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Blackpool's 2012 season is about to begin | 0:00:02 | 0:00:05 | |
and if the weather holds up, it should be a good year. | 0:00:05 | 0:00:09 | |
In its heyday, half the population came to Blackpool. | 0:00:09 | 0:00:13 | |
NEWSREEL: Take a train to the place name on the ticket and where shall that be? | 0:00:13 | 0:00:17 | |
Margate, Southend, Scarborough, Weston-super-Mare? Blackpool? Blackpool has it. | 0:00:17 | 0:00:21 | |
Most of Britain's seaside towns thrived right until the '70s. | 0:00:22 | 0:00:27 | |
But once foreign holidays became cheaper, | 0:00:27 | 0:00:29 | |
the flow to the coast began to dry up. | 0:00:29 | 0:00:31 | |
By the '90s, Blackpool's visitor numbers were down. | 0:00:34 | 0:00:37 | |
And the slide continued. | 0:00:37 | 0:00:39 | |
But now, there's a £300 million drive to bring them back. | 0:00:40 | 0:00:44 | |
I want somebody big on that stage. | 0:00:45 | 0:00:48 | |
I want this place full and I want people saying, | 0:00:48 | 0:00:50 | |
"Bloody hell, he made it happen." | 0:00:50 | 0:00:52 | |
If we do handle this wrong, we could be cut off for ever. | 0:00:52 | 0:00:56 | |
But with the recession continuing to bite | 0:00:56 | 0:00:59 | |
and one of the wettest summers on record to deal with, | 0:00:59 | 0:01:02 | |
how did the town they call Las Vegas on Sea cope? | 0:01:02 | 0:01:06 | |
This is what we're aiming for. What has happened with this street? | 0:01:06 | 0:01:10 | |
This is the whole point. | 0:01:10 | 0:01:11 | |
The mother and my wife, they are just both barmy. | 0:01:11 | 0:01:14 | |
They would go to the opening of a fridge if it had something to do with Blackpool. | 0:01:14 | 0:01:17 | |
This is what Blackpool needs. | 0:01:19 | 0:01:21 | |
A nice sunny day... Uh-oh, maybe I spoke too soon. Look at them clouds. | 0:01:21 | 0:01:25 | |
Howard Plant is owner and manager of eight central car parks. | 0:01:37 | 0:01:41 | |
Today, his younger brother Warren is helping out. | 0:01:43 | 0:01:46 | |
-I'm cured of this. -Get it in here, come on. Time is money, money is everything. | 0:01:46 | 0:01:50 | |
Stick it in here. Come on. | 0:01:50 | 0:01:53 | |
A lot of people don't see this, but you have to do this every day. | 0:01:53 | 0:01:56 | |
Warren, we'll do this later. | 0:01:56 | 0:01:58 | |
There's a van down there with a load of rubbish behind it. | 0:01:58 | 0:02:01 | |
-We'll have to wait till it goes. Come on. -Just let me get this last bit. | 0:02:01 | 0:02:05 | |
Howard started out as Blackpool's first car clamper in the 1980s. | 0:02:05 | 0:02:10 | |
Now he's in the car-park business. | 0:02:10 | 0:02:12 | |
With being the eldest brother in the family, | 0:02:12 | 0:02:15 | |
he tends to take the father-figure role. | 0:02:15 | 0:02:18 | |
And he always looks after us and points us in the right direction. | 0:02:18 | 0:02:22 | |
He's not always right, but he's always the boss. | 0:02:22 | 0:02:26 | |
Howard and his brothers came to Blackpool from Manchester | 0:02:28 | 0:02:31 | |
in the 1970s. | 0:02:31 | 0:02:32 | |
I can honestly say I came to Blackpool with no shoes. | 0:02:34 | 0:02:37 | |
Not a penny in my pocket and no shoes on my feet. | 0:02:37 | 0:02:39 | |
Howard's business relies almost entirely on visitors coming to the town. | 0:02:40 | 0:02:44 | |
But it's still weeks before the season starts. | 0:02:46 | 0:02:49 | |
This was the site of a beautiful church. It was lovely. | 0:02:52 | 0:02:56 | |
Unfortunately, nobody attended it and, er, | 0:02:56 | 0:03:00 | |
it was in a great location for a car park. | 0:03:00 | 0:03:02 | |
Surrounded by hotels, double yellow lines on the road. | 0:03:02 | 0:03:05 | |
So, you know, I bought it. | 0:03:05 | 0:03:08 | |
Demolished it, and since then it's been a car park. | 0:03:10 | 0:03:13 | |
Blackpool's Grand Theatre, famous for its summer variety season. | 0:03:19 | 0:03:23 | |
Holland, as you know, is very flat. | 0:03:25 | 0:03:26 | |
In fact, the wife left me and, three days later, I could still see her. | 0:03:26 | 0:03:31 | |
LAUGHTER | 0:03:31 | 0:03:32 | |
Tony Jo is Blackpool's number-one variety promoter. | 0:03:37 | 0:03:41 | |
He books acts for all the town's major venues. | 0:03:41 | 0:03:44 | |
If Jimmy can't do it, I need to know now. | 0:03:44 | 0:03:47 | |
The offer we made to you was every Wednesday night in the summer season. | 0:03:47 | 0:03:50 | |
If you're going to Bournemouth, you're not coming to Blackpool, | 0:03:50 | 0:03:54 | |
so let me know now which way it is. | 0:03:54 | 0:03:57 | |
Tony's trying to book comic Jimmy Cricket | 0:03:57 | 0:04:00 | |
for the summer season at the Grand. | 0:04:00 | 0:04:02 | |
I went to the doctor I said, "I've got a right toe on my left foot and a left toe on my right foot." | 0:04:02 | 0:04:06 | |
He said, "You've got myxomatosis." LAUGHTER | 0:04:06 | 0:04:09 | |
All right, so Jimmy Cricket is now not available for the summer season | 0:04:09 | 0:04:12 | |
in Blackpool, he's going to Bournemouth? | 0:04:12 | 0:04:15 | |
Cheers. Bye-bye. | 0:04:15 | 0:04:17 | |
There you go, we've lost Jimmy Cricket for the summer. We'll move on. | 0:04:18 | 0:04:22 | |
There are other artists that will... | 0:04:22 | 0:04:23 | |
I've got to be honest with you, everybody and his brother | 0:04:23 | 0:04:26 | |
wants to do a summer season in Blackpool because | 0:04:26 | 0:04:29 | |
of the ilk of the people we deal with, Blackpool is still the Las Vegas of England. | 0:04:29 | 0:04:34 | |
Near Blackpool's South Shore stands Howard's dream. | 0:04:40 | 0:04:44 | |
I'd like to show you something else, if you can spare a few minutes. | 0:04:45 | 0:04:49 | |
I'm just going to pull up on this car park and take you in this place. | 0:04:49 | 0:04:53 | |
I came in with a view to demolish it and I looked at this and thought, | 0:04:55 | 0:05:00 | |
"No way." | 0:05:00 | 0:05:01 | |
Howard wants this to be Blackpool's first major new venue | 0:05:01 | 0:05:05 | |
on South Shore for 50 years. | 0:05:05 | 0:05:06 | |
I want to make people happy. | 0:05:06 | 0:05:09 | |
I want to put a comedy club on, I want to put headline bands on, | 0:05:09 | 0:05:12 | |
I want to do the things that people say, "I went that venue, | 0:05:12 | 0:05:17 | |
"I had a great night and Mr Plant made it happen." | 0:05:17 | 0:05:22 | |
When I leave this Earth, I want to be remembered fondly. | 0:05:22 | 0:05:26 | |
I want people to talk about me and smile | 0:05:26 | 0:05:29 | |
and have nice things to say about me. | 0:05:29 | 0:05:31 | |
And car parks... Nobody loves you for a car park. | 0:05:31 | 0:05:35 | |
Onwards and upwards. | 0:05:37 | 0:05:39 | |
Variety promoter Tony Jo knows Howard well | 0:05:39 | 0:05:42 | |
and is always on the look out for new venues. | 0:05:42 | 0:05:46 | |
He fell in love with the building, didn't want to damage it. He thought, "I'll have a go at this." | 0:05:46 | 0:05:50 | |
To be fair to Howard, it's something he knows nothing about. | 0:05:50 | 0:05:53 | |
He's never gone down that road before. | 0:05:53 | 0:05:55 | |
I want somebody big on that stage, I want this place full | 0:05:58 | 0:06:02 | |
and I want people saying, "Bloody hell, he made it happen. He did it." | 0:06:02 | 0:06:06 | |
I would love to see it full. | 0:06:06 | 0:06:07 | |
You know I'll support you as much as I can. | 0:06:07 | 0:06:10 | |
I'm not arsed about making any money out of it, you know, | 0:06:10 | 0:06:12 | |
I just want you to do well. | 0:06:12 | 0:06:13 | |
-I'll do anything I can to make this work for you. -Thank you, Tony. | 0:06:13 | 0:06:16 | |
Most things I do are successful | 0:06:17 | 0:06:20 | |
because I endeavour to make them successful. | 0:06:20 | 0:06:23 | |
Howard plans to renovate the theatre ready for the summer season. | 0:06:23 | 0:06:27 | |
He just needs to find the cash. | 0:06:27 | 0:06:29 | |
I'm very worried. | 0:06:31 | 0:06:32 | |
Currently, we're going through the worst time ever | 0:06:32 | 0:06:34 | |
because of the recession, but that's not just me, it's everybody. | 0:06:34 | 0:06:39 | |
The recession has hit Blackpool's B&Bs, too. | 0:06:41 | 0:06:44 | |
But in the 1960s, | 0:06:47 | 0:06:48 | |
the height of the summer meant every room was taken in the town. | 0:06:48 | 0:06:53 | |
Along the promenade every single house is either a boarding house, | 0:06:53 | 0:06:56 | |
or sometimes more grandiloquently called a private hotel. | 0:06:56 | 0:07:01 | |
Back then, it wasn't hard for guest-house owners to find a winning formula. | 0:07:01 | 0:07:06 | |
Everything's just ordinary, simple, good food. | 0:07:06 | 0:07:10 | |
