
Browse content similar to Jo Brand on Kissing. Check below for episodes and series from the same categories and more!
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MUSIC: "Kiss" by Prince | 0:00:02 | 0:00:03 | |
This programme contains some strong language. | 0:00:03 | 0:00:08 | |
I'm hardly the repressed type, but it seems to me | 0:00:08 | 0:00:13 | |
that there's far too much kissing going on these days, especially in public. | 0:00:13 | 0:00:18 | |
We seem to be obliged to give each other a peck on the cheek all the time. | 0:00:18 | 0:00:23 | |
And the slippery, slimy, with-tongues kiss | 0:00:25 | 0:00:28 | |
seems to have broken out of the back row of the cinema and invaded our streets. | 0:00:28 | 0:00:33 | |
Yes, kissing may be a lovely idea, | 0:00:37 | 0:00:39 | |
but I don't want particularly watch people going at it, | 0:00:39 | 0:00:43 | |
all tongues blazing and eating each other's faces off. | 0:00:43 | 0:00:48 | |
Mwah! I'm going to be exploring why we kiss, | 0:00:48 | 0:00:51 | |
what a kiss really means, what a kiss does inside our brains... | 0:00:51 | 0:00:55 | |
..and our bodies. | 0:00:58 | 0:00:59 | |
It is very romantic, isn't it? Very romantic. | 0:00:59 | 0:01:03 | |
And if we really are the only creatures who lock lips | 0:01:03 | 0:01:06 | |
in a slippery face-off. | 0:01:06 | 0:01:09 | |
-Give us a kiss, then. -Thank you. | 0:01:09 | 0:01:13 | |
And, if this kissing thing turns out to be worthwhile, | 0:01:13 | 0:01:16 | |
I might have to find my own dream kisser to pucker up with. | 0:01:16 | 0:01:20 | |
Yeah, possibly. | 0:01:20 | 0:01:22 | |
# Kiss. # | 0:01:25 | 0:01:27 | |
Kiss. | 0:01:34 | 0:01:36 | |
Kiss. | 0:01:37 | 0:01:39 | |
Another one, my God, it seems to be going on everywhere. | 0:01:40 | 0:01:45 | |
So irritating, isn't it, the way people turn their cheek towards you for a kiss? | 0:01:45 | 0:01:50 | |
I mean, how bleeding presumptuous is that? | 0:01:50 | 0:01:53 | |
You don't kiss anyone, they have to kiss you. | 0:01:53 | 0:01:56 | |
Well, I'll give you a Barnsley kiss, if you want. | 0:01:56 | 0:02:00 | |
That's a head butt for anyone from the south. | 0:02:00 | 0:02:03 | |
And as for the trendy lot, | 0:02:03 | 0:02:05 | |
if I see one more botoxed pair of lips aimed in my direction, | 0:02:05 | 0:02:10 | |
I'll give them one in the smacker, | 0:02:10 | 0:02:13 | |
and I don't mean a kiss, darling. | 0:02:13 | 0:02:15 | |
And how often do people really mean a kiss? Mwah! | 0:02:37 | 0:02:42 | |
Lovely to see you. Haven't cleaned my teeth this morning, | 0:02:42 | 0:02:45 | |
or yesterday for that matter. | 0:02:45 | 0:02:48 | |
Mwah! Lovely to meet you, I'm the new girl in the office - | 0:02:48 | 0:02:52 | |
you'll be kissing my arse before too long. | 0:02:52 | 0:02:56 | |
Mwah! How lovely to see you again, aren't you the couple that | 0:02:56 | 0:02:59 | |
so publicly displayed your marital difficulties at the last parents' evening? | 0:02:59 | 0:03:05 | |
That was buttock clenching. | 0:03:05 | 0:03:07 | |
If a kiss has a value it seems to have got lost somewhere for me, | 0:03:10 | 0:03:14 | |
so I'm on my way to see Paul Taylor, who's a professor of communications, | 0:03:14 | 0:03:18 | |
to find out what he thinks about the kiss. | 0:03:18 | 0:03:23 | |
When you have all this kissing, | 0:03:24 | 0:03:26 | |
there is this pervasive cheapening of something that should be private. | 0:03:26 | 0:03:30 | |
We've gone from The Brief Encounter type emotional constipation, | 0:03:30 | 0:03:33 | |
-"Hello darling, would you like another cup of tea, darling?" -Yeah. | 0:03:33 | 0:03:36 | |
And I think that repression, | 0:03:36 | 0:03:38 | |
the upside of repression is it's all more exciting | 0:03:38 | 0:03:42 | |
whereas now, you know, five Red Bulls and vodka and everyone's at it. | 0:03:42 | 0:03:47 | |
To me, it's sort of the more it's done, | 0:03:47 | 0:03:50 | |
the more it kind of loses its value, really. | 0:03:50 | 0:03:52 | |
A kiss is a upward persuasion for the downward invasion. | 0:03:52 | 0:03:56 | |
Crikey. | 0:03:56 | 0:03:57 | |
And I do think this is why kissing is interesting because, | 0:03:57 | 0:04:00 | |
on the one hand it can be incredibly innocent - | 0:04:00 | 0:04:03 | |
you can kiss a child good night - | 0:04:03 | 0:04:06 | |
and it also, obviously, can be a prelude for further relations. | 0:04:06 | 0:04:10 | |
So do you think, to some extent, that kissing has lost its meaning then? | 0:04:10 | 0:04:15 | |
If you think the Bible is book ended, at the beginning God breathes life into Adam | 0:04:15 | 0:04:21 | |
and at the very end you have the kiss of betrayal, Judas and Jesus. | 0:04:21 | 0:04:25 | |
So there's that level of cultural significance | 0:04:25 | 0:04:29 | |
and then there's the banality of XXX after an e-mail or a text message. | 0:04:29 | 0:04:33 | |
-Yes. -So it encompasses the whole range of human experience. | 0:04:33 | 0:04:38 | |
Well, I think that Paul and I are broadly in agreement | 0:04:40 | 0:04:43 | |
about the fact that the kiss has kind of lost its way a bit, | 0:04:43 | 0:04:47 | |
but a lot of what he said to me about kissing | 0:04:47 | 0:04:50 | |
was quite surprising stuff that I hadn't really thought about. | 0:04:50 | 0:04:55 | |
It also makes me wonder whether, in fact, | 0:04:55 | 0:04:58 | |
we humans are the only creatures that do kiss each other. | 0:04:58 | 0:05:03 | |
'So I'm going to Twycross Zoo to see our closest ape relatives - | 0:05:03 | 0:05:07 | |
'the bonobo monkeys.' | 0:05:07 | 0:05:09 | |
'Donna Smithson is the keeper of these rather cheeky bonobos. | 0:05:23 | 0:05:28 | |
'She's touchingly dedicated to her charges and seems to know them | 0:05:28 | 0:05:31 | |
'probably better than her own family.' | 0:05:31 | 0:05:35 | |
They've all got different personalities, so it's quite nice. | 0:05:35 | 0:05:37 | |
There's Diatou with the youngster on her, there. | 0:05:37 | 0:05:39 | |
-She's the oldest female we've got. -Right. | 0:05:39 | 0:05:43 | |
Yes, she's a really good mum as well. | 0:05:43 | 0:05:45 | |
Yes, she's very funny, they're all funny. I like them all, really. | 0:05:45 | 0:05:49 | |
-Do you want to come inside and have a closer look? -Oh yes, please, love to. | 0:05:49 | 0:05:54 | |
'The keepers rarely venture into the bonobos' living area | 0:05:54 | 0:05:58 | |
'and I'm about to find out one of the reasons why.' | 0:05:58 | 0:06:01 | |
-Got a visitor. -Hello. | 0:06:01 | 0:06:02 | |
So by putting her hand through there, is she trying to get me to hold her hand? | 0:06:02 | 0:06:06 | |
Yeah, and then she'll probably pull it. | 0:06:06 | 0:06:09 | |
Then obviously as soon as they would hear you go, "Oh, my God." | 0:06:09 | 0:06:13 | |
All of them could just pile. You get my meaning? | 0:06:13 | 0:06:16 | |
-What would they do, would they bite? -They do bite, yeah. | 0:06:16 | 0:06:19 | |
Would they bite my hand, or would they...? | 0:06:19 | 0:06:22 | |
-I can't guarantee what they would do but... -..give me a manicure? | 0:06:22 | 0:06:25 | |
I can't say, I've never been in a position and wouldn't want anyone to be in that position. | 0:06:25 | 0:06:29 | |
-Quite. -So they're just testing you. | 0:06:29 | 0:06:31 | |
-Do the bonobos kiss each other? -Yes, they do, | 0:06:31 | 0:06:35 | |
it's not a behaviour that they do quite a lot, but it's known. | 0:06:35 | 0:06:38 | |
There is footage and pictures of bonobos kissing each other, | 0:06:38 | 0:06:42 | |
French kissing in the bonobo book, it says... | 0:06:42 | 0:06:45 | |
-That's quite steamy, isn't it? -Yeah, tongues and all. | 0:06:45 | 0:06:48 | |
But if they do a kissing, it's like, they will just go to each other's mouth and be like, | 0:06:48 | 0:06:53 | |
"Hello, are you all right?" sort of thing, and it's a gesture. | 0:06:53 | 0:06:56 | |
They'll use it to calm each other down or will be saying hello. | 0:06:56 | 0:06:58 | |
They can use it in any sort of context, really. | 0:06:58 | 0:07:01 | |
Here's some footage of bonobos kissing. | 0:07:01 | 0:07:05 | |
A young male and an adult male. | 0:07:05 | 0:07:07 | |
Blimey. | 0:07:07 | 0:07:09 | |
They're getting stuck in there. | 0:07:09 | 0:07:10 | |
That looks like proper romantic snogging to me. | 0:07:10 | 0:07:13 | |
Yeah, it isn't, they're just having a bit of fun, really. | 0:07:13 | 0:07:18 | |
Oh, yes, tongues, my word. | 0:07:18 | 0:07:21 | |
-Males and males do a lot of sexual things. -Do they? -Yeah. | 0:07:23 | 0:07:27 | |
Anal mating, they do a lot of anal mating, | 0:07:27 | 0:07:30 | |
a lot of holding each other's testicles. | 0:07:30 | 0:07:33 | |
Is that just for fun? | 0:07:33 | 0:07:34 | |
