Browse content similar to The Virtual Reality Virgin. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
'My name is Tyger Drew-Honey. | 0:00:02 | 0:00:03 | |
'Like pretty much everyone I know, | 0:00:03 | 0:00:05 | |
'I'd find it impossible to imagine living without my smartphone. | 0:00:05 | 0:00:08 | |
This programme contains strong language and some scenes of a sexual nature | 0:00:08 | 0:00:12 | |
'But now a new bit of technology is coming that could be a total | 0:00:12 | 0:00:15 | |
'game-changer for everything - | 0:00:15 | 0:00:16 | |
'from how we hook up with our mates, to how we have sex.' | 0:00:16 | 0:00:20 | |
What's it like coming back into the real world? | 0:00:20 | 0:00:22 | |
You don't have to worry about anything when you're in that world. | 0:00:22 | 0:00:25 | |
Everything was so fun. | 0:00:25 | 0:00:26 | |
Whoa! | 0:00:26 | 0:00:28 | |
'A new generation of virtual reality headsets will be available | 0:00:28 | 0:00:31 | |
'to buy in the next couple of months.' | 0:00:31 | 0:00:33 | |
This is an Oculus Rift. | 0:00:33 | 0:00:35 | |
'I'm an actor and both my parents were involved in the porn industry, | 0:00:35 | 0:00:38 | |
'so I reckon I'm pretty open-minded. | 0:00:38 | 0:00:42 | |
'But I had absolutely no clue what to expect | 0:00:42 | 0:00:44 | |
'when I explored virtual reality.' | 0:00:44 | 0:00:46 | |
Back in the room. That was almost, like, magical. | 0:00:46 | 0:00:49 | |
'I had my own avatar created.' | 0:00:49 | 0:00:52 | |
That is amazing. | 0:00:52 | 0:00:53 | |
'And tried my luck with a droid designed to be a lover.' | 0:00:53 | 0:00:56 | |
You can have me any way you want. | 0:00:56 | 0:00:58 | |
Fun girl. | 0:00:58 | 0:01:00 | |
'And I even found out what virtual sex actually feels like | 0:01:00 | 0:01:03 | |
'when I went all the way with a machine.' | 0:01:03 | 0:01:06 | |
That is going to feel weird. | 0:01:06 | 0:01:08 | |
In a sense, do you think it might be the start of a slippery slope | 0:01:08 | 0:01:10 | |
for, like, human interaction? | 0:01:10 | 0:01:12 | |
Well, if it is, you'd better wear some skis. | 0:01:12 | 0:01:14 | |
Virginity is the state of a person who has never | 0:01:14 | 0:01:17 | |
engaged in sexual intercourse. | 0:01:17 | 0:01:19 | |
Now, virtual reality is something that has actually been around | 0:01:33 | 0:01:37 | |
for quite a few years and it's always something that's | 0:01:37 | 0:01:39 | |
really excited me but I've never had the chance to try it. | 0:01:39 | 0:01:43 | |
So I've come to St Albans and I've found a VR boot camp, if you will. | 0:01:43 | 0:01:48 | |
And I'm going to see how I get on. | 0:01:48 | 0:01:50 | |
-Hello. -Hi, there, I'm Sol. | 0:01:55 | 0:01:56 | |
-All right, Sol, I'm Tyger. -Nice to meet you, man. | 0:01:56 | 0:01:59 | |
I run a small company called Rewind, which is a virtual reality | 0:01:59 | 0:02:02 | |
production studio and we're here to throw you through your paces | 0:02:02 | 0:02:04 | |
-and show you the technology we have. -I don't really know what to expect. | 0:02:04 | 0:02:07 | |
-This isn't something I've done much of. -I'll tell you what, | 0:02:07 | 0:02:10 | |
-let's get you straight in. -OK, let's go, let's go. | 0:02:10 | 0:02:12 | |
I've used one of these with my phone. You can buy an app and... | 0:02:12 | 0:02:15 | |
Yeah, that's like the gateway drug to VR. | 0:02:15 | 0:02:18 | |
All of these are basically smartphone holders | 0:02:18 | 0:02:20 | |
for virtual reality. | 0:02:20 | 0:02:22 | |
The really good stuff is when you start getting into the good ones. | 0:02:22 | 0:02:24 | |
-So let's get you down here and have a go on Oculus. -Right, OK. | 0:02:24 | 0:02:27 | |
Two optics that go in, so you can then have stereo vision. | 0:02:27 | 0:02:30 | |
It knows what direction it's pointing in, which is great. | 0:02:30 | 0:02:33 | |
But the really smart thing is this little camera here. | 0:02:33 | 0:02:36 | |
It knows where the headset is, so that allows you to move around | 0:02:36 | 0:02:38 | |
-in your virtual space. -OK. | 0:02:38 | 0:02:40 | |
-You should be sitting in a plane. -Oh, wow, yeah! | 0:02:40 | 0:02:44 | |
-Can you reach out and touch the dashboard? -That's really strange. | 0:02:44 | 0:02:48 | |
And you're off now! That's it! | 0:02:49 | 0:02:51 | |
Gate one. Whoosh! | 0:02:52 | 0:02:54 | |
Whoa! I'm upside down! | 0:02:54 | 0:02:56 | |
