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This programme contains very strong language. | 0:00:02 | 0:00:04 | |
Drugs are changing. | 0:00:04 | 0:00:06 | |
The old generation of party drugs, ecstasy and cocaine, are out, | 0:00:06 | 0:00:10 | |
and mephedrone, ketamine and GHB are in. | 0:00:10 | 0:00:14 | |
Mephedrone, it's the Devil's dandruff, I call it. | 0:00:14 | 0:00:17 | |
These new party drugs are cheap. | 0:00:17 | 0:00:19 | |
Does that cost me a tenner and does it get me hammered? | 0:00:19 | 0:00:22 | |
Yeah. Oh, yeah, whack that up your nose. | 0:00:22 | 0:00:24 | |
Some of them have only just been banned. | 0:00:24 | 0:00:26 | |
I think people saw it as because it's legal, | 0:00:26 | 0:00:29 | |
it's all right for ya. | 0:00:29 | 0:00:30 | |
And they're fuelling nights out for millions of us. | 0:00:30 | 0:00:33 | |
Literally, it goes on for days and days. | 0:00:33 | 0:00:35 | |
For the biggest party weekend of the year, Halloween and Bonfire Night, | 0:00:39 | 0:00:44 | |
three young people in Leeds have let us into their lives. | 0:00:44 | 0:00:47 | |
Your body's rushing, you're just rushed, you feel ace. | 0:00:47 | 0:00:51 | |
When you take something, like, your life goes in HD all of a sudden. | 0:00:51 | 0:00:55 | |
Mainly it was MCat. I'm going to stay awake for quite a few hours. | 0:00:55 | 0:00:59 | |
We'll follow them from the dance floor to the morning after. | 0:00:59 | 0:01:02 | |
Hey, no biting, that's not in the rules. | 0:01:02 | 0:01:05 | |
He's an habitual user of GHB, MCat and cocaine. | 0:01:05 | 0:01:09 | |
And find out what happens to those who are still going | 0:01:09 | 0:01:12 | |
when the party's over. | 0:01:12 | 0:01:14 | |
There's two sides to Holly and one of it's a party animal | 0:01:16 | 0:01:20 | |
and one of it's, to me, a real person, | 0:01:20 | 0:01:23 | |
and it's a struggle between which one's going to win. | 0:01:23 | 0:01:26 | |
-Hello! -Hello, how are you? | 0:01:49 | 0:01:51 | |
I'm all right. How are you? | 0:01:51 | 0:01:54 | |
-Kettle's on. -Ah, brilliant. -I remember you. | 0:01:54 | 0:01:57 | |
Holly is 23 and lives around the corner from her dad John | 0:01:57 | 0:02:01 | |
and step-mum Alison. | 0:02:01 | 0:02:02 | |
You want a drink? Horlicks? Hot chocolate? Tea? | 0:02:02 | 0:02:07 | |
-Um, I'd love a cup of tea, please. -Cup of tea. Cup of tea. -Cuppa tea. | 0:02:07 | 0:02:10 | |
Holly recently delivered some shocking news. | 0:02:10 | 0:02:13 | |
I think it was about six or seven months ago that my dad and Alison | 0:02:13 | 0:02:17 | |
found out I were taking MCat. | 0:02:17 | 0:02:18 | |
As soon as I told 'em, it were like Alison burst into tears. | 0:02:18 | 0:02:23 | |
It were awful to see. | 0:02:23 | 0:02:25 | |
She rang her dad one morning and she was in a really, really bad way, | 0:02:25 | 0:02:28 | |
and we drove all round the village over the hill, trying to find out | 0:02:28 | 0:02:32 | |
where she was cos she didn't really know, and we found her | 0:02:32 | 0:02:35 | |
and she just looked disgusting, and she was exhausted | 0:02:35 | 0:02:37 | |
and very, very emotional and she just, that was when she said | 0:02:37 | 0:02:40 | |
"Look, I've been taking everything, every kind of drug there is, | 0:02:40 | 0:02:44 | |
"for over a year now." | 0:02:44 | 0:02:46 | |
Cos you know, I've been doing some research again, it's called... | 0:02:46 | 0:02:50 | |
Oh, my God! | 0:02:50 | 0:02:52 | |
Of all the drugs she was taking, | 0:02:52 | 0:02:54 | |
it was a new party drug called Mephedrone, | 0:02:54 | 0:02:56 | |
also known as Meow Meow or MCat, that took hold. | 0:02:56 | 0:02:59 | |
I realised I had a problem with MCat when I started getting ill | 0:02:59 | 0:03:02 | |
all the time, and I were massively underweight. | 0:03:02 | 0:03:05 | |
I were doing phew, like seven to nine grams a day. | 0:03:05 | 0:03:10 | |
Um, I were a mess, I were, I were a proper mess. | 0:03:10 | 0:03:15 | |
I've spent 23 years bringing this person up and some little toerag | 0:03:15 | 0:03:20 | |
gives her something that she can become addicted to. | 0:03:20 | 0:03:25 | |
Alters her mind, alters her personality, | 0:03:25 | 0:03:27 | |
she's lost all her motivation, all her creativity. | 0:03:27 | 0:03:31 | |
She just wants to lie around and smoke and drink and take drugs. | 0:03:31 | 0:03:36 | |
You know it's funny. I feel like I've lost some of my mates through this. | 0:03:39 | 0:03:43 | |
Six months ago, Alison persuaded Holly that she needed to get help. | 0:03:43 | 0:03:48 | |
She took me to the doctor's and I even went to the doctor's wired | 0:03:48 | 0:03:51 | |
and he's like, "When were last time you took something?" | 0:03:51 | 0:03:53 | |
I were like, "About two hours ago," and then I thought actually | 0:03:53 | 0:03:57 | |
this is getting stupid, like I need to knock this on the head. | 0:03:57 | 0:03:59 | |
I know what I'll do, I'll draw it on with a knife. | 0:03:59 | 0:04:02 | |
Since deciding to give up MCat, this is the longest Holly's been clean. | 0:04:02 | 0:04:07 | |
This is probably the first two weeks in months | 0:04:07 | 0:04:10 | |
that I've not touched it, and just having that two week break, | 0:04:10 | 0:04:14 | |
I couldn't think of anything worse than doing it. | 0:04:14 | 0:04:18 | |
I mean, like, when I did go out I was craving it by the end of the night | 0:04:18 | 0:04:21 | |
cos I was getting tired, but I thought, no, I don't really need it. | 0:04:21 | 0:04:25 | |
That's not bad for a first attempt. | 0:04:25 | 0:04:29 | |
But with one of the biggest party weekends of the year | 0:04:30 | 0:04:33 | |
ahead of her, will she be able to stay off MCat? | 0:04:33 | 0:04:36 | |
18-year-old Arthur has only just arrived in Leeds to study film, | 0:04:44 | 0:04:47 | |
but he already prides himself on his knowledge of drugs. | 0:04:47 | 0:04:51 | |
Taking a drug is like changing a lens on a camera. | 0:04:57 | 0:05:00 | |
It changes the way you see the world, | 0:05:00 | 0:05:02 | |
it just gives you a different perspective. | 0:05:02 | 0:05:05 | |
Ecstasy would give the world a very rosy lens, you know, | 0:05:08 | 0:05:12 | |
it's a warm and fuzzy lens. | 0:05:12 | 0:05:15 | |
It is a bit like having a really nice cup of tea in the morning, | 0:05:15 | 0:05:19 | |
and maybe a spliff, and timesing that by about 50. | 0:05:19 | 0:05:24 | |
Um, MCat does not have that general feeling around, of wellbeing. | 0:05:34 | 0:05:37 | |
It gives it a kind of excitement, it makes you kind of almost on a mission | 0:05:42 | 0:05:45 | |
to do something, you know, you often find yourself on a mission | 0:05:45 | 0:05:48 | |
to go and you know, sing a song with your mate or something like that. | 0:05:48 | 0:05:51 | |
So, like, you just end up doing stupid shit all night, it's good fun. | 0:05:51 | 0:05:57 | |
But things like acid is... it's a powerful experience. | 0:05:57 | 0:06:00 | |
It's a tribal kind of shamanic experience, | 0:06:00 | 0:06:04 | |
which just completely breaks up your perception of the world | 0:06:04 | 0:06:07 | |
and completely changes the way you see things for 12 hours, | 0:06:07 | 0:06:11 | |
and then you'll never see things again the same. | 0:06:11 | 0:06:14 | |
Ketamine is fun. | 0:06:14 | 0:06:16 | |
It's not to be taken with anything else. | 0:06:16 | 0:06:18 | |
It kind of gives you a bit of a David Lynch lens. I suppose. | 0:06:20 | 0:06:24 | |
Um, a kind of a weird kind of strange world that you go into. | 0:06:24 | 0:06:29 | |
Not sure what's wrong, but something is definitely wrong. | 0:06:29 | 0:06:32 | |
But it's also extremely right. | 0:06:32 | 0:06:34 | |
As someone that's interested in science, the idea that a molecule | 0:06:39 | 0:06:42 | |
can change your whole perception of the world, | 0:06:42 | 0:06:45 | |
