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"America has been the New World in all tongues, | 0:00:02 | 0:00:05 | |
"to all peoples, | 0:00:05 | 0:00:07 | |
"not because this continent was a new-found land, | 0:00:07 | 0:00:10 | |
"but because all those who came here | 0:00:10 | 0:00:12 | |
"believed they could create upon this continent a new life - | 0:00:12 | 0:00:17 | |
"a life that should be new in freedom." | 0:00:17 | 0:00:19 | |
With these words, | 0:00:20 | 0:00:22 | |
Franklin D Roosevelt summed up the reason millions of people | 0:00:22 | 0:00:25 | |
have been drawn to this new world | 0:00:25 | 0:00:28 | |
from the 1500s to the present day, | 0:00:28 | 0:00:30 | |
among them, men and women from the north of Ireland. | 0:00:30 | 0:00:34 | |
This is the story of people from Ulster who came here | 0:00:40 | 0:00:43 | |
before the United States was even formed, | 0:00:43 | 0:00:45 | |
and found themselves at the very heart of the American experience. | 0:00:45 | 0:00:50 | |
In every walk of life, at every great juncture | 0:00:50 | 0:00:53 | |
in this nation's history, | 0:00:53 | 0:00:54 | |
they've made an extraordinary contribution, | 0:00:54 | 0:00:57 | |
helping to shape its culture, | 0:00:57 | 0:00:59 | |
its economy, its democracy and its values, | 0:00:59 | 0:01:02 | |
and in doing so, they and their children became Americans. | 0:01:02 | 0:01:07 | |
This is the Gateway Arch in St Louis, Missouri, | 0:01:30 | 0:01:34 | |
a symbol of the city's role | 0:01:34 | 0:01:35 | |
in the westward expansion of the United States, | 0:01:35 | 0:01:38 | |
and a monument to the pioneers of the West. | 0:01:38 | 0:01:42 | |
In many ways, | 0:01:42 | 0:01:43 | |
modern America, with all its power and ambition, | 0:01:43 | 0:01:46 | |
started right here. | 0:01:46 | 0:01:48 | |
In 1804, President Thomas Jefferson | 0:01:50 | 0:01:53 | |
commissioned Meriwether Lewis and William Clark | 0:01:53 | 0:01:57 | |
to find the Northwest Passage, | 0:01:57 | 0:01:59 | |
a water route to the Pacific Ocean | 0:01:59 | 0:02:01 | |
that would open up trade and clear the way for settlement | 0:02:01 | 0:02:05 | |
west of the Mississippi. | 0:02:05 | 0:02:07 | |
When Jefferson became President, | 0:02:10 | 0:02:12 | |
two-thirds of the population of the United States | 0:02:12 | 0:02:15 | |
lived within 50 miles of the Atlantic Ocean. | 0:02:15 | 0:02:18 | |
St Louis represented the extremity | 0:02:18 | 0:02:21 | |
of the mapped American world. | 0:02:21 | 0:02:23 | |
Anything west of here was as unknown to them | 0:02:23 | 0:02:27 | |
as the far side of the moon. | 0:02:27 | 0:02:29 | |
To undertake this journey into the unknown heart of America, | 0:02:33 | 0:02:36 | |
Lewis and Clark selected 35 volunteers. | 0:02:36 | 0:02:40 | |
Soldiers and frontiersmen, | 0:02:40 | 0:02:42 | |
such as Patrick Gass and John Coulter, | 0:02:42 | 0:02:44 | |
who, like Clark himself, came from an Ulster Scots background. | 0:02:44 | 0:02:48 | |
I've come to the mouth of the Missouri River | 0:02:56 | 0:02:59 | |
to meet Scott Mandrell, who in 2003 | 0:02:59 | 0:03:02 | |
recreated the journey taken by Lewis and Clark | 0:03:02 | 0:03:05 | |
200 years earlier. | 0:03:05 | 0:03:07 | |
You obviously have an incredible passion for this story. | 0:03:09 | 0:03:12 | |
How did you first get into it? | 0:03:12 | 0:03:13 | |
I grew up sort of staring up the Missouri River, | 0:03:13 | 0:03:16 | |
paddling, riding horses and that sort of thing, | 0:03:16 | 0:03:19 | |
and when the opportunity came along | 0:03:19 | 0:03:22 | |
to retrace this path, I felt like I... | 0:03:22 | 0:03:24 | |
It was something I couldn't pass up. | 0:03:24 | 0:03:26 | |
-You mean that literally, retrace it? -Literally. -How much did you retrace? | 0:03:26 | 0:03:29 | |
We were able to retrace about 90% of every mile. | 0:03:29 | 0:03:34 | |
And that was every mile on the right day at the right time | 0:03:34 | 0:03:37 | |
-of the original expedition. -90% of 8,000 miles. | 0:03:37 | 0:03:40 | |
Every bit of that. | 0:03:40 | 0:03:42 | |
Can you describe the first day? What would it have looked like? | 0:03:42 | 0:03:46 | |
