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THIS PROGRAMME CONTAINS SOME NUDITY | 0:00:02 | 0:00:04 | |
MUSIC: "Howlin' For You" by The Black Keys | 0:00:04 | 0:00:07 | |
# All right | 0:00:07 | 0:00:09 | |
# Yeah | 0:00:11 | 0:00:13 | |
# Well now | 0:00:18 | 0:00:20 | |
# Mockingbird, can't you see | 0:00:22 | 0:00:26 | |
# Little girl's got a hold on me | 0:00:26 | 0:00:29 | |
# Like glue | 0:00:29 | 0:00:31 | |
# Baby, I'm howlin' for you | 0:00:31 | 0:00:34 | |
# Yeah | 0:00:36 | 0:00:38 | |
# Yeah, da-da-da-da-da | 0:00:41 | 0:00:45 | |
# Da-da-da-da-da | 0:00:45 | 0:00:47 | |
# Da-da-da-da-da, da-da-da-da-da | 0:00:47 | 0:00:50 | |
# Da-da-da-da-da | 0:00:50 | 0:00:52 | |
# Da-da-da-da-da, da-da-da-da-da | 0:00:52 | 0:00:56 | |
# Da-da-da-da-da. # | 0:00:56 | 0:00:58 | |
PHONE RINGS | 0:01:10 | 0:01:14 | |
Good afternoon, Secrets. | 0:01:14 | 0:01:15 | |
Yeah, you just need to bring your passport, | 0:01:17 | 0:01:19 | |
a long dress to dance in, preferably not see-through. | 0:01:19 | 0:01:23 | |
And ring us back and let us know what we are doing | 0:01:23 | 0:01:25 | |
before the auditions start please. | 0:01:25 | 0:01:28 | |
OK, thank you. Bye. | 0:01:28 | 0:01:30 | |
You've got the auditions coming up now. | 0:01:30 | 0:01:33 | |
What are you hoping to find in the auditions, what girls? | 0:01:33 | 0:01:36 | |
Loads of girls that want to work. We're coming into a busy time now | 0:01:36 | 0:01:39 | |
and there's nothing worse than | 0:01:39 | 0:01:41 | |
customers going into a club and there's not enough girls. | 0:01:41 | 0:01:44 | |
If you go to Sainsbury's and there's no food on the shelves, you won't go back there. | 0:01:44 | 0:01:47 | |
You can't say what type of girls cos you don't know what will come in the door. | 0:01:47 | 0:01:51 | |
I'd love them to be all sort of six foot two, or legs up to their ears | 0:01:51 | 0:01:55 | |
but it doesn't always work like that. | 0:01:55 | 0:01:57 | |
The biggest issues you take up with them, with regards to their look, | 0:01:57 | 0:02:01 | |
having a bit too much to drink is definitely the weight | 0:02:01 | 0:02:04 | |
because when they come here they start drinking champagne | 0:02:04 | 0:02:08 | |
and I always say to them, "You've got some champagne cellulite there. | 0:02:08 | 0:02:11 | |
"I think we need to get that off a bit." | 0:02:11 | 0:02:13 | |
I try to do it very tactfully. | 0:02:13 | 0:02:15 | |
We're not brutal. | 0:02:15 | 0:02:17 | |
We're just honest, because if we get them looking right | 0:02:17 | 0:02:19 | |
they'll earn more money which means they'll be happy with me. | 0:02:19 | 0:02:23 | |
There's no point me saying, "You can work and you're overweight" | 0:02:23 | 0:02:26 | |
and then they're crying when they're not earning any money. | 0:02:26 | 0:02:29 | |
So we have to make sure that we tailor them to what we want, | 0:02:29 | 0:02:32 | |
without being too cruel. | 0:02:32 | 0:02:34 | |
We're in show business. | 0:02:34 | 0:02:35 | |
You've got to glamorise and get yourself sorted. | 0:02:35 | 0:02:38 | |
Hi, you here to audition, darling? Come up the stairs, please. | 0:02:38 | 0:02:41 | |
Looks like we're going to get some auditions now. | 0:02:41 | 0:02:45 | |
If you'd like to follow me. | 0:02:46 | 0:02:48 | |
Right, my name is Joy | 0:02:56 | 0:02:58 | |
and I look after all the girls that dance at Secrets. | 0:02:58 | 0:03:01 | |
Today what you're going to do | 0:03:01 | 0:03:03 | |
is do a single track for me, dance to a single track. | 0:03:03 | 0:03:05 | |
When you feel comfortable with your dancing, | 0:03:05 | 0:03:07 | |
you are to take your dresses off | 0:03:07 | 0:03:09 | |
but please do not take your knickers off. | 0:03:09 | 0:03:12 | |
I don't want to see any of that at all. | 0:03:12 | 0:03:14 | |
I've seen enough anyway. Right. | 0:03:14 | 0:03:16 | |
Secrets has a certain image that it likes its girls to have | 0:03:16 | 0:03:21 | |
and we are really, really particular about that. | 0:03:21 | 0:03:23 | |
We like you to look really pretty and lovely | 0:03:23 | 0:03:26 | |
because basically these guys that are going to come in here, OK, | 0:03:26 | 0:03:30 | |
and you want them to spend a lot of money on you, | 0:03:30 | 0:03:32 | |
you need to look like you're top dog. | 0:03:32 | 0:03:35 | |
So you all smell nice and look nice and lovely | 0:03:35 | 0:03:37 | |
and you're not moaning "Oh, it's my period today." | 0:03:37 | 0:03:40 | |
You know what I mean? They don't want any of that. | 0:03:40 | 0:03:43 | |
If you can, get a good knowledge of what is going at the moment | 0:03:43 | 0:03:47 | |
especially the things men like. | 0:03:47 | 0:03:50 | |
Football, rugby, the economy. | 0:03:50 | 0:03:53 | |
I'm not asking you to be brain surgeons but just to hold some nice general conversations with them. | 0:03:53 | 0:03:58 | |
Don't ask them if they're married. | 0:03:58 | 0:04:00 | |
If they tell you they're married and want to talk about their wives, that's fine. | 0:04:00 | 0:04:03 | |
You don't tell them you're married, you've got kids or you're engaged. | 0:04:03 | 0:04:07 | |
Whatever you do on the street is entirely up to you | 0:04:07 | 0:04:10 | |
but in here you have to conform to what we want. | 0:04:10 | 0:04:13 | |
When we audition, Sam and I can usually tell straight away | 0:04:16 | 0:04:20 | |
whether she's going to be right for us. | 0:04:20 | 0:04:23 | |
They have to have a reasonable figure, they have to be toned. | 0:04:23 | 0:04:27 | |
Long hair, red nail varnish. | 0:04:27 | 0:04:30 | |
-Facially they have to look pretty too. -Yeah. | 0:04:30 | 0:04:33 | |
If the girl isn't facially pretty the guy won't have her. | 0:04:33 | 0:04:36 | |
Got a lovely figure. | 0:04:41 | 0:04:43 | |
# They say she low down | 0:04:43 | 0:04:46 | |
# The baddest thing around town | 0:04:46 | 0:04:49 | |
# She's nothing like a girl you've ever seen before... # | 0:04:49 | 0:04:53 | |
-She's fine. -See if I can get her to smile. | 0:04:53 | 0:04:56 | |
# I'm trying to find the words to describe this girl | 0:04:56 | 0:04:59 | |
# Without being disrespectful... # | 0:04:59 | 0:05:02 | |
You can smile if you like. That's better, see. | 0:05:02 | 0:05:07 | |
You've got to look like you're enjoying it. | 0:05:07 | 0:05:09 | |
-Nice little bust. -Yeah. | 0:05:09 | 0:05:12 | |
-Thank you very much. That was lovely. -Thank you. | 0:05:14 | 0:05:17 | |
APPLAUSE | 0:05:17 | 0:05:21 | |
Right, who wants to go next, ladies? Do you want to go, honey? | 0:05:21 | 0:05:24 | |
Also if you can not talk while the other girls are on stage. | 0:05:24 | 0:05:27 | |
It's off-putting, especially if they've never it before. | 0:05:27 | 0:05:30 | |
All right, ladies. | 0:05:30 | 0:05:31 | |
# I might be bad, boy I'm perfectly good at it... # | 0:05:35 | 0:05:38 | |
-Not sure about the shoes. -I'm not sure about the shoes. | 0:05:38 | 0:05:40 | |
This one needs decent lipstick and make up, more theatrical. | 0:05:42 | 0:05:46 | |
And men like red lipsticks, cos of the kissing aspect of it. | 0:05:46 | 0:05:50 | |
And when she dances she needs to pull in her tummy and tone up. | 0:05:52 | 0:05:55 | |
# Sticks and stones may break my bones | 0:05:58 | 0:06:01 | |
# But chains and whips excite me... # | 0:06:01 | 0:06:03 | |
-That's fine, thank you very much darling. -Thank you. -Thank you. | 0:06:03 | 0:06:07 | |
OK, ladies, you were all successful. | 0:06:12 | 0:06:14 | |
Whoooooo! | 0:06:14 | 0:06:16 | |
-Give yourselves a round of applause. -Whooooooooo! | 0:06:16 | 0:06:20 | |
When you arrived we asked you to read all of this, OK? | 0:06:22 | 0:06:25 | |
All of these pages is our code of conduct. | 0:06:25 | 0:06:28 | |
That is all our rules and regulations. | 0:06:28 | 0:06:30 | |
If you have not read it I need you to read it before you leave today. | 0:06:30 | 0:06:34 | |
I'll go through some of them to make it completely clear | 0:06:34 | 0:06:37 | |