which is everything to you, it changes literally your universe, | 0:06:45 | 0:06:48 | |
is fascinating to me. | 0:06:48 | 0:06:49 | |
But not everyone in the city experiences these new drugs | 0:06:51 | 0:06:54 | |
in the same way. | 0:06:54 | 0:06:57 | |
Oliver is 26 and has been taking ketamine for the last two years. | 0:06:57 | 0:07:01 | |
I ain't taken none today though. None today. | 0:07:01 | 0:07:04 | |
Now he's come for help to the Leeds Club Drug Clinic, | 0:07:05 | 0:07:09 | |
the first specialist clinic of its kind outside London. | 0:07:09 | 0:07:12 | |
Oh yeah, aye, big, big step today. Definitely. | 0:07:12 | 0:07:15 | |
It's to get proper help and what I need, | 0:07:15 | 0:07:17 | |
see what they can do for me really. I'll do ought to get off drugs now. | 0:07:17 | 0:07:21 | |
This clinic was started in December 2011, | 0:07:22 | 0:07:25 | |
mainly for people who were having problems with ketamine, mephedrone, | 0:07:25 | 0:07:30 | |
GHB, legal highs and other drugs that are often associated with parties. | 0:07:30 | 0:07:34 | |
-Do you want to come through? -Yeah. | 0:07:34 | 0:07:36 | |
These are kind of a new wave of drugs, the kind of dance culture | 0:07:36 | 0:07:39 | |
and ecstasy and things, I don't know, started in 1988 and increased, | 0:07:39 | 0:07:43 | |
but it never really led to people seeking treatment for drugs, | 0:07:43 | 0:07:47 | |
unless they ended up taking heroin or crack or something like that. | 0:07:47 | 0:07:50 | |
But these are party drugs that people are using at parties, | 0:07:50 | 0:07:54 | |
but they are leading to addiction problems | 0:07:54 | 0:07:56 | |
and physical and psychological health problems. | 0:07:56 | 0:07:59 | |
And obviously the main problem is ketamine, would you say? | 0:07:59 | 0:08:02 | |
Yeah, yeah, main problem, definitely ketamine, yeah. | 0:08:02 | 0:08:05 | |
OK. And how much would you do in one go? | 0:08:05 | 0:08:08 | |
I could do a whole gram in one line if I want. | 0:08:08 | 0:08:10 | |
-Right. And... -But I'm having to do that though, | 0:08:10 | 0:08:13 | |
-like when I first started taking it, it were like little keys. -Yeah. | 0:08:13 | 0:08:16 | |
Like that big, and then that'd get me off my face for ages. | 0:08:16 | 0:08:20 | |
But now just my tolerance has become so big, | 0:08:20 | 0:08:23 | |
-I'm having to do big lines like that to get me started. -Yeah. | 0:08:23 | 0:08:26 | |
And then I can just top it up with a line like that then | 0:08:26 | 0:08:29 | |
or like if I just, I ain't got the money for it, | 0:08:29 | 0:08:32 | |
I'll just do a line and just keep on doing like that, | 0:08:32 | 0:08:34 | |
-or if I've got money I'll just go stupid. -Yeah. | 0:08:34 | 0:08:37 | |
And then what are the negatives for it at the moment, would you say? | 0:08:37 | 0:08:40 | |
The downside is my bladder and I've got very big concerns | 0:08:40 | 0:08:43 | |
about my bladder now, just weeing and uncomfortability, and sleeping. | 0:08:43 | 0:08:48 | |
Yeah. What I suggest is you, over the next four weeks, | 0:08:48 | 0:08:51 | |
-just try and reduce it. -Yeah, I'm going to. | 0:08:51 | 0:08:53 | |
Try and look at alternative activities and things like that. | 0:08:53 | 0:08:56 | |
-Yeah. -And see how far you get with that, | 0:08:56 | 0:08:57 | |
and then in four weeks' time we'll see how you've got on. | 0:08:57 | 0:09:00 | |
OK then. All right, thank you very much. | 0:09:00 | 0:09:02 | |
Thank you for your help. | 0:09:02 | 0:09:03 | |
Ketamine has only been increasingly popular over the last ten years, snorting it. | 0:09:03 | 0:09:08 | |
It's been used recreationally since the 1970s, | 0:09:08 | 0:09:10 | |
but we're seeing more and more people snorting increasing amounts, | 0:09:10 | 0:09:15 | |
and a surprising side effect of that is bladder damage, | 0:09:15 | 0:09:19 | |
which was only first described in the medical literature in 2007. | 0:09:19 | 0:09:23 | |
This damage can be irreversible, often is irreversible. | 0:09:23 | 0:09:29 | |
We've had young people who've needed their bladder to be removed surgically. | 0:09:29 | 0:09:33 | |
What drugs are you using at the moment and how much? | 0:09:33 | 0:09:36 | |
Well, MCat and ketamine and weed. | 0:09:36 | 0:09:38 | |
Can vary, can vary really. | 0:09:40 | 0:09:43 | |
Through't week, it's not as much. | 0:09:43 | 0:09:45 | |
On a daily basis from morning, I might get up | 0:09:45 | 0:09:48 | |
and have a line of MCat, bring me up a bit, | 0:09:48 | 0:09:51 | |
and then I'll have a line of ket and brings me on a level | 0:09:51 | 0:09:54 | |
and just have a joint and that and just mongs me out a bit, | 0:09:54 | 0:09:58 | |
just chill out a bit more, and then I might get back on MCat, | 0:09:58 | 0:10:01 | |
bring me up a bit, just up and down, up and down all the time, | 0:10:01 | 0:10:04 | |
that's what it is. | 0:10:04 | 0:10:06 | |
I had a bit of MCat this morning. | 0:10:06 | 0:10:08 | |
A bit of ket afterwards. | 0:10:08 | 0:10:10 | |
-And we just had a joint before we come here, didn't we? -Yeah. | 0:10:10 | 0:10:14 | |
It's just got that bad now, to the stage where it's like | 0:10:14 | 0:10:18 | |
my smell's going, my memory, my body, | 0:10:18 | 0:10:20 | |
got to start thinking about my health, | 0:10:20 | 0:10:22 | |
where do I want to be in six month? | 0:10:22 | 0:10:23 | |
Going to be in six foot under, you never know, do you know what I mean? | 0:10:23 | 0:10:27 | |
Just hopefully this place will actually do something for me. | 0:10:27 | 0:10:31 | |
But if Oliver is to give up ketamine, | 0:10:31 | 0:10:33 | |
he'll need the support of his family. | 0:10:33 | 0:10:35 | |
"It's just the weaning off, coming off it, Mam," he says. | 0:10:35 | 0:10:38 | |
"It's awful. You need it some days." | 0:10:38 | 0:10:40 | |
Stuff on your mind, you can't cope with the stress, | 0:10:40 | 0:10:42 | |
he says, "You get a bit just to forget about everything." | 0:10:42 | 0:10:46 | |
He'll be all right cos he's strong and he's got a strong family | 0:10:46 | 0:10:49 | |
with him as well, so he's got a lot of love. | 0:10:49 | 0:10:53 | |
Drugs - nobody should touch owt like that - it's not worth it. | 0:10:54 | 0:10:59 | |
Just drugs mess your head up and they mess't family's head up as well. | 0:10:59 | 0:11:03 | |
This is where we have fun now. | 0:11:11 | 0:11:12 | |
Kind of just slap little pictures on him. | 0:11:12 | 0:11:15 | |
Um, it's been really easy to do actually, as you can tell. | 0:11:15 | 0:11:18 | |
It's just complete random stuff. | 0:11:18 | 0:11:20 | |
That'd look pretty cool there cos that kind of fits round that bit. | 0:11:20 | 0:11:25 | |
Tony is 24 and lives in Leeds. | 0:11:25 | 0:11:28 | |
He's recently quit his job in a call centre to focus on partying | 0:11:28 | 0:11:31 | |
and his artwork, until his money runs out. | 0:11:31 | 0:11:34 | |
I love it - it's another piece of artwork that I do. | 0:11:34 | 0:11:36 | |
I spend a lot of time just sat at home doing stupid artwork | 0:11:36 | 0:11:39 | |
and luckily for me, I've got a lot of friends with a lot of spare skin. | 0:11:39 | 0:11:43 | |
If I do drugs I do 'em recreationally for a purpose, there's a reason behind it. | 0:11:49 | 0:11:53 | |
We're all going to do different drugs or we all do the same drug, | 0:11:53 | 0:11:56 | |
just to see what the kind of night it can make, | 0:11:56 | 0:11:58 | |
and that's kind of what we go for. | 0:11:58 | 0:11:59 | |
If it gets to a point where you wake up one day and you're like, "Mate, I need a spliff," | 0:11:59 | 0:12:03 | |
or "I need to get a gram of ket, I ain't got any today," | 0:12:03 | 0:12:05 | |
then you know you've got a problem and you're not doing it for the reason you should be, | 0:12:05 | 0:12:09 | |
