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They are the ultimate status symbol for the rich and famous. | 0:00:02 | 0:00:06 | |
When your helicopter co-ordinates with your boat, | 0:00:07 | 0:00:09 | |
you know you've made it in life. | 0:00:09 | 0:00:11 | |
Welcome to the multimillion-pound world of the superyachts. | 0:00:11 | 0:00:15 | |
When you pull into a port in a boat like this, | 0:00:15 | 0:00:18 | |
of course, you know, that plays to your ego. | 0:00:18 | 0:00:20 | |
You're not going to deny that. | 0:00:20 | 0:00:22 | |
Sunseeker is Britain's biggest yacht builder, | 0:00:22 | 0:00:25 | |
supplying the world's wealthiest customers for the last 50 years. | 0:00:25 | 0:00:30 | |
Each boat is fully customised to meet their clients' every whim. | 0:00:30 | 0:00:34 | |
This is the most highly spec'ed spa tub we've ever built. | 0:00:34 | 0:00:38 | |
But the luxury market has changed in recent years, | 0:00:38 | 0:00:41 | |
hitting the company's profits hard. | 0:00:41 | 0:00:43 | |
Come the crash, most banks didn't want to lend against assets, | 0:00:43 | 0:00:47 | |
such as jets, yachts and so on. | 0:00:47 | 0:00:50 | |
With smaller yacht sales falling, | 0:00:50 | 0:00:52 | |
the company needs to reel in not just the super-rich, | 0:00:52 | 0:00:56 | |
but the uber-rich to get them back in the black. | 0:00:56 | 0:00:59 | |
And in a high stakes move, they're sinking millions into building | 0:00:59 | 0:01:02 | |
a larger, more luxurious boat to net this elite group of buyers. | 0:01:02 | 0:01:07 | |
Larger boats are selling much better than they used to, | 0:01:07 | 0:01:10 | |
and you have to show that you can do boats like this. | 0:01:10 | 0:01:15 | |
Now the pressure's on to fill the order book. | 0:01:15 | 0:01:18 | |
The statistical chances of me selling this gentleman a boat | 0:01:18 | 0:01:22 | |
are about me becoming the Pope. It's not going to happen. | 0:01:22 | 0:01:25 | |
But as the first of the new, fully customised yachts | 0:01:25 | 0:01:28 | |
goes into production, | 0:01:28 | 0:01:30 | |
meeting the extraordinary demands of their new ultra-wealthy clients | 0:01:30 | 0:01:34 | |
stretches the build team to its limits. | 0:01:34 | 0:01:36 | |
What's disheartening is that we've actually built a yacht | 0:01:36 | 0:01:39 | |
with four beautiful bathrooms | 0:01:39 | 0:01:41 | |
and now we've got to, essentially, destroy them. | 0:01:41 | 0:01:44 | |
If they don't deliver, | 0:01:44 | 0:01:46 | |
this multimillion-pound gamble will backfire. | 0:01:46 | 0:01:49 | |
We're selling dreams | 0:01:49 | 0:01:51 | |
and if you don't do it the right way, you won't sell a dream. | 0:01:51 | 0:01:54 | |
MUSIC: Zou Bisou Bisou by Gillian Hills | 0:02:00 | 0:02:04 | |
# Zou bisou bisou... # | 0:02:06 | 0:02:09 | |
For the past 100 years, the Cote d'Azur has been a magnet | 0:02:09 | 0:02:13 | |
for films stars, royalty, sheikhs and oligarchs. | 0:02:13 | 0:02:17 | |
This sun-drenched coastline, stretching from St Tropez to Monaco, | 0:02:17 | 0:02:21 | |
is now THE Mecca for superyacht owners and their A-list guests. | 0:02:21 | 0:02:26 | |
These boats range from ?20 million to ?200 million | 0:02:27 | 0:02:32 | |
and it can cost over ?500 a night just to moor here. | 0:02:32 | 0:02:36 | |
Do you know, I think they say | 0:02:36 | 0:02:38 | |
that about 70% of the world's superyachts | 0:02:38 | 0:02:42 | |
are all in the South of France in the summer. | 0:02:42 | 0:02:44 | |
Don't you think that's incredible? It is busy here. | 0:02:44 | 0:02:48 | |
Anyone who owns a Sunseeker will know Lindsay. | 0:02:48 | 0:02:52 | |
The Cote d'Azur is stunning. | 0:02:52 | 0:02:55 | |
And the best way to see the Cote d'Azur is from the water. | 0:02:55 | 0:02:59 | |
Lindsay is on the front line of the superyacht world. | 0:02:59 | 0:03:03 | |
Originally from Yorkshire, she left the Dales to run Sunseeker France | 0:03:03 | 0:03:08 | |
and has a team of engineers and salesmen on call 24/7. | 0:03:08 | 0:03:12 | |
Any problem with any system on board the boat, | 0:03:13 | 0:03:16 | |
whether it's hydraulic, mechanic, refrigeration, | 0:03:16 | 0:03:20 | |
they call us, that's one phone call, | 0:03:20 | 0:03:22 | |
and then we take care of the rest, | 0:03:22 | 0:03:25 | |
and this is where we look after them and, you know, | 0:03:25 | 0:03:28 | |
preserve that dream, which can be pretty tricky. | 0:03:28 | 0:03:32 | |
Today, Lindsay's making a service call | 0:03:38 | 0:03:41 | |
to probably the most customised yacht the company has ever built. | 0:03:41 | 0:03:45 | |
This was one of the most detailed specifications | 0:03:46 | 0:03:51 | |
that has ever been written | 0:03:51 | 0:03:53 | |
for any Sunseeker that we've ever built. | 0:03:53 | 0:03:57 | |
It's a Marmite boat. You'll either love it or you'll hate it. | 0:03:57 | 0:03:59 | |
Good to see you. Good to see you. | 0:03:59 | 0:04:01 | |
How are you? Great. How's your summer been? | 0:04:01 | 0:04:04 | |
Good, as usual. Yeah, I know. | 0:04:04 | 0:04:06 | |
Welcome back on Black Legend. | 0:04:06 | 0:04:08 | |
Black Legend is an ?8 million yacht | 0:04:08 | 0:04:11 | |
with over ?1.5 million-worth of added extras. | 0:04:11 | 0:04:15 | |
Every detail was designed and hand-picked | 0:04:15 | 0:04:18 | |
by the oil magnate owner and his teenage children. | 0:04:18 | 0:04:22 | |
And it's now looked after by captain Sean. | 0:04:22 | 0:04:26 | |
I'm still having a battle with the exterior fabrics. | 0:04:26 | 0:04:29 | |
It looks good. Well, from a distance it looks good, anyway. | 0:04:31 | 0:04:34 | |
You don't want to see it close up. | 0:04:34 | 0:04:36 | |
No, OK, OK. It's bleaching. It's bleaching out. | 0:04:36 | 0:04:39 | |
For the captains, making sure these floating penthouses | 0:04:39 | 0:04:43 | |
are kept in showroom condition is critical | 0:04:43 | 0:04:46 | |
and Black Legend uses a specific red colour throughout, | 0:04:46 | 0:04:50 | |
which is suffering in the fierce Mediterranean sun. | 0:04:50 | 0:04:53 | |
The problem with classic stitching, you can see the actual threads | 0:04:53 | 0:04:57 | |
of the normal stitching that was initially red, and has gone white. | 0:04:57 | 0:05:01 | |
Yeah. I've spoken with a number of suppliers | 0:05:01 | 0:05:03 | |
and they said that there is not a single red thread | 0:05:03 | 0:05:06 | |
that will retain its colour. | 0:05:06 | 0:05:08 | |
Soft furnishings aren't the only thing worrying the captain. | 0:05:08 | 0:05:13 | |
Noises, coming from below deck, are keeping the owner awake at night. | 0:05:13 | 0:05:17 | |
HYDRAULIC TYPE NOISE | 0:05:17 | 0:05:20 | |
Hear that? And feel it. I can hear and feel the vibration. | 0:05:20 | 0:05:23 | |
I can hear them. Heard them? Felt them? | 0:05:25 | 0:05:27 | |
I can't feel them. I can't feel a vibration though. | 0:05:27 | 0:05:30 | |
It's not a vibration, it's a clink. | 0:05:31 | 0:05:33 | |
Oh, is it? Sorry, I thought you said a vibration. No, no, no, a clink. | 0:05:33 | 0:05:37 | |
Black Legend also has the biggest television | 0:05:37 | 0:05:41 | |
ever fitted to one of their yachts. | 0:05:41 | 0:05:43 | |
When we're actually cruising... | 0:05:43 | 0:05:45 | |
It wobbles. Wobbles so much. Does it? | 0:05:45 | 0:05:47 | |
I was afraid we'd lose it because we had some bad weather as well. | 0:05:47 | 0:05:50 | |
Terribly...when we're moving. | 0:05:50 | 0:05:53 | |
Lindsay returns to port with a long "to do" list. | 0:05:54 | 0:05:57 | |
But on the way back, they spot a copycat boat. | 0:05:59 | 0:06:02 | |
It's not as good, is it? Clearly, clearly, it's not as good. | 0:06:02 | 0:06:07 | |
CAMERAMAN: Their red's faded as well. | 0:06:08 | 0:06:10 | |
Yep, not quite as much as ours though. | 0:06:10 | 0:06:13 | |
When a lot of these captains have got the boss on board, | 0:06:13 | 0:06:16 | |
they want everything fixed yesterday | 0:06:16 | 0:06:19 | |
and that can be a bit tricky to manage, that expectation, really. | 0:06:19 | 0:06:24 | |
Especially when some of the issues aren't necessarily... | 0:06:24 | 0:06:28 | |
..complicated. | 0:06:29 | 0:06:31 | |
Black Legend, like all Sunseekers, can be found basking | 0:06:34 | 0:06:38 | |
in the most glamorous locations around the world. | 0:06:38 | 0:06:40 | |
But these boats are designed and built much closer to home, | 0:06:40 | 0:06:45 | |
on the south coast of England. | 0:06:45 | 0:06:46 | |
Here in Poole, they employ over 2,000 people, | 0:06:46 | 0:06:50 | |
making a range of boats | 0:06:50 | 0:06:52 | |
that start at three-quarters of a million pounds. | 0:06:52 | 0:06:55 | |
The business grew by making small and mid-size yachts, | 0:06:55 | 0:06:58 | |
but in recent years, there's been a slump in this market, | 0:06:58 | 0:07:01 | |
pushing the company into the red. | 0:07:01 | 0:07:04 | |
Their strategy now is to try and attract new ultra-wealthy clients | 0:07:04 | 0:07:08 | |
who still have cash to splash on life's ultimate luxuries. | 0:07:08 | 0:07:12 | |
So they're taking a huge gamble | 0:07:12 | 0:07:14 | |
on building a larger, more luxurious superyacht. | 0:07:14 | 0:07:17 | |
This is our new 131 yacht. It's a real showcase yacht for us. | 0:07:17 | 0:07:22 | |
We don't have the opportunity, | 0:07:22 | 0:07:24 | |
we don't prototype large-scale yachts like this. | 0:07:24 | 0:07:27 | |
