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Uri Geller. | 0:00:03 | 0:00:05 | |
We all think we know everything about him. | 0:00:05 | 0:00:07 | |
After all, he's been on our television screens | 0:00:07 | 0:00:09 | |
for more than 40 years performing his little miracles. | 0:00:09 | 0:00:15 | |
Bending spoons, bending forks, bending keys, | 0:00:15 | 0:00:18 | |
and seeing things at a distance | 0:00:18 | 0:00:20 | |
and drawing them with sometimes uncanny accuracy. | 0:00:20 | 0:00:23 | |
Today, 40 years since his first TV appearances, | 0:00:23 | 0:00:27 | |
Uri lives in a palatial home on the banks of the River Thames. | 0:00:27 | 0:00:30 | |
And he's still working on entertaining us. | 0:00:30 | 0:00:32 | |
His garden is like a map of his mind, full of New Age wonders. | 0:00:34 | 0:00:39 | |
Where do I start? That lantern is from Mount Fuji. | 0:00:40 | 0:00:45 | |
John Lennon, who...we were good friends, | 0:00:45 | 0:00:48 | |
he said, "Find spirituality." | 0:00:48 | 0:00:50 | |
And Yoko says, "Go to Japan." And I went to Japan. | 0:00:50 | 0:00:54 | |
Let's go through the torii gate. | 0:00:54 | 0:00:57 | |
The Japanese legend says | 0:00:57 | 0:00:58 | |
if you go through a torii gate, you enter spiritual realms. | 0:00:58 | 0:01:03 | |
Shall we do that? | 0:01:03 | 0:01:04 | |
Imagine we are in spiritual realms now. | 0:01:07 | 0:01:11 | |
And this is what John gave me. | 0:01:11 | 0:01:14 | |
I mean, he claimed that he got it from an alien. | 0:01:14 | 0:01:18 | |
An alien hand stretched out | 0:01:18 | 0:01:20 | |
and dropped this into the palm of his hand in the Dakota building. | 0:01:20 | 0:01:24 | |
And he gave it to me! | 0:01:24 | 0:01:26 | |
And I carry it everywhere I go. | 0:01:26 | 0:01:28 | |
It's heavy. | 0:01:28 | 0:01:30 | |
It's unexplainable. | 0:01:30 | 0:01:31 | |
And I get thousands of emails from people asking me, | 0:01:31 | 0:01:35 | |
"Uri, did you have it tested? Give it to scientists. | 0:01:35 | 0:01:39 | |
"It could be something really from another planet." | 0:01:39 | 0:01:42 | |
And you know what I say? | 0:01:42 | 0:01:45 | |
I don't want to test it. | 0:01:45 | 0:01:48 | |
I don't want to find out that it's made in Taiwan. | 0:01:48 | 0:01:51 | |
Well, that's Uri Geller through and through. | 0:01:52 | 0:01:54 | |
Yet there are tantalising clues | 0:01:55 | 0:01:57 | |
that suggest there's more to him than meets the eye. | 0:01:57 | 0:02:01 | |
Supposing his public career as a famous | 0:02:01 | 0:02:04 | |
and sometimes notorious entertainer has all just been a front. | 0:02:04 | 0:02:08 | |
For years, he's let drop hints about something far more cloak and dagger. | 0:02:08 | 0:02:13 | |
Secret work as a psychic spy | 0:02:14 | 0:02:16 | |
for military and intelligence agencies | 0:02:16 | 0:02:18 | |
in the Americas, Britain | 0:02:18 | 0:02:20 | |
and for Israel's legendary secret intelligence agency, the Mossad. | 0:02:20 | 0:02:25 | |
Perhaps that explains the extraordinary security measures | 0:02:26 | 0:02:29 | |
installed all over his estate. | 0:02:29 | 0:02:31 | |
'If I may, let me tell you how it started in me, in Uri Geller.' | 0:03:07 | 0:03:12 | |
I always had this James Bond in mind, you know. | 0:03:14 | 0:03:18 | |
I was a great storyteller in school. | 0:03:18 | 0:03:21 | |
I could fantasise and imagine things | 0:03:21 | 0:03:24 | |
and I would utter them out and create a story about everything. | 0:03:24 | 0:03:28 | |
And I would tell stories in front of my class and so on. | 0:03:28 | 0:03:32 | |
So when my parents divorced, | 0:03:32 | 0:03:35 | |
my mother fell in love with a Hungarian Jew | 0:03:35 | 0:03:39 | |
that lived in Cyprus, Nicosia. | 0:03:39 | 0:03:41 | |
And he had a bed and breakfast, a little motel or establishment. | 0:03:41 | 0:03:48 | |
We had 12 rooms which he would rent out. | 0:03:48 | 0:03:51 | |
We're talking about 1960, '61. | 0:03:51 | 0:03:57 | |
One day, I befriended a guy called Yohav Shacham | 0:03:57 | 0:04:02 | |
who stayed in our little hotel. | 0:04:02 | 0:04:05 | |
Yohav saw me bend a spoon and a key and I did telepathy with him. | 0:04:05 | 0:04:10 | |
And I told him one day, "Yohav, I can read your mind, | 0:04:10 | 0:04:14 | |
"and I know that you're an Israeli spy, aren't you?" | 0:04:14 | 0:04:18 | |
He said, "Uri, when you grow up | 0:04:18 | 0:04:21 | |
"and you have to join the Israeli army, | 0:04:21 | 0:04:24 | |
"I want you to go to the paratroopers. | 0:04:24 | 0:04:28 | |
"Then go to officer's school, and I'll help you. | 0:04:28 | 0:04:30 | |
"I'll get you into the Mossad | 0:04:32 | 0:04:33 | |
"because your capabilities, your abilities, are incredible. | 0:04:33 | 0:04:37 | |
"And we need them." | 0:04:37 | 0:04:39 | |
You can imagine, you tell this to a 13-year-old, 14-year-old kid, | 0:04:39 | 0:04:43 | |
I'm over the moon. | 0:04:43 | 0:04:45 | |
"Wow, I'm going to be the greatest spy in the world. | 0:04:45 | 0:04:48 | |
"I'll work for the Mossad. | 0:04:48 | 0:04:50 | |
"And I'll read minds and I'll bend gun barrels." | 0:04:50 | 0:04:55 | |
To make a long story short, 18, 19, | 0:04:55 | 0:04:58 | |
I go back to Israel, I join the paratroopers, jump out of planes. | 0:04:58 | 0:05:02 | |
I do my stuff and then I go to officer's school. | 0:05:02 | 0:05:06 | |
I do exactly what Yohav told me. | 0:05:06 | 0:05:08 | |
But, you know, that when I was in the paratroopers | 0:05:12 | 0:05:16 | |
and the Six Day War started, | 0:05:16 | 0:05:18 | |
my unit, we were sent to Ramallah in Jerusalem. | 0:05:18 | 0:05:23 | |
We were under tremendous attack by the Jordanian Patton tanks. | 0:05:23 | 0:05:29 | |
And some Israeli jets threw napalm bombs | 0:05:29 | 0:05:32 | |
and some didn't hit the right target. | 0:05:32 | 0:05:35 | |
And it was a mess. | 0:05:35 | 0:05:37 | |
And suddenly, from behind a rock, | 0:05:37 | 0:05:40 | |
a Jordanian soldier jumps out holding a weapon. | 0:05:40 | 0:05:46 | |
And he was about to shoot me. | 0:05:46 | 0:05:48 | |
And I was holding my Uzi, | 0:05:48 | 0:05:52 | |
and I looked him in the eye, Vikram. | 0:05:52 | 0:05:54 | |
He looked into my eye and it was like time froze. | 0:05:55 | 0:06:00 | |
Then suddenly, my whole life played like a movie, in a flash, | 0:06:00 | 0:06:04 | |
in a split-second in my mind. | 0:06:04 | 0:06:06 | |
And I snapped out of it, luckily, because I realised | 0:06:06 | 0:06:10 | |
that whoever is going to press the trigger first will survive. | 0:06:10 | 0:06:14 | |
And I was faster than him and I shot him. | 0:06:14 | 0:06:17 | |
I killed him. | 0:06:18 | 0:06:20 | |
Soon after that, I was wounded in my two arms. | 0:06:20 | 0:06:24 | |
And I woke up in Hadassah hospital in Jerusalem. | 0:06:24 | 0:06:28 | |
Only then it dawned on me what I've committed. | 0:06:28 | 0:06:31 | |
And the ideological power in you, | 0:06:33 | 0:06:39 | |
the love for Israel, for the Jewish nation worldwide, | 0:06:39 | 0:06:44 | |
was imbedded in me even deeper because of that war. | 0:06:44 | 0:06:49 | |
So at 20 years old, with the Six Day war over, and won, | 0:06:54 | 0:07:00 | |
Uri Geller knew three things. | 0:07:00 | 0:07:02 | |
He was deeply committed to the cause of Israel, | 0:07:03 | 0:07:06 | |
he wanted to become a spy for the Mossad | 0:07:06 | 0:07:09 | |
and he had some pretty extraordinary paranormal powers. | 0:07:09 | 0:07:14 | |
He began making his living using these paranormal powers, | 0:07:14 | 0:07:18 | |
playing Tel Aviv nightclubs, | 0:07:18 | 0:07:20 | |
and made home movies of everything he did. | 0:07:20 | 0:07:23 | |
We've drawn on his personal archive in making this film. | 0:07:23 | 0:07:26 | |
As Uri became more famous all over Israel, | 0:07:28 | 0:07:31 | |
he also began his lifelong pattern | 0:07:31 | 0:07:33 | |
of making friends with influential people. | 0:07:33 | 0:07:36 | |
Well, we were both very, very young, | 0:07:36 | 0:07:40 | |
maybe going back almost 40 years. | 0:07:40 | 0:07:42 | |
I was in a special unit in the army and Uri came to entertain us. | 0:07:42 | 0:07:47 | |
