
Browse content similar to A Race Against Time: Hilary Lister's Round Britain Dream. Check below for episodes and series from the same categories and more!
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Hilary Lister is quadriplegic. | 0:00:13 | 0:00:15 | |
She's paralysed from the neck down. | 0:00:17 | 0:00:19 | |
Just imagine being wrapped up like a mummy, | 0:00:23 | 0:00:26 | |
so that you can't use your arms and legs, | 0:00:26 | 0:00:28 | |
and all that's free is your head, | 0:00:28 | 0:00:30 | |
and you have to sail a boat, | 0:00:30 | 0:00:33 | |
unable to move. | 0:00:33 | 0:00:34 | |
How remarkable is that? | 0:00:37 | 0:00:38 | |
It's freedom. | 0:00:40 | 0:00:42 | |
It's me alive. | 0:00:42 | 0:00:43 | |
It's just one wave at a time, really. | 0:00:43 | 0:00:47 | |
Where are the wind's coming from? | 0:00:47 | 0:00:49 | |
Are my sails set right? | 0:00:49 | 0:00:50 | |
I'm talking about being independent in my life, | 0:00:53 | 0:00:55 | |
and that's something that is new, completely new. | 0:00:55 | 0:00:59 | |
In her greatest challenge yet, | 0:01:01 | 0:01:02 | |
she is sailing around the coast of Britain, | 0:01:02 | 0:01:05 | |
a journey of 3,000 miles. | 0:01:05 | 0:01:07 | |
But will the elements be for or against her? | 0:01:10 | 0:01:13 | |
Ready for this? | 0:01:23 | 0:01:25 | |
It's 3am. | 0:01:28 | 0:01:30 | |
Hilary's around-Britain journey starts from her home in Kent. | 0:01:32 | 0:01:37 | |
Do you want me to come down with you? | 0:01:37 | 0:01:39 | |
We should be all right, I think. | 0:01:39 | 0:01:41 | |
-OK. -Follow the convoy. | 0:01:41 | 0:01:42 | |
From Dover, she will travel over land the 300 miles to Plymouth, | 0:01:45 | 0:01:49 | |
where her voyage will start. | 0:01:49 | 0:01:51 | |
Hilary is continuing on | 0:01:57 | 0:01:59 | |
from her first attempt to sail around Britain. | 0:01:59 | 0:02:01 | |
In 2008, she got as far as Newlyn in Cornwall, | 0:02:04 | 0:02:08 | |
before bad weather beat her. | 0:02:08 | 0:02:10 | |
Round Britain is a huge challenge, | 0:02:12 | 0:02:15 | |
it's a big enough challenge for someone able-bodied, | 0:02:15 | 0:02:17 | |
in a full-sized yacht. | 0:02:17 | 0:02:20 | |
To do it with Hilary's level of disability, | 0:02:20 | 0:02:24 | |
I think of it rather like Chichester going round the globe | 0:02:24 | 0:02:27 | |
for the first time. | 0:02:27 | 0:02:29 | |
Do we need... | 0:02:29 | 0:02:30 | |
Hilary's disease has progressed to the point | 0:02:30 | 0:02:33 | |
where her head is the only part of her body she can move. | 0:02:33 | 0:02:37 | |
My arm's going to go. Just let it go. | 0:02:37 | 0:02:40 | |
As a result of this syndrome, the muscles, the skin, and the bones | 0:02:40 | 0:02:46 | |
all have chronic changes, | 0:02:46 | 0:02:49 | |
which ultimately leads to a functionless limb, | 0:02:49 | 0:02:53 | |
a paralysed limb where the muscles waste away, the skin changes, | 0:02:53 | 0:02:57 | |
and in some severe cases, the limb needs to be amputated. | 0:02:57 | 0:03:02 | |
It's one of the most horrific things | 0:03:02 | 0:03:05 | |
that you could imagine happening to anybody. | 0:03:05 | 0:03:07 | |
How could anybody imagine what it's like to suffer intense, | 0:03:07 | 0:03:11 | |
intractable pain, constantly, every waking moment of your life? | 0:03:11 | 0:03:17 | |
She's lived with this condition for more than half of her life. | 0:03:17 | 0:03:21 | |
If she doesn't do it now, | 0:03:21 | 0:03:23 | |
she might not be able to do it next week, let alone, next year. | 0:03:23 | 0:03:28 | |
It takes seven people for Hilary to go solo sailing. | 0:03:28 | 0:03:33 | |
One of them is Hilary, the rest are the support crew. | 0:03:33 | 0:03:35 | |
Each team member has been hand-picked by Hilary. | 0:03:37 | 0:03:40 | |
Toby... | 0:03:41 | 0:03:43 | |
Huw... | 0:03:43 | 0:03:44 | |
and Simon who crew the rescue boat. | 0:03:44 | 0:03:47 | |
Her carer, Jo, | 0:03:47 | 0:03:48 | |
Terry, the cook and driver... | 0:03:48 | 0:03:50 | |
What am I doing? | 0:03:50 | 0:03:52 | |
..and Paul, the team organiser. | 0:03:52 | 0:03:53 | |
I don't understand why it's easy, really easy, | 0:03:53 | 0:03:56 | |
to move a boat in water, and yet I have to keep moving it | 0:03:56 | 0:03:58 | |
in this Landrover. | 0:03:58 | 0:04:00 | |
Um, just to make sure you've spotted us, | 0:04:04 | 0:04:06 | |
we are off your starboard bow, over. | 0:04:06 | 0:04:09 | |
The danger is Hilary is physically very vulnerable. | 0:04:11 | 0:04:16 | |
We've done what we can, | 0:04:16 | 0:04:19 | |
to mitigate that, but you can never take it away. | 0:04:19 | 0:04:23 | |
So, were Hilary to go in the water, | 0:04:24 | 0:04:27 | |
we've practised getting her out of the water, | 0:04:27 | 0:04:29 | |
but there's no guarantee that we would be able to do that. | 0:04:29 | 0:04:32 | |
My project manager is worried that I'm going to choke | 0:04:35 | 0:04:39 | |
and die on the water. | 0:04:39 | 0:04:40 | |
That's his biggest fear. | 0:04:40 | 0:04:43 | |
-(RADIO) -'Inshore waters forecast issued by the Met Office... | 0:04:43 | 0:04:47 | |
'The outlook for the following 24 hours...' | 0:04:47 | 0:04:50 | |
I have a negative role in this project. | 0:04:50 | 0:04:54 | |
She assumes that she's going to go sailing and I say, "No." | 0:04:54 | 0:04:58 | |
I think it would not be a safe idea to sail today. | 0:04:58 | 0:05:02 | |
I thought that it would be a no. | 0:05:02 | 0:05:04 | |
Hilary is petite, blond and vulnerable. | 0:05:05 | 0:05:09 | |
You can ask her, "How are you feeling?" | 0:05:09 | 0:05:12 | |
and she'll always say, "OK." | 0:05:12 | 0:05:14 | |
You have to start guessing at what she's really feeling. | 0:05:14 | 0:05:18 | |
Try to read the signs. | 0:05:18 | 0:05:20 | |
I pass out at home, on my own, | 0:05:22 | 0:05:26 | |
on the sofa, | 0:05:26 | 0:05:28 | |
twice a day. | 0:05:28 | 0:05:30 | |
If it's going to happen anywhere, | 0:05:30 | 0:05:33 | |
I hope I'm not sitting on the sofa thinking, I wish I'd tried this. | 0:05:33 | 0:05:39 | |
It's not about proving I'm better than anyone else, | 0:05:42 | 0:05:48 | |
it's just about proving it's possible. This is my dream. | 0:05:48 | 0:05:54 | |
She's a bit mad. Erm, it's got to be said! | 0:05:54 | 0:05:57 | |
-Mwah, have a good trip. -See you later. | 0:05:57 | 0:06:00 | |
-Have fun. -I'm missing you already. -Missing you more. -Don't drop me. | 0:06:00 | 0:06:03 | |
Don't say that! | 0:06:03 | 0:06:04 | |
The first time she was going out, there she was getting all like, | 0:06:04 | 0:06:07 | |
"I want to go, I want to go", | 0:06:07 | 0:06:09 | |
and getting all sort of stressed about it, and, um, | 0:06:09 | 0:06:11 | |
when she came back, that's right, when she came back, | 0:06:11 | 0:06:14 | |
she just had this massive grin on her face and I was like, | 0:06:14 | 0:06:16 | |
"Oh, that's what it's all about!" | 0:06:16 | 0:06:18 | |
When Hilary was first introduced to sailing, | 0:06:18 | 0:06:21 | |