you're doing it to get by. Not for the sake of doing it recreationally | 0:12:09 | 0:12:12 | |
like you're supposed to. | 0:12:12 | 0:12:14 | |
Tony chooses different drugs for different situations. | 0:12:20 | 0:12:23 | |
I absolutely love pills and ket, | 0:12:23 | 0:12:26 | |
and then MDMA is still MDMazing! | 0:12:26 | 0:12:29 | |
Not doing too much because obviously | 0:12:29 | 0:12:32 | |
when you get on it then you get smashed. | 0:12:32 | 0:12:34 | |
Tonight is the start of a four-day party session for Tony. | 0:12:39 | 0:12:42 | |
To kick it off, him and his housemates | 0:12:42 | 0:12:44 | |
are off to a big Halloween party. | 0:12:44 | 0:12:46 | |
The night's what you make of it | 0:12:46 | 0:12:48 | |
and there's no point sticking to the norm. I don't want to grow up | 0:12:48 | 0:12:52 | |
and go to some stupid dinner party with some stupid wife, | 0:12:52 | 0:12:54 | |
who I don't even know why I've married, do you know what I mean? | 0:12:54 | 0:12:57 | |
To sit at the dinner table having two glasses of posh wine | 0:12:57 | 0:13:01 | |
that tastes like arse. | 0:13:01 | 0:13:02 | |
Nah, I want to go out and if I'm completely honest, | 0:13:02 | 0:13:05 | |
I want to get bladdered, you know? I want to make a night of it, | 0:13:05 | 0:13:09 | |
and if I can do that quite a few times in the month then absolutely. | 0:13:09 | 0:13:12 | |
As part of her efforts to get her MCat habit under control, | 0:13:27 | 0:13:30 | |
Holly is off to her fortnightly meeting at the Leeds Club Drug Clinic. | 0:13:30 | 0:13:34 | |
I think it's just someone to talk to about it that's like, | 0:13:34 | 0:13:37 | |
instead of taking the mick out of me, which my friends do. | 0:13:37 | 0:13:41 | |
If I go in here, it's someone that actually takes it seriously. | 0:13:41 | 0:13:45 | |
And um, kind of gives you the downfall | 0:13:45 | 0:13:48 | |
and like the bad side to it and it kind of wakens you up, I suppose, | 0:13:48 | 0:13:51 | |
to what it's really about. | 0:13:51 | 0:13:53 | |
Mephedrone was banned in 2010, but started out as a legal high. | 0:13:55 | 0:13:59 | |
When mephedrone was legal, a lot of people tried it | 0:14:01 | 0:14:04 | |
who wouldn't probably have considered using cocaine, | 0:14:04 | 0:14:07 | |
and that kind of opened the world of snorting drugs to them. | 0:14:07 | 0:14:12 | |
Mephedrone led to a kind of new way of consuming drugs. | 0:14:12 | 0:14:15 | |
It's cheap and available - it's a lot cheaper than cocaine. | 0:14:15 | 0:14:18 | |
Younger people are using it | 0:14:18 | 0:14:19 | |
and we've got no idea what the long-term effects might be. | 0:14:19 | 0:14:22 | |
I've had a great week this week, past two weeks. | 0:14:28 | 0:14:31 | |
Smashing. So what's happened? | 0:14:31 | 0:14:33 | |
Um, well, it were my birthday and I've not touched a thing | 0:14:33 | 0:14:36 | |
-and I've not hardly drunk either. -Brilliant. | 0:14:36 | 0:14:39 | |
Um, so I feel happy with myself today. | 0:14:39 | 0:14:43 | |
And so have you been having cravings or thoughts of using? | 0:14:43 | 0:14:48 | |
Yeah, my birthday. It got to, it was about four o'clock | 0:14:48 | 0:14:53 | |
-and I just remember starting to feel really tired. -Yeah. | 0:14:53 | 0:14:57 | |
And I did start craving it, but I just thought, | 0:14:57 | 0:14:59 | |
"Well none of my friends are doing it and they're still jumping about," | 0:14:59 | 0:15:02 | |
so then, literally, it were for about two minutes and that were it. | 0:15:02 | 0:15:07 | |
Yeah, cos that's an important point, it's who you're hanging around with. | 0:15:07 | 0:15:11 | |
Massively, because usually if ever I crave it, it's right in my face, | 0:15:11 | 0:15:15 | |
and cos I didn't go out with them people, didn't bother me whatsoever. | 0:15:15 | 0:15:21 | |
It sounds like things are going brilliantly at the moment. | 0:15:21 | 0:15:23 | |
How are you going to keep this up? Is it going to be difficult? | 0:15:23 | 0:15:26 | |
Do you know, I don't even think it'll be difficult. | 0:15:26 | 0:15:28 | |
You're doing everything right. | 0:15:28 | 0:15:30 | |
I feel a heck of a lot better, to be honest, I feel loads better. | 0:15:30 | 0:15:32 | |
I couldn't imagine feeling how I did when I first came in. | 0:15:32 | 0:15:36 | |
Yeah, yeah. | 0:15:36 | 0:15:38 | |
Thank you. Cheers. I'll see you in two weeks. | 0:15:38 | 0:15:40 | |
-Cheers. -All right. See ya. -Bye. | 0:15:40 | 0:15:45 | |
It's strange, cos usually when I come out of there | 0:15:45 | 0:15:47 | |
and I feel quite disappointed in myself and I still feel rubbish, | 0:15:47 | 0:15:50 | |
but today I actually feel, for the first time in God knows how long, really good. | 0:15:50 | 0:15:54 | |
Thinking about it, if I can get through Saturday, | 0:15:54 | 0:15:57 | |
I know there's going to be a heck of a lot of drugs about, | 0:15:57 | 0:16:00 | |
and it's going to be pretty messy. | 0:16:00 | 0:16:03 | |
If I can get to Sunday and not touch a thing | 0:16:03 | 0:16:05 | |
then I know that I'll be fine, but it's just getting to Sunday. | 0:16:05 | 0:16:09 | |
Think about it, you're going to have a better night than just going to the pub now, aren't ya? | 0:16:09 | 0:16:14 | |
Oh, what the fuck, man! | 0:16:14 | 0:16:18 | |
Strike a pose! | 0:16:18 | 0:16:21 | |
Tony and his friends are heading out. | 0:16:21 | 0:16:23 | |
He's confident he knows what he's doing with drugs. | 0:16:23 | 0:16:26 | |
You've got to know where you're getting it from, you've got to know | 0:16:26 | 0:16:29 | |
your supplier, otherwise it doesn't make sense really. | 0:16:29 | 0:16:32 | |
You can't get something off someone | 0:16:32 | 0:16:33 | |
that you don't know what you're getting. | 0:16:33 | 0:16:35 | |
If you take a drug that you know, | 0:16:35 | 0:16:37 | |
and that you're using and you know your limits on it, | 0:16:37 | 0:16:39 | |
it's better because you can handle it more. | 0:16:39 | 0:16:42 | |
There's taxis in about 15, 20 minutes, just want to remind you. | 0:16:42 | 0:16:46 | |
You all ready? | 0:16:46 | 0:16:47 | |
Get intoxicated pretty soon as well, if you know what I mean. | 0:16:47 | 0:16:51 | |
MUSIC: "We Found Love" by Rihanna feat. Calvin Harris | 0:16:51 | 0:16:55 | |
Do you know what, I'm just going to cut it. | 0:17:14 | 0:17:17 | |
I'm just going to cut it, see what happens. | 0:17:17 | 0:17:19 | |
Back at her flat in Huddersfield, Holly is working on a dress. | 0:17:19 | 0:17:22 | |
She graduated with a degree in fashion two years ago. | 0:17:22 | 0:17:27 | |
When I first started designing t-shirts and they were going so well | 0:17:27 | 0:17:31 | |
and literally, like, everyone would just... | 0:17:31 | 0:17:33 | |
Even people I didn't know were getting in touch with me, asking, | 0:17:33 | 0:17:37 | |
and people abroad, I were getting phone calls from Ibiza | 0:17:37 | 0:17:40 | |
and Spain and just everywhere, asking me for these vests and t-shirts, | 0:17:40 | 0:17:44 | |
and it were the best feeling in the world, | 0:17:44 | 0:17:46 | |
knowing that you've designed and created something. | 0:17:46 | 0:17:50 | |
I couldn't have been happier, basically, | 0:17:53 | 0:17:56 | |
but over the summer, I got introduced to somebody, | 0:17:56 | 0:18:01 | |
who I thought was all right, and then I was attacked. | 0:18:01 | 0:18:07 | |
And basically from there, literally, my confidence got shredded. | 0:18:07 | 0:18:12 | |
Everything just went downhill. | 0:18:16 | 0:18:20 | |
I weren't interested in making money, didn't look forward to the future. | 0:18:20 | 0:18:25 | |
I just went backwards. | 0:18:25 | 0:18:27 | |
I wasn't turning up for work. | 0:18:27 | 0:18:29 | |
Like, everything just went, came to a standstill | 0:18:29 | 0:18:32 | |
and it was like I kind of hit a brick wall in a way. | 0:18:32 | 0:18:36 | |