so you know exactly what you can and cannot do | 0:06:37 | 0:06:39 | |
when you're dancing for the customer. | 0:06:39 | 0:06:41 | |
No breasts can touch the customer's face at any time. | 0:06:41 | 0:06:46 | |
Yeah, you understand that? | 0:06:46 | 0:06:48 | |
No sliding up or down the customer's body or grinding. | 0:06:48 | 0:06:51 | |
Anyone not know what grinding is? | 0:06:51 | 0:06:54 | |
You all know what grinding is? You don't? | 0:06:54 | 0:06:57 | |
You can not sit on the customer | 0:06:57 | 0:06:59 | |
and you sort of wiggle or you rub yourself on the customer. | 0:06:59 | 0:07:03 | |
You can not do that at any time, OK? | 0:07:03 | 0:07:06 | |
There is no friction between you or the customer | 0:07:08 | 0:07:11 | |
-and no masturbating. Do you all know what that is? Yeah? -Yeah, yeah. | 0:07:11 | 0:07:16 | |
So, don't think, because I can't touch him, | 0:07:16 | 0:07:19 | |
what I'll do is I'll touch myself. You cannot do that, OK? | 0:07:19 | 0:07:22 | |
You cannot dance with another dancer. | 0:07:22 | 0:07:24 | |
You certainly can't touch her up. You cannot kiss another dancer | 0:07:24 | 0:07:28 | |
or do a lesbian act or finger your friend. OK? | 0:07:28 | 0:07:32 | |
Um, no selling of sexual favours. That means no prostitution. | 0:07:32 | 0:07:37 | |
Please don't do it, you'll be in lots of trouble. | 0:07:37 | 0:07:39 | |
Any bitchiness, obviously we're not silly, there's alcohol and men involved. | 0:07:39 | 0:07:44 | |
Some arguments happen, but we resolve them very quickly. We don't get a lot of bitchiness in our venues, | 0:07:44 | 0:07:49 | |
considering there's six and there's over 400 girls, that's quite an accomplishment. | 0:07:49 | 0:07:53 | |
-Did you understand everything OK? -Yeah. -Good. -I did. | 0:07:56 | 0:08:00 | |
-Right, this is the first lady through. -Hi, take a seat. | 0:08:00 | 0:08:03 | |
-That's all her forms filled out. -Right, you were lovely, you were good. | 0:08:03 | 0:08:08 | |
Thank you very much for helping us out. What's your stage name, please? | 0:08:08 | 0:08:11 | |
Denise, I want to be Denise. | 0:08:11 | 0:08:13 | |
-Denise. D-E-N-I-S-E. Yeah. -Yeah. | 0:08:13 | 0:08:16 | |
That's where you ring on Monday to book your shifts for next week. | 0:08:16 | 0:08:19 | |
This is a mobile for you to text if you're with someone that doesn't know you're dancing. | 0:08:19 | 0:08:23 | |
-You know we don't have see through. We don't like men to see your nipples. -Yes. | 0:08:23 | 0:08:27 | |
-We'd rather the man pays to see them. -Yeah, yeah. -Not to see them through the dress. | 0:08:27 | 0:08:31 | |
-Thanks very much for all your help today. -That's it? Thank you very much. | 0:08:31 | 0:08:34 | |
Thank you, we're seeing you tomorrow. We'll be down there tomorrow. | 0:08:34 | 0:08:38 | |
-Yeah, I'll see you tomorrow then, bye. -OK, thank you. Bye, bye. | 0:08:38 | 0:08:41 | |
Right, stage name, what's your stage name? | 0:08:41 | 0:08:43 | |
-Harley. -Carly? | 0:08:43 | 0:08:45 | |
-Harley. -Harley? | 0:08:45 | 0:08:47 | |
-Yeah. -Ley or Li. -Ley. -That's fine. | 0:08:47 | 0:08:50 | |
-You're not a drinker. -No, I'm not. -Be very careful because if you start drinking | 0:08:50 | 0:08:54 | |
it can go right across there, champagne cellulite. | 0:08:54 | 0:08:56 | |
What you need to do is keep your tummy toned. Do a few sit ups, | 0:08:56 | 0:08:59 | |
-otherwise you're perfect. -I do that anyway. | 0:08:59 | 0:09:02 | |
-And when would you like to start? -Whenever. | 0:09:02 | 0:09:04 | |
-Sorry? -Whenever. -Whenever. You're that desperate for money, are you? | 0:09:04 | 0:09:07 | |
Have you married, kids or anything? | 0:09:07 | 0:09:10 | |
-No. -Oh wise, wise girl. | 0:09:10 | 0:09:14 | |
Thank you. I'm sure you'll do well with us. It's nice. | 0:09:14 | 0:09:17 | |
-Your hair's lovely. -Oh, thank you. -Don't have it cut. | 0:09:17 | 0:09:20 | |
-So, this is the first time you've auditioned? -Yeah, the first time ever. | 0:09:20 | 0:09:24 | |
I've never done something like this before. So it's really new to me, yeah. | 0:09:24 | 0:09:28 | |
What was it that made you want to audition? Why do you want to work as a table dancer? | 0:09:28 | 0:09:32 | |
I saw... One of my friends does it, she's like really good. | 0:09:32 | 0:09:35 | |
The money's good, the clients are nice, you meet new friends, the people are lovely. | 0:09:35 | 0:09:40 | |
Like it's a good experience. So I thought I might as well try it. | 0:09:40 | 0:09:43 | |
I haven't got anything going for me, no work. | 0:09:43 | 0:09:46 | |
I didn't get a very good education. | 0:09:46 | 0:09:48 | |
Yeah, I thought it'd be something to make money and to meet new people. | 0:09:48 | 0:09:51 | |
Any concerns about how the men might be? | 0:09:51 | 0:09:54 | |
I think I'll be able to deal with them fine. | 0:09:54 | 0:09:56 | |
It's just like going out really. If a man gropes you and stuff, you're just like, | 0:09:56 | 0:10:00 | |
"Oh get off." Like it's just the same thing really. | 0:10:00 | 0:10:02 | |
You're out clubbing, apart from you're naked. So, yeah, it should be all right. | 0:10:02 | 0:10:06 | |
What did you think of Harley? | 0:10:08 | 0:10:10 | |
She's OK, she'll do well. She needs to keep an eye on her weight, | 0:10:10 | 0:10:13 | |
-but we talked to her about that. -Yeah. -She's got a nice personality. | 0:10:13 | 0:10:18 | |
-And a good look. -And she's what I call voluptuous. | 0:10:18 | 0:10:21 | |
-The city guys like that. -She'll be able to handle them. | 0:10:21 | 0:10:24 | |
-Yeah. -She didn't seem too soft or meek. | 0:10:24 | 0:10:27 | |
Denise I liked. | 0:10:27 | 0:10:29 | |
-We loved her. -We liked her, yes. | 0:10:29 | 0:10:31 | |
-She was just cute and sweet. -Yes, and she'll do well. -Bubbly. | 0:10:31 | 0:10:34 | |
-She'll be good. -She'll earn good money. -She'll be a worker. I think she'll do a few nights. -Yeah. | 0:10:34 | 0:10:39 | |
-Well, they do. -Yeah. | 0:10:39 | 0:10:40 | |
Eastern Europeans don't mind working six nights a week. | 0:10:40 | 0:10:45 | |
-Yeah, they graft. -Yeah, they do. | 0:10:45 | 0:10:47 | |
A lot of Eastern Europeans come with funny names and we have to say... | 0:10:47 | 0:10:51 | |
Like they have names like Fanny and we say you really can't use that. | 0:10:51 | 0:10:54 | |
And one girl wanted to be Moon and we said no, | 0:10:54 | 0:10:57 | |
that kind of means something a bit rude over here, if you moon someone, | 0:10:57 | 0:11:01 | |
and she said no, you have one called Star and Summer and Sunny. | 0:11:01 | 0:11:05 | |
They don't understand. It's hard to explain that a name is important. | 0:11:05 | 0:11:09 | |
But you don't want anything too strange cos the customer will say that's not your real name. | 0:11:09 | 0:11:13 | |
Is it harder to earn money in Romania? | 0:11:47 | 0:11:50 | |
Yeah, much harder than here. | 0:11:50 | 0:11:52 | |
You can't find a proper job like for normal money, | 0:11:52 | 0:11:56 | |
for good money, to live. | 0:11:56 | 0:11:57 | |
It's not possible. Hard life. | 0:11:57 | 0:12:00 | |
So what do your family think about you table dancing? | 0:12:08 | 0:12:12 | |
They're not really happy but they accept. | 0:12:12 | 0:12:17 | |
What did your mum say when you told her? | 0:12:18 | 0:12:21 | |
Oh, she was really like, "Oh my God, how could you do that?" | 0:12:21 | 0:12:25 | |
And then she came down. She was fine. | 0:12:25 | 0:12:29 | |
And what about your Dad? What did he say? | 0:12:29 | 0:12:32 | |
Oh. My Dad didn't say nothing. | 0:12:32 | 0:12:35 | |
He was shy probably or... | 0:12:35 | 0:12:39 | |
He never say nothing. | 0:12:39 | 0:12:41 | |
Do you have a boyfriend? | 0:12:41 | 0:12:44 | |
Yeah, I have. | 0:12:44 | 0:12:46 | |
He's a bit jealous. | 0:12:46 | 0:12:48 | |
But he met me when I was doing this so I'm not going to stop. | 0:12:50 | 0:12:54 | |
What does he get jealous about? | 0:12:55 | 0:12:58 | |
Other men seeing me naked. | 0:12:58 | 0:12:59 | |