We have to get it right first time. | 0:07:27 | 0:07:29 | |
With three decks, floor-to-ceiling glazing, | 0:07:29 | 0:07:32 | |
accommodation for 12 guests and a starting price of ?19 million, | 0:07:32 | 0:07:37 | |
targeting the wealthy cash-rich elite is a shrewd business move. | 0:07:37 | 0:07:42 | |
We can build and launch four 131s in a 12-month period, | 0:07:42 | 0:07:47 | |
which is the equivalent, financially, | 0:07:47 | 0:07:49 | |
to us building 40 small, mid-range boats in the same year. | 0:07:49 | 0:07:53 | |
Our biggest target is to keep | 0:07:54 | 0:07:56 | |
all the production lines running on time. | 0:07:56 | 0:07:58 | |
Delays here will hit the company's fragile profit margins hard. | 0:07:58 | 0:08:04 | |
Mark is responsible for getting the first boat out of the door. | 0:08:04 | 0:08:07 | |
What you're seeing here is really some of the final bits of joinery, | 0:08:09 | 0:08:13 | |
so we're just now making preparations to fit the face items. | 0:08:13 | 0:08:18 | |
And from now, basically, you'll see different teams on board the yacht, | 0:08:18 | 0:08:22 | |
as we do the final assembly, | 0:08:22 | 0:08:24 | |
and, actually, the boat will take shape very quickly. | 0:08:24 | 0:08:27 | |
Production manager Dean is the man | 0:08:27 | 0:08:30 | |
who has to keep the build on schedule. | 0:08:30 | 0:08:33 | |
But the first of the new 131 yachts is causing him sleepless nights. | 0:08:33 | 0:08:38 | |
I've been here many, many years | 0:08:38 | 0:08:40 | |
and it's probably the most bespoke boat I've come across to build | 0:08:40 | 0:08:43 | |
which is, you know, fantastic and new and exciting. | 0:08:43 | 0:08:46 | |
However, it has its ups and downs, as you can imagine. | 0:08:46 | 0:08:49 | |
It's the sheer number of bespoke features that's causing issues. | 0:08:50 | 0:08:54 | |
With ?2 million-worth of extras, | 0:08:54 | 0:08:56 | |
more than on any other boat in the shipyard's history, | 0:08:56 | 0:09:00 | |
there's enormous pressure on the build team. | 0:09:00 | 0:09:03 | |
There's 120,000 components on this one yacht, | 0:09:03 | 0:09:07 | |
and a huge percentage of that has to be specified by the client. | 0:09:07 | 0:09:10 | |
It takes time. | 0:09:10 | 0:09:12 | |
Some clients, we've actually managed to do the interior in two days, | 0:09:12 | 0:09:15 | |
but this particular client, it's probably taken seven months. | 0:09:15 | 0:09:19 | |
Today, the American businessman who's ordered the boat | 0:09:19 | 0:09:22 | |
is flying in to meet Mark and make sure | 0:09:22 | 0:09:25 | |
his $30 million is being spent exactly as he ordered. | 0:09:25 | 0:09:29 | |
Because it's such a long build, | 0:09:29 | 0:09:31 | |
there's the expectation we have to manage. | 0:09:31 | 0:09:34 | |
CAMERAMAN: So this client, is he quite easy to manage? This... | 0:09:34 | 0:09:38 | |
Million-dollar question, that one. | 0:09:38 | 0:09:40 | |
Every client will have their challenges, | 0:09:42 | 0:09:44 | |
some more than others, and there's probably not an area on this yacht | 0:09:44 | 0:09:50 | |
that hasn't been...adjusted by the client. | 0:09:50 | 0:09:53 | |
Fiddled with. | 0:09:55 | 0:09:57 | |
The client wants to completely personalise his boat, | 0:09:57 | 0:10:01 | |
so no request is too big, no detail too small. | 0:10:01 | 0:10:05 | |
And in the guest cabins, | 0:10:05 | 0:10:06 | |
a problem's been spotted with the silk lining on the wall panels. | 0:10:06 | 0:10:10 | |
If you look at this lining and then compare it to this one | 0:10:10 | 0:10:13 | |
on the other side, it doesn't have as much of a grain. | 0:10:13 | 0:10:17 | |
I would imagine, knowing how detailed the client is, | 0:10:17 | 0:10:20 | |
this is something that will be picked up. | 0:10:20 | 0:10:22 | |
Potentially, a client may only have two weeks vacation a year, | 0:10:22 | 0:10:25 | |
and we've got to make that two weeks vacation very special. | 0:10:25 | 0:10:28 | |
And there are more detailing issues | 0:10:29 | 0:10:31 | |
causing concern up on the sky deck. | 0:10:31 | 0:10:34 | |
All of the main planks are cut straight to the margin. | 0:10:34 | 0:10:38 | |
These three planks, because of the angle they're cut... | 0:10:38 | 0:10:42 | |
If they were cut on the angle to hit the circle, | 0:10:42 | 0:10:47 | |
they would fall on such a sharp point | 0:10:47 | 0:10:49 | |
that they would be prone to breaking in service. | 0:10:49 | 0:10:52 | |
It's a very sensitive issue with the client. | 0:10:52 | 0:10:54 | |
He brought it up on a photograph two weeks ago, | 0:10:54 | 0:10:56 | |
so we're going to discuss that with him today. | 0:10:56 | 0:10:58 | |
We didn't actually send a picture of this centre feature, | 0:10:58 | 0:11:01 | |
we sent a picture of the entire sky deck | 0:11:01 | 0:11:03 | |
and he's obviously zoomed in to the centre feature | 0:11:03 | 0:11:05 | |
and picked this up on the corner of a photograph. | 0:11:05 | 0:11:08 | |
Eye for detail! Yes. | 0:11:08 | 0:11:10 | |
I've seen a lot worse. Yeah, that's what they pick up on. | 0:11:10 | 0:11:13 | |
This is the most highly spec'ed spa tub we've ever built. | 0:11:13 | 0:11:17 | |
I mean we've got pop-up fountains, LED cup holders, | 0:11:17 | 0:11:20 | |
multiple lights, multiple heaters. | 0:11:20 | 0:11:22 | |
This, I know, the client will be thrilled to be able to see today. | 0:11:22 | 0:11:25 | |
Yeah, very happy. I think there's enough for the client to see | 0:11:26 | 0:11:30 | |
that were very specific to the client. | 0:11:30 | 0:11:33 | |
It's going to be a good day, hopefully, so we'll wait and see. | 0:11:33 | 0:11:36 | |
CAMERAMAN: No shouting? Hopefully not, but I'm always prepared. | 0:11:36 | 0:11:41 | |
Final payment is not made until the yacht has been delivered - | 0:11:42 | 0:11:47 | |
and on this boat, there's still a significant amount to pay. | 0:11:47 | 0:11:52 | |
There are only a limited number of people in the world | 0:11:52 | 0:11:54 | |
who can afford these superyachts, | 0:11:54 | 0:11:56 | |
and with over 60% of new orders coming from repeat business, | 0:11:56 | 0:12:00 | |
it's vital to keep every client happy and coming back for more. | 0:12:00 | 0:12:04 | |
And today, Mark's wealthy client wants to stay anonymous. | 0:12:06 | 0:12:10 | |
I'll take him over the boat now. There's a lot to take in. | 0:12:11 | 0:12:14 | |
There's a lot that's happened since he was last here, | 0:12:14 | 0:12:17 | |
so let's just see how it goes until lunchtime, | 0:12:17 | 0:12:20 | |
make sure that actually he's happy - that's the primary focus of today. | 0:12:20 | 0:12:25 | |
CAMERAMAN: Good luck, hope it goes well. Thanks very much. | 0:12:25 | 0:12:28 | |
Mark spends the rest of the day on board, | 0:12:30 | 0:12:33 | |
looking over every inch of the boat with the client, | 0:12:33 | 0:12:36 | |
in the hope he likes what he sees. | 0:12:36 | 0:12:38 | |
They need his approval on every detail to keep the build on track. | 0:12:38 | 0:12:43 | |
Keeping the clients happy is key | 0:12:48 | 0:12:50 | |
to ensuring future sales of this new boat. | 0:12:50 | 0:12:54 | |
The boats are manufactured in Poole | 0:12:54 | 0:12:56 | |
but are sold by dealers across the globe. | 0:12:56 | 0:12:59 | |
In Mayfair, Sales Director, Chris co-owns Sunseeker London | 0:12:59 | 0:13:03 | |
and runs 20 offices and 100 staff around the Mediterranean. | 0:13:03 | 0:13:07 | |
Yep. You've got a client? Yep. Who's doing the sea trial? | 0:13:07 | 0:13:11 | |
Tomorrow they will speak to you about what commissions | 0:13:11 | 0:13:14 | |
and how it's split. OK. | 0:13:14 | 0:13:15 | |
He knows exactly why the gamble on this bigger boat | 0:13:15 | 0:13:18 | |
is crucial to the company's future survival. | 0:13:18 | 0:13:20 | |
After the credit crunch, the market for smaller boats radically changed. | 0:13:20 | 0:13:24 | |
Going back, many of our clients would take finance. | 0:13:24 | 0:13:28 | |
They may have not had a million pounds in the bank to buy it, | 0:13:28 | 0:13:31 | |
but they could afford the repayments. | 0:13:31 | 0:13:33 | |
Obviously come the crash, | 0:13:33 | 0:13:35 | |
most banks didn't want to lend against assets, | 0:13:35 | 0:13:37 | |
such as jets, yachts and so on, and so for the last four years, | 0:13:37 | 0:13:41 | |
customers have had to use their own cash | 0:13:41 | 0:13:44 | |
and that affected the small boat market. | 0:13:44 | 0:13:46 | |
With the number of billionaires doubling in the past five years, | 0:13:46 | 0:13:50 | |
the 131 is perfectly designed to target the new money. | 0:13:50 | 0:13:54 | |
It's easier to sell the bigger boats. | 0:13:54 | 0:13:56 | |
The client has the money, he knows what he wants, | 0:13:56 | 0:13:59 | |
and when he calls us to visit him, | 0:13:59 | 0:14:02 | |
me and my team would actually close that business, usually on the day. | 0:14:02 | 0:14:06 | |
With a smaller boat, believe it or not, | 0:14:06 | 0:14:08 | |
we can meet people at a boat show, it can take two years to convert. | 0:14:08 | 0:14:12 | |
Next month is boat show season, the biggest sales period of the year, | 0:14:16 | 0:14:21 | |
where the company hopes to make | 0:14:21 | 0:14:23 | |
over 40% of its annual sales in just 30 days. | 0:14:23 | 0:14:27 | |
Hello, hi! | 0:14:27 | 0:14:30 | |
With the shipyard's focus on bigger yachts, | 0:14:30 | 0:14:32 | |