-Well, they just do it when they're worried... -Ahh. | 0:07:34 | 0:07:36 | |
..when there's been a fight and things like that. | 0:07:36 | 0:07:39 | |
It's just a reassurance thing. | 0:07:39 | 0:07:42 | |
I've never thought of anal sex as reassuring! | 0:07:42 | 0:07:44 | |
That's an interesting approach. That's great. | 0:07:44 | 0:07:48 | |
Well. Yes, it is! | 0:07:48 | 0:07:50 | |
# Listen when I tell ya You got no time for fix | 0:07:52 | 0:07:54 | |
# Cos I just gotta make it Can't afford to miss | 0:07:54 | 0:07:58 | |
# And there's one reason I'm tellin' you this I feels bad | 0:07:58 | 0:08:04 | |
# And I'm a-lookin' for a kiss. # | 0:08:04 | 0:08:07 | |
If our closest ape relatives kiss each other, | 0:08:09 | 0:08:12 | |
then I suppose, kissing must come quite naturally to us... you'd have thought. | 0:08:12 | 0:08:16 | |
But kissing is fraught with dangers. | 0:08:16 | 0:08:20 | |
To try to avoid some of the pitfalls, I'm on my way to a workshop | 0:08:20 | 0:08:24 | |
held by the psychologist from Big Brother, Judi James, | 0:08:24 | 0:08:28 | |
on the etiquette of kissing for businessmen and women. | 0:08:28 | 0:08:31 | |
Hi, good morning, I'm Judi James, | 0:08:31 | 0:08:34 | |
I'm a body language and behavioural expert | 0:08:34 | 0:08:36 | |
and I specialise in things like greeting rituals, | 0:08:36 | 0:08:40 | |
how we approach people, how we build rapport with people in business. | 0:08:40 | 0:08:44 | |
Straight away you can fast-track rapport, or not, | 0:08:44 | 0:08:47 | |
if you do a bad greeting. | 0:08:47 | 0:08:50 | |
You do intentional gestures - as you walk up to somebody you've either got your hand out or, | 0:08:50 | 0:08:55 | |
if you're going to do an air kiss, | 0:08:55 | 0:08:56 | |
in the UK it would generally be you would approach them slightly like that. | 0:08:56 | 0:09:00 | |
Don't look as if you're going to over-hug, but very lightly put your hands up, like that. | 0:09:00 | 0:09:04 | |
My hands would then go on to your shoulders very lightly, | 0:09:04 | 0:09:07 | |
I would bend forward, you'd go right cheek to right cheek | 0:09:07 | 0:09:10 | |
and then left cheek to left cheek, and that's it. | 0:09:10 | 0:09:14 | |
We do a lot of networking in business, | 0:09:14 | 0:09:16 | |
so what I'm going to ask you to do, if Jo would like to walk into the event | 0:09:16 | 0:09:20 | |
and I'm going to get her to break into a group. | 0:09:20 | 0:09:22 | |
Can you look as though you're milling around just at a networking event? | 0:09:22 | 0:09:26 | |
I don't mind air kissing them, but I have got quite a bad cold. | 0:09:26 | 0:09:29 | |
It's no problem. | 0:09:29 | 0:09:31 | |
And herpes, I've also got syphilis, | 0:09:31 | 0:09:35 | |
so it's probably not going to get that far. | 0:09:35 | 0:09:37 | |
I'm sure they won't mind. | 0:09:37 | 0:09:39 | |
0K, fair enough. | 0:09:39 | 0:09:40 | |
'Oh, God, now I've got to win these people over with the perfect business kiss.' | 0:09:40 | 0:09:46 | |
Hi, everyone, hello. | 0:09:46 | 0:09:48 | |
-Hello. -Hi. -Hi, nice to meet you all, I'm Jo. | 0:09:48 | 0:09:51 | |
I've got my own business, it's worth about three quid. | 0:09:51 | 0:09:54 | |
So you won't be very impressed by me, | 0:09:54 | 0:09:56 | |
but I'd like to talk to you about it. Nice to meet you. | 0:09:56 | 0:09:58 | |
Nice to meet you. | 0:09:58 | 0:10:00 | |
Nice to meet you, too. Whoa, wrong side! | 0:10:00 | 0:10:05 | |
Nice to meet you, how are you doing? | 0:10:05 | 0:10:08 | |
Oh, no, we've let go hands and it all went hideously wrong. | 0:10:08 | 0:10:11 | |
Nice to meet you. Hello, that's nice and quick. | 0:10:11 | 0:10:14 | |
So anyway, I think my business has failed, probably, | 0:10:14 | 0:10:19 | |
just from my very bad greeting. | 0:10:19 | 0:10:21 | |
And you're all looking at me like I'm mad, which I am. | 0:10:21 | 0:10:24 | |
-How was that, Judi? -It was terrible! | 0:10:24 | 0:10:27 | |
LAUGHTER | 0:10:27 | 0:10:29 | |
That's why they're all slightly shell shocked! | 0:10:29 | 0:10:31 | |
Number one, you broke into the group almost physically, by force, | 0:10:31 | 0:10:34 | |
you actually grabbed his elbow, which would feel quite weird | 0:10:34 | 0:10:37 | |
if you didn't see somebody standing there. | 0:10:37 | 0:10:39 | |
You should think yourself lucky I didn't push them out of the way and go, "Shut up." | 0:10:39 | 0:10:42 | |
Which I was tempted to do. | 0:10:42 | 0:10:44 | |
Then you got stuck in with the greetings. | 0:10:44 | 0:10:47 | |
In fact, you were pretty good, I have to say, | 0:10:47 | 0:10:49 | |
you did keep up a commentary though, | 0:10:49 | 0:10:51 | |
and it was interesting that you did a slightly different greeting with each one. | 0:10:51 | 0:10:54 | |
You may think people wouldn't notice, but they do | 0:10:54 | 0:10:56 | |
because there's so much involved in status and everything. | 0:10:56 | 0:10:59 | |
People will think, well, why was she more formal with that one that she was... | 0:10:59 | 0:11:03 | |
Oh, really? You have to do exactly the same greeting with everyone? | 0:11:03 | 0:11:05 | |
-Pretty much, but make it look fresh every time. -Oh, God. | 0:11:05 | 0:11:09 | |
The coffee break couldn't come soon enough | 0:11:09 | 0:11:11 | |
and I sneaked off for a word with Judi about how kissing etiquette has changed. | 0:11:11 | 0:11:16 | |
We've become more demonstrative but, the trouble is, | 0:11:16 | 0:11:20 | |
we don't then know the etiquette of doing it. | 0:11:20 | 0:11:22 | |
At the same time there's this kind of pseudo-sexual element | 0:11:22 | 0:11:26 | |
that, if you get it wrong, can creep in and it almost leaves a nasty taste in your mouth. | 0:11:26 | 0:11:31 | |
You know, you think, "Oh, my God, their lips actually touched, | 0:11:31 | 0:11:33 | |
"Oh, I've got their spit on my cheek," | 0:11:33 | 0:11:35 | |
or, "they made that horrible sexy noise when they did it." | 0:11:35 | 0:11:38 | |
So it's quite dangerous, there's a lot of undercurrents. | 0:11:38 | 0:11:41 | |
Hello, I'm Jo, a pleasure to meet you. | 0:11:41 | 0:11:45 | |
-Nice to meet you. -That was good. | 0:11:45 | 0:11:47 | |
I think Clinton used to say to his entourage, | 0:11:47 | 0:11:51 | |
the more affectionate the greeting, the more I want you to get rid of that person. | 0:11:51 | 0:11:54 | |
So sometimes, you get in sort of American business, a hug and a squeeze | 0:11:54 | 0:11:58 | |
and you think this is great - the meeting's going to go really well, | 0:11:58 | 0:12:01 | |
but what they're actually signalling is that the more intimate they are, | 0:12:01 | 0:12:04 | |
the less they want to do business with you. | 0:12:04 | 0:12:06 | |
So it's all a bit back-to-front. | 0:12:06 | 0:12:08 | |
Because I always thought the Clinton greeting was straight down for a blow job. | 0:12:08 | 0:12:12 | |
I'm wrong there, again. | 0:12:12 | 0:12:15 | |
You see that's why my social etiquette is so off-kilter. | 0:12:15 | 0:12:19 | |
Hello, I'm Jo, have you got any condoms? | 0:12:19 | 0:12:22 | |
Sorry. | 0:12:25 | 0:12:26 | |
If humankind has reached the stage of a rather meaningless kiss being a deal-breaker, | 0:12:26 | 0:12:32 | |
it makes me wonder where all this kissing business began in the first place. | 0:12:32 | 0:12:36 | |
The first erotic human kisses we come across | 0:12:41 | 0:12:45 | |
come from 3,500-year-old Indian scrolls. | 0:12:45 | 0:12:48 | |
And then they pop up a bit later in the Kama Sutra. | 0:12:48 | 0:12:52 | |
Along with a lot of other hanky-panky that we couldn't possibly show on telly. | 0:12:53 | 0:12:59 | |
Mmm. Well, I hope they didn't do THAT in plain sight. | 0:13:00 | 0:13:04 | |
So how long has all this ghastly kissing in public been going on? | 0:13:04 | 0:13:09 | |
I'm off to see historian Karen Harvey to find out. | 0:13:09 | 0:13:12 | |
Karen, now I have this thing about kissing, | 0:13:12 | 0:13:17 | |
social kissing, air kissing, and kind of tonguey, snoggy kissing a lot in public. | 0:13:17 | 0:13:24 | |
And there seems to be more of it - has it always been like this? | 0:13:24 | 0:13:28 | |
No, not at all. If you look at the historical record, | 0:13:28 | 0:13:31 | |
kissing is always represented | 0:13:31 | 0:13:34 | |
in this religious context, | 0:13:34 | 0:13:36 | |
but in the Medieval and Renaissance periods | 0:13:36 | 0:13:39 | |
people would have been most familiar with the kiss of peace. | 0:13:39 | 0:13:43 | |
That's a kiss that's handed from a member of the congregation | 0:13:43 | 0:13:47 | |
to the next member of the congregation. | 0:13:47 | 0:13:50 | |
Sometimes physically, but more commonly via what's called a pax-board. | 0:13:50 | 0:13:55 | |
So one member of the congregation would kiss the board | 0:13:55 | 0:13:58 | |
