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Almost every British viewer alive today has grown up with this man | :00:12. | :00:16. | |
appearing on screen. Sir Bruce Forsyth. He undoubtedly will go down | :00:17. | :00:23. | |
in history as the greatest all-round British entertainer. Oh, she's a | :00:24. | :00:30. | |
lovely girl! Nobody could do it all as well as he could. And nobody had | :00:31. | :00:37. | |
such a sustained place in the affection of the British public. | :00:38. | :00:42. | |
Thank you, very much. Good evening! The greatest entertainer. Bar none. | :00:43. | :00:50. | |
It was such a joy and an honour to work alongside someone of his | :00:51. | :00:57. | |
stature. It's nice to see you. To see you... He could sing, he could | :00:58. | :01:04. | |
dons, fabulous pianist. The comics. Everything. So all he could dance. | :01:05. | :01:10. | |
If you want an all-round entertainer, you think first of all, | :01:11. | :01:14. | |
Bruce Forsyth. Thank you so much, thank you. His story is also the | :01:15. | :01:19. | |
story of the growth of British television itself. From Sunday Night | :01:20. | :01:24. | |
at the Palladium. To Strictly Come Dancing. Whatever you think about | :01:25. | :01:29. | |
Roos's persona, in front of a live audience committee is away. -- | :01:30. | :01:36. | |
Brucepersona. Chat show host, dons and singer, Sir Bruce Forsyth's | :01:37. | :01:40. | |
career spanned seven decades, breaking the record for the longest | :01:41. | :01:42. | |
career of any male TV entertainer. He did everything. And he was so | :01:43. | :01:57. | |
adored and so admired, and gave us all so much joy and pleasure. All | :01:58. | :02:05. | |
from a man whose roots were humble, but whose ambition and talent were | :02:06. | :02:06. | |
extraordinary. Born on the 22nd of February, 1928, | :02:07. | :02:24. | |
he was christened Bruce Forsyth Johnson. The youngest of three | :02:25. | :02:29. | |
children. They grew up in this house in the north London suburb of | :02:30. | :02:33. | |
Edmonton. After his parents had met at the local solvation army. He | :02:34. | :02:38. | |
didn't come from a showbiz background, interestingly. He was | :02:39. | :02:41. | |
the first in his family to sort of follow that path. His mum did a bit | :02:42. | :02:47. | |
of singing for the Salvation Army. But they didn't follow the showbiz | :02:48. | :02:51. | |
paths. But for Bruce, it was all he ever wanted to do. By their family | :02:52. | :02:56. | |
business none of the dazzle associated with Bruce's eventual | :02:57. | :03:02. | |
profession. My father worked very hard. He was a garage engineer. They | :03:03. | :03:07. | |
were wonderful parents. Probably my mother had more ambition for me than | :03:08. | :03:12. | |
I had myself. She would make all of his dance costumes for the | :03:13. | :03:14. | |
competitions he took part in, severing on each sequin | :03:15. | :03:20. | |
painstakingly. We weren't poor people, but we weren't rich, we were | :03:21. | :03:25. | |
sort of in between. But they did sacrifice a lot for me in those | :03:26. | :03:31. | |
early, early days. I would never have made it without them. He took | :03:32. | :03:36. | |
up dance lessons at the age of eight. It was to be a long, hard | :03:37. | :03:42. | |
slog. All Bruce talked about was as a child wanting to get out on those | :03:43. | :03:47. | |
boards. And he would talk about discipline. He would talk about how | :03:48. | :03:52. | |
hard you had to work. And that you had to do what came along. And prove | :03:53. | :03:59. | |
that you could do it, step-by-step by step-by-step. He was the sort of | :04:00. | :04:04. | |
1930s Billy Elliot, I suppose. He just worked and worked and worked. | :04:05. | :04:08. | |
He often told me that he would tap dance on the corrugated roof of his | :04:09. | :04:14. | |
dad's barrage in north London. He was driven. -- garage. And it was | :04:15. | :04:19. | |
very much in his psyche. And that's what powered him. A kid did sort of | :04:20. | :04:26. | |
have a go at me and say, oh, you're going to your dancing lessons, don't | :04:27. | :04:30. | |
be late, you know, and all this nonsense. So I pulled him off the | :04:31. | :04:35. | |
bike and gave him a right handful! Eight Bruce was never short of | :04:36. | :04:39. | |
self-determination. And he was inspired by the talent of a great | :04:40. | :04:40. | |
1930s movie star. Two of his favourites were my | :04:41. | :04:53. | |
favourites, most danceable site favourites. Fred Astaire and Gene | :04:54. | :04:57. | |
Kelly. He sat me down once and said, let's have a look at this. He turned | :04:58. | :05:03. | |
on a Fred Astaire movie. We just sat there, mesmerised. | :05:04. | :05:10. | |
I suppose his heroes throughout the whole of his life really were these | :05:11. | :05:16. | |
wonderful Hollywood stars, particularly Fred Astaire, who he | :05:17. | :05:18. | |
pretty much modelled his whole career on. The sort of dapper look, | :05:19. | :05:23. | |
the bowtie, the dinner jacket, the wonderful dancing and singing and | :05:24. | :05:26. | |
being funny and being an all-round entertainer. I suppose Fred Astaire | :05:27. | :05:29. | |
was the boy that he wanted to become. He was 11 when his mother | :05:30. | :05:37. | |
spotted an ideal opportunity. With the world is first natural | :05:38. | :05:46. | |
broadcasting organisation. -- the world's first national broadcasting | :05:47. | :05:50. | |
organisation, the BBC. Programmes trials Muttitt have covered a wide | :05:51. | :05:55. | |
range of entertainment and interest. -- programmes transmitted. Many | :05:56. | :05:58. | |
cabaret and variety artists have been used stock might and open | :05:59. | :06:05. | |
audition was posted from Alexandra Palace called, Come and Be | :06:06. | :06:09. | |
Televised. Would you like to recite in public? Dance? The Radio Times | :06:10. | :06:17. | |
asked. Bruce certainly did. He told the presenter that he wanted to be | :06:18. | :06:21. | |
famous like Fred Astaire and by his mother if our coat. Only the listing | :06:22. | :06:26. | |
for Master Bruce Johnson, sung and tap dance, has arrived in the | :06:27. | :06:30. | |
archives. But the year is underlined in history. 29th of August, 1939. | :06:31. | :06:36. | |
Days later, his TV career was halted as the order came to switch off the | :06:37. | :06:40. | |
television transmitter. The world was at war. The war years saw | :06:41. | :06:47. | |
tragedy for many. But Bruce and his family were hit in unexpected ways. | :06:48. | :06:52. | |
His brother-in-law died in an accident at work. And Bruce's only | :06:53. | :06:59. | |