At the time, there was a song in Israel, | 0:07:49 | 0:07:52 | |
a popular song about how the bananas come out in this shape. | 0:07:52 | 0:07:59 | |
And they said there was a secret man who comes at night | 0:07:59 | 0:08:03 | |
and he bends the bananas. | 0:08:03 | 0:08:06 | |
And I remember that we met the secret man who bent the bananas. | 0:08:06 | 0:08:12 | |
Well, he didn't bend bananas, he bent spoons. | 0:08:12 | 0:08:15 | |
And he did these amazing things, | 0:08:15 | 0:08:17 | |
and it made a tremendous impression on me when I was a young soldier. | 0:08:17 | 0:08:21 | |
And that's how we first met, | 0:08:21 | 0:08:22 | |
and then we met again and again and again | 0:08:22 | 0:08:25 | |
and each time, I was amazed more. I'm still amazed. | 0:08:25 | 0:08:28 | |
I haven't the faintest idea how he does these things. | 0:08:28 | 0:08:31 | |
Very early in my career, I was taken | 0:08:35 | 0:08:39 | |
to a place called Midrasha. | 0:08:39 | 0:08:47 | |
It's just out of Tel Aviv in Herzliya | 0:08:47 | 0:08:49 | |
on a hill and it's top secret. | 0:08:49 | 0:08:51 | |
You know, cameras everywhere and barbed wire. | 0:08:51 | 0:08:55 | |
There were all Mossad and Secret Service agents | 0:08:55 | 0:08:58 | |
and generals and spies and...you name it. | 0:08:58 | 0:09:02 | |
And I was taken there to give a big lecture, | 0:09:02 | 0:09:06 | |
and I think I blew their minds. | 0:09:06 | 0:09:08 | |
I moved the hands of a watch. | 0:09:08 | 0:09:11 | |
I did mind-reading. | 0:09:11 | 0:09:12 | |
I instilled pictures in other people's minds. | 0:09:12 | 0:09:17 | |
I did things that they | 0:09:17 | 0:09:22 | |
could grab and twist | 0:09:22 | 0:09:25 | |
and use for their own missions. | 0:09:25 | 0:09:31 | |
So for me, to get to work for the Mossad later on, | 0:09:31 | 0:09:37 | |
which I can't talk about what I did, | 0:09:37 | 0:09:40 | |
but I dealt with all the oldies there, | 0:09:40 | 0:09:42 | |
people like Moshe Dayan, a couple of generals, | 0:09:42 | 0:09:45 | |
the head of Mossad and Aharon Yariv. | 0:09:45 | 0:09:49 | |
He asked me if I can do certain things. | 0:09:51 | 0:09:54 | |
And which I answered to some yes, to some no. | 0:09:54 | 0:09:59 | |
And then to the ones that I said yes, | 0:09:59 | 0:10:03 | |
he arranged me to execute those requests, | 0:10:03 | 0:10:09 | |
and those, I cannot talk about. | 0:10:09 | 0:10:12 | |
It was just an interesting situation | 0:10:12 | 0:10:15 | |
because I believe that that performance | 0:10:15 | 0:10:18 | |
was watched by a scientist called Itzhak Bentov, | 0:10:18 | 0:10:22 | |
who wrote back a letter to an American scientist, | 0:10:22 | 0:10:27 | |
saying that he's just seen this young guy called Uri Geller | 0:10:27 | 0:10:32 | |
who does these most amazing things, | 0:10:32 | 0:10:35 | |
bending spoons and forks and reading minds. | 0:10:35 | 0:10:40 | |
And somehow, that started it. | 0:10:40 | 0:10:43 | |
The Americans at that time were worried about Nina Kulagina | 0:10:43 | 0:10:47 | |
moving things on the table | 0:10:47 | 0:10:48 | |
and matches and bell jars. | 0:10:48 | 0:10:52 | |
And they were worried. | 0:10:52 | 0:10:55 | |
"Hey, the Russians have these amazing psychics | 0:10:55 | 0:10:58 | |
"that can do these things, why don't we have somebody?" | 0:10:58 | 0:11:01 | |
And that's how it all started. | 0:11:03 | 0:11:06 | |
That letter got to the desk | 0:11:06 | 0:11:09 | |
of one of the high officers in the CIA. | 0:11:09 | 0:11:15 | |
Then they said... | 0:11:15 | 0:11:18 | |
They all knew that the Russians | 0:11:18 | 0:11:20 | |
were ahead of the Americans in psychical research, | 0:11:20 | 0:11:23 | |
and probably one of the heads of the CIA said, | 0:11:23 | 0:11:26 | |
"Get this guy. "Bring him to America." | 0:11:26 | 0:11:29 | |
The very senior CIA officer | 0:11:29 | 0:11:33 | |
who handled Uri Geller's case was Dr Kit Green. | 0:11:33 | 0:11:36 | |
One afternoon, I got a telephone call on my desk, | 0:11:37 | 0:11:42 | |
in the headquarters building. | 0:11:42 | 0:11:45 | |
And the phone call initially was on what we call the red line. | 0:11:45 | 0:11:52 | |
It was a classified line. | 0:11:52 | 0:11:53 | |
It was an intelligence agency of a very powerful ally | 0:11:53 | 0:11:57 | |
of the United States of America. | 0:11:57 | 0:11:58 | |
And they were troubled | 0:11:58 | 0:12:00 | |
because a member of their military, an enlisted man, | 0:12:00 | 0:12:04 | |
who was doing things for them that they couldn't understand | 0:12:04 | 0:12:09 | |
that appeared to have an electromagnetic aspect, | 0:12:09 | 0:12:14 | |
That he was capable of altering highly-sophisticated electronics, | 0:12:14 | 0:12:20 | |
which included imaging electronics, at will. | 0:12:20 | 0:12:25 | |
And they didn't know how he was doing it. | 0:12:25 | 0:12:27 | |
At the time, I had a position of leadership in the division | 0:12:27 | 0:12:31 | |
that was responsible for life sciences, | 0:12:31 | 0:12:33 | |
biological and chemical warfare. | 0:12:33 | 0:12:35 | |
So I got the first call, and the question was simply, | 0:12:35 | 0:12:38 | |
"Can you help us?" | 0:12:38 | 0:12:40 | |
My response initially was, "Of course. I'll be glad to try." | 0:12:40 | 0:12:44 | |
And so it was that Uri came to America in 1972. | 0:12:46 | 0:12:50 | |
Landing at Washington DC, | 0:12:50 | 0:12:52 | |
he made his way out to the Stanford Research Institute | 0:12:52 | 0:12:55 | |
near Palo Alto, California. | 0:12:55 | 0:12:57 | |
The Stanford Research Institute | 0:13:00 | 0:13:01 | |
has always been at the cutting edge of emerging technologies. | 0:13:01 | 0:13:04 | |
Sometimes SRI's research is a bit speculative, | 0:13:04 | 0:13:07 | |
but it's always serious science, even when studying the paranormal. | 0:13:07 | 0:13:11 | |
I got my PhD at Stanford University | 0:13:11 | 0:13:16 | |
and then went to Stanford Research Institute. | 0:13:16 | 0:13:19 | |
Basically, my work was primarily in lasers and quantum electronics. | 0:13:19 | 0:13:24 | |
So I did many years, published many papers | 0:13:24 | 0:13:28 | |
and a textbook and so on, | 0:13:28 | 0:13:31 | |
in the physical sciences and lasers and quantum electronics. | 0:13:31 | 0:13:35 | |
And yet, you haven't been scared in your lifelong career | 0:13:35 | 0:13:39 | |
of looking at things that, a kind term would be, | 0:13:39 | 0:13:42 | |
are at the sort of periphery of classic science. | 0:13:42 | 0:13:45 | |
That's true. But to a physicist, if it moves, it's physics. | 0:13:46 | 0:13:51 | |
And so, if there's an observable, | 0:13:51 | 0:13:54 | |
and that's what at some point in my career I was exposed to, | 0:13:54 | 0:14:00 | |
I said, "OK, here's something that apparently occurs, | 0:14:00 | 0:14:04 | |
"so there must be some physics here. | 0:14:04 | 0:14:07 | |
"So let's take a look at it." | 0:14:07 | 0:14:09 | |
I'd never bought an ESP journal | 0:14:09 | 0:14:14 | |
or never subscribed to Fate Magazine. | 0:14:14 | 0:14:17 | |
No, I wasn't interested at all. | 0:14:17 | 0:14:19 | |
In fact, as it turns out, | 0:14:19 | 0:14:21 | |
the only reason I got involved in this | 0:14:21 | 0:14:24 | |
was that I was interested in what we now call quantum entanglement. | 0:14:24 | 0:14:29 | |
In 1972, when Hal and I started the programme at SRI, | 0:14:30 | 0:14:36 | |
we had already, in our previous incarnation as laser physicists, | 0:14:36 | 0:14:40 | |
we had both done hardware research for the CIA. | 0:14:40 | 0:14:46 | |
We had built things. | 0:14:46 | 0:14:48 | |
I'd built a laser listening device, | 0:14:48 | 0:14:51 | |
which I don't think I'll go into right now, | 0:14:51 | 0:14:54 | |
but I'd used a laser to get information from distant places. | 0:14:54 | 0:15:00 | |
So I knew people in the CIA. | 0:15:00 | 0:15:02 | |
Hal did also from his early experience in naval intelligence. | 0:15:02 | 0:15:07 | |
And in the early '70s, | 0:15:07 | 0:15:11 | |
we had done research with a retired police commissioner, Pat Price. | 0:15:11 | 0:15:16 | |
Pat Price caught their interest | 0:15:17 | 0:15:20 | |