she'd already been paralysed for ten years. | 0:06:21 | 0:06:25 | |
A friend took me out on a lake, in a garden chair, | 0:06:25 | 0:06:29 | |
strapped to the middle of a wayfarer, | 0:06:29 | 0:06:32 | |
with a plank under my legs and another plank down my back | 0:06:32 | 0:06:38 | |
and some duct tape round my head, to hold it in place, | 0:06:38 | 0:06:42 | |
and I'd been on the water 30 seconds. | 0:06:42 | 0:06:47 | |
I just fell in love, it's that simple. | 0:06:47 | 0:06:50 | |
Me Too, Me Too, you're just approaching the sand bar now, over. | 0:06:50 | 0:06:55 | |
When I see Hilary about to sail, or when she's sailed, | 0:06:55 | 0:06:59 | |
the difference in her, from that, from her normal, day-to-day life, | 0:06:59 | 0:07:05 | |
it's just amazing to see how excited she is | 0:07:05 | 0:07:08 | |
when she's about to get on the water, or when she's on the water, | 0:07:08 | 0:07:11 | |
and that does it for me. | 0:07:11 | 0:07:15 | |
Hilary is the sort of person that | 0:07:23 | 0:07:25 | |
once you meet her, you get drawn into her little world. | 0:07:25 | 0:07:28 | |
A little bit quicker on the safety. | 0:07:28 | 0:07:30 | |
I've never met anybody quite like her. | 0:07:30 | 0:07:33 | |
She's fascinating, she's determined, she's driven, | 0:07:33 | 0:07:36 | |
and I thought, yeah, I'd really like to be a part of that. | 0:07:36 | 0:07:40 | |
And it's turning out to be an adventure. | 0:07:40 | 0:07:43 | |
I've never known anybody, | 0:07:43 | 0:07:45 | |
in my entire life, | 0:07:45 | 0:07:47 | |
that has passed out and gasped for oxygen | 0:07:47 | 0:07:49 | |
and then apologised for it afterwards. | 0:07:49 | 0:07:52 | |
Plymouth, May 21st. | 0:07:54 | 0:07:56 | |
At 4:30am, Hilary sets out on the first leg of her journey. | 0:07:56 | 0:08:01 | |
In the 12 months since her previous round-Britain attempt, | 0:08:09 | 0:08:12 | |
her health has deteriorated further. | 0:08:12 | 0:08:15 | |
I've run down over the winter. | 0:08:18 | 0:08:20 | |
The disease seems to come in sudden crashes, | 0:08:21 | 0:08:26 | |
then I bounce back a bit. | 0:08:26 | 0:08:29 | |
Sub, sub... Just in the middle of systems check. Out. | 0:08:29 | 0:08:33 | |
Hilary's ability to sail is utterly dependent on technology. | 0:08:33 | 0:08:38 | |
In front of me, I've got a map, a chart, | 0:08:38 | 0:08:41 | |
which tells me where the boat is, where I've been, where I'm going. | 0:08:41 | 0:08:45 | |
It tells me how deep the water is, all that sort of stuff, | 0:08:45 | 0:08:49 | |
what I need to avoid. | 0:08:49 | 0:08:50 | |
And I've also got an electronic compass, | 0:08:50 | 0:08:54 | |
and both of those are operated by, um, these three straws here, | 0:08:54 | 0:09:00 | |
really, and by a series of motors. | 0:09:00 | 0:09:02 | |
So, if I want to go to port, which is left, | 0:09:02 | 0:09:07 | |
I just puff on this straw, | 0:09:07 | 0:09:09 | |
And if I want to go to starboard, which is right, | 0:09:13 | 0:09:15 | |
I'll go... | 0:09:15 | 0:09:17 | |
and suck on the same straw. | 0:09:17 | 0:09:19 | |
This straw here, this works the winches, | 0:09:21 | 0:09:25 | |
so I can puff to let the sails out... | 0:09:25 | 0:09:29 | |
..and sip to pull them in. Easy! | 0:09:31 | 0:09:34 | |
And then this one is a kind of a menu system. | 0:09:35 | 0:09:38 | |
I can do things like blow once, | 0:09:38 | 0:09:42 | |
to change the angle of the head sail to the main, | 0:09:42 | 0:09:45 | |
I can blow again... | 0:09:45 | 0:09:48 | |
..I can lift the boom up and down, | 0:09:50 | 0:09:52 | |
I can even go into auto-pilot, | 0:09:52 | 0:09:54 | |
so I can get something to eat, and generally relax. | 0:09:54 | 0:09:57 | |
-This is it, then. -This is it. -Right, it's loose, the springs. | 0:10:00 | 0:10:03 | |
We're off. At last. | 0:10:03 | 0:10:05 | |
Hilary is one of four children. | 0:10:30 | 0:10:32 | |
As she grew up, | 0:10:34 | 0:10:35 | |
there were no signs of the disease that would take over her life. | 0:10:35 | 0:10:39 | |
She was an active girl and had a strong interest in music. | 0:10:39 | 0:10:44 | |
At school, she was captain of the netball and hockey teams. | 0:10:45 | 0:10:51 | |
But by the age of 15, she was unable to walk. | 0:10:51 | 0:10:55 | |
It's been heart-breaking, watching this illness take hold of her, | 0:10:55 | 0:10:58 | |
and wonderful that she can do what she's doing now. | 0:10:58 | 0:11:03 | |
(RADIO) 'Sub, sub, sub... this is Me Too, Me Too, over.' | 0:11:03 | 0:11:06 | |
She was a very interesting child. Very determined. | 0:11:06 | 0:11:09 | |
We were quite hard-up at the time, and I just had three eggs, | 0:11:09 | 0:11:13 | |
and I wanted to put two in a cake, and to keep one for something else. | 0:11:13 | 0:11:17 | |
So she was standing by the side of me, | 0:11:17 | 0:11:19 | |
helping make the cake and she got the book, | 0:11:19 | 0:11:21 | |
and she could just recognise the numbers, you know, so I said, | 0:11:21 | 0:11:25 | |
"Right, Hilary, we're making this cake, and these are the ingredients," | 0:11:25 | 0:11:28 | |
and I said, "Here are the eggs," and she said, | 0:11:28 | 0:11:30 | |
"It says three eggs here, mummy", and I said, "I know, | 0:11:30 | 0:11:33 | |
"but we're going to put two in | 0:11:33 | 0:11:34 | |
"because I want the third one for tea," so she said, | 0:11:34 | 0:11:37 | |
"But, mummy, it says three eggs" and I said, "Well, Hilary, | 0:11:37 | 0:11:40 | |
"take it from me, we're only going to put two in." | 0:11:40 | 0:11:43 | |
Then somebody rang the door bell so I went to the door, | 0:11:43 | 0:11:47 | |
when I came back, she said, "I've put in three, mummy", | 0:11:47 | 0:11:50 | |
so she was very determined! | 0:11:50 | 0:11:52 | |
She went on to Oxford, where she studied biochemistry. | 0:11:52 | 0:11:56 | |
She took her finals flat on her back on a morphine drip, | 0:11:56 | 0:11:59 | |
and was awarded an upper-second degree. | 0:11:59 | 0:12:02 | |
# Panis angelicus... # | 0:12:02 | 0:12:06 | |
Her husband, Clifford, is a singing teacher. | 0:12:06 | 0:12:09 | |
# Panis habenum... # | 0:12:09 | 0:12:12 | |
Hilary played the clarinet, and they met through music. | 0:12:15 | 0:12:19 | |
They remained friends for many years and were married in 1999. | 0:12:22 | 0:12:26 | |
I didn't know her when she could walk. | 0:12:26 | 0:12:29 | |
I fell in love with her when she was paraplegic, | 0:12:29 | 0:12:32 | |
and she was full of zest and life and ambition, and, actually, | 0:12:32 | 0:12:36 | |
the wheelchair seemed to have relatively little significance. | 0:12:36 | 0:12:40 | |
Hilary's illness may not have seemed important to Clifford, | 0:12:43 | 0:12:47 | |
but as it spread, it eventually stopped her playing the clarinet. | 0:12:47 | 0:12:50 | |
That is the only thing, almost, I curse and swear about, | 0:12:50 | 0:12:57 | |
is the fact I can't pick up my clarinet... | 0:12:57 | 0:13:01 | |
..and just let it all out. | 0:13:02 | 0:13:06 | |