and then pass it to the next member of the congregation | 0:13:58 | 0:14:01 | |
and it's a bonding kiss. | 0:14:01 | 0:14:04 | |
But there's another kiss, that people would have been familiar with, | 0:14:04 | 0:14:07 | |
and this is the kiss of shame | 0:14:07 | 0:14:09 | |
and it's a direct inversion of the kiss of peace. | 0:14:09 | 0:14:12 | |
So the kiss of shame shows that you're bound to evil | 0:14:12 | 0:14:16 | |
and to the devil. | 0:14:16 | 0:14:17 | |
The kiss of shame is something that people thought was undertaken by witches. | 0:14:17 | 0:14:23 | |
And that's placed on the devil's arse or the devil's anus. | 0:14:23 | 0:14:26 | |
Crikey. | 0:14:26 | 0:14:27 | |
Why kiss the devil's arse and not somewhere else on the devil, | 0:14:27 | 0:14:30 | |
like his mouth, or his face? | 0:14:30 | 0:14:34 | |
It's because kissing the devil's arse is foul. | 0:14:34 | 0:14:39 | |
It's just polluted. | 0:14:39 | 0:14:42 | |
You know, it's the dirtiest place. | 0:14:42 | 0:14:44 | |
So is that where the phrase, kiss my arse came from? | 0:14:44 | 0:14:46 | |
I have no idea! | 0:14:46 | 0:14:48 | |
That all changes really, in the late 17th and 18th century. | 0:14:49 | 0:14:53 | |
I think two really important things happen at this point. | 0:14:53 | 0:14:57 | |
The first thing that happens is that people start to talk about the kiss as a greeting | 0:14:57 | 0:15:02 | |
or a gesture of farewell. | 0:15:02 | 0:15:06 | |
So this is all about the kiss in social situations | 0:15:06 | 0:15:09 | |
and you might say that it's here, | 0:15:09 | 0:15:11 | |
that's where our modern practice of air kissing | 0:15:11 | 0:15:15 | |
and public kissing stems from. | 0:15:15 | 0:15:18 | |
The second thing that happens, | 0:15:18 | 0:15:20 | |
and I think this leaves a really important legacy for the modern world, | 0:15:20 | 0:15:25 | |
is that the kiss becomes eroticised | 0:15:25 | 0:15:28 | |
to a degree that it hasn't been before. | 0:15:28 | 0:15:31 | |
At least in the art historical record. | 0:15:31 | 0:15:34 | |
So you get lots of books and images of lovers kissing. | 0:15:34 | 0:15:38 | |
# It started with a kiss... # | 0:15:38 | 0:15:41 | |
So the kiss has been on a steady upward progression, | 0:16:18 | 0:16:22 | |
how much worse is its unstoppable rise going to get? | 0:16:22 | 0:16:27 | |
And why is touching our lips together | 0:16:29 | 0:16:31 | |
such an apparently desirable thing to do in the first place? | 0:16:31 | 0:16:36 | |
Well, I'm visiting cognitive behavioural therapist Dr George Fieldman to try to find out. | 0:16:37 | 0:16:43 | |
In the lips, | 0:16:43 | 0:16:44 | |
there are lots of muscles | 0:16:44 | 0:16:46 | |
and lots of nerve endings. | 0:16:46 | 0:16:48 | |
So when you touch your lips, | 0:16:48 | 0:16:51 | |
it's represented in the brain quite powerfully. | 0:16:51 | 0:16:54 | |
This is a map of the somatosensory cortex | 0:16:54 | 0:16:57 | |
and here you can see large lips and small rest of the body. | 0:16:57 | 0:17:03 | |
That means that the lips are represented very dominantly in the somatosensory cortex. | 0:17:03 | 0:17:08 | |
So those areas that are big, they are much more sensitive? | 0:17:08 | 0:17:13 | |
-To two-point discrimination, yes. -Right. | 0:17:13 | 0:17:16 | |
-That's the theory, and I want to test that out on you. -OK. | 0:17:16 | 0:17:19 | |
Do your worst. | 0:17:19 | 0:17:21 | |
-0K, I want you to shut your eyes. -Yes. | 0:17:21 | 0:17:23 | |
-And tell me if it is one or two. -OK. | 0:17:23 | 0:17:26 | |
'I'm hoping, dear viewer, that seeing my lips | 0:17:26 | 0:17:28 | |
'being poked with a Q-tip | 0:17:28 | 0:17:30 | |
'is better than seeing any more snogging.' | 0:17:30 | 0:17:32 | |
Two. | 0:17:32 | 0:17:34 | |
And again two. | 0:17:35 | 0:17:38 | |
One. | 0:17:38 | 0:17:39 | |
Two. | 0:17:42 | 0:17:44 | |
One. | 0:17:46 | 0:17:48 | |
Two. | 0:17:51 | 0:17:52 | |
We are now going to test your arm, to see if there's any difference | 0:17:52 | 0:17:55 | |
in your ability to differentiate two separate points. | 0:17:55 | 0:17:58 | |
God, one. | 0:18:01 | 0:18:04 | |
One. | 0:18:05 | 0:18:07 | |
One! | 0:18:10 | 0:18:12 | |
So on your lips, you could tell these points apart | 0:18:13 | 0:18:16 | |
when they were as close as that, | 0:18:16 | 0:18:17 | |
say a couple of millimetres. | 0:18:17 | 0:18:19 | |
On your arm, we were that sort of distance, | 0:18:19 | 0:18:23 | |
-something like six centimetres apart. -Yes. | 0:18:23 | 0:18:26 | |
-You couldn't tell two from one at all clearly on your arm. -Incredible. | 0:18:26 | 0:18:31 | |
A remarkable difference between those two. | 0:18:31 | 0:18:35 | |
'But how did we start kissing on the lips in the first place?' | 0:18:35 | 0:18:38 | |
It is unlikely, in my view, that lips evolved for kissing. | 0:18:38 | 0:18:43 | |
They would have originally been used for taking in food, | 0:18:43 | 0:18:47 | |
probably kiss feeding, when a mother pre-masticates food, | 0:18:47 | 0:18:52 | |
chews it up and then puts it into the infant's mouth, and for speaking. | 0:18:52 | 0:18:56 | |
All those things would be directly linked with survival. | 0:18:56 | 0:18:59 | |
Originally, are we saying, that lips weren't really kind of meant for kissing? | 0:18:59 | 0:19:05 | |
Probably lips adapted for kissing | 0:19:05 | 0:19:08 | |
because there's my lots of sensation there | 0:19:08 | 0:19:12 | |
and when two lips kiss, it's usually a preamble to sex. | 0:19:12 | 0:19:17 | |
So the lips became our kissing gear | 0:19:19 | 0:19:21 | |
and all those nerve endings in them, getting stimulated, | 0:19:21 | 0:19:23 | |
makes for a blinking messy orgy of exploding synapses and gushing hormones. | 0:19:23 | 0:19:29 | |
The level of the hormone oxytocin increases, | 0:19:29 | 0:19:32 | |
encouraging feelings of affection and attachment. | 0:19:32 | 0:19:35 | |
The level of the stress hormone cortisol decreases, making you more relaxed. | 0:19:35 | 0:19:40 | |
I see where this is going now. Oh, find a room! | 0:19:40 | 0:19:43 | |
Kissing also releases serotonin, | 0:19:43 | 0:19:46 | |
so much so that you can feel euphoric for up to two hours afterwards. | 0:19:46 | 0:19:51 | |
I've never been euphoric for two minutes, let alone two hours. | 0:19:51 | 0:19:55 | |
Basically, kissing makes for a brain chemical concoction designed to get our genes excited | 0:19:57 | 0:20:02 | |
that there's a bit of wahey on the way. | 0:20:02 | 0:20:04 | |
0K, stop right there. | 0:20:04 | 0:20:06 | |
I really don't like to see this overactive snogging in public, | 0:20:07 | 0:20:11 | |
so I'm heading indoors. | 0:20:11 | 0:20:13 | |
I'm hoping to discover some downsides to kissing. | 0:20:17 | 0:20:20 | |
Maybe it's not good for you! Perhaps we can get it banned... | 0:20:20 | 0:20:25 | |
It just gets worse. | 0:20:28 | 0:20:30 | |
Apparently kissing lowers your blood pressure and cholesterol. | 0:20:30 | 0:20:34 | |
Burns off more calories than going for a swim. | 0:20:35 | 0:20:40 | |
Oh, bugger. | 0:20:40 | 0:20:41 | |
Fights tooth decay as well. | 0:20:41 | 0:20:43 | |
Apparently 10% of the world don't kiss, | 0:20:46 | 0:20:48 | |
or else they're discreet enough not to do it in front of the people | 0:20:48 | 0:20:51 | |
that research this sort of thing. | 0:20:51 | 0:20:53 | |
Surely there must be SOME people who don't kiss? | 0:20:53 | 0:20:56 | |
Well, I've always understood that sex workers don't kiss, | 0:20:59 | 0:21:03 | |
so I've asked sex work researcher and activist Jo Doezema | 0:21:03 | 0:21:05 | |
to meet me for a nice cup of tea, to ask her if it's true. | 0:21:05 | 0:21:10 | |
-Hello, Jo. -Hello, Jo. -I'm Jo. Nice to see you. | 0:21:10 | 0:21:13 | |
I'm Jo, nice to see too. | 0:21:13 | 0:21:14 | |
Now, Jo, I don't really know why I think this, | 0:21:14 | 0:21:17 | |
but I must have discussed it with people over the years, | 0:21:17 | 0:21:21 | |
but I believe it to be true that sex workers, on the whole, | 0:21:21 | 0:21:25 | |
don't tend to want to kiss their clients, | 0:21:25 | 0:21:29 | |
because it's something that's far too intimate for them to do | 0:21:29 | 0:21:34 | |
because it's just, if you like, a financial transaction between them. | 0:21:34 | 0:21:38 | |
Am I right there? | 0:21:38 | 0:21:40 | |
It's interesting. You're not completely wrong. You're a bit right. | 0:21:40 | 0:21:44 | |
On the one hand, there are those sex workers that feel it's too intimate, | 0:21:44 | 0:21:47 | |
but there's actually | 0:21:47 | 0:21:49 | |
a whole swathe of other sex workers, | 0:21:49 | 0:21:51 | |
and I would say more, who do provide kissing | 0:21:51 | 0:21:55 | |