I would like to get married in time, like every woman does. | 0:13:03 | 0:13:08 | |
Have kids, my own business probably, my own house, my own car. | 0:13:10 | 0:13:15 | |
A normal life. | 0:13:17 | 0:13:19 | |
Is table dancing a normal life? | 0:13:22 | 0:13:25 | |
No. It's not. | 0:13:25 | 0:13:26 | |
I'm here to make money, go back to Romania, | 0:13:28 | 0:13:33 | |
pay for my college to become a teacher. Kids' teacher. | 0:13:33 | 0:13:37 | |
MUSIC: "Ain't Nobody" by Claire Maguire | 0:13:42 | 0:13:46 | |
You all right? | 0:14:00 | 0:14:01 | |
I'm Denise, nice to meet you. | 0:14:01 | 0:14:02 | |
-James. -James, and you? -Dave. | 0:14:02 | 0:14:04 | |
-Dave and James. -Yeah. -I like your piercing, interesting. -Thank you. | 0:14:04 | 0:14:08 | |
-This is my first night. -Oh right, OK. Fair enough. | 0:14:08 | 0:14:11 | |
-And I'm a bit er... -Nervous? -Not nervous. | 0:14:11 | 0:14:15 | |
I'm a bit like, er, you know, ready for it. | 0:14:15 | 0:14:18 | |
Are you? That's good. | 0:14:18 | 0:14:21 | |
-Whereabouts are you from? -Have a good guess. | 0:14:21 | 0:14:24 | |
A good guess. Ukraine? | 0:14:25 | 0:14:28 | |
-No. -Romania. -Ah, there you are. -Ah. | 0:14:28 | 0:14:33 | |
Geographical legend, mate. | 0:14:33 | 0:14:35 | |
I think it's time for a dance. | 0:14:35 | 0:14:38 | |
-What do you think? -Absolutely fine. | 0:14:38 | 0:14:42 | |
You could never tell that it was your first day. | 0:15:31 | 0:15:34 | |
-Here we go. -Really? -Never. Never. | 0:15:34 | 0:15:37 | |
Well, in this club it is. | 0:15:37 | 0:15:38 | |
-What a pro. -It is? -It is. | 0:15:38 | 0:15:42 | |
I'm guessing this is your first pay cheque for tonight? | 0:15:42 | 0:15:45 | |
-Yeah. -Thank you. | 0:15:45 | 0:15:49 | |
You like? | 0:15:49 | 0:15:51 | |
-So how's my dance? Did you enjoy? -Definitely. -Very, very, very good. | 0:15:51 | 0:15:56 | |
Good. All right, guys. | 0:15:56 | 0:16:00 | |
Takes courage for a girl to stand in front of a guy | 0:16:00 | 0:16:02 | |
-and take her clothes off. -Definitely. | 0:16:02 | 0:16:06 | |
You can meet a normal girl... | 0:16:06 | 0:16:07 | |
I know I wouldn't be taking my clothes off for money. | 0:16:07 | 0:16:10 | |
Yeah, and they've got to do it ten times a night or more. | 0:16:10 | 0:16:15 | |
I've got a lot of respect for them. | 0:16:15 | 0:16:17 | |
What's more important then, the face or the body? | 0:16:17 | 0:16:20 | |
-It's the body. -It's the body, isn't it? -Yeah. Yeah. | 0:16:20 | 0:16:23 | |
So do you actually look at their faces very much? | 0:16:23 | 0:16:26 | |
He does cos he sits there and like look lovingly in their eyes | 0:16:26 | 0:16:29 | |
-and gives them deep conversation and falls in love. -Yeah. | 0:16:29 | 0:16:32 | |
-He does fall in love. -Cheers, mate. Yeah, it's all right. | 0:16:32 | 0:16:36 | |
Do you ever come with girlfriends? | 0:16:36 | 0:16:39 | |
-I personally haven't, no. -No. | 0:16:39 | 0:16:42 | |
It's not cheating, you know. | 0:16:42 | 0:16:45 | |
You're handing over money so... | 0:16:45 | 0:16:48 | |
but, I could see some girls actually reacting badly to it. | 0:16:48 | 0:16:51 | |
So what do you actually get out of it, having a table dancer? | 0:16:51 | 0:16:57 | |
-An empty wallet? -Yeah, that's it, definitely! | 0:16:57 | 0:17:00 | |
What about the customers? How much money do they spend? | 0:17:15 | 0:17:19 | |
We've got some that spend four, £5,000 a night, | 0:17:19 | 0:17:22 | |
-we've got some that spend £30,000 a night. -£30,000? | 0:17:22 | 0:17:27 | |
Mm-hm. On the girls, Champagne. | 0:17:27 | 0:17:29 | |
The wealthy boys that come in here are just such nice people, | 0:17:29 | 0:17:33 | |
you know, and the fact that they spend lots of money is even better. | 0:17:33 | 0:17:37 | |
What do you think really makes a successful table dancer? | 0:17:37 | 0:17:40 | |
The dress is what can make a girl or break a girl. | 0:17:40 | 0:17:45 | |
If she hasn't got a good dress that fits well, she can look awful. | 0:17:45 | 0:17:50 | |
I work very hard with my girls. | 0:17:50 | 0:17:52 | |
I give my girls credit when they need to buy dresses because, | 0:17:52 | 0:17:55 | |
some of them haven't been doing it long enough to get a decent dress. | 0:17:55 | 0:18:00 | |
And without a decent dress they're not going to feel part of the team. | 0:18:00 | 0:18:03 | |
I love my dresses and my girls love my dresses. | 0:18:10 | 0:18:12 | |
It's like party time. It's like being like Cinderella. | 0:18:12 | 0:18:16 | |
When a girls starts, and they want to look at my dresses, | 0:18:16 | 0:18:19 | |
I say, right, what do you like about yourself? | 0:18:19 | 0:18:22 | |
I say do you like your hair, your legs, your bust, | 0:18:22 | 0:18:25 | |
your arms, your bum? | 0:18:25 | 0:18:27 | |
Then I say what don't you like and they might say, my tummy or the tops of my legs. | 0:18:27 | 0:18:31 | |
Then I can pick them a dress I think will suit them. | 0:18:31 | 0:18:34 | |
Cos I'd have looked at their bust. | 0:18:34 | 0:18:36 | |
It's all right to have padded cups but there's nothing worse, | 0:18:36 | 0:18:40 | |
when a girl's dancing for you and she's doing this with her dress on | 0:18:40 | 0:18:44 | |
and then the guy gets all excited and then you take away that | 0:18:44 | 0:18:48 | |
and there's nothing there. | 0:18:48 | 0:18:49 | |
I'd rather say, don't play with your breasts, forget them, | 0:18:49 | 0:18:53 | |
but turn round and maybe show him your bum or your long legs | 0:18:53 | 0:18:56 | |
or flick your hair and show your best assets. | 0:18:56 | 0:18:59 | |
If you pick on your best assets, that makes her feel comfortable | 0:18:59 | 0:19:03 | |
in what she does and so she'll dance better. | 0:19:03 | 0:19:05 | |
-Do the customers like the dresses? -They do, yeah. | 0:19:05 | 0:19:08 | |
-Yeah. -It's not sleazy, it's good, | 0:19:08 | 0:19:10 | |
it's Champagne, the girls look a million dollars. | 0:19:10 | 0:19:13 | |
If the girls look expensive, | 0:19:13 | 0:19:15 | |
guys feel like it's maybe something they can't have. | 0:19:15 | 0:19:18 | |
-And guys always want that. -Yeah. | 0:19:18 | 0:19:20 | |
We've even had guys ask if they can get dresses made for their wives, | 0:19:20 | 0:19:23 | |
so I've had to get one or two made for their wives cos they think they're so nice. | 0:19:23 | 0:19:27 | |
I'll be so much better once I've got my first dance out of the way. | 0:19:39 | 0:19:44 | |
It's just first days, I hate them, when you don't know anyone. | 0:19:44 | 0:19:48 | |
I'm just trying to keep cool. | 0:19:50 | 0:19:52 | |
Cos I don't know what to expect really. Oh, my god. | 0:19:52 | 0:19:56 | |
Everything's just going through my mind, I'm so nervous, sorry. | 0:19:56 | 0:20:01 | |
-All right babe? -Hiya, how are you? -Good. How you feeling? | 0:20:07 | 0:20:10 | |
-Very nervous. -Are you? -So nervous. | 0:20:10 | 0:20:13 | |
Is it your first night tonight? | 0:20:15 | 0:20:17 | |
Yeah. I've done my audition. | 0:20:17 | 0:20:19 | |
How did your audition go? | 0:20:19 | 0:20:21 | |
-Really well, I enjoyed it. -Yeah. -Yeah, it was good. | 0:20:21 | 0:20:23 | |
But now it'll be around people and I just don't know what to expect. | 0:20:23 | 0:20:28 | |
Don't worry, cos you're starting in a nice club like this, | 0:20:28 | 0:20:31 | |
it's known for being like a family in here. | 0:20:31 | 0:20:35 | |
Everyone gets on, it's not like you're in competition with everyone. | 0:20:35 | 0:20:38 | |
Everyone's friends out of here as well. | 0:20:38 | 0:20:41 | |
-That sounds nice. -You might get harassed by girls that like girls. | 0:20:41 | 0:20:44 | |
-Really?! -I'm kidding. | 0:20:44 | 0:20:46 | |
They might see you and go, "My God, she's hot, let's go", | 0:20:46 | 0:20:49 | |
-and be quite flirty, but yeah. -It's all right. I don't mind. | 0:20:49 | 0:20:54 | |
What made you do this job? | 0:20:54 | 0:20:55 | |
-What made you audition? -I haven't got anything going for me | 0:20:55 | 0:20:59 | |