After a few months, Holly ventured out to a bar with a friend. | 0:18:38 | 0:18:42 | |
And I felt like I weren't supposed to be there, | 0:18:42 | 0:18:47 | |
like I shouldn't be there and I just felt horrible all the time. | 0:18:47 | 0:18:51 | |
So she was like, "Ah, do you want to do a little bit of coke?" | 0:18:51 | 0:18:54 | |
I were thinking, "Oh, well, what's this all about?" kind of thing. | 0:18:54 | 0:18:58 | |
So I went and did it with her in the toilets and literally | 0:18:58 | 0:19:02 | |
that's the first time in I can't even remember, | 0:19:02 | 0:19:07 | |
a few months, that I'd actually felt normal, like on a level, | 0:19:07 | 0:19:11 | |
like a bit of a buzz at least, | 0:19:11 | 0:19:12 | |
and then that's when I first got addicted to drugs. | 0:19:12 | 0:19:15 | |
Mm. | 0:19:17 | 0:19:19 | |
Do you know what, I've done that absolutely perfect. | 0:19:24 | 0:19:27 | |
It just covers me bum. | 0:19:27 | 0:19:29 | |
In fact... That's the one. | 0:19:47 | 0:19:51 | |
Now that's a classic old-school Halloween banger. | 0:19:51 | 0:19:55 | |
James will be DJing at the Halloween party | 0:19:55 | 0:19:58 | |
that Tony and his friends are heading to. | 0:19:58 | 0:20:00 | |
He's seen the party drugs change over the past few years. | 0:20:00 | 0:20:05 | |
MUSIC: "Ghostbusters" by Ray Parker Jr | 0:20:05 | 0:20:09 | |
I've seen a lot more negatives with the burst of the party drugs | 0:20:09 | 0:20:12 | |
than what I have with the older drugs, well, not older drugs, | 0:20:12 | 0:20:15 | |
but your sort of MDMA and stuff like that, where you just get a bunch | 0:20:15 | 0:20:19 | |
of loved-up people who don't want to hurt anybody | 0:20:19 | 0:20:21 | |
and they're just happy as Larry, | 0:20:21 | 0:20:23 | |
just want to hug everybody and just genuinely be happy. | 0:20:23 | 0:20:26 | |
The influx of what's appeared over the past few years, | 0:20:28 | 0:20:31 | |
these horrible chemicals that nobody has a clue really what they do to you. | 0:20:31 | 0:20:36 | |
They just screw people up, basically, and I've seen it first hand. | 0:20:36 | 0:20:40 | |
I've seen people in absolute tangles from it. | 0:20:40 | 0:20:43 | |
And we've got people now and they're just going, | 0:20:43 | 0:20:45 | |
"Does that cost me a tenner and does it get me hammered?" | 0:20:45 | 0:20:48 | |
Yeah, so yeah, whack that up your nose. What is it? | 0:20:48 | 0:20:50 | |
"Oh, I don't, I've no idea, it just gets me hammered." | 0:20:50 | 0:20:52 | |
Well, that to me is just a ridiculous stance to have on things. | 0:20:52 | 0:20:56 | |
It's destroying the sort of social circles and the social boundaries | 0:20:56 | 0:21:00 | |
that people sort of had within this, within this sort of party scene, | 0:21:00 | 0:21:04 | |
as you could put it, and what it's doing is just escalating the problem | 0:21:04 | 0:21:07 | |
and making it a lot worse. | 0:21:07 | 0:21:09 | |
MUSIC: Brass band plays "Faith" by George Michael | 0:21:13 | 0:21:17 | |
Four months after his first visit to the clinic, | 0:21:25 | 0:21:28 | |
Oliver has stopped taking MCat and has cut down his ketamine use. | 0:21:28 | 0:21:32 | |
Setting off to work now. | 0:21:32 | 0:21:35 | |
Yeah, off into Leeds city centre, to go to Space nightclub. | 0:21:35 | 0:21:38 | |
I've been offered to do some flyering for a couple of hours. | 0:21:38 | 0:21:42 | |
Just got to keep myself busy, really. | 0:21:43 | 0:21:46 | |
Hopefully I might get a positive feedback | 0:21:49 | 0:21:52 | |
and get a better job. | 0:21:52 | 0:21:54 | |
First step. Aye. See how it goes. | 0:21:54 | 0:21:58 | |
Do you think there'll be any temptations out there? | 0:21:58 | 0:22:01 | |
No, cos...no. No. No. | 0:22:01 | 0:22:05 | |
No, I'm just going to do a couple of hours then come home and go to bed, | 0:22:05 | 0:22:11 | |
and then up in morning, fresh week, start looking for jobs. | 0:22:11 | 0:22:15 | |
All right, see you soon. See you later. | 0:22:15 | 0:22:19 | |
His mum knows it was working in clubs | 0:22:21 | 0:22:23 | |
that first drew Oliver into taking ketamine. | 0:22:23 | 0:22:26 | |
The club scene is rife with ket and when you've been on ket | 0:22:26 | 0:22:30 | |
and you're trying to get off it again and you're going to mix with people | 0:22:30 | 0:22:36 | |
that can offer you it, and will take it, get in that crowd again, | 0:22:36 | 0:22:40 | |
that's going to be't hard part for Oliver. | 0:22:40 | 0:22:43 | |
Nice actually, just walk, walk, walk in to town. | 0:22:45 | 0:22:48 | |
I'm frightened that he'll have a little bit of a bad ket one day | 0:22:48 | 0:22:51 | |
and sniff too much and just drop down dead, | 0:22:51 | 0:22:54 | |
and then I'll... I don't know what I'll do. | 0:22:54 | 0:22:57 | |
So, just wait and see tonight. I just hope he's strong. | 0:23:01 | 0:23:05 | |
I might go in club for a drink afterwards, see what it's like. | 0:23:05 | 0:23:08 | |
But just for one drink and then I'll come out. | 0:23:08 | 0:23:10 | |
But I'll wait up for him. | 0:23:10 | 0:23:11 | |
When he comes in, we'll have a little chat | 0:23:11 | 0:23:13 | |
and see what he's like and I'll be able to tell | 0:23:13 | 0:23:15 | |
if he's been on stuff or not, and let him get to bed then. | 0:23:15 | 0:23:21 | |
And I'll get to bed then and get some rest and peace. | 0:23:21 | 0:23:25 | |
MUSIC: "You've Got The Love" by Florence + The Machine | 0:23:25 | 0:23:29 | |
It's a nice clear night. Reckon it's going to be cold though, innit? | 0:23:33 | 0:23:36 | |
Looks it. | 0:23:36 | 0:23:38 | |
# You've got the love I need to see me through | 0:23:38 | 0:23:43 | |
# Sometimes it seems the going is just too rough | 0:23:43 | 0:23:47 | |
# And things go wrong no matter what I do | 0:23:47 | 0:23:51 | |
# Now and then it seems that life is just too much | 0:23:51 | 0:23:55 | |
# But you've got the love I need to see me through | 0:23:55 | 0:23:59 | |
# When food is gone you are my daily meal... # | 0:23:59 | 0:24:05 | |
Back in Huddersfield, determined to stay off MCat, | 0:24:11 | 0:24:15 | |
Holly is working out her game plan. | 0:24:15 | 0:24:17 | |
I'm off to a party and there's loads of people going. | 0:24:17 | 0:24:20 | |
I think every single one of them will be getting on it, | 0:24:20 | 0:24:23 | |
and everyone's on it, you just get like a proper good vibe | 0:24:23 | 0:24:27 | |
and then you want to be on that level, | 0:24:27 | 0:24:30 | |
so unless I go and meet 'em for a bit and then stay with Chantelle, | 0:24:30 | 0:24:34 | |
cos she'll look down her nose at me if I start doing ket and stuff, | 0:24:34 | 0:24:37 | |
and it's a horrible feeling, | 0:24:37 | 0:24:39 | |
so I think as long as I stay with girls I'll be fine. | 0:24:39 | 0:24:42 | |
# Time after time I think, "Oh Lord, what's the use?" | 0:24:42 | 0:24:46 | |
# Time after time I think, "It's just no good" | 0:24:46 | 0:24:50 | |
# Sooner or later in life, the things you love you lose | 0:24:50 | 0:24:54 | |
# But you've got the love I need to see me through. # | 0:24:54 | 0:24:58 | |
When's this taxi going to be here? | 0:25:02 | 0:25:04 | |
You going to be shooting? | 0:25:09 | 0:25:11 | |
The housemates are heading out to their Halloween party. | 0:25:11 | 0:25:14 | |
I'm a bit chilly, but it's all right. | 0:25:14 | 0:25:18 | |
It's going to be a frigging good night. | 0:25:18 | 0:25:21 | |
Taxi driver Taz has a unique window into the Leeds party scene. | 0:25:29 | 0:25:33 | |
They're always sat in the back, you can hear them talking about drugs, | 0:25:33 | 0:25:36 | |
you can hear them saying, "Oh, well, we took this drug today" | 0:25:36 | 0:25:40 | |
or "Let's go and get some drugs" | 0:25:40 | 0:25:41 | |
or "Let's go to a house party and order some drugs," and stuff like that. | 0:25:41 | 0:25:44 | |