because he seemed to have astonishing powers | 0:15:20 | 0:15:22 | |
of seeing things taking place a long way away. | 0:15:22 | 0:15:26 | |
Russell Targ and Hal Puthoff called this psychic talent remote viewing. | 0:15:26 | 0:15:32 | |
We did a series of experiments where once a week, | 0:15:32 | 0:15:37 | |
Hal would be taken off somewhere to a random location, | 0:15:37 | 0:15:42 | |
Price and I would sit in the laboratory and work together. | 0:15:42 | 0:15:47 | |
He would be the psychic and I would be the psychic travel agent | 0:15:47 | 0:15:52 | |
to try and help him describe where Hal was hiding. | 0:15:52 | 0:15:56 | |
These are the first words the man said. | 0:15:56 | 0:15:59 | |
I seen, er... | 0:16:00 | 0:16:02 | |
..a boat dock. | 0:16:04 | 0:16:06 | |
A boat jetty. | 0:16:06 | 0:16:08 | |
Definitely a boat dock or jetty. | 0:16:08 | 0:16:11 | |
And we did nine trials like that. | 0:16:11 | 0:16:14 | |
Seven out of those nine were matched first place. | 0:16:14 | 0:16:18 | |
Which is to say, if Hal had been kidnapped by terrorists | 0:16:18 | 0:16:20 | |
nine days in a row, we would have found him | 0:16:20 | 0:16:24 | |
the first place we looked in seven out of those nine times. | 0:16:24 | 0:16:27 | |
These experiments seemed to establish | 0:16:29 | 0:16:31 | |
that psychics might be able to find hidden people | 0:16:31 | 0:16:33 | |
or objects at a distance. | 0:16:33 | 0:16:36 | |
SRI's investigation of Uri Geller | 0:16:36 | 0:16:38 | |
was initially all about testing his electromagnetics. | 0:16:38 | 0:16:40 | |
Nothing to do with psychic remote viewing. | 0:16:40 | 0:16:43 | |
But his arrival at SRI soon changed | 0:16:43 | 0:16:45 | |
the entire dynamic for Targ and Puthoff | 0:16:45 | 0:16:47 | |
and the CIA supervisor monitoring | 0:16:47 | 0:16:50 | |
their secret research contract, Kit Green. | 0:16:50 | 0:16:52 | |
In a very short period of time, a week or 10 days, | 0:16:52 | 0:16:56 | |
I got a phone call at headquarters. | 0:16:56 | 0:16:58 | |
It was the chief scientist | 0:16:58 | 0:17:00 | |
of the laboratory at Stanford Research Institute, | 0:17:00 | 0:17:02 | |
and he was talking about other aspects | 0:17:02 | 0:17:05 | |
of Uri Geller's capabilities. | 0:17:05 | 0:17:08 | |
And I, of course, said, | 0:17:08 | 0:17:09 | |
"Well, what other kinds of things are you talking about?" | 0:17:09 | 0:17:12 | |
And without much of a pause, the scientist said, | 0:17:12 | 0:17:16 | |
"Well, he says he can see things at a distance." | 0:17:16 | 0:17:23 | |
And I said, "No, he can't." | 0:17:25 | 0:17:28 | |
And they said, "Yes, he can." I said, "No, he can't." | 0:17:29 | 0:17:33 | |
And they said, "Well, he's right here. Say hi to Uri Geller." | 0:17:33 | 0:17:37 | |
I said, "Hi, Uri." | 0:17:37 | 0:17:39 | |
A voice in the background said, "Hi, Kit." | 0:17:39 | 0:17:42 | |
And I said, "Well, what can you see?" | 0:17:43 | 0:17:46 | |
Now, this wasn't on Skype, was it? | 0:17:46 | 0:17:49 | |
No, no, no. I was on a telephone. | 0:17:49 | 0:17:52 | |
This is early '70s, | 0:17:52 | 0:17:55 | |
before Skype and before cell phones and all that. | 0:17:55 | 0:17:58 | |
He said "OK, I'm sitting at my desk at CIA, Langley, Virginia. | 0:17:58 | 0:18:03 | |
"I will put something on my desk and let's see if Uri can get it." | 0:18:06 | 0:18:10 | |
I turned, just as I will do now, | 0:18:10 | 0:18:14 | |
and I picked up a book, | 0:18:14 | 0:18:16 | |
which is the same book that I had on my desk | 0:18:16 | 0:18:20 | |
at the time of this phone call many, many years ago. | 0:18:20 | 0:18:24 | |
This book is a collection | 0:18:25 | 0:18:27 | |
of medical illustrations of the nervous system. | 0:18:27 | 0:18:31 | |
And I had it on my desk | 0:18:31 | 0:18:35 | |
at the headquarters building | 0:18:35 | 0:18:37 | |
because I was using it for part of my work. | 0:18:37 | 0:18:41 | |
And I opened it up to a page and I just stared at it. | 0:18:41 | 0:18:46 | |
And he said, "Well, I'm seeing something kind of strange." | 0:18:46 | 0:18:51 | |
So he sat there and he scribbled on paper and crumpled it up, | 0:18:51 | 0:18:55 | |
threw it away, scribbled some more, threw it away. | 0:18:55 | 0:18:57 | |
Finally scribbled something down and says, | 0:18:59 | 0:19:01 | |
"Well, I don't know what to think. | 0:19:01 | 0:19:03 | |
"It looks like I have made a drawing | 0:19:03 | 0:19:07 | |
"of a pan of scrambled eggs. | 0:19:07 | 0:19:10 | |
"And yet I have the word architecture coming in strong." | 0:19:10 | 0:19:15 | |
So what he handed us was a sheet of paper | 0:19:15 | 0:19:17 | |
that had this scrambled eggs look | 0:19:17 | 0:19:20 | |
and the word architecture written across the top. | 0:19:20 | 0:19:22 | |
I later got a copy of that drawing, | 0:19:22 | 0:19:26 | |
and I was astonished to find what he had drawn. | 0:19:26 | 0:19:29 | |
Maybe it does look like scrambled eggs, | 0:19:29 | 0:19:32 | |
but it was a cross-section of the human brain, | 0:19:32 | 0:19:36 | |
a sagittal section from the side of the human brain. | 0:19:36 | 0:19:39 | |
The thing that caught my attention was | 0:19:39 | 0:19:41 | |
he had written across the top of his drawing, | 0:19:41 | 0:19:45 | |
the word "architecture". | 0:19:45 | 0:19:48 | |
Architecture, I had written in my handwriting, | 0:19:48 | 0:19:54 | |
the word, "architecture of viral infection." | 0:19:54 | 0:19:58 | |
I was looking at the biological warfare effect | 0:19:58 | 0:20:01 | |
on the nervous system of a threat virus. | 0:20:01 | 0:20:04 | |
And I'd written on my notes, look, "architecture of a viral infection." | 0:20:04 | 0:20:09 | |
We then, or he then, they did tremendous analysis | 0:20:09 | 0:20:14 | |
to see if there was any chance | 0:20:14 | 0:20:16 | |
that there were any cues over the telephone lines and so on. | 0:20:16 | 0:20:19 | |
That was a genuine result. | 0:20:19 | 0:20:21 | |
And there are others like that that we did that we've never published. | 0:20:21 | 0:20:25 | |
But it certainly convinced us that he has ability. | 0:20:25 | 0:20:31 | |
Why didn't you publish things like that? | 0:20:31 | 0:20:33 | |
Is it because that wasn't replicable? | 0:20:33 | 0:20:35 | |
Well, at the time, it was just kind of a one-off thing, | 0:20:35 | 0:20:37 | |
but it was primarily because of direct CIA involvement, | 0:20:37 | 0:20:41 | |
and that couldn't be admitted until 1995. | 0:20:41 | 0:20:45 | |
So, what did you do next? | 0:20:45 | 0:20:48 | |
Well, I went and, er... | 0:20:48 | 0:20:50 | |
..authorised the expenditure of sufficient funds | 0:20:51 | 0:20:56 | |
to ask the people doing the research | 0:20:56 | 0:21:00 | |
to expand the experimentation | 0:21:00 | 0:21:04 | |
under the construct of remote viewing. | 0:21:04 | 0:21:07 | |
This film describes a five-week investigation | 0:21:09 | 0:21:11 | |
conducted at Stanford Research Institute with Uri Geller. | 0:21:11 | 0:21:15 | |
15 drawings were placed in double-sealed envelopes in a safe, | 0:21:17 | 0:21:21 | |
for which none of the experimenters had the combination. | 0:21:21 | 0:21:24 | |
This is Geller's representation | 0:21:24 | 0:21:27 | |
of what he believed was sealed in the envelope. | 0:21:27 | 0:21:30 | |
At no time during these experiments | 0:21:30 | 0:21:32 | |
did he have any advance knowledge of the target material. | 0:21:32 | 0:21:36 | |
In fact, this is the most off-target of the drawings he did. | 0:21:36 | 0:21:42 | |
Here, the experiment is repeated. | 0:21:43 | 0:21:45 | |
This time with Putiv as the sender, | 0:21:45 | 0:21:47 | |
just to check that the identity of the sender | 0:21:47 | 0:21:50 | |
is of no significance in the experiment. | 0:21:50 | 0:21:52 | |
This is the drawing Geller has made to correspond to the target object. | 0:21:52 | 0:21:57 | |
The rectangle on the clipboard | 0:21:57 | 0:21:59 | |
represents the TV screen in Geller's mind, | 0:21:59 | 0:22:02 | |
on which he claims to project the image he is trying to draw. | 0:22:02 | 0:22:06 | |
As you can see, he is quite elated about getting the right answer. | 0:22:06 | 0:22:10 | |
