Browse content similar to Now You Don't. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
..with a gunshot wound, have you seen it, | 0:00:42 | 0:00:45 | |
you should actually virtually pull it through, | 0:00:45 | 0:00:47 | |
with a piece of gauze or something? - If you're isolated and on your own, | 0:00:47 | 0:00:51 | |
and there's no prospect of medical treatment for the next seven days, | 0:00:51 | 0:00:55 | |
and you've got a gunshot wound under those conditions and you're | 0:00:55 | 0:00:58 | |
forced to go to ground and hide, | 0:00:58 | 0:01:01 | |
then yes, if you can, you must get the junk out... | 0:01:01 | 0:01:04 | |
..by any means possible. | 0:01:07 | 0:01:09 | |
It doesn't matter what size the hole is, as long as there's | 0:01:09 | 0:01:12 | |
oxygen circulating in the hole. | 0:01:12 | 0:01:13 | |
Providing of course, the bleeding has stopped. | 0:01:13 | 0:01:17 | |
'Pray God the bleeding in the Falklands will never start again. | 0:01:17 | 0:01:21 | |
'It was there that most of these young men first encountered | 0:01:21 | 0:01:24 | |
'the shocking reality of war. | 0:01:24 | 0:01:27 | |
'So too did Sergeant Commander Rick Jolly, who tended 750 wounded, | 0:01:27 | 0:01:33 | |
'mostly Royal Marines and Paras, without a single death. | 0:01:33 | 0:01:36 | |
'He lectures now to men pensive at the price that others paid.' | 0:01:36 | 0:01:41 | |
- This is a guy injured at Ajax Bay. | 0:01:44 | 0:01:47 | |
A piece of shrapnel has come past his leg | 0:01:47 | 0:01:50 | |
and taken away quite a lot of the flesh and skin. | 0:01:50 | 0:01:54 | |
Some five days later, looking at this wound, it has an unusual appearance. | 0:01:54 | 0:01:58 | |
It's sort of redder than real life. That's because healing has begun. | 0:01:58 | 0:02:03 | |
This is what they call granulation tissue. | 0:02:03 | 0:02:05 | |
This is Mother Nature's attempt to heal | 0:02:05 | 0:02:07 | |
and he's doing extremely well indeed. | 0:02:08 | 0:02:09 | |
It's a nice, fresh wound which the surgeon just scrapes up slightly | 0:02:09 | 0:02:13 | |
and then, taking a graft of skin from the other side of the other leg, | 0:02:13 | 0:02:17 | |
begins to cover up the wound. | 0:02:17 | 0:02:19 | |
And look how nice it's looking now. | 0:02:19 | 0:02:22 | |
Another aspect, and it's an important one, | 0:02:23 | 0:02:26 | |
which nobody ever thinks about in exercise, is burying your dead. | 0:02:26 | 0:02:30 | |
OK? How often, when we've been in a commando unit or a company attack, | 0:02:30 | 0:02:35 | |
you get up, you storm through the objective, and it's, | 0:02:35 | 0:02:38 | |
ho-hum, one day to index? | 0:02:38 | 0:02:41 | |
It's all been tactics and roll-on the weekend and a few pints. | 0:02:41 | 0:02:47 | |
It's different in war because you actually end up with the dead. | 0:02:47 | 0:02:49 | |
Back at Ajax Bay, these are the dead from Goose Green. | 0:02:49 | 0:02:53 | |
We stripped every one of those dead to make sure that we knew | 0:02:53 | 0:02:57 | |
what they'd died of, because some of them | 0:02:57 | 0:02:59 | |
were going to go back to England and the coroner would be involved. | 0:02:59 | 0:03:02 | |
Heartbreaking task, if you like, | 0:03:02 | 0:03:05 | |
to stand there in the freezing cold and strip bodies | 0:03:05 | 0:03:09 | |
and take bloodstained things | 0:03:09 | 0:03:10 | |
and put them in bags and sign for them, | 0:03:10 | 0:03:13 | |
and rings and fountain pens and photographs | 0:03:13 | 0:03:16 | |
to send back to the relatives, | 0:03:16 | 0:03:18 | |
but very important, because it also works out your own grief. | 0:03:18 | 0:03:22 | |
Anyone who says that brave men don't cry, | 0:03:22 | 0:03:24 | |
or it's not a feature of a man to cry at war, absolute nonsense. | 0:03:24 | 0:03:27 | |
If you feel like crying, you do it, OK? | 0:03:27 | 0:03:30 | |
Because otherwise, you're going to bottle it up and it'll be twisted. | 0:03:30 | 0:03:33 | |