You hear them all the time, especially on a night time, | 0:25:44 | 0:25:47 | |
like on a weekend, that's when you especially hear most, | 0:25:47 | 0:25:50 | |
most of this sort of stuff going on in the back of your taxis. | 0:25:50 | 0:25:53 | |
Yeah, taxi drivers, we talk to each other. | 0:25:53 | 0:25:55 | |
We'd love to take a movie or a film of photos of them | 0:25:55 | 0:25:58 | |
and show them the next day, this is how you were last night | 0:25:58 | 0:26:02 | |
when you were in the taxi, because that's how bad they'll be sometimes. | 0:26:02 | 0:26:05 | |
They don't even know where they live themselves. | 0:26:05 | 0:26:08 | |
They don't know their home addresses sometimes, that's how bad they are. | 0:26:08 | 0:26:12 | |
Tony and his friends arrive at the house party in Leeds' student area, Hyde Park. | 0:26:22 | 0:26:27 | |
Welcome to mayhem. | 0:26:28 | 0:26:30 | |
And James joins them, ready to play. | 0:26:34 | 0:26:36 | |
Waaagh! Get ready, we're going to fucking have it tonight. Ha! | 0:26:36 | 0:26:41 | |
Let's go! We're going to have it all night tonight | 0:26:41 | 0:26:43 | |
and we're just going to go wild. | 0:26:43 | 0:26:46 | |
Yes, motherfucker! | 0:26:49 | 0:26:50 | |
Feeling pretty jazzy, fizzle to be fair. | 0:26:53 | 0:26:55 | |
I've had quite a little bit of rum, I've had a little bit of a chill | 0:26:55 | 0:26:58 | |
with a few friends, I'm on the OJ now, cos I'm going to play | 0:26:58 | 0:27:02 | |
in about half an hour, 40 minutes, so let's do it! Let's go wild. | 0:27:02 | 0:27:06 | |
Let's go wild! Yeah! | 0:27:09 | 0:27:11 | |
But in a part of town where there's a party on every corner, | 0:27:11 | 0:27:14 | |
it's easy to end up in the wrong one. | 0:27:14 | 0:27:16 | |
We just walked into the wrong house party, | 0:27:16 | 0:27:18 | |
into somebody else's basement and we're like, "Fucking hellfire!" | 0:27:18 | 0:27:23 | |
This is it, 28, that's where we're looking at. | 0:27:23 | 0:27:25 | |
That's where we're at, we found it and we're on it. | 0:27:25 | 0:27:29 | |
Now we're at the right house party. | 0:27:29 | 0:27:31 | |
Two doors down. | 0:27:31 | 0:27:33 | |
-I thought something were up with that other party. -It were shit! | 0:27:33 | 0:27:37 | |
MUSIC: "Wine and Chocolates" by Theophilus London | 0:27:37 | 0:27:42 | |
He's not on drugs, but if you look at his eyes, | 0:27:46 | 0:27:48 | |
it kind of looks like he is. Look how freaky them eyes are! | 0:27:48 | 0:27:51 | |
Holly's night is in full swing and after two weeks clean, | 0:28:01 | 0:28:06 | |
being around drugs again isn't bothering her. | 0:28:06 | 0:28:10 | |
How are you feeling at the moment? | 0:28:10 | 0:28:12 | |
All right. I'm happy on the wine. | 0:28:12 | 0:28:14 | |
No, to be honest, I feel all right. | 0:28:15 | 0:28:18 | |
Um, all my friends are literally on it, | 0:28:18 | 0:28:21 | |
but I'm just going to take it... | 0:28:21 | 0:28:23 | |
All our friends are inside, inside the pub right now. | 0:28:23 | 0:28:27 | |
But they don't want to get filmed. | 0:28:27 | 0:28:28 | |
Don't want to get filmed, they're embarrassed. | 0:28:28 | 0:28:31 | |
No doubt you're going to be tempted tonight? | 0:28:31 | 0:28:33 | |
No, I'm not even tempted, to be honest. | 0:28:33 | 0:28:35 | |
Like, literally, I've seen what effects it's got. | 0:28:35 | 0:28:38 | |
I'm happy just drinking. | 0:28:38 | 0:28:40 | |
Like, I've been out for a few hours now and I'm still on the wine, | 0:28:40 | 0:28:43 | |
so I'm just going to take it steady and see how it goes. | 0:28:43 | 0:28:46 | |
Getting to that time now everyone's pissed out of their heads and the drugs come out. | 0:28:46 | 0:28:50 | |
I haven't taken anything as yet. | 0:28:50 | 0:28:52 | |
I'm not saying I haven't taken drugs before... | 0:28:52 | 0:28:55 | |
I'm not saying I haven't! | 0:28:55 | 0:28:58 | |
MUSIC: "Gopher Mambo" by Yma Sumac | 0:28:58 | 0:29:02 | |
For some people, the night is taking an expected turn. | 0:29:23 | 0:29:27 | |
Aaron! Aaron? | 0:29:32 | 0:29:35 | |
-Aaron? -Mm? | 0:29:35 | 0:29:36 | |
How are you feeling, bud? Aaron, open your eyes, please. | 0:29:36 | 0:29:41 | |
Open your eyes. | 0:29:41 | 0:29:43 | |
-Can you remember where you are? Aaron? -Mm? | 0:29:43 | 0:29:48 | |
Can you remember where you are? Can you remember where you are? | 0:29:48 | 0:29:52 | |
This gentleman, who has been drinking, | 0:29:52 | 0:29:54 | |
he says he may have been spiked. | 0:29:54 | 0:29:56 | |
Seems to generalise, he knows where he is now, | 0:29:56 | 0:30:00 | |
but when he first came in he wasn't sure. | 0:30:00 | 0:30:03 | |
Can you listen to me? Wake up. | 0:30:03 | 0:30:05 | |
Do you know where you are? Where are you? | 0:30:05 | 0:30:08 | |
You're in hospital. | 0:30:08 | 0:30:10 | |
We see a lot of young patients taking what they think are legal highs | 0:30:10 | 0:30:14 | |
or other recreational drugs that are supposed to be safe | 0:30:14 | 0:30:17 | |
or supposed to be OK and people don't perceive as a social problem, | 0:30:17 | 0:30:20 | |
but for us, that's the bulk of our work when it comes to drugs. | 0:30:20 | 0:30:24 | |
They're the ones who tend to come in and are quite inebriated, | 0:30:24 | 0:30:27 | |
maybe quite aggressive, who are all over the place | 0:30:27 | 0:30:30 | |
maybe with decreased GCS or loss of consciousness. | 0:30:30 | 0:30:33 | |
People think it's the alcohol but a lot more | 0:30:33 | 0:30:35 | |
it's actually these newer drugs people are taking as well. | 0:30:35 | 0:30:38 | |
This just gets a wee bit tight. | 0:30:43 | 0:30:45 | |
I thought I was actually going to die. | 0:30:45 | 0:30:50 | |
Oh, I was scared as hell. I was thinking, "Where the hell am I?" | 0:30:50 | 0:30:54 | |
Someone must have literally just like put a pill or whatever he had | 0:30:54 | 0:30:59 | |
into my bottle, which completely destroyed me. | 0:30:59 | 0:31:02 | |
The fact is I couldn't even control myself. | 0:31:02 | 0:31:05 | |
I couldn't walk, I couldn't do nothing. | 0:31:05 | 0:31:08 | |
That's just not like me, after two bottles of wine? | 0:31:08 | 0:31:12 | |
A doctor will be with you soon. | 0:31:14 | 0:31:15 | |
The wine was simply just to do me through the house party | 0:31:15 | 0:31:19 | |
and the brandy was for when I get inside the club, | 0:31:19 | 0:31:22 | |
and then obviously I didn't get to the brandy, | 0:31:22 | 0:31:24 | |
but that's life, innit. | 0:31:24 | 0:31:26 | |
But, on the bright side of it, I saved £7 entry. | 0:31:26 | 0:31:29 | |
I didn't have to pay to get in, obviously I didn't go Oceana, | 0:31:29 | 0:31:32 | |
so I saved £7, didn't I? | 0:31:32 | 0:31:34 | |
But that's the only bright side I can look at it really, so... | 0:31:34 | 0:31:37 | |
Having found the right house party, | 0:31:52 | 0:31:54 | |
Tony and his friends hit the dance floor. | 0:31:54 | 0:31:57 | |
You get a feeling, I usually get it in like my stomach | 0:31:59 | 0:32:02 | |
when I'm starting to come up and you can feel it and it's, | 0:32:02 | 0:32:06 | |
you get this kind of excitement behind ya. | 0:32:06 | 0:32:08 | |
You just get a little buzz off that for a bit. | 0:32:08 | 0:32:11 | |
But I like MDMA and ketamine together. | 0:32:20 | 0:32:22 | |
Get into cocktails and combinations because you see one drug | 0:32:22 | 0:32:25 | |
as a whole new dimension, and you know, you can travel through 'em | 0:32:25 | 0:32:28 | |
and I know it sounds pretty crazy saying you're a time traveller | 0:32:28 | 0:32:31 | |
or you're a space traveller, but that's kind of how I feel about it. | 0:32:31 | 0:32:36 | |
You do feel like you are in a different dimension, | 0:32:36 | 0:32:39 | |
like when you've hit it that hard. | 0:32:39 | 0:32:41 | |
The best thing is when you look round, | 0:32:53 | 0:32:55 | |