Here in the laboratory notebook, on the left side of the page, | 0:22:12 | 0:22:15 | |
you see the original targets, | 0:22:15 | 0:22:17 | |
and on the right, Geller's responses. | 0:22:17 | 0:22:20 | |
This is not a collection of correct answers | 0:22:20 | 0:22:22 | |
out of a long series of correct and incorrect responses, | 0:22:22 | 0:22:25 | |
this is actually the total run of pictures in the series. | 0:22:25 | 0:22:29 | |
It is interesting that there is often a mirror of symmetry. | 0:22:29 | 0:22:32 | |
This type of communication experiment was repeated | 0:22:32 | 0:22:35 | |
many other times during the five weeks | 0:22:35 | 0:22:37 | |
with Geller choosing to pass about 20% of the time. | 0:22:37 | 0:22:42 | |
In this particular case, the target is a three-quarter inch steel ball. | 0:22:44 | 0:22:49 | |
Geller's task now is to determine | 0:22:49 | 0:22:52 | |
which of these ten cans holds the steel ball bearing. | 0:22:52 | 0:22:56 | |
The experimental protocol is for the experimenter | 0:22:56 | 0:22:59 | |
to remove the cans one at a time | 0:22:59 | 0:23:02 | |
in response to Geller's instructions | 0:23:02 | 0:23:04 | |
as he points or calls out a can top number. | 0:23:04 | 0:23:09 | |
He has made his choice, the steel ball is found. | 0:23:09 | 0:23:14 | |
On the other 12 targets, | 0:23:16 | 0:23:18 | |
he did make a guess and was correct in every instance. | 0:23:18 | 0:23:22 | |
The whole array of this run had a probability | 0:23:22 | 0:23:25 | |
of a trillion to one. | 0:23:25 | 0:23:28 | |
Here's another double-blind experiment | 0:23:28 | 0:23:30 | |
in which a die is placed in a metal box. | 0:23:30 | 0:23:34 | |
This is a live experiment that you see. | 0:23:34 | 0:23:38 | |
The box is shaken up. In this case, Geller guessed | 0:23:38 | 0:23:41 | |
that a four was showing. | 0:23:41 | 0:23:43 | |
You will note that he was correct | 0:23:43 | 0:23:46 | |
and he was quite pleased to have guessed correctly. | 0:23:46 | 0:23:50 | |
Out of ten tries in which he passed twice and guessed eight times, | 0:23:50 | 0:23:54 | |
the eight guesses were correct. | 0:23:54 | 0:23:56 | |
And that gave us a probability of about one in a million. | 0:23:56 | 0:24:00 | |
We would point out again | 0:24:00 | 0:24:01 | |
there were no errors in the times he made a guess. | 0:24:01 | 0:24:06 | |
Now, behind the scenes, of course, er... | 0:24:06 | 0:24:09 | |
we were approached by... | 0:24:09 | 0:24:12 | |
Israeli intelligence. | 0:24:12 | 0:24:15 | |
And, um...they had been working with Geller in Israel, | 0:24:15 | 0:24:22 | |
but they had only been doing operational things, | 0:24:22 | 0:24:25 | |
they had not had any chance to do anything scientific. | 0:24:25 | 0:24:29 | |
And so they asked us | 0:24:29 | 0:24:30 | |
if we would be willing to share with them | 0:24:30 | 0:24:34 | |
whatever we found out in a scientific venue. | 0:24:34 | 0:24:37 | |
Um...that wasn't my call. | 0:24:37 | 0:24:40 | |
So that was up to the CIA if they wanted to do that. | 0:24:40 | 0:24:43 | |
Hal Puthoff said that Israeli intelligence officers | 0:24:43 | 0:24:49 | |
came to visit him, asking if he would provide them | 0:24:49 | 0:24:51 | |
the same information he was providing CIA. | 0:24:51 | 0:24:55 | |
Are you aware of this? | 0:24:55 | 0:24:56 | |
-Um... -It's definitely what Hal said. | 0:24:59 | 0:25:02 | |
Yeah. I have to just think how to say what I will say. | 0:25:02 | 0:25:06 | |
Um... | 0:25:06 | 0:25:08 | |
I'm aware that my... | 0:25:08 | 0:25:13 | |
work there at SRI and other places | 0:25:13 | 0:25:17 | |
was constantly monitored | 0:25:17 | 0:25:21 | |
by Israeli sources. | 0:25:21 | 0:25:23 | |
I'm aware of that. | 0:25:23 | 0:25:25 | |
I'm also aware of a rumour | 0:25:25 | 0:25:31 | |
that said that while I was at SRI, | 0:25:31 | 0:25:38 | |
the CIA suspected that I was acting as a double agent. | 0:25:38 | 0:25:45 | |
Our CIA contract monitor, who was concerned, as were we, | 0:25:46 | 0:25:53 | |
maybe this guy is not really psychic or whatever. | 0:25:53 | 0:25:56 | |
Maybe it's just Israeli intelligence has a mole | 0:25:56 | 0:25:59 | |
biologically implemented | 0:25:59 | 0:26:03 | |
with who-knows-what devices. | 0:26:03 | 0:26:07 | |
Maybe there are all kinds of efforts going on behind the scenes | 0:26:07 | 0:26:12 | |
with secret microphones and secret pick-ups and so on | 0:26:12 | 0:26:14 | |
to try to make him look like he was psychic | 0:26:14 | 0:26:17 | |
in order to scare the potential enemies over there | 0:26:17 | 0:26:20 | |
that there was this magical guy. | 0:26:20 | 0:26:22 | |
Truth of the matter is we were very worried about that. | 0:26:22 | 0:26:25 | |
Every night, when the end of the day came, | 0:26:25 | 0:26:28 | |
we would be tearing out the tiles in the laboratory | 0:26:28 | 0:26:33 | |
to see if there were hidden microphones and all kinds of things. | 0:26:33 | 0:26:36 | |
What we've demonstrated here are the experiments | 0:26:37 | 0:26:40 | |
we performed in the laboratory. | 0:26:40 | 0:26:42 | |
This film gives us the opportunity to share with the viewer | 0:26:42 | 0:26:46 | |
observations of phenomena | 0:26:46 | 0:26:48 | |
that in our estimation, clearly deserve further study. | 0:26:48 | 0:26:53 | |
Did you report on your work with Geller to the CIA? | 0:26:53 | 0:26:57 | |
We sent a formal report to the CIA | 0:26:57 | 0:27:00 | |
with the Geller data in it. | 0:27:00 | 0:27:04 | |
I might even have a copy of such a report here that I could show you. | 0:27:04 | 0:27:08 | |
Er...er...perhaps I won't do that. | 0:27:08 | 0:27:15 | |
I can say, yes, we did, we did report to the CIA | 0:27:15 | 0:27:19 | |
in a formal SRI report. | 0:27:19 | 0:27:22 | |
So it started with pretty small funding, as a small thing...? | 0:27:27 | 0:27:31 | |
I think my first project was 56k. | 0:27:31 | 0:27:35 | |
How much do you think it all added up to over the years? | 0:27:35 | 0:27:38 | |
Over the years, er... | 0:27:38 | 0:27:40 | |
..maybe 20 million or so. | 0:27:41 | 0:27:45 | |
We ended up having... | 0:27:45 | 0:27:46 | |
..several dozen remote viewers, | 0:27:48 | 0:27:51 | |
a large cache of people. | 0:27:51 | 0:27:54 | |
We were supported by the CIA, | 0:27:54 | 0:27:56 | |
Defence Intelligence Agency, | 0:27:56 | 0:28:00 | |
Army Intelligence, NASA. | 0:28:00 | 0:28:03 | |
You see, I'm able to tell you that | 0:28:03 | 0:28:07 | |
only because the programme has been declassified, | 0:28:07 | 0:28:10 | |
or I'd have to kill you all | 0:28:10 | 0:28:11 | |
as soon as I announced who was paying for the programme. | 0:28:11 | 0:28:15 | |
So SRI's remote-viewing programme | 0:28:16 | 0:28:19 | |
expanded to training dozens of remote viewers, | 0:28:19 | 0:28:21 | |
while spreading across many government agencies. | 0:28:21 | 0:28:24 | |
Meanwhile, Uri Geller took a different path. | 0:28:26 | 0:28:29 | |
With the SRI findings as his calling card, | 0:28:32 | 0:28:35 | |
he took his show on the road as a psychic entertainer. | 0:28:35 | 0:28:38 | |
And in New York, his first American talk show appearances | 0:28:38 | 0:28:41 | |
made him instantly famous across the US. | 0:28:41 | 0:28:44 | |
Stanford Research Institute | 0:28:44 | 0:28:45 | |
came up with an almost unanimous opinion that he was legitimate. | 0:28:45 | 0:28:49 | |
Uri Geller. | 0:28:49 | 0:28:51 | |
Then Uri moved to London, | 0:28:53 | 0:28:54 | |
where his very first British television performance | 0:28:54 | 0:28:57 | |
caused a sensation. | 0:28:57 | 0:28:58 | |
Ladies and gentlemen, Uri Geller. | 0:29:00 | 0:29:01 | |
APPLAUSE | 0:29:01 | 0:29:03 | |
I don't want to waste a lot of time on it. | 0:29:07 | 0:29:09 | |
It could be a boat, a ship. | 0:29:09 | 0:29:11 | |
Geller seemed to be demonstrating extraordinary paranormal powers. | 0:29:15 | 0:29:19 | |
And overnight, became headline news. | 0:29:21 | 0:29:24 | |
Britain was entranced by this psychic performer, | 0:29:26 | 0:29:29 | |
and he joined the ranks of the superstars of the day. | 0:29:29 | 0:29:33 | |