and my mum was like "Think what you want to do with your life" | 0:20:59 | 0:21:03 | |
and I was like, "I'm still young and I want to have a bit of fun". | 0:21:03 | 0:21:06 | |
It's like you're just buzzing the whole night, yeah, it can be fun. | 0:21:06 | 0:21:11 | |
Yeah, this place - if these walls could talk, oh, my God! | 0:21:11 | 0:21:16 | |
Are you nervous about your first dance? | 0:21:16 | 0:21:19 | |
Yeah, very nervous about that. Cos I'm really clumsy as well. | 0:21:19 | 0:21:23 | |
-I might fall over myself. -Really? | 0:21:23 | 0:21:25 | |
And I'll just look like an idiot. I don't know... | 0:21:25 | 0:21:28 | |
I'm trying to just not think of the bads and think of the positive. | 0:21:28 | 0:21:32 | |
It's all positive here. The only negative thing is if you talk to a guy that has no money. | 0:21:32 | 0:21:37 | |
But there are some you might talk to and think, "This guy's rubbish, I'll make no money", | 0:21:37 | 0:21:41 | |
then out of the blue he pulls something out of his hat | 0:21:41 | 0:21:44 | |
-and you're getting paid a minimum of £300 an hour. -Yeah. | 0:21:44 | 0:21:48 | |
So you never know. I think your first night might be really good. | 0:21:48 | 0:21:52 | |
-Have a drink. -Yeah. -Have one little drink, relax, | 0:21:52 | 0:21:54 | |
relax a bit, yeah. Yeah, but you'll feel good, trust me. | 0:21:54 | 0:21:58 | |
MUSIC: "Sixteen" by The Heavy | 0:22:07 | 0:22:10 | |
It was really nerve-wracking at first | 0:22:49 | 0:22:52 | |
but you get into it and it's fine. You find your confidence. | 0:22:52 | 0:22:55 | |
It was a lot better than what I thought it was gonna be. | 0:22:57 | 0:23:01 | |
And I'm not feeling as nervous of what I've got to do. | 0:23:01 | 0:23:05 | |
Just enjoyed dancing really | 0:23:14 | 0:23:16 | |
and making someone happy really. It's good. | 0:23:16 | 0:23:20 | |
It's like a different kind of world in that club. | 0:23:32 | 0:23:35 | |
Like when you're working it's the whole fantasy element thing. | 0:23:35 | 0:23:38 | |
The guys think that, you know, there's something there, you know. | 0:23:38 | 0:23:43 | |
Everyone's looking at you, everyone's fancying you. | 0:23:45 | 0:23:48 | |
When I first started that's what I wanted, | 0:23:48 | 0:23:51 | |
that's what attracted me to it all in the beginning. | 0:23:51 | 0:23:53 | |
Now it's the money. There's nothing else apart from the money, | 0:23:55 | 0:23:58 | |
otherwise I wouldn't be doing it. | 0:23:58 | 0:24:00 | |
It's better than anything I could probably do during the day | 0:24:06 | 0:24:10 | |
because I didn't get good grades at school. I wanted to sing and dance | 0:24:10 | 0:24:15 | |
and prance about when I was at school. So, yeah... | 0:24:15 | 0:24:19 | |
There you go. Look. | 0:24:19 | 0:24:22 | |
Where did you meet Zach's dad? | 0:24:22 | 0:24:24 | |
In the club. | 0:24:24 | 0:24:26 | |
And did you sort of fall in love? | 0:24:26 | 0:24:28 | |
Yeah, I did. We got together outside and I got to know him, | 0:24:28 | 0:24:30 | |
we were really good friends and we were going out for dinner | 0:24:30 | 0:24:34 | |
and lunch and stuff and then... I wouldn't see him in the club, | 0:24:34 | 0:24:38 | |
it'd be outside the club, we'd like be together | 0:24:38 | 0:24:41 | |
and then it just went on from there really. | 0:24:41 | 0:24:45 | |
How long were you together for? | 0:24:45 | 0:24:47 | |
Erm... I don't know, I can't remember, about three years? | 0:24:47 | 0:24:52 | |
How did you break up? | 0:24:52 | 0:24:55 | |
Erm, I just... just erm, wanted to move on. | 0:24:55 | 0:25:01 | |
It just... It wasn't there for me anymore. | 0:25:01 | 0:25:04 | |
But in a way I'm glad it didn't work cos I'd never have met Simon. | 0:25:04 | 0:25:08 | |
Is it better that you met Simon away from the club? | 0:25:08 | 0:25:11 | |
God, definitely. There's always that thing somewhere down the line | 0:25:11 | 0:25:14 | |
that they'll throw it in your face and say something about | 0:25:14 | 0:25:19 | |
you working there and when they saw you there and the job you do. | 0:25:19 | 0:25:24 | |
Whereas Simon, it's like 100% respect from the beginning. | 0:25:24 | 0:25:29 | |
Come on, you're not going to beat me. | 0:25:29 | 0:25:33 | |
So you're engaged? | 0:25:33 | 0:25:35 | |
Yeah, we are now. I actually um ended up proposing. | 0:25:35 | 0:25:38 | |
After 19 days. We met on Facebook. | 0:25:38 | 0:25:41 | |
I friend-requested him cos I saw a little picture of him | 0:25:41 | 0:25:45 | |
that I thought he looked quite fit and sexy. | 0:25:45 | 0:25:49 | |
How do you feel about your fiancee working as a table dancer? | 0:25:49 | 0:25:52 | |
Well, it's just a job, isn't it? | 0:25:52 | 0:25:55 | |
Everyone has this particular perception of table dancers - | 0:25:55 | 0:25:59 | |
this is what they are, this is what they do. | 0:25:59 | 0:26:01 | |
It doesn't faze me. | 0:26:01 | 0:26:03 | |
I mean, both of us are more faithful than anyone can ever imagine | 0:26:03 | 0:26:06 | |
so I haven't got any reason, any thought to doubt | 0:26:06 | 0:26:10 | |
anything in her at all, anything related to her job. | 0:26:10 | 0:26:13 | |
I do wonder sometimes when he drops me off at work | 0:26:13 | 0:26:16 | |
and I almost feel sorry for him a bit. | 0:26:16 | 0:26:21 | |
Like when he drops me off, I think, if this was the other way round | 0:26:21 | 0:26:26 | |
I wouldn't be so understanding. | 0:26:26 | 0:26:28 | |
-Yeah, but I... -I'm too jealous. I'd be like, | 0:26:28 | 0:26:31 | |
"You're not going nowhere, sorry. You can walk to work". | 0:26:31 | 0:26:34 | |
As soon as she walks in the door and I drive off, | 0:26:34 | 0:26:36 | |
as far as I'm concerned I don't want to know anything else really. | 0:26:36 | 0:26:41 | |
It's a bit like, "How do you do this babe, | 0:26:41 | 0:26:43 | |
"you must really love me and really trust me". | 0:26:43 | 0:26:45 | |
Don't think about it. | 0:26:45 | 0:26:47 | |
< DOORBELL RINGS | 0:26:48 | 0:26:50 | |
-Hi, Mum. -Hello Vic. How are you, all right? -This is mummy. | 0:26:50 | 0:26:54 | |
Hiya, hi guys. | 0:26:54 | 0:26:57 | |
What did you think when Gigi first told you | 0:26:57 | 0:26:59 | |
she was going to do table dancing? | 0:26:59 | 0:27:01 | |
Erm... I cried my eyes out. | 0:27:01 | 0:27:04 | |
What can you do? | 0:27:04 | 0:27:07 | |
I got upset, cos being Greek, you know, | 0:27:07 | 0:27:09 | |
this would really go down well with the Greeks. | 0:27:09 | 0:27:14 | |
But you know, what can you do? | 0:27:14 | 0:27:15 | |
But she makes a noise when... | 0:27:15 | 0:27:18 | |
-Oh no, no, not in there, not in the mouth, Zachy. -No. | 0:27:18 | 0:27:20 | |
-No, her mouth's been elsewhere. Don't do that. -She licks her bum. | 0:27:20 | 0:27:24 | |
Have you been to the club to see what it's like? | 0:27:24 | 0:27:26 | |
Yeah, it's a different world. | 0:27:26 | 0:27:28 | |
You go down there, you know what you're expecting to see down there | 0:27:28 | 0:27:32 | |
and then after about ten, 15 minutes, it's like normal. | 0:27:32 | 0:27:36 | |
You know, and the girls there, they're friendly. | 0:27:36 | 0:27:39 | |
Some are mums with a child, no husband | 0:27:39 | 0:27:41 | |
and they're finding it really difficult to survive | 0:27:41 | 0:27:45 | |
and the others are paying their way through universities. | 0:27:45 | 0:27:48 | |
A lot of people do judge table dancers. | 0:27:53 | 0:27:56 | |
They think that what goes on inside the club is disgusting. | 0:27:56 | 0:27:59 | |
It's nothing like that at all. | 0:27:59 | 0:28:02 | |
It's like dead clean. | 0:28:02 | 0:28:04 | |
Nothing like weird or suspicious about it. | 0:28:04 | 0:28:08 | |
I'm studying at university. I am doing dance. | 0:28:13 | 0:28:16 | |
In practical we do like different techniques of contemporary | 0:28:18 | 0:28:22 | |
and also classical ballet. | 0:28:22 | 0:28:23 | |
And we also do academic studies, | 0:28:23 | 0:28:26 | |
like the history of dance and cultures in dance. | 0:28:26 | 0:28:30 | |
