | |
because I find that an easier way to frame the whole thing. | 0:55:03 | 0:55:08 | |
Like the fat thing. | 0:55:08 | 0:55:09 | |
I've had so much abuse through my life for being overweight. | 0:55:09 | 0:55:13 | |
As a psychiatric nurse, as a woman just walking down the street. | 0:55:13 | 0:55:17 | |
And you'll notice that a lot of people | 0:55:17 | 0:55:20 | |
that have some sort of physical, noticeable characteristic, | 0:55:20 | 0:55:25 | |
and again, it is a cliche, | 0:55:25 | 0:55:26 | |
but they defend themselves against it with humour. | 0:55:26 | 0:55:29 | |
They don't want to sit at home crying going, | 0:55:29 | 0:55:32 | |
"Everyone hates me because I'm fat." | 0:55:32 | 0:55:35 | |
I personally don't think that is a particularly important aspect of a person's personality. | 0:55:35 | 0:55:41 | |
But you must think it's important, because otherwise you wouldn't draw attention to it. | 0:55:41 | 0:55:46 | |
I wonder if there's something about the tears held within that? | 0:55:46 | 0:55:49 | |
-Do you think I'm really sad about being fat? -No. | 0:55:49 | 0:55:53 | |
No, you might be really sad about... You might be really sad. | 0:55:53 | 0:55:57 | |
You're looking at me in quite a scary way now. | 0:56:02 | 0:56:04 | |
You're doing that therapist thing | 0:56:07 | 0:56:10 | |
of just looking and waiting for me to say something, | 0:56:10 | 0:56:13 | |
but I don't know what to say. | 0:56:13 | 0:56:14 | |
Maybe the worry is that, if I don't say anything, and we don't have this easy, fast talk, | 0:56:18 | 0:56:24 | |
that something else will come up about tears. | 0:56:24 | 0:56:26 | |
Erm... | 0:56:26 | 0:56:29 | |
Given you have an interest in crying, the negative aspect of it, | 0:56:29 | 0:56:35 | |
I am thinking, | 0:56:35 | 0:56:38 | |
"Hmm. What is the fear or the upset | 0:56:38 | 0:56:43 | |
-"about crying for yourself?" -Mmm. | 0:56:43 | 0:56:45 | |
What is that piece of you that is undeveloped? | 0:56:45 | 0:56:50 | |
It is not that you need to change your persona, but it seems like | 0:56:50 | 0:56:54 | |
an emotional deprivation, to not have that emotional capacity. | 0:56:54 | 0:56:58 | |
Maybe deprivation is too strong a word. Maybe I would want to say it just seems like | 0:56:58 | 0:57:04 | |
there is a limitation there. | 0:57:04 | 0:57:06 | |
-In your relation to self, not your relation to the world. -Mmm. | 0:57:06 | 0:57:10 | |
Do you think there are some kind of negative effect if you're the sort of person that doesn't cry, | 0:57:10 | 0:57:17 | |
but you need to cry about things? | 0:57:17 | 0:57:19 | |
Is that having a bad effect? | 0:57:19 | 0:57:23 | |
I'd have to say yes. | 0:57:23 | 0:57:25 | |
If you need to cry and you are trembling instead, | 0:57:25 | 0:57:30 | |
or you're wringing your hands, or you're laughing. | 0:57:30 | 0:57:35 | |
I don't mean in the comedy sense, | 0:57:35 | 0:57:38 | |
but telling a sad story, | 0:57:38 | 0:57:40 | |
smiling and then apologising. | 0:57:40 | 0:57:43 | |
It's a form of alienation from yourself. | 0:57:43 | 0:57:46 | |
MUSIC: "The Tears Of A Clown" by Smokey Robinson & The Miracles | 0:57:49 | 0:57:53 | |
Two weeks after my session with Susie Orbach, I decided to go into serious psychotherapy. | 0:57:57 | 0:58:03 | |
# Now if there's a smile on my face | 0:58:03 | 0:58:06 | |
# It's only there trying to fool the public | 0:58:06 | 0:58:11 | |
# But when it comes down to fooling you | 0:58:11 | 0:58:14 | |
# Now, honey that's quite a different subject... # | 0:58:14 | 0:58:17 | |
In your dreams, mate. | 0:58:17 | 0:58:19 | |
# Don't let my glad expression | 0:58:19 | 0:58:22 | |
# Give you the wrong impression | 0:58:22 | 0:58:26 | |
# Really I'm sad | 0:58:26 | 0:58:28 | |
# Oh, sadder than sad | 0:58:28 | 0:58:31 | |
# You're gone and I'm hurtin' so bad | 0:58:31 | 0:58:35 | |
# Like a clown, I pretend to be glad | 0:58:35 | 0:58:39 | |
# Sad, sad, sad | 0:58:39 | 0:58:40 | |
# Now there's some sad things known to man | 0:58:40 | 0:58:44 | |
# But ain't too much sadder than | 0:58:44 | 0:58:47 | |
# The tears of a clown | 0:58:47 | 0:58:51 | |
# When there's no-one around... # | 0:58:51 | 0:58:53 | |
Subtitles by Red Bee Media Ltd | 0:58:53 | 0:58:55 | |
E-mail [email protected] | 0:58:55 | 0:58:57 |