And now the world came calling. | 0:29:33 | 0:29:35 | |
Especially Mexico, where Uri's secret life | 0:29:36 | 0:29:39 | |
took yet another extraordinary turn. | 0:29:39 | 0:29:41 | |
After the David Dimbleby show | 0:29:42 | 0:29:44 | |
in England for the BBC, it went worldwide. | 0:29:44 | 0:29:46 | |
Everybody around the world wanted to witness that happening. | 0:29:46 | 0:29:50 | |
So I was invited and Mexico was one of the channels. | 0:29:50 | 0:29:54 | |
Uri Geller. | 0:29:54 | 0:29:55 | |
APPLAUSE | 0:29:55 | 0:29:58 | |
The camera there, close up. | 0:30:02 | 0:30:04 | |
LAUGHTER AND APPLAUSE | 0:30:04 | 0:30:06 | |
All right, all right, the human aura. | 0:30:08 | 0:30:11 | |
PRESENTER TRANSLATES THROUGHOUT | 0:30:11 | 0:30:12 | |
This is what...this is a person. | 0:30:12 | 0:30:15 | |
Look how many levels of aura a person has. | 0:30:15 | 0:30:20 | |
And the wife of President-elect Lopez Portillo, Munsi, | 0:30:21 | 0:30:26 | |
was watching me, because she was into this, the stuff of the mind. | 0:30:26 | 0:30:31 | |
And she just fell in love with what I did. | 0:30:31 | 0:30:34 | |
So she ordered her guards to bring me to her house. | 0:30:34 | 0:30:38 | |
That's how it all started. | 0:30:38 | 0:30:40 | |
She was amazed. | 0:30:40 | 0:30:41 | |
She introduced me to her husband. | 0:30:41 | 0:30:44 | |
And that, you know, opened up so many doors. I mean, gosh! | 0:30:44 | 0:30:48 | |
And that's why I was in Mexico, | 0:30:48 | 0:30:50 | |
and that's where the CIA contacted me. | 0:30:50 | 0:30:53 | |
-Clearly for the first time. -Tell me about that. | 0:30:53 | 0:30:57 | |
I got a call from a guy called Mike. | 0:30:58 | 0:31:02 | |
And he said, "We know what you did at Stanford Research Institute. | 0:31:02 | 0:31:07 | |
"I've seen the reports. | 0:31:07 | 0:31:10 | |
"And, um...can you help us? | 0:31:10 | 0:31:13 | |
"Can you do certain things with the power of the mind?" | 0:31:13 | 0:31:16 | |
And they gave me a few tasks, like, for instance, | 0:31:16 | 0:31:21 | |
to spy on the Russian embassy, | 0:31:21 | 0:31:25 | |
the Russian embassy in Mexico City. | 0:31:25 | 0:31:27 | |
It was the biggest, the largest spying centre | 0:31:27 | 0:31:30 | |
in Latin America for the KGB. | 0:31:30 | 0:31:33 | |
Mike explained me that every 10 or 15 days, | 0:31:34 | 0:31:38 | |
I can't quite remember, | 0:31:38 | 0:31:40 | |
there is a diplomatic pouch that goes out of the Russian embassy | 0:31:40 | 0:31:45 | |
with secret stuff in it. | 0:31:45 | 0:31:47 | |
And there are floppy disks inside. | 0:31:47 | 0:31:50 | |
Whether I could erase them. | 0:31:50 | 0:31:53 | |
I said, "Yeah, I can erase floppy disks." | 0:31:53 | 0:31:56 | |
Whenever the information went out, | 0:31:56 | 0:31:58 | |
they were always in diplomatic pouches, | 0:31:58 | 0:32:00 | |
chained with a handcuff to the wrist of one of the KGB agents. | 0:32:00 | 0:32:05 | |
The flight would go to Paris, | 0:32:05 | 0:32:07 | |
and then they would get off the plane and take another to Moscow. | 0:32:07 | 0:32:10 | |
I would sit behind them and I would think, "Erase, erase, erase." | 0:32:10 | 0:32:14 | |
This was, for me, I was living James Bond. | 0:32:16 | 0:32:19 | |
I was living the movies. | 0:32:19 | 0:32:22 | |
It was a fantastic feeling that, | 0:32:22 | 0:32:24 | |
"Wow! I was doing something for the CIA!" | 0:32:24 | 0:32:28 | |
How did word get back to you that it had worked? | 0:32:28 | 0:32:32 | |
Because they asked for more. | 0:32:32 | 0:32:33 | |
It's unlikely that CIA will ever confirm Uri's story. | 0:32:33 | 0:32:38 | |
Either way, he stayed close | 0:32:38 | 0:32:40 | |
to Mexico's president and his wife Munsi, | 0:32:40 | 0:32:42 | |
especially Munsi, in the capacity of a sort of psychic bodyguard. | 0:32:42 | 0:32:47 | |
But he sometimes wondered just how he'd gotten into this | 0:32:47 | 0:32:50 | |
and whether it was really just good luck. | 0:32:50 | 0:32:53 | |
I always, even to this day, | 0:32:53 | 0:32:56 | |
I suspect that this gig was arranged by higher forces. | 0:32:56 | 0:33:01 | |
And there I was, instilled into the President-elect, | 0:33:01 | 0:33:06 | |
Lopez Portillo and his wife. | 0:33:06 | 0:33:10 | |
Who knows? Maybe even the invitation | 0:33:10 | 0:33:13 | |
to go to Mexico by Mexico's Televisa channel, | 0:33:13 | 0:33:19 | |
who knows who pulled the strings there? | 0:33:19 | 0:33:22 | |
I must have been followed to Mexico. | 0:33:22 | 0:33:26 | |
I was injected into Mexico. | 0:33:26 | 0:33:29 | |
And then things started kind of moving around. | 0:33:29 | 0:33:32 | |
So, what was he doing being an undercover agent in Mexico? | 0:33:34 | 0:33:37 | |
Did he ever tell you the story? | 0:33:37 | 0:33:39 | |
Uri Geller worked for the Mexican government | 0:33:39 | 0:33:42 | |
in an undercover capacity. | 0:33:42 | 0:33:44 | |
If he'd be at a, say, President of Mexico event | 0:33:44 | 0:33:51 | |
and he sensed through his, | 0:33:51 | 0:33:54 | |
for lack of a better word, powers, | 0:33:54 | 0:33:56 | |
that there was a danger present in one or two people, | 0:33:56 | 0:34:00 | |
he would bring it to their attention | 0:34:00 | 0:34:02 | |
and they would see that person | 0:34:02 | 0:34:04 | |
wouldn't have any access to the President. | 0:34:04 | 0:34:06 | |
I was a federal agent for the Mexico Treasury at that time. | 0:34:06 | 0:34:10 | |
The President made me a Mexican agent. | 0:34:10 | 0:34:13 | |
And I've done quite a lot of stuff for the Mexicans, too. | 0:34:13 | 0:34:17 | |
Having that credential, it opened a lot of doors. | 0:34:17 | 0:34:23 | |
They gave him a beautifully-engraved 45-calibre revolver. | 0:34:23 | 0:34:29 | |
Automatic. Not a real... Automatic. | 0:34:29 | 0:34:32 | |
He brought it in next time he came into New York on a plane. | 0:34:32 | 0:34:36 | |
He was stopped by customs. | 0:34:36 | 0:34:38 | |
They took it away from him. | 0:34:38 | 0:34:40 | |
You can't bring guns into this... | 0:34:40 | 0:34:42 | |
particularly New York, it's pretty strong in that area. | 0:34:42 | 0:34:45 | |
So Uri called the Mexican authorities that he knew, | 0:34:45 | 0:34:50 | |
they called the US authorities. | 0:34:50 | 0:34:53 | |
So the law then said that a federal agent of another country | 0:34:53 | 0:34:58 | |
can carry a weapon into another country, | 0:34:58 | 0:35:00 | |
and they had a treaty with America. | 0:35:00 | 0:35:02 | |
But for some reason, they took the gun away. | 0:35:02 | 0:35:05 | |
Charlie came and returned it and that's where I met him. | 0:35:05 | 0:35:08 | |
My boss, for lack of a better word, | 0:35:08 | 0:35:12 | |
special agent in charge, said, | 0:35:12 | 0:35:14 | |
"You know, Koczka was down there with the Mexicans. | 0:35:14 | 0:35:18 | |
"Have him go up and find out what this guy's complaint is, | 0:35:18 | 0:35:20 | |
"because we are getting heat through state department." | 0:35:20 | 0:35:23 | |
So I got the gun back and gave it to him. | 0:35:23 | 0:35:26 | |
That's how I first met him. | 0:35:26 | 0:35:27 | |
Did he have a badge as well? | 0:35:27 | 0:35:29 | |
He had an engraved credentials. | 0:35:30 | 0:35:34 | |
Unlike mine. I can show you what mine looked like. | 0:35:34 | 0:35:36 | |
His was engraved very nicely, yes. | 0:35:36 | 0:35:39 | |
I never asked Uri how he got that work or whatnot, | 0:35:39 | 0:35:42 | |
and how long he did it. | 0:35:42 | 0:35:45 | |
But that's how I met Uri Geller | 0:35:45 | 0:35:47 | |
on 57 Street in New York City for the first time | 0:35:47 | 0:35:50 | |
and got him back his gun. | 0:35:50 | 0:35:52 | |
# There's a man who lives a life of danger | 0:36:01 | 0:36:05 | |
# To everyone he meets he stays a stranger | 0:36:06 | 0:36:12 | |
# Yet every move he makes | 0:36:13 | 0:36:16 | |
# Another chance he takes | 0:36:16 | 0:36:18 | |
# Odds are he won't live to see tomorrow | 0:36:18 | 0:36:24 | |
# Secret agent man | 0:36:24 | 0:36:27 | |
# Secret agent man... # | 0:36:27 | 0:36:30 | |
Now that Uri was back living fulltime in New York, | 0:36:30 | 0:36:33 | |