Speaking about the muscles | 0:28:30 | 0:28:33 | |
and learning different body parts, how muscles work. | 0:28:33 | 0:28:35 | |
So why did you want to try it? | 0:28:35 | 0:28:38 | |
For the money. | 0:28:38 | 0:28:39 | |
I know it's table dancing, like, you know, doing nude dances, | 0:28:39 | 0:28:44 | |
but it's still dancing. | 0:28:44 | 0:28:46 | |
I love the fact that I get to perform on stage on the pole, | 0:28:46 | 0:28:49 | |
that's the best thing about it. | 0:28:49 | 0:28:52 | |
Is there anything you dislike about it? | 0:28:56 | 0:28:58 | |
There's a lot of waiting around | 0:28:58 | 0:29:01 | |
and long hours, like during the night. Sometimes I finish at 4am | 0:29:01 | 0:29:05 | |
and I've got a lecture at 9am. | 0:29:05 | 0:29:07 | |
It's a bit harsh. | 0:29:09 | 0:29:11 | |
How many nights do you work a week? | 0:29:11 | 0:29:13 | |
The minimum I'll do is about two, | 0:29:13 | 0:29:15 | |
the maximum I'll do is probably four or five. | 0:29:15 | 0:29:18 | |
Sometimes you can make next to nothing, | 0:29:18 | 0:29:20 | |
sometimes you can be earning big money. It's a bit hit and miss. | 0:29:20 | 0:29:24 | |
But the good nights are good. | 0:29:24 | 0:29:26 | |
So what sort of money would you earn in an evening? | 0:29:26 | 0:29:28 | |
On average a couple of hundred a night, | 0:29:28 | 0:29:30 | |
but on a really good night you can earn like a grand. | 0:29:30 | 0:29:34 | |
On a really crap night you can earn like 20 quid. | 0:29:34 | 0:29:38 | |
So without doing table dancing, what would your life be like at uni? | 0:29:38 | 0:29:42 | |
Probably wouldn't be able to eat! | 0:29:42 | 0:29:44 | |
So were you surprised when Dee told you she did table dancing? | 0:29:52 | 0:29:56 | |
I was - I didn't believe it at first, did I? I didn't believe her. | 0:29:56 | 0:29:59 | |
Not really. I was interested, cos I don't know any strippers. | 0:29:59 | 0:30:04 | |
Yeah, I didn't know what to expect, really. Dunno. | 0:30:05 | 0:30:08 | |
Shelly gets right embarrassed if I'm walking round naked. She's like, "I don't want to see your tits." | 0:30:08 | 0:30:13 | |
And, like, she knocks on my room. "Are you naked? | 0:30:13 | 0:30:16 | |
"Cos if you're naked, I'm not coming in." | 0:30:16 | 0:30:19 | |
What's your opinion of table dancing? | 0:30:22 | 0:30:23 | |
Nothing, really - it's just a job. It's just something she does. | 0:30:23 | 0:30:27 | |
Like when anyone works in a shop. | 0:30:27 | 0:30:29 | |
We don't think any different of her cos she does it. | 0:30:29 | 0:30:31 | |
I think now, like, it's more accepted and stuff | 0:30:31 | 0:30:35 | |
and you don't think of it as being degrading, whereas probably the older generation would. | 0:30:35 | 0:30:40 | |
What jobs do you do outside of uni? | 0:30:40 | 0:30:43 | |
I've just got one doing bar work. At the moment, yeah. | 0:30:43 | 0:30:46 | |
Just waitressing. | 0:30:46 | 0:30:47 | |
ASDA. THEY CHUCKLE | 0:30:49 | 0:30:51 | |
Yeah, ASDA. | 0:30:51 | 0:30:52 | |
It's hard times for students - hard times. | 0:30:53 | 0:30:56 | |
Definitely. I mean, I might just do it for the money. | 0:30:56 | 0:31:00 | |
I reckon you would. | 0:31:00 | 0:31:01 | |
No, you try and get me to do it but... | 0:31:01 | 0:31:04 | |
-no. -Why wouldn't you do it? | 0:31:04 | 0:31:07 | |
-I wouldn't have the guts to, to be honest, no. -Yeah, I'm not confident enough. | 0:31:07 | 0:31:11 | |
I don't think my mum'd like me to do it. | 0:31:11 | 0:31:14 | |
I think she'd worry about me a lot and...stuff like that. | 0:31:14 | 0:31:17 | |
-My mum would worry as well, I think, yeah. -What about your mum, Laura? | 0:31:17 | 0:31:22 | |
THEY CHUCKLE | 0:31:22 | 0:31:24 | |
She wouldn't take me seriously if I said that. | 0:31:24 | 0:31:28 | |
DANCE MUSIC PLAYS | 0:31:28 | 0:31:31 | |
'I do have an alter ego, definitely. | 0:31:38 | 0:31:41 | |
'During the day I'm, like nice, cute, dancing Dee. | 0:31:41 | 0:31:47 | |
'And on a night-time, I'm, like, feisty, sexy, dirty Dee.' | 0:31:47 | 0:31:53 | |
You're not into arm wrestling? | 0:31:56 | 0:31:58 | |
-Naked mud wrestling. -Oh yeah? What - two girls naked mud wrestling? | 0:31:59 | 0:32:04 | |
-Yeah, two girls. -Yeah, that's my kind of partying. | 0:32:04 | 0:32:06 | |
Yeah, definitely. A massive bottle of champagne that's about this big. | 0:32:06 | 0:32:10 | |
How could you put a time on that? | 0:32:10 | 0:32:12 | |
Massive bottle of champagne, and we can all drink it and have a party. | 0:32:12 | 0:32:16 | |
And talk about mud wrestling... | 0:32:16 | 0:32:19 | |
with naked women... | 0:32:19 | 0:32:21 | |
with their tits out, and licking... | 0:32:21 | 0:32:23 | |
Licking it off each other. | 0:32:23 | 0:32:25 | |
'Obviously, girls prefer to just sit and chat - you know, it's easy - | 0:32:25 | 0:32:31 | |
'but, like, of course, | 0:32:31 | 0:32:32 | |
'if the customer wants you to dance, you have no choice, cos they're paying for your time. | 0:32:32 | 0:32:37 | |
'If anything, I find it harder to dance for people that are attractive. | 0:32:44 | 0:32:49 | |
'It's kind of, like, cringing, | 0:32:49 | 0:32:51 | |
'like, "I can't believe I'm doing this." | 0:32:51 | 0:32:54 | |
'It's definitely easier dancing for, like the older people. Definitely. | 0:32:54 | 0:32:58 | |
'I try not to think about, like, | 0:33:05 | 0:33:06 | |
"I'm actually naked right now and dancing for a man." | 0:33:06 | 0:33:10 | |
'Not necessarily ignore them, but kind of, like, | 0:33:11 | 0:33:15 | |
'blank it out a little bit.' | 0:33:15 | 0:33:17 | |
It's quite early and it's about one o'clock. | 0:33:22 | 0:33:24 | |
I think I've earned about £100. | 0:33:24 | 0:33:26 | |
Yeah, so far. Which is all right. | 0:33:26 | 0:33:29 | |
What have the customers been like tonight? | 0:33:29 | 0:33:31 | |
Er, like any night, you get some arrogant ones, | 0:33:31 | 0:33:34 | |
you get some really nice ones, you get some pushovers. | 0:33:34 | 0:33:37 | |
Like...hit and miss, really. | 0:33:37 | 0:33:40 | |
-What's a pushover? -Like, "Oh, do you want to go?" | 0:33:40 | 0:33:42 | |
Like, somebody who doesn't really need a lot of convincing to go for a dance, like. | 0:33:42 | 0:33:46 | |
Someone who's just like, "Yeah," straightaway, like. | 0:33:46 | 0:33:49 | |
Like, splashing the cash and that. | 0:33:49 | 0:33:51 | |
When you're dancing, do they tell you how they want you to dance, or do you do what you want? | 0:33:52 | 0:33:57 | |
No, they just. It's so weird - like, they just sit and they just like gawp, like, "Err." | 0:33:57 | 0:34:01 | |
Like because... It's like they're doing as they're told. | 0:34:01 | 0:34:04 | |
Like, they're sat there, just not touching. I just... | 0:34:04 | 0:34:07 | |
I find the situation funny. Like, I don't know. | 0:34:07 | 0:34:10 | |
It's like you feel some sort of control. It's really weird. | 0:34:10 | 0:34:14 | |
What's a Secrets customer like? | 0:34:16 | 0:34:18 | |
-Well they range from anything, really, don't they? -Yeah. | 0:34:18 | 0:34:21 | |
Over 18, or over 21 at Covent Garden. | 0:34:21 | 0:34:24 | |
-Your young lads that come for a stag. -Yeah. And then we get really older people come in. | 0:34:24 | 0:34:28 | |
We've got a guy that comes in just to have a beer and a dance, | 0:34:28 | 0:34:31 | |
and I think he's about 83 and he works out how much he can spend, month to month, | 0:34:31 | 0:34:35 | |
-to come in here and he loves it in here. -Yeah. -And he's quite funny. | 0:34:35 | 0:34:38 | |
And we've got a guy in here that's, er, physically handicapped. | 0:34:38 | 0:34:42 | |
-Yeah. -And he has to speak by a computer. He's in a chair. | 0:34:42 | 0:34:46 | |
-And he's adorable cos he... -The girls love him. | 0:34:46 | 0:34:48 | |
All of a sudden, his hand flicks and it's touching the girl's bottom. | 0:34:48 | 0:34:52 | |
I say, "Oi!" And he goes, "I can't help it." | 0:34:52 | 0:34:54 | |
And you think, "You know EXACTLY what you're doing." | 0:34:54 | 0:34:57 | |