brother, Johnny, a 21-year-old RAF pilot, was killed in a training | :07:00. | :07:02. | |
exercise over Scotland. His body lost at sea. A tragedy which Bruce | :07:03. | :07:09. | |
Braley talked about publicly. -- Bruce Braley talked about. Bruce | :07:10. | :07:15. | |
carried on striving, making his first stage appearance at the | :07:16. | :07:19. | |
Theatre Royal, Bilston, as Boy Bruce the Mighty Atom in 1943. They were | :07:20. | :07:26. | |
still experimenting with Adams. Adams was the new thing. And I | :07:27. | :07:33. | |
thought, I was just a kid of 14 -- atoms was the new thing. I thought, | :07:34. | :07:38. | |
what should I call myself? He was looking to make a living. If it were | :07:39. | :07:42. | |
possible to make a living doing the things he loved doing, which was | :07:43. | :07:45. | |
entertaining, then that would have satisfied him. I think he would have | :07:46. | :07:50. | |
been happy to have made a living. Then, teaming up with a fellow | :07:51. | :07:54. | |
performer, he placed an advert in the trade newspaper, the Stage, | :07:55. | :08:01. | |
advertising their act. He was done completely driven. He was a driven | :08:02. | :08:05. | |
performer, it was almost like an addiction. It wasn't something he | :08:06. | :08:08. | |
felt like he had a choice of leaving behind. Soon after the end of World | :08:09. | :08:13. | |
War II, Bruce formed another partnership with a musician called | :08:14. | :08:18. | |
Les Roy. Forsyth and Roy had completed a theatre tour, and were | :08:19. | :08:21. | |
encouraged enough to send a polite letter to the BBC seeking another | :08:22. | :08:24. | |
television audition. Unknown to them, their act was deemed | :08:25. | :08:30. | |
third-rate music hall, not for us. No letter. But in 1947, the Windmill | :08:31. | :08:38. | |
Theatre did take Bruce on as a solo act. This was a venue with a | :08:39. | :08:44. | |
peculiar talent. Performers share the stage with a backdrop of the | :08:45. | :08:52. | |
famous Windmill girls. It was a thankless task, performing five or | :08:53. | :08:56. | |
six shows a day at the Windmill. Nobody wanted to hear the comedians, | :08:57. | :09:04. | |
they just wanted to see the girls. Even this major taskmaster loved | :09:05. | :09:10. | |
Brucie so much that he advised him on how to improve his acts. And | :09:11. | :09:16. | |
Bruce, like a lot of the great 20th-century British comics, Spike | :09:17. | :09:18. | |
Milligan, Harry Secombe, Tony Hancock, he made his first break at | :09:19. | :09:23. | |
the Windmill the adult. He learned how to craft material, how to make | :09:24. | :09:26. | |
it his own -- the Windmill Theatre. He found his own voice. He was | :09:27. | :09:31. | |
masterly. Three weeks into his Windmill booking, Bruce found his | :09:32. | :09:35. | |
third National Service would wait no longer. -- his deferred National | :09:36. | :09:42. | |
Service. He spent two years as a musician in the RAF. After the | :09:43. | :09:48. | |
mopping in 1949, she returned to the Windmill and was keen to take on | :09:49. | :09:52. | |
work wherever he could -- after demobilising. He also teamed up with | :09:53. | :09:55. | |
a fellow dancer, Penny Calvert. The couple married in 1953. Within | :09:56. | :10:08. | |
four years, they'd had two daughters. By now, he keyed into | :10:09. | :10:14. | |
what would always be the chief motivator of his career. In the | :10:15. | :10:21. | |
theatre, when you're standing up in front of 2000 people, you've got | :10:22. | :10:25. | |
nowhere to go. You have to survive. And that survival mechanism, I | :10:26. | :10:30. | |
wouldn't want to do it, most people would never consider standing in | :10:31. | :10:32. | |
front of an audience baying to make them laugh or applaud or enjoy. And, | :10:33. | :10:37. | |
you know, he had that instinct in him. That said, I will make them | :10:38. | :10:44. | |
laugh or I'll make them applaud. It was an ability that served him well | :10:45. | :10:49. | |
in theatres. And soon back on television screens. While performing | :10:50. | :10:52. | |
at a seaside theatre, his talents were spotted by one of the country's | :10:53. | :10:57. | |
leading agents - by Le Marche. He could play the piano, he could | :10:58. | :11:02. | |
dance, sing, tell jokes, there was nothing he couldn't do. But he was | :11:03. | :11:06. | |
war, obviously, at that point. He was a jobbing performer looking for | :11:07. | :11:09. | |
any work that he could, whether it was the Windmill Theatre or a little | :11:10. | :11:13. | |
tiny theatre at Babbacombe, which was not exactly a number one | :11:14. | :11:21. | |
theatrical bait. By 1955, the growth of television was unstoppable. | :11:22. | :11:24. | |
Britain's first commercial channel was launched to challenge the BBC's | :11:25. | :11:30. | |
monopoly, giving new opportunity for performers at a time when Bruce | :11:31. | :11:32. | |
Forsyth was running short of options. It was hard. I did at one | :11:33. | :11:37. | |
time gave myself five years, I thought, if I'm not going to make it | :11:38. | :11:41. | |
within five years, alternative. Really? Yet. By Le Marche sent Bruce | :11:42. | :11:48. | |
Forsyth to audition for a variety hit on the ITV network, broadcast | :11:49. | :11:52. | |
live to millions. Sunday Night at the London Palladium. In 1958, | :11:53. | :12:00. | |
30-year-old Bruce stepped into Tommy trend's shoes as host. He would | :12:01. | :12:01. | |
never look back. So, this unknown with a big chin and | :12:02. | :12:13. | |
a growing steps on to the greatest variety stage in the world -- and a | :12:14. | :12:20. | |
grin. Bruce would have been quite entitled to be nervous at this | :12:21. | :12:23. | |
particular point. This was the beginning of his first appearance as | :12:24. | :12:27. | |
the presenter of Sunday Night at the Palladium. There wasn't the | :12:28. | :12:33. | |
slightest bit of nerves showing. Thank you, thank you very much. Good | :12:34. | :12:40. | |
evening! Ladies and gentlemen... Welcome to Sunday Night at the | :12:41. | :12:45. | |
London Palladium. # Hope you'll is the holiday has | :12:46. | :12:49. | |
been very gay # Hip hip hurray | :12:50. | :12:55. | |
#. Bruce didn't just take to the Palladium stage, she took over the | :12:56. | :13:00. | |
Palladium stage. I went to the south of France, I always wanted to go | :13:01. | :13:05. | |
there, what a place. Cyril, isn't it marvellous that? He lives there, | :13:06. | :13:11. | |
that boy! The audience loves his bossy, fuzzy personality. Are you | :13:12. | :13:14. | |
all right? We wondered where you were. Jolly good. Let's find out | :13:15. | :13:21. | |
where everybody is from. Where are you from? Party, it's a party. | :13:22. | :13:26. | |