he seems to have been able to keep up his undercover work. | 0:36:33 | 0:36:36 | |
For instance, it seems that he was maintaining pretty serious links | 0:36:37 | 0:36:40 | |
with the powers that be in Israel. | 0:36:40 | 0:36:43 | |
Uri's friend Byron Janis | 0:36:50 | 0:36:52 | |
is one of the world's most celebrated pianists, | 0:36:52 | 0:36:55 | |
seen here being honoured by President Reagan. | 0:36:55 | 0:36:58 | |
He is married to Gary Cooper's daughter, Maria, | 0:37:01 | 0:37:04 | |
which explains the three Oscars in the house. | 0:37:04 | 0:37:07 | |
And they are major supporters of Israel. | 0:37:07 | 0:37:09 | |
Byron and Maria caught several glimpses of Uri's secret life. | 0:37:12 | 0:37:16 | |
Do you know much about that? | 0:37:16 | 0:37:18 | |
-I know a little about it, yeah. -Some. | 0:37:18 | 0:37:20 | |
Some, yes. Because we had experiences with Mossad. | 0:37:20 | 0:37:26 | |
Once, as a matter of fact, we had Ariel Sharon here, | 0:37:27 | 0:37:31 | |
so he could talk to him a lot about Israel. | 0:37:31 | 0:37:34 | |
So we knew that was a strong connection. | 0:37:34 | 0:37:37 | |
And to meet in a private home, you know, | 0:37:37 | 0:37:40 | |
to all intents and purposes, it never happened, but... | 0:37:40 | 0:37:43 | |
They were obviously prepping him for something, that kind of thing. | 0:37:43 | 0:37:49 | |
If that's really the case, maybe they called on Uri | 0:37:51 | 0:37:54 | |
when Palestinian hijackers | 0:37:54 | 0:37:56 | |
burst into the news on July 4th, 1976. | 0:37:56 | 0:37:59 | |
They took over an Air France plane full of Israelis | 0:37:59 | 0:38:02 | |
and flew it down to Entebbe airport in Idi Amin's Uganda. | 0:38:02 | 0:38:05 | |
They began getting ready to kill their hostages one by one. | 0:38:05 | 0:38:09 | |
Entebbe. You were in some way involved on the raid on Entebbe. | 0:38:11 | 0:38:17 | |
Could you tell me something about that? What was it about? | 0:38:17 | 0:38:20 | |
I can tell you this. | 0:38:22 | 0:38:24 | |
Just imagine that I have a zipper on my lips here... | 0:38:24 | 0:38:29 | |
..and I just zip my lips. | 0:38:31 | 0:38:33 | |
I can't talk about that. | 0:38:34 | 0:38:36 | |
Whatever you heard from other people, you heard. | 0:38:37 | 0:38:41 | |
I will not confirm nor deny. | 0:38:41 | 0:38:45 | |
That's all I can tell you. | 0:38:45 | 0:38:47 | |
In a daring commando raid, Israeli forces flew 2,000 miles | 0:38:48 | 0:38:52 | |
and stormed Entebbe airport at the very last moment | 0:38:52 | 0:38:56 | |
and freed all the hostages. | 0:38:56 | 0:38:57 | |
The raid's thrilling success astonished the world, | 0:38:58 | 0:39:01 | |
especially as Israeli planes had somehow crossed | 0:39:01 | 0:39:04 | |
Egyptian airspace undetected. | 0:39:04 | 0:39:07 | |
What do you think is out there | 0:39:07 | 0:39:08 | |
that people are saying about you and Entebbe? | 0:39:08 | 0:39:11 | |
Um...what I read and hear | 0:39:12 | 0:39:17 | |
is that, um... | 0:39:17 | 0:39:19 | |
I knocked out the radar systems, | 0:39:19 | 0:39:23 | |
all the way through to Entebbe, | 0:39:23 | 0:39:25 | |
when...the raid took place, | 0:39:25 | 0:39:30 | |
in which Benjamin Netanyahu's brother was killed. | 0:39:30 | 0:39:34 | |
And, um...that's how Israeli aeroplanes | 0:39:36 | 0:39:41 | |
got safely into Entebbe. | 0:39:41 | 0:39:45 | |
That's what I hear. | 0:39:45 | 0:39:46 | |
It was one week almost to the minute after they'd taken off | 0:40:02 | 0:40:05 | |
on their ill-fated flight to Paris | 0:40:05 | 0:40:07 | |
that the crew and remaining passengers | 0:40:07 | 0:40:10 | |
landed back on Israeli soil. | 0:40:10 | 0:40:12 | |
It was coincidentally at the exact hour | 0:40:12 | 0:40:14 | |
at which the hijackers' ultimatum to the Israeli government was due to run out, | 0:40:14 | 0:40:18 | |
and the hostages had been warned by their captors that they would die. | 0:40:18 | 0:40:22 | |
You see, you've got a major problem | 0:40:22 | 0:40:23 | |
with me and the story of Uri Geller, | 0:40:23 | 0:40:27 | |
is because those certain important secret, | 0:40:27 | 0:40:30 | |
confidential, top secret things | 0:40:30 | 0:40:32 | |
that I've done cannot be told. | 0:40:32 | 0:40:35 | |
Now, if others say them, | 0:40:35 | 0:40:37 | |
that's fine, it's not me saying. | 0:40:37 | 0:40:40 | |
So if you've got a scientist saying, | 0:40:40 | 0:40:42 | |
"Oh, Uri did knock out the radar systems | 0:40:42 | 0:40:47 | |
"for the planes to be allowed to fly | 0:40:47 | 0:40:50 | |
"without being detected into Entebbe", | 0:40:50 | 0:40:54 | |
you know, by knocking out the radar systems, | 0:40:54 | 0:40:58 | |
if someone else says it, then someone else says it. | 0:40:58 | 0:41:02 | |
You will not hear that from me. | 0:41:02 | 0:41:04 | |
Just think, use your imagination. | 0:41:07 | 0:41:09 | |
Wouldn't I have been asked | 0:41:09 | 0:41:12 | |
to do certain things of this nature? | 0:41:12 | 0:41:15 | |
Of course! | 0:41:15 | 0:41:16 | |
# Secret agent man...# | 0:41:16 | 0:41:19 | |
As Uri says, secrets have to stay secret, | 0:41:19 | 0:41:22 | |
unless they get declassified later on down the line, | 0:41:22 | 0:41:25 | |
like the Stanford Research Institute's work with Uri | 0:41:25 | 0:41:28 | |
for the CIA eventually was. | 0:41:28 | 0:41:30 | |
But could radar systems conceivably be knocked out by paranormal powers? | 0:41:33 | 0:41:38 | |
Well, psychic ops like that were being explored by the US military | 0:41:38 | 0:41:42 | |
quite independently of Uri Geller | 0:41:42 | 0:41:44 | |
in their own continuing quest to militarise the paranormal. | 0:41:44 | 0:41:48 | |
Centred at Fort Meade, outside Washington DC, | 0:41:50 | 0:41:53 | |
the 20-year top-secret project, codenamed Stargate, | 0:41:53 | 0:41:57 | |
included training soldiers in extra-sensory perception, | 0:41:57 | 0:42:00 | |
things like remote viewing, | 0:42:00 | 0:42:01 | |
and psychokinesis, things like spoon bending, and more. | 0:42:01 | 0:42:05 | |
One of the driving forces behind the now declassified Stargate programme | 0:42:07 | 0:42:11 | |
was an army colonel called John Alexander. | 0:42:11 | 0:42:14 | |
Alexander, though now officially retired from the army, | 0:42:14 | 0:42:18 | |
continues to be a central figure in developing experimental, | 0:42:18 | 0:42:20 | |
alternative forms of warfare | 0:42:20 | 0:42:22 | |
under the heading of non-lethal weaponry, | 0:42:22 | 0:42:25 | |
which includes psychic operations. | 0:42:25 | 0:42:27 | |
He lives in Las Vegas now. | 0:42:27 | 0:42:29 | |
You pioneered the work in non-lethal weaponry. | 0:42:29 | 0:42:32 | |
Well, from a military perspective, yes. | 0:42:32 | 0:42:35 | |
What is non-lethal? | 0:42:35 | 0:42:37 | |
Things that don't kill you. | 0:42:37 | 0:42:40 | |
What kind of things don't...? | 0:42:40 | 0:42:42 | |
Well, I run from the low-end things you know about, | 0:42:42 | 0:42:46 | |
from rubber bullets, if you will, which aren't rubber. | 0:42:46 | 0:42:51 | |
But pepper spray to tasers, | 0:42:51 | 0:42:53 | |
to the high-end, strategic incapacitation. | 0:42:53 | 0:42:57 | |
How do you eviscerate the infrastructure of a nation state? | 0:42:57 | 0:43:02 | |
In the abilities that you've encountered, or investigated, | 0:43:02 | 0:43:08 | |
do you think there are people | 0:43:08 | 0:43:10 | |
who've got the ability to take down a radar system? | 0:43:10 | 0:43:13 | |
One of the original questions that was asked | 0:43:13 | 0:43:17 | |
when we were doing the teaching people metal bending and all that, | 0:43:17 | 0:43:20 | |
they would come out with the impractical, | 0:43:20 | 0:43:23 | |
"What are you going to do, bend tank barrels?" | 0:43:23 | 0:43:26 | |
My response was, "No, | 0:43:26 | 0:43:27 | |
"I think what we're going to go after are computers." | 0:43:27 | 0:43:31 | |
I don't need to take them down. | 0:43:31 | 0:43:33 | |
All you have to do is make them unreliable. | 0:43:33 | 0:43:36 | |
Because everything we have is based on computer models and applications. | 0:43:36 | 0:43:40 | |
So if you get to where you don't trust those computers, | 0:43:40 | 0:43:44 | |