And here are the guys, in this mass grave, | 0:03:33 | 0:03:36 | |
which was very important to all us around, | 0:03:36 | 0:03:38 | |
because we felt that this was a dignified and honourable burial. | 0:03:38 | 0:03:42 | |
OK? And that we'd done the right thing for these brave men. | 0:03:42 | 0:03:46 | |
'Much learned in the Falklands is used in the education of | 0:03:46 | 0:03:50 | |
'the Mountain and Arctic Warfare CADRE, | 0:03:50 | 0:03:52 | |
'men are training to fight behind the lines.' | 0:03:52 | 0:03:55 | |
- A year ago, the role was reversed to our secondary role, | 0:03:55 | 0:03:58 | |
which became our prime role, | 0:03:58 | 0:04:01 | |
and that was working as a brigade recce organisation. | 0:04:01 | 0:04:05 | |
This, of course, meant that we would be working | 0:04:05 | 0:04:09 | |
behind the enemy lines, up to 200-300k behind enemy lines. | 0:04:09 | 0:04:12 | |
This makes us more prone than any other troops | 0:04:14 | 0:04:17 | |
in the Royal Marines to capture, including the SPS. | 0:04:17 | 0:04:21 | |
So, it's my aim, over the next 40 minutes or so, | 0:04:21 | 0:04:24 | |
to give you an introduction into the art of escape and evasion. | 0:04:24 | 0:04:28 | |
'Many of the postgraduate Houdini tactics taught here are top-secret. | 0:04:28 | 0:04:33 | |
'Their significance is not.' | 0:04:33 | 0:04:35 | |
- The escape and evasion side, you've got to the able to | 0:04:35 | 0:04:38 | |
look after yourself - you've got to be able to keep clean, | 0:04:38 | 0:04:41 | |
you've got to know the rules to keep clean, | 0:04:41 | 0:04:43 | |
and although people you probably saw on the survival things | 0:04:44 | 0:04:47 | |
will get hold of civilian clothes and things like that, | 0:04:47 | 0:04:49 | |
well, that's exactly what you'd have to do. | 0:04:49 | 0:04:52 | |
Let's take, for instance, in the Falklands, | 0:04:52 | 0:04:54 | |
because most of the people there the local population, spoke English, | 0:04:54 | 0:04:59 | |
it would be very easy to pass yourself off as a farmer, | 0:04:59 | 0:05:03 | |
or anything like that and actually wander up, or very close by, | 0:05:03 | 0:05:06 | |
to the enemy positions. | 0:05:06 | 0:05:10 | |
Obviously, you just have to act completely dumb | 0:05:10 | 0:05:14 | |
and try and get away with it. | 0:05:14 | 0:05:15 | |
Obviously, you try and keep away and not do that. | 0:05:15 | 0:05:18 | |
The thing is, then, if you get caught in civilian clothes, | 0:05:18 | 0:05:21 | |
it's a different kettle of fish altogether. | 0:05:21 | 0:05:24 | |
And all these set rules that they're giving now, | 0:05:24 | 0:05:26 | |
gives them confidence for when they do go out on their own later on, | 0:05:27 | 0:05:31 | |
if they never do get in a situation for real, | 0:05:31 | 0:05:34 | |
that they don't feel so alone. | 0:05:34 | 0:05:36 | |
It does go through your mind quite a lot, | 0:05:36 | 0:05:38 | |
"What's going to happen to me if I do get caught?" | 0:05:38 | 0:05:42 | |
'Since not getting caught wins more marks than escaping, | 0:05:44 | 0:05:47 | |
'a huge premium in training is based on acute observation. | 0:05:47 | 0:05:51 | |
'These men are engaged in an A-level version of Kim's game, | 0:05:51 | 0:05:54 | |
'identifying in this landscape 12 items that the average rambler | 0:05:54 | 0:05:59 | |
'would probably never notice. | 0:05:59 | 0:06:02 | |
'You can join in yourself, but it isn't easy - | 0:06:02 | 0:06:05 | |
'even with a zoom lens, to point you in the right direction.' | 0:06:05 | 0:06:09 | |
'One axe, common or garden.' | 0:06:16 | 0:06:18 | |
'The marines have got 11 more to go. For you, just one.' | 0:06:27 | 0:06:30 | |
'One of those contraptions for penning recalcitrant children | 0:06:44 | 0:06:47 | |
'to the roofs of cars.' | 0:06:47 | 0:06:48 | |
'Life out here is full of surprises. | 0:07:06 | 0:07:09 | |