London? Why are you late?! LAUGHTER | :13:27. | :13:31. | |
The middle section of the Palladium show was in fact a game show. Ladies | :13:32. | :13:36. | |
and gentlemen, it's time for Beat the Clock. In which you had to | :13:37. | :13:41. | |
handle members of the audience, push them into this position, that | :13:42. | :13:44. | |
position, throwing darts at that thing, kick that ball here, you | :13:45. | :13:51. | |
know. No, no, in the air! Give it one like that! His skill at dealing | :13:52. | :13:56. | |
with the contestants would define him forever. Now then, you have 55 | :13:57. | :14:04. | |
seconds to Beat Clock. Step... No, you just step up here, facing the | :14:05. | :14:08. | |
front, behind is curtains, lots of words all jumbled up and you have to | :14:09. | :14:13. | |
get them into a well-known phrase. The catchphrases became legendary. | :14:14. | :14:18. | |
I'm in charge, that was one of his earliest catchphrases. If somebody | :14:19. | :14:23. | |
hit the target particularly well, didn't he do well? Those | :14:24. | :14:25. | |
catchphrases stayed with him for decades. It's a long claimed that | :14:26. | :14:34. | |
has no turning! You've won a major prize. There it is. I do hope you | :14:35. | :14:42. | |
like it. And I think he said during Beat the Clock, the contestant was a | :14:43. | :14:49. | |
bit slippy, which was wonderful for Bruce. He said, look, dear, I'm in | :14:50. | :14:54. | |
charge -- was a bit loopy. The following week you couldn't get in | :14:55. | :14:57. | |
the Palladium door for sacks of fan mail. He just took off. | :14:58. | :15:04. | |
MUSIC One of the most memorable episodes | :15:05. | :15:21. | |
was a two hander with Norman Wisdom. Where, due to an equity strikes, the | :15:22. | :15:29. | |
whole bill needed to be improvised. Two people doing an hour of live TV, | :15:30. | :15:35. | |
my God, that is amazing. Ladies and gentlemen... Welcome to Sunday Night | :15:36. | :15:50. | |
at the London Palladium. And to do it for all the right reasons, they | :15:51. | :15:54. | |
did it for the audience. You know, they weren't trying to buck the | :15:55. | :15:58. | |
Equity union, they were doing it because they knew that X amount of | :15:59. | :16:02. | |
millions of people would sit down on Sunday night and want to see the | :16:03. | :16:05. | |
show. Rather than just an hour of potters wheel or something, they | :16:06. | :16:09. | |
wanted to the performance. And they got Norman and Bruce. Remember, you | :16:10. | :16:13. | |
told the joke and you couldn't tell it for laughing. It was so funny, I | :16:14. | :16:23. | |
couldn't help laughing! Is been practising. I'll make a deal. If you | :16:24. | :16:26. | |
can tell that joke about loving, you can keep the suit! I couldn't be | :16:27. | :16:30. | |
fairer than that. They became on that one night national | :16:31. | :16:32. | |
institutions. That define them for the rest of their careers because | :16:33. | :16:35. | |
that was never forgotten. I was walking down the street the other | :16:36. | :16:37. | |
day... LAUGHTER | :16:38. | :16:45. | |
I remember him doing a turn with Norman Wisdom, where they were doing | :16:46. | :16:58. | |
a bit of wallpapering to that tune. Fibre in his mouth. I watched and I | :16:59. | :17:04. | |
said, this bloke is brilliant. -- he had a fag in his mouth. That is one | :17:05. | :17:14. | |
of the greatest bits of TV you can ever see. | :17:15. | :17:28. | |
It was genius. The TV personality of 1949, Bruce Forsyth. His dedication | :17:29. | :17:43. | |
had finally paid off. He hosted at the Palladium for three years, as | :17:44. | :17:47. | |
the accolades poured in, although it had taken 16 years to be deemed an | :17:48. | :17:53. | |
overnight success. Happening as quickly as this is the will drink. I | :17:54. | :17:57. | |
am petrified because this is the first after-dinner speech I have | :17:58. | :18:03. | |
ever made. The 1960s saw him seriously overworked and spoilt for | :18:04. | :18:07. | |
choice, while his personal lives or ups and downs. In 1957, his mother | :18:08. | :18:13. | |
had died of a stroke, and in 1961, his father suffered a fatal heart | :18:14. | :18:19. | |
attack. One year later, Bruce's third daughter was born, and by the | :18:20. | :18:23. | |
summer of 1964, although it would take ten years before their divorce, | :18:24. | :18:26. | |
he knew that his marriage to Penny was over. We were a double act, and | :18:27. | :18:34. | |
all of a sudden I went there, to the top of the business in this country. | :18:35. | :18:40. | |
In six weeks, I became one of the biggest names on television. When | :18:41. | :18:46. | |
you finally get the big break, it's difficult to still be a family man. | :18:47. | :18:50. | |
And I think that's what happened with Penny and I. Now one of the | :18:51. | :18:58. | |
biggest names in television, Bruce was following his dream. In 1964, he | :18:59. | :19:05. | |
landed the lead in the Neil Simon musical, little me. Performing in a | :19:06. | :19:08. | |
major production on a west end stage was something he had always aspired | :19:09. | :19:14. | |
to. He also hosted two major chat shows on opposite channels. But his | :19:15. | :19:20. | |
sights were set higher still. I knew that Bruce wanted to be a movie | :19:21. | :19:25. | |
star. That was his big ambition. You know how Bruce can always look at | :19:26. | :19:30. | |
himself and he has that sideways look, the chin, the nose. I think he | :19:31. | :19:37. | |
saw that face in a movie. How about one of these? Fell off the back of a | :19:38. | :19:44. | |
lorry. Be a good chap and run away. Would you fancy this thing? Now you | :19:45. | :19:50. | |
have my attention. What can I do for you? You are to get over to the book | :19:51. | :19:56. | |
man right away. I think he fancied being James Bond. That was | :19:57. | :20:00. | |
ridiculous. But if Roger Moore could do it, he could have done it. A | :20:01. | :20:05. | |
toast. Wherever my little girl goes, she will always find herself. He | :20:06. | :20:11. | |
could do it. It was not that he was this song and dance man, he could do | :20:12. | :20:18. | |
comedy acting parts. Enough with this nonsense. Get the book. And he | :20:19. | :20:24. | |
did some movies. He did Bedknobs and Broomsticks, and he did Star with | :20:25. | :20:30. | |
Julie Andrews, but none of them were blockbusters. That was the nearest | :20:31. | :20:36. | |
he got his ambition of Hollywood musicals. In the 1970s, they were | :20:37. | :20:40. | |
not being made, the days of Gene Kelly and Fred Astaire were long | :20:41. | :20:45. | |
gone. They have moved on to doing film versions of shows. What was all | :20:46. | :20:50. | |