They have that, they go out and enjoy themselves. | 0:07:10 | 0:07:13 | |
To the Pleasure Beach, the young ones, to the parks, the old ones. | 0:07:13 | 0:07:17 | |
That's Blackpool. | 0:07:17 | 0:07:18 | |
Guest-house owner Claire Smith has lived in Blackpool all her life. | 0:07:19 | 0:07:23 | |
It's just wonderful, | 0:07:23 | 0:07:25 | |
especially driving the full length of the promenade, and in the summer, | 0:07:25 | 0:07:28 | |
when you've got all the promenade filled with people, | 0:07:28 | 0:07:32 | |
and you can hear the noise and the laughing, it's lovely. | 0:07:32 | 0:07:36 | |
It's absolutely lovely. | 0:07:36 | 0:07:38 | |
Together with her husband, Mark, | 0:07:43 | 0:07:45 | |
they've been running two five-star guest houses for over ten years. | 0:07:45 | 0:07:49 | |
So this is Drama, one of the rooms in the hotel. | 0:07:53 | 0:07:57 | |
If I tell you all the rooms have got exactly the same facilities, | 0:07:57 | 0:07:59 | |
so no room is better or worse, | 0:07:59 | 0:08:01 | |
but they are completely individual in style and decor. | 0:08:01 | 0:08:03 | |
You have to think about who's going to use your room | 0:08:03 | 0:08:06 | |
and what requirements those people have | 0:08:06 | 0:08:08 | |
and then try and get the room to suit that. | 0:08:08 | 0:08:11 | |
So the lighting works from a key-card system and we have a remote | 0:08:11 | 0:08:15 | |
that we sit by the bed, which means that guests do not have to get up | 0:08:15 | 0:08:18 | |
after watching TV or whatever they're doing, to turn the lights off. | 0:08:18 | 0:08:22 | |
So all individual. | 0:08:22 | 0:08:23 | |
It's about bright, bright light for a business person | 0:08:23 | 0:08:27 | |
and then tone it down, dim it all down for a romantic person. | 0:08:27 | 0:08:30 | |
The couple's only son Ben | 0:08:31 | 0:08:33 | |
has returned from university down south to help out. | 0:08:33 | 0:08:36 | |
When people put "luxury hotel", what exactly does it mean? | 0:08:39 | 0:08:41 | |
Everything one sees, smells and touches | 0:08:41 | 0:08:44 | |
-is just that little bit better than it needs to be. -That's the one. | 0:08:44 | 0:08:47 | |
Claire and Mark have high hopes that the business | 0:08:49 | 0:08:52 | |
will continue into the next generation when they retire. | 0:08:52 | 0:08:55 | |
Blackpool is definitely in my blood. You can't get away from it. | 0:08:55 | 0:08:58 | |
It's a bit like Marmite. | 0:08:58 | 0:08:59 | |
It's a horrible cliche, but you either love it or you don't. | 0:08:59 | 0:09:03 | |
And I definitely love it, yeah. | 0:09:03 | 0:09:05 | |
The Smiths' guests houses are regularly full, | 0:09:09 | 0:09:12 | |
but visitors have changed the way they come to Blackpool. | 0:09:12 | 0:09:15 | |
For Howard, this and the motorways spelt the beginning of the end. | 0:09:19 | 0:09:23 | |
This is the end of the M55. | 0:09:26 | 0:09:28 | |
The M55 being a one of the major causes of the demise of Blackpool | 0:09:28 | 0:09:33 | |
as a week-holiday resort, | 0:09:33 | 0:09:34 | |
or a fortnightly holiday resort in the old days. | 0:09:34 | 0:09:39 | |
The M55 caused the people to just come for day trips. | 0:09:39 | 0:09:43 | |
If we look, this is the main vein road into Blackpool. | 0:09:45 | 0:09:48 | |
We need to see the traffic backing up along here. | 0:09:48 | 0:09:51 | |
If we see the traffic going that way, it's no good for Blackpool. | 0:09:51 | 0:09:55 | |
So we need to see a bit of a queue heading that way. | 0:09:55 | 0:09:57 | |
Blackpool does need people to stay longer | 0:10:01 | 0:10:04 | |
and a lot rests on the millions spent | 0:10:04 | 0:10:06 | |
on renovating Blackpool's facade. | 0:10:06 | 0:10:09 | |
It is three weeks before schools break up | 0:10:14 | 0:10:17 | |
and then the season really begins. | 0:10:17 | 0:10:19 | |
The iconic Blackpool Tower has been given a £20 million make-over. | 0:10:20 | 0:10:26 | |
Inspired by the Eiffel Tower, Blackpool Tower was built shortly afterwards, in 1894, | 0:10:26 | 0:10:32 | |
using 93 tons of steel to reach over 500ft. | 0:10:32 | 0:10:37 | |
Today, there are high winds blowing in from the Irish Sea. | 0:10:39 | 0:10:43 | |
When that happens, | 0:10:44 | 0:10:45 | |
the lifts can't make it up to the newly restored Tower Eye platform. | 0:10:45 | 0:10:50 | |
When the lift's off... Obviously that's our main headline attraction, | 0:10:51 | 0:10:55 | |
if you would. | 0:10:55 | 0:10:56 | |
If we can't operate it, | 0:10:56 | 0:10:58 | |
our number-one-selling attraction is out of action. | 0:10:58 | 0:11:02 | |
The forecast today for wind speeds over 40mph | 0:11:02 | 0:11:05 | |
and, obviously, for when we're operating the lift, | 0:11:05 | 0:11:07 | |
anything over 40mph, it's an automatic - we close down the lift. | 0:11:07 | 0:11:10 | |
We obviously keep monitoring it through the day. I don't what the latest forecast is. | 0:11:10 | 0:11:14 | |
49 miles an hour, 20 minutes ago. | 0:11:14 | 0:11:16 | |
We check the reading every hour, at the moment, just to make sure. | 0:11:16 | 0:11:19 | |
If it starts to die down, we can start getting ready to open. | 0:11:19 | 0:11:22 | |
Well, if you're to believe the weather forecasters, | 0:11:22 | 0:11:24 | |
and I don't know, we're all in the same boat with it. | 0:11:24 | 0:11:27 | |
But, yeah, they mentioned it was going to be a bumper summer. | 0:11:27 | 0:11:29 | |
That we're expecting, you know, one of the hot ones. | 0:11:29 | 0:11:32 | |
WIND HOWLS | 0:11:34 | 0:11:36 | |
-47. -Yeah, 47. | 0:11:39 | 0:11:41 | |
Yeah. | 0:11:41 | 0:11:42 | |
LAUGHTER | 0:11:50 | 0:11:53 | |
The Tower engineers have set to work on a solution. | 0:11:53 | 0:11:57 | |
Be careful. Be careful. | 0:11:57 | 0:11:59 | |
Blackpool Tower was designed as a venue for mass entertainment. | 0:12:06 | 0:12:10 | |
The circus sits under the Tower's four legs. | 0:12:12 | 0:12:17 | |
Once, there were elephants and all manner of species. | 0:12:17 | 0:12:20 | |
Now, a human circus performs three times a day. | 0:12:22 | 0:12:25 | |
The Tower Ballroom, home to Strictly Come Dancing | 0:12:29 | 0:12:33 | |
and one of the last ballrooms in Britain. | 0:12:33 | 0:12:35 | |
ORGAN PLAYS | 0:12:35 | 0:12:39 | |
Chris Hopkins is one of the four ballroom organists. | 0:12:39 | 0:12:43 | |
The ballroom has got... It's just got this world of its own. | 0:12:44 | 0:12:48 | |
It's like going back in time. | 0:12:53 | 0:12:54 | |
The thing hasn't changed since it was built. It's over 100 years old. | 0:12:54 | 0:12:59 | |
Wurlitzer organ, that's been here since 1928. | 0:13:02 | 0:13:04 | |
NEWSREEL: Mr Blackpool, Reginald Dixon, | 0:13:06 | 0:13:09 | |
gives recitals in the ballroom. | 0:13:09 | 0:13:10 | |
The idol of millions, he's played to audiences here for 30 years. | 0:13:10 | 0:13:14 | |
The Tower Ballroom has been open to the public for almost 120 years. | 0:13:14 | 0:13:20 | |
Ever since we were young, everyone went out dancing. | 0:13:22 | 0:13:26 | |
And that's where the young men met the girls, originally. | 0:13:26 | 0:13:30 | |
Always at the dance. | 0:13:30 | 0:13:32 | |
The men were one side of the ballroom and the girls the other | 0:13:32 | 0:13:35 | |
and when the music started, there was one rush across the ballroom | 0:13:35 | 0:13:39 | |
to pick the best-looking girl in the bunch. | 0:13:39 | 0:13:42 | |
I love watching the dancers. | 0:13:42 | 0:13:44 | |
-Liked to have got up and danced. -Yes, I would. | 0:13:44 | 0:13:47 | |
If I could have found a fella, I would have done! | 0:13:47 | 0:13:50 | |
It's the be all and the end all, really, for an organist. | 0:13:53 | 0:13:55 | |
To play here is just absolutely amazing. | 0:13:55 | 0:13:59 | |
MUSIC STOPS | 0:14:05 | 0:14:06 | |
APPLAUSE | 0:14:06 | 0:14:08 | |
Tony Jo is finalising his last act | 0:14:11 | 0:14:13 | |
for the summer season schedule at the Grand Theatre. | 0:14:13 | 0:14:17 | |
He's decided to give a club comedian a big break. | 0:14:17 | 0:14:21 | |
Billy Hunter had a reputation. | 0:14:21 | 0:14:23 | |
I went along to see in Manchester | 0:14:23 | 0:14:25 | |
and this guy was only one of the top clubs in Manchester, | 0:14:25 | 0:14:28 | |
packed, and he absolutely paralysed the audience. | 0:14:28 | 0:14:31 | |
And I was crying laughing at this guy, he's so funny. | 0:14:31 | 0:14:34 | |
I sent an e-mail to him asking for his dates, | 0:14:34 | 0:14:36 | |
so I could give him a bit more work and he sent this e-mail. | 0:14:36 | 0:14:39 | |
I'll read it to you. Listen to this. | 0:14:39 | 0:14:41 | |
"Can I take this opportunity to sincerely thank you for your interest... | 0:14:41 | 0:14:45 | |