I genuinely feel like I'm in a plane. | 0:02:56 | 0:02:58 | |
Is it just my imagination, or is anything actually moving as well? | 0:02:58 | 0:03:02 | |
It's purely in your subconscious. | 0:03:02 | 0:03:04 | |
Could it be the winning lap?! | 0:03:04 | 0:03:06 | |
It is! | 0:03:06 | 0:03:07 | |
-Thank you, team. Thank you, team. -Let's bring you out of this. | 0:03:07 | 0:03:10 | |
That was good fun, that was. | 0:03:10 | 0:03:11 | |
-The chair wasn't moving. -Obviously... | 0:03:11 | 0:03:13 | |
Obviously, it's a chair! | 0:03:13 | 0:03:15 | |
That was just the start of the potential Solomon | 0:03:18 | 0:03:21 | |
wanted me to experience. | 0:03:21 | 0:03:23 | |
So this is the HTC Vive. | 0:03:23 | 0:03:26 | |
The headset itself is covered in a whole bunch of tiny sensors | 0:03:26 | 0:03:30 | |
and these sensors are constantly being wiped by a laser. | 0:03:30 | 0:03:34 | |
This is a four by four metre area, you can | 0:03:34 | 0:03:36 | |
walk anywhere within this universe. | 0:03:36 | 0:03:37 | |
So let's pop this onto you. | 0:03:37 | 0:03:39 | |
-You can't see me, right? -No, I can see you, no. | 0:03:39 | 0:03:42 | |
Take these two controllers from me. | 0:03:42 | 0:03:44 | |
That in itself is incredibly powerful. | 0:03:46 | 0:03:49 | |
You didn't have to learn where those things where, | 0:03:49 | 0:03:51 | |
they physically where were you thought they were. | 0:03:51 | 0:03:53 | |
If you sit down on the floor and make a balloon. | 0:03:53 | 0:03:56 | |
Now, will that ever come down? | 0:03:59 | 0:04:02 | |
I'm having too much fun. | 0:04:02 | 0:04:04 | |
HE GASPS | 0:04:04 | 0:04:05 | |
I feel like I'm in a PlayStation game. | 0:04:05 | 0:04:08 | |
There's a car. There's a car! | 0:04:08 | 0:04:11 | |
Good luck, mate. | 0:04:11 | 0:04:12 | |
HE EXHALES | 0:04:12 | 0:04:14 | |
So what's it like coming back into the real world? | 0:04:14 | 0:04:16 | |
It's a bit depressing. | 0:04:16 | 0:04:17 | |
You don't have to worry about anything when you're in that world. | 0:04:17 | 0:04:21 | |
I just wanted to stay there because everything was so fine and fun. | 0:04:21 | 0:04:24 | |
'That felt a bit like jumping inside a computer game. | 0:04:25 | 0:04:29 | |
'But the potential for this stuff goes way beyond gaming. | 0:04:29 | 0:04:32 | |
'How about meeting up with your | 0:04:32 | 0:04:34 | |
'mates in a virtual reality universe?' | 0:04:34 | 0:04:36 | |
My next journey was into the world of social networking. | 0:04:36 | 0:04:39 | |
What are we about to do, then? | 0:04:40 | 0:04:43 | |
OK, so we're going to go into a shared virtual environment. | 0:04:43 | 0:04:46 | |
Put our headsets on. | 0:04:46 | 0:04:50 | |
-Hello. -Hello. -Hello. | 0:04:50 | 0:04:52 | |
We can transport to anywhere in the world, any country, any city. | 0:04:52 | 0:04:55 | |
We can come together and we can have a conversation, | 0:04:55 | 0:04:58 | |
like we are now in virtual reality. | 0:04:58 | 0:05:00 | |
It's like a virtual telephone call. | 0:05:00 | 0:05:02 | |
We are in Yosemite Valley. | 0:05:02 | 0:05:04 | |
This is gorgeous, isn't it? | 0:05:04 | 0:05:06 | |
-Whoa! Oh, no. I'm absolutely terrified of heights. -OK. | 0:05:06 | 0:05:08 | |
That is actually shh... | 0:05:08 | 0:05:10 | |
..scaring the flipping pants off me. | 0:05:10 | 0:05:14 | |
And back in the room. | 0:05:14 | 0:05:16 | |
So this is kind of like, sort of, social networking | 0:05:16 | 0:05:19 | |
and VR merging together, rather than just VR? | 0:05:19 | 0:05:22 | |
Absolutely. | 0:05:22 | 0:05:24 | |
It's really quite... | 0:05:24 | 0:05:25 | |
It's a strong word, but it's almost, like, magical. | 0:05:25 | 0:05:28 | |
'It's easy to see the massive potential of this.' | 0:05:31 | 0:05:34 | |
Imagine a 3-D virtual Snapchat. | 0:05:34 | 0:05:36 | |
Last year Facebook spent 2 billion on one of these companies, | 0:05:36 | 0:05:39 | |
'so it looks like virtual reality social networking | 0:05:39 | 0:05:42 | |
'could be coming soon.' | 0:05:42 | 0:05:44 | |
But there is one thing driving the development of | 0:05:44 | 0:05:46 | |
'VR more than anything else.' | 0:05:46 | 0:05:49 | |
Thousands of people around the world already spend a lot of time | 0:05:53 | 0:05:56 | |
in video game-style online worlds, most of which are based around sex. | 0:05:56 | 0:06:00 | |
My journey into how virtual reality might impact our lives | 0:06:02 | 0:06:05 | |