they've flown in sales staff from across the globe, | 0:14:32 | 0:14:35 | |
to learn about the new 131 | 0:14:35 | 0:14:37 | |
and work out the best tactics to land the buyers | 0:14:37 | 0:14:40 | |
who can afford a ?20 million price tag. | 0:14:40 | 0:14:43 | |
Just a couple of deals on the boil, and it's only quarter to nine. | 0:14:43 | 0:14:48 | |
Chris was born in the East End of London, one of seven. | 0:14:48 | 0:14:53 | |
Despite humble beginnings, he's now part of the jet set. | 0:14:53 | 0:14:57 | |
I would probably meet 30 owners in a year | 0:14:57 | 0:15:02 | |
who would be spending anything from half a million pounds | 0:15:02 | 0:15:05 | |
up to ?20 million. | 0:15:05 | 0:15:08 | |
Sure, we have royal families, from around the world, buying boats. | 0:15:08 | 0:15:11 | |
Of course you change when you're meeting maybe a ruler of a country, | 0:15:11 | 0:15:16 | |
you may be slightly more reserved, but really it's the same. | 0:15:16 | 0:15:20 | |
We're there, really... It's an advisory role | 0:15:20 | 0:15:23 | |
of what we would do if you buy that boat. | 0:15:23 | 0:15:26 | |
Most of the salesmen get a basic wage plus 1% commission, | 0:15:26 | 0:15:31 | |
so if they sell a ?20 million yacht, | 0:15:31 | 0:15:35 | |
they could earn ?200,000 from just one deal. | 0:15:35 | 0:15:39 | |
Do the deal. I'll phone at lunchtime and let you know. | 0:15:39 | 0:15:41 | |
And what deposit? 50% in? | 0:15:41 | 0:15:43 | |
50%, yeah. We talked high deposit. | 0:15:43 | 0:15:45 | |
Over the boat show season, | 0:15:45 | 0:15:47 | |
I'd like to see around ?40 million-worth of sales. | 0:15:47 | 0:15:49 | |
We have boats which sell for up to ?24 million, | 0:15:49 | 0:15:53 | |
so we only have to sell two of those, fingers crossed. | 0:15:53 | 0:15:56 | |
For the sales team, the key to getting the super-rich to buy, | 0:15:57 | 0:16:01 | |
is to understand what is stopping them | 0:16:01 | 0:16:04 | |
from signing on the dotted line. | 0:16:04 | 0:16:06 | |
Just too expensive. | 0:16:06 | 0:16:08 | |
One of the biggest mistakes a lot of the sales people make is, | 0:16:08 | 0:16:11 | |
when they're talking to a husband and wife at the boat show, | 0:16:11 | 0:16:14 | |
they're focusing on the husband. But it's a big mistake. | 0:16:14 | 0:16:17 | |
My wife ran off with the captain on the last boat. | 0:16:17 | 0:16:20 | |
With divorce, we've got a list of lawyers we can recommend, | 0:16:20 | 0:16:24 | |
who have won very good cases and excellent settlements. | 0:16:24 | 0:16:27 | |
Whether they have ?5 million or ?50 million to spend, | 0:16:29 | 0:16:33 | |
it's just as important to know why the buyers aren't biting. | 0:16:33 | 0:16:36 | |
OK, so in at number one, we've got "Needs to convince the wife". | 0:16:36 | 0:16:40 | |
Needs to convince the wife? At number one? | 0:16:40 | 0:16:43 | |
Or husband - whichever you go for on that one. Interesting. | 0:16:43 | 0:16:47 | |
We're talking about when you are speaking to a client at a show, | 0:16:47 | 0:16:51 | |
giving just as much importance, if not more, | 0:16:51 | 0:16:55 | |
to the woman as much as the husband, | 0:16:55 | 0:16:58 | |
because she's got to feel loved, she's got to feel important. | 0:16:58 | 0:17:01 | |
If she's standing there like a lemon and we're just talking to him, | 0:17:01 | 0:17:04 | |
it ain't going to happen, she's going to feel offended. | 0:17:04 | 0:17:06 | |
So that's really important. | 0:17:06 | 0:17:08 | |
A certain element of wining and dining them, you know, | 0:17:08 | 0:17:10 | |
getting her a drink. | 0:17:10 | 0:17:12 | |
Although it seems sexist, | 0:17:14 | 0:17:16 | |
there is a precedent for their male-orientated approach to selling. | 0:17:16 | 0:17:20 | |
I can think of two female buyers - not owner's wives, | 0:17:21 | 0:17:28 | |
but two strong females that have walked onto the boat show stand | 0:17:28 | 0:17:33 | |
and bought a yacht from us in their own right. | 0:17:33 | 0:17:36 | |
Two. CAMERAMAN: And how many men? | 0:17:36 | 0:17:39 | |
Hundreds, hundreds, yeah. Yeah. | 0:17:39 | 0:17:43 | |
Matt from the Monaco office has been in sales all his life, | 0:17:43 | 0:17:48 | |
but started out selling tractors. | 0:17:48 | 0:17:50 | |
The psychology of sales doesn't change, | 0:17:51 | 0:17:54 | |
whether you're selling a block of cheese, a Hoover, | 0:17:54 | 0:17:57 | |
a multimillion-pound yacht, a multimillion-pound jet, | 0:17:57 | 0:18:00 | |
but I think, also, the clients like to deal with successful people. | 0:18:00 | 0:18:04 | |
If I turn up to a client's meeting in a Porsche, they like that. | 0:18:04 | 0:18:08 | |
You've got to have the right watch, | 0:18:08 | 0:18:10 | |
you've got to kind of have been a little bit travelled as well. | 0:18:10 | 0:18:13 | |
So it's nice to be able to say, "I know a good restaurant. | 0:18:13 | 0:18:15 | |
"Go to Cinq en Cinq, call this guy Stef, he'll get you a table". | 0:18:15 | 0:18:19 | |
The clients like that added value, as it were. | 0:18:19 | 0:18:23 | |
Selling yachts is not just about the price of the boat. | 0:18:29 | 0:18:32 | |
Berthing, maintenance and crew costs all need to be considered. | 0:18:32 | 0:18:36 | |
As a rule of thumb, the annual running costs of a superyacht | 0:18:36 | 0:18:40 | |
are 10% of the sale price. | 0:18:40 | 0:18:43 | |
It's all about selling a glamorous lifestyle | 0:18:43 | 0:18:45 | |
and one smart way to tempt new customers | 0:18:45 | 0:18:47 | |
is to let them charter these luxury yachts for a holiday. | 0:18:47 | 0:18:51 | |
Carl, is that champagne in the cold boxes? | 0:18:51 | 0:18:54 | |
Yeah, most of it is in. OK, and how many wines are there now? | 0:18:54 | 0:18:57 | |
We've got to pick up some more. Is there tonic? | 0:18:57 | 0:18:59 | |
What's in the fridge up there as well? | 0:18:59 | 0:19:02 | |
Have you swapped the drinks over? Yeah, we need some tonic in there. | 0:19:02 | 0:19:05 | |
This 28-metre yacht is booked solidly through the summer. | 0:19:05 | 0:19:10 | |
So between guests, Captain Paul and his crew, | 0:19:10 | 0:19:13 | |
typically have just one, 24-hour, turnaround day | 0:19:13 | 0:19:16 | |
to make the boat brand new again. | 0:19:16 | 0:19:19 | |
Guests generally get off at 12 o'clock. | 0:19:20 | 0:19:22 | |
Literally as soon as they step off the boat, we're stripping the beds, | 0:19:22 | 0:19:26 | |
get all the laundry picked up. | 0:19:26 | 0:19:27 | |
We try and get as much done as possible. | 0:19:27 | 0:19:29 | |
The cost of chartering this yacht, which sleeps eight guests, | 0:19:29 | 0:19:34 | |
is over ?60,000 a week, including fuel and tips. | 0:19:34 | 0:19:38 | |
How are the carpets doing, Kascha? | 0:19:39 | 0:19:42 | |
We have to try and steam clean them in between charters. | 0:19:42 | 0:19:45 | |
Looks nice, just not that practical. | 0:19:45 | 0:19:47 | |
On the turnaround day chef Hanna also has to restock the boat | 0:19:50 | 0:19:54 | |
with the finest food and drink. | 0:19:54 | 0:19:56 | |
And I think, as well, some foie gras burgers. | 0:19:57 | 0:20:00 | |
This is a bit like a hub. You come here, | 0:20:00 | 0:20:03 | |
you always meet other yacht chefs... Yeah. | 0:20:03 | 0:20:05 | |
You always exchange a bit of what happened to you this season, | 0:20:05 | 0:20:08 | |
a few stories, a bit of gossip. | 0:20:08 | 0:20:10 | |
With so many superyachts here, | 0:20:10 | 0:20:13 | |
the local traders specifically cater for the super-rich | 0:20:13 | 0:20:16 | |
and their super-expensive tastes. | 0:20:16 | 0:20:19 | |
We spend so much time on the boats, and you don't go home, | 0:20:21 | 0:20:25 | |
so when you go out and you get to look around and meet people, | 0:20:25 | 0:20:28 | |
it's like a little treat, actually. It's really nice. | 0:20:28 | 0:20:31 | |
Every summer, Paul and Hanna entertain over 100 wealthy guests | 0:20:31 | 0:20:35 | |
from across the globe. | 0:20:35 | 0:20:37 | |
There's people that come on the boat as well | 0:20:38 | 0:20:40 | |
that don't even like the sea or swim, | 0:20:40 | 0:20:42 | |
they just want to be on a boat for some reason, which is fine. | 0:20:42 | 0:20:47 | |
You'll be surprised, as well, by how many people get very seasick. | 0:20:48 | 0:20:53 | |
Sometimes it's not so easy to find what a guest asks for. | 0:20:56 | 0:20:59 | |
For example, a few months ago now, | 0:20:59 | 0:21:02 | |
they wanted to have bread and pastries and baked goods | 0:21:02 | 0:21:06 | |
from this specific one bakery in Paris. | 0:21:06 | 0:21:10 | |
And we were in Corsica. | 0:21:10 | 0:21:12 | |
Hi, there. Can you do me a car for tomorrow | 0:21:12 | 0:21:15 | |
from Nice airport at about 11 o'clock? | 0:21:15 | 0:21:17 | |
They're not super-demanding. | 0:21:17 | 0:21:19 | |
They're demanding in the way that they want good service, | 0:21:19 | 0:21:22 | |
they want to have someone around all the time to offer them drinks, | 0:21:22 | 0:21:25 | |
but they don't ask for ridiculous things. | 0:21:25 | 0:21:27 | |
I think maybe once I booked a table for two people and their dog, | 0:21:27 | 0:21:32 | |
and it was a Michelin-star restaurant, | 0:21:32 | 0:21:34 | |
so that was a little bit strange. | 0:21:34 | 0:21:36 | |
After eight hours of polishing and buffing, | 0:21:36 | 0:21:40 | |
the boat is almost back to showroom condition. | 0:21:40 | 0:21:43 | |