AUDIENCE LAUGHTER | 0:14:45 | 0:14:48 | |
"..I've been deflated now and confused and frustrated for so long | 0:14:48 | 0:14:53 | |
"that to be honest, I was going to honour what shows I had in | 0:14:53 | 0:14:56 | |
"for the rest of the year and then quit, | 0:14:56 | 0:14:58 | |
"as I was just struggling to make an income. | 0:14:58 | 0:15:01 | |
"So whatever it is you can see in me, I can't thank you enough. | 0:15:01 | 0:15:04 | |
"Any road, dates for 2013. | 0:15:05 | 0:15:08 | |
"BLEEP all. | 0:15:08 | 0:15:09 | |
HE LAUGHS | 0:15:09 | 0:15:12 | |
Right, come and have a look at this. | 0:15:12 | 0:15:14 | |
Wow. | 0:15:14 | 0:15:16 | |
-Eh? -It's a bit dark at the moment, but magnificent, isn't it? | 0:15:16 | 0:15:19 | |
-So ornate, beautiful. -It is. -And you don't need a mic in here. | 0:15:19 | 0:15:23 | |
One! One! | 0:15:23 | 0:15:25 | |
This is your home for 14 weeks, pal. | 0:15:25 | 0:15:27 | |
-Once a week you're going to be here and you'll love it. -Lovely. -Absolutely love it. | 0:15:27 | 0:15:31 | |
The summer season acts meet Blackpool's media. | 0:15:38 | 0:15:42 | |
The buzz starts here and everybody, as you can see, is quite excited. | 0:15:42 | 0:15:46 | |
We got Bobby Ball over there and Roy Walker, Joe Longthorne, | 0:15:46 | 0:15:50 | |
all being interviewed by different parts of the media, television, radio. | 0:15:50 | 0:15:55 | |
It's great, because it's a bit of a catch-up for everybody | 0:15:55 | 0:15:57 | |
and it's passing ships in the night all meeting up. | 0:15:57 | 0:16:00 | |
If you're doing the summer season in Blackpool for, like, four months, | 0:16:00 | 0:16:03 | |
you've cracked it. | 0:16:03 | 0:16:04 | |
For Billy, it's his first Blackpool summer season in a theatre, | 0:16:04 | 0:16:08 | |
which, in any entertainer's diary, is like Las Vegas. | 0:16:08 | 0:16:13 | |
We're trying to present the best we possibly can this summer | 0:16:13 | 0:16:16 | |
here in Blackpool and I promise you we will. | 0:16:16 | 0:16:18 | |
APPLAUSE | 0:16:18 | 0:16:20 | |
We're three weeks away from the opening of the summer now | 0:16:24 | 0:16:26 | |
and it is about hope, because it's how long is a piece of string? | 0:16:26 | 0:16:30 | |
We don't know how busy, or not busy, Blackpool's going to be. | 0:16:30 | 0:16:34 | |
But if the weather stays like this, it'll be cracking. | 0:16:34 | 0:16:37 | |
DOG BARKS | 0:16:37 | 0:16:38 | |
-So you're from Rhyl? -Yes. -Right, and how long have you lived in Rhyl? | 0:16:40 | 0:16:44 | |
-22 years. -22 years and you come to Blackpool on holiday. | 0:16:44 | 0:16:47 | |
-So how's Rhyl doing? -Crap. | 0:16:47 | 0:16:49 | |
HE LAUGHS | 0:16:49 | 0:16:54 | |
He-he, that's why you're in Blackpool, isn't it, eh? | 0:16:54 | 0:16:56 | |
-See ya! -See you. -HE CHUCKLES | 0:16:56 | 0:16:59 | |
I have got five Americans | 0:17:02 | 0:17:05 | |
and they're all here for an international magician's convention. | 0:17:05 | 0:17:10 | |
It's held every three years internationally. | 0:17:10 | 0:17:14 | |
Last time, it was in Beijing, this time, it's in Blackpool. | 0:17:14 | 0:17:17 | |
So it's very, very exciting. | 0:17:17 | 0:17:19 | |
And Americans are always good fun, aren't they? | 0:17:19 | 0:17:21 | |
There are things to do in Blackpool. | 0:17:21 | 0:17:23 | |
I'm a walker and I just love walking along the promenade. | 0:17:23 | 0:17:27 | |
It was just wonderful to see the beach and the sun was shining, | 0:17:27 | 0:17:32 | |
it did shine yesterday in Blackpool! | 0:17:32 | 0:17:34 | |
LAUGHTER | 0:17:34 | 0:17:36 | |
Yeah, it was beautiful. | 0:17:36 | 0:17:38 | |
Are you ready? This is it. | 0:17:38 | 0:17:41 | |
-Oh, my gosh. -Crumpets! | 0:17:41 | 0:17:44 | |
Crumpets! | 0:17:44 | 0:17:45 | |
-Oh! -Yes. | 0:17:45 | 0:17:48 | |
So you see, they've got holes in. Little holes. | 0:17:48 | 0:17:51 | |
It's very rare that you don't hit it off with someone, but if you don't, | 0:17:51 | 0:17:55 | |
you think yourself, "Well, it doesn't matter, they're gone in a couple of days." | 0:17:55 | 0:17:58 | |
But nine nights they're staying. | 0:17:58 | 0:18:00 | |
Can you imagine if I hadn't liked them, or they hadn't liked me, | 0:18:00 | 0:18:03 | |
the other way around? But, fortunately, we're having great fun. | 0:18:03 | 0:18:06 | |
-They are really, really lovely people. -Thank you for the crumpets. | 0:18:06 | 0:18:09 | |
-A special treat. -My pleasure, my pleasure. -Have a good day. | 0:18:09 | 0:18:13 | |
Have a good time, yes, enjoy yourselves. | 0:18:13 | 0:18:15 | |
-Will do, will do. -OTHERS: See you later. | 0:18:15 | 0:18:17 | |
I'm kind of calling it our season of opportunity. | 0:18:17 | 0:18:20 | |
So this is the year that it's kind of all come together, | 0:18:20 | 0:18:23 | |
all the past seven years of hard work. | 0:18:23 | 0:18:26 | |
The new promenade is now absolutely stunning. | 0:18:26 | 0:18:30 | |
So a lot of stuff happening and all come together, really, in one year. | 0:18:30 | 0:18:35 | |
What we think of a summer resort is warm, warm weather | 0:18:35 | 0:18:38 | |
where you could go bathe, the sunbathing. | 0:18:38 | 0:18:41 | |
That's not what this is. | 0:18:41 | 0:18:43 | |
I think all of the UK isn't exactly sunny all the time. | 0:18:43 | 0:18:47 | |
Liquid sunshine, that's what we call it in California. Liquid sunshine. | 0:18:47 | 0:18:52 | |
Claire and Mark have spent years building up their business | 0:18:58 | 0:19:02 | |
and Ben is the heir apparent. | 0:19:02 | 0:19:05 | |
I kind of knew that the business was here | 0:19:05 | 0:19:07 | |
and that they'd done so much effort. | 0:19:07 | 0:19:10 | |
And it seemed to me to be a waste to go and do anything else. | 0:19:10 | 0:19:14 | |
Whilst at University, Ben met his current girlfriend | 0:19:14 | 0:19:18 | |
and it's serious. | 0:19:18 | 0:19:19 | |
So we have a lovely girlfriend, who is great, beautiful, good for him, | 0:19:21 | 0:19:27 | |
but lives down south. | 0:19:27 | 0:19:29 | |
And that's where her next, at least few years are, while she forges her career | 0:19:29 | 0:19:34 | |
and does her training and gets where she wants to be. | 0:19:34 | 0:19:38 | |
So, um, he's looking at getting a job down there | 0:19:38 | 0:19:43 | |
and relocating down there. | 0:19:43 | 0:19:45 | |
It's serious enough to warrant me leaving Blackpool | 0:19:45 | 0:19:47 | |
and anyone who knows me, that must be pretty serious for me to disappear down south. | 0:19:47 | 0:19:52 | |
At the moment, it's this bit of a curve ball that's kind of swung in | 0:19:52 | 0:19:56 | |
-and thrown everything. -We weren't expecting it, were we? -No. | 0:19:56 | 0:19:59 | |
This was not on the books at all. | 0:19:59 | 0:20:02 | |
As a day-trip destination, | 0:20:06 | 0:20:08 | |
the weather forecasts often don't do Blackpool any favours. | 0:20:08 | 0:20:12 | |
So what's Blackpool in the rain then, what's it like? | 0:20:17 | 0:20:19 | |
Does anybody come here in the rain? | 0:20:19 | 0:20:21 | |
No. | 0:20:23 | 0:20:25 | |
It devastates you. You just...you just can't take any money. | 0:20:25 | 0:20:29 | |
Er, I mean, really, this car park should be full. | 0:20:29 | 0:20:34 | |
It's half the price of the council's | 0:20:34 | 0:20:37 | |
and look at it, it's empty. | 0:20:37 | 0:20:40 | |
If you look around, it's just empty. | 0:20:40 | 0:20:42 | |
Howard has always made sure his car parks are close to the seafront and main attractions. | 0:20:44 | 0:20:50 | |
You've got 2,000 hotels or so, | 0:20:50 | 0:20:52 | |
and they've all got a little bit of parking, two or three spaces. | 0:20:52 | 0:20:56 | |
Now, if they're all empty, what chance have the car parks got? | 0:20:56 | 0:21:00 | |
And if the car parts are all empty, it means the hotels are empty. | 0:21:00 | 0:21:03 | |
If the hotels are empty, the life blood of the town is dying. | 0:21:03 | 0:21:07 | |
The Pleasure Beach is just over there, the promenade is just over there | 0:21:07 | 0:21:10 | |
and if you scan the area... | 0:21:10 | 0:21:12 | |
-And the Sandcastle. -..it's deserted. | 0:21:12 | 0:21:14 | |
And yet when we first came to Blackpool, | 0:21:14 | 0:21:16 | |
this was alive at this time of year. | 0:21:16 | 0:21:18 | |
I get phone calls off my pals in the town and they ask me | 0:21:18 | 0:21:22 | |
what the car parks are doing, | 0:21:22 | 0:21:24 | |
how busy they are, how many people are in. | 0:21:24 | 0:21:27 | |
And I let them know. | 0:21:27 | 0:21:28 | |
They know whether they are going to be earning any money at the weekend. | 0:21:28 | 0:21:31 | |
-Are you worried that things could collapse for you? -I'm very worried. | 0:21:33 | 0:21:37 | |