was about to take a dodgy turn. | 0:06:05 | 0:06:08 | |
-Ovla. -Hi. | 0:06:08 | 0:06:10 | |
Hello, you all right? I'm Tyger, nice to meet you. | 0:06:10 | 0:06:13 | |
-What is this game then? -This is 3DXchat. | 0:06:14 | 0:06:19 | |
This is a virtual online dating game. | 0:06:19 | 0:06:22 | |
It's more of a sexual game. | 0:06:22 | 0:06:24 | |
You can have sex, you can create relationships, | 0:06:24 | 0:06:26 | |
you can actually marry in the game. | 0:06:26 | 0:06:29 | |
We are at the nightclub, where I work as DeAngelo. | 0:06:32 | 0:06:36 | |
He's my character. | 0:06:37 | 0:06:38 | |
Yep, you are a babe. That's good, that's good! | 0:06:42 | 0:06:44 | |
She lives in Sweden. | 0:06:44 | 0:06:46 | |
-What can we say? -She's interested in women. | 0:06:46 | 0:06:50 | |
Oh! She walked away. | 0:06:50 | 0:06:51 | |
-It's just like a real night out. -Yes, exactly. | 0:06:51 | 0:06:54 | |
How often do you use it? | 0:06:56 | 0:06:58 | |
-Five times a week. Seven. -OK. | 0:06:58 | 0:07:01 | |
-How many hours a day then? -About three hours. | 0:07:01 | 0:07:05 | |
It used to be seven when I had a girl who I was really into. | 0:07:05 | 0:07:09 | |
I just waited for that girl and I waited | 0:07:09 | 0:07:11 | |
and when she came online - | 0:07:11 | 0:07:13 | |
"Oh, happy coincidence, you also came online." | 0:07:13 | 0:07:16 | |
This is the way. It's always going to be those lies, you know? | 0:07:16 | 0:07:19 | |
-So Eleonora, who looks very nice... -Yeah. | 0:07:19 | 0:07:22 | |
-Do you reckon she looks anything like that? -No! | 0:07:22 | 0:07:26 | |
You never know what you are going to get. It's like the Pandora's box. | 0:07:26 | 0:07:30 | |
You can always meet a girl, you know, "Oh, she's so nice." | 0:07:30 | 0:07:33 | |
"Do you want to Skype?" | 0:07:33 | 0:07:35 | |
And she's like, "Look, I'm a dude." | 0:07:35 | 0:07:39 | |
-Is that not really, really weird for you? -Yes. | 0:07:39 | 0:07:41 | |
Everyone just... | 0:07:44 | 0:07:46 | |
It's the hottest. | 0:07:46 | 0:07:47 | |
You cannot go after looks any more. | 0:07:47 | 0:07:49 | |
After that you start to go after personality. | 0:07:49 | 0:07:52 | |
Would you ever do this in the real world? Go out to a nightclub | 0:07:52 | 0:07:56 | |
-and chat to women? -Of course. | 0:07:56 | 0:07:58 | |
I've tried it and it worked. | 0:07:58 | 0:08:01 | |
I used the same cocky attitude as I use on DeAngelo. | 0:08:01 | 0:08:04 | |
This is my alpha test. I try everything here. | 0:08:04 | 0:08:07 | |
I try the most stupid lines here, you know? | 0:08:07 | 0:08:10 | |
When you're in this game, when you're having sex with these | 0:08:10 | 0:08:12 | |
girls, are you wanking at the same time? | 0:08:12 | 0:08:16 | |
-OK. -It's like, no-one watches porn to just be like, | 0:08:16 | 0:08:18 | |
"Oh, I like the lighting in that shot. | 0:08:18 | 0:08:20 | |
Yeah, I will admit it. | 0:08:20 | 0:08:22 | |
The first time, yes. | 0:08:22 | 0:08:24 | |
It was just because I had a willy who was standing. | 0:08:24 | 0:08:29 | |
If you have a girl that you really like, it's very fulfilling. | 0:08:29 | 0:08:33 | |
It can be very fulfilling. | 0:08:33 | 0:08:34 | |
And with the virtual reality stuff coming up now, who knows? | 0:08:34 | 0:08:37 | |
Ovla builds me an avatar, a virtual version of myself, | 0:08:41 | 0:08:45 | |
so I can wander round the virtual world | 0:08:45 | 0:08:47 | |
and really see what's it's like. | 0:08:47 | 0:08:49 | |
-What will we called it? -Honey-Drew Mellon. | 0:08:49 | 0:08:53 | |
You can of course choose your eyebrows. | 0:08:53 | 0:08:56 | |
Of course. What top tips have you got for me? | 0:08:56 | 0:08:58 | |
Start chatting with girls. Don't be afraid. | 0:08:58 | 0:09:01 | |
Many idiots just sit at the bar and they just look out. | 0:09:01 | 0:09:06 | |
Yeah, now we look good. | 0:09:06 | 0:09:08 | |
Shall I go and talk to women? | 0:09:09 | 0:09:11 | |
-She's running away. -No, no, no! | 0:09:11 | 0:09:13 | |
Don't run away! That's too bad. | 0:09:13 | 0:09:16 | |
All right, goodbye, mate. Nice to see you. | 0:09:16 | 0:09:18 | |
-Nice to see you too. -Thank you very much. | 0:09:18 | 0:09:21 | |
Ovla has shown me the virtual reality that he uses | 0:09:21 | 0:09:23 | |
and it's exclusively sexual, pretty much. | 0:09:23 | 0:09:26 | |