-and who have marketed it very skilfully as the girlfriend experience. -Oh, really? | 0:21:55 | 0:22:01 | |
And the girlfriend experience is just like what it says, | 0:22:01 | 0:22:04 | |
it involves kissing, touching, it involves intimacy, | 0:22:04 | 0:22:07 | |
and it's incredibly popular. | 0:22:07 | 0:22:10 | |
I've found that, actually, among the sex workers I've spoken to, | 0:22:10 | 0:22:13 | |
the demand for kissing is huge - much more, actually, than for any other service. | 0:22:13 | 0:22:19 | |
It's the first question that they get asked, "do you kiss?" | 0:22:19 | 0:22:22 | |
-I'm really surprised about that. -I know, I know - isn't that strange? | 0:22:22 | 0:22:25 | |
So, in many ways, men are actually romantics, really, | 0:22:25 | 0:22:28 | |
and they're looking for the whole package of a romantic experience | 0:22:28 | 0:22:32 | |
rather than just a quick chug, as it were? | 0:22:32 | 0:22:35 | |
What's maybe even more interesting, certainly surprising to me | 0:22:35 | 0:22:39 | |
was it's not just clients who are interested in the intimacy of a kiss. | 0:22:39 | 0:22:44 | |
This one sex worker that I spoke to | 0:22:44 | 0:22:46 | |
explained how if she was having sex with a man, a client, | 0:22:46 | 0:22:50 | |
and he didn't kiss her, how it made her feel dirty and bad | 0:22:50 | 0:22:55 | |
and as if he didn't consider her good enough to be kissed. | 0:22:55 | 0:22:59 | |
That's really interesting though, isn't it? | 0:22:59 | 0:23:02 | |
That's the sort of traditional view that a lot of people in society hold of sex workers, | 0:23:02 | 0:23:07 | |
-that they shouldn't expect any more than money out of it. -Yes, exactly. | 0:23:07 | 0:23:12 | |
Sex workers I've talked to mention the fact when you're kissing someone, | 0:23:12 | 0:23:16 | |
you're there and they're there and the connection is there. | 0:23:16 | 0:23:18 | |
We know how easy it is to drift away when you're having sex. | 0:23:18 | 0:23:21 | |
You can just, there you go, proverbial laundry list. | 0:23:21 | 0:23:24 | |
-Shopping list, yes. -Exactly. | 0:23:24 | 0:23:26 | |
Because you're sort of right there, | 0:23:26 | 0:23:28 | |
you can't kind of watch telly over their shoulder. | 0:23:28 | 0:23:30 | |
No, you can't! | 0:23:30 | 0:23:31 | |
When you're kissing someone, it's much more difficult. | 0:23:31 | 0:23:35 | |
You're there, you're aware, you have a real connection with somebody. | 0:23:35 | 0:23:38 | |
So how much, if you paying say 50 quid for half an hour, | 0:23:38 | 0:23:42 | |
how much extra would kissing cost? | 0:23:42 | 0:23:45 | |
Probably 20 or 30. | 0:23:45 | 0:23:47 | |
And how much would it cost to have someone to say, "your hair looks really nice?" | 0:23:47 | 0:23:51 | |
Priceless. | 0:23:51 | 0:23:53 | |
Well, can I just say, you've opened up a whole new world for me in terms of, | 0:23:56 | 0:24:01 | |
you've sort of slashed my preconceptions to bits | 0:24:01 | 0:24:04 | |
and that's great, you know, | 0:24:04 | 0:24:06 | |
and made me feel kind of hopeful about it, in a way, | 0:24:06 | 0:24:10 | |
and also quite made me want to do it, | 0:24:10 | 0:24:14 | |
and also made me want to give you a kiss! | 0:24:14 | 0:24:17 | |
So, thank you very much. | 0:24:17 | 0:24:19 | |
-Oh, lovely. -Cheers. | 0:24:19 | 0:24:22 | |
'So if the kiss can be worth money...' | 0:24:23 | 0:24:27 | |
I'm sure absolutely no kissing goes on in there, apart from on the balcony | 0:24:27 | 0:24:31 | |
when there's a royal wedding. | 0:24:31 | 0:24:34 | |
'..what other power does it have?' | 0:24:34 | 0:24:37 | |
When I think back to the '80s, when I really came of age politically, | 0:24:37 | 0:24:41 | |
it makes me think there's one person I really do need to go and talk to about this. | 0:24:41 | 0:24:47 | |
Human rights campaigner Peter Tatchell is someone I've always admired, | 0:24:53 | 0:24:58 | |
chiefly because he's never been prepared to just accept the world as it is | 0:24:58 | 0:25:02 | |
and, amazingly enough, he's campaigned in the past about public kissing. | 0:25:02 | 0:25:06 | |
People have said things to me like, | 0:25:11 | 0:25:13 | |
how kind of significant and beautiful the kiss is, but, | 0:25:13 | 0:25:17 | |
particularly from your point of view, | 0:25:17 | 0:25:20 | |
I mean it's a very powerful symbol in a way, | 0:25:20 | 0:25:23 | |
isn't it and has huge political significance? | 0:25:23 | 0:25:27 | |
Can you tell me something about that? | 0:25:27 | 0:25:29 | |
Historically, for gay and lesbian couples, the right to kiss in public | 0:25:29 | 0:25:35 | |
has been a very important historic battle. | 0:25:35 | 0:25:38 | |
Until 1990, same-sex couples in London, | 0:25:38 | 0:25:42 | |
never mind the rest of the country, | 0:25:42 | 0:25:44 | |
were being arrested for kissing and cuddling in public | 0:25:44 | 0:25:48 | |
when comparable behaviour by heterosexual couples | 0:25:48 | 0:25:51 | |
merited no attention by the police whatsoever. | 0:25:51 | 0:25:55 | |
So was there kind of a formal law | 0:25:55 | 0:25:57 | |
forbidding gay couples from kissing in public? | 0:25:57 | 0:26:00 | |
It was never an explicit, specific crime, | 0:26:00 | 0:26:04 | |
but what the police did was arrest lesbian and gay couples for kissing | 0:26:04 | 0:26:09 | |
using other legislation such as outraging public decency, | 0:26:09 | 0:26:14 | |
behaviour likely to cause a breach of the peace and, using the Public Order Act provisions, | 0:26:14 | 0:26:19 | |
behaviour likely to cause harassment, alarm or distress. | 0:26:19 | 0:26:23 | |
Since the police made kissing in public a political and criminal issue, | 0:26:23 | 0:26:29 | |
we decided to take them on. | 0:26:29 | 0:26:33 | |
That's why in September of 1990, the gay rights group Outrage, | 0:26:33 | 0:26:36 | |
which I was involved with, staged a mass kiss-in in Piccadilly Circus. | 0:26:36 | 0:26:42 | |
We got 300 couples to turn up | 0:26:42 | 0:26:45 | |
and issued the ultimatum to the police, "If you think this law is worth defending, | 0:26:45 | 0:26:51 | |
"come and arrest us. | 0:26:51 | 0:26:52 | |
"Otherwise, give us notice that from now on the law will not be enforced against us." | 0:26:52 | 0:26:58 | |
I'm really proud to say that, one hour before the protest began, | 0:26:58 | 0:27:02 | |
the Metropolitan Police sent us a note saying, "0K, you've won. | 0:27:02 | 0:27:06 | |
"From this moment onwards, in the Metropolitan Police area, | 0:27:06 | 0:27:10 | |
"no same-sex couple will be arrested for merely kissing and showing affection." | 0:27:10 | 0:27:14 | |
What a fantastic coup. | 0:27:14 | 0:27:16 | |
The kiss-in became a celebration of a victory, | 0:27:16 | 0:27:20 | |
rather than a protest. | 0:27:20 | 0:27:21 | |
-Here's a couple of photographs from one of the kiss-ins. -Oh, right. | 0:27:21 | 0:27:26 | |
There's two guys going at it. Is that offensive to you? | 0:27:26 | 0:27:31 | |
No, they don't look like they're what I call going at it, | 0:27:31 | 0:27:35 | |
they just look like they're having a nice kiss. | 0:27:35 | 0:27:37 | |
-OK. Here afterwards in the park, when people were celebrating. -Oh, right. | 0:27:37 | 0:27:42 | |
Another couple, quite clearly celebrating with a beer. | 0:27:42 | 0:27:45 | |
Yes, indeed, fair enough. | 0:27:45 | 0:27:47 | |
They're great, no, I don't have an issue with those at all. | 0:27:47 | 0:27:50 | |
Good. | 0:27:50 | 0:27:52 | |
Fantastic, so we're getting there. | 0:27:52 | 0:27:54 | |
A bit more therapy and you...! | 0:27:54 | 0:27:56 | |
I know, I know. | 0:27:56 | 0:27:58 | |
So I'm off for some more slimy snog analysis then. | 0:27:59 | 0:28:03 | |
If the kiss has power, does it actually have beauty too? | 0:28:03 | 0:28:08 | |
Well, I'm going to look at some kissing art, | 0:28:08 | 0:28:11 | |
at the Wellcome Collection, but I'm not sure I'll like it. | 0:28:11 | 0:28:15 | |
These sculptures are casts of the insides of people's mouths | 0:28:17 | 0:28:21 | |
while they are locked in a passionate tongues-in job. | 0:28:21 | 0:28:24 | |
I must say, they seem pretty grotesque to me. | 0:28:24 | 0:28:27 | |
All teeth, gums and wiggly bits. | 0:28:27 | 0:28:30 | |
# If you hear | 0:28:30 | 0:28:32 | |
# A song in blue | 0:28:32 | 0:28:37 | |
# Like a flower crying for the dew | 0:28:37 | 0:28:42 | |
# That was my heart | 0:28:45 | 0:28:48 | |
# Serenading you | 0:28:48 | 0:28:53 | |
# My prelude to a kiss. # | 0:28:54 | 0:28:57 | |
For me, in a lot of ways, they don't really bear any relation to the human mouth | 0:28:59 | 0:29:04 | |
because they just don't look like it. | 0:29:04 | 0:29:07 | |
For example, that one there looks like a horse | 0:29:07 | 0:29:10 | |
that's had its jaw broken. 'Mmm. | 0:29:10 | 0:29:13 | |