'Practically every piece of vegetation | 0:07:09 | 0:07:11 | |
'appears to be liable for income tax. | 0:07:11 | 0:07:13 | |
'These are snipers, training for their lonely, dangerous job. | 0:07:13 | 0:07:16 | |
'For obvious reasons, their faces will not be seen.' | 0:07:16 | 0:07:21 | |
- A commander could use a sniper in a reconnaissance role, | 0:07:21 | 0:07:25 | |
because they're highly trained in reconnaissance | 0:07:25 | 0:07:28 | |
and various aspects of it on the internal security side, | 0:07:28 | 0:07:31 | |
not only in conventional warfare, | 0:07:31 | 0:07:33 | |
like the type of country we're in now, | 0:07:33 | 0:07:35 | |
they could be used in an urban guerrilla situation. | 0:07:35 | 0:07:39 | |
'The professionalism of these men can be blood chilling.' | 0:07:40 | 0:07:44 | |
- If you want them to put down Harrison fire, | 0:07:47 | 0:07:51 | |
you can deliberately aim to wound a man, | 0:07:51 | 0:07:54 | |
so that it takes anything up to five to 10 men, | 0:07:54 | 0:07:57 | |
depending on the terrain, to get him out. | 0:07:57 | 0:08:00 | |
Effectively, by shooting one man, if you know that the people | 0:08:00 | 0:08:03 | |
you're shooting at are concerned about leaving wounded men around, | 0:08:03 | 0:08:07 | |
then they'll take up the 10 men to get him out of a particular terrain. | 0:08:07 | 0:08:11 | |
If you want him to kill somebody, for instance, | 0:08:11 | 0:08:14 | |
if you want him to hit | 0:08:14 | 0:08:16 | |
any high-ranking officers or commanders on the ground, | 0:08:16 | 0:08:20 | |
the task has got to be so that the man warrants being shot in head. | 0:08:20 | 0:08:25 | |
So, to go in close for a head shot | 0:08:25 | 0:08:29 | |
when you can actually shoot somebody at maybe 500 metres | 0:08:29 | 0:08:33 | |
is a waste of a sniper, if he happened to get caught out. | 0:08:33 | 0:08:36 | |
So, the task to go in and shoot somebody at close range in the head, | 0:08:36 | 0:08:39 | |
for a head shot, would have to be somebody quite high ranking. | 0:08:39 | 0:08:43 | |
'This is a head shot, from 200 metres.' | 0:08:47 | 0:08:50 | |
GUNSHOT | 0:08:58 | 0:09:01 | |
'This is the same exercise from 600 metres.' | 0:09:06 | 0:09:10 | |
GUNSHOT | 0:09:10 | 0:09:13 | |
GUNSHOT | 0:09:14 | 0:09:17 | |
GUNSHOT | 0:09:21 | 0:09:23 | |
- If you look here, you can see the exit holes are quite big. | 0:09:27 | 0:09:31 | |
You can see that the four shots that he fired into the body, | 0:09:31 | 0:09:35 | |
and the range he fired at was approximately 600 metres. | 0:09:35 | 0:09:39 | |
So, the first shot was on and he was slightly left, | 0:09:39 | 0:09:42 | |
and then his next shot is easier into the centre of the body, | 0:09:42 | 0:09:46 | |
and you can see here, the centre of the dummy's head. | 0:09:46 | 0:09:49 | |
And that was his four shots are on, and we're quite happy with that. | 0:09:49 | 0:09:53 | |
- I've found, in talking amongst some of you, a very hardened | 0:09:55 | 0:09:58 | |
attitude towards death, to the point of callousness. | 0:09:58 | 0:10:02 | |
I'm not thinking about battle here now, I'm thinking about once I heard | 0:10:02 | 0:10:06 | |
where there was a colleague who had died | 0:10:06 | 0:10:10 | |
and it was seen without sentiment. | 0:10:10 | 0:10:14 | |
Do you think you become hardened people? | 0:10:14 | 0:10:17 | |
- Yes. - Probably. | 0:10:17 | 0:10:19 | |
- Does that disturb you? | 0:10:23 | 0:10:26 | |
- No, I think it's an advantage. | 0:10:26 | 0:10:29 | |
- A fact of life, I suppose. | 0:10:29 | 0:10:32 | |
As he says, it's probably an advantage, to be able to accept it | 0:10:33 | 0:10:37 | |
and still carry on. | 0:10:37 | 0:10:39 | |
- Could you accept that, or have the same attitude about | 0:10:39 | 0:10:42 | |
a member of your family dying? | 0:10:42 | 0:10:43 | |
Not necessarily close, but a member of your family. | 0:10:43 | 0:10:46 | |
Would you be more prepared for that than the rest of us? | 0:10:46 | 0:10:50 | |