you've got your mates and everyone's feeling as good as you are, | 0:32:55 | 0:32:58 | |
you're kind of united in that feeling, in that moment | 0:32:58 | 0:33:02 | |
and you can't really get that anywhere else. | 0:33:02 | 0:33:04 | |
You're not just going to find that in your local pub. | 0:33:04 | 0:33:07 | |
20 minutes later you can be even more up and you don't realise | 0:33:15 | 0:33:18 | |
how high these levels can get, like you can actually get to a point | 0:33:18 | 0:33:21 | |
where you will say to people | 0:33:21 | 0:33:23 | |
"It must be like I'm in heaven or something. How can I feel this good right now?" | 0:33:23 | 0:33:26 | |
Holly's moved on to a club. | 0:33:54 | 0:33:56 | |
She's still not taken any MCat, but the drinks are flowing. | 0:33:56 | 0:34:00 | |
I suppose once I start drinking it's like your body knows | 0:34:07 | 0:34:11 | |
when you start drinking, you're going to start sniffing. | 0:34:11 | 0:34:14 | |
Even before you start it, your body kind of feels like you've already done it. | 0:34:17 | 0:34:22 | |
And then you do end up craving it. | 0:34:22 | 0:34:24 | |
If I don't drink, it's a lot easier to stop, | 0:34:28 | 0:34:32 | |
but obviously when your friends are drinking, | 0:34:32 | 0:34:34 | |
that's how everybody socialises nowadays, | 0:34:34 | 0:34:37 | |
so there's triggers everywhere. | 0:34:37 | 0:34:40 | |
MUSIC: "Bad Girls" by M.I.A. | 0:34:40 | 0:34:43 | |
I've been a doorman, on and off for 23 years. | 0:34:55 | 0:34:57 | |
Over 23 years now. Things have got better in some aspects, | 0:34:57 | 0:35:01 | |
some have got worse in aspects. | 0:35:01 | 0:35:04 | |
The unpredictability of the chemical cocktails | 0:35:04 | 0:35:06 | |
people are ramming down their necks or up their noses | 0:35:06 | 0:35:08 | |
certainly adds a fresh challenge to what we're used to. | 0:35:08 | 0:35:11 | |
Um, the changing licensing laws, the changing taste of music, | 0:35:11 | 0:35:15 | |
changing culture, all of these, you know. | 0:35:15 | 0:35:18 | |
Every day, you can't predict, every day is different. | 0:35:18 | 0:35:21 | |
You know, certainly we had massive problems 20 years ago with drugs. | 0:35:21 | 0:35:25 | |
We still do, it's just they're different problems and different drugs. | 0:35:25 | 0:35:28 | |
Only two weeks ago, we had two lads take a load of ketamine | 0:35:28 | 0:35:31 | |
and literally drop, one there, one there - that tied up two ambulances | 0:35:31 | 0:35:35 | |
for over an hour and Lord knows at the A&E. | 0:35:35 | 0:35:38 | |
You know, that's an unacceptable waste of resources | 0:35:38 | 0:35:41 | |
for having a good time out, you know. | 0:35:41 | 0:35:44 | |
There are better ways to do it than that. | 0:35:44 | 0:35:46 | |
Some of these new drugs really are taking it to the edge of what's acceptable behaviour in cities, | 0:35:51 | 0:35:55 | |
and for some people, taking them right over that edge and into A&E, | 0:35:55 | 0:35:58 | |
into prison cells, and in some cases into the mortuary. | 0:35:58 | 0:36:02 | |
MUSIC: "Flutes" by Hot Chip | 0:36:02 | 0:36:05 | |
I'm in the emergency x-ray department, mate. | 0:36:25 | 0:36:29 | |
Yeah, the emergency x-ray department of Leeds General Infirmary, mate. | 0:36:29 | 0:36:33 | |
Yeah, you can't miss me, mate - my ankle's bigger than the moon. | 0:36:33 | 0:36:36 | |
Jack has ended up in A&E with a broken ankle. | 0:36:37 | 0:36:40 | |
Growing up in Leeds, | 0:36:40 | 0:36:41 | |
it's not the first time he's seen a night out end in tears. | 0:36:41 | 0:36:44 | |
I think what it is with Leeds is, my friends, a lot of 'em | 0:36:44 | 0:36:47 | |
are sort of stuck in like, you know, like a bit of a cycle | 0:36:47 | 0:36:50 | |
and it's like, well, they know there's a lot more out there | 0:36:50 | 0:36:54 | |
to the world, but it's just like an easily attainable goal, to go out | 0:36:54 | 0:36:57 | |
and get fucked on the weekend and have a few dramas, cos in Leeds, | 0:36:57 | 0:37:00 | |
you know what I mean, a lot of people love dramas, | 0:37:00 | 0:37:02 | |
people love to have something to talk about and have a chat about | 0:37:02 | 0:37:06 | |
the week after, before they do it all again. | 0:37:06 | 0:37:10 | |
You're not finding a wheelchair to have sex in. | 0:37:10 | 0:37:13 | |
I'll tell you know that mephedrone is the thing that's sort of defined, | 0:37:13 | 0:37:16 | |
this is what I'm on about - mephedrone is the Devil's dandruff, | 0:37:16 | 0:37:19 | |
I call it, it's evil, man. | 0:37:19 | 0:37:22 | |
I mean, Leeds never really got out of the MCat stage. | 0:37:22 | 0:37:26 | |
There are still a lot of people who are bad on that and staying up | 0:37:26 | 0:37:29 | |
for four or five days, getting sleep deprivation, | 0:37:29 | 0:37:31 | |
thinking all their mates are talking about 'em. | 0:37:31 | 0:37:34 | |
it's classic paranoia and stuff on that. | 0:37:34 | 0:37:36 | |
I think I'm past it, I really do. | 0:37:36 | 0:37:38 | |
I'm 21 in a few weeks and I'm going to have a broken ankle for my 21st | 0:37:38 | 0:37:42 | |
cos of my antics, so.... | 0:37:42 | 0:37:44 | |
Back at the house party, | 0:37:53 | 0:37:55 | |
DJ James has become an expert at spotting party drug casualties. | 0:37:55 | 0:37:59 | |
From a DJ booth, you can definitely pick out the people | 0:37:59 | 0:38:02 | |
who are on, say, for example, the ketamine, because they can't stand, | 0:38:02 | 0:38:05 | |
their eyes are in the back of their head, | 0:38:05 | 0:38:06 | |
they don't know what they're doing, where they are. | 0:38:06 | 0:38:09 | |
We have a laugh sometimes when we see 'em, | 0:38:09 | 0:38:11 | |
"Here comes the bloody kethead!" | 0:38:11 | 0:38:12 | |
It's ugh, ugh, like a zombie coming through the crowd, | 0:38:12 | 0:38:14 | |
while everyone's jumping around and having a good time. | 0:38:14 | 0:38:18 | |
Possibly the people tripping their head off on acid | 0:38:21 | 0:38:24 | |
on the occasional times, they also stick out as well, | 0:38:24 | 0:38:26 | |
when they're trying to examine the floral pattern on the curtain | 0:38:26 | 0:38:29 | |
for like three and a half hours, | 0:38:29 | 0:38:31 | |
which also makes like very good viewing pleasure from the DJ booth. | 0:38:31 | 0:38:34 | |
"Ooh, ooh, ooh!" Examining the curtain. | 0:38:34 | 0:38:38 | |
The MDMA does have its very tell-tale signs. | 0:38:47 | 0:38:50 | |
You can always see like Battlejaw Galactica, as we like to call it. | 0:38:50 | 0:38:54 | |
It's some geezer chewing his head off, coming in through the door, | 0:38:54 | 0:38:58 | |
it's like "Yeah, you've had far too many biscuits." | 0:38:58 | 0:39:01 | |
The big thing that has pretty much infected itself into everything, | 0:39:07 | 0:39:10 | |
like a bad virus, is the MCat, it's absolutely everywhere. | 0:39:10 | 0:39:13 | |
You can normally tell because of the smell of them, | 0:39:13 | 0:39:16 | |
because they smell like an old fish tank or some horrible fish food | 0:39:16 | 0:39:19 | |
or some nasty industrial chemical, like drain cleaner. | 0:39:19 | 0:39:22 | |
So that's normally a tell-tale sign. | 0:39:22 | 0:39:25 | |
Starting to get a bit mental. | 0:39:30 | 0:39:32 | |
It's kind of what we wanted. | 0:39:32 | 0:39:35 | |
Mate, I saw these boobs in there, | 0:39:35 | 0:39:36 | |
I swear to god they were incredible and I want to go and get 'em. | 0:39:36 | 0:39:40 | |
That's what I'm feeling like right now. | 0:39:40 | 0:39:43 | |
We should go inside and find some boobies. | 0:39:43 | 0:39:45 | |
We'll enjoy the rest of our night. Woo! | 0:39:45 | 0:39:49 | |
MUSIC: "Diamonds" by Rihanna | 0:39:49 | 0:39:54 | |
As the night progresses, Holly says she's staying off MCat. | 0:40:19 | 0:40:23 | |
When you take something like everything's so on board, | 0:40:32 | 0:40:36 | |
you can see everything. Everything's so like, it's in HD, | 0:40:36 | 0:40:39 | |