that about, prancing in the audience, mucking about with my | :20:51. | :20:53. | |
material. What are you trying to do? Ruin me? Bruce lost out on a roll | :20:54. | :20:59. | |
that could have changed his profile as an actor forever. That of fading | :21:00. | :21:03. | |
in Lionel Barber's film musical Oliver. Ron Moody, they did not know | :21:04. | :21:11. | |
if he was going to do it. Lionel phoned me and he said, would you | :21:12. | :21:16. | |
like to do it? I said, I would love to, you are joking. He said, it is | :21:17. | :21:20. | |
going on a bit and could go either way. He said he would phone me later | :21:21. | :21:24. | |
in the week. He phoned me twice afterwards. Ron was wonderful. He | :21:25. | :21:29. | |
did the show, he knew the part, so it saved a lot of trouble. But it is | :21:30. | :21:34. | |
a thing I will always regret, not having the chance. But you were in | :21:35. | :21:37. | |
many movies and made some fine films. The fact that you were here | :21:38. | :21:42. | |
on British TV for so long is a great source of joy for us. If we had lost | :21:43. | :21:46. | |
due to the movies, we would have been poorer for that. What a lovely | :21:47. | :21:55. | |
thing to say. It is the truth. With the launch of BBC Two in 1964, | :21:56. | :22:00. | |
Britain became a three channel nation. Television was flourishing. | :22:01. | :22:06. | |
Good evening. This is BBC Two. But Bruce's focus on big-screen roles | :22:07. | :22:10. | |
meant that his small screen profile suffered. His bookings were mainly | :22:11. | :22:15. | |
in Cabaret. I knew his brilliant all-round talents, but at that time, | :22:16. | :22:20. | |
in the late 60s, early 70s, television was not seeking him in | :22:21. | :22:28. | |
abundance. During the 1970s, game shows started to replace more | :22:29. | :22:32. | |
expensive variety shows, and in 1971, the BBC were looking for a | :22:33. | :22:37. | |
host for a new production based on a Dutch format. Bruce was not looking | :22:38. | :22:41. | |
to host a game show, but memories of Beat the Clock stood strong. The | :22:42. | :22:46. | |
Generation Game would become the number one game show of the decade. | :22:47. | :22:53. | |
Good evening. Welcome to the Generation Game. We recorded the | :22:54. | :22:57. | |
show in the television Theatre. Bruce was desperate for as much | :22:58. | :23:01. | |
contact with his audience as he could get. Camera two. They are the | :23:02. | :23:08. | |
stars, I am the superstar, all right? Once again, the key was his | :23:09. | :23:14. | |
interaction with contestants and the audience. The beauty of the | :23:15. | :23:19. | |
Generation Game, it suddenly brought him to the masses. You visited a | :23:20. | :23:26. | |
tent in the desert with your eunuch. I am sorry, that was my fault. With | :23:27. | :23:32. | |
your unit. And they gave you gifts of beads. You knew it was polite to | :23:33. | :23:39. | |
give something in return. Oh, yes! It was family entertainment, | :23:40. | :23:42. | |
positive, happy. He laughed with people, never at them. You are aged | :23:43. | :23:49. | |
24 and have been married to Bill for 18 months. Still quite fresh. You | :23:50. | :23:54. | |
look still glowing. Tell me, as he started going out with the boys on | :23:55. | :23:59. | |
Friday night yet? No, he takes me with him. Does he bring you a cup of | :24:00. | :24:09. | |
tea on Sunday? No. It has started. It was like an uncle coming to tea | :24:10. | :24:13. | |
on Sunday and you have a few laughs together. Away we go. You had a huge | :24:14. | :24:19. | |
mass of public viewing that switched on to watch the Generation Game, and | :24:20. | :24:26. | |
people talked about it. We talk about reality television. It was | :24:27. | :24:29. | |
happening then. Did you see that silly person having their hair cut, | :24:30. | :24:33. | |
or that silly dance, or these silly people trying to make the Getty? Can | :24:34. | :24:37. | |
you see anything? You are not missing much. Right, I will give you | :24:38. | :24:43. | |
a guide. There is your hand. In your own time, away you go. Each one you | :24:44. | :24:47. | |
get in the glass counts as one point. Bruce in vented his thinker | :24:48. | :25:01. | |
poz, and new catchphrases, which became legendary. Nice to see you. | :25:02. | :25:11. | |
To see you, nice. Good game. Didn't she do well! Go there, and sit | :25:12. | :25:21. | |
yourself on the seat. Take the screens away. Have 45 seconds to | :25:22. | :25:27. | |
have a look. Lots of items will pass before your eyes. On the conveyor | :25:28. | :25:31. | |
belt we have a food hamper, a portable workbench, a sideboard | :25:32. | :25:37. | |
hostess, double electric oven blanket, cut crystal decanter... He | :25:38. | :25:44. | |
never had an off day. There was never a show where he was not very | :25:45. | :25:52. | |
good. Bruce always gave his best. A soda stream. In a golden age of | :25:53. | :25:57. | |
television, Bruce reached up to 19 million viewers, tuning in for | :25:58. | :26:05. | |
familiar family entertainment. You got the soda stream. Didn't he do | :26:06. | :26:12. | |
well? Well done. The game called for an assistant to bring on the | :26:13. | :26:17. | |
contestants. It was about scoring, and other bits, where you needed a | :26:18. | :26:23. | |
second partner to help the structure of the games. After a search failed | :26:24. | :26:27. | |
to find the right candidate, Bruce called on a woman he had ready met | :26:28. | :26:37. | |
at a lovely legs competition. And Theo's immense good looks and | :26:38. | :26:40. | |
personality impressed us all, but particularly Bruce. And she was | :26:41. | :26:48. | |
chosen. As we all know, the rest is history. Anyway, here she is, the | :26:49. | :26:51. | |
gorgeous, the lovely Anthea Redfern. Bruce married again in 1973. Simple, | :26:52. | :27:10. | |
but very nice. I must apologise. I had to leave for the studio earlier | :27:11. | :27:14. | |
than you this morning so I could not drive in the same car. You had no | :27:15. | :27:21. | |
trouble in the traffic? No trouble. Oh, good. The celebrity couple would | :27:22. | :27:26. | |
go on to have two daughters, making Bruce a father of five, as his | :27:27. | :27:29. | |
career reached new heights of popularity. And the 1970s saw him | :27:30. | :27:38. | |
capitalise on his success, as one of the stars who stepped into | :27:39. | :27:44. | |
advertising. Go and have your break, love. Thanks, Bruce. Sticky buns. It | :27:45. | :27:51. | |
is my first day. He was extraordinary. Instead of him being | :27:52. | :27:57. | |
on stage or in a studio, we took him to places. We have been talking | :27:58. | :28:03. | |