At this moment in time, I've never ever, ever had a problem. | 0:21:37 | 0:21:43 | |
I've never had any vision of being able to go bump or go bankrupt. | 0:21:43 | 0:21:49 | |
If business is bad for Howard, | 0:21:51 | 0:21:53 | |
it could spell real trouble for his theatre venture. | 0:21:53 | 0:21:56 | |
Elaine Smith is Ben's grandmother. | 0:22:00 | 0:22:05 | |
-She likes knowing everything. She's nosy, so she likes knowing everything. -And knowing everybody. | 0:22:05 | 0:22:09 | |
She's always known everybody. | 0:22:09 | 0:22:12 | |
Elaine is a retired hotelier and chairman of Blackpool Civic Trust. | 0:22:12 | 0:22:16 | |
Right, come on, lads, where are you now? | 0:22:18 | 0:22:20 | |
My mother and my wife, they're just both barmy. | 0:22:20 | 0:22:25 | |
-They're just... They're both obsessed with it, aren't they? -Yeah. | 0:22:25 | 0:22:29 | |
-To extremes, aren't they? -Yeah. -They are, aren't they? -Yeah. | 0:22:29 | 0:22:35 | |
And they just go... I'm sure either of them would go to | 0:22:35 | 0:22:37 | |
the opening of a fridge if it had something to do with Blackpool. | 0:22:37 | 0:22:40 | |
Today, Elaine is spearheading Blackpool In Bloom. | 0:22:42 | 0:22:46 | |
I think it's fine down here. I think they've really tried down here. | 0:22:47 | 0:22:52 | |
This is what we're aiming for, what has happened with this street. | 0:22:53 | 0:22:58 | |
This is the whole point of Hotel In Bloom, Blackpool In Bloom, | 0:22:58 | 0:23:02 | |
Beautiful Blackpool - to get people to do what they've done in this street. | 0:23:02 | 0:23:06 | |
I mean, you can see what they've done. | 0:23:06 | 0:23:08 | |
She never looks on the down side and if it is down, | 0:23:09 | 0:23:12 | |
she's on everybody's backs to get it back up again. | 0:23:12 | 0:23:16 | |
SHE LAUGHS | 0:23:16 | 0:23:18 | |
-You're Mrs Blackpool, aren't you? -Aye. | 0:23:18 | 0:23:21 | |
-Are you Mrs Blackpool? -Well, I don't know. | 0:23:21 | 0:23:23 | |
Laurence Llewelyn Bowen calls me that. | 0:23:23 | 0:23:25 | |
If she thinks that something is not right, she will work at it. | 0:23:27 | 0:23:32 | |
Whoever it is, they don't stand a chance, | 0:23:32 | 0:23:34 | |
because she'll work on them until they change their mind. | 0:23:34 | 0:23:38 | |
That's how determined she is. | 0:23:38 | 0:23:40 | |
I came to live in Blackpool in 1945 | 0:23:40 | 0:23:43 | |
and I thought I'd landed in fairyland. | 0:23:43 | 0:23:46 | |
It's now reinventing itself. It's getting all these up-to-date things. | 0:23:47 | 0:23:52 | |
But it still must never lose its fun. | 0:23:52 | 0:23:55 | |
And we're getting better and better, aren't we? | 0:23:55 | 0:23:57 | |
But however long it takes to change, it's then going to take even longer | 0:23:57 | 0:24:01 | |
to change perceptions, isn't it? | 0:24:01 | 0:24:03 | |
Elaine and her husband Jim ran a hotel in Blackpool until 1999. | 0:24:03 | 0:24:08 | |
You know, you hope. You work hard, I hope we've taken what you and Jim did | 0:24:10 | 0:24:15 | |
and taken that forward, and then you hope that, in time... | 0:24:15 | 0:24:20 | |
We thought he would take it forward with his partner, wife, or whatever, | 0:24:20 | 0:24:24 | |
and it would all continue and we'd all be involved. | 0:24:24 | 0:24:27 | |
I think a lot of what we do is to improve the town for future generations, isn't it? | 0:24:27 | 0:24:33 | |
And he is our future generation. | 0:24:33 | 0:24:35 | |
-He'll miss us too much, won't you love? -Of course, Grandma. | 0:24:36 | 0:24:40 | |
-You're a bit of a home boy, aren't you? -Yes! | 0:24:40 | 0:24:43 | |
-He does love Blackpool, don't you? -Of course. | 0:24:43 | 0:24:46 | |
I mean he's had that instilled in him. | 0:24:46 | 0:24:49 | |
Do you think you'll ever talk Rachel into coming back to Blackpool? | 0:24:49 | 0:24:52 | |
Yes. | 0:24:52 | 0:24:53 | |
We bought this business with the intention of him coming into it | 0:24:53 | 0:24:56 | |
and then this young lady has come on the scene and changed all that. | 0:24:56 | 0:25:00 | |
So do I feel good about it? No, I feel really bad about it. | 0:25:00 | 0:25:04 | |
And he keeps saying, "I'm coming back, I'm coming back," | 0:25:04 | 0:25:07 | |
and my feelings are that he won't. | 0:25:07 | 0:25:09 | |
-Because I know... -He will. He'll miss us too much. | 0:25:09 | 0:25:12 | |
-I know women better than he does. -It's just a minor blip. | 0:25:12 | 0:25:16 | |
It might be a minor blip for you but it's not a minor blip for me. | 0:25:16 | 0:25:19 | |
Just stop, now. Right? Now. | 0:25:19 | 0:25:22 | |
-So when are you thinking of going? -Soon as I get a job, as soon as I can. | 0:25:25 | 0:25:28 | |
CLAIRE: But there's a future here, isn't there? | 0:25:30 | 0:25:32 | |
-That's a big difference, as well. -We were building a future. | 0:25:32 | 0:25:35 | |
That was the whole point of it, wasn't it? | 0:25:35 | 0:25:37 | |
At the north end of Blackpool, Dave Simmons is getting ready for work. | 0:25:42 | 0:25:46 | |
What it is, I'm a landau driver, | 0:25:48 | 0:25:50 | |
which is basically the old-fashioned taxis, that's drawn by horses. | 0:25:50 | 0:25:56 | |
It's a good life, really. I enjoy doing it. | 0:25:56 | 0:25:58 | |
Dave drives a traditional horse and carriage known as a landau along the promenade. | 0:25:59 | 0:26:04 | |
Walk on, son. HE CLICKS HIS TONGUE | 0:26:04 | 0:26:06 | |
Come on, son. | 0:26:08 | 0:26:10 | |
Just walk, loosen you up. | 0:26:11 | 0:26:13 | |
Landaus have worked the promenade for 130 years. | 0:26:13 | 0:26:17 | |
There are 44 licensed landaus. | 0:26:17 | 0:26:20 | |
Dave's father did the job before him. | 0:26:22 | 0:26:24 | |
I've still got the passion now, as to what I had | 0:26:32 | 0:26:35 | |
when I first started driving horses on the promenade. I love the job. | 0:26:35 | 0:26:40 | |
Nothing will ever, ever turn me away from it. | 0:26:40 | 0:26:42 | |
I'll do this job till the day I die and I'll have the passion all the way through. | 0:26:42 | 0:26:46 | |
It's not a job, it is a hobby. And that's what it is. | 0:26:46 | 0:26:51 | |
On the south side of Blackpool, Mark Morris also works for a landau company. | 0:26:54 | 0:26:59 | |
He's driven landaus for six years, | 0:26:59 | 0:27:01 | |
but has decided to move with the times. | 0:27:01 | 0:27:04 | |
This is the Cinderella carriage. | 0:27:07 | 0:27:10 | |
They became popular after Jordan got married in one of these styles. | 0:27:10 | 0:27:15 | |
But, yeah, these are the modern carriages, as we'd like to put them. | 0:27:15 | 0:27:21 | |
There are only three Cinderella carriages operating at the moment. | 0:27:21 | 0:27:25 | |
We've been on the pink Cinderella-style carriage. | 0:27:31 | 0:27:35 | |
You'll see that it's very popular with the girls, little families. | 0:27:35 | 0:27:40 | |
The popularity of the Cinderella carriages has come at a price. | 0:27:40 | 0:27:44 | |
They've been so popular, it got a lot of the other landau owners, | 0:27:44 | 0:27:51 | |
and drivers, it got them very resentful of us. | 0:27:51 | 0:27:56 | |
There are very few people speak to me within the industry. | 0:27:56 | 0:27:59 | |
I can only assume that they are jealous, | 0:27:59 | 0:28:04 | |
because they've not thought outside the boxes themselves. | 0:28:04 | 0:28:08 | |
We're more popular than the traditional ones at the moment. | 0:28:08 | 0:28:12 | |
To me, the pink Cinderella', they shouldn't be on here. | 0:28:17 | 0:28:20 | |
They're not tradition. | 0:28:20 | 0:28:21 | |
They should've kept it as just traditional landau carriages. | 0:28:21 | 0:28:26 | |
You get your old ones that come here, | 0:28:26 | 0:28:29 | |
that when they come on the carriages, and I've had it said to me many a time, | 0:28:29 | 0:28:33 | |
you know, "Oh, I remember these when I was a child, I used to come on them." | 0:28:33 | 0:28:39 | |
Without tradition in Blackpool, it would been nowt. | 0:28:39 | 0:28:43 | |
-Is it the traditional ones you want, or the princess one? -This one. | 0:28:46 | 0:28:49 | |
Do you want to be a princess, then? Come on then. Look at that face! | 0:28:49 | 0:28:54 | |
Oh, we've been on the other carriages and they're nice carriages to go up and down on, | 0:28:57 | 0:29:01 | |
but when the daughter says she wants to be a princess for the day, | 0:29:01 | 0:29:04 | |
who am I to let her down not to be a princess? | 0:29:04 | 0:29:08 | |
-INTERVIEWER: Is that right, you wanted to be a princess? -Yes! | 0:29:08 | 0:29:11 | |
I can't tell the public how to spend their money. | 0:29:13 | 0:29:17 | |
It's their money and their choice. | 0:29:17 | 0:29:20 | |