So, how often do you get to enjoy the boat? | 0:21:43 | 0:21:45 | |
Never? Do you mean do we sit in the Jacuzzi and sit round the bar? | 0:21:47 | 0:21:51 | |
Yeah. Never. | 0:21:51 | 0:21:53 | |
It's weird. If you just get some time to relax, | 0:21:53 | 0:21:56 | |
you almost want to get away from the boat. | 0:21:56 | 0:21:57 | |
It's not like I can sit and get drunk, | 0:21:57 | 0:22:00 | |
I'm responsible for the boat all the time. | 0:22:00 | 0:22:02 | |
Even if we've got a few hours off, I'm still responsible for the boat. | 0:22:02 | 0:22:05 | |
Like most boats over 50 foot, | 0:22:05 | 0:22:08 | |
this yacht has dedicated crew accommodation. | 0:22:08 | 0:22:12 | |
I'm not a lover of small spaces, but it's OK. | 0:22:12 | 0:22:17 | |
Yeah, I manage. | 0:22:17 | 0:22:19 | |
Two cabins. The beds are actually big enough to sleep in. | 0:22:21 | 0:22:25 | |
You know, they're adult size and long enough. | 0:22:25 | 0:22:28 | |
Whereas, it's not like that on all boats. | 0:22:28 | 0:22:30 | |
This is luxurious for some crew. | 0:22:30 | 0:22:32 | |
It's still interesting how some guests actually think | 0:22:32 | 0:22:35 | |
that our job is to have a holiday with them, and they say, | 0:22:35 | 0:22:38 | |
"Your job must be the best in the world | 0:22:38 | 0:22:41 | |
"because you get to go on holiday with us", | 0:22:41 | 0:22:43 | |
but it's not really... I mean, that's not the whole story. | 0:22:43 | 0:22:47 | |
When living in such a small space, it's very important the crew get on. | 0:22:47 | 0:22:51 | |
We are boyfriend and girlfriend. Yeah, yeah, we are. | 0:22:51 | 0:22:56 | |
We know a lot of other couples that work on boats, yeah. So... | 0:22:56 | 0:23:00 | |
They tend to be mainly the captain that's in a couple | 0:23:00 | 0:23:03 | |
either with the chief stew or the chef. | 0:23:03 | 0:23:07 | |
Because also the captain is the one hiring, so... | 0:23:07 | 0:23:11 | |
So I'm firing. | 0:23:11 | 0:23:13 | |
THEY LAUGH | 0:23:13 | 0:23:15 | |
So, he can hire his girlfriend if he wants. | 0:23:15 | 0:23:17 | |
The only real time that you spend is when you sleep | 0:23:17 | 0:23:21 | |
and we have bunk beds so... Yeah, so... | 0:23:21 | 0:23:24 | |
THEY LAUGH | 0:23:24 | 0:23:26 | |
Sunseeker's new focus on bigger boats | 0:23:29 | 0:23:32 | |
is part of a long-term strategy. | 0:23:32 | 0:23:34 | |
When the company was founded by Robert Braithwaite 50 years ago, | 0:23:37 | 0:23:41 | |
his passion was for small, fast boats. | 0:23:41 | 0:23:45 | |
This is where it all started. | 0:23:46 | 0:23:48 | |
That's the 17 there, one of the first ones. | 0:23:48 | 0:23:52 | |
We had a little showroom at the front | 0:23:52 | 0:23:54 | |
and I used to come in and try and sell my boats, | 0:23:54 | 0:23:57 | |
and I said to somebody, "Why? I can't sell any boats". | 0:23:57 | 0:24:01 | |
I rang a friend and he said, "Look, you've got to have a range. | 0:24:01 | 0:24:04 | |
"You've only got one boat." | 0:24:04 | 0:24:06 | |
So, in other words, I made three boats out of the 17, | 0:24:06 | 0:24:10 | |
so different types of boats, | 0:24:10 | 0:24:11 | |
and, interestingly, they all sold from that point on. | 0:24:11 | 0:24:15 | |
Robert always stuck to that advice and, over the years, | 0:24:16 | 0:24:20 | |
the company have made more than 150 different models. | 0:24:20 | 0:24:23 | |
Their largest and most expensive boat is the 155-foot 155. | 0:24:23 | 0:24:29 | |
It has over four times the floor space | 0:24:29 | 0:24:31 | |
of the average British home | 0:24:31 | 0:24:33 | |
and costs up to ?30 million, including VAT. | 0:24:33 | 0:24:37 | |
It just shows the wealth that's around. | 0:24:37 | 0:24:41 | |
CAMERAMAN: Does that come with a full tank of fuel? Everything. | 0:24:41 | 0:24:45 | |
Ready to drive away, sir. You can have it. | 0:24:45 | 0:24:48 | |
Larger boats are selling much better than they used to | 0:24:50 | 0:24:54 | |
and, if you keep your clientele, | 0:24:54 | 0:24:56 | |
you have to show that you can do boats like this. | 0:24:56 | 0:24:59 | |
CAMERAMAN: Would you spend ?30 million on a boat? No. | 0:24:59 | 0:25:03 | |
What makes me tick is taking the dogs out and going to the pub. | 0:25:03 | 0:25:07 | |
So, I don't live this sort of life at all. | 0:25:08 | 0:25:11 | |
You all right? Yes, thanks. | 0:25:11 | 0:25:12 | |
Robert has now sold most of his shares for many millions, | 0:25:12 | 0:25:16 | |
but still gets a buzz from the factory floor. | 0:25:16 | 0:25:20 | |
You can have come up with the idea to build this business | 0:25:20 | 0:25:23 | |
but, unless you have a very good team, you don't go anywhere. | 0:25:23 | 0:25:26 | |
With the continued investment and plans for growth, | 0:25:30 | 0:25:33 | |
the company take on over 30 new apprentices every year. | 0:25:33 | 0:25:37 | |
Today, three new trainees are joining. | 0:25:39 | 0:25:43 | |
I'll give you a brief tour of the factory. | 0:25:43 | 0:25:46 | |
Production Manager, James, starts by explaining the basics. | 0:25:47 | 0:25:51 | |
In our type of boat building, we start off with a mould. | 0:25:52 | 0:25:56 | |
It's just like a jelly mould, | 0:25:56 | 0:25:57 | |
so we've got two halves, the hull and the deck. | 0:25:57 | 0:25:59 | |
Basically, the way we mould our boats, | 0:25:59 | 0:26:02 | |
you lay in your glass fibre inside of your jelly mould, | 0:26:02 | 0:26:05 | |
so what you can see here is layers of glass fibre, | 0:26:05 | 0:26:09 | |
held together with resin. | 0:26:09 | 0:26:11 | |
Everything we do here is done by hand. | 0:26:11 | 0:26:13 | |
This is boat building at its core. | 0:26:13 | 0:26:15 | |
This type of fibreglass production became popular in the 1960s | 0:26:15 | 0:26:19 | |
and is now the most common way to build boats. | 0:26:19 | 0:26:22 | |
All the boats here start life as a bucket of resin, | 0:26:22 | 0:26:26 | |
creating lightweight, durable hulls, relatively cheap to produce, | 0:26:26 | 0:26:31 | |
allowing clients to spend more on extravagant customisation. | 0:26:31 | 0:26:35 | |
On this production line, nine yachts are always under construction | 0:26:35 | 0:26:39 | |
and each one takes over 10,000 man-hours to build. | 0:26:39 | 0:26:43 | |
What's going on specifically right now, | 0:26:43 | 0:26:45 | |
is they've started to prepare for the bathing platform legs, | 0:26:45 | 0:26:48 | |
so that's what those holes are, and that's the sort of thing | 0:26:48 | 0:26:51 | |
you'll start off with as apprentices. | 0:26:51 | 0:26:53 | |
What happens when you drill a hole in the wrong place? The wrong place? | 0:26:53 | 0:26:56 | |
First of all, I get really upset, | 0:26:56 | 0:26:58 | |
and if you do do it, once you've finished apologising, | 0:26:58 | 0:27:01 | |
especially to me, is to learn from it. | 0:27:01 | 0:27:04 | |
It's more than you think, isn't it? | 0:27:05 | 0:27:07 | |
When you kind of start laying it out, it's quite an involved process. | 0:27:07 | 0:27:11 | |
Across the road, on their new production line, | 0:27:15 | 0:27:18 | |
the build of the new 131 yacht | 0:27:18 | 0:27:20 | |
is turning into one of the most challenging | 0:27:20 | 0:27:22 | |
in the shipyard's history. | 0:27:22 | 0:27:25 | |
The client's visit didn't go exactly to plan. | 0:27:25 | 0:27:29 | |
The whole day was very exciting. | 0:27:29 | 0:27:30 | |
There's always challenges, we had some challenges, | 0:27:30 | 0:27:33 | |
and now we've got to get on and get them ironed out. | 0:27:33 | 0:27:36 | |
CAMERAMAN: What kind of challenges? | 0:27:36 | 0:27:38 | |
The client's requested a few extras, | 0:27:39 | 0:27:41 | |
which we're discussing with him at the moment. | 0:27:41 | 0:27:44 | |
Mark now has to go through the long list of changes with Dean, | 0:27:44 | 0:27:48 | |
to work out how they will impact the build. | 0:27:48 | 0:27:51 | |
He's asked if we can put electric curtains in, instead of manual. | 0:27:51 | 0:27:55 | |
The client said, "Look, I don't want to have to get out of bed | 0:27:55 | 0:27:58 | |
"to open them and see the sunlight". Makes sense. | 0:27:58 | 0:28:01 | |
He doesn't want to walk into a bathroom and see a toilet control, | 0:28:01 | 0:28:04 | |
and that's the issue we've got with the day heads for the downstairs, | 0:28:04 | 0:28:08 | |
because this is a special toilet | 0:28:08 | 0:28:11 | |
with heated seat and massaging function. | 0:28:11 | 0:28:14 | |
OK? Perfect. | 0:28:15 | 0:28:17 | |
He's requested that all the lights are changed | 0:28:17 | 0:28:19 | |
to dual colour - white and blue. | 0:28:19 | 0:28:21 | |
So, I've explained the enormity of that now, at this stage. | 0:28:21 | 0:28:24 | |
You know, we've got over 200 lights fitted. | 0:28:24 | 0:28:26 | |
An important part of Mark's job is to make sure | 0:28:26 | 0:28:29 | |
the client's alterations don't affect Dean | 0:28:29 | 0:28:32 | |
and his build team's morale. | 0:28:32 | 0:28:34 | |
You'll be pleased to know there's no change here. | 0:28:34 | 0:28:39 | |
Every fixture and fitting on this yacht is bespoke, | 0:28:40 | 0:28:44 | |
including the natural marble chosen for the guest bathrooms. | 0:28:44 | 0:28:48 | |
On his visit, the client rejected the stone | 0:28:50 | 0:28:52 | |
but, for now, Mark doesn't want to worry Dean about it. | 0:28:52 | 0:28:55 | |