'To find out more, I've arranged to meet the artist, Charlie Murphy.' | 0:29:13 | 0:29:17 | |
-Hello, Charlie. -Hi. -Nice to meet you. | 0:29:17 | 0:29:20 | |
So you're responsible for these glorious creations? | 0:29:20 | 0:29:23 | |
I am, yes. | 0:29:23 | 0:29:25 | |
I started it with my own kisses. | 0:29:25 | 0:29:27 | |
That was kind of, er, | 0:29:27 | 0:29:29 | |
my early experiments where I was trying to kind of visualise | 0:29:29 | 0:29:33 | |
what it was like to see what a kiss looked like. | 0:29:33 | 0:29:35 | |
I experimented with kissing different people. | 0:29:35 | 0:29:39 | |
Did you indeed? | 0:29:39 | 0:29:41 | |
I did and I got into a bit of trouble! | 0:29:41 | 0:29:43 | |
Then I thought, OK, it's much more acceptable to kind of open it out | 0:29:43 | 0:29:47 | |
and see if people would donate their cast to my collection. | 0:29:47 | 0:29:51 | |
I've got a couple here that you can see a bit more closely. | 0:29:51 | 0:29:55 | |
This is an example, I'll just hand it to you... | 0:29:55 | 0:30:00 | |
You're looking from the back of the mouth | 0:30:00 | 0:30:03 | |
-through the other person's mouth. -You can see teeth, can't you? | 0:30:03 | 0:30:06 | |
You can, you can see the back of the upper and the lower palate | 0:30:06 | 0:30:11 | |
and, actually, if you look further through, | 0:30:11 | 0:30:13 | |
you can see somebody's tongue coming towards you. | 0:30:13 | 0:30:17 | |
Yeah, why the particular moment of the kiss, then? | 0:30:17 | 0:30:20 | |
Why do you think that's important? | 0:30:20 | 0:30:22 | |
Well, I think it's a really precious moment | 0:30:22 | 0:30:24 | |
and it's something I wanted to kind of visualise | 0:30:24 | 0:30:29 | |
what these expressions of desire look like from the inside. | 0:30:29 | 0:30:33 | |
My husband says I've got a massive gob, | 0:30:33 | 0:30:35 | |
so I reckon mine would look like the batcave. | 0:30:35 | 0:30:38 | |
Charlie had some couples arriving to make some more of these snog sculptures | 0:30:39 | 0:30:43 | |
and she wants me to lend a hand. | 0:30:43 | 0:30:45 | |
OK. 'The initial kiss imprint is made with dental putty.' | 0:30:48 | 0:30:53 | |
-In there? -Yes, please. | 0:30:53 | 0:30:55 | |
-All in one go? -All in one go. Lovely. | 0:30:55 | 0:30:58 | |
-Who's going to go first? -It looks quite nice, doesn't it? | 0:30:58 | 0:31:01 | |
A sort of blancmangey kind of pink, isn't it? | 0:31:01 | 0:31:04 | |
Now, unless you've just switched on the telly, | 0:31:04 | 0:31:06 | |
you'll know I don't like seeing kissing in public very much | 0:31:06 | 0:31:09 | |
but I'll make an exception if I get to stuff something in their mouths first. | 0:31:09 | 0:31:14 | |
Take as much as you feel... | 0:31:14 | 0:31:16 | |
A bit more? | 0:31:17 | 0:31:19 | |
That's enough? | 0:31:19 | 0:31:20 | |
Take as much as you... Oh, my word. Well done. | 0:31:20 | 0:31:24 | |
# Kiss me honey, honey, kiss me | 0:31:24 | 0:31:27 | |
# Thrill me, honey, honey, thrill me | 0:31:27 | 0:31:32 | |
# I don't care even if I blow my top, but honey, honey... # | 0:31:32 | 0:31:36 | |
Is that OK? | 0:31:36 | 0:31:37 | |
Happy? | 0:31:37 | 0:31:39 | |
# I'd like to play a little game with you | 0:31:39 | 0:31:42 | |
# A little game especially made for two... # | 0:31:42 | 0:31:46 | |
This is very romantic, isn't it? | 0:31:46 | 0:31:49 | |
Very romantic. | 0:31:49 | 0:31:50 | |
# Closer, closer now | 0:31:50 | 0:31:52 | |
# Kiss me honey, honey, kiss me | 0:31:54 | 0:31:57 | |
# Thrill me honey, honey, thrill me | 0:31:57 | 0:32:01 | |
# Don't care even if I blow my top... # | 0:32:01 | 0:32:04 | |
With my husband, that would be long enough now! | 0:32:04 | 0:32:08 | |
Hold still, now. | 0:32:08 | 0:32:10 | |
And we've got 90 seconds for you to do that, | 0:32:10 | 0:32:13 | |
it will seem like two hours. | 0:32:13 | 0:32:15 | |
# Just settle down and let me teach you how | 0:32:17 | 0:32:20 | |
# Closer, closer now... # | 0:32:20 | 0:32:23 | |
Keep going... Everybody all right | 0:32:23 | 0:32:25 | |
and feeling comfortable enough? | 0:32:25 | 0:32:28 | |
Yeah, thank you. | 0:32:28 | 0:32:31 | |
So you've just got 30 seconds to go... | 0:32:31 | 0:32:34 | |
..and you should feel it hardening up in your mouth, Matron. | 0:32:35 | 0:32:39 | |
So if you could sort of unlock your jaws, when you are ready, | 0:32:43 | 0:32:47 | |
and push it forward with your... | 0:32:47 | 0:32:49 | |
Fantastic, wahey, look at that. | 0:32:49 | 0:32:53 | |
Oh, isn't that lovely. | 0:32:53 | 0:32:55 | |
Oh, my word. | 0:32:56 | 0:32:58 | |
Brilliant. Well done. | 0:32:58 | 0:33:00 | |
Fantastic. Well done. | 0:33:02 | 0:33:04 | |
# Honey, honey, don't stop. # | 0:33:04 | 0:33:08 | |
Did I just see a kiss and think it was romantic? | 0:33:09 | 0:33:12 | |
No! Yes, it looked lovely. | 0:33:12 | 0:33:15 | |
But that's because they weren't eating each other's face off | 0:33:15 | 0:33:20 | |
and chewing each other's ears and tonguing all around the eyebrows. | 0:33:20 | 0:33:23 | |
That's the sort of kissing I don't like in public. | 0:33:23 | 0:33:26 | |
Yeah, let's tour. | 0:33:27 | 0:33:29 | |
Actually, I could do a bit of stand-up then you could get some snoggers. | 0:33:29 | 0:33:33 | |
-No, that was great, really good fun. -Thank you. -But still disgusting. | 0:33:35 | 0:33:39 | |
These casts might look like half chewed blancmanges but, somehow, | 0:33:39 | 0:33:43 | |
they make me want to go back and look at the finished sculptures again. | 0:33:43 | 0:33:48 | |
You know there's something rather touching about those couples | 0:33:48 | 0:33:51 | |
wanting to preserve their kissing moment. | 0:33:51 | 0:33:54 | |
They're very different to the schmaltzy representations of the kiss you usually see. | 0:33:54 | 0:33:59 | |
This actually is a kiss, in all its horror...and beauty. | 0:33:59 | 0:34:04 | |
# A prelude to | 0:34:04 | 0:34:07 | |
# A kiss. # | 0:34:07 | 0:34:14 | |
I'm beginning to think that, just maybe, there is something more | 0:34:16 | 0:34:20 | |
to all this kissing business than I'd thought. | 0:34:20 | 0:34:22 | |
I'm going to meet Adrianne Blue, who has written a whole book on kissing. | 0:34:22 | 0:34:27 | |
Will she be able to persuade me out of my kiss irritation? | 0:34:27 | 0:34:31 | |
Adrianne, right, | 0:34:31 | 0:34:33 | |
I want to talk to you particularly because I'm a big anti-kissing-in-public person. | 0:34:33 | 0:34:40 | |
-Snogging, like mega kind of snogging. -Yes. | 0:34:40 | 0:34:46 | |
I don't particularly want to watch that in public | 0:34:46 | 0:34:50 | |
and I don't think there's a problem with going round the corner or going in a bit of darkness. | 0:34:50 | 0:34:55 | |
Look at the trees and the bridge instead of the young people. | 0:34:55 | 0:34:58 | |
You know. I don't think it IS a problem. | 0:34:58 | 0:35:01 | |
I don't want to look at the trees. | 0:35:01 | 0:35:02 | |
All right, heavy kissing in public I don't want to go on record | 0:35:02 | 0:35:05 | |
as the greatest advocate of it, I'm not, | 0:35:05 | 0:35:07 | |
but I do understand that people don't have a place to go, | 0:35:07 | 0:35:10 | |
or sometimes they're so in love, they can't keep their hands off each other, all right? | 0:35:10 | 0:35:14 | |
I'm willing to accept that, it doesn't bother me, | 0:35:14 | 0:35:17 | |
I look at the scenery if I don't want to look at them and I think you could too! | 0:35:17 | 0:35:21 | |
The actual kiss, the playing of tongues, the playing of lips, | 0:35:21 | 0:35:24 | |
the 34 muscles of the face moving in unison, | 0:35:24 | 0:35:27 | |
the bodies leaning together, and all of that, that's the dance. | 0:35:27 | 0:35:31 | |
-I must say you are making it sound rather attractive. -Ah. | 0:35:31 | 0:35:35 | |
You have this mutual thing, both bodies doing the same things. | 0:35:35 | 0:35:39 | |
The lips of men are very similar to the lips of women, the mouths, | 0:35:39 | 0:35:43 | |
those things are androgynous. | 0:35:43 | 0:35:45 | |
So here's the only sexual act in which people are doing exactly the same thing. | 0:35:45 | 0:35:50 | |
That's magnificent. Now, what I don't understand is why it upsets you so much. | 0:35:50 | 0:35:55 | |
Is there something in your personal history, | 0:35:55 | 0:35:58 | |
is there some reason that this galls you? | 0:35:58 | 0:36:00 | |
'Oh, gawd, what am I supposed to say now? | 0:36:00 | 0:36:03 | |
'Gather, gather.' | 0:36:05 | 0:36:06 | |
Erm, there's no kind of very specific thing in my personal or history. | 0:36:08 | 0:36:14 | |
No, no - there's nothing. | 0:36:16 | 0:36:18 | |
I mean, since I've been doing the job that I do, | 0:36:18 | 0:36:21 | |
I have had drunk people kiss me, quite forcefully, | 0:36:21 | 0:36:24 | |