When I got mad, that's where I went, | 0:13:06 | 0:13:10 | |
and when I was happy, it's where I went as well. | 0:13:10 | 0:13:14 | |
I miss it terribly. | 0:13:14 | 0:13:15 | |
I can't listen | 0:13:16 | 0:13:18 | |
to clarinet music, still. | 0:13:18 | 0:13:21 | |
May 24th, | 0:13:51 | 0:13:52 | |
and Hilary reaches Newlyn, | 0:13:52 | 0:13:54 | |
cold, tired, but in good spirits. | 0:13:54 | 0:13:58 | |
Bloody hell, I weigh a lot more after a sail! | 0:13:58 | 0:14:01 | |
Weird forms of sea life we have seen today. | 0:14:01 | 0:14:04 | |
Porpoises, a turtle, loads and loads of little, tiny, weeny polyps. | 0:14:04 | 0:14:09 | |
I don't know what they are but there are tens of thousands of them, | 0:14:09 | 0:14:12 | |
just in there, everywhere. | 0:14:12 | 0:14:16 | |
Something is spawning, but I don't know what. | 0:14:16 | 0:14:19 | |
Anyway, right, it's cold, | 0:14:19 | 0:14:22 | |
it's two in the morning or something. And let's go to bed! | 0:14:22 | 0:14:26 | |
Casting off? Bye! | 0:14:41 | 0:14:43 | |
I had a big mental block about Lands End. | 0:15:09 | 0:15:13 | |
I viewed it as a very difficult sail, approached it very cautiously. | 0:15:13 | 0:15:17 | |
We actually got round Lands End quite nicely. | 0:15:17 | 0:15:20 | |
We got the push of the tide, up to as far as Newquay. | 0:15:20 | 0:15:25 | |
The journey continues to go well. | 0:15:45 | 0:15:48 | |
On June 1st, Hilary arrives at Bude, | 0:15:48 | 0:15:51 | |
where she's met by the Mayor as well as the local Lions Club. | 0:15:51 | 0:15:55 | |
Keep going. Keep smiling. | 0:15:55 | 0:15:56 | |
-You've finally found... -Can we get the dog to smile, as well? | 0:15:56 | 0:16:00 | |
She's obviously making absolutely the most that she could | 0:16:00 | 0:16:04 | |
possibly make out of her life, but it must be a terrible | 0:16:04 | 0:16:09 | |
existence for anybody to live within those confines. | 0:16:09 | 0:16:12 | |
Sometimes, the pain's bad, the breathing's bad, | 0:16:13 | 0:16:16 | |
it's about counting to ten. | 0:16:16 | 0:16:19 | |
OK, we did that, you can count to ten again, you know, | 0:16:19 | 0:16:23 | |
that's two tens I've made it through, the next ten might be better. | 0:16:23 | 0:16:30 | |
I pray for good days on the water, a day at a time. | 0:16:31 | 0:16:35 | |
There's no point thinking, "What if?" | 0:16:38 | 0:16:41 | |
Because I may never have got in a sailing boat without my disability. | 0:16:41 | 0:16:46 | |
On June 2nd, Hilary sets out across the Bristol Channel for Wales. | 0:16:50 | 0:16:55 | |
We're off to Milford Haven, some 65, 66 miles. | 0:16:55 | 0:17:02 | |
It's a long way. | 0:17:02 | 0:17:04 | |
It's, I think, our longest sail, so I'm just praying we get some wind. | 0:17:04 | 0:17:10 | |
This is one of the longest legs of her journey, | 0:17:10 | 0:17:13 | |
and things start badly. | 0:17:13 | 0:17:15 | |
As she leaves the harbour, she hits a sandbank. | 0:17:15 | 0:17:17 | |
It's a pretty big jolt. | 0:17:26 | 0:17:29 | |
Feels like you're losing half your boat. | 0:17:29 | 0:17:33 | |
Toby jumped on, pulled the keel up, the boys did a great job. | 0:17:33 | 0:17:40 | |
We then spent 20 minutes sailing up and down in front of Bude, | 0:17:48 | 0:17:53 | |
just to make sure everything was OK. | 0:17:53 | 0:17:56 | |
After the difficult start, Hilary finally makes it out to sea. | 0:17:59 | 0:18:03 | |
The weather turns against her. | 0:18:05 | 0:18:07 | |
The wind got weaker and weaker | 0:18:07 | 0:18:10 | |
and then died about seven miles off Lundy. | 0:18:10 | 0:18:14 | |
So, we ended up having to tow me across the Bristol Channel, | 0:18:14 | 0:18:18 | |
which was infuriating. | 0:18:18 | 0:18:21 | |
As they approach Milford Haven, the traffic gets busy. | 0:18:24 | 0:18:28 | |
Compared to the Arte, even the smallest boats | 0:18:28 | 0:18:31 | |
look like floating cities. | 0:18:31 | 0:18:33 | |
With no wind, there's little choice but to tow her into harbour. | 0:18:36 | 0:18:40 | |
We ended up at Pembroke Dock, which was not ideal, | 0:18:40 | 0:18:46 | |
because there was no water | 0:18:46 | 0:18:48 | |
and no power, and no showers, for me, anyway. | 0:18:48 | 0:18:52 | |
Waiting for her is Lottie. | 0:19:02 | 0:19:05 | |
When Hilary's at home, Lottie plays a vital role in keeping her alive. | 0:19:05 | 0:19:09 | |
Lottie's pretty good at licking my face and bringing me round. | 0:19:11 | 0:19:15 | |
It's not really what you want, a Labrador all over you, | 0:19:15 | 0:19:18 | |
but it kind of works. | 0:19:18 | 0:19:20 | |
Lottie likes to get in on the act whenever she can. | 0:19:20 | 0:19:23 | |
So, Hilary, we're in Pembrokeshire, where are you going to next? | 0:19:23 | 0:19:27 | |
Lottie, will you stop it? We'll do that again. | 0:19:27 | 0:19:32 | |
Hello, Lottie dog. Fancy seeing you here at lunch time. | 0:19:32 | 0:19:35 | |
Lottie. | 0:19:36 | 0:19:37 | |
Lottie. | 0:19:40 | 0:19:41 | |
Lottie. | 0:19:43 | 0:19:44 | |
Right, Lands End to St David's Head, | 0:19:47 | 0:19:49 | |
variable two or three becoming northerly or north-westerly. | 0:19:49 | 0:19:53 | |
As the journey continues, the weather changes dramatically. | 0:19:53 | 0:19:56 | |
Occasionally six in far-west for a time. | 0:19:56 | 0:19:59 | |
That's quite worrying, because there's no shelter at all. | 0:19:59 | 0:20:06 | |
I'm kind of uneasy. | 0:20:06 | 0:20:07 | |
As darkness falls, the wind picks up, | 0:20:25 | 0:20:28 | |
and all Hilary's control systems fail. | 0:20:28 | 0:20:30 | |
Radio communication is difficult, | 0:20:35 | 0:20:37 | |
but she manages to contact the coastguard for help. | 0:20:37 | 0:20:39 | |
Eventually, a lifeboat arrives. | 0:20:41 | 0:20:43 | |
Using a ferry as a windbreak, the team re-group. | 0:20:46 | 0:20:48 | |
Hilary is towed into harbour before being transferred | 0:20:50 | 0:20:54 | |
to the inshore lifeboat and carried ashore. | 0:20:54 | 0:20:56 | |
There's an ambulance on stand-by because we're a little concerned | 0:20:56 | 0:21:00 | |
that Hilary's got very wet and cold today in difficult conditions. | 0:21:00 | 0:21:03 | |
Hilary is given mouth-to-mouth resuscitation. | 0:21:08 | 0:21:11 | |
We didn't know where Hilary was or what was going on, | 0:21:14 | 0:21:16 | |
and the look of the faces | 0:21:16 | 0:21:18 | |
of the people in the lifeboat station worried me. | 0:21:18 | 0:21:21 | |
I made a really fundamental error. | 0:21:22 | 0:21:24 | |
That's all there is to it. | 0:21:27 | 0:21:29 | |
We got, uh, just short of Stumble Point, | 0:21:31 | 0:21:35 | |
uh, and the tide turned, we lost the jib. | 0:21:35 | 0:21:40 | |
Hilary called it, she called for a tow. | 0:21:40 | 0:21:43 | |
Hilary was in danger, so Huw had jumped aboard from Hilary's | 0:21:44 | 0:21:48 | |
rescue boat to try and help, risking his own life. | 0:21:48 | 0:21:52 | |
I was standing behind watching you because | 0:21:52 | 0:21:54 | |