Well, after they would have left the eastern shore | 0:03:46 | 0:03:50 | |
of the Mississippi River, just about seven miles down, | 0:03:50 | 0:03:53 | |
and entered the mouth of the Missouri, | 0:03:53 | 0:03:56 | |
they would have felt an incredible force. | 0:03:56 | 0:03:59 | |
The Missouri was running at a fairly good flow rate. | 0:03:59 | 0:04:02 | |
And they would have been largely poling | 0:04:02 | 0:04:05 | |
the vessel up the river, where they... | 0:04:05 | 0:04:07 | |
On the keelboat and the pirogues, they would have | 0:04:07 | 0:04:09 | |
essentially walked the boat with long poles | 0:04:09 | 0:04:13 | |
and forced themselves upstream. | 0:04:13 | 0:04:16 | |
And with it being 5 to 7 feet tall, | 0:04:16 | 0:04:19 | |
in some cases they were also cordelling. | 0:04:19 | 0:04:21 | |
Cordelling was to actually use a rope to pull the boat. | 0:04:21 | 0:04:25 | |
So, the men would have been in the water, on the boats poling, | 0:04:25 | 0:04:28 | |
and they would have been the largest boats | 0:04:28 | 0:04:31 | |
to have ever went up the Missouri River ever in history. | 0:04:31 | 0:04:34 | |
Do we know much about the people who made up that expedition... | 0:04:36 | 0:04:39 | |
-We do. -..and their backgrounds? | 0:04:39 | 0:04:41 | |
-A great deal about them, actually. -Yeah? | 0:04:41 | 0:04:43 | |
It's believed that about 11 members of the expedition | 0:04:43 | 0:04:46 | |
were what we referred to here as Scots Irish, | 0:04:46 | 0:04:49 | |
and had a background that was from the northern British Isles. | 0:04:49 | 0:04:52 | |
-So nearly a third of them? -That's right. | 0:04:52 | 0:04:54 | |
You know, they weren't necessarily always the nicest guys. | 0:04:54 | 0:04:57 | |
This was a pretty rough and tumble crew. | 0:04:57 | 0:04:59 | |
And they had to be. I mean they were | 0:04:59 | 0:05:02 | |
completely unsupported from the time they, | 0:05:02 | 0:05:06 | |
you know, got maybe 16 miles west of St Louis. | 0:05:06 | 0:05:10 | |
There was no going back, and there was no Walmart. | 0:05:10 | 0:05:14 | |
In addition to finding a route to the Pacific, | 0:05:14 | 0:05:16 | |
expedition members were to keep a written account of the journey, | 0:05:16 | 0:05:20 | |
the Native American tribes they encountered, | 0:05:20 | 0:05:23 | |
and the new plants and animals they discovered. | 0:05:23 | 0:05:26 | |
I can tell you, having taken the trip myself, | 0:05:26 | 0:05:29 | |
there were mornings where I'd read the journey entry every morning, | 0:05:29 | 0:05:32 | |
and then I would read that day's journey entry every night, | 0:05:32 | 0:05:34 | |
and there were so many days that, at the end of the day, | 0:05:34 | 0:05:38 | |
I would have this epiphany, | 0:05:38 | 0:05:39 | |
and an understanding of that journal entry | 0:05:39 | 0:05:41 | |
that I didn't have in the morning. | 0:05:41 | 0:05:43 | |
For example, when they saw the Little Rockies. | 0:05:43 | 0:05:45 | |
The Little Rockies are east of Great Falls, Montana. | 0:05:45 | 0:05:48 | |
It's an outcropping of the Rocky Mountains. | 0:05:48 | 0:05:51 | |
They thought they were at the mountains, | 0:05:51 | 0:05:53 | |
because you're down in the river and you see the outcropping, | 0:05:53 | 0:05:55 | |
this little bit of the Rocky Mountains off in the distance. | 0:05:55 | 0:05:59 | |
And they thought "Oh, surely we're there." | 0:05:59 | 0:06:01 | |
Well, they weren't. There were still another 400 miles, you know? | 0:06:01 | 0:06:05 | |
The journals also reveal how Lewis and Clark | 0:06:07 | 0:06:10 | |
drew on the local knowledge of the Native Americans. | 0:06:10 | 0:06:13 | |
A 16-year-old Shoshone girl, Sacagawea, | 0:06:13 | 0:06:16 | |
later became famous for her role as their guide and interpreter. | 0:06:16 | 0:06:20 | |
Did the expedition depend on the help of the Native Americans? | 0:06:20 | 0:06:24 | |
I think they might have indeed survived. | 0:06:24 | 0:06:27 | |
Whether or not they would have accomplished their roles, | 0:06:27 | 0:06:31 | |
that's a different thing. | 0:06:31 | 0:06:34 | |
I think that that might be a less likely answer. | 0:06:34 | 0:06:37 | |