This particular stone was hand-picked. | 0:28:55 | 0:28:59 | |
In the client's eyes, I think they felt that it should be | 0:28:59 | 0:29:03 | |
a little bit plainer, where there's no veining. | 0:29:03 | 0:29:06 | |
To give you an example, if you look at the splashback along here, | 0:29:06 | 0:29:10 | |
if you notice, over that side, you've got | 0:29:10 | 0:29:12 | |
a little bit more mineral content, a little bit more mottling, | 0:29:12 | 0:29:16 | |
and as you move forward, it becomes very plain. | 0:29:16 | 0:29:18 | |
And that's the type of thing that the client's picked up | 0:29:18 | 0:29:21 | |
in he felt it shouldn't be uniform, | 0:29:21 | 0:29:25 | |
but, actually, it should be a little bit more consistent on those areas. | 0:29:25 | 0:29:29 | |
Yeah, I think if you take that slab in its entirety, | 0:29:29 | 0:29:33 | |
if you add up the amount of little tiny grey detail, | 0:29:33 | 0:29:37 | |
it's too much for the client. | 0:29:37 | 0:29:39 | |
It's just not as clean - and I think "clean" is the best word to use - | 0:29:39 | 0:29:43 | |
it's not as clean as he anticipated. | 0:29:43 | 0:29:45 | |
And if that means that, between us, we're going to replace | 0:29:45 | 0:29:48 | |
certain parts of the marble, then that's what we'll need to do. | 0:29:48 | 0:29:51 | |
For just the stone elements on a yacht like this, | 0:29:51 | 0:29:54 | |
you could be looking at anything between ?90,000 to ?130,000, | 0:29:54 | 0:29:59 | |
just on marble. | 0:29:59 | 0:30:00 | |
Replacing the marble would have a huge impact. | 0:30:03 | 0:30:06 | |
Apart from the enormous costs, | 0:30:06 | 0:30:08 | |
it would also create further serious delays. | 0:30:08 | 0:30:11 | |
What we don't want to do is impact the build crew time, | 0:30:13 | 0:30:16 | |
because it is a production line, | 0:30:16 | 0:30:18 | |
we've got to make sure that the boats behind it... | 0:30:18 | 0:30:21 | |
We have three 131 yachts behind it in build at the moment. | 0:30:21 | 0:30:24 | |
And a delay here can change | 0:30:24 | 0:30:27 | |
the whole programme for the next 18 months. | 0:30:27 | 0:30:30 | |
Before I go, I've got to send five emails to this client, | 0:30:31 | 0:30:34 | |
so I try and do them in batches | 0:30:34 | 0:30:36 | |
and then by the time I wake up at six o'clock, | 0:30:36 | 0:30:39 | |
I'll have all the responses in my inbox, so ready to go again. | 0:30:39 | 0:30:42 | |
Here we go again tomorrow. | 0:30:43 | 0:30:45 | |
# Si bon, si bon... # | 0:30:54 | 0:30:55 | |
In the South of France, | 0:30:55 | 0:30:57 | |
the charter crew are making their final preparations. | 0:30:57 | 0:31:00 | |
# C'est si bon Si bon, si bon | 0:31:00 | 0:31:03 | |
# Lovers say that in France... # | 0:31:03 | 0:31:06 | |
The guests arrive in a couple of hours | 0:31:06 | 0:31:08 | |
and, for Paul, first impressions are everything. | 0:31:08 | 0:31:12 | |
I like lines in the top of the shirt which don't always come when you... | 0:31:12 | 0:31:15 | |
And I like lines, creases in the trousers, so... | 0:31:15 | 0:31:19 | |
When people first turn up, | 0:31:19 | 0:31:21 | |
they need to think that the boat looks as much as it costs. | 0:31:21 | 0:31:26 | |
# Si bon, si bon Because it's... # | 0:31:26 | 0:31:29 | |
When the guests arrive, I like all four crew to be ready, | 0:31:29 | 0:31:32 | |
so it looks like we've been waiting two hours in exactly this position. | 0:31:32 | 0:31:35 | |
# Every kiss, dear... # | 0:31:36 | 0:31:39 | |
Today's guests are a family group from London | 0:31:39 | 0:31:42 | |
and it's the second time this year | 0:31:42 | 0:31:44 | |
they've chartered with Paul and Hanna. | 0:31:44 | 0:31:47 | |
It's definitely easier with repeat clients. | 0:31:47 | 0:31:49 | |
You don't have the uncertainty of when they first arrive, | 0:31:49 | 0:31:51 | |
you also know that they were happy last time, had a great time, | 0:31:51 | 0:31:54 | |
so you were doing something right for them then. It's much easier. | 0:31:54 | 0:31:58 | |
Good morning, good morning! Hello. | 0:31:58 | 0:32:00 | |
Good to see you, how's it going? I'm not bad. | 0:32:00 | 0:32:02 | |
...really lucky. | 0:32:02 | 0:32:04 | |
Hello, how are you? | 0:32:04 | 0:32:06 | |
Hi, welcome back, good to see you. | 0:32:06 | 0:32:08 | |
Let's go with the bubbles, the bubbles. Yes, white or rose? | 0:32:08 | 0:32:12 | |
One of each. One of each? Certainly. | 0:32:12 | 0:32:14 | |
Cheers, guys. ALL: Cheers. | 0:32:18 | 0:32:21 | |
Best of times. | 0:32:21 | 0:32:23 | |
# Si bon, si bon The Left Bank | 0:32:23 | 0:32:25 | |
# Si bon Si bon... # | 0:32:25 | 0:32:27 | |
I have lots of choices in life, I'm very fortunate, | 0:32:27 | 0:32:31 | |
and I'm completely hooked on this. | 0:32:31 | 0:32:33 | |
I mean, I'm just completely hooked. | 0:32:33 | 0:32:35 | |
It is very expensive but it's worth every penny. | 0:32:35 | 0:32:38 | |
When you pull into a port in a boat like this, | 0:32:40 | 0:32:43 | |
people are going, "Who's that? Who's this?" | 0:32:43 | 0:32:45 | |
Of course, you know, that plays to your ego. | 0:32:45 | 0:32:47 | |
I mean, you're not going to deny that. | 0:32:47 | 0:32:50 | |
But, um, it's just part of the experience. | 0:32:50 | 0:32:53 | |
You're catered for in every way possible, | 0:32:54 | 0:32:56 | |
you haven't got to worry about anything. | 0:32:56 | 0:32:58 | |
Um, it's... Yeah, it's amazing. | 0:32:58 | 0:33:01 | |
And also you do stop off in places, | 0:33:01 | 0:33:03 | |
so if you do want to get off, you still have that option. | 0:33:03 | 0:33:07 | |
We're always eyeing up the other boats | 0:33:07 | 0:33:08 | |
and we saw one last time, didn't we, | 0:33:08 | 0:33:10 | |
that had a colour-coordinated helicopter on it. Yeah. | 0:33:10 | 0:33:13 | |
When your helicopter coordinates with your boat, | 0:33:13 | 0:33:16 | |
you know you've made it in life. Yeah. | 0:33:16 | 0:33:19 | |
It's hoped that charter customers like this | 0:33:22 | 0:33:25 | |
will one day become buyers. | 0:33:25 | 0:33:27 | |
A mile along the coast, Lindsay, manager of the French sales office, | 0:33:28 | 0:33:33 | |
is setting up for one of the most important sales events | 0:33:33 | 0:33:36 | |
of the year - the Cannes Yachting Festival, | 0:33:36 | 0:33:39 | |
which starts in two days' time. | 0:33:39 | 0:33:41 | |
By the close of play today, | 0:33:41 | 0:33:43 | |
we fully expect it to look like a boat show, ready. | 0:33:43 | 0:33:47 | |
Carpets laid, furniture in position... | 0:33:47 | 0:33:49 | |
However, we've got Chris, who arrives tonight at midnight, | 0:33:49 | 0:33:52 | |
and so if he comes to the stand tomorrow and doesn't like it, | 0:33:52 | 0:33:55 | |
he will start moving boats around, | 0:33:55 | 0:33:57 | |
and then that's when we lose all that time that we've gained. | 0:33:57 | 0:34:00 | |
The show attracts super-wealthy clients from all over the world, | 0:34:01 | 0:34:05 | |
and Sunseeker are positioned next to their main competition, | 0:34:05 | 0:34:08 | |
fellow British brand, Princess Yachts. | 0:34:08 | 0:34:11 | |
The Princess V72. Is that a direct competitor? | 0:34:11 | 0:34:15 | |
Some say. Some say. | 0:34:17 | 0:34:20 | |
The company has one of the biggest stands here. | 0:34:21 | 0:34:24 | |
It's a huge operation, costing one million euros, | 0:34:24 | 0:34:28 | |
with a team of 30 getting 12 yachts, worth over ?50 million, | 0:34:28 | 0:34:32 | |
ready to sell. And the stakes are high. | 0:34:32 | 0:34:35 | |
It's our primary sales event of the entire year, | 0:34:35 | 0:34:38 | |
and it's really one of the only places | 0:34:38 | 0:34:40 | |
where a client can, for example, jump in between the 55, | 0:34:40 | 0:34:44 | |
straight onto the 65 and straight onto the 75, | 0:34:44 | 0:34:48 | |
to work out which boat actually may be best for them. | 0:34:48 | 0:34:51 | |
Jen, how much are these models? | 0:34:52 | 0:34:54 | |
Um, the one in our office is insured for around ?40,000. | 0:34:54 | 0:34:58 | |
Yeah, let's not drop it then, eh? | 0:34:59 | 0:35:02 | |
With just a model costing more than a family car, | 0:35:02 | 0:35:06 | |
the investment is huge, | 0:35:06 | 0:35:08 | |
so Lindsay needs to get everything right for her boss's arrival. | 0:35:08 | 0:35:12 | |
It is under control. We're about half a day ahead, | 0:35:13 | 0:35:17 | |
so the sooner you get here and tell us what you want moving, | 0:35:17 | 0:35:20 | |
the better, to be honest. | 0:35:20 | 0:35:22 | |
Don't turn up at six o'clock and tell us | 0:35:22 | 0:35:24 | |
you want all these boats moving around. | 0:35:24 | 0:35:27 | |
With time running out before the show opens, | 0:35:28 | 0:35:31 | |
the boats are buffed and polished to perfection... | 0:35:31 | 0:35:34 | |
Stainless polish, if you can get it, Jen. | 0:35:35 | 0:35:38 | |
..and Lindsay's attention to detail becomes obsessive. | 0:35:38 | 0:35:42 | |
Someone's run the water | 0:35:42 | 0:35:44 | |
and you can see the water marks, in this side here. | 0:35:44 | 0:35:47 | |
It's still got dust here on the tap, can you see that? | 0:35:47 | 0:35:50 | |
It's got to be perfect. | 0:35:50 | 0:35:52 | |
Who's going to forgive you for having water marks in the sink | 0:35:52 | 0:35:54 | |
and opening up a cupboard and it's not immaculate? | 0:35:54 | 0:35:59 | |
You know what I mean? Everything's got to be immaculate. | 0:35:59 | 0:36:01 | |