what I was thinking is, "No comms, you fall off..." | 0:21:54 | 0:21:58 | |
I know. | 0:21:58 | 0:21:59 | |
"..goodbye you." | 0:21:59 | 0:22:00 | |
It was scary. | 0:22:00 | 0:22:02 | |
By the time they'd reached the harbour, | 0:22:02 | 0:22:04 | |
both Huw and Hilary had been wet and cold for hours. | 0:22:04 | 0:22:07 | |
I was fairly far gone with the cold. | 0:22:07 | 0:22:09 | |
Hilary must have been the same but she can't really feel the cold, | 0:22:09 | 0:22:12 | |
so I was just using me as a guide for how cold she must be. | 0:22:12 | 0:22:17 | |
CHEERING | 0:22:26 | 0:22:28 | |
After resting up for a week, | 0:22:35 | 0:22:37 | |
on June 13th, Hilary sets out across the Irish Sea for Arklow. | 0:22:37 | 0:22:41 | |
It's a journey no severely disabled sailor has ever made before. | 0:22:45 | 0:22:48 | |
Altogether, Hilary will call into five harbours in Ireland. | 0:23:01 | 0:23:05 | |
It's the longest leg of the journey, but the weather is | 0:23:06 | 0:23:09 | |
with her and she reaches Arklow four hours ahead of schedule. | 0:23:09 | 0:23:13 | |
The local Lions Club pipe her in. | 0:23:16 | 0:23:18 | |
By now, Hilary has been at sea for 24 days, | 0:23:20 | 0:23:23 | |
and travelled 500 miles. | 0:23:23 | 0:23:26 | |
Waiting for her is her mother, like Hilary, a biochemist. | 0:23:30 | 0:23:34 | |
I had to get here, before you had to go. | 0:23:34 | 0:23:36 | |
I was so worried that you wouldn't. | 0:23:38 | 0:23:40 | |
I had to get here. | 0:23:40 | 0:23:42 | |
She won't stop. | 0:23:45 | 0:23:47 | |
The only thing that will stop her will be the weather, | 0:23:47 | 0:23:49 | |
something wrong with the boat, or, um, if they run out of money. | 0:23:49 | 0:23:52 | |
I think she'll make it, or she'll die in the attempt. | 0:23:52 | 0:23:55 | |
But I'd rather she had a shorter life and actually had these | 0:23:58 | 0:24:01 | |
experiences, than sat cosseted somewhere and lived to be 100. | 0:24:01 | 0:24:05 | |
At Wicklow, the local sailing club holds an impromptu concert | 0:24:08 | 0:24:11 | |
to raise funds for Hilary's trust. | 0:24:11 | 0:24:13 | |
But Hilary isn't there. She collapsed that afternoon. | 0:24:34 | 0:24:38 | |
-What's your name? Can you hear me? -Hilary Lister. | 0:24:38 | 0:24:40 | |
Hilary Lister. | 0:24:40 | 0:24:42 | |
She's a C3 quadriplegic. | 0:24:42 | 0:24:44 | |
She has a chest infection. | 0:24:45 | 0:24:47 | |
We believe she has food, possibly a peanut, in her lungs. | 0:24:47 | 0:24:52 | |
Her gag reflex. | 0:24:52 | 0:24:54 | |
Can you hear us, Hilary? | 0:24:55 | 0:24:57 | |
She has in place a "Do not resuscitate." | 0:24:57 | 0:25:00 | |
Does she? | 0:25:00 | 0:25:02 | |
-Her specific request is no cardio vascular. -OK. | 0:25:02 | 0:25:06 | |
Are you a relation or a friend, or something like that? | 0:25:06 | 0:25:09 | |
I am her partner and I have a power of attorney. | 0:25:09 | 0:25:12 | |
Hilary made her decision not to be resuscitated four years earlier, | 0:25:12 | 0:25:16 | |
shared with her husband, Clifford, and her surgeon, Chris Chandler. | 0:25:16 | 0:25:20 | |
I would like a "Do not resuscitate," please. | 0:25:20 | 0:25:22 | |
-OK. -Thank you. | 0:25:23 | 0:25:25 | |
What...if what happens? | 0:25:26 | 0:25:29 | |
If I stop breathing, it's just my body saying, "Had enough, mate." | 0:25:29 | 0:25:32 | |
She doesn't want the emergency surgery, that sort of thing. | 0:25:32 | 0:25:38 | |
She has lived with this more than half of her life, | 0:25:38 | 0:25:43 | |
and her opinion is that if her body decides it's time to stop, | 0:25:43 | 0:25:48 | |
then it's time to stop. | 0:25:48 | 0:25:50 | |
I'd just like to welcome everyone here tonight | 0:25:50 | 0:25:52 | |
to our fundraising event for Hilary Lister. | 0:25:52 | 0:25:56 | |
Unfortunately, Hilary has been taken ill and is in hospital. | 0:25:56 | 0:26:01 | |
We're informed that the ambulance driver was happy with her condition | 0:26:01 | 0:26:04 | |
when she arrived, so we're fingers crossed all will be well with her. | 0:26:04 | 0:26:07 | |
APPLAUSE | 0:26:07 | 0:26:10 | |
I don't know how much my body can take, | 0:26:18 | 0:26:21 | |
but what I do know is I'm not going to let it beat me without a fight. | 0:26:21 | 0:26:26 | |
RADIO: The Morning Show on East Coast FM, with Declan Meehan. | 0:26:26 | 0:26:30 | |
# East Coast FM! # | 0:26:30 | 0:26:34 | |
'English sailor Hilary Lister has stopped off at Wicklow on her | 0:26:34 | 0:26:38 | |
'solo voyage around Britain and Ireland.' | 0:26:38 | 0:26:40 | |
Hilary has pneumonia, but she is discharged from hospital. | 0:26:40 | 0:26:45 | |
'Now, Hilary is not too well at the moment, | 0:26:45 | 0:26:46 | |
'and she'll be with us a few days before she sets off to Howth, | 0:26:46 | 0:26:50 | |
'and we want to wish her all the very best.' | 0:26:50 | 0:26:53 | |
# East Coast FM! # | 0:26:53 | 0:26:56 | |
Two weeks and three sails later, the local GP comes to check on her. | 0:26:56 | 0:27:00 | |
Right, well, you're a bit of a complicated case. | 0:27:00 | 0:27:04 | |
But without a fresh X-ray to compare with, | 0:27:04 | 0:27:06 | |
he is unsure how effective her treatment in hospital has been. | 0:27:06 | 0:27:11 | |
It's very hard to be absolutely 100% sure as to how you've responded. | 0:27:11 | 0:27:16 | |
Prepping up the pills for the day's sail. | 0:27:16 | 0:27:19 | |
Four bottles - breakfast, lunch, tea and night-time. | 0:27:19 | 0:27:23 | |
Every day, her carer, Jo, prepares a vast array of drugs that help | 0:27:23 | 0:27:28 | |
to control the continuous, | 0:27:28 | 0:27:30 | |
excruciating pain that is the reality of Hilary's life. | 0:27:30 | 0:27:34 | |
She takes an enormous quantity of morphine | 0:27:34 | 0:27:37 | |
and all these other drugs, | 0:27:37 | 0:27:40 | |
and sometimes she has felt depressed, | 0:27:40 | 0:27:43 | |
but I didn't actually know that she was depressed | 0:27:43 | 0:27:45 | |
until I think I read it on a doctor's report. | 0:27:45 | 0:27:48 | |
Because she doesn't want me always to know how low she's feeling. | 0:27:48 | 0:27:53 | |
There have been times where she would gladly have taken too | 0:27:53 | 0:27:58 | |
many tablets and not woken up.' | 0:27:58 | 0:28:01 | |
People come in and say, "Oh, isn't it lovely? | 0:28:01 | 0:28:03 | |
"You're so lucky to live in such a nice place." But, actually, when | 0:28:03 | 0:28:06 | |
you're stuck in that place and can't move until the next carer comes, | 0:28:06 | 0:28:11 | |
you are a prisoner, in however beautiful a place it is. | 0:28:11 | 0:28:15 | |
And she has felt, because she can't overdose | 0:28:15 | 0:28:19 | |
and therefore commit suicide, that she's a real prisoner. | 0:28:19 | 0:28:23 | |
So, I stockpiled some morphine and sleeping pills, | 0:28:23 | 0:28:29 | |
and a mixture of muscle relaxants, things I knew would help. | 0:28:29 | 0:28:34 | |
And I... | 0:28:36 | 0:28:38 | |
..got ready to say goodbye to people. | 0:28:40 | 0:28:43 | |