- Definitely. | 0:10:50 | 0:10:53 | |
- It's probably happened since I've been in the corps. You, er... | 0:10:53 | 0:10:57 | |
It's something that carries on from the people you work with. | 0:10:57 | 0:11:01 | |
Probably the people you work with are as close as family anyway. | 0:11:01 | 0:11:06 | |
When family die it's, you... | 0:11:06 | 0:11:08 | |
It's not such a big deal as it used to be before you joined up. | 0:11:08 | 0:11:14 | |
- And you think you've been hardened to that by your training? | 0:11:14 | 0:11:18 | |
- Not in training, but probably experiences as well. | 0:11:20 | 0:11:22 | |
I mean, it just becomes part of the job and hopefully, you just carry on. | 0:11:22 | 0:11:31 | |
I mean, you know, every time, if you came across a dead body, | 0:11:31 | 0:11:35 | |
and you broke down or went to pieces, it wouldn't be too good really, | 0:11:35 | 0:11:40 | |
it's not a great morale booster | 0:11:40 | 0:11:42 | |
to suddenly break down in front of everybody. | 0:11:43 | 0:11:45 | |
So hopefully, you can just get through it and carry on. | 0:11:45 | 0:11:49 | |
- If you have an enemy in your sights, | 0:11:49 | 0:11:52 | |
is there any hesitation about pulling the trigger? | 0:11:52 | 0:11:55 | |
- There can't be, can there? There mustn't be. | 0:11:55 | 0:11:59 | |
Basically, it comes down to it's probably you or him, | 0:11:59 | 0:12:02 | |
and hopefully it's him each time. | 0:12:02 | 0:12:04 | |
So, you can't hesitate, really. | 0:12:04 | 0:12:07 | |
- What do you think this has done to you as men? | 0:12:08 | 0:12:11 | |
We're talking about going later into civilian life. | 0:12:11 | 0:12:15 | |
Can you ever get rid of that attitude? | 0:12:15 | 0:12:18 | |
Or will you take it with you to your own graves? | 0:12:18 | 0:12:22 | |
- I don't think it's something | 0:12:22 | 0:12:24 | |
that you ought to be particularly ashamed of. | 0:12:24 | 0:12:27 | |
If you considered a death as being something that... | 0:12:27 | 0:12:33 | |
Death, obviously, is a very sad affair and I don't decry that at all. | 0:12:33 | 0:12:38 | |
But if you take death very badly | 0:12:38 | 0:12:41 | |
and you become very emotional about it, that's no way to carry on life. | 0:12:41 | 0:12:45 | |
People die all the time. You've got to carry on with life as it comes. | 0:12:45 | 0:12:48 | |
I think it can only be an advantage to realise that. | 0:12:48 | 0:12:52 | |
- What we're really saying is that you are trained killers | 0:12:53 | 0:12:57 | |
in the defence of your country. | 0:12:57 | 0:12:59 | |
- That's a very dramatic way of putting it. | 0:12:59 | 0:13:01 | |
- But is it correct? | 0:13:01 | 0:13:04 | |
- Yes, yes, if you're saying that is the right question, yes, it is. | 0:13:04 | 0:13:08 | |
But I don't think anyone actually physically thinks, you know, | 0:13:08 | 0:13:12 | |
wakes up in the morning and says, let's go out and kill someone. | 0:13:12 | 0:13:16 | |
You have to do it as part of your job and if you hesitate, | 0:13:16 | 0:13:20 | |
if it is part of your job, | 0:13:20 | 0:13:22 | |
then you're not fulfilling your role as a good soldier | 0:13:22 | 0:13:25 | |
and you will not be a good soldier. | 0:13:26 | 0:13:27 | |
Unless you want to be a good soldier, you'll probably end up dead yourself, | 0:13:27 | 0:13:31 | |
that's what it boils down to. | 0:13:31 | 0:13:34 | |
'To minimise that risk, | 0:13:35 | 0:13:37 | |
'camouflage and concealment are as vital as marksmanship. | 0:13:37 | 0:13:40 | |
'In this exercise, they're given two minutes to scatter, | 0:13:40 | 0:13:43 | |
'blend into the landscape, yet still establish a vantage point | 0:13:44 | 0:13:47 | |
'from which to fire two blanks at their examiners | 0:13:47 | 0:13:49 | |
'from a range of 200 metres.' | 0:13:49 | 0:13:51 | |
- 09. - Cheers. | 0:13:55 | 0:13:57 | |
'The observer's role is simply to spot the snipers. | 0:13:59 | 0:14:02 | |