Some boats, there just aren't enough pillows. | 0:36:11 | 0:36:14 | |
And Lindsay has one last hurdle to clear - | 0:36:16 | 0:36:18 | |
getting the approval of her boss, Chris. | 0:36:18 | 0:36:21 | |
First impressions, good. Good, OK. | 0:36:21 | 0:36:24 | |
If I was a client walking along here... Yeah? | 0:36:24 | 0:36:27 | |
..I'd be going, "Wow", and I'd be wanting to go on. | 0:36:27 | 0:36:30 | |
Flags look good. I still think the flags, for the future, | 0:36:30 | 0:36:33 | |
need to be full-length flags. People don't look up in the air | 0:36:33 | 0:36:35 | |
unless they're looking for aeroplanes. Yeah. | 0:36:35 | 0:36:38 | |
I don't think either or changing boat positions here, | 0:36:38 | 0:36:42 | |
there's no need. Yes! | 0:36:42 | 0:36:44 | |
CAMERAMAN: Are you happy? Yeah, overall, yes. | 0:36:46 | 0:36:49 | |
I always wanted to be here for the very start of setup, | 0:36:49 | 0:36:52 | |
but over the years, I've slowed down and left it to the team to do. | 0:36:52 | 0:36:55 | |
No! Not bad, not bad. | 0:36:55 | 0:36:58 | |
It's like getting an A from the teacher. | 0:36:58 | 0:37:02 | |
If the gamble on the new bigger boat is to pay off, | 0:37:05 | 0:37:08 | |
they'll need confirmed sales of the 131 model at the boat show. | 0:37:08 | 0:37:12 | |
But in Poole, completing the first one is still a long way off. | 0:37:12 | 0:37:16 | |
With an endless choice of bespoke extras a key selling point, | 0:37:18 | 0:37:21 | |
this client has gone to town... | 0:37:21 | 0:37:23 | |
..including an item that's not normally seen | 0:37:25 | 0:37:28 | |
on a seafaring vessel - a water wall. | 0:37:28 | 0:37:31 | |
With lights? With lights. OK. | 0:37:38 | 0:37:41 | |
Have we got any power to juice it up? | 0:37:41 | 0:37:44 | |
Bit of power. We've got some power. | 0:37:44 | 0:37:47 | |
SOUND OF RUNNING WATER | 0:37:48 | 0:37:51 | |
What do you think? | 0:37:51 | 0:37:52 | |
I think we're all going to need the toilet in about five minutes. | 0:37:56 | 0:37:58 | |
Basically, the concept came from a trade show in the US, | 0:38:00 | 0:38:04 | |
which the client visited, and he sent me an email | 0:38:04 | 0:38:08 | |
with some Pinterest images of water walls and bubble walls, | 0:38:08 | 0:38:12 | |
with the caption, "This would look fantastic in the yacht". | 0:38:12 | 0:38:15 | |
OK, well, it's... | 0:38:15 | 0:38:16 | |
From my initial impressions, it's better in, | 0:38:16 | 0:38:19 | |
looks better with the lights, once it's framed. | 0:38:19 | 0:38:22 | |
This afternoon, Mark has an important visitor | 0:38:24 | 0:38:27 | |
coming to see the yacht - Rick, the dealer from Florida, | 0:38:27 | 0:38:31 | |
who originally brokered the deal. | 0:38:31 | 0:38:33 | |
The customer is extremely detailed. | 0:38:33 | 0:38:35 | |
I'm lost for words when I try to describe his detail. | 0:38:40 | 0:38:43 | |
The customer's extremely detailed, | 0:38:43 | 0:38:45 | |
um...in particular, about every little item. | 0:38:45 | 0:38:49 | |
Rick has to keep the client updated on the progress of the build | 0:38:49 | 0:38:53 | |
and ensure he's happy with every detail | 0:38:53 | 0:38:56 | |
to guarantee the final instalment and his commission get paid. | 0:38:56 | 0:39:00 | |
One very, very important thing we do constantly... | 0:39:00 | 0:39:03 | |
Nothing pays as much as getting the photos. The photos are key. | 0:39:05 | 0:39:09 | |
It's like having baby shots. | 0:39:09 | 0:39:11 | |
The customers, I think they appreciate that. | 0:39:11 | 0:39:13 | |
I mean, how often do you get that request? I get it like every day. | 0:39:13 | 0:39:17 | |
In the cabins, Rick has noticed an issue with the lighting design | 0:39:17 | 0:39:20 | |
he's sure the client will question. | 0:39:20 | 0:39:23 | |
If you come over here and look at it through the angle, | 0:39:23 | 0:39:26 | |
you can see the light bulbs. | 0:39:26 | 0:39:27 | |
Well, maybe the client won't notice that. Oh, he will. | 0:39:28 | 0:39:31 | |
I'd put money on the table | 0:39:31 | 0:39:33 | |
that it'll be the first thing the client notices. | 0:39:33 | 0:39:35 | |
Basically, you're going to need a stainless back | 0:39:35 | 0:39:39 | |
that's probably going to cost as much as the light. | 0:39:39 | 0:39:42 | |
It did take me... I looked at it for one second, I'm like... | 0:39:42 | 0:39:45 | |
You didn't want to say anything, did you? I was like that's too bad. | 0:39:45 | 0:39:48 | |
I'm not taking a picture with the light. | 0:39:49 | 0:39:51 | |
No, probably best not. Oh, Mark. | 0:39:51 | 0:39:55 | |
Rick is also part of the team | 0:39:55 | 0:39:57 | |
trying to resolve the client's marble concerns. | 0:39:57 | 0:40:00 | |
Um... | 0:40:00 | 0:40:02 | |
Well, I think it's stunning. | 0:40:02 | 0:40:04 | |
However, the client may be looking at it a little bit closer. | 0:40:04 | 0:40:09 | |
Closer? More detailed. | 0:40:10 | 0:40:13 | |
There's just one last feature to see - | 0:40:15 | 0:40:18 | |
the latest addition to the boat. | 0:40:18 | 0:40:20 | |
Wow. | 0:40:22 | 0:40:23 | |
I think the customer will be very happy. I, um... | 0:40:23 | 0:40:26 | |
It's creative, it's a push, it's new. | 0:40:28 | 0:40:32 | |
What happens when it's off? How do you cover it? | 0:40:34 | 0:40:37 | |
Because it's probably not that attractive when it's off. | 0:40:37 | 0:40:40 | |
When it's off, it basically becomes a mirror. | 0:40:40 | 0:40:43 | |
Or you can do just the lights. | 0:40:44 | 0:40:47 | |
You can do just the lights and it gives it... Mmm. | 0:40:47 | 0:40:50 | |
It's a feature but it's half a feature. | 0:40:50 | 0:40:52 | |
Is the top open? | 0:40:54 | 0:40:55 | |
So, it's just a piece of PVC tube with holes in it, right? | 0:40:55 | 0:40:59 | |
To have a similar water wall fitted to your yacht, | 0:41:00 | 0:41:03 | |
you can expect to pay ?10,000 to ?15,000. | 0:41:03 | 0:41:07 | |
# It's the good life... # | 0:41:09 | 0:41:14 | |
Despite endless complications and delays to the schedule, | 0:41:14 | 0:41:17 | |
the company needs to keep the order book full. | 0:41:17 | 0:41:20 | |
To guarantee its future, they must sell four 131s every year. | 0:41:20 | 0:41:24 | |
In Cannes, the sales team are raring to go. | 0:41:24 | 0:41:27 | |
Relieved, relieved that we're here, that we've done it, | 0:41:27 | 0:41:31 | |
we've made it, it looks immense. | 0:41:31 | 0:41:33 | |
Everybody's happy, and now, yeah, I do feel calm, | 0:41:33 | 0:41:36 | |
I feel an overriding sense of calm, if I'm honest, | 0:41:36 | 0:41:39 | |
because now we get on with doing what we do best, selling boats. | 0:41:39 | 0:41:43 | |
Hi, Sean, good morning, you OK? | 0:41:43 | 0:41:45 | |
Waking up, you know, at three o'clock this morning, | 0:41:45 | 0:41:49 | |
you always have... Is it going to be a good show? | 0:41:49 | 0:41:52 | |
So, yeah, you have nerves, you've got to sell some boats. | 0:41:52 | 0:41:56 | |
If any salesman moans to be at a boat show, | 0:41:56 | 0:41:58 | |
they should not be in the business. What's your expectations? | 0:41:58 | 0:42:01 | |
I'd like to see around ten boats sold. | 0:42:01 | 0:42:04 | |
The show is known for its international clientele. | 0:42:05 | 0:42:09 | |
This is a really new yacht to our range... | 0:42:09 | 0:42:12 | |
But one of the first customers to arrive | 0:42:12 | 0:42:15 | |
are the Johnson family from Liverpool. | 0:42:15 | 0:42:17 | |
So, Peter, if you buy a boat, we will take care of everything. | 0:42:17 | 0:42:22 | |
We can look after the boat, we have the service down here, | 0:42:22 | 0:42:26 | |
if you want captains on beck and call, whatever you want to do. | 0:42:26 | 0:42:30 | |
Stop it, stop it! LAUGHTER | 0:42:30 | 0:42:32 | |
The pressure of a decision. | 0:42:32 | 0:42:34 | |
Sometimes with an older person, | 0:42:34 | 0:42:37 | |
they don't want the worry of the boating, | 0:42:37 | 0:42:39 | |
so we will do full management. | 0:42:39 | 0:42:41 | |
We can do everything. It will be ready to go. | 0:42:41 | 0:42:45 | |
They will arrive back in after a day out of the islands off Cannes | 0:42:45 | 0:42:49 | |
or Saint Tropez, and our cleaners will be on there, | 0:42:49 | 0:42:52 | |
getting the boat ready for the next day. | 0:42:52 | 0:42:55 | |
Lindsay's showing them around. | 0:42:55 | 0:42:57 | |
Lindsay is charming them, in a lovely way. | 0:42:57 | 0:43:00 | |
She's natural, yeah, and people like Lindsay. | 0:43:00 | 0:43:03 | |
And I think, in selling, if you're liked, you succeed. | 0:43:03 | 0:43:06 | |
She knows her stuff. CAMERAMAN: But she's not on commission? | 0:43:06 | 0:43:09 | |
No, she gets paid a fortune. | 0:43:09 | 0:43:11 | |
Nice to meet you. And you too. | 0:43:11 | 0:43:14 | |
He didn't sign the contract today, so there will be a letter, | 0:43:14 | 0:43:17 | |
either from myself or David to him tomorrow, | 0:43:17 | 0:43:19 | |
saying, "Dear Peter, you owe it to the kids to buy them a boat. | 0:43:19 | 0:43:23 | |
"It's enjoyment, it's only money." | 0:43:23 | 0:43:26 | |
See you later. | 0:43:26 | 0:43:27 | |
It's very rare you'll get anybody walking onto the stand | 0:43:28 | 0:43:31 | |
who's going to part with X amount of millions with a complete stranger. | 0:43:31 | 0:43:34 | |
So what it's about, in the background, | 0:43:34 | 0:43:36 | |
is about building relationships, | 0:43:36 | 0:43:37 | |