Hilary's illness has brought her close to death | 0:28:48 | 0:28:50 | |
on more than one occasion. | 0:28:50 | 0:28:52 | |
I've had that feeling where you start to leave your body, your brain | 0:28:52 | 0:28:56 | |
is shutting down, all panic goes, and if you're aware of anything, | 0:28:56 | 0:29:01 | |
you're aware of the fact that you're no longer attached to your body. | 0:29:01 | 0:29:06 | |
I had a close call in college and, erm... | 0:29:07 | 0:29:12 | |
..I entered this place that was dark, | 0:29:15 | 0:29:18 | |
but also the brightest dark I could imagine. | 0:29:18 | 0:29:23 | |
And I felt...surrounded. | 0:29:23 | 0:29:26 | |
Well, I would describe it as God, by God, completely in love. | 0:29:26 | 0:29:31 | |
You know, it was safe and warm, and... | 0:29:31 | 0:29:36 | |
..it was the right place to be. | 0:29:38 | 0:29:41 | |
I guess that sailing came along just in time, really. | 0:29:42 | 0:29:46 | |
Having the wind, and spray from the waves, and generally living | 0:29:46 | 0:29:51 | |
the life I would have chosen to live, had I not been quadriplegic. | 0:29:51 | 0:29:56 | |
Her husband, Clifford, supports Hilary's new-found love of sailing. | 0:30:01 | 0:30:06 | |
I've got to the stage in life where I think she deserves this chance. | 0:30:06 | 0:30:11 | |
She would be so unhappy if she couldn't sail, | 0:30:11 | 0:30:14 | |
and she's had enough misery in her life. | 0:30:14 | 0:30:17 | |
Anything to do with sailing, I say, "Go and do it, you must do it." | 0:30:17 | 0:30:21 | |
Why should I clip her wings? | 0:30:21 | 0:30:24 | |
My life has gone off on a tangent | 0:30:24 | 0:30:27 | |
neither of us could have foreseen, and... | 0:30:27 | 0:30:32 | |
..sailing has taken over. | 0:30:34 | 0:30:36 | |
I don't have my music now, and, so... | 0:30:40 | 0:30:46 | |
..I have to have something else. | 0:30:48 | 0:30:50 | |
And it's incredibly important and he understands that, | 0:30:50 | 0:30:57 | |
and that makes him a remarkable man. | 0:30:57 | 0:31:01 | |
There are now two men vital to Hilary's life - | 0:31:06 | 0:31:10 | |
her husband, Clifford, and project leader, Toby May. | 0:31:10 | 0:31:13 | |
What does he feel for Hilary? | 0:31:14 | 0:31:16 | |
I can't answer that question. | 0:31:17 | 0:31:19 | |
-Hold your course. -Hold the course for the moment. | 0:31:26 | 0:31:30 | |
Don't get too far ahead of her. | 0:31:30 | 0:31:32 | |
I love him very much, and I fear for him, because actually | 0:31:35 | 0:31:39 | |
waking up with someone who has died in the night, or worse, | 0:31:39 | 0:31:43 | |
died on the water, is horrific. | 0:31:43 | 0:31:46 | |
But the alternative is to let me rot. | 0:31:46 | 0:31:50 | |
Each time the team sets sail, Toby carries a huge responsibility. | 0:31:59 | 0:32:05 | |
He always blames himself first. | 0:32:05 | 0:32:08 | |
But any of my friends, my team, any of my family, | 0:32:08 | 0:32:14 | |
would feel that they hadn't done enough, | 0:32:14 | 0:32:20 | |
or they should've stopped me. | 0:32:20 | 0:32:22 | |
But the reality is, they can't. | 0:32:26 | 0:32:31 | |
It's my life. | 0:32:31 | 0:32:32 | |
We will always be good friends. | 0:32:33 | 0:32:36 | |
I do not feel any animosity, | 0:32:36 | 0:32:39 | |
any jealousy in what's happening at the moment, | 0:32:39 | 0:32:42 | |
because I couldn't provide that for her. | 0:32:42 | 0:32:46 | |
Being in love as a quadriplegic does have its problems, though. | 0:32:47 | 0:32:52 | |
Not being able to hold somebody, | 0:32:52 | 0:32:57 | |
when they're holding you, | 0:32:57 | 0:33:01 | |
that's a hard thing. | 0:33:01 | 0:33:03 | |
Not being able... | 0:33:03 | 0:33:04 | |
..to physically feel them holding you is not a problem, | 0:33:06 | 0:33:12 | |
because you get... The heart feels it. | 0:33:12 | 0:33:16 | |
But not to be able to give it back is what's hard. | 0:33:16 | 0:33:22 | |
Not being able to respond to somebody's embrace is very hard. | 0:33:23 | 0:33:28 | |
She has only, I think, one tiny place on her cheek where | 0:33:30 | 0:33:33 | |
she has any feeling, and that's very hard. | 0:33:33 | 0:33:37 | |
Her whole life is... It's just full of pain. | 0:33:37 | 0:33:40 | |
As they go into Howth, once again Hilary becomes ill, | 0:33:42 | 0:33:45 | |
creating a dilemma for Toby. | 0:33:45 | 0:33:48 | |
I don't want to stop you sailing, | 0:33:49 | 0:33:51 | |
but I think your recovery time and your fitness... | 0:33:51 | 0:33:56 | |
is starting to prey on my mind. | 0:33:56 | 0:33:59 | |
But so far, you've not even had to give me two, three breaths. | 0:33:59 | 0:34:06 | |
If you get another infection in your lungs, we've got a whole scenario | 0:34:06 | 0:34:10 | |
again, and it's going to be at least as bad, if not worse, next time. | 0:34:10 | 0:34:14 | |
Gosh, you're an optimist. | 0:34:14 | 0:34:16 | |
No, I'm a realist. You're not... | 0:34:17 | 0:34:21 | |
-It's a progressive disease. -I know. -It's not going to get better. | 0:34:21 | 0:34:24 | |
But you know that... | 0:34:24 | 0:34:26 | |
..I can be ill and bounce back. | 0:34:28 | 0:34:33 | |
That's how it works. I get ill and I bounce back. | 0:34:33 | 0:34:37 | |
Hmm, but you're noticeably slower bouncing back now. | 0:34:38 | 0:34:42 | |
Ardglass to Portpatrick, which shows, cos it's a sensible distance. | 0:34:42 | 0:34:48 | |
Despite Hilary's deteriorating health, | 0:34:48 | 0:34:51 | |
she prepares to cross the Irish Sea to Scotland. | 0:34:51 | 0:34:54 | |
We are... You are here. | 0:34:54 | 0:34:56 | |
Problem is, you'll get wet, and your endurance, | 0:34:56 | 0:35:00 | |
-your ability to actually do the sail, will disappear. -Mm. | 0:35:00 | 0:35:04 | |
Nothing is going Hilary's way. | 0:35:14 | 0:35:17 | |
In Scotland, the weather gets worse. | 0:35:17 | 0:35:20 | |
Then, as they sail up to Troon, there are yet more problems. | 0:35:20 | 0:35:23 | |
The engine of the rescue boat essential to Hilary's safety breaks down. | 0:35:25 | 0:35:29 | |
And it will cost some £8,000 to repair or replace. | 0:35:31 | 0:35:35 | |
How big a job is it to take the engine out of the boat? | 0:35:35 | 0:35:41 | |
The boat doesn't necessarily have to come out of the water to take the engine out. | 0:35:42 | 0:35:47 | |
-Just need a hoist to get her out. It's half a ton, isn't it? -Yeah. | 0:35:47 | 0:35:50 | |
But Hilary has not been consulted throughout the discussions. | 0:35:50 | 0:35:55 | |
Thanks for involving me. | 0:35:55 | 0:35:56 | |
-Sorry. -My rig, my project, my money. | 0:35:59 | 0:36:01 | |
My work for two years. | 0:36:03 | 0:36:05 | |
-At least involve me. -OK. | 0:36:06 | 0:36:10 | |
I'll try and get it sorted out. | 0:36:13 | 0:36:14 | |
You cannot take the engine out | 0:36:14 | 0:36:17 | |
and ship it off before you know what's wrong with it. | 0:36:17 | 0:36:21 | |
It's just bearings. We can fix it on-site, if necessary, ourselves. | 0:36:21 | 0:36:25 | |
I'm sorry. I'm trying to do my job. | 0:36:27 | 0:36:30 | |