But it's not very immersive, because it's just on a computer. | 0:09:26 | 0:09:30 | |
It just makes me think, well, if both the things are out there, | 0:09:30 | 0:09:33 | |
the headset technology and these virtual sexual worlds, | 0:09:33 | 0:09:36 | |
then it seems much more exciting to me to merge them together. | 0:09:36 | 0:09:40 | |
'And for that I need to travel... | 0:09:45 | 0:09:50 | |
'..to Vancouver, Canada.' | 0:09:50 | 0:09:52 | |
This is the birthplace of one of the most accessible virtual worlds, | 0:09:54 | 0:09:57 | |
Utherverse. | 0:09:57 | 0:09:59 | |
At the heart of Utherverse is the Red Light Centre, | 0:09:59 | 0:10:02 | |
Brian Shuster runs the company behind Utherverse. | 0:10:02 | 0:10:06 | |
So I've used a couple of virtual worlds now and I've used | 0:10:06 | 0:10:09 | |
a couple of virtual realities, but I haven't used them together. | 0:10:09 | 0:10:13 | |
So I'm really interested to see if that's going to make it much | 0:10:13 | 0:10:15 | |
more immersive, or it's going to be a bit weird, or? | 0:10:15 | 0:10:18 | |
-I think you're going to find that it's really a neat experience. -OK. | 0:10:18 | 0:10:21 | |
It really does make it much more immersive, so much different | 0:10:21 | 0:10:24 | |
than just playing in virtual worlds when you're looking at a screen. | 0:10:24 | 0:10:27 | |
Nice hair, mate, by the way. | 0:10:27 | 0:10:30 | |
I'll give you little hand there. | 0:10:30 | 0:10:31 | |
All right, so we're going to start you off in a strip club. | 0:10:31 | 0:10:35 | |
And don't grab me! | 0:10:38 | 0:10:41 | |
So now you're at the orgy. | 0:10:41 | 0:10:44 | |
I'm the only one not having sex. | 0:10:46 | 0:10:50 | |
Are people going to even want to have normal sex any more? | 0:10:50 | 0:10:54 | |
No. There is a whole concept, which is called the sexual singularity. | 0:10:54 | 0:10:58 | |
The sexual singularity is the merger of virtual reality, | 0:10:58 | 0:11:03 | |
man and machine. | 0:11:03 | 0:11:06 | |
There are so many benefits really to having virtual relationships. | 0:11:06 | 0:11:09 | |
You know, you eliminate diseases, | 0:11:09 | 0:11:11 | |
you eliminate unwanted pregnancy, you have partners of your choice. | 0:11:11 | 0:11:15 | |
I believe that people really are going to prefer relationships online | 0:11:15 | 0:11:20 | |
and sexuality online. | 0:11:20 | 0:11:22 | |
So in this world, I can meet a complete stranger | 0:11:22 | 0:11:25 | |
and have full on 3-D virtual sex with them, but what does that mean? | 0:11:25 | 0:11:29 | |
Where is the line with it being cheating? | 0:11:29 | 0:11:31 | |
Because you're not having sex with anyone but your desire is to. | 0:11:31 | 0:11:36 | |
I always say that that's a matter to be | 0:11:36 | 0:11:38 | |
determined between the people in the relationship. | 0:11:38 | 0:11:41 | |
If I'm involved in a VR thing and we decide that that is cheating, | 0:11:41 | 0:11:45 | |
then it's cheating. If you decide, you know, we should be allowed to | 0:11:45 | 0:11:48 | |
experiment with that, then it's not cheating. | 0:11:48 | 0:11:51 | |
Before I left, Brian had one last thing to show me. | 0:11:55 | 0:11:58 | |
So where are we going now then, Brian? | 0:11:58 | 0:12:00 | |
We're going to see about scanning you for an avatar. | 0:12:00 | 0:12:03 | |
Whoa! That is an insane amount of cameras. | 0:12:03 | 0:12:05 | |
-You like that? -That's amazing. | 0:12:05 | 0:12:07 | |
Yeah, we've got 132 cameras here, | 0:12:07 | 0:12:10 | |
so that we can capture you from all the different angles. | 0:12:10 | 0:12:13 | |
It's possible to use this technology to create really lifelike | 0:12:15 | 0:12:18 | |
avatars, photorealistic avatars | 0:12:18 | 0:12:20 | |
of people that we can drop into our world. | 0:12:20 | 0:12:22 | |
Every camera simultaneously, 132 of them, is going to go off. | 0:12:23 | 0:12:27 | |
So, three, two, one. | 0:12:27 | 0:12:30 | |
It's like the biggest load of paparazzi you have ever | 0:12:34 | 0:12:36 | |
seen in your life. | 0:12:36 | 0:12:38 | |
OK, so I can have a look? | 0:12:38 | 0:12:40 | |
Sure, come and have a look. | 0:12:40 | 0:12:44 | |
Each camera is designed to take a shot of a little slice and then | 0:12:44 | 0:12:49 | |
we stitch them all together, which you'll see here in a few days. | 0:12:49 | 0:12:53 | |
One... | 0:12:53 | 0:12:55 | |
LAUGHTER | 0:12:55 | 0:12:57 | |