Was the expedition successful? | 0:06:37 | 0:06:39 | |
I believe it was, | 0:06:39 | 0:06:41 | |
because by Lewis and Clark making this trip with the men, | 0:06:41 | 0:06:46 | |
they made this land crossing, so when they did this, they sort of | 0:06:46 | 0:06:50 | |
gave a concrete fruition to Jefferson's vision | 0:06:50 | 0:06:54 | |
of a continental nation. | 0:06:54 | 0:06:55 | |
There were, you know... | 0:06:55 | 0:06:57 | |
I think it was 122 different species of animal, | 0:06:57 | 0:07:02 | |
178 plants, approximately, that were | 0:07:02 | 0:07:06 | |
recorded for the first time. | 0:07:06 | 0:07:08 | |
There was a lot of really ground-breaking things that just | 0:07:08 | 0:07:11 | |
happened through their exploration and understanding of the continent, | 0:07:11 | 0:07:14 | |
the topography, the geology and all of those things. | 0:07:14 | 0:07:17 | |
So, I think of it as the first chapter | 0:07:17 | 0:07:20 | |
in the book of our history as a nation. | 0:07:20 | 0:07:23 | |
The Lewis and Clark expedition, | 0:07:28 | 0:07:29 | |
or the Corps of Discovery, as it became known, changed America. | 0:07:29 | 0:07:33 | |
It opened up the West for farmers and merchants, | 0:07:33 | 0:07:36 | |
and families hungry for land and a new life. | 0:07:36 | 0:07:40 | |
And the descendants of people from Ulster were central | 0:07:40 | 0:07:43 | |
to this defining moment in American history, | 0:07:43 | 0:07:46 | |
and to the westward expansion it created all the way to California. | 0:07:46 | 0:07:51 | |
Yet 30 years after the Lewis and Clark expedition, | 0:07:56 | 0:08:00 | |
only a handful of the hardiest pioneers | 0:08:00 | 0:08:03 | |
had travelled to the west coast. | 0:08:03 | 0:08:05 | |
All that changed in 1848, | 0:08:05 | 0:08:08 | |
with the discovery of gold in California. | 0:08:08 | 0:08:11 | |
Prospectors came from all over the world | 0:08:16 | 0:08:18 | |
in the hope of striking it rich. | 0:08:18 | 0:08:21 | |
Among them was 21-year-old James Irvine | 0:08:21 | 0:08:24 | |
from Annahilt in County Down. | 0:08:24 | 0:08:26 | |
He and his brother emigrated to New York in 1846 | 0:08:26 | 0:08:30 | |
at the height of the famine in Ireland. | 0:08:30 | 0:08:33 | |
But when news of the gold rush reached the east coast, | 0:08:33 | 0:08:36 | |
James headed west. | 0:08:36 | 0:08:38 | |
James Irvine didn't make his money from gold. | 0:08:44 | 0:08:47 | |
But by selling goods to other miners, | 0:08:47 | 0:08:50 | |
he amassed a big enough fortune | 0:08:50 | 0:08:52 | |
to buy a stake in a 100,000-acre ranch | 0:08:52 | 0:08:56 | |
here in Southern California, | 0:08:56 | 0:08:58 | |
and just below me is the city that today bears his name. | 0:08:58 | 0:09:02 | |
How does a town get to be named after a man from Northern Ireland? | 0:09:14 | 0:09:18 | |
That's a really interesting story! | 0:09:18 | 0:09:21 | |
I think... Well, it comes from the name James Irvine, | 0:09:21 | 0:09:24 | |
the man who came here in 1864. | 0:09:24 | 0:09:27 | |
And he came here from San Francisco | 0:09:27 | 0:09:30 | |
with three other investors, | 0:09:30 | 0:09:32 | |
and they purchased this land. | 0:09:32 | 0:09:34 | |
It was about 110,000 acres. | 0:09:34 | 0:09:36 | |
And he was able to buy out the other partners, eventually? | 0:09:36 | 0:09:39 | |
He did. In 1876, he got full control of the land here. | 0:09:39 | 0:09:43 | |
He bought out his partners and became sole owner of what was about | 0:09:43 | 0:09:46 | |
one-fifth of what would later become Orange County. | 0:09:46 | 0:09:50 | |
James Irvine had a lot of land and a lot of influence, | 0:09:50 | 0:09:54 | |
but he wasn't afraid to make enemies, | 0:09:54 | 0:09:56 | |
as the Southern Pacific Railway Company found out. | 0:09:56 | 0:10:00 | |
People were so anxious to have the railroad line come in so they could | 0:10:00 | 0:10:03 | |
sell their crops, get them to market, | 0:10:03 | 0:10:06 | |
and travel themselves. | 0:10:06 | 0:10:07 | |
So at the time, | 0:10:07 | 0:10:09 | |
railroads like the Southern Pacific were very used to being able to just | 0:10:09 | 0:10:12 | |
lay tracks and build and go wherever they wanted. | 0:10:12 | 0:10:15 | |