about Stork margarine. He was in their space, which is difficult | :28:04. | :28:06. | |
because he was not in charge, if you like. Is it Stork margarine? It | :28:07. | :28:18. | |
isn't, is it? It is. He gave them Brucie. He would come in and do the | :28:19. | :28:22. | |
thinker, or he would say, nice to see you. And he was extraordinary, | :28:23. | :28:27. | |
the way he dealt with people. They have gone Stork raving mad. You can | :28:28. | :28:34. | |
trust Stork. It tastes good enough to eat with nothing on. By 1978, | :28:35. | :28:41. | |
Bruce was the people's favourite, who had now fronted the Generation | :28:42. | :28:45. | |
Game for seven years, beating all competition, much to the | :28:46. | :28:48. | |
disappointment of ITV, who wanted their star back. Knowing his | :28:49. | :28:53. | |
ambition to want to be more than just a game show host, to sing and | :28:54. | :28:58. | |
dance and do all the things he could do, I worked out a format with my | :28:59. | :29:01. | |
head of entertainment that would show off Bruce in all his glory. I | :29:02. | :29:08. | |
am fed up with saying the same thing every week. It does get on my | :29:09. | :29:12. | |
nerves. I will say something different. And I sold it to him as | :29:13. | :29:17. | |
an idea, and he gave up the Generation Game and he came to us. | :29:18. | :29:27. | |
It is Bruce Forsyth 's big night. They promoted it as though the | :29:28. | :29:31. | |
second Messiah was going to arrive. It was quite ridiculous. He sang, he | :29:32. | :29:41. | |
danced, he did everything, everything possible that Bruce could | :29:42. | :29:51. | |
do. And he loved doing it. The real reason we came to London was not | :29:52. | :29:55. | |
that little show at the Palladium. It was because we wanted to peddle | :29:56. | :29:59. | |
our wares on Portobello Road, no. The real reason was that I had to | :30:00. | :30:04. | |
meet Mary Whitehouse just once before I die. Well, I have met her, | :30:05. | :30:14. | |
and, you see... Meanwhile, back at the BBC, Larry Grayson was doing | :30:15. | :30:17. | |
well as the new host of the Generation Game. Shut that door. | :30:18. | :30:28. | |
Larry's quirky style meant that audiences stuck with the show. I | :30:29. | :30:41. | |
can't find a five. Over on LWT, it was not going so well for Bruce's | :30:42. | :30:49. | |
big night. The problem was the press, the tabloids, set up a David | :30:50. | :30:53. | |
and Goliath story. Larry popped up as the host, and it was Larry | :30:54. | :30:57. | |
against Bruce. There was only going to be one winner in their mind, | :30:58. | :31:02. | |
because they will always side with the underdog. Despite his star | :31:03. | :31:08. | |
quality, it was a ratings flop. Would you care to the mother? What | :31:09. | :31:15. | |
does that mean? Are you going to be dad? What is going to happen now? We | :31:16. | :31:20. | |
had to take it off after a year because it was so painful for Bruce. | :31:21. | :31:24. | |
He was wonderfully loyal, because he could have turned on me and said, | :31:25. | :31:27. | |
they talked me into this and they haven't delivered. He could have got | :31:28. | :31:32. | |
himself out of it by blaming us but he didn't, he believed in the show. | :31:33. | :31:36. | |
I will tell you something, Parkinson has never done this! This is great. | :31:37. | :31:45. | |
Have you heard of Parkinson? As the chat show failed, so did Bruce's | :31:46. | :31:50. | |
second marriage, with his wife citing show business is the third | :31:51. | :31:55. | |
party in their marriage. Bruce, the family entertainer, experienced | :31:56. | :31:59. | |
negative press, which upset him so much he handed back his Sun | :32:00. | :32:05. | |
newspaper television awards. Undaunted, in 1979, Bruce decided to | :32:06. | :32:08. | |
follow a lifetime ambition by heading to Broadway to present a | :32:09. | :32:11. | |
one-man show at the Winter Garden Theatre. The show drew on his many | :32:12. | :32:14. | |
and varied talents. He could dance, sing, play the | :32:15. | :32:23. | |
piano, there was nothing that he didn't do. He was the British boy | :32:24. | :32:27. | |
showing by Americans that we are as good as they are. If he had been | :32:28. | :32:31. | |
born in America, he would have been a massive global star. Over the | :32:32. | :32:35. | |
course of his career, Bruce released more than seven albums. | :32:36. | :32:38. | |
# In now you're here # And now I know just where I'm | :32:39. | :32:43. | |
going # No more doubts or fears | :32:44. | :32:48. | |
#. And always remained a dancer. MUSIC | :32:49. | :32:55. | |
Bruce was what they called a offer. He did an American tap which was | :32:56. | :33:03. | |
very close to the ground. He didn't like English tap, the whole | :33:04. | :33:05. | |
up-and-down English tap thing. He looked like he was standing | :33:06. | :33:15. | |
still, but you are making these most incredible sounds with your feet. | :33:16. | :33:27. | |
He was absolutely full of rhythm. After Bruce's Broadway stint, LWT | :33:28. | :33:40. | |
gave him a dream commission. A duet with an international American star. | :33:41. | :33:46. | |
The ultimate song and dance man. He had also become Bruce's friend and | :33:47. | :33:47. | |
hero. Look at me and look at you. I just | :33:48. | :33:58. | |
thought I'd better get out here quickly. Why is that? I know you too | :33:59. | :34:04. | |
well, Bruce. I just want to get a couple of things straight in the | :34:05. | :34:08. | |
beginning of the show, if you don't mind, from one friend to another. | :34:09. | :34:11. | |
These are the definite no-no is during the time we're here, OK? | :34:12. | :34:17. | |
There will be no shark jokes, there will be no jewellery jokes, there | :34:18. | :34:23. | |
will be no one are jokes... Bruce working with Sammy was Bruce working | :34:24. | :34:28. | |
with, from his point of view, an idol. From the audience's point of | :34:29. | :34:37. | |
view, and equal. As sign you and I Bruce Sammy | :34:38. | :34:41. | |
# I'm so spruce and you're so hammy # All of the same, we go together | :34:42. | :34:49. | |
# Like gin and... Holed, holed, you did it again. You are doing | :34:50. | :34:53. | |
something different, Sam -- hold it. You know what I do an impression of | :34:54. | :34:57. | |
you, and all of a sudden you keep changing your style. Sammy was | :34:58. | :35:04. | |
enormously impressed by Bruce. Here is an English guy who is really up | :35:05. | :35:15. | |
to it. As sign you, yeah, yeah... -- # Yeah, yeah, yeah... | :35:16. | :35:22. | |
#. And I'll tell you what, Bruce kept right up with Sammy Davies. | :35:23. | :35:30. | |