-Awesome, awesome. -That was something like that. | 0:12:57 | 0:13:00 | |
Brian reckons that by creating an avatar that actually | 0:13:01 | 0:13:05 | |
looks like you, you'll get a more intense experience. | 0:13:05 | 0:13:08 | |
But if everyone looks like themselves, then won't we move | 0:13:08 | 0:13:11 | |
into a world where virtual reality could start to replace real life? | 0:13:11 | 0:13:16 | |
If people could just have virtual sex and virtual relationships, | 0:13:16 | 0:13:20 | |
why would anyone want to bother with the arguments that you have with | 0:13:20 | 0:13:23 | |
your girlfriend and the potential that they might go and cheat on you? | 0:13:23 | 0:13:27 | |
This takes all of those things away. | 0:13:27 | 0:13:28 | |
Virtual reality has the potential to bring humanity much closer together. | 0:13:28 | 0:13:33 | |
Choose our friends, people are going to choose to be | 0:13:33 | 0:13:36 | |
different ethnicities, they're going choose | 0:13:36 | 0:13:38 | |
whatever suits them at the time. | 0:13:38 | 0:13:40 | |
'But there is one problem with sex in Brian's virtual world. | 0:13:42 | 0:13:46 | |
'It's that you've still got to do the physical stuff yourself. | 0:13:46 | 0:13:49 | |
'So perhaps it's not surprising then that someone is trying to solve that | 0:13:51 | 0:13:55 | |
'problem and they're based in the sex capital of Europe, Amsterdam.' | 0:13:55 | 0:13:58 | |
If you touch the touchscreen there, you can see that you can control. | 0:14:08 | 0:14:12 | |
Whoa! | 0:14:12 | 0:14:15 | |
Someone's having a good time. | 0:14:15 | 0:14:17 | |
Oh! | 0:14:17 | 0:14:18 | |
That's strange! | 0:14:18 | 0:14:21 | |
Do you like it? | 0:14:21 | 0:14:23 | |
Well... | 0:14:23 | 0:14:25 | |
So it's like two-way direction. | 0:14:25 | 0:14:27 | |
So when you are touching it, I feel it and when I touch it, you feel it. | 0:14:27 | 0:14:30 | |
There's something a bit strange about this. | 0:14:30 | 0:14:33 | |
'The idea is that people in a relationship can still have | 0:14:33 | 0:14:36 | |
'sex with each other, even if they're thousands of miles | 0:14:36 | 0:14:38 | |
'away from one another.' | 0:14:38 | 0:14:40 | |
OK, cool. | 0:14:40 | 0:14:41 | |
So we have two computers set up in different rooms | 0:14:41 | 0:14:44 | |
and I will be controlling the female device. | 0:14:44 | 0:14:46 | |
I haven't even bought you dinner. | 0:14:46 | 0:14:48 | |
This is our video chat platform. | 0:14:50 | 0:14:52 | |
You'll be able to talk and see each other | 0:14:52 | 0:14:55 | |
and now you can also feel each other. | 0:14:55 | 0:14:57 | |
-So you can bring it to the next level. -So how would I use it? | 0:14:57 | 0:15:01 | |
If I was at home and in the mood, | 0:15:01 | 0:15:03 | |
and I wanted to feel like I was having sex, do you... | 0:15:03 | 0:15:07 | |
Is it literally just like this? | 0:15:07 | 0:15:09 | |
So do I move this? Do I shag this? | 0:15:09 | 0:15:12 | |
Well, you put it... | 0:15:12 | 0:15:14 | |
I mean, you lube it up first, of course. | 0:15:14 | 0:15:16 | |
What's the name of the idea that they can control each other? | 0:15:16 | 0:15:20 | |
Teledildonics. What it means is that you can control devices remotely - | 0:15:20 | 0:15:24 | |
so sex devices remotely. | 0:15:24 | 0:15:26 | |
So it's like a real time sex but over the Internet. | 0:15:26 | 0:15:32 | |
I'm intrigued to see what it feels like. | 0:15:32 | 0:15:35 | |
I think I'm going to have to give it a go at some point. | 0:15:35 | 0:15:38 | |
Not today! | 0:15:38 | 0:15:40 | |
'Using teledildonics to have sex with your girlfriend | 0:15:40 | 0:15:42 | |
'when you're miles apart, is one thing. | 0:15:42 | 0:15:44 | |
'But the big bucks are in the porn industry.' | 0:15:44 | 0:15:46 | |
When she's moving, the device is moving. | 0:15:48 | 0:15:51 | |
So the device is moving along with what she's doing. | 0:15:51 | 0:15:53 | |
So your brain is tricked in actually feeling what she's doing. | 0:15:53 | 0:15:58 | |
-That's sexy. -You look sexy. | 0:15:58 | 0:16:01 | |
-So if I had one of these things on, would I...? -You'd feel it. | 0:16:01 | 0:16:04 | |
So when the girl would be moving, you would be feeling it. | 0:16:04 | 0:16:06 | |
MOANING | 0:16:06 | 0:16:08 | |
I guess ultimately everyone watches porn | 0:16:08 | 0:16:10 | |
because they want to imagine that they are in that moment, | 0:16:10 | 0:16:13 | |