And in order to get from Los Angeles to San Diego, | 0:10:15 | 0:10:18 | |
you had to come across the Irvine Ranch. | 0:10:18 | 0:10:21 | |
And so they just kind of started | 0:10:21 | 0:10:23 | |
what they did in a lot of places, which is laying down tracks. | 0:10:23 | 0:10:26 | |
But when they came across the Irvine Ranch, they had a bit of an issue. | 0:10:26 | 0:10:30 | |
James Irvine REALLY didn't like the owner of the Southern Pacific, | 0:10:31 | 0:10:35 | |
and he refused him permission to lay a railroad through his land. | 0:10:35 | 0:10:39 | |
A final confrontation happened in 1887, when the Southern Pacific... | 0:10:41 | 0:10:46 | |
Irvine had died, the land was in trust | 0:10:46 | 0:10:48 | |
waiting for his son to inherit it, | 0:10:48 | 0:10:50 | |
and so, they thought this is the perfect time. | 0:10:50 | 0:10:52 | |
There's nobody here mining the ranch. | 0:10:52 | 0:10:54 | |
And they started laying tracks. | 0:10:54 | 0:10:57 | |
But what happened was, George Irvine, | 0:10:57 | 0:10:59 | |
James Irvine's brother, who was the ranch manager at the time, | 0:10:59 | 0:11:03 | |
met them at the tracks, the workers, | 0:11:03 | 0:11:05 | |
with rifles and shotguns and got them off the land, | 0:11:05 | 0:11:09 | |
and stopped them from laying the tracks, | 0:11:09 | 0:11:11 | |
and stopped the Southern Pacific from coming across the Irvine Ranch. | 0:11:11 | 0:11:16 | |
Shortly after that, the Santa Fe was given the right, | 0:11:16 | 0:11:19 | |
their rival was given the right to go across the Irvine Ranch. | 0:11:19 | 0:11:23 | |
So, James Irvine posthumously got his right of way. | 0:11:23 | 0:11:27 | |
THEY LAUGH | 0:11:27 | 0:11:29 | |
When James died, the ranch was passed his son, | 0:11:29 | 0:11:33 | |
James Harvey Irvine. | 0:11:33 | 0:11:35 | |
He's the one who really kind of turned this into a large-scale | 0:11:35 | 0:11:38 | |
agricultural operation. | 0:11:38 | 0:11:40 | |
They had some wonderful success with growing lima beans here. | 0:11:40 | 0:11:44 | |
At one point, the Irvine Ranch was the number one | 0:11:44 | 0:11:47 | |
private producer of lima beans in the world. | 0:11:47 | 0:11:50 | |
After the Second World War, | 0:11:50 | 0:11:51 | |
the Irvines came under increasing pressure | 0:11:51 | 0:11:53 | |
to sell their land for development. | 0:11:53 | 0:11:55 | |
And in the 1960s, they came up with a remarkable plan... | 0:11:55 | 0:11:59 | |
to build their own city. | 0:11:59 | 0:12:01 | |
-A master plan. -A master plan, exactly. | 0:12:01 | 0:12:04 | |
They wanted to create a community, | 0:12:04 | 0:12:06 | |
they wanted to create a lifestyle here. | 0:12:06 | 0:12:08 | |
So it was an interesting time in the... | 0:12:08 | 0:12:11 | |
1960, that point of time in America was a very optimistic time. | 0:12:11 | 0:12:15 | |
And the main focus and the impetus of getting it all started | 0:12:15 | 0:12:19 | |
was the University of California was looking for a new campus. | 0:12:19 | 0:12:23 | |
So, this was the perfect timing. | 0:12:23 | 0:12:24 | |
They needed a new campus, | 0:12:24 | 0:12:26 | |
the Irvine company was kind of looking for something | 0:12:26 | 0:12:29 | |
to focus their development here. | 0:12:29 | 0:12:31 | |
And it was a good marriage. | 0:12:31 | 0:12:33 | |
Do you ever wonder what | 0:12:33 | 0:12:36 | |
James Irvine would have made of all that? | 0:12:36 | 0:12:38 | |
Well, you know, I've thought about that a lot, | 0:12:38 | 0:12:40 | |
about what James Irvine would have thought of | 0:12:40 | 0:12:43 | |
what has happened in this town that has his name. | 0:12:43 | 0:12:46 | |
I think he would really enjoy the fact that there was a city | 0:12:46 | 0:12:49 | |
so founded on education. | 0:12:49 | 0:12:50 | |
It was definitely a very important thing in the Irvine family, | 0:12:50 | 0:12:53 | |
for education, so I think they would like the fact that | 0:12:53 | 0:12:56 | |
a city named after them was based on a university | 0:12:56 | 0:13:00 | |
and the whole foundation of learning that's here. | 0:13:00 | 0:13:02 | |
Despite having made his money in business, | 0:13:12 | 0:13:15 | |