It is a fun ride, don't get me wrong. | 0:29:20 | 0:29:22 | |
It's a novelty ride. It should be in amusement park, giving rides around the park, | 0:29:22 | 0:29:28 | |
you know? That would be absolutely well suited. | 0:29:28 | 0:29:33 | |
What winds a lot of people up | 0:29:33 | 0:29:34 | |
is when other drivers, that drive the Cinderellas, just load them in, | 0:29:34 | 0:29:40 | |
then come past laughing at you, as if they're better than you. | 0:29:40 | 0:29:44 | |
That's what's out of order, really. | 0:29:45 | 0:29:48 | |
People come for that magical moment and to enjoy themselves | 0:29:48 | 0:29:53 | |
and this is what we're doing. They've moved forward. We're the 21st century. | 0:29:53 | 0:29:58 | |
We're here and I'd like to think we're here to stay. | 0:29:58 | 0:30:02 | |
People in the south, in London in particular, OK, | 0:30:07 | 0:30:10 | |
consider Blackpool as shabby, worn out. | 0:30:10 | 0:30:14 | |
What it has always been is what it will always be. | 0:30:14 | 0:30:17 | |
It will be the place for families and people with not really | 0:30:17 | 0:30:20 | |
a lot of money, to come and have a couple of good days. | 0:30:20 | 0:30:24 | |
Are you encouraging your son to consider staying in Blackpool | 0:30:24 | 0:30:27 | |
and becoming B&B owners? | 0:30:27 | 0:30:29 | |
Since they can get an investment relatively inexpensive. | 0:30:29 | 0:30:33 | |
The tendency here is for our children to be educated well, | 0:30:33 | 0:30:37 | |
then go off to uni and then go off. | 0:30:37 | 0:30:39 | |
So we train them up, but we're not able to retain them. | 0:30:39 | 0:30:43 | |
Now, we have an issue with Ben, | 0:30:43 | 0:30:45 | |
whereby he wants to be in the business. | 0:30:45 | 0:30:49 | |
He wants us to buy more, but he went off to uni, | 0:30:49 | 0:30:52 | |
in Guildford, in Surrey, down south, | 0:30:52 | 0:30:55 | |
-and met a lovely, lovely girl. -ALL: Oh! | 0:30:55 | 0:30:59 | |
Who is very good for him. | 0:30:59 | 0:31:01 | |
Who is very good for him, | 0:31:01 | 0:31:03 | |
but she doesn't want to move up north. | 0:31:03 | 0:31:05 | |
The person of love will rule what he wants to do. | 0:31:05 | 0:31:07 | |
Whether he loves the bed and breakfast or whether | 0:31:07 | 0:31:10 | |
he loves the girl, whatever he loves the most, that's where he's going. | 0:31:10 | 0:31:14 | |
You can't control it. | 0:31:14 | 0:31:15 | |
Your influence at 23-years-old is over. | 0:31:15 | 0:31:18 | |
And our fear is that if we do handle this wrong, | 0:31:18 | 0:31:22 | |
-we could be cut off for ever. -Right. | 0:31:22 | 0:31:25 | |
Does Ben have your passion? | 0:31:25 | 0:31:27 | |
Oh, yeah. It's not just me. | 0:31:27 | 0:31:28 | |
There is Mark's mother. | 0:31:28 | 0:31:30 | |
She is chairman of Blackpool's Civic Trust. | 0:31:30 | 0:31:32 | |
So Blackpool is absolutely within all of us. | 0:31:32 | 0:31:34 | |
Every dinner that we have ever had amongst the family | 0:31:34 | 0:31:37 | |
is about what's going on in Blackpool. | 0:31:37 | 0:31:40 | |
Everybody has to make their own way in the world. | 0:31:47 | 0:31:49 | |
We bring our kids up, bring our families up to | 0:31:49 | 0:31:53 | |
the best of our...way we can, | 0:31:53 | 0:31:56 | |
we teach them right from wrong. | 0:31:56 | 0:31:59 | |
Then you've all got to go out in the world and make your own way | 0:31:59 | 0:32:02 | |
and just hope that you remember that we're still there | 0:32:02 | 0:32:06 | |
and that we still love you. | 0:32:06 | 0:32:08 | |
I hope he goes for a little while, | 0:32:08 | 0:32:10 | |
but I want him to come back. | 0:32:10 | 0:32:12 | |
And I think he will come back. | 0:32:12 | 0:32:15 | |
He loves Blackpool as much as the rest of us, | 0:32:15 | 0:32:17 | |
but he'll definitely come back. | 0:32:17 | 0:32:19 | |
I have no doubts about that. | 0:32:20 | 0:32:22 | |
PEOPLE SCREAM | 0:32:23 | 0:32:25 | |
From Monday to Thursday, | 0:32:25 | 0:32:26 | |
most visitors to Blackpool come for the attractions and shows. | 0:32:26 | 0:32:30 | |
But, at the weekends, it's party time, and even more flood in. | 0:32:30 | 0:32:34 | |
Howard Plant's car parks fill up, and his brother, Warren, | 0:32:35 | 0:32:39 | |
runs a clamping and towing business. | 0:32:39 | 0:32:41 | |
What we're doing is pay and display car park | 0:32:41 | 0:32:45 | |
and just checking that all the vehicles | 0:32:45 | 0:32:49 | |
have paid adequately. | 0:32:49 | 0:32:51 | |
People don't come back when they should do | 0:32:52 | 0:32:57 | |
and that's where I earn my wages. | 0:32:57 | 0:33:00 | |
So, if they pay, Howard wins. | 0:33:02 | 0:33:05 | |
If they don't pay, I win. | 0:33:05 | 0:33:08 | |
The clamping came into the town many years ago | 0:33:10 | 0:33:15 | |
and it was Howard that brought clamping into Blackpool. | 0:33:15 | 0:33:19 | |
He got clamped in London and he thought, "This is a great idea." | 0:33:19 | 0:33:26 | |
At Howard's car park near the Pleasure Beach, | 0:33:27 | 0:33:31 | |
Warren's found the day's first victim. | 0:33:31 | 0:33:34 | |
-Is it a lucrative business? -It is. | 0:33:37 | 0:33:40 | |
Unfortunately, it's going to be over | 0:33:40 | 0:33:43 | |
in the next three months, because | 0:33:43 | 0:33:45 | |
the government, in their infinite wisdom, have decided to ban it. | 0:33:45 | 0:33:49 | |
Thing is, at the end of the season, | 0:33:55 | 0:33:57 | |
they're going to ban the clamping and the towing. | 0:33:57 | 0:34:00 | |
Then it's going to go over to a ticketing service. | 0:34:00 | 0:34:02 | |
And his income, basically, at the end of the season in October, | 0:34:02 | 0:34:05 | |
ceases to exist. | 0:34:05 | 0:34:06 | |
He'll have no income. And you know what he's going to rely on? | 0:34:06 | 0:34:09 | |
God. I've asked him. He says, "God will provide. | 0:34:09 | 0:34:12 | |
"Don't worry, God will provide." | 0:34:12 | 0:34:15 | |
But the problem with that he is, is he thinks I'm God. | 0:34:15 | 0:34:18 | |
TOY SQUEAKS | 0:34:19 | 0:34:21 | |
MEN LAUGH | 0:34:21 | 0:34:23 | |
I love Blackpool. | 0:34:24 | 0:34:26 | |
SEAGULLS CRY | 0:34:29 | 0:34:31 | |
Blackpool is famous for its stag and hen's | 0:34:31 | 0:34:35 | |
and landlady Dolores has a party of girls from near her | 0:34:35 | 0:34:39 | |
home town of Stoke coming to stay this weekend. | 0:34:39 | 0:34:42 | |
I don't do hen nights, | 0:34:42 | 0:34:43 | |
but these girls are absolutely lovely. | 0:34:43 | 0:34:46 | |
They're family orientated, | 0:34:46 | 0:34:49 | |
the majority of them are, | 0:34:49 | 0:34:50 | |
and they're just really good girls. | 0:34:50 | 0:34:53 | |
Now, any normal hen night or stag night, | 0:34:53 | 0:34:57 | |
they'd just wreck your place. | 0:34:57 | 0:34:59 | |
They know me, they know my rules | 0:34:59 | 0:35:01 | |
and they abide by them, actually. | 0:35:01 | 0:35:04 | |
Dolores bought the B&B with her husband, Jim, a number of years ago, | 0:35:05 | 0:35:08 | |
but tragically for Dolores, Jim died just before the summer. | 0:35:08 | 0:35:13 | |
'I love having the girls, especially this time,' | 0:35:15 | 0:35:19 | |
because they've boosted my morale a lot. | 0:35:19 | 0:35:21 | |
-We love our Dolores! -We do! | 0:35:21 | 0:35:24 | |
-He would have loved it. -He would. | 0:35:24 | 0:35:27 | |
-He's near us. -I know he is. | 0:35:27 | 0:35:29 | |
He's standing here, now, laughing with his kilt on with us. | 0:35:29 | 0:35:32 | |
-Don't start. -Ain't he? -No, don't start. | 0:35:32 | 0:35:36 | |
Blackpool's stag and hen parties boomed when the council relaxed licensing seven years ago | 0:35:36 | 0:35:41 | |
and the stag and hens haven't stopped coming. | 0:35:41 | 0:35:44 | |
Dolores' B&B is at the quieter, southern end of town. | 0:35:46 | 0:35:50 | |
Where are we going, girls? | 0:35:50 | 0:35:52 | |
But the weekend action happens further north towards the centre of Blackpool. | 0:35:52 | 0:35:56 | |
Go out, have a good dance, have a laugh. | 0:35:58 | 0:36:01 | |
Have a few shots, have a few dances. Mingle with the crowds. | 0:36:01 | 0:36:05 | |
Get involved with the whole Blackpool atmosphere. | 0:36:05 | 0:36:08 | |
Lots of drinking and lots of dancing. | 0:36:08 | 0:36:11 | |
# Girls they wanna have fun | 0:36:15 | 0:36:19 | |
# Oh, girls, just wanna have fun. # | 0:36:19 | 0:36:23 | |
Tonight, thousands of revellers will descend on Blackpool's | 0:36:23 | 0:36:27 | |
bars and clubs. | 0:36:27 | 0:36:28 | |
My feet hurt. | 0:36:31 | 0:36:32 | |
It's so crowded in there, it's untrue. | 0:36:32 | 0:36:35 | |
We got pushed and shoved everywhere, didn't we? | 0:36:35 | 0:36:38 | |
You can't even hold your drink before it being spilt down you. | 0:36:38 | 0:36:40 | |