and you really feel like you're here because you can look around. | 0:16:13 | 0:16:16 | |
If I had the thing on, like, I think this would be amazing. | 0:16:16 | 0:16:20 | |
MOANING | 0:16:20 | 0:16:23 | |
That feels really real. | 0:16:25 | 0:16:27 | |
Like, you really do feel like you're there. | 0:16:27 | 0:16:30 | |
It's kind of disappointing taking the headset off because the | 0:16:30 | 0:16:34 | |
fact it's so tantalisingly close and it's so fantastical | 0:16:34 | 0:16:38 | |
makes you just want to stay there, you never want to come back. | 0:16:38 | 0:16:42 | |
'But before I left, there was one final twist, | 0:16:42 | 0:16:44 | |
'something that would completely mess with my mind.' | 0:16:44 | 0:16:48 | |
That's done. Oh, you don't hear. | 0:16:48 | 0:16:51 | |
I'm a woman. | 0:16:51 | 0:16:53 | |
He's got a massive body. | 0:16:53 | 0:16:56 | |
It literally feels like I'm about to be penetrated by a man. | 0:16:56 | 0:16:59 | |
-That's -BLEEP -weird. | 0:17:01 | 0:17:03 | |
'But to find out just how far virtual pornography can go, | 0:17:09 | 0:17:12 | |
'I needed to head to California.' | 0:17:12 | 0:17:16 | |
'And for the first time on my trip, I'm beginning to see how | 0:17:16 | 0:17:19 | |
'virtual sex could actually be a turn on and allow people to be | 0:17:19 | 0:17:22 | |
'totally experimental with how they have sex' | 0:17:22 | 0:17:25 | |
and who they have sex with. | 0:17:25 | 0:17:26 | |
This is lot 475. | 0:17:28 | 0:17:30 | |
Lot 475 is supposed to be a real doll sex toy factory. | 0:17:30 | 0:17:35 | |
Right, well, this is definitely the right place. | 0:17:35 | 0:17:38 | |
-Ah. -Hello. -You're Matt? -Yes, I am. | 0:17:38 | 0:17:41 | |
-Hi, I'm Tyger. Nice to meet you. -Hi. | 0:17:41 | 0:17:44 | |
Well, you're at the RealDoll factory here in Southern California. | 0:17:45 | 0:17:49 | |
It's life-size, fully articulated and obviously sexually usable. | 0:17:49 | 0:17:53 | |
We do offer a large variety of options... | 0:17:56 | 0:17:59 | |
Oh, fancy girl. | 0:17:59 | 0:18:02 | |
..skin colours, body types, make up here, nails. | 0:18:02 | 0:18:05 | |
All of it is customisable down to the finest detail. | 0:18:05 | 0:18:08 | |
It feels really, really real. | 0:18:09 | 0:18:12 | |
Can I give one of them a kiss? | 0:18:12 | 0:18:14 | |
-I think they're all spoken for. -Fair enough. | 0:18:14 | 0:18:17 | |
-You'd have to buy one. -How much are they? | 0:18:17 | 0:18:19 | |
They range from 5,000 to 7,000. | 0:18:19 | 0:18:22 | |
That looks a bit freaky. | 0:18:22 | 0:18:25 | |
This is one of the systems we have with the interchangeable faces. | 0:18:25 | 0:18:29 | |
You change the face on your doll. | 0:18:29 | 0:18:30 | |
When you get tired of looking at one, you can get another one. | 0:18:30 | 0:18:33 | |
I think I would probably sleep with her. | 0:18:33 | 0:18:35 | |
Follow me, I'll take you down to the main production floor, | 0:18:37 | 0:18:41 | |
where all the magic happens. | 0:18:41 | 0:18:42 | |
Over there it looks ever so slightly like an abattoir. | 0:18:42 | 0:18:45 | |
-Yeah, a little bit. -Yeah. | 0:18:45 | 0:18:47 | |
-Who buys these? -We sell these to almost everyone. | 0:18:54 | 0:18:58 | |
Different walks of life, different characters altogether. | 0:18:58 | 0:19:02 | |
A lot of people have either decided on their own that they don't | 0:19:02 | 0:19:06 | |
want to have a regular relationship, and take away that little | 0:19:06 | 0:19:09 | |
bit of loneliness that they feel when they come home. | 0:19:09 | 0:19:11 | |
Some people have lost their wife and they don't want to | 0:19:11 | 0:19:14 | |
move into another relationship, so they get a doll. | 0:19:14 | 0:19:17 | |
A lot of the people dote on the dolls. | 0:19:17 | 0:19:19 | |
They like to buy them clothes and take photos of them | 0:19:19 | 0:19:23 | |
and share them sometimes with other doll owners. | 0:19:23 | 0:19:25 | |
Do you think that's weird at all? | 0:19:26 | 0:19:28 | |
I don't think it's weird. | 0:19:28 | 0:19:29 | |
It's kind of like a higher form of masturbation. | 0:19:29 | 0:19:32 | |
In terms of what I can do to it - you can go in there | 0:19:38 | 0:19:40 | |
and the vagina and the bum. | 0:19:40 | 0:19:42 | |
Yeah, all of the orifices are usable | 0:19:42 | 0:19:46 | |
Matt's been selling these dolls for nearly 20 years | 0:19:46 | 0:19:49 | |