ultimately it was land that mattered to James Irvine. | 0:13:15 | 0:13:20 | |
That commodity, so treasured by Ulster migrants. | 0:13:20 | 0:13:23 | |
He arrived in America, | 0:13:23 | 0:13:25 | |
one of hundreds of thousands fleeing the famine in Ireland, | 0:13:25 | 0:13:29 | |
but such was his contribution to Southern California | 0:13:29 | 0:13:33 | |
that his name will be remembered here for generations to come. | 0:13:33 | 0:13:37 | |
Those Ulster Scots settlers of the 19th century | 0:13:47 | 0:13:49 | |
could not have imagined a place like Hollywood. | 0:13:49 | 0:13:52 | |
Yet it, too, is part of the story of Ulster migration, | 0:13:52 | 0:13:55 | |
a magnet for our brightest stars of stage and screen, | 0:13:55 | 0:13:59 | |
and home to one of the most revered magicians of his generation - | 0:13:59 | 0:14:03 | |
a former medical graduate from Belfast | 0:14:03 | 0:14:05 | |
called Billy McComb. | 0:14:05 | 0:14:07 | |
This is for golfers. | 0:14:07 | 0:14:09 | |
You will love this. This is, would you believe, a hole in one. | 0:14:09 | 0:14:12 | |
There's the one. | 0:14:12 | 0:14:13 | |
There is the hole. | 0:14:13 | 0:14:15 | |
Born in 1922 into a middle-class Presbyterian family, | 0:14:15 | 0:14:20 | |
educated at Portora Royal School and Queen's University, | 0:14:20 | 0:14:24 | |
Billy gave up a career in medicine | 0:14:24 | 0:14:26 | |
to pursue a dream that would lead him here, | 0:14:26 | 0:14:29 | |
to the Magic Castle in Hollywood. | 0:14:29 | 0:14:31 | |
This seems like a very special place. Where are we? | 0:14:42 | 0:14:44 | |
Well, this is the clubhouse for the Academy of Magical Arts. | 0:14:44 | 0:14:48 | |
It's called the Magic Castle. | 0:14:48 | 0:14:49 | |
This was created as a place for magicians just to be able to | 0:14:49 | 0:14:53 | |
hang out and do card tricks for their friends. | 0:14:53 | 0:14:55 | |
So, it's known worldwide, | 0:14:55 | 0:14:58 | |
and everybody wants to have performed at the Magic Castle. | 0:14:58 | 0:15:02 | |
How important was the Magic Castle to Billy McComb? | 0:15:03 | 0:15:07 | |
Well, it really became I would say the second half of his life. | 0:15:07 | 0:15:11 | |
He first came to the States in the 1960s. | 0:15:11 | 0:15:15 | |
But in 1976, he won | 0:15:15 | 0:15:17 | |
the Visiting Magician of the Year Award here. | 0:15:17 | 0:15:20 | |
He went on to join the board of directors. | 0:15:20 | 0:15:23 | |
He won a Creative Fellowship, | 0:15:23 | 0:15:25 | |
a Performing Fellowship and also the Masters Fellowship, | 0:15:25 | 0:15:29 | |
which is the highest honour the Academy of Magic Arts | 0:15:29 | 0:15:32 | |
can give to a performer. | 0:15:32 | 0:15:33 | |
That's how much esteem he was held in by the Academy. | 0:15:33 | 0:15:36 | |
What was distinctive about his approach to magic? | 0:15:38 | 0:15:42 | |
Billy, although most of his tricks were standard effects, | 0:15:42 | 0:15:47 | |
he would perform them with twists and turns, | 0:15:47 | 0:15:51 | |
first of all, that you'd never seen before, so it would fool you. | 0:15:51 | 0:15:54 | |
But then he would... | 0:15:54 | 0:15:56 | |
He had this running commentary that you were never quite sure - | 0:15:56 | 0:16:00 | |
are you seeing a comedian or are you seeing a magician? | 0:16:00 | 0:16:04 | |
Billy is remembered by the fraternity of magicians | 0:16:04 | 0:16:09 | |
for his contributions and his style. | 0:16:09 | 0:16:12 | |
We've all taken pieces of Billy. | 0:16:12 | 0:16:14 | |
Or that Billy has given us, actually. | 0:16:14 | 0:16:17 | |
Billy worked with some of the biggest names in show business, | 0:16:19 | 0:16:23 | |
appeared in films and on television, | 0:16:23 | 0:16:25 | |
and was still performing until his death in 2006. | 0:16:25 | 0:16:29 | |
Billy McComb did what every aspiring artist | 0:16:29 | 0:16:33 | |
who comes to Hollywood hopes to do. | 0:16:33 | 0:16:35 | |
He realised his dream, | 0:16:35 | 0:16:37 | |
and for him that was a life creating magic, | 0:16:37 | 0:16:40 | |
and sharing his passion for the art of illusion | 0:16:40 | 0:16:43 | |
with audiences here and around the world. | 0:16:43 | 0:16:46 | |