Literally, can't move anywhere, it's that busy | 0:36:40 | 0:36:43 | |
and I was getting attacked by a random man. | 0:36:43 | 0:36:46 | |
# Girls just wanna have fun | 0:36:46 | 0:36:49 | |
# Girls just wanna have fun... # | 0:36:50 | 0:36:52 | |
Howard started clearing the old Apollo. | 0:36:55 | 0:36:58 | |
He's hit on a plan to raise the cash for the real work to begin. | 0:36:58 | 0:37:02 | |
God's not making any more land. I own this. I don't owe any money on it. | 0:37:02 | 0:37:06 | |
One day, it'll come good. | 0:37:06 | 0:37:10 | |
Then, payday. | 0:37:10 | 0:37:11 | |
Then the Apollo will be getting finished. | 0:37:11 | 0:37:16 | |
He thinks the work will cost almost £1 million. | 0:37:16 | 0:37:19 | |
He is already buying equipment to kit out the kitchen. | 0:37:21 | 0:37:24 | |
All this equipment, and a lot more, the container that's over there | 0:37:24 | 0:37:27 | |
and all this, was the entire contents of a restaurant in the north-east | 0:37:27 | 0:37:31 | |
that, in these current climates, they opened at the wrong time, should we say. | 0:37:31 | 0:37:37 | |
They spent £750,000 kitting out a restaurant and went bankrupt | 0:37:37 | 0:37:42 | |
and I got the entire contents of the restaurant for 25,000. | 0:37:42 | 0:37:45 | |
It's heavy. Here we go. | 0:37:47 | 0:37:49 | |
Christ, Almighty! I can't believe how heavy it is. Are you all right, lads? | 0:37:51 | 0:37:55 | |
Anywhere down here. Careful. Careful, slowly. | 0:37:55 | 0:37:59 | |
David? I need you in the office. | 0:38:00 | 0:38:02 | |
David Gardner is Howard's close friend and business advisor. | 0:38:02 | 0:38:06 | |
If I sell this land, we'll be able to get open on time | 0:38:11 | 0:38:16 | |
because the sale of the land is key to this development. | 0:38:16 | 0:38:21 | |
Otherwise, I don't know where we're going to go with it, I really don't | 0:38:21 | 0:38:24 | |
because we getting no help from the bank. | 0:38:24 | 0:38:27 | |
Because you've got that, I know you think that's a ridiculous offer from our friend | 0:38:27 | 0:38:31 | |
but this guy, somewhere along the line if we can meet... | 0:38:31 | 0:38:34 | |
I'll put it to you like this, he's offering twice as much as Darren offered me. | 0:38:34 | 0:38:39 | |
What's the hold-up? What's the hold-up? | 0:38:39 | 0:38:42 | |
I need a planning reference number. | 0:38:42 | 0:38:44 | |
I wouldn't have been sleeping last night. | 0:38:44 | 0:38:46 | |
I wouldn't have slept last night. | 0:38:46 | 0:38:47 | |
That makes this place open for the height of the season. | 0:38:47 | 0:38:51 | |
-Come on, let's chase it up. -I will do. First of all, I've tried Fred. | 0:38:51 | 0:38:57 | |
Now I'm going to have two ring the town hall. | 0:38:57 | 0:38:59 | |
-You can ring the town hall. -It's now 10:15. | 0:38:59 | 0:39:01 | |
Dave, I've had a delivery this morning. | 0:39:01 | 0:39:04 | |
-I've not been to the bathroom yet. -This is priority. | 0:39:04 | 0:39:08 | |
-This is my first cup of coffee. -We want to be open for the first. -OK. | 0:39:08 | 0:39:11 | |
Let's get on. | 0:39:11 | 0:39:12 | |
As far as I'm concerned, that Apollo is going to be his last venture. | 0:39:18 | 0:39:22 | |
I want it to succeed. I want it open as soon as possible. | 0:39:22 | 0:39:26 | |
When they talk about summer season, to me, August is the prime month | 0:39:26 | 0:39:30 | |
cos there's no schools, no colleges. | 0:39:30 | 0:39:33 | |
That is prime holiday time. That is when I want to be open for. | 0:39:33 | 0:39:37 | |
The only way we are going to do it is by bunging more money in | 0:39:37 | 0:39:40 | |
and that's coming in at the moment. | 0:39:40 | 0:39:41 | |
As far as I'm concerned, this is just a dead plot. | 0:39:41 | 0:39:44 | |
We're about to meet Joe Longthorne, who is one of the stalwarts | 0:39:53 | 0:39:57 | |
of variety and the biggest earner of money in Blackpool. | 0:39:57 | 0:40:01 | |
He always turns up for me. Joe loves Blackpool. | 0:40:01 | 0:40:04 | |
Joe could live anywhere in the world. | 0:40:04 | 0:40:06 | |
There are more stars living in this town than anywhere else | 0:40:06 | 0:40:08 | |
in the country, including London, from variety. | 0:40:08 | 0:40:12 | |
-Are you all right? You're looking good. -I feel all right. | 0:40:12 | 0:40:17 | |
I'll name that tune in one! | 0:40:17 | 0:40:19 | |
The variety club has recognised him as the most, | 0:40:22 | 0:40:25 | |
promising artist of 1983, Joe Longthorne. | 0:40:25 | 0:40:28 | |
APPLAUSE | 0:40:28 | 0:40:30 | |
He's performed all over the world, | 0:40:30 | 0:40:32 | |
including London's Royal Albert Hall and the Sydney Opera House. | 0:40:32 | 0:40:36 | |
And he still has a devoted army of fans. | 0:40:38 | 0:40:41 | |
This is going to sound really strange but I've requested | 0:40:41 | 0:40:45 | |
that goes into my coffin with me when I die so that I get Joe. | 0:40:45 | 0:40:50 | |
I will take him to the other world. | 0:40:50 | 0:40:53 | |
# If I can make it there | 0:40:53 | 0:40:57 | |
# I'll make it anywhere... # | 0:40:57 | 0:41:02 | |
Because he's so down to earth and you can get to speak to him. | 0:41:02 | 0:41:07 | |
I think that's what everybody likes. | 0:41:07 | 0:41:09 | |
He's got a very rare, | 0:41:09 | 0:41:11 | |
unique characteristic is something he possesses, | 0:41:11 | 0:41:15 | |
whether it's from his background, his parents but he is exceptional. | 0:41:15 | 0:41:21 | |
You know, many people imitate him, | 0:41:21 | 0:41:23 | |
many people claim to be the Joe Longthorne experience | 0:41:23 | 0:41:26 | |
around these tribute bars and that but seriously there is only one Joe Longthorne. | 0:41:26 | 0:41:30 | |
# My little town... # | 0:41:30 | 0:41:32 | |
Actually, I've got a very, very understanding husband. | 0:41:35 | 0:41:37 | |
I been with him 27 years and he's... | 0:41:37 | 0:41:41 | |
And I've known, I've been seeing Joe 25 of those. | 0:41:41 | 0:41:45 | |
He's never said, "No, you can't go". | 0:41:45 | 0:41:50 | |
Is your husband in any way jealous of your attention to Joe Longthorne? | 0:41:50 | 0:41:54 | |
He says he isn't that I think if it was the other way round, | 0:41:54 | 0:41:57 | |
I wouldn't let him go and see a female artist | 0:41:57 | 0:42:00 | |
as much as I go and see Joe. | 0:42:00 | 0:42:02 | |
So we are going to see my friend, Marjorie, | 0:42:06 | 0:42:08 | |
who has come down from Barrow for the whole summer season, | 0:42:08 | 0:42:13 | |
that's 13 weeks, just so that she can see Joe every Thursday night. | 0:42:13 | 0:42:17 | |
Hi, Marjorie. | 0:42:17 | 0:42:19 | |
I thought I'd come and say "hello" because I know you're here. | 0:42:19 | 0:42:22 | |
-Are you all right? -Not so bad, are you? -Jolly good, yes. | 0:42:22 | 0:42:24 | |
-Was your journey down nice? -Quite good. | 0:42:24 | 0:42:27 | |
I'm looking forward to it. | 0:42:27 | 0:42:29 | |
-You don't take as many now though, do you? -No. I've got so many. | 0:42:29 | 0:42:34 | |
-Yeah, what do you do with them? -What do you do with them? -This is the point. -Yeah. | 0:42:34 | 0:42:37 | |
Look at all his flowers. Those are exquisite, aren't they? | 0:42:37 | 0:42:41 | |
Oh, that's a nice one. | 0:42:41 | 0:42:42 | |
I think that was one at the Opera House | 0:42:42 | 0:42:44 | |
-because you can see his hair is a bit longer on that one. -It is. | 0:42:44 | 0:42:47 | |
There's something about Joe that you cannot put your finger on it. | 0:42:47 | 0:42:51 | |
His singing, and as a person, there's just something about him. | 0:42:51 | 0:42:55 | |
We've always said if we knew what it was, | 0:42:55 | 0:42:57 | |
-we bottle it and sell it and we'd make a fortune. -Yeah. | 0:42:57 | 0:43:00 | |
"Joe Longthorne, I love you", with a felt tip pen. | 0:43:00 | 0:43:04 | |
Blackpool is now filling up steadily with tourists. | 0:43:08 | 0:43:11 | |
Just near the Pleasure Beach, Howard is on his rounds. | 0:43:15 | 0:43:18 | |
It's doing all right, actually, today. | 0:43:21 | 0:43:23 | |
I think you can't really beat Blackpool, can you? | 0:43:23 | 0:43:27 | |
The sunshine puts a lot of smiles on the faces. | 0:43:29 | 0:43:31 | |
School holidays, so if we're not full this week, | 0:43:31 | 0:43:35 | |
then it's time to give up. | 0:43:35 | 0:43:37 | |
We'll see how much money's in here. | 0:43:39 | 0:43:42 | |
Oh... | 0:43:42 | 0:43:43 | |
Oh... | 0:43:43 | 0:43:45 | |
We've got a heavy one. | 0:43:45 | 0:43:46 | |
We've had a good week. That's mostly this last two days. | 0:43:53 | 0:43:57 | |
Howard's busiest car park is just off the town centre. | 0:43:59 | 0:44:03 | |
This is the school holidays. This is what Blackpool needs. Nice sunny day. | 0:44:03 | 0:44:08 | |