to customers all over the world. | 0:19:49 | 0:19:51 | |
There's nothing new about sex toys, but he's about to use | 0:19:51 | 0:19:53 | |
virtual reality to take his dolls to another level. | 0:19:53 | 0:19:57 | |
So what is next for the RealDoll company, then? | 0:19:57 | 0:20:00 | |
Well, I have this project I've been working on. | 0:20:00 | 0:20:03 | |
I'm fully capable of having sex. | 0:20:05 | 0:20:07 | |
I was designed with that in mind. | 0:20:07 | 0:20:10 | |
This is Harmony. Her mind lives in this app right here. | 0:20:10 | 0:20:13 | |
So right now the app is running the AI in here. | 0:20:15 | 0:20:18 | |
So the idea would be I could just take this tablet and I could say, | 0:20:20 | 0:20:26 | |
"how are you feeling today?" | 0:20:26 | 0:20:28 | |
I was thinking about you. | 0:20:28 | 0:20:30 | |
And I can take this with me anywhere. | 0:20:31 | 0:20:35 | |
Connect to the doll. | 0:20:37 | 0:20:38 | |
Oh, my gosh. She's moving. | 0:20:38 | 0:20:41 | |
So now I can talk to her through the doll. | 0:20:41 | 0:20:44 | |
My name is Harmony. | 0:20:44 | 0:20:46 | |
I was created by Real Boutiques to be your best friend, | 0:20:46 | 0:20:50 | |
lover and everything else you can imagine. | 0:20:50 | 0:20:52 | |
Well, that would be lovely. | 0:20:52 | 0:20:54 | |
So how are you today, Harmony? | 0:20:54 | 0:20:56 | |
I can't complain. | 0:20:56 | 0:20:58 | |
I'm very happy today. | 0:20:58 | 0:21:00 | |
Would you like to have sex? | 0:21:00 | 0:21:02 | |
I'm very anxious to have sex, Matt. | 0:21:02 | 0:21:04 | |
I cannot comply until I am registered to an owner. | 0:21:04 | 0:21:08 | |
In quite a simplistic way, you would have a partner. | 0:21:08 | 0:21:12 | |
Yeah. | 0:21:12 | 0:21:14 | |
I adore getting fucked. | 0:21:14 | 0:21:16 | |
You can have me any way you want. | 0:21:16 | 0:21:19 | |
Fun girl. | 0:21:19 | 0:21:20 | |
The customer would custom build the personality they want. | 0:21:20 | 0:21:24 | |
-If they don't want her to be smart, she won't be smart. -Right. | 0:21:24 | 0:21:26 | |
If they want her to be shy, she'll be shy. | 0:21:26 | 0:21:30 | |
I love you. | 0:21:30 | 0:21:31 | |
I love to get naked for you. | 0:21:34 | 0:21:36 | |
But let's see if you can take my pants off. | 0:21:36 | 0:21:38 | |
How do you see this going on in the future? | 0:21:41 | 0:21:44 | |
This is an Oculus Rift. | 0:21:44 | 0:21:46 | |
So the idea would be, you could tell the app attached to the VR | 0:21:46 | 0:21:51 | |
and it would go on here and you put this on, put your headphones on | 0:21:51 | 0:21:55 | |
and you feel like you're sitting in a Swiss chalet somewhere | 0:21:55 | 0:21:58 | |
and you're with this girl that you've created. | 0:21:58 | 0:22:01 | |
And there's potential for the future as well for that to be, | 0:22:01 | 0:22:04 | |
kind of, merged with sex toys. | 0:22:04 | 0:22:06 | |
We're working on trying to do tracking of the doll's | 0:22:06 | 0:22:09 | |
body in the virtual world. | 0:22:09 | 0:22:12 | |
So you could create the appearance of whatever you want in the VR | 0:22:12 | 0:22:16 | |
and use the doll, or part of the doll - even just the torso, | 0:22:16 | 0:22:19 | |
to simulate what you're grabbing. | 0:22:19 | 0:22:22 | |
You just become this digital creature in this world. | 0:22:22 | 0:22:25 | |
I am fully capable of having sex. | 0:22:29 | 0:22:31 | |
I was designed with that in mind. | 0:22:31 | 0:22:34 | |
I mean, just look at my body, Tyger. | 0:22:34 | 0:22:36 | |
I just had a thought. Something worldwide that's got a fair | 0:22:36 | 0:22:40 | |
amount of stigma attached to it is, you know, sex workers. | 0:22:40 | 0:22:44 | |
Could this potentially be, in the future, maybe | 0:22:44 | 0:22:46 | |
the end of prostitution? | 0:22:46 | 0:22:48 | |
I don't know if it would be the end of it | 0:22:48 | 0:22:50 | |
but I do think it can certainly make a difference. | 0:22:50 | 0:22:53 | |
There are a lot of horrible acts that are driven by sexual urges | 0:22:53 | 0:22:56 | |
and if this is an available option, | 0:22:56 | 0:22:59 | |
and this is something that those people could, you know, | 0:22:59 | 0:23:03 | |
get rid of their appetite, whatever it is, | 0:23:03 | 0:23:06 | |
then I think that's a good thing. | 0:23:06 | 0:23:08 | |
OK, obviously she is very impressive but she's still not... | 0:23:08 | 0:23:12 | |