But not every migrant finds the new life they are looking for. | 0:16:49 | 0:16:52 | |
100 miles north of Hollywood | 0:16:52 | 0:16:54 | |
is a reminder of the dark side of the American Dream. | 0:16:54 | 0:16:58 | |
A time when California tried to turn migrants away, | 0:16:58 | 0:17:01 | |
and a story that was brought to the attention of the world | 0:17:01 | 0:17:05 | |
by a Nobel Prize-winning writer with roots in Ulster. | 0:17:05 | 0:17:09 | |
This is Arvin Camp, | 0:17:13 | 0:17:14 | |
built by the federal government to house migrants | 0:17:14 | 0:17:17 | |
arriving in California during the Great Depression, | 0:17:17 | 0:17:21 | |
and immortalised in John Steinbeck's novel, | 0:17:21 | 0:17:24 | |
The Grapes Of Wrath. | 0:17:24 | 0:17:25 | |
# That old dust storm | 0:17:25 | 0:17:27 | |
# Killed my baby | 0:17:27 | 0:17:29 | |
# But it can't kill me, Lord | 0:17:29 | 0:17:31 | |
# And it can't kill me | 0:17:31 | 0:17:33 | |
# That old dust storm... # | 0:17:33 | 0:17:35 | |
Steinbeck tells the story of the biggest internal migration | 0:17:35 | 0:17:39 | |
in US history. | 0:17:39 | 0:17:41 | |
Between 1931 and 1940, | 0:17:41 | 0:17:43 | |
more than 2.5 million people | 0:17:43 | 0:17:46 | |
were driven by drought and dust storms | 0:17:46 | 0:17:49 | |
to abandon their farms in Oklahoma, | 0:17:49 | 0:17:51 | |
Kansas, Colorado and Texas, | 0:17:51 | 0:17:54 | |
and many headed west to California in search of work. | 0:17:54 | 0:17:57 | |
He describes that great movement west as a biblical exodus, | 0:18:00 | 0:18:05 | |
a people suffering squalor, exploitation, | 0:18:05 | 0:18:08 | |
hunger and violence | 0:18:08 | 0:18:11 | |
as they travel to the promised land. | 0:18:11 | 0:18:13 | |
Then, when he turns to Route 66, the main migration road, | 0:18:13 | 0:18:17 | |
he says, "66 is the path of a people in flight. | 0:18:17 | 0:18:22 | |
"Refugees from dust and shrinking land, | 0:18:22 | 0:18:25 | |
"from the thunder of tractors and shrinking ownership, | 0:18:25 | 0:18:29 | |
"from the desert's slowly northward invasion, | 0:18:29 | 0:18:33 | |
"from the twisting winds." | 0:18:33 | 0:18:35 | |
# ..Lord, and it can't kill me... # | 0:18:35 | 0:18:39 | |
Like Steinbeck himself, | 0:18:41 | 0:18:42 | |
many of the migrants he wrote about | 0:18:42 | 0:18:44 | |
were the descendants of farmers from Ulster. | 0:18:44 | 0:18:47 | |
His own grandfather came from a farm outside Ballykelly | 0:18:47 | 0:18:50 | |
in County Londonderry, | 0:18:50 | 0:18:52 | |
and settled in the Salinas Valley in California, | 0:18:52 | 0:18:55 | |
known as the salad bowl of the world. | 0:18:55 | 0:18:58 | |
To find out more about Steinbeck | 0:19:02 | 0:19:04 | |
and his maternal grandfather, Sam Hamilton, | 0:19:04 | 0:19:06 | |
I've come to the Steinbeck home in Salinas | 0:19:06 | 0:19:09 | |
to meet historian Carol Robles. | 0:19:09 | 0:19:12 | |
Well, Sam was born, as we know, in Northern Ireland. | 0:19:12 | 0:19:16 | |
And the story goes that he lied about his age | 0:19:16 | 0:19:20 | |
to get on a ship to go to New York. | 0:19:20 | 0:19:21 | |
And he arrived in New York, 1846. | 0:19:21 | 0:19:24 | |
So, you know, that's an important time in American history. | 0:19:24 | 0:19:26 | |
Gold was discovered, it was green, it was wonderful. | 0:19:26 | 0:19:30 | |
Many of the things that Steinbeck put into Grapes Of Wrath | 0:19:31 | 0:19:34 | |
about why the Okies came to California, | 0:19:34 | 0:19:37 | |
the green, the pastures, everything growing, prosperity, | 0:19:37 | 0:19:41 | |
so I'm sure Sam was hearing that in New York | 0:19:41 | 0:19:44 | |
in the mid-1800s. | 0:19:44 | 0:19:47 | |
So, he came to California. | 0:19:47 | 0:19:49 | |
So, a migrant farmer who settles in the west coast of America | 0:19:49 | 0:19:53 | |
and within two generations | 0:19:53 | 0:19:55 | |
produces a grandson who wins a Nobel Prize for Literature. | 0:19:55 | 0:19:58 | |
-It's one incredible story, isn't it? -Well, it certainly is. | 0:19:58 | 0:20:02 | |
And I think a lot of that credit goes to the family. | 0:20:02 | 0:20:05 | |
Even though they were farming, | 0:20:05 | 0:20:07 | |