when I didn't want to kiss them. | 0:36:24 | 0:36:28 | |
Not with tongues, normally, but that has happened on a couple of occasions | 0:36:28 | 0:36:31 | |
and it's been very unpleasant because | 0:36:31 | 0:36:35 | |
I find it an infringement of my personal space. | 0:36:35 | 0:36:38 | |
If they're coming towards me, like a steam train, there's not a lot I can do about it. | 0:36:38 | 0:36:43 | |
I think the worst sort of kiss is a stolen kiss because the very nature, | 0:36:43 | 0:36:46 | |
the essence of kissing is this reciprocity, this mutuality. | 0:36:46 | 0:36:49 | |
Doing a dance together. | 0:36:49 | 0:36:51 | |
So if some bloke snogs you when you don't want them to, | 0:36:51 | 0:36:54 | |
as you've mentioned, that isn't really a kiss, that's aggression. | 0:36:54 | 0:36:59 | |
I really can't believe that you are against real kisses, | 0:36:59 | 0:37:04 | |
because kisses are delightful. | 0:37:04 | 0:37:07 | |
I'm the last person to tell people how to think or what to do, | 0:37:07 | 0:37:10 | |
everybody has to make their own relationship with kissing | 0:37:10 | 0:37:13 | |
and you're going to have to sort out yours, whenever you're ready to. | 0:37:13 | 0:37:17 | |
"Whenever I'm ready." | 0:37:20 | 0:37:24 | |
"Make my own relationship with the kiss." | 0:37:24 | 0:37:28 | |
What does Adrianne expect me to do, slurp the first bloke who walks past? | 0:37:28 | 0:37:33 | |
But maybe there was something in what she said. | 0:37:34 | 0:37:37 | |
Perhaps I have been unable to see the beauty in a kiss. | 0:37:37 | 0:37:43 | |
I wonder how my relationship with the kiss ended up here? | 0:37:43 | 0:37:46 | |
Perhaps I'll have to trace it right back to the beginning. | 0:37:48 | 0:37:52 | |
There's nothing else for it, | 0:37:52 | 0:37:54 | |
I'll have to go and see my mum and a load of babies. | 0:37:54 | 0:37:58 | |
# With my little legs I kick high high high | 0:37:58 | 0:38:01 | |
# With my little eyes I say peek-a-boo | 0:38:01 | 0:38:05 | |
# With my little lips I say, "I love you". # | 0:38:05 | 0:38:10 | |
Is this where all kissing begins, with mother and child? | 0:38:10 | 0:38:13 | |
I'm wondering how important these early kisses are | 0:38:13 | 0:38:16 | |
to how we feel about the kiss as adults? | 0:38:16 | 0:38:19 | |
A good thing I brought my mum then, | 0:38:19 | 0:38:21 | |
as well as being my mum, | 0:38:21 | 0:38:22 | |
she was a social worker in child protection for 30 years. | 0:38:22 | 0:38:26 | |
# And I like to fall in a heap - wheee! # | 0:38:26 | 0:38:30 | |
I think one of the lovely things about kissing babies, | 0:38:30 | 0:38:34 | |
and very small children, is the whole sense of how wonderful they are. | 0:38:34 | 0:38:39 | |
Their skin feels lovely. | 0:38:39 | 0:38:40 | |
Their skin is beautiful, the top of their head is lovely. | 0:38:40 | 0:38:43 | |
-They smell nice, as well. -They smell very nice. | 0:38:43 | 0:38:45 | |
-On the whole. -Yes. -Yes. | 0:38:45 | 0:38:47 | |
It would be an experience which was mutually pleasurable, wouldn't it? | 0:38:47 | 0:38:51 | |
Absolutely. | 0:38:51 | 0:38:53 | |
Like not kissing your baby also means something really sad, | 0:38:53 | 0:38:56 | |
that you are not... | 0:38:56 | 0:38:58 | |
You're not really connected. | 0:38:58 | 0:38:59 | |
..not really connected. | 0:38:59 | 0:39:01 | |
I think that happens quite a lot, | 0:39:01 | 0:39:03 | |
either with mothers that are depressed or have been abused themselves, | 0:39:03 | 0:39:08 | |
or deprived in some way. | 0:39:08 | 0:39:10 | |
Did you kiss me a lot? | 0:39:10 | 0:39:12 | |
No, I wouldn't suggest I did. | 0:39:12 | 0:39:14 | |
A little, or a medium amount? | 0:39:14 | 0:39:16 | |
I'll tell you when I always kissed all of you, | 0:39:16 | 0:39:19 | |
is when you'd been hurt. | 0:39:19 | 0:39:21 | |
-Oh, right. -If you were hurt and you cried. | 0:39:21 | 0:39:24 | |
It seems to me that kissing you | 0:39:24 | 0:39:28 | |
offered a very special statement about, "it'll be OK". | 0:39:28 | 0:39:32 | |
Which would have been devalued if you did it all the time. | 0:39:32 | 0:39:35 | |
She never kissed me. You never kissed me, did you? | 0:39:35 | 0:39:39 | |
Look what I turned into! | 0:39:39 | 0:39:40 | |
No, I don't want to give that impression. | 0:39:40 | 0:39:44 | |
But then, of course, we all grow up to have our first kisses, away from the family. | 0:39:52 | 0:39:57 | |
Where was your first kiss in public? | 0:39:58 | 0:40:00 | |
My first kiss, when I was like, six years old, was in school. | 0:40:00 | 0:40:03 | |
-I kissed this girl, Christina. -Was she lovely? | 0:40:03 | 0:40:06 | |
She was a very beautiful girl. | 0:40:06 | 0:40:08 | |
Didn't know what I was doing, but then she showed me how to do it | 0:40:08 | 0:40:11 | |
and then after then... | 0:40:11 | 0:40:13 | |
-At six? -Yeah. -That's outrageous! | 0:40:13 | 0:40:15 | |
Can you remember your first kiss? | 0:40:16 | 0:40:19 | |
It was in the stock cupboard of my old school. | 0:40:19 | 0:40:23 | |
It was a few years ago. No, I can't remember. It was some time ago. | 0:40:23 | 0:40:28 | |
This guy called Alan, who was really ugly, | 0:40:28 | 0:40:31 | |
and had a nose out there that kept getting in the way. | 0:40:31 | 0:40:34 | |
-It was just at the Odeon cinema down the street. -Oh, really? -Yeah. | 0:40:34 | 0:40:37 | |
-And how did it go? -It was... | 0:40:37 | 0:40:39 | |
I was a bit inexperienced, I actually forgot to come up for air. | 0:40:39 | 0:40:45 | |
It was in your Metro, outside your house, half two in the morning. | 0:40:45 | 0:40:50 | |
That sounds lovely, was it nice? Well, it obviously was nice enough... Yes. | 0:40:50 | 0:40:53 | |
It's ten years ago, so... | 0:40:53 | 0:40:56 | |
-Been married eight years. -Ahh. | 0:40:56 | 0:40:57 | |
-And you still do kissing? -Yeah. | 0:40:57 | 0:41:00 | |
-Yes. Oh, look... -I went in then. | 0:41:00 | 0:41:03 | |
-Sorry! -I know, ah. Was it nice, or was it a disappointment? | 0:41:03 | 0:41:06 | |
Oh, yes, it always is nice. | 0:41:06 | 0:41:09 | |
Well, I think so. I can't remember one that hasn't been nice. | 0:41:09 | 0:41:11 | |
That's a good average, isn't it? | 0:41:11 | 0:41:14 | |
Can we ask you about your first kiss? | 0:41:14 | 0:41:16 | |
-Yes, it was absolutely horrible. -Oh, dear. | 0:41:16 | 0:41:19 | |
It was like being kissed by a big slimy, slug. | 0:41:19 | 0:41:23 | |
That first of many disastrous kisses, | 0:41:23 | 0:41:26 | |
and if I'm honest, a few good ones was when I was a teenager. | 0:41:26 | 0:41:31 | |
I wanted to ask my mum how she'd felt about that milestone. | 0:41:31 | 0:41:35 | |
My first kiss, which was absolutely revolting in every possible imaginable way, | 0:41:35 | 0:41:41 | |
I never told you about that, | 0:41:41 | 0:41:44 | |
-but you didn't want to hear about it, did you? -No, you see, | 0:41:44 | 0:41:47 | |
I know there's this theme of mothers and daughters being good friends and the daughter... | 0:41:47 | 0:41:53 | |
You're not keen on that though, are you? | 0:41:53 | 0:41:56 | |
I'm not keen on that either, and I'm certainly... | 0:41:56 | 0:42:00 | |
Me neither. So that's really handy. | 0:42:00 | 0:42:02 | |
I mean, I think, you know, | 0:42:02 | 0:42:04 | |
you wouldn't be the first person I would naturally come galloping to and go, | 0:42:04 | 0:42:08 | |
-hey, guess what. -No. -First kiss. | 0:42:08 | 0:42:11 | |
I wouldn't have known about your first kiss, that's for sure. | 0:42:11 | 0:42:15 | |
-Absolutely. -Just as well. | 0:42:15 | 0:42:18 | |
So, who was it then, Jo? | 0:42:18 | 0:42:20 | |
I can't even remember his name, but he was spotty and not very good at it. | 0:42:20 | 0:42:25 | |
I mean, I certainly wouldn't have wanted to discuss it with you, really. | 0:42:25 | 0:42:29 | |
I would have been embarrassed by it | 0:42:29 | 0:42:31 | |
because all those manifestations, of the personal and private, | 0:42:31 | 0:42:36 | |
I find embarrassing. | 0:42:36 | 0:42:38 | |
I don't... I'm not happy observing | 0:42:38 | 0:42:42 | |
a couple absolutely eating one another up somewhere in a public place. | 0:42:42 | 0:42:48 | |
So is THAT where I got my public kissing phobia from? | 0:42:49 | 0:42:53 | |
My mum! That could explain a lot. | 0:42:53 | 0:42:56 | |
# I kissed a girl | 0:42:56 | 0:42:58 | |
# I liked it | 0:42:58 | 0:43:00 | |
# The taste of her cherry Chapstick | 0:43:00 | 0:43:03 | |
# I kissed a girl just to try it | 0:43:03 | 0:43:07 | |
# Hope my girlfriend don't mind it. # | 0:43:07 | 0:43:11 | |
What's it like for today's teenagers graduating to their first kisses | 0:43:12 | 0:43:15 | |
while there's so much garish snogging going on already? | 0:43:15 | 0:43:20 | |