The girls are fond of him - | 0:34:57 | 0:34:58 | |
he's been coming here years. He's a favourite. | 0:34:58 | 0:35:00 | |
-Do you get many famous people coming in? -Yes. -Yeah, we do get some, | 0:35:00 | 0:35:03 | |
-and footballers and things like that, yeah. -But we don't really like to say. | 0:35:03 | 0:35:07 | |
We can't say, cos they're not going to come back. But we get certain regulars at certain venues. | 0:35:07 | 0:35:12 | |
What do you think about men? | 0:35:12 | 0:35:14 | |
What, men who come in here or men in general? | 0:35:15 | 0:35:18 | |
-Is there a difference? -Yeah, I think so. | 0:35:18 | 0:35:20 | |
-I think so, too. -Yes, there is. Er... | 0:35:20 | 0:35:23 | |
Like, I've been married 27 years now | 0:35:24 | 0:35:27 | |
and my husband is the director of the company | 0:35:27 | 0:35:30 | |
and still not had a table dance. And wouldn't want one. | 0:35:30 | 0:35:32 | |
But you let your new husband come in here. | 0:35:32 | 0:35:35 | |
I'd be quite happy for them to dance for him. It's not a problem. | 0:35:35 | 0:35:38 | |
-How would YOU feel if your husband had a table dance? -It wouldn't bother me. I know the girls, | 0:35:38 | 0:35:43 | |
and to be truthful we see these girls without their make-up. | 0:35:43 | 0:35:46 | |
We sometimes meet their boyfriends and think, "He's a bit of all right!" You know? | 0:35:46 | 0:35:50 | |
That's my husband. | 0:35:50 | 0:35:53 | |
Has your husband ever come in here? | 0:35:53 | 0:35:55 | |
-Yeah. -Has he ever had a table dance? | 0:35:55 | 0:35:57 | |
Yes. I gave him a birthday treat with two Brazilians, | 0:35:57 | 0:36:01 | |
at the back of VIP. | 0:36:01 | 0:36:04 | |
-How do you choose what girls he has? Do YOU choose them? -I choose them, | 0:36:04 | 0:36:08 | |
and I find the sexiest and the prettiest. | 0:36:08 | 0:36:12 | |
And I know what he likes so, yeah, I can pick his girls for him. | 0:36:12 | 0:36:16 | |
Yeah. And I don't pick what he likes! | 0:36:16 | 0:36:19 | |
-Do you get many famous people in? -Yes. -Who? | 0:36:19 | 0:36:23 | |
Footballers... | 0:36:23 | 0:36:25 | |
Er...tall guys that do TV programmes. | 0:36:25 | 0:36:29 | |
Er, not mentioning any names. | 0:36:29 | 0:36:32 | |
-Is he a big spender? -No. No, not at all. | 0:36:32 | 0:36:35 | |
In fact, you normally find that the famous don't spend. | 0:36:35 | 0:36:40 | |
-Do the customers pick the girls they'd like? -They can, or sometimes they say, "Pick my girls," | 0:36:40 | 0:36:44 | |
and then I've got to find out what they like because I don't want to | 0:36:44 | 0:36:47 | |
put a girl there that isn't going to earn money or they're not going to like. | 0:36:47 | 0:36:51 | |
And most of my customers, I know what they like anyway. | 0:36:51 | 0:36:54 | |
# Will you recognise me | 0:36:56 | 0:36:58 | |
# In the flashing lights? | 0:36:58 | 0:37:01 | |
# I try to keep my heartbeat | 0:37:03 | 0:37:05 | |
# But I can't get it right... # | 0:37:05 | 0:37:08 | |
-Many girls working? -Yeah, a few of them. | 0:37:08 | 0:37:10 | |
Nice ones, I hope. Perfect. Cool, man. Nice one, thank you very much. | 0:37:10 | 0:37:14 | |
-Thanks. -Can we get some girls over here? -OK. | 0:37:14 | 0:37:18 | |
Hello, Smudge. | 0:37:18 | 0:37:20 | |
-Boys' night out? -Standard. | 0:37:20 | 0:37:21 | |
-It's not often to see you out and about. -I know, yeah, a weeknight, as well. Don't tell my wife. | 0:37:21 | 0:37:27 | |
HE CHUCKLES | 0:37:27 | 0:37:29 | |
Which one - the first or second or the third? | 0:37:30 | 0:37:34 | |
THEY CHUCKLE | 0:37:34 | 0:37:35 | |
Any of the three. | 0:37:35 | 0:37:36 | |
-Are you ready for the girls yet? -Yeah. -Send a couple over? | 0:37:36 | 0:37:39 | |
-Definitely. -All right. Shout if you want anything. -Yeah, will do. Cheers, Jane, thank you. | 0:37:39 | 0:37:44 | |
Nice big one to start with. | 0:37:44 | 0:37:46 | |
-Should be. -Get the juices flowing. | 0:37:46 | 0:37:49 | |
This should be interesting. | 0:37:49 | 0:37:51 | |
-This is Sophia. -Hello. | 0:37:51 | 0:37:53 | |
Sophia, how are we? How are you doing? | 0:37:53 | 0:37:55 | |
Do you want some more glasses? | 0:37:55 | 0:37:58 | |
-Er, would you like a drink? -I wish you would. | 0:37:58 | 0:38:01 | |
You can pour yourself. You'll be all right, won't you? | 0:38:01 | 0:38:04 | |
-Are you looking to have a bit of a party? -It's always a party when I'm around, darling. | 0:38:04 | 0:38:08 | |
-Guys, come on. We've got to cheers. Cheers! -To happy days. | 0:38:08 | 0:38:11 | |
-Happy days. Cheers, everyone. -Savage. | 0:38:11 | 0:38:14 | |
Six more. | 0:38:20 | 0:38:21 | |
All right, one by one. You go first. | 0:38:25 | 0:38:27 | |
Do you want a sexy dance? | 0:38:27 | 0:38:29 | |
I do like blonde girls. I'm not going to lie. Sorry. | 0:38:29 | 0:38:32 | |
Thanks very much(!) | 0:38:32 | 0:38:34 | |
Nothing. No, nothing bad, darling. | 0:38:34 | 0:38:36 | |
-Let's have a cheeky dance? I think so. -Yeah, a little sexy dance. | 0:38:36 | 0:38:39 | |
Go on, then. We're going to go for a dance. | 0:38:39 | 0:38:42 | |
-See you later, guys. -OK. | 0:38:42 | 0:38:43 | |
-Have fun. -We're going to have some fun. | 0:38:43 | 0:38:46 | |
MUSIC: "Please Don't Stop The Music" by Rihanna | 0:38:49 | 0:38:52 | |
-Thank you. Thank you. I've only got a card, is that all right? -Yeah, that's fine. -I don't have cash. | 0:39:16 | 0:39:21 | |
You can pay by card. Don't worry. | 0:39:21 | 0:39:23 | |
We do get some awkward moments when a guy has brought a client out, | 0:39:25 | 0:39:29 | |
so they've spent a lot of money cos he's trying to impress them, | 0:39:29 | 0:39:32 | |
and then maybe he's done it on his bank card | 0:39:32 | 0:39:36 | |
and then his wife might ring the next day and say, "Hello, what's this? Who's this?" | 0:39:36 | 0:39:40 | |
"What type of club are you?" | 0:39:40 | 0:39:42 | |
And that's awkward. | 0:39:42 | 0:39:44 | |
But we look at it this way - they're grown men. You know, if they've come in here and... | 0:39:44 | 0:39:48 | |
haven't told their wives or been honest, they've got take it on the nose, haven't they? | 0:39:48 | 0:39:52 | |
'And they always think the girls fall in love with them. | 0:39:55 | 0:39:57 | |
'Especially the good-looking ones. | 0:39:57 | 0:39:59 | |
' "I'll be able to take her home. You look and think, "You won't get anywhere near." It's not like that. | 0:39:59 | 0:40:05 | |
'These girls don't come in here for romance. They're looking for money. | 0:40:09 | 0:40:13 | |
They're businesswomen. That's what they're here for. | 0:40:13 | 0:40:15 | |
-That's what they're here for. -Not for social. -No. They're here to earn money. | 0:40:15 | 0:40:20 | |
I used to think that I would never do it. | 0:40:28 | 0:40:30 | |
I thought it was cheap and horrible. | 0:40:30 | 0:40:33 | |
But now I mainly think about the money. | 0:40:33 | 0:40:36 | |
I'm just, like, "Yeah, I'm getting £20 for doing this three-minute dance. | 0:40:36 | 0:40:39 | |
How much did you actually earn on your first night? | 0:40:39 | 0:40:42 | |
I made £50, which isn't too bad. But I done quite well last night, as well, yeah. | 0:40:42 | 0:40:47 | |
I made £80, which is quite good. | 0:40:47 | 0:40:49 | |
I don't like just like running up to the men and being like, "Oh, do you fancy a dance?" | 0:40:49 | 0:40:54 | |
I just like to wait for them to come to me. Makes me feel a little bit better... | 0:40:54 | 0:40:59 | |
if they come to me, yeah. | 0:40:59 | 0:41:01 | |
Most men that have come in recently are married. | 0:41:05 | 0:41:07 | |
But I suppose it's just like a little getaway spot for them. | 0:41:07 | 0:41:10 | |
Sometimes it's nice to cut yourself off from, like, | 0:41:10 | 0:41:13 | |
what's real and come into, like, a fantasy world I guess. | 0:41:13 | 0:41:16 | |
Most of them are so honest. They're like, "I've got a wife but, um, I wouldn't mind having, | 0:41:16 | 0:41:22 | |