I'm trying to get this sorted. | 0:36:30 | 0:36:32 | |
But you can't actually make a decision about anything without me. | 0:36:32 | 0:36:38 | |
I haven't made a decision about anything. | 0:36:38 | 0:36:40 | |
I'm trying to find out what we can do. | 0:36:42 | 0:36:44 | |
Honestly, everyone's pulling out so many stops to try | 0:36:44 | 0:36:47 | |
and get this done. You're being really negative. | 0:36:47 | 0:36:49 | |
The guys here are brilliant, they're absolutely fantastic. | 0:36:49 | 0:36:52 | |
They will do the job without any... | 0:36:52 | 0:36:54 | |
OK, well, I'll go back to my box. | 0:36:54 | 0:36:57 | |
-Yeah. -OK, you guys go and carry on sorting. | 0:36:57 | 0:37:00 | |
I'll go and... I need to do some blogging and stuff. | 0:37:00 | 0:37:04 | |
-You want to talk to the chap, Toby? -No. | 0:37:07 | 0:37:09 | |
-Erm, I want to talk to Hilary first. -OK. | 0:37:09 | 0:37:11 | |
Do you want me to get the number off him? | 0:37:14 | 0:37:16 | |
-Yeah. -Please, yeah. -Can you give us some space, please? | 0:37:17 | 0:37:21 | |
Because it's been my baby for such a long time, | 0:37:23 | 0:37:27 | |
it's very hard to let go | 0:37:27 | 0:37:30 | |
and let other people make decisions. | 0:37:30 | 0:37:34 | |
And the hardest part, really, was that I was getting | 0:37:34 | 0:37:39 | |
fragments of information rather than the whole picture. | 0:37:39 | 0:37:43 | |
ENGINE CHUGS | 0:37:43 | 0:37:45 | |
Can you pass on the message that we're going to go with | 0:37:45 | 0:37:48 | |
the fully marinised engine? | 0:37:48 | 0:37:51 | |
And if you can you give me a firm price on the part exchange on our existing engine? | 0:37:51 | 0:37:57 | |
We'll get one sent here. | 0:38:00 | 0:38:01 | |
Yeah, is he going to give us any exchange for the old one? | 0:38:01 | 0:38:05 | |
Do you want to talk to Hilary first? | 0:38:05 | 0:38:08 | |
All right, let's talk to Hilary first. | 0:38:08 | 0:38:10 | |
Replacing the engine adds a further week's delay to the schedule. | 0:38:11 | 0:38:17 | |
The forecast last night was distinctly dodgy. | 0:38:17 | 0:38:20 | |
However, the weather never materialised, | 0:38:20 | 0:38:23 | |
so we are just chilling out at the beach, really, | 0:38:23 | 0:38:28 | |
trying to teach Lottie to swim so that she isn't | 0:38:28 | 0:38:31 | |
the world's most embarrassing Labrador, | 0:38:31 | 0:38:34 | |
and the only one that doesn't swim. | 0:38:34 | 0:38:37 | |
# Happy Birthday to you | 0:38:39 | 0:38:42 | |
# Squashed tomatoes and stew... # | 0:38:42 | 0:38:44 | |
They are halfway around Britain, | 0:38:44 | 0:38:47 | |
and it's Toby's birthday. | 0:38:47 | 0:38:48 | |
..cos they blow. | 0:38:48 | 0:38:51 | |
-Yay! -Can you do that again, please? | 0:38:51 | 0:38:53 | |
I wasn't ready with the camera! | 0:38:53 | 0:38:54 | |
LAUGHTER | 0:38:54 | 0:38:56 | |
They are now as far from Dover as they ever will be. | 0:38:58 | 0:39:01 | |
From today, every mile will bring Hilary closer to the world | 0:39:01 | 0:39:05 | |
she left behind so many weeks ago. | 0:39:05 | 0:39:08 | |
As they navigate the Caledonian Canal, | 0:39:10 | 0:39:12 | |
they face the continual problem of lack of | 0:39:12 | 0:39:15 | |
suitable facilities for Hilary. | 0:39:15 | 0:39:17 | |
I was promised by the canal authority that they'd be | 0:39:18 | 0:39:21 | |
able to sort me some places out if I just came along on the day | 0:39:21 | 0:39:25 | |
that we went, but now I've been told that that's very difficult, | 0:39:25 | 0:39:28 | |
because of the season | 0:39:28 | 0:39:30 | |
and because it's so busy, which now leaves me | 0:39:30 | 0:39:33 | |
searching for campsites or car parks | 0:39:33 | 0:39:36 | |
or places by locks where we can put the vehicles, | 0:39:36 | 0:39:39 | |
but obviously ones that have got facilities for Hilary. | 0:39:39 | 0:39:44 | |
Hilary has been sailing for two months now. | 0:39:44 | 0:39:47 | |
She's often cold, tired, and wet. | 0:39:47 | 0:39:51 | |
Life as a disabled person is challenging, full stop. | 0:39:51 | 0:39:54 | |
Unfortunately, things like loos are not usually | 0:39:54 | 0:39:57 | |
designed by disabled people, | 0:39:57 | 0:40:00 | |
or even looked at by people | 0:40:00 | 0:40:02 | |
in wheelchairs once they've been designed. | 0:40:02 | 0:40:07 | |
Also, they're designed with every disability in mind, | 0:40:07 | 0:40:10 | |
which means that they'll never... | 0:40:10 | 0:40:13 | |
One size never fits all. | 0:40:13 | 0:40:15 | |
Is it wide enough to lift you round? | 0:40:15 | 0:40:17 | |
I think so, let's have a look. | 0:40:17 | 0:40:19 | |
Or would it be better to take you in backwards? | 0:40:19 | 0:40:22 | |
We'd thought about backwards... | 0:40:22 | 0:40:23 | |
For her carer, Jo, it's a continual problem. | 0:40:23 | 0:40:27 | |
We can't do it as we thought we were going to go in, backwards - | 0:40:27 | 0:40:29 | |
no, forwards. | 0:40:29 | 0:40:31 | |
Now we have to go in backwards, cos there's just not enough room | 0:40:31 | 0:40:34 | |
to manoeuvre Hilary, and us, to go into the toilet. | 0:40:34 | 0:40:38 | |
I've got my trousers down round my knees - | 0:40:38 | 0:40:41 | |
don't tell anybody - | 0:40:41 | 0:40:43 | |
but thankfully my sailing gear covers that. | 0:40:43 | 0:40:49 | |
And we don't know whether we can shut the door on this one. | 0:40:49 | 0:40:51 | |
We had to get Toby and Paul to carry me in, | 0:40:51 | 0:40:54 | |
and stick me on the loo, which is not exactly dignified. | 0:40:54 | 0:40:59 | |
And the doors wouldn't shut, | 0:41:01 | 0:41:03 | |
so the doors to the whole world | 0:41:03 | 0:41:05 | |
and the washing up area, were wide open. | 0:41:05 | 0:41:08 | |
And it meant a night with no power, no water, | 0:41:08 | 0:41:11 | |
no disabled showers. | 0:41:11 | 0:41:14 | |
LAUGHTER | 0:41:20 | 0:41:21 | |
As the weather worsens, | 0:41:21 | 0:41:22 | |
just keeping dry has become a significant problem. | 0:41:22 | 0:41:25 | |
We're in the middle of the Caledonian Canal. | 0:41:25 | 0:41:31 | |
I don't have a single bit of dry clothing | 0:41:31 | 0:41:35 | |
that I can wear in the boat, | 0:41:35 | 0:41:37 | |
so it's going to be a pretty unpleasant and soggy ride. | 0:41:37 | 0:41:43 | |
The weather improves, the wind picks up, but the rescue boat | 0:41:45 | 0:41:49 | |
falls behind and Hilary has to turn back to let them catch up. | 0:41:49 | 0:41:54 | |
Going head to wind! | 0:41:54 | 0:41:55 | |
I need more battery power. | 0:41:55 | 0:41:57 | |
This is one of Hilary's most exciting sails. | 0:41:59 | 0:42:02 | |
Do you get extra marks for catching up with the wave ahead of you? | 0:42:02 | 0:42:07 | |
-TOBY: -Hilary had to go into the wind, | 0:42:08 | 0:42:10 | |
and she felt the full force of the wind, particularly as it gusted up. | 0:42:10 | 0:42:14 | |
Hang on! Tacking. | 0:42:14 | 0:42:16 | |
I think she felt she was close to the edge there. | 0:42:18 | 0:42:22 | |
The boat is where I'm me, so I'm alive. It's my place. | 0:42:27 | 0:42:32 | |