'The rules are unconditional. | 0:14:02 | 0:14:04 | |
'Exposing a square inch of anything - uniform, skin, or rifle - | 0:14:04 | 0:14:08 | |
'means failure. | 0:14:08 | 0:14:09 | |
- Roger. Where Tony is now is about 190 metres, all right? | 0:14:09 | 0:14:13 | |
'There are 13 men out there somewhere.' | 0:14:22 | 0:14:25 | |
- Just follow that path down that you've just taken up there, Paul. | 0:14:25 | 0:14:29 | |
Prepare to fire shot. | 0:14:29 | 0:14:31 | |
GUNSHOT | 0:14:31 | 0:14:33 | |
'Although the gun smoke exposes the sniper's whereabouts, | 0:14:33 | 0:14:36 | |
'the observers have positively to see him. | 0:14:36 | 0:14:39 | |
'If they still can't, they call up a marker, a sort of human gundog, | 0:14:39 | 0:14:43 | |
'to close in and place a hand directly on the sniper's head.' | 0:14:43 | 0:14:46 | |
- Hand on head. | 0:14:48 | 0:14:51 | |
'You may think, this must be the ultimate giveaway. | 0:14:51 | 0:14:54 | |
'But no, to pass, the sniper must remain invisible to the observers.' | 0:14:54 | 0:14:59 | |
Roger. I can't see nothing. Do you reckon he can see me? | 0:14:59 | 0:15:03 | |
- Yeah, he's got you dead to rights. | 0:15:03 | 0:15:06 | |
He is learning a lesson of life and death. | 0:15:06 | 0:15:08 | |
No, that was a good position. What's his name? | 0:15:08 | 0:15:11 | |
Andrew Dicks. | 0:15:11 | 0:15:13 | |
Corporal Dicks, pass. | 0:15:13 | 0:15:15 | |
- Any more snipers about? | 0:15:15 | 0:15:18 | |
Go back to your right again and step back two paces. | 0:15:18 | 0:15:21 | |
- I've settled about 180-200 metres away here which is just right. | 0:15:22 | 0:15:27 | |
I can just about see the observers although it's a bit misty. | 0:15:29 | 0:15:33 | |
DISTANT CHANTING | 0:15:33 | 0:15:36 | |
Sounds like the Paras just running by. Somebody's just been pinged. | 0:15:37 | 0:15:41 | |
Craig. | 0:15:41 | 0:15:42 | |
Craig? Corporal Craig, Tony. | 0:15:42 | 0:15:44 | |
Did you get that? | 0:15:46 | 0:15:47 | |
What he can see, | 0:15:49 | 0:15:50 | |
you created a big black hole here by putting yourself in there. | 0:15:50 | 0:15:53 | |
If you look hind you, you've got a lot of shadow | 0:15:53 | 0:15:56 | |
and you would've been a lot better in there into the shadow. | 0:15:56 | 0:15:58 | |
What you've got is a big green bush | 0:15:59 | 0:16:00 | |
and then you've got brown here in the middle. | 0:16:00 | 0:16:02 | |
You have to really think about your surrounding area. | 0:16:02 | 0:16:05 | |
I was trying to blend in with that bit. | 0:16:05 | 0:16:07 | |
Ideally, you want to be forward of it so that that's your background, OK? | 0:16:07 | 0:16:11 | |
If you stand up then and just move over to the left-hand side there. | 0:16:11 | 0:16:15 | |
OK, any more snipers about? | 0:16:16 | 0:16:18 | |
At the moment, I've got a shot just over the right shoulder of | 0:16:18 | 0:16:23 | |
young George about five metres in front of me. | 0:16:23 | 0:16:26 | |
He's meant to fire a shot. | 0:16:31 | 0:16:32 | |
GUNSHOT. There he goes. | 0:16:32 | 0:16:35 | |
This is a dodgy time as they're looking straight at me | 0:16:35 | 0:16:37 | |
as well as him, so I'll keep very still. | 0:16:37 | 0:16:41 | |
Tell him to fire. | 0:16:46 | 0:16:48 | |
GUNSHOT | 0:16:48 | 0:16:49 | |
OK. Not too bad. Not too much smoke. | 0:16:50 | 0:16:54 | |
Don't worry. He won't give you away cos of smoke. | 0:16:54 | 0:16:57 | |
No, I can't see nothing, Tony. | 0:16:57 | 0:16:59 | |
GUNSHOT | 0:16:59 | 0:17:01 | |
And going down, down down, down, down, down, down. | 0:17:01 | 0:17:06 | |
Hand on sniper's head now. | 0:17:06 | 0:17:07 | |
OK, can you make a move, then, Tony, please? | 0:17:13 | 0:17:16 | |
He's moving his hand up and down. | 0:17:22 | 0:17:24 | |
Yeah, OK, that's good enough. OK, Tony. | 0:17:24 | 0:17:27 | |
What's your name, please? Lieutenant Smith. | 0:17:27 | 0:17:30 | |
OK, that's Lieutenant Smith passed, Tony. | 0:17:30 | 0:17:32 | |