basically everything we run now is on digital information, | 0:43:44 | 0:43:49 | |
that would be really significant. | 0:43:49 | 0:43:53 | |
Well, one of the things, again, when you say, | 0:43:53 | 0:43:55 | |
"What can you do with psychokinesis," for instance, | 0:43:55 | 0:43:57 | |
um...attacking computers. | 0:43:57 | 0:44:01 | |
Do you know of any operations that Uri took part in? | 0:44:01 | 0:44:04 | |
Not operational, no. | 0:44:04 | 0:44:06 | |
Would you call Uri in as a consultant? | 0:44:06 | 0:44:10 | |
I'd love to, but remember, I don't run the army any more. | 0:44:10 | 0:44:14 | |
You see, we're talking, Vikram, | 0:44:14 | 0:44:16 | |
we're talking about, | 0:44:16 | 0:44:18 | |
what, 1973, '4, '5, '6, '7, '8. | 0:44:18 | 0:44:23 | |
1970, those were the years, the hot years. | 0:44:23 | 0:44:27 | |
Um...yeah, and then there are things | 0:44:27 | 0:44:33 | |
that I cannot talk about, I can't. | 0:44:33 | 0:44:35 | |
By now, Uri had a powerful new friend. | 0:44:39 | 0:44:42 | |
Senator Claiborne Pell, | 0:44:42 | 0:44:44 | |
Head of the Senate Foreign Relations Committee. | 0:44:44 | 0:44:47 | |
Senator Pell had a senior aide, | 0:44:47 | 0:44:49 | |
a much decorated navy pilot, Scott Jones. | 0:44:49 | 0:44:53 | |
Uri and Claiborne were buddies. | 0:44:53 | 0:44:56 | |
How did that happen? | 0:44:56 | 0:44:57 | |
Well, he volunteered his service to Claiborne. | 0:44:57 | 0:45:01 | |
And Claiborne, of course, was always looking for a good psychic. | 0:45:01 | 0:45:05 | |
And he knew he had a good one in Uri. | 0:45:05 | 0:45:08 | |
And so they became friends. | 0:45:08 | 0:45:10 | |
And I don't know how, | 0:45:10 | 0:45:12 | |
every time Uri came to the United States, | 0:45:12 | 0:45:14 | |
he would show up at the Senate. | 0:45:14 | 0:45:16 | |
I mean, Pell would invite him. | 0:45:16 | 0:45:18 | |
Did you ever see him bend a spoon? | 0:45:18 | 0:45:20 | |
HE LAUGHS | 0:45:20 | 0:45:22 | |
Yes, indeed. | 0:45:24 | 0:45:26 | |
Pell called me up one day and he said, | 0:45:26 | 0:45:30 | |
"Scott, Uri is coming into Washington. | 0:45:30 | 0:45:32 | |
"I want you to host him." | 0:45:32 | 0:45:35 | |
I said, "Sure, I'll be glad to." | 0:45:35 | 0:45:37 | |
I said, "Let's do it under very closed circumstances." | 0:45:37 | 0:45:43 | |
And so Pell arranged for a secure space. | 0:45:43 | 0:45:47 | |
There were a few of them on the hill that are double secure, | 0:45:47 | 0:45:51 | |
so whatever happens inside cannot get out electronically. | 0:45:51 | 0:45:56 | |
There's one of them in the rotunda of the Capitol. | 0:45:56 | 0:46:00 | |
Did you take him to Capitol Hill? | 0:46:00 | 0:46:02 | |
No, but I was there with Scott Jones. | 0:46:02 | 0:46:04 | |
I think Scott and Senator Claiborne Pell | 0:46:04 | 0:46:07 | |
were the ones that had invited him. | 0:46:07 | 0:46:10 | |
I was there with the Commanding General of Intelligence | 0:46:10 | 0:46:13 | |
in the Security Command, | 0:46:13 | 0:46:16 | |
and sitting in the front row, listening and watching. | 0:46:16 | 0:46:20 | |
And what happened? | 0:46:20 | 0:46:22 | |
Well, first of all, | 0:46:22 | 0:46:24 | |
Uri was not there to bend metal or to do metal tricks. | 0:46:24 | 0:46:27 | |
He was there to discuss the plight of Soviet Jews, | 0:46:27 | 0:46:31 | |
which was really his interest. | 0:46:31 | 0:46:32 | |
The people present were congressmen, | 0:46:32 | 0:46:35 | |
a few senators, mostly staffers. | 0:46:35 | 0:46:37 | |
We actually were in what's called a skiff, | 0:46:37 | 0:46:40 | |
a special place that I didn't even know existed in the Capitol itself. | 0:46:40 | 0:46:46 | |
He talked, and what happened was people said, | 0:46:46 | 0:46:49 | |
"Bend something, bend something!" | 0:46:49 | 0:46:51 | |
And he said, "OK, but I don't have anything." | 0:46:51 | 0:46:55 | |
I knew what they would have in the way of hardware, | 0:46:55 | 0:46:57 | |
it would be the silver-plate for the Senate. | 0:46:57 | 0:47:01 | |
And the guy that was running it, I invited him in, | 0:47:01 | 0:47:05 | |
who ran the space, and he brought in a bunch of silverware | 0:47:05 | 0:47:09 | |
and put it out and so Uri told him, said, | 0:47:09 | 0:47:12 | |
"Leave the knives alone, you're not ready for that, | 0:47:12 | 0:47:14 | |
"but spoons and forks will be fine." | 0:47:14 | 0:47:16 | |
Well, what actually happened, and this is the actual spoon, | 0:47:16 | 0:47:21 | |
and he was holding it thusly, | 0:47:21 | 0:47:25 | |
and importantly, he came down from the top, not like this, | 0:47:25 | 0:47:29 | |
because most of the ways you fake it | 0:47:29 | 0:47:31 | |
is when you have control of the neck. | 0:47:31 | 0:47:33 | |
That did not happen. | 0:47:33 | 0:47:35 | |
He came like this, and this was bending upwards, | 0:47:35 | 0:47:39 | |
which you can imagine with any force, you would expect to go down. | 0:47:39 | 0:47:43 | |
Then he placed it on the back of a chair right next to him, | 0:47:43 | 0:47:47 | |
and he went on talking because he was not interested in bending. | 0:47:47 | 0:47:50 | |
He was interested in, again, talking about... | 0:47:50 | 0:47:53 | |
This was the bad old days, Soviet Union still in place, | 0:47:53 | 0:47:57 | |
they're trying to emigrate to Israel, that was the focus. | 0:47:57 | 0:48:01 | |
It continued to bend for a bit, or certainly appeared to, | 0:48:01 | 0:48:04 | |
fell on the floor and ended up in my pocket. | 0:48:04 | 0:48:08 | |
But was spoon bending and the plight of Soviet Jews | 0:48:10 | 0:48:13 | |
really what that day was all about? | 0:48:13 | 0:48:16 | |
Uri thinks not. | 0:48:16 | 0:48:18 | |
There was another agenda behind that Capitol Hill, shielded room, | 0:48:18 | 0:48:24 | |
from Russian eavesdropping. | 0:48:24 | 0:48:26 | |
I think there was something else. | 0:48:26 | 0:48:28 | |
It was a good way of introducing me | 0:48:28 | 0:48:33 | |
to decision makers for later-on projects. | 0:48:33 | 0:48:38 | |
-Can you tell me any of those projects? -No. | 0:48:38 | 0:48:41 | |
Can you tell me anything you can't tell me? | 0:48:41 | 0:48:43 | |
THEY LAUGH | 0:48:43 | 0:48:44 | |
I love that. "Can you tell me anything you can't tell me?" | 0:48:44 | 0:48:47 | |
Even with Senator Pell's strong backing, | 0:48:50 | 0:48:52 | |
in 1995, the American congress | 0:48:52 | 0:48:55 | |
abruptly terminated its secret psychic programmes, | 0:48:55 | 0:48:58 | |
despite their many successes. | 0:48:58 | 0:49:00 | |
And Scott Jones went home to rural Texas. | 0:49:01 | 0:49:04 | |
It ended because of a very senior science person at DIA, | 0:49:06 | 0:49:12 | |
who was also an evangelical, | 0:49:12 | 0:49:16 | |
born-again Christian. | 0:49:16 | 0:49:17 | |
And psychic phenomena is incompatible | 0:49:19 | 0:49:23 | |
with their belief structure. | 0:49:23 | 0:49:25 | |
I can't imagine that the military, | 0:49:25 | 0:49:28 | |
or the intelligence community, | 0:49:28 | 0:49:31 | |
would ever fully shut down something that might enable them | 0:49:31 | 0:49:35 | |
to gather intelligence better. Is that right? | 0:49:35 | 0:49:37 | |
Let me not comment. | 0:49:39 | 0:49:42 | |
But I think your logic is very powerful. | 0:49:42 | 0:49:44 | |
So, you know something you don't want to tell me? | 0:49:45 | 0:49:48 | |
Perhaps, yes. | 0:49:48 | 0:49:50 | |
And so, in 1995, the government's psychic programme was disappeared | 0:49:52 | 0:49:57 | |
without any obvious traces. | 0:49:57 | 0:49:59 | |
Life in the corridors of power in Washington DC | 0:50:00 | 0:50:03 | |
ostensibly returned to normal. | 0:50:03 | 0:50:05 | |
And maybe Uri Geller went deep black, too. | 0:50:06 | 0:50:09 | |
Because from now, until 2001, | 0:50:09 | 0:50:12 | |
there's no trace of his spy craft. | 0:50:12 | 0:50:14 | |
Though unconfirmed rumours have come in from Korea | 0:50:14 | 0:50:17 | |
about Uri looking for hidden North Korean tunnels. | 0:50:17 | 0:50:19 | |
And from Operation Desert Storm | 0:50:20 | 0:50:22 | |
about Uri looking for mobile Iraqi scud missile launchers. | 0:50:22 | 0:50:26 | |