your life goes in HD all of a sudden, but it's like a lot busier. | 0:40:39 | 0:40:44 | |
Like, you could be the only person in a club, but it'd seem like | 0:40:44 | 0:40:47 | |
it were packed and you'd have the time of your life. | 0:40:47 | 0:40:51 | |
When you're drunk, like, everything's a bit more slowed down, | 0:40:51 | 0:40:55 | |
and I don't like that. I like being on the ball | 0:40:55 | 0:40:58 | |
and that's the only reason why I like getting on it. | 0:40:58 | 0:41:01 | |
If someone offered me a key now, I think I'd reject it. | 0:41:01 | 0:41:04 | |
It'd be like...80-20% that I would take it. | 0:41:04 | 0:41:08 | |
The thing is when you do a little bit, you're not too bad, | 0:41:11 | 0:41:14 | |
but I can't just do a little bit, like I'd be on it for days after, | 0:41:14 | 0:41:17 | |
so I know not to touch that first bit. | 0:41:17 | 0:41:19 | |
As long as I can get past that, I'm all right. | 0:41:19 | 0:41:22 | |
Witnesses query that he's saying that he's had GHB. | 0:41:38 | 0:41:41 | |
-Been through his... -Got a bottle down his... | 0:41:41 | 0:41:43 | |
-He's got what? -A bottle down his trousers. | 0:41:43 | 0:41:46 | |
-What sort of bottle? -Water or GHB, I don't know. | 0:41:46 | 0:41:49 | |
Right, shall we get rid of that? | 0:41:49 | 0:41:50 | |
Yeah, that's not sugar-free Jet Pop, is it? | 0:41:55 | 0:42:01 | |
GHB is a liquid high, popular on the party scene, | 0:42:01 | 0:42:05 | |
but one drop too much can send you over the edge. | 0:42:05 | 0:42:07 | |
Talk to us. | 0:42:07 | 0:42:08 | |
Hold his hands. Can you hold his arms? | 0:42:08 | 0:42:10 | |
Hello, mate. Hello! | 0:42:10 | 0:42:12 | |
Hiya, mate. Hello. OK mate, hello! | 0:42:12 | 0:42:18 | |
What's your name, mate? | 0:42:18 | 0:42:20 | |
The reason GHB is so dangerous | 0:42:20 | 0:42:22 | |
is because it depresses the central nervous system. | 0:42:22 | 0:42:24 | |
If you take it with another substance that depresses | 0:42:24 | 0:42:27 | |
the central nervous system, such as alcohol, | 0:42:27 | 0:42:29 | |
it can cause such deep unconsciousness that people can go into coma and respiratory arrest. | 0:42:29 | 0:42:33 | |
By that, I mean they stop breathing. I've seen people die from taking GHB. | 0:42:33 | 0:42:37 | |
Whoa, whoa, you're coming off this trolley, big fella. | 0:42:37 | 0:42:39 | |
Come on, matey. On your side. | 0:42:39 | 0:42:43 | |
Good lad. Too far for you to fall. | 0:42:43 | 0:42:47 | |
OK. All right. | 0:42:47 | 0:42:51 | |
Hey, no biting. That's not in the rules. | 0:42:51 | 0:42:56 | |
-Ooh. -He's trying to bite now. -Right, stop! Stop biting! | 0:42:56 | 0:43:01 | |
Listen, you're in hospital, you're in hospital. | 0:43:01 | 0:43:05 | |
You're in hospital. | 0:43:05 | 0:43:08 | |
As he's come round and his conscious level's come up, | 0:43:08 | 0:43:10 | |
he's been able to tell us that it's GHB | 0:43:10 | 0:43:13 | |
and it's that he's a habitual user of GHB, MCat and cocaine. | 0:43:13 | 0:43:17 | |
So he's come round now, his GCS is currently 15, | 0:43:17 | 0:43:22 | |
so he knows where he is, he knows what he's done | 0:43:22 | 0:43:24 | |
and he says that, he kept repeating, "Oh, I've done it again, haven't I? I'm always doing this" | 0:43:24 | 0:43:29 | |
So he's obviously, you know, well versed to doing this. | 0:43:29 | 0:43:32 | |
It's 6am and Holly's night on the town is coming to an end. | 0:43:48 | 0:43:53 | |
So how has your night been, Holly? | 0:43:53 | 0:43:56 | |
Um, yeah, it's been all right. | 0:43:56 | 0:43:59 | |
Basically we've been to the Dawn Chorus, which is his night. | 0:43:59 | 0:44:03 | |
Um, just been drinking and now I'm knackered and I want to go to bed. | 0:44:03 | 0:44:07 | |
I'm so tired. | 0:44:07 | 0:44:10 | |
Might agree with that, actually. | 0:44:10 | 0:44:13 | |
You haven't taken anything? | 0:44:13 | 0:44:14 | |
Not tonight, no. | 0:44:14 | 0:44:16 | |
Are you pleased with yourself? | 0:44:16 | 0:44:18 | |
No, I'm just really tired. I will be in the morning, | 0:44:18 | 0:44:21 | |
but now I'm just so tired. | 0:44:21 | 0:44:23 | |
I were like falling asleep in there, to be honest. | 0:44:23 | 0:44:26 | |
-Bedtime now, yeah? -Yeah. -OK, cool. | 0:44:28 | 0:44:31 | |
Come on then. | 0:44:31 | 0:44:34 | |
After a weekend of partying, Tony's not quite ready to call it a night. | 0:45:17 | 0:45:21 | |
Er, yeah, I'm not really sure what time it is, but it's er, | 0:45:24 | 0:45:27 | |
it's tomorrow now, and I've been at a lot of parties. | 0:45:27 | 0:45:31 | |
Yeah, it's been all right, it's been pretty cool, | 0:45:31 | 0:45:33 | |
obviously I'm still quite wide awake, it's been an all right night. | 0:45:33 | 0:45:37 | |
Mainly it was MCat, Like I say, not my preference, | 0:45:37 | 0:45:42 | |
not really what I go for, but I was pretty skint tonight, | 0:45:42 | 0:45:45 | |
I didn't want to spend any money and it got sorted out for me really, | 0:45:45 | 0:45:50 | |
so I was just like "Yeah, OK, I'll have a bit." | 0:45:50 | 0:45:53 | |
I guess you wouldn't really say no - that'd only be rude, right? | 0:45:53 | 0:45:57 | |
I'm not really thinking of a deadline or aiming for anything. | 0:45:57 | 0:46:00 | |
If you're not ready to crash out, | 0:46:00 | 0:46:02 | |
there's no point trying to crash out, | 0:46:02 | 0:46:04 | |
because you're only going to lay in your bed, wide eyed, | 0:46:04 | 0:46:07 | |
thinking of like irrational things and you know, | 0:46:07 | 0:46:11 | |
they've got nothing to do with what you've been doing, | 0:46:11 | 0:46:14 | |
why would you lay there thinking about 'em, purely because obviously | 0:46:14 | 0:46:17 | |
you're a bit fucked and you're kind of awake, | 0:46:17 | 0:46:19 | |
so you're going to be doing something. | 0:46:19 | 0:46:21 | |
I might think of something that puts me on a downer, I don't really want that. | 0:46:21 | 0:46:26 | |
Tony's on a mission to cause some mischief. | 0:46:30 | 0:46:33 | |
Hiya, mate, look who it is! How are you doing? | 0:46:36 | 0:46:40 | |
He's not a morning person at all. | 0:46:40 | 0:46:43 | |
Er, usually his morning begins at like two, | 0:46:43 | 0:46:45 | |
half two in the afternoon, so for us to be at 8:54, this is a real | 0:46:45 | 0:46:52 | |
reality shock for him, he probably don't know this time exists. | 0:46:52 | 0:46:55 | |
Back to sleep. | 0:46:55 | 0:46:59 | |
How's it going, guys? Morning. | 0:46:59 | 0:47:02 | |
My new alarm's been going off for ages - you've missed it. | 0:47:02 | 0:47:07 | |
Ah, riots been going everywhere and crazy stuff... | 0:47:07 | 0:47:10 | |
Not really, I just felt the need to come and wake you up, | 0:47:10 | 0:47:13 | |
as I've woke everyone else up. | 0:47:13 | 0:47:15 | |
What did you do? Did you have fun? | 0:47:15 | 0:47:17 | |
Just stayed in, really. | 0:47:17 | 0:47:19 | |
Cool, well anyway, have a good night. | 0:47:19 | 0:47:21 | |
My plan is obviously I've come in, I've annoyed everyone, | 0:47:21 | 0:47:25 | |
that was pretty fun, but now it's important to go out, | 0:47:25 | 0:47:30 | |
and obviously getting my priorities straight and do what I need to do, | 0:47:30 | 0:47:33 | |
which obviously is go and get high. | 0:47:33 | 0:47:36 | |
And this is me off, I'll see you soon, guys. | 0:47:36 | 0:47:39 | |
The weekend is over. It's Monday morning and back to reality. | 0:48:01 | 0:48:05 | |
Holly is due to work with her dad today, | 0:48:12 | 0:48:15 | |
but she hasn't been seen for three days. | 0:48:15 | 0:48:17 | |
She went off on Friday teatime, after we came home from work. | 0:48:17 | 0:48:22 | |
I didn't hear from her on Saturday and I always think that's a sign. | 0:48:22 | 0:48:28 | |
I didn't hear from her yesterday. I sent her a few text messages, | 0:48:28 | 0:48:31 | |