Stand down. Ease! Stand easy. Listen in. | 0:17:36 | 0:17:40 | |
What gave most people away yesterday was | 0:17:40 | 0:17:43 | |
straight edges on your hat causing a shadow, darker than the area | 0:17:43 | 0:17:47 | |
you were working in. It's all light bracken. | 0:17:47 | 0:17:49 | |
The main criticism of this fine body of Royal Marines | 0:17:49 | 0:17:52 | |
in the subsequent debriefing was that some of them looked too smart. | 0:17:52 | 0:17:56 | |
What was it that give them away? | 0:17:56 | 0:17:58 | |
Straight edges. This'll give you away. | 0:18:03 | 0:18:05 | |
Most people yesterday got caught out. Same again, straight edges. | 0:18:05 | 0:18:11 | |
Go and get your weapons now. | 0:18:11 | 0:18:12 | |
In the wagon by 8:55am, everybody seated, ready to go. | 0:18:13 | 0:18:18 | |
Anybody got any problems before we set off from camp? | 0:18:18 | 0:18:21 | |
For their next devious operation, | 0:18:24 | 0:18:25 | |
they're required to stalk one mile along the river bed | 0:18:25 | 0:18:28 | |
to positions from which they could assassinate their instructors | 0:18:28 | 0:18:31 | |
without a lot of fuss. | 0:18:31 | 0:18:33 | |
Come five o'clock from the house. | 0:18:37 | 0:18:39 | |
You've got that gap with prominent green, light green. | 0:18:39 | 0:18:42 | |
I think they're using that as a gateway across. | 0:18:43 | 0:18:46 | |
Roger. There is a bit of dead ground there as well. | 0:18:46 | 0:18:49 | |
They're not using the dead ground, just crawling. | 0:18:49 | 0:18:51 | |
And also by the back of them trees. | 0:18:51 | 0:18:54 | |
They're moving off from them trees, I'm sure they are. | 0:18:54 | 0:18:57 | |
For some, assassination proposition is becoming increasingly appealing. | 0:18:57 | 0:19:01 | |
But the problem this time is they don't know where the observers are. | 0:19:01 | 0:19:04 | |
They could actually stumble over them. | 0:19:05 | 0:19:08 | |
There seems to be a group breaking away to the right, look. | 0:19:10 | 0:19:13 | |
This is another exercise which carries many Brownie Points. | 0:19:17 | 0:19:22 | |
To fail at this is to jeopardise one's whole future with the cadre. | 0:19:22 | 0:19:26 | |
And Russ Craig hasn't excelled so far. | 0:19:26 | 0:19:29 | |
Go left. Left. | 0:19:30 | 0:19:33 | |
Determined to pass this one | 0:19:33 | 0:19:35 | |
because I've field at everything this morning and yesterday. | 0:19:35 | 0:19:38 | |
This is the only chance I've got to redeem myself. | 0:19:38 | 0:19:41 | |
This is looking good. Nice stream. | 0:19:45 | 0:19:49 | |
Yeah, I think there's someone just... | 0:19:58 | 0:20:01 | |
Yeah. Let's get right onto it. | 0:20:01 | 0:20:03 | |
OK, I'll just walk round, Tony, cos it's all dead swampy here. OK? | 0:20:03 | 0:20:07 | |
Here we are, here we are. | 0:20:13 | 0:20:17 | |
Ostensibly, Craig has every reason to reckon | 0:20:17 | 0:20:19 | |
he could out-ambush Baden Powell. | 0:20:19 | 0:20:22 | |
He's within 40 metres of his prospective victims | 0:20:22 | 0:20:24 | |
and quite undetected. | 0:20:25 | 0:20:26 | |
GUNSHOT | 0:20:32 | 0:20:33 | |
What's his name? | 0:20:42 | 0:20:45 | |
Corporal Craig, right. Tell him to stand up. He's failed. | 0:20:45 | 0:20:50 | |
He's failed not because he was seen, | 0:20:50 | 0:20:53 | |
but because he's taken an unnecessary risk | 0:20:53 | 0:20:55 | |
in getting too close to his target. | 0:20:55 | 0:20:57 | |
Craig is so narked by this that he blazes off his second shot | 0:20:57 | 0:21:01 | |
at the passing fish. | 0:21:01 | 0:21:02 | |
GUNSHOT | 0:21:02 | 0:21:04 | |
How many more have we got? One. One to go? | 0:21:05 | 0:21:09 | |
What time we got left, Tony? Five minutes. Five minutes. Roger. | 0:21:09 | 0:21:13 | |
Let's have a quick scan, then. | 0:21:15 | 0:21:17 | |
Now I'm going to ease my rifle into a firing position. | 0:21:20 | 0:21:23 | |
Got a good view of them. I've got a nice backdrop | 0:21:23 | 0:21:27 | |