"like, another life on the side," and they get really spontaneous. | 0:41:22 | 0:41:26 | |
And then I had this other man who was really... He was a bit strange. | 0:41:27 | 0:41:31 | |
"Oh, if you come back to my hotel, I'll treat you so nice." | 0:41:31 | 0:41:35 | |
I'd always say no, but it is flattering, to an extent, | 0:41:35 | 0:41:40 | |
to know they want to spend even more time with you | 0:41:40 | 0:41:42 | |
and they're willing to pay for you to spend time with them. | 0:41:42 | 0:41:45 | |
But I'd rather keep it inside the club. | 0:41:45 | 0:41:47 | |
And what about the future? So what are you going to do when you've stopped working at Secrets? | 0:41:50 | 0:41:54 | |
I really want to be an undertaker, like working with dead people. | 0:41:54 | 0:41:58 | |
It sounds really weird but, er, | 0:41:58 | 0:41:59 | |
it's a job that I've wanted to do for so long. Er... | 0:41:59 | 0:42:02 | |
I just think it's really interesting | 0:42:02 | 0:42:05 | |
and, like, obviously you don't have to put up with any mischief from them, | 0:42:05 | 0:42:09 | |
cos obviously they're not going to talk back to you. | 0:42:09 | 0:42:12 | |
I would want to do the embalming part where you do their make-up | 0:42:12 | 0:42:15 | |
if they're having an open ceremony. Er...yeah, I'd just like, | 0:42:15 | 0:42:20 | |
do their make-up and get them dressed and all dolled up for that, really. | 0:42:20 | 0:42:23 | |
Your granddaughter's just been telling us that she'd like to, er, be an undertaker. | 0:42:24 | 0:42:29 | |
Yes, I know. | 0:42:29 | 0:42:32 | |
How do you feel about that? | 0:42:32 | 0:42:34 | |
Er...I don't know. Er... | 0:42:34 | 0:42:36 | |
considering she's never seen a dead person, er, | 0:42:36 | 0:42:40 | |
I don't think she'd like it all that much. I know I wouldn't. | 0:42:40 | 0:42:44 | |
So, er, I think she should stick to what she's doing now. | 0:42:46 | 0:42:50 | |
Would you rather she did table dancing than undertaking? | 0:42:51 | 0:42:55 | |
Er... | 0:42:55 | 0:42:57 | |
is that what it is, table dancing? | 0:42:57 | 0:43:00 | |
-Table? You're dancing on a table? -No, they call it table dancing, | 0:43:01 | 0:43:05 | |
-but it's not dancing on a table. -I thought it was pole dancing, actually. | 0:43:05 | 0:43:08 | |
Yeah, it is. Pretty much, yeah. | 0:43:08 | 0:43:11 | |
It is. All right. I don't mind pole dancing. | 0:43:11 | 0:43:14 | |
As long as she's a good girl. | 0:43:14 | 0:43:17 | |
I was a bit shocked. That's her choice - | 0:43:17 | 0:43:19 | |
that's what she wanted to do - but I'm proud of her. Very proud. | 0:43:19 | 0:43:24 | |
And she enjoys it. And if she enjoys the job that you're doing, then go for it. | 0:43:24 | 0:43:29 | |
-Yeah. -If you've got it, flaunt it. | 0:43:29 | 0:43:31 | |
Yeah, she's got the perfect little figure. | 0:43:31 | 0:43:34 | |
-Thanks. -Yeah. | 0:43:35 | 0:43:36 | |
Do you think there's a stigma attached to girls that dance naked for money? | 0:43:37 | 0:43:42 | |
Yeah, I think there is. I think a lot of people think it's... | 0:43:42 | 0:43:47 | |
-dirty that they're earning money the way they do. -Oh, God. | 0:43:47 | 0:43:50 | |
But I think it's fine. | 0:43:52 | 0:43:54 | |
Nothing wrong with it. | 0:43:54 | 0:43:56 | |
MUSIC: "Fool For You" by Cee-Lo Green | 0:43:56 | 0:44:01 | |
And how many girls do you have, do you think, working in total, in all the different clubs? | 0:44:22 | 0:44:27 | |
-In total, you probably have about 600 girls. -Yeah. | 0:44:27 | 0:44:31 | |
But a bank of at least, I would say, well over a thousand. | 0:44:31 | 0:44:35 | |
You can't remember them all. You have to have pictures. | 0:44:35 | 0:44:38 | |
We need a variety of girls. | 0:44:38 | 0:44:39 | |
So on a Saturday night, if you've got 25 girls booked, you don't want 25 blondes, | 0:44:39 | 0:44:44 | |
so you have to sort of mix and match. Pick 'n' mix. | 0:44:44 | 0:44:46 | |
-We've got lots of girls here in lots of different types of professions and jobs. -Yeah. | 0:44:46 | 0:44:51 | |
Things like nurses, primary school teachers. | 0:44:51 | 0:44:54 | |
-A trainee barrister. -Trainee barrister. -Yeah. | 0:44:54 | 0:44:57 | |
-Lots of... -Midwives. -Yeah, midwives. Students. -Theatre nurse. | 0:44:57 | 0:45:00 | |
Cos if they were in university and with university fees being so expensive now, | 0:45:00 | 0:45:05 | |
to work in a pub or something they'd have to work so many hours, | 0:45:05 | 0:45:08 | |
but they do one or two nights here and they're sorted. | 0:45:08 | 0:45:10 | |
They can concentrate and study for the rest of the week. | 0:45:10 | 0:45:13 | |
One of our girls is on one of the famous shopping channels as a presenter. | 0:45:13 | 0:45:17 | |
-Yeah, I see her often. -Yeah, so do I. -I think, "Ah, she used to work for us." | 0:45:17 | 0:45:21 | |
# We know what you're doing! # THEY CHUCKLE | 0:45:21 | 0:45:23 | |
Shall I phone her up while she's on air and say, "Oh, it's Jane from Secrets." | 0:45:23 | 0:45:27 | |
-"Do you remember us?" Yeah. -We had The X Factor, didn't we? | 0:45:27 | 0:45:30 | |
-Yeah, what were they called? -Candy Rain. -Candy Rain. | 0:45:30 | 0:45:32 | |
-We've got two of them back working for us. -No, one. | 0:45:32 | 0:45:35 | |
One of them now, cos one's having a baby, yeah. | 0:45:35 | 0:45:38 | |
We have a young girl that's been with me a long time, Paige. She's a world champion kick-boxer. | 0:45:43 | 0:45:48 | |
When she goes off to a match, she knows the girls are behind her. | 0:45:48 | 0:45:53 | |
She brings her sport into her dancing. She's an amazing dancer. | 0:45:56 | 0:46:03 | |
MUSIC: "Paradise Circus" by Massive Attack | 0:46:03 | 0:46:07 | |
Step and move. Good. Get your fists down. | 0:46:22 | 0:46:26 | |
Change partners, grab someone new. Quickly, quickly, guys, let's move it. | 0:46:26 | 0:46:31 | |
Do you ever tell your customers at Secrets that you're a boxer? | 0:46:32 | 0:46:36 | |
Oh, yeah, every time. They love it. | 0:46:36 | 0:46:39 | |
I've had a special request sometimes - "Can you do, like, a kick-boxing kind of dance?" | 0:46:39 | 0:46:44 | |
What do the guys at boxing think about you doing the table dancing? | 0:46:47 | 0:46:51 | |
They just think it's hideous. | 0:46:51 | 0:46:52 | |
Cos they can't even begin to imagine, like, | 0:46:52 | 0:46:55 | |
you trying to look feminine and, you know, er, ladylike. | 0:46:55 | 0:46:58 | |
Has it changed your opinion of men, working at Secrets? | 0:47:00 | 0:47:03 | |
Yes. Yeah. It has. | 0:47:03 | 0:47:06 | |
Er, it's made me a lot stronger. | 0:47:06 | 0:47:09 | |
I think, er, you know, as to what I do and don't want in a guy. | 0:47:09 | 0:47:12 | |
But it's also made me understand men a lot, lot better. | 0:47:12 | 0:47:15 | |
It's probably why I'm still single. | 0:47:15 | 0:47:17 | |
I think what it is with guys, | 0:47:19 | 0:47:20 | |
they feel that that's for them to see, and no-one else. | 0:47:20 | 0:47:24 | |
Apart from the gynaecologist. | 0:47:24 | 0:47:25 | |
Move but hit. Don't just move. | 0:47:35 | 0:47:37 | |
Make sure you move, punch her in the face. | 0:47:37 | 0:47:39 | |
OK. | 0:47:41 | 0:47:43 | |
'I first won my world championships in 2009 | 0:47:43 | 0:47:48 | |
'and then it's kind of been an annual thing rolling on ever since, really. | 0:47:48 | 0:47:52 | |
'Next year in Orlando, I'll be defending my title. | 0:47:53 | 0:47:57 | |
'I've been with Team GB since 2009. | 0:48:05 | 0:48:07 | |
'Funding, it's a bit lean on the ground. | 0:48:10 | 0:48:13 | |
'Going away and competing abroad is not cheap. | 0:48:13 | 0:48:16 | |
So night work at Secrets, | 0:48:16 | 0:48:18 | |
it does help and contribute towards that side of things. | 0:48:18 | 0:48:21 | |
BELL RINGS | 0:48:25 | 0:48:27 | |
'Introducing your winner, fighting out of Combat Company...' | 0:48:31 | 0:48:35 | |
CHEERING AND APPLAUSE | 0:48:35 | 0:48:38 | |
Will you be working at Secrets tomorrow? | 0:48:46 | 0:48:49 | |