And from Iraq, helping pinpoint their secret nuclear reactor | 0:50:28 | 0:50:31 | |
for the Israeli air force to strike. | 0:50:31 | 0:50:33 | |
Has he talked to you about any of these things? | 0:50:38 | 0:50:40 | |
He has not. Well, I've heard those stories. | 0:50:40 | 0:50:43 | |
And are those stories, er...with or without Uri involved, | 0:50:43 | 0:50:48 | |
are those examples of applications | 0:50:48 | 0:50:51 | |
of the kind of abilities that you've investigated? | 0:50:51 | 0:50:54 | |
Absolutely. | 0:50:54 | 0:50:55 | |
When you say that he found the reactor in, um...Iraq, | 0:50:55 | 0:51:00 | |
it is totally believable. It's the kind of thing that we... | 0:51:00 | 0:51:04 | |
We had a programme running, as you know, for 23 years. | 0:51:04 | 0:51:09 | |
And what supported us, particularly in our last decade, | 0:51:09 | 0:51:13 | |
was entirely operational things of that type. | 0:51:13 | 0:51:16 | |
And then came September 11th, 2001. | 0:51:18 | 0:51:21 | |
When that horrendous, tragic attack came on the 11th September, | 0:51:24 | 0:51:30 | |
I was actually a day before that in New York with Michael Jackson. Um... | 0:51:30 | 0:51:36 | |
All the remote viewers, I believe, were reactivated. | 0:51:37 | 0:51:40 | |
Because America needed information fast! | 0:51:40 | 0:51:46 | |
You have said that after 9/11, | 0:51:48 | 0:51:51 | |
you got a call from someone called Ron. | 0:51:51 | 0:51:54 | |
Tell me that story. | 0:51:54 | 0:51:56 | |
The only thing that I can tell you | 0:51:56 | 0:51:58 | |
is that I was reactivated | 0:51:58 | 0:52:03 | |
by a person called Ron. | 0:52:03 | 0:52:05 | |
I can't tell you what nationality and what country. | 0:52:05 | 0:52:11 | |
Is that because you don't know, or because you can't tell? | 0:52:11 | 0:52:14 | |
Because I can't tell. Of course I know. | 0:52:14 | 0:52:17 | |
And what does reactivated mean? | 0:52:17 | 0:52:19 | |
Well...you know that, for instance, in the spy business, | 0:52:19 | 0:52:24 | |
there are sleepers, as you know, | 0:52:24 | 0:52:26 | |
sitting in Moscow or London, | 0:52:26 | 0:52:29 | |
sleeping for seven, eight years. | 0:52:29 | 0:52:31 | |
And then they're reactivated. | 0:52:31 | 0:52:34 | |
"Go to work, we need this information." | 0:52:34 | 0:52:36 | |
-And you got a call? -And I got a call. | 0:52:36 | 0:52:38 | |
But so did probably another 150 people. | 0:52:38 | 0:52:42 | |
And probably in a few countries. | 0:52:42 | 0:52:44 | |
Is it true that the people who took part in the Fort Meade programme | 0:52:46 | 0:52:49 | |
were reactivated after 9/11? | 0:52:49 | 0:52:52 | |
They may have been reactivated on a piecemeal effort. | 0:52:52 | 0:52:57 | |
I have heard that some of them had been called in to be helpful. | 0:52:57 | 0:53:03 | |
I mean, right after 9/11, um... | 0:53:06 | 0:53:09 | |
there was a lot of re-contact of remote viewers. | 0:53:09 | 0:53:14 | |
Um...and some of them were talking about this | 0:53:14 | 0:53:17 | |
at remote viewing conferences. | 0:53:17 | 0:53:20 | |
In fact, I was a voice, actually, | 0:53:20 | 0:53:21 | |
to try to talk people out of doing that. | 0:53:21 | 0:53:26 | |
Because after all, if there are terrorist cells in the US, | 0:53:26 | 0:53:30 | |
you don't want them hunting down remote viewers as targets. | 0:53:30 | 0:53:33 | |
Something that I've seen around your house | 0:53:40 | 0:53:42 | |
is you have an awful lot of security. | 0:53:42 | 0:53:46 | |
Can you talk about that? | 0:53:46 | 0:53:48 | |
This place is incredibly well secured. | 0:53:48 | 0:53:51 | |
There are, yes, indeed, dozens of cameras running, | 0:53:51 | 0:53:55 | |
filming all the time. | 0:53:55 | 0:53:57 | |
And there are indeed numerous people watching us 24 hours a day. | 0:53:57 | 0:54:04 | |
Why so much security? | 0:54:04 | 0:54:07 | |
Maybe it's because of that, again, | 0:54:07 | 0:54:09 | |
the James Bond, the twist in me. | 0:54:09 | 0:54:12 | |
But just me knowing that it's covered. | 0:54:12 | 0:54:16 | |
Because that's what I've been taught, | 0:54:16 | 0:54:19 | |
to make sure you cover everything. | 0:54:19 | 0:54:21 | |
That gives me a feeling of security. | 0:54:21 | 0:54:24 | |
If I was in the PLO or al-Qaeda, | 0:54:24 | 0:54:28 | |
I would think Uri Geller would be a great target. | 0:54:28 | 0:54:30 | |
You just said it. Why not? Uri Geller is famous. | 0:54:30 | 0:54:34 | |
And this is why, you see, the camouflage for me... | 0:54:34 | 0:54:37 | |
..is that outer, in-built safety device is... | 0:54:39 | 0:54:44 | |
Hey, I am an entertainer. What do you want from me? | 0:54:44 | 0:54:49 | |
I'm a showman. I'm in show business. | 0:54:49 | 0:54:52 | |
Think of that. | 0:54:54 | 0:54:56 | |
-But... -But! | 0:54:56 | 0:54:58 | |
There is that other side to Uri Geller. | 0:54:58 | 0:55:02 | |
And I love that side | 0:55:04 | 0:55:08 | |
as much as I love | 0:55:08 | 0:55:10 | |
the totally open show business side of Uri Geller, | 0:55:10 | 0:55:13 | |
and that side...is the dark side. | 0:55:13 | 0:55:18 | |
It's what you see in spy movies. | 0:55:18 | 0:55:22 | |
You know what? In a very strange way, Vikram, | 0:55:22 | 0:55:25 | |
I love the mystery around it. | 0:55:25 | 0:55:28 | |
It's my persona, it's what made Uri Geller. | 0:55:28 | 0:55:33 | |
So...not just stopping, | 0:55:33 | 0:55:38 | |
just a step before the truth | 0:55:38 | 0:55:42 | |
and the revelation | 0:55:42 | 0:55:45 | |
and the true knowledge of what I really did, | 0:55:45 | 0:55:50 | |
that's Uri Geller. | 0:55:50 | 0:55:52 | |
That was my life. | 0:55:52 | 0:55:54 | |
So I will always make sure... | 0:55:54 | 0:55:56 | |
..that the final truth is never known. | 0:55:58 | 0:56:02 | |
Final truth or not, what about the science underlying all this? | 0:56:05 | 0:56:09 | |
Our understanding of things like quantum entanglement | 0:56:09 | 0:56:12 | |
has come a long way since the 1970s. | 0:56:12 | 0:56:15 | |
From a theoretical perspective in terms of neurophysiology | 0:56:15 | 0:56:18 | |
and electrophysiology and neurology, | 0:56:18 | 0:56:21 | |
I could explain that whole thing. | 0:56:21 | 0:56:25 | |
It would take me an hour to do it because I'm not facile enough | 0:56:25 | 0:56:29 | |
at being able to do it in a couple of sentences, | 0:56:29 | 0:56:33 | |
but I can explain to you | 0:56:33 | 0:56:35 | |
how synchronistically, | 0:56:35 | 0:56:37 | |
quantum entanglement in the brain works. | 0:56:37 | 0:56:40 | |
And I believe that one can construct a very coherent, | 0:56:40 | 0:56:46 | |
theoretical explanation for these things. | 0:56:46 | 0:56:49 | |
Truth of the matter is, | 0:56:49 | 0:56:51 | |
it used to be that science fiction was way out ahead of physics. | 0:56:51 | 0:56:56 | |
But lately, physics has exploded so much | 0:56:56 | 0:56:59 | |
into so many different new directions that, er... | 0:56:59 | 0:57:02 | |
..real physics is actually beginning to outstrip science fiction. | 0:57:04 | 0:57:08 | |
Are you doing classified work now? | 0:57:23 | 0:57:26 | |
Right now, I'm not. | 0:57:26 | 0:57:29 | |
Would you tell me if you were? | 0:57:29 | 0:57:31 | |
If it were really black, no. | 0:57:31 | 0:57:34 | |
But you do continue to do something for somebody, don't you? | 0:57:34 | 0:57:38 | |
No, I don't. | 0:57:39 | 0:57:40 | |
Are you sure? | 0:57:45 | 0:57:47 | |
Not that you could tell me, but... | 0:57:49 | 0:57:52 | |
How could...? | 0:57:52 | 0:57:53 | |
Given the threats facing Israel... | 0:57:56 | 0:58:01 | |
given the difficulty of getting good intelligence | 0:58:01 | 0:58:06 | |
from some of the most dangerous places in the world right now, | 0:58:06 | 0:58:09 | |
not just for Israel, in an existential way, | 0:58:09 | 0:58:13 | |
but for the larger concept of sort of western democracy, | 0:58:13 | 0:58:16 | |
as an American working on this, | 0:58:16 | 0:58:19 | |
why would they not be asking you to help? | 0:58:19 | 0:58:24 | |
I don't want to go there, Vikram. Let's not go there. | 0:58:24 | 0:58:27 | |
Subtitles by Red Bee Media Ltd | 0:58:36 | 0:58:38 |