and hopefully I should get away with this. | 0:21:27 | 0:21:30 | |
Nice and steady. | 0:21:30 | 0:21:33 | |
GUNSHOT | 0:21:37 | 0:21:39 | |
Roger. I can't see nothing. His camouflage looks pretty good. | 0:21:43 | 0:21:48 | |
He's got a good background. Just check and see. | 0:21:48 | 0:21:51 | |
Stand up, make his way to transport. | 0:21:53 | 0:21:56 | |
OK, son. Well done. | 0:21:56 | 0:21:59 | |
Just make your way round the back and back up to transport. | 0:21:59 | 0:22:03 | |
Now, I think you all agree that the aim was to get you through | 0:22:09 | 0:22:13 | |
all your little bits and pieces like judging distance, | 0:22:13 | 0:22:16 | |
observation, calm concealment, | 0:22:16 | 0:22:18 | |
and the final aim was to get you through a stall. | 0:22:18 | 0:22:21 | |
No, we got nearly 50% of you through the stalk. | 0:22:21 | 0:22:25 | |
So over a period of two days, that wasn't bad. | 0:22:25 | 0:22:29 | |
Corporal Craig screwed it up. | 0:22:29 | 0:22:31 | |
All right? He done well, he got to within 40 metres. | 0:22:31 | 0:22:33 | |
In fact, he scared the shit out of me. All right? | 0:22:33 | 0:22:37 | |
That was good, getting up to 40 metres. | 0:22:37 | 0:22:39 | |
You were too close. You've got to think of an escape route. | 0:22:39 | 0:22:42 | |
I thought you were going to do a bayonet charge or throw a rock at me. All ri | 0:22:42 | 0:22:46 | |
ght? | 0:22:42 | 0:22:46 | |
So what you should have done was retreated to a safe distance. | 0:22:46 | 0:22:49 | |
Remember, all you had to do was to get anywhere within 200 metres. | 0:22:49 | 0:22:53 | |
And why shoot somebody at 40 metres | 0:22:53 | 0:22:55 | |
when you can shoot him safely at 200 metres? | 0:22:55 | 0:22:58 | |
I think, if you'd have fired, if you'd missed, you'd have probably | 0:22:58 | 0:23:02 | |
got up and run like the clubbers. | 0:23:02 | 0:23:04 | |
Fine? So, point taken? You screwed it up by losing your temper | 0:23:04 | 0:23:09 | |
and firing a shot in the river. All right? Don't do that again. | 0:23:09 | 0:23:12 | |
Point taken? I don't need to tell you any more. NCO, shouldn't do that. | 0:23:12 | 0:23:17 | |
Well, what it was, he said, I was doing the camouflage concealment | 0:23:18 | 0:23:22 | |
and I kept getting pinged and I couldn't understand why. | 0:23:22 | 0:23:25 | |
He's using the same old excuse - the nickname of the Pink Crash-helmet | 0:23:25 | 0:23:30 | |
cos of my receding hairline. | 0:23:30 | 0:23:32 | |
I couldn't understand why I kept getting pinged | 0:23:32 | 0:23:35 | |
because I was digging out blind. Everyone else around me | 0:23:35 | 0:23:38 | |
wasn't getting seen and I was. Couldn't understand it. | 0:23:38 | 0:23:40 | |
It started to get to me after a while, | 0:23:40 | 0:23:43 | |
and then when we done that final stalk, | 0:23:43 | 0:23:45 | |
I went the muckiest, muddiest and most horrible route, | 0:23:45 | 0:23:48 | |
the most difficult route I could find to dig out a blind | 0:23:48 | 0:23:51 | |
and prove that could do something, and I did. | 0:23:51 | 0:23:53 | |
I ended up getting so close, | 0:23:53 | 0:23:55 | |
I'd have been better off using a bayonet on them | 0:23:55 | 0:23:57 | |
cos I got that close. Consequently, I'd run out of time anyway. | 0:23:57 | 0:24:01 | |
And that's when I fired my shot off. | 0:24:01 | 0:24:04 | |
Obviously, I'd failed because I was only about 22 metres away, | 0:24:04 | 0:24:08 | |
22 paces or something. | 0:24:08 | 0:24:10 | |
And that's why when I was walking away I had a bit of a bazzy on, | 0:24:10 | 0:24:15 | |
lost my temper a bit and I got in trouble for that, anyway. | 0:24:15 | 0:24:19 | |
Discipline problem. I've already had my wrists slapped for that. | 0:24:19 | 0:24:22 | |
But I forgot about it now. | 0:24:22 | 0:24:24 | |
It was just taken the wrong way at the time. | 0:24:24 | 0:24:27 | |
That's life. | 0:24:27 | 0:24:28 | |