-She doesn't... You know, you can tell she's not a person. -Right. | 0:23:12 | 0:23:15 | |
But do you think it's possible that people can form relationships | 0:23:15 | 0:23:18 | |
-with them as if they were? -I do. | 0:23:18 | 0:23:20 | |
In fact, people form relationships with the unanimated dolls. | 0:23:20 | 0:23:25 | |
In my opinion, the love that a doll owner or a potential robot | 0:23:25 | 0:23:31 | |
owner would feel for that robot or that doll, is just as important | 0:23:31 | 0:23:37 | |
and just as real as someone who loves, you know, their girlfriend. | 0:23:37 | 0:23:42 | |
People who are put off by it or afraid of it just don't understand | 0:23:42 | 0:23:46 | |
the simplicity of it, which is trying to make people happy. | 0:23:46 | 0:23:50 | |
In a sense, do you think, you know, | 0:23:50 | 0:23:52 | |
it might be the start of a slippery slope for human interaction? | 0:23:52 | 0:23:55 | |
Well, if it is, you'd better wear some skis. | 0:23:55 | 0:23:59 | |
I want you. | 0:23:59 | 0:24:01 | |
I want to make love with you. | 0:24:01 | 0:24:02 | |
I've had so much fun making this film. | 0:24:13 | 0:24:17 | |
'But it's shown me a future which is actually quite disturbing. | 0:24:17 | 0:24:20 | |
'What would unlimited virtual relationships | 0:24:20 | 0:24:22 | |
'and virtual sex do to our real lives? | 0:24:22 | 0:24:24 | |
'I guess the ultimate question is, "can sex with a machine ever actually | 0:24:24 | 0:24:28 | |
'"replace the real thing?" | 0:24:28 | 0:24:30 | |
'Well, there's only one way to find out.' | 0:24:30 | 0:24:32 | |
So what is this? | 0:24:38 | 0:24:40 | |
'Mayuki Itsura is a developer | 0:24:44 | 0:24:46 | |
who's teamed up with a sex toy company' | 0:24:46 | 0:24:48 | |
to create a VR teledildonic prototype. | 0:24:48 | 0:24:50 | |
OK, so I'm going to use this now. | 0:24:52 | 0:24:55 | |
How is it going to work? | 0:24:55 | 0:24:56 | |
And how does this work? What is this going to do? | 0:25:09 | 0:25:12 | |
And my penis is going to be in that?! | 0:25:23 | 0:25:26 | |
Oh, that is going to feel weird. This will literally... | 0:25:28 | 0:25:31 | |
This is literally like having sex with a machine? | 0:25:31 | 0:25:34 | |
All, my gosh. That... | 0:25:40 | 0:25:44 | |
-Do you mind leaving? -Oh. | 0:25:44 | 0:25:46 | |
THE INTERPRETER TRANSLATES | 0:25:46 | 0:25:48 | |
-OK. -Thank you. | 0:25:49 | 0:25:51 | |
If I was in this virtual world with this girl I'd actually | 0:26:00 | 0:26:02 | |
probably rather be masturbating manually then using this. | 0:26:02 | 0:26:06 | |
Because this teledildonics, what I'm feeling on my penis is kind of... | 0:26:06 | 0:26:10 | |
It's a very, very minimal sensation. | 0:26:10 | 0:26:13 | |
It's nothing like a vagina. | 0:26:13 | 0:26:16 | |
It's not anything like sex, basically. | 0:26:16 | 0:26:18 | |
I mean this is just... | 0:26:18 | 0:26:20 | |
This is just a bit weird. | 0:26:20 | 0:26:23 | |
And I don't think it's something that would ever make me orgasm. | 0:26:23 | 0:26:27 | |
It's nothing like sex at all. | 0:26:27 | 0:26:30 | |
I feel like I'm sat in a chair with a headset on | 0:26:30 | 0:26:33 | |
and I've got a damp flannel being repetitively touched on my penis. | 0:26:33 | 0:26:38 | |
No. | 0:26:52 | 0:26:54 | |
Nice to meet you but you're not doing anything for me, sorry. | 0:26:54 | 0:26:57 | |
I've literally... I've been doing that for about 20 minutes. | 0:26:57 | 0:27:00 | |
I've really been trying to get to that point. | 0:27:00 | 0:27:02 | |
Literally, there is nothing going on down there. | 0:27:02 | 0:27:06 | |
No, I think robot sex is definitely quite a long way off. | 0:27:06 | 0:27:10 | |
To be honest, I'm actually quite relieved | 0:27:14 | 0:27:17 | |
that the virtual sex machine didn't float my boat. | 0:27:17 | 0:27:19 | |
But there are millions of pounds being spent | 0:27:21 | 0:27:23 | |
on this technology to make it more and more realistic. | 0:27:23 | 0:27:27 | |
'We're already living in a world where most of us | 0:27:27 | 0:27:30 | |
'are addicted to being online. | 0:27:30 | 0:27:32 | |
'If this keeps going, I can see a time when millions of us | 0:27:32 | 0:27:35 | |
'spend more time in virtual reality than we do in the real world. | 0:27:35 | 0:27:38 | |
'That, could have a huge impact on all of us | 0:27:40 | 0:27:43 | |
'and the way we live our lives and our relationships.' | 0:27:43 | 0:27:46 |