In the same year, the British public got Brucie back in a role they were | :35:31. | :35:37. | |
most familiar with - hosting a new game for LWT. -- new game show. Our | :35:38. | :35:48. | |
Do Lee dealers are dying to dish out the cards. A way you go, my darlings | :35:49. | :35:55. | |
-- our Do Lee dealers. All we need are our players... Once again, his | :35:56. | :36:00. | |
easy manner with the consent of my contestants struck home. It became | :36:01. | :36:04. | |
any during television hit, presented by Bruce for 13 years. Welcome to | :36:05. | :36:12. | |
Play Your Cards Right. I'm a London taxi driver and I played golf. You | :36:13. | :36:15. | |
didn't leave your meter running outside, did you? We're not paying | :36:16. | :36:22. | |
for that, you know! Lovely, well,. Because he was connected to people, | :36:23. | :36:27. | |
that's what they love about him. He really was terrific with | :36:28. | :36:30. | |
contestants. Carol, who while you, my darling? I'm Carol Kennedy. A | :36:31. | :36:38. | |
very famous family! Yes, my darling? I'm from Manchester, I'm a nurse and | :36:39. | :36:47. | |
I work in a biscuit factory. Do you put splints and broken biscuits?! | :36:48. | :36:50. | |
His fundamental talent was being able to talk to individuals and | :36:51. | :36:56. | |
involve them in the fun. Mocking them slightly, but not too much. | :36:57. | :37:00. | |
Lower than an ace... This is to win the game. I bit of a chance. I | :37:01. | :37:10. | |
freeze! Here too Bruce invented many memorable catchphrases. What to do | :37:11. | :37:15. | |
points make? Prizes! Our star prize tonight in the car. The strange | :37:16. | :37:23. | |
thing about your career has been that no sooner do you seem to | :37:24. | :37:26. | |
succeed enormously in one phase, like for instance Sunday Night at | :37:27. | :37:31. | |
the London Palladium. Having achieved that, you give it up! You | :37:32. | :37:36. | |
sort of disappear. We all have peaks, you see. You can't expect | :37:37. | :37:41. | |
your career to be all one big peak. That's the kind of person I am. I | :37:42. | :37:45. | |
hate to feel too safe and to secure doing something, especially if I | :37:46. | :37:49. | |
feel that I'm in a rut and I've got to get on with the next thing, | :37:50. | :37:55. | |
that's me. What is the next game was law Miss World 1975. After his | :37:56. | :38:00. | |
second marriage had failed, Bruce had been happily single, until 1980 | :38:01. | :38:05. | |
when he met a former Miss world from Puerto Rican. I was never going to | :38:06. | :38:09. | |
get married. The last thing I was going to do was get married. I was | :38:10. | :38:14. | |
going to be Mr frisky for the rest of my life! But I saw her and I just | :38:15. | :38:21. | |
felt like a tonne of bricks. I remember him telling me for the | :38:22. | :38:25. | |
first time that he had met Winnie, and she with this stunning looking | :38:26. | :38:30. | |
girl, 23, 24, whatever she was. I was a bit wary. He was now on his | :38:31. | :38:34. | |
third wife if they got together. They married in 1983. A way at the | :38:35. | :38:43. | |
golf club found out that I was, as I called it, Winnie's husband, he | :38:44. | :38:49. | |
called me Mr world! Their boy, Jonathan Joseph, known as JJ, was | :38:50. | :38:54. | |
born four years after they wed. The birth of Bruce's only boy made him a | :38:55. | :39:01. | |
father of six. Winnie was the woman he would spend the rest of his life | :39:02. | :39:07. | |
with. I didn't think it would last. And I think 99% of his friends | :39:08. | :39:11. | |
didn't think it would last. They thought he was being silly. And it's | :39:12. | :39:15. | |
turned out to be one of the Love III is of my lifetime. So one of the | :39:16. | :39:22. | |
love affairs. -- one of the love affairs. There was a real kind of | :39:23. | :39:27. | |
old-fashioned romance that just seemed to permeate their | :39:28. | :39:31. | |
relationship on a daily basis. She would be at the show every week, she | :39:32. | :39:36. | |
would often stay for the dress rehearsal, she would stay all the | :39:37. | :39:39. | |
way through to live shows. She was constantly by his side. And they | :39:40. | :39:44. | |
absolutely just adored each other. My darling, my darling Winnie, you | :39:45. | :39:49. | |
would always say. And his children, and his grandchildren. You know, he | :39:50. | :39:54. | |
had so much love for his family. She's been a wonderful, wonderful | :39:55. | :39:58. | |
homemaker. She's got on well with his children. They've had a | :39:59. | :40:05. | |
wonderful marriage. You know, they are just a couple, and they're | :40:06. | :40:08. | |
lovely. # I've never loved anyone | :40:09. | :40:15. | |
# The way I love you # How could I | :40:16. | :40:24. | |
# When I was born to be # Just yours... | :40:25. | :40:33. | |
#. They were incredibly happy years for him with Winnie. And he deserved | :40:34. | :40:42. | |
it. He was a good man. In the latter third of his life, Bruce Forsyth | :40:43. | :40:45. | |
achieved greater and greater happiness. He would also spend more | :40:46. | :40:51. | |
time playing the sporty adored. -- the sport he adored. Oh, he loves | :40:52. | :40:55. | |
his goal. He was likely frustrated, he would like to have played better. | :40:56. | :41:00. | |
But he was about eight or nine handicap, a good, steady performer, | :41:01. | :41:03. | |
and he liked to play properly and he would have loved to have played a | :41:04. | :41:07. | |
bit better. He took it very seriously. Quiet on the tee, please. | :41:08. | :41:14. | |
He lived right on Wentworth golf club. You would drive into his home | :41:15. | :41:19. | |
and you'd put the golf clubs on his body with him and you drive down a | :41:20. | :41:23. | |
path, and the gates would open straight onto the course -- on his | :41:24. | :41:29. | |
body. He discovered that he could go on to a golf course and breathe | :41:30. | :41:32. | |
fresh air for two or three hours, have a bit of lunch or whatever, and | :41:33. | :41:36. | |
nobody bothered them. You could be famous and golf clubs and you were | :41:37. | :41:40. | |
accepted, that's the way it was. It's still like that pretty much | :41:41. | :41:44. | |
today. Halfway up the 18th hole he would phone home and say, where ten | :41:45. | :41:48. | |
minutes away. And when we got back to his house, a bottle of champagne, | :41:49. | :41:57. | |
lovely dinner, I would look across the bar and there would be | :41:58. | :42:03. | |
photographs of him with Bob Hope, Dean Crosby... This man has had a | :42:04. | :42:07. | |
wonderful, wonderful wife. It's marvellous to just reminisce and | :42:08. | :42:10. | |