Yeah. We'll see how my face looks and see what the managers say. | 0:48:49 | 0:48:52 | |
But yeah, a reason to celebrate. | 0:48:52 | 0:48:55 | |
Oh, look at my tits. | 0:49:10 | 0:49:12 | |
Who wants to come and paint my arse? | 0:49:13 | 0:49:15 | |
To the hand, to the hand, to the hand, hand. | 0:49:22 | 0:49:25 | |
-Thank you, yes please. -Done? -This is great, it feels good. | 0:49:25 | 0:49:29 | |
-Is that OK? -No patting. -Sorry, I'm used to patting. | 0:49:29 | 0:49:32 | |
Do you have regular customers that come and see you again and again? | 0:49:37 | 0:49:41 | |
Er, yes, but not enough. Want more. | 0:49:41 | 0:49:44 | |
What do you think about when you dance? | 0:49:45 | 0:49:48 | |
I don't really think about too much. Um... | 0:49:48 | 0:49:51 | |
Do you think about the customers? | 0:49:51 | 0:49:54 | |
Er...only if like, you know... | 0:49:54 | 0:49:56 | |
Hopefully they're, er, engaged, you know, and I'm not rubbish. | 0:49:56 | 0:50:01 | |
If someone likes you, then great, you know. It can be quite profitable. | 0:50:01 | 0:50:05 | |
But, you know, if you're not someone's cup of tea, | 0:50:05 | 0:50:07 | |
then, um, I'm afraid not. | 0:50:07 | 0:50:08 | |
Which, you know, comes with it as well. | 0:50:08 | 0:50:12 | |
You're not going to be everyone's, um, cup of tea, | 0:50:12 | 0:50:16 | |
and that's fine, you know. You can't have it all. | 0:50:16 | 0:50:20 | |
Do you have to compete with the other girls to get customers? | 0:50:20 | 0:50:24 | |
It is competitive but at the same time it wouldn't work | 0:50:24 | 0:50:28 | |
if we were all fighting. | 0:50:28 | 0:50:30 | |
The managers wouldn't have it anyway, you know, if we carried on like that. | 0:50:30 | 0:50:34 | |
It'd just spoil it, you know, so we have an understanding. | 0:50:34 | 0:50:37 | |
Lovely to see you again. | 0:50:39 | 0:50:41 | |
That was such a porno kiss! | 0:50:41 | 0:50:43 | |
Oi, do you know, he's like Hugh Hefner with his two girls! | 0:50:43 | 0:50:47 | |
-Oh, didn't you know that? -Yeah. Yeah but... | 0:50:47 | 0:50:50 | |
Family hug. Oh. Mwah! | 0:50:50 | 0:50:53 | |
Summer, you know what? I've got to say it - you are beautiful. | 0:50:53 | 0:50:57 | |
High five. Actually, let's have a little... | 0:50:57 | 0:51:00 | |
'You kind of get a feel if someone likes you. | 0:51:04 | 0:51:07 | |
'You can see it if they do like the other girl instead. | 0:51:07 | 0:51:11 | |
'You can kind of just read the whole situation.' | 0:51:11 | 0:51:14 | |
So, Summer. How are we doing, are you all right? | 0:51:14 | 0:51:18 | |
Well, she's giving it all that... | 0:51:18 | 0:51:20 | |
'I don't take it personally. If I get rejected, no worries. | 0:51:20 | 0:51:23 | |
'You won't be everyone's cup of tea.' | 0:51:23 | 0:51:25 | |
-So we going to have lots of dances later? -We're going to have unbelievable dances. | 0:51:25 | 0:51:29 | |
'It's all about preference. You just deal with it. | 0:51:29 | 0:51:33 | |
'I think, "OK, fine. I'm just going to get on to the next one."' | 0:51:33 | 0:51:36 | |
-Do you know what? Don't get jealous. -That is so romantic(!) | 0:51:36 | 0:51:40 | |
'It's been a hard session, boxing.' | 0:51:42 | 0:51:45 | |
And then, you know, coming here and being kind of... | 0:51:45 | 0:51:48 | |
But you know, it's fine. | 0:51:48 | 0:51:50 | |
I'm young enough and ugly enough to do it, so it's fine. | 0:51:50 | 0:51:53 | |
I've got no excuse. | 0:51:53 | 0:51:54 | |
How's your face feeling now, | 0:51:54 | 0:51:56 | |
after being, sort of, beaten up a bit earlier on? | 0:51:56 | 0:51:58 | |
Bit sore. I'm starting to feel it a bit now. | 0:51:58 | 0:52:01 | |
Um, feel a bit sore on here, so I reckon tomorrow, | 0:52:01 | 0:52:05 | |
if you'd ask me, I'd be saying... | 0:52:05 | 0:52:07 | |
But you know what? It's fine. | 0:52:07 | 0:52:09 | |
As long as I'm still standing, I'm still with it, it's OK. | 0:52:09 | 0:52:12 | |
So what time will you be working till tonight? | 0:52:12 | 0:52:15 | |
Er, about four. Going to bed about five. | 0:52:15 | 0:52:19 | |
Yeah, it's going to be... It's going to be a late-early one. | 0:52:19 | 0:52:22 | |
People don't expect a world champion kickboxer to also be a table dancer. | 0:52:28 | 0:52:33 | |
A lot of people think table dancers are vulnerable, | 0:52:33 | 0:52:36 | |
they've been in bad relationships, or you know, they've been scorned somehow. | 0:52:36 | 0:52:41 | |
When, in fact, I think you've got to be quite the opposite cos it's very empowering. | 0:52:41 | 0:52:46 | |
What about your family? What do they think about you table dancing? | 0:52:46 | 0:52:49 | |
I've never actually asked my mum how she feels about it. | 0:52:49 | 0:52:52 | |
I just said, "Look, what's the worst thing I could ever tell you?" | 0:52:52 | 0:52:56 | |
And she was like, you know, | 0:52:56 | 0:52:58 | |
"Terminal illness, or you're going to run away, | 0:52:58 | 0:53:02 | |
"or I don't know. Just go to prison." | 0:53:02 | 0:53:04 | |
And she was like, "OK, OK. I-I-I... OK, that's enough now." | 0:53:05 | 0:53:10 | |
And that's fine. | 0:53:10 | 0:53:12 | |
We've kind of left it at that and that told me everything. | 0:53:12 | 0:53:15 | |
My dad - erm... He's not around. | 0:53:15 | 0:53:18 | |
He hasn't been around for years and years, so... | 0:53:18 | 0:53:22 | |
SHE SIGHS Sorry. | 0:53:23 | 0:53:26 | |
I don't know what he'd think. I don't think he'd be too happy, | 0:53:27 | 0:53:31 | |
but, er, I guess I'll never know. | 0:53:31 | 0:53:33 | |
In a way, I... | 0:53:35 | 0:53:37 | |
It would be good to... | 0:53:37 | 0:53:39 | |
For him to know, just to kind of get angry or... | 0:53:41 | 0:53:45 | |
..to have him come back and be like, | 0:53:46 | 0:53:50 | |
you know, "Oh, so this is what you're up to." | 0:53:50 | 0:53:53 | |
Not just with the dancing but the kickboxing, everything. | 0:53:53 | 0:53:59 | |
Would you like him to get back in touch? | 0:53:59 | 0:54:01 | |
Every day. | 0:54:05 | 0:54:06 | |
So the people at Secrets, have they become like family to you? | 0:54:13 | 0:54:16 | |
'Yeah. Yeah, they have. | 0:54:18 | 0:54:19 | |
'They're a good bunch. | 0:54:19 | 0:54:21 | |
'A really good bunch. | 0:54:21 | 0:54:22 | |
'The girls I work with, the friends I've made, | 0:54:22 | 0:54:25 | |
'the staff, the management. It's like a little family to me.' | 0:54:25 | 0:54:29 | |
How the hell am I supposed to cover this spot? | 0:54:29 | 0:54:32 | |
So, how long do you think you're going to keep table dancing for? | 0:54:39 | 0:54:44 | |
I don't know. I think it's addictive cos the money is so easy to make. | 0:54:44 | 0:54:47 | |
But I do want to do something else, like my undertaking job. | 0:54:47 | 0:54:52 | |
I won't give it much longer. Probably inside of a year or so. | 0:54:52 | 0:54:56 | |
Go from there. See where I am. | 0:54:56 | 0:54:58 | |
I don't know. Depends what dance work I get when I finish uni. | 0:54:58 | 0:55:03 | |
It's something you can always come and do. | 0:55:03 | 0:55:05 | |
-A lot of girls come back to it as well, like... -Yeah. Take a break, and come back. | 0:55:05 | 0:55:09 | |
-Hiya. -Hiya, Jane. -Hiya. You all right? | 0:55:09 | 0:55:11 | |
All right. Yes, just fighting with the hair. | 0:55:11 | 0:55:13 | |
-You all right, darling? -Yeah. -You know we've got customers in already? | 0:55:13 | 0:55:17 | |
-So you need to... -Right, OK. -..get sorted, get downstairs. | 0:55:17 | 0:55:20 | |
-How long will you be? Cos... -Literally five minutes. | 0:55:20 | 0:55:23 | |
The girls that got the early customers last night | 0:55:23 | 0:55:26 | |
earned really good money. So you need to get a wiggle on. | 0:55:26 | 0:55:30 | |
-If you're not down in five minutes... -Kick up the bum, please. -..big stick. OK? Thanks. | 0:55:30 | 0:55:35 | |
Cheers, Jane. | 0:55:35 | 0:55:36 | |
MUSIC: "Mama Do The Hump" by Rizzle Kicks | 0:55:39 | 0:55:43 | |
Subtitles by Red Bee Media Ltd | 0:56:44 | 0:56:47 | |
E-mail [email protected] | 0:56:47 | 0:56:50 |