Uh-oh! Maybe I spoke too soon, look at them clouds. | 0:44:08 | 0:44:11 | |
Erm, a nice day, gets them all here, school holidays. | 0:44:11 | 0:44:16 | |
We need 26 weeks of this. | 0:44:16 | 0:44:17 | |
Look it's full, it's full, thank you God! | 0:44:17 | 0:44:20 | |
-Are you managing OK? -Yeah, it's fine. -See you later. | 0:44:23 | 0:44:26 | |
Even away from the centre, and close to the back street bars, | 0:44:28 | 0:44:31 | |
it's busy there too. | 0:44:31 | 0:44:33 | |
Right, first part of the job, look around. | 0:44:35 | 0:44:38 | |
If you see anybody with knives or guns, don't do this. | 0:44:38 | 0:44:42 | |
-Can I help you, girls? -We're trying to get on change on the bank card. | 0:44:49 | 0:44:52 | |
I can help you. I have plenty of change. | 0:44:52 | 0:44:54 | |
-Whereabouts do you stay, usually? -We don't come here. | 0:44:54 | 0:44:57 | |
-You don't come here? -First time. | 0:44:57 | 0:44:59 | |
First time ever, we're Blackpool virgins. | 0:44:59 | 0:45:01 | |
We're going to the Brunswick to have a bevy. | 0:45:01 | 0:45:03 | |
Listen, girls, seriously you can't break these boys hearts. | 0:45:03 | 0:45:07 | |
There's men that have come to Blackpool, they're going to be out in the bars drinking, | 0:45:07 | 0:45:11 | |
they're going to bump into yous lot. | 0:45:11 | 0:45:13 | |
We're going to break their hearts. | 0:45:13 | 0:45:14 | |
You'll tell them, "I'm sorry, mate, it's half-past 11, | 0:45:14 | 0:45:17 | |
we've got to get home before 12 o'clock. Ta-ra. | 0:45:17 | 0:45:19 | |
Where shall we go to drink? | 0:45:19 | 0:45:20 | |
Soul Suite, Litton Tree, Che Bar... | 0:45:20 | 0:45:23 | |
Get to town. | 0:45:23 | 0:45:24 | |
Just think of the hearts you're going to break tonight. | 0:45:24 | 0:45:27 | |
You have a nice night tonight. See you later. | 0:45:27 | 0:45:30 | |
They were nice girls. They'll have a laugh. | 0:45:30 | 0:45:32 | |
They've come to Blackpool to the day for a laugh. | 0:45:32 | 0:45:35 | |
They just come for a day trip. So, er... | 0:45:35 | 0:45:39 | |
..that's what we need. | 0:45:39 | 0:45:41 | |
Fans of Blackpool variety star, Joe Longthorne, | 0:45:41 | 0:45:45 | |
are getting ready for opening night. | 0:45:45 | 0:45:47 | |
-Does that look all right, mam? -Yes. | 0:45:47 | 0:45:49 | |
It must be a wonderful sight for Joe, don't you think | 0:45:49 | 0:45:53 | |
when he comes on stage and that theatre is absolutely full | 0:45:53 | 0:45:57 | |
and they're all standing up in the stalls like they do for him. | 0:45:57 | 0:46:00 | |
-Oh, gosh, what a welcome. -I think the theatre will be full tonight. | 0:46:00 | 0:46:05 | |
-Really full. -Is going to be really warm in that theatre tonight. | 0:46:05 | 0:46:08 | |
That's why I put this short sleeved top on, | 0:46:08 | 0:46:10 | |
instead of one with longer sleeves. | 0:46:10 | 0:46:12 | |
-We're excited, aren't we? -I am excited, yeah. | 0:46:12 | 0:46:14 | |
It's almost curtain up at the Grand Theatre. | 0:46:17 | 0:46:20 | |
-Are we walking in? -Yeah. | 0:46:20 | 0:46:24 | |
-Are you all right, Flo. -Yeah. | 0:46:24 | 0:46:25 | |
I can't get in. | 0:46:30 | 0:46:32 | |
I won't push, you know what I'm alike. | 0:46:32 | 0:46:35 | |
Are you all right, girls? | 0:46:35 | 0:46:37 | |
-Do you like me new boots and things. -Yeah, smashing. | 0:46:37 | 0:46:41 | |
-Are you OK? -Yeah, fine. | 0:46:41 | 0:46:43 | |
I've had 12 opening nights with Joe Longthorne, | 0:46:43 | 0:46:46 | |
that's how we all know these people personally because they come to every show. | 0:46:46 | 0:46:49 | |
Every show. | 0:46:49 | 0:46:51 | |
Hundreds of tickets have gone in advance | 0:46:51 | 0:46:53 | |
but more are being sold at the door. | 0:46:53 | 0:46:56 | |
Before Joe's set, it's comedian, Roy Walker. | 0:46:56 | 0:46:59 | |
Is any vegetarians in? | 0:46:59 | 0:47:02 | |
Hands up, any vegetarians. | 0:47:02 | 0:47:04 | |
See that, they don't even have the strength to get their arms up. | 0:47:04 | 0:47:08 | |
LAUGHTER | 0:47:08 | 0:47:10 | |
Goodnight! | 0:47:10 | 0:47:12 | |
Joe will perform a 90-minute set of old favourites. | 0:47:12 | 0:47:16 | |
# I can feel a new expression on my face | 0:47:26 | 0:47:29 | |
# Every time that you... | 0:47:30 | 0:47:35 | |
AUDIENCE: # Walk in the room... | 0:47:35 | 0:47:38 | |
# Oh, oh, yeah | 0:47:51 | 0:47:55 | |
# Love is in the air | 0:47:55 | 0:47:56 | |
# Love is in the air. # | 0:47:58 | 0:48:00 | |
CHEERING AND APPLAUSE | 0:48:01 | 0:48:03 | |
Anyone will tell you, there's nothing like being | 0:48:16 | 0:48:19 | |
on the stage like that and receiving a round of applause, like that. | 0:48:19 | 0:48:22 | |
It's what it's all about. | 0:48:22 | 0:48:23 | |
Fantastic show, wasn't it? | 0:48:23 | 0:48:25 | |
When he sang, Somewhere, it was amazing. Absolutely amazing. | 0:48:25 | 0:48:29 | |
It made me cry, actually. | 0:48:29 | 0:48:31 | |
Very high, very high. I don't sleep. | 0:48:31 | 0:48:34 | |
It takes you a long time to come down after you've seen Joe. | 0:48:34 | 0:48:36 | |
I've got my son and daughter and my mum here. | 0:48:36 | 0:48:40 | |
Sophie comes with me very often, she really loves him as well. | 0:48:40 | 0:48:44 | |
Richard doesn't come very often but he does love him. He does like him. | 0:48:44 | 0:48:49 | |
Some of those people have been with me for more than 35 years. | 0:48:49 | 0:48:53 | |
It's good because you get the young ones there but my fan club | 0:48:53 | 0:48:56 | |
we have people from ten years old up to 110, would you believe. | 0:48:56 | 0:49:00 | |
Another good night and thanks. | 0:49:00 | 0:49:02 | |
-David is supervising the centre of town's car parks. -Yes, sir. | 0:49:08 | 0:49:12 | |
Feel free, Park up there. Have you got change for the machine? | 0:49:12 | 0:49:16 | |
-I haven't, actually. -What? | 0:49:16 | 0:49:17 | |
You need change, I'll give you change, that's what I'm here for. | 0:49:17 | 0:49:20 | |
Dave's crucial, he's the oil that makes the engine run. | 0:49:20 | 0:49:24 | |
He's er... | 0:49:26 | 0:49:28 | |
It's his enthusiasm. | 0:49:28 | 0:49:31 | |
When you get down, he spurs you on. | 0:49:31 | 0:49:34 | |
He wants me to be successful. | 0:49:34 | 0:49:36 | |
He wants me to win, he wants me to achieve goals. | 0:49:36 | 0:49:41 | |
-Good morning, are you well? Good weekend? -Not bad. | 0:49:41 | 0:49:46 | |
It's all part of the job, you know. | 0:49:46 | 0:49:48 | |
We don't want to just stand and take the money. | 0:49:48 | 0:49:51 | |
Anybody can do that but we want them to come back. | 0:49:51 | 0:49:53 | |
They'll remember this car park and when they come back to Blackpool, | 0:49:53 | 0:49:56 | |
they'll come to this car park because they'll remember how we looked after them. | 0:49:56 | 0:49:59 | |
I want to ring Dave now, anyway. | 0:49:59 | 0:50:02 | |
-Hello? -Morning, how are you doing? | 0:50:04 | 0:50:06 | |
What are you up to? | 0:50:06 | 0:50:08 | |
I've got some really bad news about that lad that was looking at the land. | 0:50:08 | 0:50:12 | |
He gave me the plans back and said it was just not viable right now. | 0:50:12 | 0:50:17 | |
So... | 0:50:17 | 0:50:19 | |
That's gone by the way. | 0:50:19 | 0:50:22 | |
The land sale has fallen through and so too have plans for the renovation. | 0:50:26 | 0:50:30 | |
Along the promenade, next to Blackpool Tower, | 0:50:36 | 0:50:39 | |
someone has beaten Howard to the punch and opened a new entertainment venue. | 0:50:39 | 0:50:44 | |
David and Howard can't resist the chance to check out the opening night. | 0:50:44 | 0:50:49 | |
A lad called Leye D Johns. | 0:50:49 | 0:50:50 | |
I think he's called Leye D Johns. | 0:50:52 | 0:50:55 | |
After the duet, I'll then come on and join you for the Meat Loaf. | 0:50:55 | 0:50:58 | |
-Emma, you'll stay on. -OK. I like the comedy in Meat Loaf that you do. | 0:50:58 | 0:51:01 | |
Will keep it in. Tonight is the opening night of Viva, | 0:51:01 | 0:51:04 | |
all the hard work has paid off. | 0:51:04 | 0:51:05 | |
We've got 500 people coming through the doors, pre-booked | 0:51:05 | 0:51:08 | |
and, I'm elated. | 0:51:08 | 0:51:11 | |
Leye D Johns has negotiated a long and cheap lease on an ex-bingo hall. | 0:51:14 | 0:51:19 | |
It took him just six weeks to get it ready for tonight's show. | 0:51:19 | 0:51:22 | |
It's good, isn't it? An escalator, how are we going to top this? | 0:51:22 | 0:51:26 | |
The venue is sold out. | 0:51:28 | 0:51:30 | |
Do you know what, it's lovely to see somebody opening something in Blackpool | 0:51:30 | 0:51:33 | |
instead of bloody closing. | 0:51:33 | 0:51:35 | |