it's about introducing the brand to them, | 0:43:37 | 0:43:40 | |
about people feeling secure, I guess. | 0:43:40 | 0:43:43 | |
As the start of the show, I'm very, very happy. | 0:43:49 | 0:43:52 | |
People are not moaning about recession, | 0:43:52 | 0:43:57 | |
are not moaning about their shares, they've lost money. | 0:43:57 | 0:44:00 | |
In fact, there's a story there. | 0:44:00 | 0:44:02 | |
When the share market...the stock market goes down, | 0:44:02 | 0:44:04 | |
we have clients saying, "You know what? I'm gonna buy a boat. | 0:44:04 | 0:44:07 | |
"It will lose a bit of money, at least I'll have some enjoyment". | 0:44:07 | 0:44:10 | |
Cannes runs for six days, | 0:44:12 | 0:44:13 | |
but overlaps with another show that, perhaps surprisingly, | 0:44:13 | 0:44:18 | |
can be an even bigger money-spinner for the company - | 0:44:18 | 0:44:20 | |
the Southampton Boat Show. | 0:44:20 | 0:44:23 | |
Good morning, everybody! ALL: Good morning! | 0:44:24 | 0:44:27 | |
Robert, the shipyard's founder, | 0:44:27 | 0:44:30 | |
has been rallying the troops here for the past 30 years. | 0:44:30 | 0:44:33 | |
The reason we're here is to sell boats. | 0:44:33 | 0:44:36 | |
So, it is really up to you salesmen, and I can tell you what, | 0:44:36 | 0:44:40 | |
in life, if you have the passion, | 0:44:40 | 0:44:43 | |
if you really believe in what you should be doing, you will succeed. | 0:44:43 | 0:44:48 | |
Thank you, everybody, and make it very successful. | 0:44:48 | 0:44:51 | |
We can put boats on display, we can put them at heights, | 0:44:56 | 0:45:00 | |
different heights, which makes them look awesome, absolutely awesome. | 0:45:00 | 0:45:04 | |
We're selling dreams and if you don't do it the right way, | 0:45:04 | 0:45:07 | |
you won't sell a dream. | 0:45:07 | 0:45:08 | |
David is the man who first gave Chris | 0:45:08 | 0:45:11 | |
a job selling boats 35 years ago | 0:45:11 | 0:45:14 | |
and they now run the Sunseeker London dealership together. | 0:45:14 | 0:45:18 | |
Normally, we'd expect to sell ?50 million-worth of boats | 0:45:18 | 0:45:21 | |
at this show. | 0:45:21 | 0:45:23 | |
If they love it enough, they want it, | 0:45:23 | 0:45:25 | |
and common sense in business is put aside | 0:45:25 | 0:45:28 | |
and people say, "Am I crazy to buy a boat?" | 0:45:28 | 0:45:31 | |
and I say, "Of course you are", and that's what makes it special. | 0:45:31 | 0:45:34 | |
It's lovely. | 0:45:34 | 0:45:36 | |
Oh, look, here, perfect man. Can I stop you? | 0:45:36 | 0:45:38 | |
Why do you buy boats from me? There is only one reason. | 0:45:38 | 0:45:42 | |
Because you are the nicest man in the world! | 0:45:42 | 0:45:45 | |
No it's not! Do you know why he buys boats from me? | 0:45:45 | 0:45:48 | |
David, kiss, kiss. Where's your wife? Here. | 0:45:48 | 0:45:51 | |
This is the wife, this is the wife. May I present Sally? | 0:45:51 | 0:45:55 | |
David Barraclough is charming, lovely. | 0:45:55 | 0:45:58 | |
His wife's much more attractive. | 0:45:58 | 0:46:00 | |
The problem with David is he's a bit strong on price, | 0:46:00 | 0:46:03 | |
but ignoring that, this woman is the woman in my life. | 0:46:03 | 0:46:06 | |
Absolutely, the other woman. | 0:46:06 | 0:46:07 | |
The statistical chances of me selling this gentleman a boat | 0:46:07 | 0:46:10 | |
are about me becoming the Pope. It's not going to happen. | 0:46:10 | 0:46:14 | |
But it will lead up to banter. | 0:46:14 | 0:46:16 | |
You know what? It's almost worth me buying a boat now! | 0:46:16 | 0:46:19 | |
Yeah, but here's a problem for David. | 0:46:19 | 0:46:22 | |
We've done rather well in Cannes. | 0:46:22 | 0:46:23 | |
Every boat you wanted to buy... | 0:46:23 | 0:46:25 | |
Has gone? Has gone. I hear this story every year! | 0:46:25 | 0:46:28 | |
No, you can't buy a boat now, we don't have anything to sell you. | 0:46:28 | 0:46:31 | |
The same story. OK, we'll go to Princess then! | 0:46:31 | 0:46:34 | |
You won't go to Princess. You'll have to beg and plead and I might... | 0:46:34 | 0:46:38 | |
Kiss his feet! Please, please find me a boat! | 0:46:38 | 0:46:42 | |
Having left the rigors of Cannes, | 0:46:46 | 0:46:48 | |
Lindsay and Chris have flown in for the delights of Southampton. | 0:46:48 | 0:46:52 | |
From the Cannes Boat Show, wearing white trousers, | 0:46:52 | 0:46:56 | |
into a suit, so we brush up quite well. | 0:46:56 | 0:46:58 | |
Here, everyone is welcome to walk around the boats, | 0:47:00 | 0:47:03 | |
but it's in the VIP lounge that the deals are done. | 0:47:03 | 0:47:07 | |
All my friends, I would say, apart from one or two, are clients. | 0:47:08 | 0:47:13 | |
That's what happens with clients. They become your friends. | 0:47:13 | 0:47:16 | |
So, I sold these people a boat 30 years ago. So... | 0:47:18 | 0:47:22 | |
They've had some new ones since, but... | 0:47:24 | 0:47:26 | |
So, we've got barbecue, a griddle, refrigeration... | 0:47:28 | 0:47:32 | |
I don't take ice in my drinks, so... Was this made for the client? | 0:47:32 | 0:47:35 | |
That's standard. Is it? Yeah, standard. That's good, isn't it? | 0:47:35 | 0:47:40 | |
I have a smaller model, which is in the South of France now, | 0:47:40 | 0:47:43 | |
so this is a step up, but also loads more room, use it as an apartment. | 0:47:43 | 0:47:48 | |
It's early days yet, but they're buyers. | 0:47:49 | 0:47:52 | |
I will try to actually get him to sign today. | 0:47:52 | 0:47:56 | |
I will put your name on that early slot | 0:47:57 | 0:48:00 | |
and then I'll send you... Later on today, | 0:48:00 | 0:48:03 | |
I'll send you the two figures, I'll put the part-exchange price down. | 0:48:03 | 0:48:07 | |
While Chris takes a softly, softly approach, | 0:48:09 | 0:48:12 | |
David is in a more bullish mood. | 0:48:12 | 0:48:14 | |
Stephan will go and find out a price | 0:48:15 | 0:48:17 | |
for the present boat here on the stand. Yep. | 0:48:17 | 0:48:20 | |
For the past three years, Mrs Barraclough has come to Southampton | 0:48:20 | 0:48:25 | |
in the hope her husband will buy a new boat. | 0:48:25 | 0:48:28 | |
But every year, he's walked away from David's deal. | 0:48:28 | 0:48:31 | |
The deal we offered you in January still exists. | 0:48:32 | 0:48:36 | |
If you are willing to buy this boat - | 0:48:36 | 0:48:39 | |
and we will ask for 3.1 million and your boat - | 0:48:39 | 0:48:43 | |
I will sell you this boat with those other conditions. | 0:48:43 | 0:48:46 | |
David Barraclough, the man in my life at the moment. | 0:48:46 | 0:48:50 | |
I have only but one question - are we going to do a deal? | 0:48:51 | 0:48:55 | |
We are going to have a wander round and come back in an hour. | 0:48:55 | 0:49:00 | |
We've never bought a boat at the first bid, at the first price. | 0:49:00 | 0:49:04 | |
And I don't like points. But what if I sell it? | 0:49:04 | 0:49:06 | |
What if I put the price up? That's happened to you twice. | 0:49:06 | 0:49:09 | |
If you sell it, you sell it. That's life, isn't it? | 0:49:09 | 0:49:11 | |
He's like an old record, Sally. He's going round and round in circles. | 0:49:11 | 0:49:14 | |
Sally, why did you marry this man? I don't know. | 0:49:14 | 0:49:17 | |
Let's talk the price. Let's talk price. Go on, go on. | 0:49:17 | 0:49:20 | |
Give me, not one of your ridiculous prices, | 0:49:20 | 0:49:23 | |
because I will walk away from you again. | 0:49:23 | 0:49:25 | |
Twice I've done it, right, and twice you've done it. | 0:49:25 | 0:49:28 | |
I'm fed up with you. I love you, I want you to buy this boat. | 0:49:28 | 0:49:31 | |
What do I do? I want to buy it. Go on... 2.9. | 0:49:31 | 0:49:34 | |
You know I can't do it. I don't! You do know. | 0:49:34 | 0:49:37 | |
But what you also know | 0:49:37 | 0:49:39 | |
is I've always left a little bit in the... | 0:49:39 | 0:49:41 | |
I always know that. So we're agreed at three? | 0:49:41 | 0:49:44 | |
So have we bought a boat? Yep. | 0:49:45 | 0:49:48 | |
Yes! Yes! Hey-hey! | 0:49:48 | 0:49:51 | |
SALLY WHOOPS | 0:49:51 | 0:49:53 | |
This time we mean it, we're doing it. Yes! | 0:49:53 | 0:49:56 | |
Come on then, congratulations. Let's go to bed! | 0:49:56 | 0:50:00 | |
I can't sleep with you, it's on television! | 0:50:00 | 0:50:03 | |
I'm so pleased, honestly, David. It's been a journey. | 0:50:03 | 0:50:07 | |
Do you know, I'm really pleased for you, not for me. | 0:50:07 | 0:50:10 | |
I am pleased that finally you got what you should have had a year ago. | 0:50:10 | 0:50:15 | |
As two major boat shows | 0:50:21 | 0:50:23 | |
and 30 days of intense selling draw to a close, | 0:50:23 | 0:50:27 | |
it's the moment of truth. | 0:50:27 | 0:50:30 | |
The unit numbers - one, two, three... | 0:50:30 | 0:50:32 | |
Probably 28 boats, 28 boats I would think. 27? | 0:50:32 | 0:50:36 | |
Hopefully, 40, that's very good, that's a high number. | 0:50:36 | 0:50:39 | |
The London office have sold over ?40 million-worth of boats, | 0:50:39 | 0:50:44 | |
good news for everyone. | 0:50:44 | 0:50:46 | |
If someone says to me, | 0:50:46 | 0:50:48 | |
"On commission this year, I will earn 300,000," | 0:50:48 | 0:50:52 | |
the good news is the company's benefited from their sales. | 0:50:52 | 0:50:55 | |
That's what we want. | 0:50:55 | 0:50:57 | |
But for the ones that really are on a mission to succeed - | 0:50:57 | 0:51:00 | |