think about the droid -- wonderful life. -- the joy that he brought not | :42:11. | :42:16. | |
only to me but to millions of people stop white Bruce's career in | :42:17. | :42:20. | |
television lasted more than seven decades. Key to his longevity was | :42:21. | :42:24. | |
immense self-discipline. He was always very fit. He was a size 32 | :42:25. | :42:32. | |
waste or so. Just tiny. The jackets were also full row. They were | :42:33. | :42:37. | |
immaculately fitted jackets. Everything was pressed immaculately | :42:38. | :42:40. | |
-- Savile Row. He just was immaculate. He had a regime that I, | :42:41. | :42:44. | |
20 years younger, couldn't keep up with. Exercise, deep breathing, | :42:45. | :42:50. | |
swimming. I never saw him unshaved. I never saw him with dirty shoes | :42:51. | :42:54. | |
worn by the fingernails. He was absolutely tiptop. -- Watmore giving | :42:55. | :43:00. | |
else. He was very careful with himself, sleeping, resting, eating. | :43:01. | :43:07. | |
One of the that Bruce used to do which was really incredible, he used | :43:08. | :43:11. | |
to do a turn in dance, you call it a but wet. When you are young, you | :43:12. | :43:16. | |
spot, you know, -- eight but wet. You never get dizzy. Bruce kept up | :43:17. | :43:23. | |
that spinning to the right and to the left, to determine that he would | :43:24. | :43:33. | |
stay forever Strong and on balance. He understood that you've got to | :43:34. | :43:36. | |
look after yourself. And he found a regime for himself where he could | :43:37. | :43:41. | |
stay in the best possible shape and keep going for as long as he did. | :43:42. | :43:50. | |
When most people are contemplating retirement, the 1990s saw Bruce | :43:51. | :43:52. | |
returned to the newly revived generation game. 62-year-old Bruce | :43:53. | :43:58. | |
appeared barely changed from his younger self. Gentlemen and | :43:59. | :44:03. | |
children, welcome to the generation game, it's nice to see you. To see | :44:04. | :44:09. | |
you... Nice! You know, it's been 13 years since I last did the | :44:10. | :44:12. | |
generation game. And I was so flattered when the BBC asked me to | :44:13. | :44:16. | |
come back to do it. You know, all of the pleading and the begging on the | :44:17. | :44:20. | |
grovelling, oh my... I hope I didn't belittle myself! | :44:21. | :44:48. | |
APPLAUSE Then, in 1995, he launched the price | :44:49. | :44:57. | |
is right. Another game show that would run. Lets meet the stars of | :44:58. | :45:08. | |
our show. Monaco, come on down! -- Monaco. Julie... He celebrated his | :45:09. | :45:16. | |
70th birthday surrounded by friends and admirers on television in a live | :45:17. | :45:19. | |
edition of Sunday Night at the London Palladium. | :45:20. | :45:26. | |
CHEERING APPLAUSE | :45:27. | :45:32. | |
Thank you, so much! Hold on... Listen to these people! | :45:33. | :45:37. | |
They can't all be wrong! Good evening... | :45:38. | :45:42. | |
# Ladies and gentlemen # Welcome to Sunday Night at the | :45:43. | :45:46. | |
London Palladium # 40 years ago | :45:47. | :45:51. | |
# This show was such a big hit # And I was proud to be | :45:52. | :45:55. | |
# A part of it #. Bruce's record in show business | :45:56. | :46:00. | |
meant that he could have chosen to live a comfortable, quiet | :46:01. | :46:03. | |
retirement. In 2003, watching television with Winnie at home would | :46:04. | :46:05. | |
change any chance of that. Thank you. Thank you so much. | :46:06. | :46:28. | |
We were watching the show, because it is such a great show, and we need | :46:29. | :46:33. | |
turned to me and said, you could do that show, they change the host | :46:34. | :46:36. | |
every week. I said, I was thinking the same thing. They change it every | :46:37. | :46:42. | |
week, so why not? He is not your first idea of a current affairs | :46:43. | :46:48. | |
commentator, is he, let's be honest. It is definitely time for... These | :46:49. | :46:56. | |
are the cards that the Americans... Please! This is satire. What | :46:57. | :47:05. | |
followed was the most extraordinary procession of the bad taste that we | :47:06. | :47:09. | |
would never have got away with with anyone else. Bruce Forsyth doing | :47:10. | :47:15. | |
play your Iraqi cards right, with a group of essentially Iraqi war | :47:16. | :47:19. | |
criminals. The middle card, so this is difficult. I never saw this | :47:20. | :47:28. | |
programme. That is why it is such fun for me! It was bonkers, amazing, | :47:29. | :47:38. | |
incredible and very funny. Tony Blair insists that weapons of mass | :47:39. | :47:41. | |
destruction will eventually be found in Iraq. Well, it would be nice to | :47:42. | :47:49. | |
see them, to see them... I have waited 14 years for the show to be | :47:50. | :47:53. | |
like this. I'm having the time of my life! For Paul, he was the | :47:54. | :48:01. | |
flickering star of his childhood, this black and white person, come | :48:02. | :48:04. | |
from the Palladium, and he was in front of him. What was the good news | :48:05. | :48:11. | |
for David Beckham? He is going to be an OBE. That does not seem much. | :48:12. | :48:17. | |
Have you got an OBE? Yes. That's what I mean. Ian is not necessarily | :48:18. | :48:26. | |
a permanent member of the show. You should bear that in mind. The new | :48:27. | :48:35. | |
direction we are taking... Yes. The way he did it was brilliant. He put | :48:36. | :48:40. | |
his own twist on everything he did, which is genius. He always stayed | :48:41. | :48:47. | |
true to himself. That was really the beginning of Bruce Forsyth again, it | :48:48. | :48:51. | |
was the start of the new Bruce. And it really felt like, looking back, a | :48:52. | :48:58. | |
moment of history. Bruce's appearance on Have I Got News For | :48:59. | :49:01. | |
You you brought him to a whole new audience. There was this man who was | :49:02. | :49:08. | |
almost 80, appearing, fronting a modern satire show, and completely | :49:09. | :49:11. | |
getting it and embracing it and being rather brilliant on it. What a | :49:12. | :49:20. | |
lovely audience! In 2004, the BBC head of entertainment was looking | :49:21. | :49:24. | |
for a suitable host for a prime-time Saturday night show. I suggested | :49:25. | :49:28. | |
this to him and explained what the format was, a pro-celebrity come | :49:29. | :49:35. | |
dancing, and he started laughing. And I said to him, are you laughing | :49:36. | :49:41. | |
at us, or with us? He said, with you, that is a genius idea. Strictly | :49:42. | :49:49. | |
Come Dancing would become one of the biggest Saturday night television | :49:50. | :49:53. | |