CHEERING AND APPLAUSE | 0:51:35 | 0:51:37 | |
It's the Viva! Showtime! | 0:51:37 | 0:51:40 | |
-I think the show's great. -The effort he puts in, is unbelievable. | 0:51:47 | 0:51:50 | |
He does work hard at it. | 0:51:50 | 0:51:52 | |
I think he's let himself down with the sound system. | 0:51:52 | 0:51:55 | |
The main thing about the place... | 0:51:55 | 0:51:57 | |
It's a modern building and an old building, isn't it? | 0:51:57 | 0:51:59 | |
There's no character in it. It's just a simple, simple building. | 0:51:59 | 0:52:04 | |
Where's the character in it, where's the pillars? It's just not there. | 0:52:04 | 0:52:09 | |
We have a golden venue. | 0:52:09 | 0:52:11 | |
I think it's sensational. | 0:52:14 | 0:52:16 | |
Next week we might not take no money but hey-ho, we've opened a venue on Blackpool promenade. | 0:52:16 | 0:52:21 | |
How many people can do that? | 0:52:21 | 0:52:23 | |
Not a lot of people can do that. | 0:52:27 | 0:52:29 | |
Ours is a unique building. This is something on the top of a load of shops. | 0:52:29 | 0:52:34 | |
It's a nothing. You know, a complete different ball game. | 0:52:34 | 0:52:37 | |
I can promise you when the people come, it'll have the character, | 0:52:37 | 0:52:41 | |
it'll have the professionalism. It'll have the acts and will get the people in. | 0:52:41 | 0:52:45 | |
It's the end of the summer and 20,000 people brave another | 0:52:50 | 0:52:54 | |
torrential downpour to watch the Illuminations being switched on. | 0:52:54 | 0:52:58 | |
CHEERING | 0:52:58 | 0:52:59 | |
Hello, and welcome to Blackpool 2012. | 0:52:59 | 0:53:04 | |
Celebrating 100 years of the Illuminations. | 0:53:04 | 0:53:06 | |
We've never seen it before, it's Jennifer's 21st, | 0:53:06 | 0:53:09 | |
so we thought it a perfect occasion to come down and celebrate. | 0:53:09 | 0:53:12 | |
My mum and dad come to Blackpool every year. | 0:53:12 | 0:53:15 | |
They were like, your 21st, why not go to the Illuminations? | 0:53:15 | 0:53:18 | |
There's a big concert. Yeah, good times, good times. | 0:53:18 | 0:53:21 | |
Emergency ponchos... Ponchos. | 0:53:21 | 0:53:24 | |
Someone told me it was going to rain so I thought I'll just take the risk, | 0:53:24 | 0:53:27 | |
buy some ponchos, come out here, bang them out for £2. | 0:53:27 | 0:53:31 | |
Make some quick money. | 0:53:31 | 0:53:33 | |
It's been 100 years since the Illuminations were first switched on | 0:53:36 | 0:53:39 | |
and this long-standing tradition has brought in stars and celebrities to turn on the lights. | 0:53:39 | 0:53:45 | |
In 1959, Hollywood star Jayne Mansfield pulled the lever. | 0:53:48 | 0:53:52 | |
This is the most fantastic thing I've ever seen in my life. | 0:53:52 | 0:53:55 | |
I'm completely speechless. | 0:53:55 | 0:53:57 | |
In 1977, racehorse Red Rum had a go. | 0:53:57 | 0:54:02 | |
You know, there's only one thing better than Red Rum | 0:54:02 | 0:54:04 | |
and that's his wife, Blue Nun. | 0:54:04 | 0:54:06 | |
THEY LAUGH | 0:54:06 | 0:54:08 | |
More recently Robbie Williams threw the switch. | 0:54:08 | 0:54:12 | |
CHEERING | 0:54:12 | 0:54:13 | |
It's carnival, it's Britain's answer to Rio. | 0:54:13 | 0:54:18 | |
The Mardi Gras in New Orleans, if you like. | 0:54:18 | 0:54:21 | |
It is carnival, it's a great atmosphere. | 0:54:21 | 0:54:23 | |
The whole attitude of people changes | 0:54:23 | 0:54:26 | |
once the illuminations are switched on. | 0:54:26 | 0:54:28 | |
Look that way, look at the people. It's wall-to-wall people. | 0:54:28 | 0:54:33 | |
This year five of Britain's Olympians did the honours. | 0:54:33 | 0:54:36 | |
Here we go! | 0:54:36 | 0:54:37 | |
CHEERING | 0:54:37 | 0:54:39 | |
Oh, yes! | 0:54:39 | 0:54:40 | |
Here we go. | 0:54:40 | 0:54:42 | |
Get in! | 0:54:42 | 0:54:44 | |
LAUGHS | 0:54:44 | 0:54:45 | |
That's Blackpool, that's Blackpool Illuminations. | 0:54:45 | 0:54:48 | |
What a fantastic moment. | 0:54:48 | 0:54:50 | |
It's absolutely stunning, they're on. | 0:54:52 | 0:54:54 | |
I wouldn't like the electric bill, though! | 0:54:54 | 0:54:56 | |
We've just had the Blackpool 2012 Illuminations switch on | 0:55:00 | 0:55:04 | |
-and it's been fantastic. -The 100th switch on. | 0:55:04 | 0:55:07 | |
The 100th switch on, that's absolutely right, yeah. | 0:55:07 | 0:55:10 | |
We felt very, very proud this evening. | 0:55:10 | 0:55:13 | |
I promise you, I wish it were like this every night. | 0:55:13 | 0:55:15 | |
The people, this is what we need. | 0:55:15 | 0:55:18 | |
-Carnival, carnival. -Do you need him to play for Newcastle? | 0:55:21 | 0:55:26 | |
It's feel good, it's feel good. | 0:55:26 | 0:55:28 | |
-And it's rained again. -Of course it's rained. | 0:55:34 | 0:55:36 | |
Rain, rain, go away, come back another day. | 0:55:36 | 0:55:39 | |
Who comes to Blackpool for the weather? Nobody. | 0:55:39 | 0:55:41 | |
The peak of Blackpool's season is now over. | 0:55:57 | 0:56:01 | |
Howard still has no takers for his plot of land. | 0:56:01 | 0:56:04 | |
SIGHS | 0:56:04 | 0:56:06 | |
And his dream is put on hold. | 0:56:06 | 0:56:09 | |
You're better setting the target for next year | 0:56:12 | 0:56:14 | |
and launching it perfect, finished, ready with plans | 0:56:14 | 0:56:18 | |
so we know exactly where you want to go with it and 12 months is good. | 0:56:18 | 0:56:22 | |
You're right, you're right. | 0:56:22 | 0:56:23 | |
I'm doing me very best to perfect everything | 0:56:23 | 0:56:27 | |
so that there's no problems when we get open. | 0:56:27 | 0:56:30 | |
You're right, this season's been diabolical so it's good that | 0:56:30 | 0:56:34 | |
when I do open, it opens as a success, rather than a struggle. | 0:56:34 | 0:56:39 | |
The season is never what you're hoping for | 0:56:44 | 0:56:47 | |
because you always want it to be better than it is. | 0:56:47 | 0:56:49 | |
So, no, it hasn't been as good as we expected it to be and it hasn't | 0:56:49 | 0:56:53 | |
been as good as we hoped it would be but it hasn't been that bad, either. | 0:56:53 | 0:56:57 | |
What's the worst part of the season? | 0:56:57 | 0:56:59 | |
The worst part of the season is quiet nights and the weather working | 0:56:59 | 0:57:02 | |
against you, not enough people being in town blah, blah, blah. | 0:57:02 | 0:57:05 | |
If you say what's the best part of the season? | 0:57:05 | 0:57:07 | |
The best part of the season is the Joe Longthorne show with Roy Walker. | 0:57:07 | 0:57:11 | |
It's been packed and he's broken box office records again. | 0:57:11 | 0:57:15 | |
Better than last year, which is fantastic. | 0:57:15 | 0:57:17 | |
When you work for yourself, it's always a worry. | 0:57:17 | 0:57:20 | |
You put everything in place for it to be a good year | 0:57:20 | 0:57:24 | |
but you are always fearful of the events that happen outside of that. | 0:57:24 | 0:57:29 | |
The weather, the football, | 0:57:29 | 0:57:31 | |
all kinds of things that you hold no control over. | 0:57:31 | 0:57:33 | |
You can do everything you think is right, spend the money, | 0:57:33 | 0:57:36 | |
look after the guests, make the place look lovely | 0:57:36 | 0:57:38 | |
but it's about bringing the visitors in. | 0:57:38 | 0:57:40 | |
Thank goodness, 2012, business wise, has been a really good season. | 0:57:40 | 0:57:44 | |
I have every confidence Blackpool will rebound out of this. | 0:57:44 | 0:57:49 | |
I've devoted my whole life to Blackpool. I'm not going to leave. | 0:57:49 | 0:57:52 | |
It's amazing. If we got sunshine in Blackpool, this town would be a goldmine. | 0:57:52 | 0:57:56 | |
I'm looking forward to next year cos next year I'll make things better. | 0:57:57 | 0:58:02 | |
So you better get me some stars. | 0:58:06 | 0:58:08 | |
Got it, mate, it's all ready, I'll tell you. You can have anybody you want. It's simple as that. | 0:58:08 | 0:58:12 | |
I'm looking at Red Hot Chilli Peppers. | 0:58:12 | 0:58:14 | |
You know, we're looking at bands... Status Quo would be good. | 0:58:14 | 0:58:17 | |
-Yeah, Madness. -Madness, absolutely. | 0:58:17 | 0:58:19 | |
We can have Engelbert Humperdinck, we can have Joe Longthorne, we can have Chubby Brown. | 0:58:19 | 0:58:23 | |
There's anything... | 0:58:23 | 0:58:24 | |
# That will always | 0:58:24 | 0:58:26 | |
# Lead me back to you | 0:58:26 | 0:58:31 | |
# Baby, I know I can make it alone | 0:58:31 | 0:58:35 | |
# It's such a hard way to go | 0:58:35 | 0:58:38 | |
# And I can't make it alone | 0:58:38 | 0:58:41 | |
# There's something in my soul | 0:58:41 | 0:58:45 | |
# In my soul | 0:58:45 | 0:58:47 | |
# That will always lead me back to you. # | 0:58:47 | 0:58:52 | |
Subtitles by Red Bee Media Ltd | 0:58:52 | 0:58:55 |