It's bizarre for someone who spends such a lot of time | 0:42:32 | 0:42:36 | |
on their own to want to be alone, | 0:42:36 | 0:42:39 | |
but it's a different sort of peace. | 0:42:39 | 0:42:41 | |
But I like the challenge. | 0:42:43 | 0:42:46 | |
This is about pushing the limits of what's possible, | 0:42:46 | 0:42:49 | |
but it's also a personal challenge, | 0:42:49 | 0:42:52 | |
about pushing my sailing ability forwards all the time. | 0:42:52 | 0:42:57 | |
As they round Scotland's most easterly point, at Peterhead, | 0:43:00 | 0:43:03 | |
there's a welcome respite from the difficulties of the journey. | 0:43:03 | 0:43:07 | |
-JO: -Do something for the camera, don't be shy now. | 0:43:07 | 0:43:11 | |
LAUGHTER | 0:43:11 | 0:43:13 | |
You realise this'll end up in the documentary, don't you? | 0:43:13 | 0:43:16 | |
Boo! | 0:43:16 | 0:43:18 | |
But, once again, the weather turns against them. | 0:43:24 | 0:43:27 | |
With 14 more ports to go, as she prepares to leave Peterhead, | 0:43:29 | 0:43:33 | |
a storm is brewing. | 0:43:33 | 0:43:35 | |
Our three predictions we use a lot are all vastly different. | 0:43:35 | 0:43:40 | |
It's frustrating, annoying, | 0:43:40 | 0:43:43 | |
and we need to move. | 0:43:43 | 0:43:46 | |
We really need to move. | 0:43:46 | 0:43:47 | |
Toby, however, is not too concerned. | 0:43:48 | 0:43:51 | |
Well, the thunder is inshore and downwind of us, | 0:43:51 | 0:43:56 | |
so it's spectacular and it's worrying that there's | 0:43:56 | 0:43:59 | |
enough energy in the atmosphere to do that... | 0:43:59 | 0:44:02 | |
..but I don't think that it's going to affect us. | 0:44:04 | 0:44:06 | |
His prediction turns out to be wrong. | 0:44:09 | 0:44:12 | |
The team is caught in a storm. | 0:44:15 | 0:44:17 | |
Despite the atrocious weather, | 0:44:18 | 0:44:20 | |
Hilary completes most of the leg under sail. | 0:44:20 | 0:44:24 | |
But, after nine hours at sea, she is exhausted, | 0:44:25 | 0:44:28 | |
and is towed into Stonehaven harbour. | 0:44:28 | 0:44:31 | |
We sailed through some really wet weather | 0:44:33 | 0:44:36 | |
and some of the towing was quite bumpy. | 0:44:36 | 0:44:38 | |
By the time I got here, I was pretty uncomfortable. | 0:44:38 | 0:44:42 | |
I had to take an extra hundred mgs of morphine. | 0:44:42 | 0:44:47 | |
My body started to have muscle spasms, where things have got | 0:44:47 | 0:44:52 | |
cramped or bashed, and eventually my body started to go into shock. | 0:44:52 | 0:44:59 | |
To make matters worse, Hilary | 0:44:59 | 0:45:01 | |
has to be hauled up the steps. | 0:45:01 | 0:45:03 | |
PEOPLE CALL OUT | 0:45:18 | 0:45:20 | |
-Stonehaven. -Long sail. -Thank you very much. | 0:45:20 | 0:45:24 | |
-Cold? -Just a bit. | 0:45:24 | 0:45:26 | |
-Cold and wet. -Very wet. | 0:45:26 | 0:45:29 | |
So, it was a pretty horrible evening, and the worry was all | 0:45:29 | 0:45:33 | |
the morphine would stop my breathing, | 0:45:33 | 0:45:36 | |
but you can't just roll up to an A&E and say, | 0:45:36 | 0:45:40 | |
"I'd like some morphine, please." | 0:45:40 | 0:45:41 | |
They tend to think you're an addict, | 0:45:41 | 0:45:43 | |
especially if you're white and shivering.' | 0:45:43 | 0:45:46 | |
Today, I'm still in quite a lot of pain, | 0:45:46 | 0:45:51 | |
but I'm just maintaining it, | 0:45:51 | 0:45:54 | |
self-medicating, as usual. | 0:45:54 | 0:45:57 | |
Just taking a bit more. | 0:45:57 | 0:46:00 | |
If I'm a bit spaced out, that's why. | 0:46:00 | 0:46:04 | |
OVER RADIO: Sub, sub, sub, we are not going up the river, over. | 0:46:04 | 0:46:10 | |
At Arbroath, high winds stop them sailing for five days. | 0:46:12 | 0:46:15 | |
Hilary and Toby take a rare night off in a hotel | 0:46:20 | 0:46:23 | |
so that she can have a rest and a bath. | 0:46:23 | 0:46:26 | |
But, at two in the morning, | 0:46:27 | 0:46:29 | |
a fire breaks out. | 0:46:29 | 0:46:31 | |
Quite severe damage to the kitchen area, | 0:46:31 | 0:46:33 | |
and severe damage to the floor of the first floor level. | 0:46:33 | 0:46:38 | |
The fire alarms went off as they should, | 0:46:38 | 0:46:40 | |
and as soon as the manager discovered what was going on, | 0:46:40 | 0:46:43 | |
where the fire was, we got the residents out as quick as we could. | 0:46:43 | 0:46:47 | |
We knew we had a disabled lady in the hotel. | 0:46:47 | 0:46:50 | |
I got dressed, I got Hilary dressed quickly, | 0:46:51 | 0:46:54 | |
into the chair, down the corridor. | 0:46:54 | 0:46:57 | |
The kitchen vent was just absolutely pouring smoke. | 0:46:57 | 0:47:04 | |
There was a lift and I did actually open the door of the lift. | 0:47:04 | 0:47:07 | |
I was saying, "We can't use the lift, we can't use it". | 0:47:07 | 0:47:11 | |
Anyway, we opened the lift doors, smoke was pouring out. | 0:47:11 | 0:47:15 | |
Luckily, the lift is right by the stairs. | 0:47:17 | 0:47:22 | |
I said leave me here, you've got to leave me, you've got to. | 0:47:22 | 0:47:26 | |
The protocol is you leave someone in a wheelchair at the top | 0:47:27 | 0:47:33 | |
of the stairs in a fire, because carrying them down | 0:47:33 | 0:47:36 | |
causes danger for too many other people. | 0:47:36 | 0:47:40 | |
But Toby wasn't going to leave me. | 0:47:41 | 0:47:43 | |
Someone else who had come out of their room kindly | 0:47:43 | 0:47:46 | |
carried Hilary's chair down. | 0:47:46 | 0:47:48 | |
After her terrifying ordeal, Hilary decides she is better off at sea. | 0:47:48 | 0:47:53 | |
No more days off. | 0:47:53 | 0:47:55 | |
But the bad weather keeps her firmly in harbour. | 0:47:58 | 0:48:01 | |
It's strange - I find it so much harder being in camp doing nothing. | 0:48:02 | 0:48:06 | |
I get so tired. | 0:48:06 | 0:48:09 | |
I can sail for 14 hours and just feel pooped. | 0:48:09 | 0:48:13 | |
As I get out of the boat I'm still on an incredible high. | 0:48:13 | 0:48:18 | |
Two hours later, I'm dropping, | 0:48:18 | 0:48:20 | |
but it's just doing nothing that exhausts me. | 0:48:20 | 0:48:24 | |
Next day, the weather improves. | 0:48:25 | 0:48:28 | |
Three weeks behind schedule, Hilary is determined to push on. | 0:48:29 | 0:48:33 | |
You've been very good, Lottie. There. | 0:48:33 | 0:48:36 | |
With 11 more stops to go, the team needs to step up the pace. | 0:48:36 | 0:48:41 | |
We're now going to get quite tough on the guys. | 0:48:41 | 0:48:44 | |
We will get up, be ready to go, | 0:48:44 | 0:48:47 | |
and then we'll look at the weather and see if it's appropriate to go. | 0:48:47 | 0:48:52 | |
Ow! | 0:48:53 | 0:48:55 | |
We've just had too many missed opportunities, | 0:48:55 | 0:48:59 | |
when the forecast has been wildly wrong. | 0:48:59 | 0:49:04 | |
Watch the boom, Rory. Sheeting out. | 0:49:04 | 0:49:07 | |
Thank you very much, George. | 0:49:09 | 0:49:10 | |
The last third of the voyage takes Hilary back | 0:49:18 | 0:49:21 | |
into English coastal waters. | 0:49:21 | 0:49:23 | |