What might this next generation of kissers be like? | 0:43:20 | 0:43:23 | |
I'm going to find out. | 0:43:23 | 0:43:26 | |
Hi, do you want to be on our team? | 0:43:26 | 0:43:29 | |
-I'd love to, thank you very much. -You can go first. | 0:43:29 | 0:43:32 | |
Oh, thanks, | 0:43:32 | 0:43:33 | |
Can I just say I'm not an asset. | 0:43:33 | 0:43:35 | |
Any old one I want? That'll do, then. | 0:43:35 | 0:43:38 | |
ALL CHEER | 0:43:44 | 0:43:47 | |
Now, I've gathered you all together today | 0:43:54 | 0:43:57 | |
because I want to find out what you lot, at your lovely tender, | 0:43:57 | 0:44:01 | |
but I'm not envious at all, | 0:44:01 | 0:44:03 | |
age, which is of the teenage persuasion. | 0:44:03 | 0:44:07 | |
What you all think about kissing? | 0:44:07 | 0:44:09 | |
Can you remember your first kiss? | 0:44:09 | 0:44:12 | |
Mmm. | 0:44:12 | 0:44:13 | |
He said, "Can I kiss you?" and I said, "OK". | 0:44:13 | 0:44:17 | |
So he kissed me on the forehead, for some reason. | 0:44:17 | 0:44:20 | |
-Ahh. -And it was really embarrassing. | 0:44:20 | 0:44:24 | |
He just grabbed my face and shoved his tongue down my throat. | 0:44:24 | 0:44:28 | |
I was a bit like... Calm down! | 0:44:28 | 0:44:31 | |
Remembering back to when I was a teenager in 1841, erm... | 0:44:31 | 0:44:35 | |
I think the problem is that when you're your age, | 0:44:37 | 0:44:40 | |
you really worry that your experience is going to be different from everyone else's, | 0:44:40 | 0:44:44 | |
or you're going to do it wrong. | 0:44:44 | 0:44:46 | |
Before the first time you have a kiss, | 0:44:46 | 0:44:48 | |
you think there's a way you have to do it. | 0:44:48 | 0:44:50 | |
You practise it on your hand. | 0:44:50 | 0:44:52 | |
Yeah, and you get really scared, | 0:44:52 | 0:44:54 | |
but then once you've done it the first time, it's just after that, | 0:44:54 | 0:44:56 | |
it's like, "oh, that was it, what was I worried about?" | 0:44:56 | 0:44:59 | |
Let's talk about bad kisses. All right, let's talk about the worst kiss I've ever had. | 0:44:59 | 0:45:04 | |
If you make a weird noise, like, "slurp", | 0:45:04 | 0:45:09 | |
or a weird noise, like a licking noise, or... | 0:45:09 | 0:45:13 | |
It's a bit disgusting, but... | 0:45:13 | 0:45:14 | |
Oh, let's hear it then! | 0:45:14 | 0:45:16 | |
I just vomited. | 0:45:16 | 0:45:18 | |
Oh, that's what I was going to say! | 0:45:18 | 0:45:20 | |
While you were kissing someone? | 0:45:20 | 0:45:22 | |
No, no, no, just before. | 0:45:22 | 0:45:23 | |
Oh, just before. | 0:45:23 | 0:45:24 | |
And obviously then, we got into it, and I felt a bit come up. | 0:45:24 | 0:45:28 | |
Oh, no! | 0:45:28 | 0:45:29 | |
Where you really embarrassed? | 0:45:29 | 0:45:32 | |
Oh, no... | 0:45:32 | 0:45:33 | |
You weren't embarrassed. I love men, don't you? | 0:45:33 | 0:45:36 | |
Who would you most like to kiss in the world, if you could kiss anyone? | 0:45:43 | 0:45:47 | |
-Cheryl Cole. -Justin Bieber. -Aaron Johnson. | 0:45:47 | 0:45:50 | |
-Cheryl Cole. -I say Aaron Johnson. | 0:45:50 | 0:45:52 | |
Oh, no, wait, Angelina Jolie. | 0:45:52 | 0:45:54 | |
Angelina Jolie is... | 0:45:54 | 0:45:55 | |
Scarlet Johannson. | 0:45:55 | 0:45:57 | |
-Both of you? -BOTH: Yes. | 0:45:57 | 0:45:58 | |
Mark Wright from The Only Way Is Essex. | 0:45:58 | 0:46:01 | |
Harry Styles. | 0:46:01 | 0:46:02 | |
Oh, yeah! Just the whole of One Direction. | 0:46:02 | 0:46:04 | |
-He has really nice trousers. -He has nice trousers?! | 0:46:04 | 0:46:07 | |
Jo, you haven't said who you would like to kiss most of all? | 0:46:07 | 0:46:11 | |
-Do I have to? -ALL: Yes. | 0:46:11 | 0:46:13 | |
Prince Edward... No! | 0:46:13 | 0:46:16 | |
Who, male or female? | 0:46:16 | 0:46:18 | |
No, I'm not going to say. | 0:46:18 | 0:46:20 | |
You've got to say, we said it. | 0:46:20 | 0:46:23 | |
Don't worry, we won't laugh. | 0:46:23 | 0:46:24 | |
You will laugh. | 0:46:24 | 0:46:26 | |
-Are they really young or really old? -No, I can't say anyone, no, no. | 0:46:26 | 0:46:29 | |
You have to! Tell us! | 0:46:29 | 0:46:31 | |
Well, those teenagers seemed fairly confident | 0:46:31 | 0:46:34 | |
in navigating their way through the minefield of kissing. | 0:46:34 | 0:46:38 | |
More than I was as a girl. | 0:46:38 | 0:46:40 | |
But that has set me thinking, who is the person | 0:46:43 | 0:46:46 | |
that I genuinely do want kiss? | 0:46:46 | 0:46:49 | |
Well, there's only one place to start. | 0:46:49 | 0:46:52 | |
Yeah, possibly. | 0:46:57 | 0:46:58 | |
No, maybe not. | 0:46:58 | 0:47:00 | |
Too much hair in the nasal area. | 0:47:02 | 0:47:05 | |
Done him. | 0:47:07 | 0:47:08 | |
And him. | 0:47:08 | 0:47:10 | |
Everyone's done him. | 0:47:12 | 0:47:14 | |
Oh, where's Clarkson when you need him? | 0:47:16 | 0:47:19 | |
No, he's only about five. | 0:47:19 | 0:47:21 | |
Hmm, I reckon he'll do, yep. | 0:47:27 | 0:47:30 | |
Let's see what HE'S up to. | 0:47:30 | 0:47:33 | |
Maybe I can engineer a chance encounter with my "mystery man". | 0:47:33 | 0:47:40 | |
'Ah, you want to know who it is, don't you?' Oi, keep off! | 0:47:41 | 0:47:46 | |
My image would never recover, thank you! | 0:47:46 | 0:47:49 | |
Before I can get close enough to pucker up to my mystery man, | 0:47:49 | 0:47:53 | |
I better brush up on my kissing technique. | 0:47:53 | 0:47:56 | |
Right, well, I'm on my way to a screen kissing lesson | 0:48:00 | 0:48:03 | |
at an acting workshop. | 0:48:03 | 0:48:05 | |
Thing about kissing in the films is it's always the first kiss. | 0:48:05 | 0:48:08 | |
I mean, what's wrong with that kiss eight years in, | 0:48:08 | 0:48:11 | |
where you crane your neck round from the washing up, | 0:48:11 | 0:48:13 | |
as he walks past with a tray of cat sick? | 0:48:13 | 0:48:16 | |
I mean, surely that's as good? | 0:48:16 | 0:48:18 | |
Well, it's all you're going to get anyway, isn't it? | 0:48:18 | 0:48:22 | |
OK, ladies and gentlemen, gather round, if you please. | 0:48:25 | 0:48:29 | |
It seems to me, this thorny issue of kissing, | 0:48:29 | 0:48:32 | |
particularly for camera, does rely on a certain degree of trust, | 0:48:32 | 0:48:36 | |
and a certain degree of awareness of your partner. | 0:48:36 | 0:48:40 | |
Do you remember playing tag? You tag someone and you can run away? | 0:48:40 | 0:48:44 | |
Well, there's another version of this, | 0:48:44 | 0:48:46 | |
do you remember this one that went by the name of kiss chase? | 0:48:46 | 0:48:49 | |
'Oh, no, he's going to make us do one of those warm-up games | 0:48:49 | 0:48:52 | |
'to lull us into a bit of actorly snogging.' | 0:48:52 | 0:48:55 | |
So, it's kiss chase, ladies and gentlemen. Standby, off you go. | 0:48:55 | 0:48:58 | |
Kiss chase! Go, go, go! | 0:48:58 | 0:49:01 | |
'Look at those thespians go, I think I'll go in the other direction.' | 0:49:04 | 0:49:07 | |
Jo's playing this, come on, Joe. | 0:49:07 | 0:49:10 | |
She's behind the piano, ladies and gentlemen. | 0:49:10 | 0:49:13 | |
Beautiful, keep going. | 0:49:14 | 0:49:17 | |
Keep going, Nick's on, Freddie, kiss someone. | 0:49:17 | 0:49:19 | |
'I haven't even kissed anyone yet, and they're all kissing me!' | 0:49:19 | 0:49:23 | |
There's three people on, Tom's on, Freddie's on. | 0:49:23 | 0:49:26 | |
Go, go, go! Beautiful. | 0:49:26 | 0:49:29 | |
Beautiful. | 0:49:31 | 0:49:32 | |
OK, enough, thank you. | 0:49:32 | 0:49:34 | |
So, let me ask you, folks, find yourself a partner, | 0:49:34 | 0:49:37 | |
not for life, of course, just for now. | 0:49:37 | 0:49:39 | |
And just go someplace in the room with your partner. | 0:49:39 | 0:49:43 | |
Ah... Am I going to get partnered with this guy? | 0:49:43 | 0:49:47 | |
Don't get me wrong, not the sort I had in mind to kiss, | 0:49:47 | 0:49:51 | |
I'm after a scruffy, pissed, old tramp type. | 0:49:51 | 0:49:53 | |
This calls for evasive action. | 0:49:53 | 0:49:56 | |
Can I just pop out a sec? | 0:49:58 | 0:49:59 | |
Sure, you go. | 0:49:59 | 0:50:01 | |
I need to subtly put the guy off somehow. | 0:50:05 | 0:50:09 | |
This should do it. | 0:50:09 | 0:50:10 | |
Ultimate weapon for discouraging any kind of kisser. | 0:50:10 | 0:50:15 | |
Mmm. | 0:50:15 | 0:50:17 | |
Yum. | 0:50:17 | 0:50:18 | |
And all this comes into play when you have intimate scenes. | 0:50:23 | 0:50:26 | |
'Oh, what a relief, that bloke's got partnered with someone else. | 0:50:26 | 0:50:30 | |
'So, who am I going to get, then?' | 0:50:30 | 0:50:32 | |
Someone partner up Jo - off you go. | 0:50:32 | 0:50:35 | |
What's your name? | 0:50:36 | 0:50:37 | |
-I'm John. -Oh, hello. -Nice to meet you. | 0:50:37 | 0:50:41 | |
He's bit more what I had in mind, but, bugger, | 0:50:41 | 0:50:44 | |
I've just eaten that garlic. | 0:50:44 | 0:50:46 | |