spectaculars ever. At the centre was Bruce Forsyth, the key figure | :49:54. | :49:58. | |
between the audience, performers and the judges. Please welcome your | :49:59. | :50:04. | |
host, Bruce Forsyth! And Tess Daly. The first time that I met Bruce was | :50:05. | :50:11. | |
through Strictly. And he was so relaxed that he's sort of made the | :50:12. | :50:15. | |
rest of us relax. Myself and the crew were all a little bit on pins | :50:16. | :50:20. | |
in the early days, because he was just such a legend. It's nice to | :50:21. | :50:29. | |
twirl you, to twirl you... Nice. It is so nice to be working with you, | :50:30. | :50:35. | |
tests. I am excited to be working with you but I am a little bit | :50:36. | :50:39. | |
nervous. Oh, forget you are working with a superstar. Bruce... | :50:40. | :50:46. | |
No one handle the live television quite like he did. He was in charge | :50:47. | :50:53. | |
of that studio floor. I was watching you carefully. Will you face me and | :50:54. | :51:02. | |
smile? He has a wonderful way of making people feel comfortable and | :51:03. | :51:06. | |
what I call knock-about stuff. He never puts you down, or may chew | :51:07. | :51:13. | |
feel awkward or uncomfortable. It is all wonderfully drawing you in. On a | :51:14. | :51:19. | |
personal level, his friendship has meant so much to me. Because he is | :51:20. | :51:24. | |
always there with a word of advice, if I needed it. And he really | :51:25. | :51:28. | |
supported me and welcomed me with open arms on the show. And here he | :51:29. | :51:32. | |
was, a legend, and he could not have been kinder. And I always really | :51:33. | :51:39. | |
appreciated that, because he made me feel so welcome. And we just had so | :51:40. | :51:46. | |
many good times working together. After all, it's time to meet the | :51:47. | :51:56. | |
stars of our show. Yes. Bruce kept the integrity of the show. It was | :51:57. | :52:00. | |
always about the dancing and the competition. They did not become | :52:01. | :52:05. | |
slapstick and comedic. He kept the integrity of the show, always. Lady | :52:06. | :52:09. | |
and gentleman, we give you tonight's competitors. BBC Breakfast | :52:10. | :52:18. | |
anchorwoman Natasha Kaplinsky and her partner, Brendan Cole. Bruce was | :52:19. | :52:26. | |
so supportive, understanding, and gave me a confident that even if I | :52:27. | :52:29. | |
fell over he would be there to pick me up. | :52:30. | :52:37. | |
He had the most extraordinary ability to really empathise and | :52:38. | :52:44. | |
understand, and I guess that is why everybody loved him so much. | :52:45. | :52:49. | |
Natasha, I'm afraid I don't agree with any of the other judges. I | :52:50. | :52:58. | |
thought you were Dahl, dull, dull. Bruce always supported the | :52:59. | :53:01. | |
contestants and he would turn on you about how you could say this or | :53:02. | :53:07. | |
that. Your time is up. Your time is up. That is what the judges thought. | :53:08. | :53:15. | |
But don't worry, you are the best. I said it right from the start. Bruce | :53:16. | :53:20. | |
always used to say, you're my favourite. And somehow, even though | :53:21. | :53:24. | |
you knew he said it to everybody else, you felt like he really meant | :53:25. | :53:31. | |
it. OK, my darling, you are going to finish up in Vegas. Not reading the | :53:32. | :53:39. | |
news, making the news. Is she easy? Bruce understands how to play to the | :53:40. | :53:43. | |
crowds in the best possible way. He is a performer from the top of his | :53:44. | :53:53. | |
head to the tip of his toes. After more than seven decades on screen | :53:54. | :53:57. | |
and a publicly supported campaign, he was honoured with a knighthood by | :53:58. | :54:05. | |
the Queen in 2011. Serb Bruce Forsyth Johnson, for services to | :54:06. | :54:11. | |
entertainment and to charity. I can honestly say that on my way here I | :54:12. | :54:15. | |
was very nervous, thinking, is anything going to happen, is this | :54:16. | :54:19. | |
really happening, is this really me, am I getting this wonderful honour? | :54:20. | :54:24. | |
The Queen asked me how long I had been in show business. When I said | :54:25. | :54:33. | |
70 years, she was very shocked. Sir Bruce Forsyth, an all-round | :54:34. | :54:37. | |
entertainer whose career reflected the regression of British television | :54:38. | :54:44. | |
itself. Is there anybody here who has seen me on television but never | :54:45. | :54:47. | |
in the flesh, put your hands up. Quite a few. Now put up your hands | :54:48. | :54:55. | |
if you are regretting it already. He brought something new to a | :54:56. | :54:59. | |
television screen that nobody else had really done, or may ever do | :55:00. | :55:05. | |
again. A proud family man who leaves six children and many grandchildren. | :55:06. | :55:13. | |
I would just like to say, Bruce, that you are not only a great | :55:14. | :55:20. | |
all-round performer, you are a great all-round human being. The music, | :55:21. | :55:28. | |
gossiping, silly, nonsensical, seeing the silly side of life, and | :55:29. | :55:40. | |
being considerate. A most generous, kind, humorous colleague. And I | :55:41. | :55:46. | |
certainly, at any meeting I have ever had with him, never forgot that | :55:47. | :55:55. | |
he was a star. Never short of energy or enthusiasm, Bruce Forsyth, the | :55:56. | :55:59. | |
consummate professional, in a 3-piece suit, with a smile and an | :56:00. | :56:05. | |
ever ready catchphrase. Nice to see you, to see you nice. With Bruce, we | :56:06. | :56:11. | |
have so much fabulous footage of him performing. With his jokes, his | :56:12. | :56:21. | |
music. It's brilliant. Every room he walked into, Healy at it up. I will | :56:22. | :56:25. | |
always be grateful for those years with Brucie, just being a little | :56:26. | :56:33. | |
part of a very long life. He once said that if he lived to be 100, he | :56:34. | :56:38. | |
would book the London Palladium for the celebration. Honoured and | :56:39. | :56:45. | |
thrilled to have been able to consider Bruce my friend. When your | :56:46. | :56:51. | |
hero becomes your friend, it's just perfection, really. A showmance, to | :56:52. | :57:02. | |
the end. He was always Brucie. From Sunday night at the Palladium to | :57:03. | :57:05. | |
Strictly, he is still the Bruce Forsyth we know and love. His | :57:06. | :57:12. | |
achievements will never, ever be bettered. | :57:13. | :57:52. | |
Hello, I'm Sarah Campbell with your 90 second update. | :57:53. | :57:54. | |
One of Britain's greatest entertainers Sir Bruce Forsyth has | :57:55. | :57:59. | |
A career spanning more than 70 years - he invented and re-invented | :58:00. | :58:02. |