Part of me never wants it to finish, | 0:49:25 | 0:49:29 | |
because this is living. | 0:49:29 | 0:49:33 | |
With every mile bringing her closer to the world she left behind, | 0:49:34 | 0:49:38 | |
going home holds no attraction. | 0:49:38 | 0:49:41 | |
I don't see it, | 0:49:41 | 0:49:42 | |
don't look at it, | 0:49:42 | 0:49:44 | |
don't think about it. | 0:49:44 | 0:49:46 | |
Erm, I don't want to be trapped again. | 0:49:46 | 0:49:51 | |
Her life has moved on. | 0:49:56 | 0:49:59 | |
At home, she will be reunited with Clifford. | 0:49:59 | 0:50:01 | |
But it is Toby who will enable her to sail. | 0:50:03 | 0:50:05 | |
That's up to Hilary. That's her choice. | 0:50:06 | 0:50:10 | |
If there is a next project, then this, in effect, | 0:50:10 | 0:50:14 | |
carries on, in a different form, but it carries on. | 0:50:14 | 0:50:17 | |
The project has brought Toby and Hilary together. | 0:50:19 | 0:50:22 | |
None of them, Clifford included, knows what the future holds. | 0:50:22 | 0:50:27 | |
I haven't really got ready for her coming home yet. | 0:50:27 | 0:50:31 | |
I don't think there's anything one can possibly do until she's home | 0:50:31 | 0:50:34 | |
and we can see what sort of state she's in and how things are really. | 0:50:34 | 0:50:38 | |
We have an arrangement for the three of us that works, | 0:50:42 | 0:50:46 | |
which sounds strange, but I don't think love is like | 0:50:46 | 0:50:51 | |
a pie, you know, it's not limited. | 0:50:51 | 0:50:56 | |
There are different types of love. | 0:50:56 | 0:50:59 | |
Although our lives are going in different directions, | 0:51:01 | 0:51:05 | |
Clifford will always be part of my family. | 0:51:05 | 0:51:10 | |
The voyage south, in much more favourable conditions, | 0:51:15 | 0:51:18 | |
takes the whole of August. | 0:51:18 | 0:51:20 | |
Despite all the ups and downs of her journey so far, | 0:51:26 | 0:51:30 | |
there is one thing she's quite clear about. | 0:51:30 | 0:51:32 | |
I'm better being outside, being by the sea, | 0:51:32 | 0:51:36 | |
having a purpose. | 0:51:36 | 0:51:38 | |
All those things help hugely. | 0:51:38 | 0:51:41 | |
I deal with the pain better | 0:51:41 | 0:51:44 | |
because I've got stuff to do. | 0:51:44 | 0:51:47 | |
I'm tired physically at the end of the day, | 0:51:47 | 0:51:50 | |
so I sleep better, | 0:51:50 | 0:51:54 | |
which means I deal with the pain better the following day. | 0:51:54 | 0:52:00 | |
You know, I have bad days | 0:52:00 | 0:52:04 | |
when I'll snap at everyone and anyone. | 0:52:04 | 0:52:09 | |
Erm... | 0:52:09 | 0:52:11 | |
but there have only been a few of those. | 0:52:11 | 0:52:15 | |
The voyage continues on to Ramsgate | 0:52:17 | 0:52:19 | |
where the team prepares for the final leg to Dover. | 0:52:19 | 0:52:22 | |
For Hilary, this is a traumatic moment. | 0:52:27 | 0:52:31 | |
Erm... | 0:52:31 | 0:52:33 | |
..very nervous. | 0:52:34 | 0:52:35 | |
We've got more wind than we were expecting. | 0:52:37 | 0:52:42 | |
Erm, it's another sail. | 0:52:43 | 0:52:46 | |
Can you shove my sunnies up for me? | 0:52:47 | 0:52:50 | |
It's hard, it's the last one | 0:52:52 | 0:52:55 | |
and I don't really want to get out... | 0:52:55 | 0:52:58 | |
at all. | 0:52:58 | 0:52:59 | |
With a farewell kiss from her mother, | 0:53:08 | 0:53:10 | |
Hilary sets out on the last leg of her journey. | 0:53:10 | 0:53:13 | |
Deal is the last port Hilary will call at before the final sail | 0:53:21 | 0:53:25 | |
to Dover. | 0:53:25 | 0:53:27 | |
The Lions Club is there to greet her, | 0:53:33 | 0:53:36 | |
just as they have been throughout the voyage. | 0:53:36 | 0:53:40 | |
So, too, is a local band. | 0:53:40 | 0:53:42 | |
Ending this scares me. | 0:53:45 | 0:53:48 | |
It's been my sole purpose for four years, | 0:53:48 | 0:53:52 | |
and it ending is something | 0:53:52 | 0:53:56 | |
that will change my life. | 0:53:56 | 0:53:59 | |
The return to Dover is triumphant. | 0:54:12 | 0:54:15 | |
Hilary has been at sea more than 100 days. | 0:54:15 | 0:54:19 | |
Six times she's collapsed and been taken to hospital. | 0:54:22 | 0:54:26 | |
Six times she's fought on. | 0:54:26 | 0:54:28 | |
There is a magnificence that supersedes all the pain | 0:54:28 | 0:54:31 | |
and the grief | 0:54:31 | 0:54:33 | |
and there's a glory there, really, and, I mean, | 0:54:33 | 0:54:35 | |
the disease takes its inevitable course | 0:54:35 | 0:54:38 | |
but the glory, that's the human hope, isn't it? | 0:54:38 | 0:54:41 | |
To be able to overcome things that you can't control. | 0:54:41 | 0:54:44 | |
Whatever the future may hold, | 0:54:45 | 0:54:47 | |
this voyage has been a triumph. | 0:54:47 | 0:54:49 | |
Hilary has sailed 3,000 miles, solo. | 0:54:49 | 0:54:52 | |
CHEERING AND APPLAUSE | 0:54:52 | 0:54:56 | |
As always, there is the usual round of press interviews. | 0:54:59 | 0:55:04 | |
OK, Hilary, tell me, first of all, congratulations... | 0:55:04 | 0:55:07 | |
A few hours of interest and then the media will move on. | 0:55:07 | 0:55:12 | |
I'll be able to get a job that pays me money. | 0:55:15 | 0:55:17 | |
Hilary's husband Clifford is there to welcome her home. | 0:55:17 | 0:55:22 | |
Because I needed to go out and earn a living, | 0:55:22 | 0:55:24 | |
I didn't have the time to devote to enabling her to be free. | 0:55:24 | 0:55:27 | |
This team of people are all striving | 0:55:27 | 0:55:31 | |
with this enormous challenge. | 0:55:31 | 0:55:33 | |
They are her escape. | 0:55:33 | 0:55:35 | |
And that's fantastic because I couldn't ever have been. | 0:55:37 | 0:55:41 | |
I'm living a life that's worth something, | 0:55:44 | 0:55:47 | |
and, er, even if it's only worth something to me, | 0:55:47 | 0:55:51 | |
that's a very selfish thing, | 0:55:51 | 0:55:54 | |
but being on the sea is something we have to do. | 0:55:54 | 0:55:58 | |
I think many sailors are selfish. | 0:56:00 | 0:56:02 | |
You know, we all leave our families and go away | 0:56:02 | 0:56:06 | |
and expect them just to deal with it, | 0:56:06 | 0:56:10 | |
and that is the most generous gift, really. | 0:56:10 | 0:56:14 | |
He works on that I'll always come back. | 0:56:15 | 0:56:18 | |
Hilary may be coming home for now, | 0:56:20 | 0:56:23 | |
but already she's planning her next project. | 0:56:23 | 0:56:26 | |
She wants to share the sip and puff technology | 0:56:29 | 0:56:32 | |
to benefit other disabled sailors. | 0:56:32 | 0:56:34 | |
She also wants a bigger boat to take longer journeys. | 0:56:35 | 0:56:39 | |
But as her health continues to deteriorate, | 0:56:41 | 0:56:44 | |
it's a race against time. | 0:56:44 | 0:56:46 | |
My body is pretty knackered, | 0:56:48 | 0:56:50 | |
but, all the time, my will is stronger. | 0:56:50 | 0:56:54 | |
I'll keep going. | 0:56:54 | 0:56:55 | |
And that means leaving an old life in the past, | 0:56:56 | 0:57:02 | |
with some regret, | 0:57:02 | 0:57:04 | |
but, mostly, with hope. | 0:57:04 | 0:57:07 | |
Subtitles by Red Bee Media Ltd | 0:57:58 | 0:58:01 |