if that is success - of private school, a high quality car | 0:51:00 | 0:51:03 | |
or two or three in their driveway, | 0:51:03 | 0:51:05 | |
a wife that occasionally runs amok and buys shoes | 0:51:05 | 0:51:08 | |
she shouldn't really spend money on - | 0:51:08 | 0:51:10 | |
if they want that, that's good for us, and you know what? | 0:51:10 | 0:51:12 | |
I'm delighted to give it to them. | 0:51:12 | 0:51:15 | |
I don't think we're flash. We enjoy nice things, like our clients do. | 0:51:15 | 0:51:19 | |
The sales team may be able to relax, now their bit is over, | 0:51:25 | 0:51:30 | |
but in the Poole shipyard, it's a different story. | 0:51:30 | 0:51:33 | |
In just two days, the buyer of the first 131 | 0:51:33 | 0:51:37 | |
is flying in from New York. | 0:51:37 | 0:51:39 | |
The hope is he will be happy | 0:51:39 | 0:51:40 | |
and sign off the boat for delivery and final payment. | 0:51:40 | 0:51:44 | |
But a decision about the marble bathrooms still needs agreeing. | 0:51:44 | 0:51:48 | |
He's coming out anyway, we've got nothing to lose. | 0:51:48 | 0:51:51 | |
I'd rather seal it and he say... It adds to the impact. Yeah. | 0:51:51 | 0:51:55 | |
Dean has got his men to complete the bathrooms, | 0:51:55 | 0:51:58 | |
in the hope that when the client sees them finished, | 0:51:58 | 0:52:01 | |
he will leave them as they are. | 0:52:01 | 0:52:02 | |
We don't really want to be taking stuff out at this stage of the build | 0:52:02 | 0:52:06 | |
because it creates more damage, shower doors end up getting damaged | 0:52:06 | 0:52:09 | |
and we end up with more aggro than what we started with really. | 0:52:09 | 0:52:11 | |
That's not going to be a nice job to do. | 0:52:11 | 0:52:15 | |
While Dean's hoping the marble will stay, | 0:52:15 | 0:52:18 | |
Mark is preparing for the worst. | 0:52:18 | 0:52:21 | |
'We basically got a decision from the client | 0:52:21 | 0:52:24 | |
'with the... Well, it's the alternate marble that we sourced | 0:52:24 | 0:52:28 | |
'and then hopefully, we can give the go-ahead | 0:52:28 | 0:52:31 | |
'for them to start manufacturing the replacement.' | 0:52:31 | 0:52:33 | |
It's very rare that we'll have a client | 0:52:33 | 0:52:36 | |
so, so focused on some of the detail, on stone. | 0:52:36 | 0:52:40 | |
But we've discussed with the client, we've agreed a way forward | 0:52:40 | 0:52:44 | |
and we are going to replace it. | 0:52:44 | 0:52:45 | |
What's disheartening is that we've actually built a yacht | 0:52:45 | 0:52:49 | |
with four beautiful bathrooms | 0:52:49 | 0:52:51 | |
and now we've got to, essentially, destroy them. | 0:52:51 | 0:52:54 | |
In the call we had with the client, he feels very bad. | 0:52:54 | 0:52:57 | |
He really does feel bad, genuinely. | 0:52:57 | 0:52:59 | |
But not bad enough to accept the stone, but he feels bad for us. | 0:52:59 | 0:53:05 | |
CAMERAMAN: So how much is all this going to cost you? | 0:53:05 | 0:53:08 | |
In total, probably in the region of ?100,000. | 0:53:08 | 0:53:10 | |
We've actually come up with a solution now to share the cost. | 0:53:12 | 0:53:16 | |
We want the client to leave happy and walk on the boat again, | 0:53:16 | 0:53:19 | |
in a few weeks time, when it's replaced and say, "Wow". | 0:53:19 | 0:53:23 | |
It's the morning of the client's final visit. | 0:53:25 | 0:53:28 | |
The team are way behind schedule, so it's crucial all goes well. | 0:53:28 | 0:53:33 | |
This is the worst part really. | 0:53:35 | 0:53:38 | |
What we don't want today is any major changes. | 0:53:38 | 0:53:40 | |
There are little things we could do - | 0:53:40 | 0:53:42 | |
give him an extra cupboard or a shelf here and there, | 0:53:42 | 0:53:44 | |
but at this stage of the build, we are just trying to finish the boat, | 0:53:44 | 0:53:47 | |
get it to the end date and get it delivered. | 0:53:47 | 0:53:49 | |
CAMERAMAN: A big day today? | 0:53:49 | 0:53:51 | |
Very big day today, customer's coming. How's everyone been? | 0:53:51 | 0:53:55 | |
On edge a little bit, so we're just waiting to see | 0:53:55 | 0:53:58 | |
if he does make any changes, but time will tell when he arrives. | 0:53:58 | 0:54:01 | |
PHONE RINGS | 0:54:03 | 0:54:06 | |
Good morning. | 0:54:08 | 0:54:10 | |
The client was due to fly in and be at the shipyard around mid-morning, | 0:54:11 | 0:54:16 | |
but today he's arrived early. | 0:54:16 | 0:54:18 | |
OK. | 0:54:20 | 0:54:21 | |
That's an excited man, I think. | 0:54:21 | 0:54:24 | |
The client is here with his wife | 0:54:24 | 0:54:26 | |
and the interior designers from New York, | 0:54:26 | 0:54:29 | |
so I think they've been to Paris to choose some items | 0:54:29 | 0:54:33 | |
for their apartments and houses in New York | 0:54:33 | 0:54:36 | |
but, perhaps, they've chosen some stuff for the yacht as well. | 0:54:36 | 0:54:40 | |
So, it'll be a good day, hopefully, and he'll be here tomorrow | 0:54:40 | 0:54:44 | |
and they're leaving tomorrow night. | 0:54:44 | 0:54:46 | |
With the stakes high and the sale of a ?20 million yacht in the balance, | 0:54:46 | 0:54:51 | |
Mark needs this to be the client's final visit | 0:54:51 | 0:54:54 | |
without any further purchases to scupper it. | 0:54:54 | 0:54:57 | |
MUSIC: The Good Life by Tony Bennett | 0:54:59 | 0:55:03 | |
For the London dealership in Mayfair, there's great news - | 0:55:11 | 0:55:14 | |
it's officially their most successful sales year ever. | 0:55:14 | 0:55:18 | |
I met a man today that is on his third wife. | 0:55:18 | 0:55:21 | |
He wants to buy a Sunseeker. I don't want him on his fourth. | 0:55:21 | 0:55:25 | |
He's on his third wife. So you've got to be a good boy as well. | 0:55:25 | 0:55:28 | |
I don't want any divorces. Hang onto him. | 0:55:28 | 0:55:31 | |
I need him to have money to buy another boat. | 0:55:31 | 0:55:33 | |
For the sales team, the recession is now just a distant memory. | 0:55:33 | 0:55:38 | |
The property guys are back, they're doing very well. | 0:55:38 | 0:55:41 | |
They may have another business but they made money in property. | 0:55:41 | 0:55:44 | |
That is the boat money, that's the toy money, we're seeing that. | 0:55:44 | 0:55:48 | |
I go out with these guys two or three times a year. | 0:55:48 | 0:55:50 | |
I shoot with them, I sail with them, and I like them. They're good. | 0:55:50 | 0:55:54 | |
The biggest thing for me is that, when something goes wrong, | 0:55:54 | 0:55:57 | |
which of course it does, it's sorted out, quickly. | 0:55:57 | 0:56:02 | |
We've ordered more boats for 2017, more than '16, | 0:56:02 | 0:56:06 | |
so we are confident the market is back. | 0:56:06 | 0:56:09 | |
But in the Poole shipyard, the champagne is on ice, | 0:56:18 | 0:56:22 | |
as the client is still not satisfied. | 0:56:22 | 0:56:25 | |
The illuminated cup holders, we won't fit. | 0:56:25 | 0:56:28 | |
The 131 is two months past its delivery deadline | 0:56:28 | 0:56:32 | |
and the build team are now working through the night, | 0:56:32 | 0:56:35 | |
seven days a week. | 0:56:35 | 0:56:37 | |
It's been a long year. | 0:56:37 | 0:56:39 | |
I think we're getting extremely close now and it is a journey. | 0:56:39 | 0:56:43 | |
It's taken 13 months and over 100,000 man-hours | 0:56:43 | 0:56:48 | |
to get Sunseeker's new flagship yacht finished, | 0:56:48 | 0:56:51 | |
but it's been worth it. | 0:56:51 | 0:56:53 | |
It's nice to see it in this position, isn't it? Yeah. | 0:56:53 | 0:56:56 | |
After all this time. Now that's come out extremely well. | 0:56:56 | 0:56:59 | |
Hopefully, that's one tick in the box. | 0:56:59 | 0:57:02 | |
We did mention to him, he might want to go to the toilet | 0:57:02 | 0:57:04 | |
every 15 minutes, but there you go. | 0:57:04 | 0:57:06 | |
In the guest cabins, Mark has managed to fix the silk lining | 0:57:09 | 0:57:13 | |
and lighting design to the client's approval. | 0:57:13 | 0:57:16 | |
We've manufactured a special shroud to go behind the bulb. | 0:57:16 | 0:57:19 | |
It's really removed that dominant reflection. | 0:57:19 | 0:57:23 | |
And up on the sky deck, the hot tub is ready for action. | 0:57:23 | 0:57:27 | |
This must be the highest-specified Jacuzzi that we've ever done, | 0:57:29 | 0:57:33 | |
certainly in my 22 years here. | 0:57:33 | 0:57:36 | |
The last few weeks have been pretty busy. | 0:57:36 | 0:57:39 | |
For me, personally, it's been tough. | 0:57:39 | 0:57:42 | |
'It's had its tensions at times, as we do with many clients, | 0:57:42 | 0:57:46 | |
'but it's because the desire to get something 100% right | 0:57:46 | 0:57:50 | |
'carries a lot of passion, a lot of weight.' | 0:57:50 | 0:57:53 | |
And, of course, now, if we were to do this again, | 0:57:53 | 0:57:56 | |
and, hopefully, this client will come back | 0:57:56 | 0:57:58 | |
and buy a larger yacht, we're better prepared. | 0:57:58 | 0:58:00 | |
You know, we'll do things slightly differently, | 0:58:00 | 0:58:03 | |
we'll work more in tune with the client | 0:58:03 | 0:58:05 | |
and we'll actually have a better understanding | 0:58:05 | 0:58:08 | |
of those expectations from the start. | 0:58:08 | 0:58:10 | |
MUSIC: Fly Me To The Moon by Frank Sinatra | 0:58:10 | 0:58:13 | |
This is where people spent their first night. | 0:58:58 | 0:59:01 | |
Is that a bucket to pee? | 0:59:01 | 0:59:03 | |
You look nice. That's what I'm talking about. | 0:59:03 | 0:59:05 |