they were storytellers. | 0:20:07 | 0:20:09 | |
And John makes reference in East Of Eden to Sam | 0:20:09 | 0:20:12 | |
appreciating good literature. | 0:20:12 | 0:20:14 | |
We know that the family really cared about education. | 0:20:14 | 0:20:17 | |
To go to high school in the late 1800s | 0:20:17 | 0:20:21 | |
was unusual, | 0:20:21 | 0:20:23 | |
but he sent his kids to school. | 0:20:23 | 0:20:26 | |
So, we have here a person | 0:20:26 | 0:20:28 | |
of a strong character. | 0:20:28 | 0:20:31 | |
"I'm not going to put him to work on the farm, | 0:20:31 | 0:20:34 | |
"they're going to get an education first." | 0:20:34 | 0:20:37 | |
This is Sam Hamilton's ranch. | 0:21:05 | 0:21:07 | |
It's a place John Steinbeck knew very well. | 0:21:07 | 0:21:10 | |
He spent a great deal of his childhood here. | 0:21:10 | 0:21:13 | |
And in 1952, he set both the ranch and his grandfather | 0:21:13 | 0:21:16 | |
at the heart of one of his best-known novels, East Of Eden. | 0:21:16 | 0:21:20 | |
It is his most ambitious novel, | 0:21:24 | 0:21:26 | |
a story of good and evil, | 0:21:26 | 0:21:28 | |
of legacy and destiny, | 0:21:28 | 0:21:30 | |
in which the character of Sam Hamilton | 0:21:30 | 0:21:33 | |
stands for the integrity and strength | 0:21:33 | 0:21:36 | |
of those early settlers in the Salinas Valley. | 0:21:36 | 0:21:39 | |
Steinbeck writes that young Samuel Hamilton | 0:21:44 | 0:21:47 | |
came from the north of Ireland, and so did his wife. | 0:21:47 | 0:21:50 | |
He was the son of small farmers, | 0:21:50 | 0:21:52 | |
neither rich nor poor, | 0:21:52 | 0:21:54 | |
who had lived on one land hold | 0:21:54 | 0:21:56 | |
and in one stone house for hundreds of years. | 0:21:56 | 0:21:59 | |
"When Samuel and Liza came to the Salinas Valley," he wrote, | 0:22:02 | 0:22:05 | |
"All the level ground was taken. | 0:22:05 | 0:22:08 | |
"But there was still marginal land to be homesteaded. | 0:22:08 | 0:22:11 | |
"Taking a quarter section for himself, his wife, | 0:22:11 | 0:22:15 | |
"and his subsequent children, | 0:22:15 | 0:22:17 | |
"the ranch eventually grew to almost 2,000 acres." | 0:22:17 | 0:22:21 | |
Sam Hamilton thought of himself as a frontiersman and a pioneer. | 0:22:23 | 0:22:27 | |
He didn't look back to his roots in Ireland. | 0:22:27 | 0:22:30 | |
As Steinbeck puts it, "He was a busy man. | 0:22:30 | 0:22:33 | |
"He had no time from nostalgia. | 0:22:33 | 0:22:35 | |
"The Salinas Valley was the world." | 0:22:35 | 0:22:38 | |
But in 1952, the same year East Of Eden was published, | 0:22:43 | 0:22:47 | |
John Steinbeck travelled to Northern Ireland | 0:22:47 | 0:22:50 | |
in search of his ancestral home. | 0:22:50 | 0:22:53 | |
John looked forward to and dreaded the visit to Ireland. | 0:22:53 | 0:22:56 | |
He didn't know in what he was going to see. | 0:22:56 | 0:22:59 | |
He wrote a story in Collier's magazine in January of 1953 | 0:22:59 | 0:23:02 | |
about his visit to Ireland, and he says, | 0:23:02 | 0:23:06 | |
"Every person that has even a drop of Irish blood | 0:23:06 | 0:23:10 | |
"has to come to Ireland and see it." | 0:23:10 | 0:23:13 | |
So, I think inside of him | 0:23:14 | 0:23:17 | |
was this desire to see his roots. | 0:23:17 | 0:23:20 | |
He had been writing about the Hamiltons through East Of Eden, | 0:23:20 | 0:23:24 | |
East Of Eden had been published, 1952, | 0:23:24 | 0:23:28 | |
so, "OK, I've been reading about all this, | 0:23:28 | 0:23:31 | |
"I've been writing about all this, let's go see." | 0:23:31 | 0:23:34 | |
And he tells about writing... | 0:23:34 | 0:23:36 | |
driving through the little area where his family was really from | 0:23:36 | 0:23:40 | |
and he said, "We didn't even know we'd gone through. | 0:23:40 | 0:23:42 | |
"It was four houses!" | 0:23:42 | 0:23:44 | |
But that visit to Ballykelly had a profound effect on him. | 0:23:46 | 0:23:50 | |
He would describe it as, "The seat of my culture, | 0:23:50 | 0:23:53 | |
"the soil of my background, | 0:23:53 | 0:23:56 | |
"the one full-blown evidence of a thousand years of family." | 0:23:56 | 0:24:00 | |
The Salinas Valley became John Steinbeck's creative universe. | 0:24:03 | 0:24:07 | |