asking if she was coming to work today, | 0:48:31 | 0:48:33 | |
but no response on neither of her phones. | 0:48:33 | 0:48:38 | |
-Knock knock. -It's open. Hello! Oh, hiya. -Hiya. Rosie! | 0:48:57 | 0:49:04 | |
-You don't know where Holly is, do you? -No, I've no idea. | 0:49:04 | 0:49:06 | |
I've tried texting her a few times, but to no avail. | 0:49:06 | 0:49:09 | |
-I take it she's not at home. -No. | 0:49:09 | 0:49:12 | |
-No, she's not? -Not to worry. | 0:49:12 | 0:49:15 | |
Well, I am worried, but she will turn up when she's...? | 0:49:15 | 0:49:20 | |
-Yeah. -OK. -Right. | 0:49:20 | 0:49:22 | |
All right, I'll leave him with you, if that's all right. | 0:49:22 | 0:49:25 | |
I think she'll be crashed out somewhere, | 0:49:25 | 0:49:28 | |
recovering from whatever it was... | 0:49:28 | 0:49:30 | |
I'm not even going to say that she's taken, because I'm hoping | 0:49:30 | 0:49:33 | |
just like hell that she hasn't, | 0:49:33 | 0:49:35 | |
I'm just hoping that she's just crashed out | 0:49:35 | 0:49:38 | |
and can't be arsed, to be honest, which is the lesser of two evils. | 0:49:38 | 0:49:46 | |
Yeah, I'd rather she were crashed out and couldn't be arsed, | 0:49:46 | 0:49:50 | |
rather than over hung or on a comedown. | 0:49:50 | 0:49:52 | |
Looks like another day on my own. | 0:49:58 | 0:50:01 | |
-Had your cig, have ya? -Yeah. I'm still tired, me. | 0:50:12 | 0:50:16 | |
-You're still tired? -Yeah. | 0:50:16 | 0:50:20 | |
Oliver got back from his first night at his new job | 0:50:20 | 0:50:22 | |
and there's good news for his mum. | 0:50:22 | 0:50:25 | |
-Said they were going to stay, didn't they? -Mm. | 0:50:25 | 0:50:27 | |
He said, "I come home. I were cold, so I come home." | 0:50:27 | 0:50:30 | |
So I'm chuffed to bits. | 0:50:30 | 0:50:33 | |
Did you have a good night then, yeah? | 0:50:33 | 0:50:35 | |
Yeah, were all right. Yeah, work's work at end of day. | 0:50:35 | 0:50:39 | |
-Yeah, I know. -Just keep myself busy. | 0:50:39 | 0:50:41 | |
I heard him come in and thought I'll let him get settled in't bedroom | 0:50:41 | 0:50:44 | |
and then I'll go knock on't door and creep in, and he let me | 0:50:44 | 0:50:46 | |
and he were right as rain. | 0:50:46 | 0:50:48 | |
He said "I'm freezing, Mam," but he were all right. | 0:50:48 | 0:50:50 | |
I said "Good, so right, I'm off to bed now," so I slept well. | 0:50:50 | 0:50:55 | |
So I'm chuffed today with him. Over the moon. | 0:50:55 | 0:50:58 | |
Be confident and positive. You don't need shit like that. | 0:50:58 | 0:51:02 | |
Just keep off it. And you're not a kid, are ya, love? | 0:51:02 | 0:51:06 | |
-26. -No, started growing up. -Yeah. | 0:51:06 | 0:51:10 | |
It means that I know they can go out now and say no | 0:51:10 | 0:51:13 | |
and come back home, cos he could have stayed last night | 0:51:13 | 0:51:15 | |
cos he saw quite a few of his old friends and a girl that he used | 0:51:15 | 0:51:18 | |
to like that he saw. She said "Are you stopping?" | 0:51:18 | 0:51:20 | |
He said, "No, I'm going home," and he come home. | 0:51:20 | 0:51:23 | |
So it means that he can actually go down there, | 0:51:23 | 0:51:25 | |
do a bit of work and come home. | 0:51:25 | 0:51:27 | |
So fingers crossed, might get there eventually. | 0:51:27 | 0:51:31 | |
-Just keep myself busy, out. -Yeah. | 0:51:31 | 0:51:34 | |
Any point of work whatsoever, just take it, | 0:51:34 | 0:51:38 | |
take your mind off things, keep my mind occupied. | 0:51:38 | 0:51:42 | |
That's what I've been doing really. Still a bit tired, to be honest. | 0:51:42 | 0:51:47 | |
I've not long been up. | 0:51:47 | 0:51:49 | |
Did you take anything last night? | 0:51:49 | 0:51:51 | |
No. No, not last night, no. | 0:51:51 | 0:51:54 | |
Ah, what?! | 0:51:58 | 0:52:01 | |
Get in! What the fuck, Dean? | 0:52:01 | 0:52:05 | |
It's Monday, my week's started | 0:52:11 | 0:52:13 | |
and I haven't really got too much responsibilities, | 0:52:13 | 0:52:16 | |
I ain't got too much to be worried about. | 0:52:16 | 0:52:19 | |
I'm not going to disappoint myself in any kind of way | 0:52:19 | 0:52:22 | |
cos there's not too much high expectations, which is cool. | 0:52:22 | 0:52:25 | |
I don't think about my future too much cos I think | 0:52:27 | 0:52:30 | |
if you're concentrating on the future, you're missing so much | 0:52:30 | 0:52:34 | |
that is in the present right now, you know, um, but I do like | 0:52:34 | 0:52:38 | |
to have a responsibility behind me as well, | 0:52:38 | 0:52:41 | |
and I guess I do consider the future is a factor of what could happen. | 0:52:41 | 0:52:47 | |
There's going to be that day where I need to turn around | 0:52:47 | 0:52:50 | |
and start changing what I'm doing, but the way I see it is, | 0:52:50 | 0:52:53 | |
why should I sit here constantly thinking about that day | 0:52:53 | 0:52:57 | |
and you know, putting a negative spin on what I'm doing now? | 0:52:57 | 0:53:01 | |
Why can't I do what I'm doing now, have an amazing positive spin on it, | 0:53:01 | 0:53:05 | |
and then when that day comes around just be like "OK, let's do that. | 0:53:05 | 0:53:09 | |
"I'll go for it, cool, man." | 0:53:09 | 0:53:10 | |
I don't know what happened there. | 0:53:15 | 0:53:17 | |
It's Monday night and Holly's only just arriving home. | 0:53:30 | 0:53:34 | |
After a successful two weeks, | 0:53:34 | 0:53:36 | |
being around MCat this weekend proved too much. | 0:53:36 | 0:53:40 | |
Right, it's a bit of a mess. | 0:53:48 | 0:53:51 | |
When was the last time you were home? | 0:53:52 | 0:53:55 | |
On, it was Saturday, was it Friday? Saturday. Yeah. | 0:53:59 | 0:54:06 | |
Which, it's just so easy to get hold of, | 0:54:10 | 0:54:14 | |
but it just, it does my head in, like. | 0:54:14 | 0:54:17 | |
I only got on it cos I went to the toilet | 0:54:17 | 0:54:19 | |
and this lass is like "Come in here with me," | 0:54:19 | 0:54:21 | |
cos there were a bit of a queue, and then she just pulled out a bag, | 0:54:21 | 0:54:24 | |
she's like, "Here you are," and then it were just in my face straightaway. | 0:54:24 | 0:54:28 | |
I didn't even ask for it and cos it's like everywhere you go, | 0:54:28 | 0:54:33 | |
that's why it's so hard to stop it. | 0:54:33 | 0:54:35 | |
It's only two weeks, but it was such a struggle | 0:54:35 | 0:54:40 | |
just to keep off it for that two weeks, | 0:54:40 | 0:54:42 | |
and then you just think, "What's the point?" | 0:54:42 | 0:54:44 | |
You just feel like giving up. | 0:54:44 | 0:54:46 | |
But when you get pulled back in, | 0:54:49 | 0:54:52 | |
that's like another month of your life just gone, | 0:54:52 | 0:54:54 | |
just by like jumping off, like falling off the bandwagon, | 0:54:54 | 0:54:59 | |
and if it keeps happening, it's like a year of your life gone. | 0:54:59 | 0:55:02 | |
It's been like... | 0:55:06 | 0:55:08 | |
I just feel like if it don't get sorted soon, | 0:55:15 | 0:55:18 | |
I'm soon going to be like 30 or 40 | 0:55:18 | 0:55:21 | |
and I'm going to be exactly in the same boat as I am now, | 0:55:21 | 0:55:24 | |
and I had so many dreams and stuff before I started taking it. | 0:55:24 | 0:55:28 | |
It's all just like...disappearing. | 0:55:28 | 0:55:32 | |
Just going to have to hack it out. | 0:55:42 | 0:55:46 | |
And drink lots of orange juice, | 0:55:46 | 0:55:47 | |
that's supposed to help me and make you feel better. | 0:55:47 | 0:55:53 | |
And then just go from there. | 0:55:53 | 0:55:55 | |
Since filming, Oliver has had his first clean drug test in two years. | 0:56:08 | 0:56:13 | |
Tony has gone on a detox and is looking for a job. | 0:56:13 | 0:56:17 | |
And Holly has now gone eight weeks without taking any MCat | 0:56:17 | 0:56:21 | |
and has relaunched her fashion business. | 0:56:21 | 0:56:24 | |
Subtitles by Red Bee Media Ltd | 0:56:34 | 0:56:37 |