The way it's going, Corporal Craig's ambitions | 0:24:38 | 0:24:41 | |
appear to be scattering on the winds. | 0:24:41 | 0:24:44 | |
However, there are always fresh challenges. | 0:24:44 | 0:24:46 | |
Abseiling down into trees is not a recommended sport, | 0:24:52 | 0:24:55 | |
if for no other reason than it's governed by one infallible rule. | 0:24:55 | 0:25:00 | |
If a sudden emergency threatens the helicopter, | 0:25:00 | 0:25:02 | |
then the rope is cut, even in training. | 0:25:02 | 0:25:05 | |
Another skill to be learned | 0:26:08 | 0:26:10 | |
is the accurate calling down of artillery fire. | 0:26:10 | 0:26:13 | |
Hello, Golf 11, this is 23 Bravo. Fire mission, over. | 0:26:13 | 0:26:17 | |
Golf 11, fire mission, over. | 0:26:17 | 0:26:19 | |
23 Bravo, grid 451809, | 0:26:19 | 0:26:26 | |
direction 3350, | 0:26:26 | 0:26:30 | |
enemy patrol in building, neutralise now for two minutes. | 0:26:30 | 0:26:36 | |
Over. | 0:26:36 | 0:26:38 | |
Golf 31, grid 451809, | 0:26:39 | 0:26:43 | |
direction 3350. | 0:26:43 | 0:26:46 | |
23 Bravo - Golf 11, this is 23 Bravo. | 0:26:50 | 0:26:55 | |
On target. Out. | 0:26:55 | 0:26:57 | |
Stop or you're going to split. | 0:26:59 | 0:27:02 | |
Stand up. Up. Help him. Help him up. | 0:27:05 | 0:27:08 | |
He can't get out. OK, help him to his feet. | 0:27:08 | 0:27:11 | |
Keep him in sight. Do not resist. | 0:27:12 | 0:27:15 | |
Stand up. | 0:27:15 | 0:27:16 | |
OK, moving forward. | 0:27:18 | 0:27:19 | |
Get those arm-locks on. Get them up! Stop resisting! | 0:27:22 | 0:27:26 | |
OK, back down. He wants to go down. | 0:27:26 | 0:27:28 | |
You don't have to put him to the ground if you can immobilise him. | 0:27:36 | 0:27:39 | |
He's only a small man. Get those arm-locks on, get hold of him. | 0:27:39 | 0:27:42 | |
Up, up, up, up! | 0:27:42 | 0:27:45 | |
Away we go. Good. Guy at the rear. | 0:27:45 | 0:27:50 | |
Stay out there... | 0:27:50 | 0:27:53 | |
There are some acts of aviation which make shear common sense. | 0:27:53 | 0:27:57 | |
That was a better one. Didn't put him on the ground. | 0:27:57 | 0:28:00 | |
The viewer should remember there are certain aspects of the training | 0:28:00 | 0:28:04 | |
of a special forces fighter which are not for domestic application. | 0:28:04 | 0:28:08 | |
Looking at the throat then, we can attack it from two points - | 0:28:08 | 0:28:11 | |
we can be hitting down if we get the opportunity, or hit it up. | 0:28:11 | 0:28:15 | |
We've got the Adam's apple and the breathing apparatus around here. | 0:28:15 | 0:28:19 | |
If you smash that in there, you're going to have problems. | 0:28:19 | 0:28:22 | |
Go down. | 0:28:22 | 0:28:24 | |
Lie on your back, lie on your back. | 0:28:24 | 0:28:27 | |
You may have knocked him out to the ground for a split second | 0:28:27 | 0:28:30 | |
but you want to finish him out. You've got no great weapons. | 0:28:30 | 0:28:33 | |
Instead of just kicking him to the side, | 0:28:33 | 0:28:36 | |
a good heel straight into the solar plexus can really do the job. | 0:28:36 | 0:28:39 | |
OK, stand up. | 0:28:39 | 0:28:41 | |
Anybody got any particular points | 0:28:41 | 0:28:43 | |
they want to bring up about this area here? | 0:28:43 | 0:28:46 | |
No? | 0:28:46 | 0:28:48 | |
Similar to the mouth I was talking about earlier on. | 0:28:48 | 0:28:51 | |
It's not only the pain it inflicts, but also fear. | 0:28:51 | 0:28:55 | |
If you get hold of somebody here and say "Move!" | 0:28:55 | 0:28:58 | |
he wants to go move. Cos he wants to go everywhere his balls go. | 0:28:58 | 0:29:02 | |
THEY LAUGH | 0:29:02 | 0:29:04 | |
Unarmed combat, the weapon of the silent attack. | 0:29:06 | 0:29:09 | |
That's what you'll see in next week's programme | 0:29:09 | 0:29:12 | |
during a night assault on a radar station. | 0:29:12 | 0:29:14 | |
It involves a client | 0:29:14 | 0:29:15 | |
that would probably make Chris Bonington think twice. | 0:29:15 | 0:29:18 |