Just give me a sec. | 0:50:46 | 0:50:48 | |
-Sure. -I'll be back in a sec. | 0:50:48 | 0:50:50 | |
What I wanted to do, folks, is quite easy, | 0:50:50 | 0:50:52 | |
you each have a script you've been sent. | 0:50:52 | 0:50:55 | |
That should do it. | 0:51:02 | 0:51:04 | |
I don't know whether this came through to you, | 0:51:08 | 0:51:11 | |
but it's a little bit of a script. | 0:51:11 | 0:51:12 | |
-No. -It's an apartment, it's late at night, you look into John's eyes, | 0:51:12 | 0:51:17 | |
and you look into Jo's eyes, | 0:51:17 | 0:51:19 | |
and there's a contact straightaway. | 0:51:19 | 0:51:21 | |
Maybe it's a smile? I don't know. | 0:51:21 | 0:51:24 | |
So, of course, in the script I've just been given, we have to kiss. | 0:51:24 | 0:51:28 | |
Really up for this... | 0:51:28 | 0:51:30 | |
..I don't think. | 0:51:30 | 0:51:32 | |
Well, thanks for a lovely evening, it's been great. | 0:51:32 | 0:51:34 | |
I suppose I better get going. | 0:51:34 | 0:51:36 | |
Why? | 0:51:36 | 0:51:37 | |
Well, it's getting late, can I phone a cab? | 0:51:37 | 0:51:39 | |
Uh, yeah. | 0:51:39 | 0:51:41 | |
Jo, Jo, Jo! | 0:51:43 | 0:51:46 | |
That's not how the scene ends. | 0:51:47 | 0:51:50 | |
I know. | 0:51:50 | 0:51:51 | |
-It's, "can I phone a cab?" and the scene continues. -OK. | 0:51:51 | 0:51:54 | |
I can't do this next bit. | 0:51:54 | 0:51:57 | |
What can't you do? | 0:51:57 | 0:51:58 | |
I can't go, come here, and give him a kiss. | 0:51:58 | 0:52:01 | |
I just feel really excruciatingly embarrassed. | 0:52:01 | 0:52:04 | |
And I don't want to do it. | 0:52:04 | 0:52:05 | |
Well, that's really nice for a scene, | 0:52:05 | 0:52:07 | |
if we can reverse it and I can be the one who's asking you to stay. | 0:52:07 | 0:52:11 | |
OK, all right. Well, thanks for a lovely evening, it was great, | 0:52:11 | 0:52:14 | |
but I suppose I better be going. | 0:52:14 | 0:52:16 | |
Why? | 0:52:16 | 0:52:17 | |
It's getting late, can I call a cab? | 0:52:17 | 0:52:19 | |
The phone's down. | 0:52:19 | 0:52:20 | |
I'll walk, then. | 0:52:20 | 0:52:22 | |
It's pouring down outside, you'll get soaked. | 0:52:22 | 0:52:24 | |
Got an umbrella? | 0:52:24 | 0:52:26 | |
No. | 0:52:26 | 0:52:27 | |
-A hat, then? -No hat either. | 0:52:27 | 0:52:29 | |
Oh, I'll just get my coat. | 0:52:29 | 0:52:32 | |
You can stay if you like. | 0:52:32 | 0:52:34 | |
We wouldn't want you getting soaked outside, would we? | 0:52:34 | 0:52:37 | |
Uh, no, no, I suppose not. | 0:52:37 | 0:52:39 | |
-Come here. -No! | 0:52:39 | 0:52:41 | |
LAUGHTER | 0:52:41 | 0:52:42 | |
what if we just do a kiss first, for now. | 0:52:42 | 0:52:46 | |
If you look into the eyes of this guy, just look into them. | 0:52:46 | 0:52:50 | |
Yes. | 0:52:50 | 0:52:51 | |
Without the crossed arms. | 0:52:51 | 0:52:52 | |
No! | 0:52:52 | 0:52:54 | |
Look at these people here, just have a look at here. | 0:52:54 | 0:52:56 | |
-Oh, for fuck's sake. -Do you see them? Jo, Jo, stick with it. | 0:52:56 | 0:53:00 | |
Even though I've got a BAFTA, that was a fucking mistake. | 0:53:00 | 0:53:03 | |
No, no way, no. I just don't want to. | 0:53:05 | 0:53:08 | |
-I'm not forcing you to do it. -I was going to have a crack at it | 0:53:08 | 0:53:11 | |
and up until that point it was fine, | 0:53:11 | 0:53:13 | |
and that was fine but that's as much as I'm prepared to do. | 0:53:13 | 0:53:17 | |
Give us a kiss, then, before you go. | 0:53:20 | 0:53:22 | |
Thank you. | 0:53:22 | 0:53:23 | |
The reason that I didn't end up snogging someone | 0:53:26 | 0:53:28 | |
is because after all my investigations about kissing, | 0:53:28 | 0:53:32 | |
I'm still the same person, | 0:53:32 | 0:53:34 | |
and I still don't like kissing people in front of a load of people | 0:53:34 | 0:53:38 | |
that I don't know. | 0:53:38 | 0:53:39 | |
I suppose the kiss is quite important, | 0:53:39 | 0:53:42 | |
but it's got to be someone that you want to kiss. | 0:53:42 | 0:53:45 | |
I do have someone in mind. | 0:53:45 | 0:53:47 | |
And to get ready for that "mystery man", | 0:53:47 | 0:53:51 | |
I think perhaps practising this fine art of kissing is best done in a room. | 0:53:51 | 0:53:55 | |
With a computer... | 0:53:55 | 0:53:56 | |
..alone. | 0:53:56 | 0:53:58 | |
You know, chaps, like checking your e-mail and, um, gaming, | 0:53:58 | 0:54:01 | |
if that's what you're doing up there. | 0:54:01 | 0:54:04 | |
Hi, friends, this tape, believe it or not, | 0:54:04 | 0:54:07 | |
is going to teach you how to French kiss. | 0:54:07 | 0:54:10 | |
Move your tongues around, | 0:54:10 | 0:54:12 | |
and a good thing to do is go around and around and around | 0:54:12 | 0:54:16 | |
in a rotating... Oh, aw! | 0:54:16 | 0:54:19 | |
That's better. | 0:54:20 | 0:54:21 | |
You know, I think I need a private lesson with that kissing guru, William Cane. | 0:54:21 | 0:54:26 | |
Let's see if I can get hold of him. | 0:54:26 | 0:54:28 | |
So, William, are you a terrific kisser? | 0:54:28 | 0:54:33 | |
Well, I've tried every kiss in the book, | 0:54:33 | 0:54:36 | |
including the violent one from the South Pacific, | 0:54:36 | 0:54:38 | |
the Trobriand Islands kiss which involves bloodshed. | 0:54:38 | 0:54:41 | |
They bite the lower lip so vigorously, they draw blood. | 0:54:41 | 0:54:44 | |
And they tear out tufts of hair, | 0:54:44 | 0:54:46 | |
and then finally they nibble off each other's eyelashes. | 0:54:46 | 0:54:49 | |
I'm going to try that on my husband tonight. | 0:54:49 | 0:54:51 | |
Now, you better be careful, | 0:54:51 | 0:54:53 | |
he may take out a restraining order! | 0:54:53 | 0:54:57 | |
Now, there's a particular mystery man that I'd really like to kiss, | 0:54:57 | 0:55:01 | |
and I know you'll be a bit disappointed it's not you, | 0:55:01 | 0:55:04 | |
but do you have any techniques you could recommend to me | 0:55:04 | 0:55:07 | |
to allow me to move in on him? | 0:55:07 | 0:55:09 | |
There are two techniques you could use. | 0:55:09 | 0:55:11 | |
The first technique is to simply tell him | 0:55:11 | 0:55:15 | |
that you are trying to perfect a certain type of kiss | 0:55:15 | 0:55:20 | |
that you have never experienced before. | 0:55:20 | 0:55:23 | |
Most men are intrigued by something new. | 0:55:23 | 0:55:27 | |
The second thing is to surprise the guy, | 0:55:27 | 0:55:30 | |
and just put your hands on his shoulders when you're very close | 0:55:30 | 0:55:34 | |
and just go for it very quickly, but that often can lead to reprisals. | 0:55:34 | 0:55:39 | |
Right, ha ha! | 0:55:39 | 0:55:41 | |
Jo, I just want to say, I sincerely wish you all the luck in the world | 0:55:41 | 0:55:46 | |
trying to get this kiss from that guy. | 0:55:46 | 0:55:49 | |
Just remember, to think positive throughout the whole thing, | 0:55:49 | 0:55:52 | |
and you will come out a winner. | 0:55:52 | 0:55:54 | |
So, with William's positive attitude pep talk ringing in my ears, | 0:56:01 | 0:56:06 | |
I think I'm ready to get hold of my mystery man, | 0:56:06 | 0:56:09 | |
the one I most want to kiss. | 0:56:09 | 0:56:10 | |
That's him, my mystery man. | 0:56:18 | 0:56:21 | |
I must think positive. I want to be a kissing winner! | 0:56:21 | 0:56:24 | |
Oh, no, where's he going? | 0:56:26 | 0:56:28 | |
Oi! | 0:56:32 | 0:56:34 | |
Oi! | 0:56:34 | 0:56:35 | |
Turn around so I can see your lips. | 0:56:35 | 0:56:37 | |
Shit, he's coming back this way. | 0:56:38 | 0:56:41 | |
Oh! | 0:56:49 | 0:56:51 | |
OK, this is it, I'm going in. | 0:56:51 | 0:56:54 | |
Hey, hold up! | 0:56:56 | 0:56:57 | |
Blimey, can I really be arsed? | 0:56:57 | 0:56:59 | |
I'll bloody kill the director if he uses the Benny Hill music on this. | 0:57:05 | 0:57:10 | |
Wait! | 0:57:10 | 0:57:11 | |
Hold on a minute, | 0:57:11 | 0:57:12 | |
look, we've just got something really beautiful to do together. | 0:57:12 | 0:57:17 | |
-I've been practising on my hand, it'll be great, just stop. -Ow! | 0:57:17 | 0:57:20 | |
Right, mate, seeing as I've gone to all this effort, we might as well. | 0:57:26 | 0:57:30 | |
But, do you know what, dear viewer? | 0:57:32 | 0:57:35 | |
just as I was about to get my tasty bite, | 0:57:35 | 0:57:38 | |
I went and lost my appetite. | 0:57:38 | 0:57:40 | |
Maybe the kiss isn't so devalued after all, | 0:57:50 | 0:57:54 | |
just perhaps the case is a uniquely personal and beautiful way | 0:57:54 | 0:57:57 | |
to communicate all that's really important to another person. | 0:57:57 | 0:58:01 | |
For this short time you're both on earth. | 0:58:01 | 0:58:04 | |
The kiss is fine, I've decided, if used wisely, and bloody sparingly. | 0:58:09 | 0:58:15 | |
And in private. | 0:58:17 | 0:58:19 | |
Subtitles by Red Bee Media Ltd | 0:58:54 | 0:58:57 |