It was here that he found his voice as a writer. | 0:24:07 | 0:24:10 | |
Eventually, some would describe him | 0:24:10 | 0:24:13 | |
as the voice of America. | 0:24:13 | 0:24:15 | |
An America of stories, | 0:24:15 | 0:24:16 | |
including the story of a young farm lad | 0:24:16 | 0:24:20 | |
from the north of Ireland | 0:24:20 | 0:24:21 | |
who settled here in California. | 0:24:21 | 0:24:23 | |
150 years ago, it was gold that lured people | 0:24:43 | 0:24:46 | |
from all over the world to California, | 0:24:46 | 0:24:48 | |
and when immigrants left the north of Ireland, | 0:24:48 | 0:24:51 | |
they often said goodbye for ever. | 0:24:51 | 0:24:53 | |
Today, it's Silicon Valley that brings entrepreneurs here, | 0:24:53 | 0:24:57 | |
and the world has never been so connected. | 0:24:57 | 0:25:00 | |
I've come to San Francisco to meet a woman | 0:25:03 | 0:25:05 | |
from Sion Mills in County Tyrone | 0:25:05 | 0:25:08 | |
who works at the very heart of the modern-day gold rush. | 0:25:08 | 0:25:11 | |
Sarah Friar is the chief financial officer | 0:25:11 | 0:25:14 | |
of the global payments company, Square. | 0:25:14 | 0:25:17 | |
Can we start with how you got to America, when you came to America... | 0:25:19 | 0:25:22 | |
-Sure. -..and why you stayed? | 0:25:22 | 0:25:24 | |
-Yeah. -So I came in '98. | 0:25:24 | 0:25:27 | |
It was... I didn't really realise at the time, | 0:25:27 | 0:25:30 | |
but the dot-com boom was really starting to take off. | 0:25:30 | 0:25:33 | |
And I came out to go to Stanford, to go to business school. | 0:25:33 | 0:25:36 | |
That was me, '98, straight off a plane into, you know... | 0:25:36 | 0:25:39 | |
I thought it was the Garden of Eden I'd landed in. | 0:25:39 | 0:25:42 | |
It was the most beautiful place. | 0:25:42 | 0:25:44 | |
Tech is a wonderful industry to work in, | 0:25:44 | 0:25:47 | |
because you're working with, you know, | 0:25:47 | 0:25:49 | |
this total melting pot of people who've come from all over the world. | 0:25:49 | 0:25:53 | |
That's the amazing part of Silicon Valley's journey, | 0:25:53 | 0:25:56 | |
is that it does just draw these people | 0:25:56 | 0:25:59 | |
who believe that they can start companies, | 0:25:59 | 0:26:02 | |
they can do crazy things, self-driving cars, you name it. | 0:26:02 | 0:26:05 | |
You know, what we're going to see in our world | 0:26:05 | 0:26:08 | |
over the next 10, 20 years, | 0:26:08 | 0:26:10 | |
someone out there is thinking about it right now and maybe | 0:26:10 | 0:26:13 | |
writing some lines of code that make it actually happen. | 0:26:13 | 0:26:16 | |
Do you really like living in the United States? | 0:26:16 | 0:26:19 | |
-I do. I do. -How different is it to what you're used to? | 0:26:19 | 0:26:22 | |
You know, what I love about the US is I do feel | 0:26:22 | 0:26:26 | |
that there is this ability to do anything you want. | 0:26:26 | 0:26:29 | |
It's the amazing American Dream. | 0:26:29 | 0:26:31 | |
I miss the sense of humour of the Northern Irish. | 0:26:33 | 0:26:36 | |
So, I now, once in a while, | 0:26:36 | 0:26:39 | |
will fall foul of my brother's deep sarcasm, | 0:26:39 | 0:26:41 | |
where I'm not realising it's sarcasm, | 0:26:41 | 0:26:44 | |
and I'm becoming very sincere | 0:26:44 | 0:26:46 | |
and earnest about everything, and that's very American. | 0:26:46 | 0:26:48 | |
-You had the irony bypass. -Yeah. Totally. | 0:26:48 | 0:26:51 | |
It horrifies me. | 0:26:51 | 0:26:53 | |
I see my husband wearing white socks a lot, | 0:26:53 | 0:26:55 | |
and it doesn't bother me as much as it used to. | 0:26:55 | 0:26:58 | |
I'm not sure how much you know about the history of Irish people, | 0:26:58 | 0:27:01 | |
Northern Irish people, coming to America. | 0:27:01 | 0:27:03 | |
Do you feel like you're part of that continuing story, | 0:27:03 | 0:27:06 | |
or chain of stories? | 0:27:06 | 0:27:08 | |
I think about, you know, more my mum's family. | 0:27:08 | 0:27:11 | |
A whole bunch of them migrated to Canada. | 0:27:11 | 0:27:14 | |
They're the classic Ulster Protestant farming stock, | 0:27:14 | 0:27:17 | |
and those first couple of winters were so hard | 0:27:17 | 0:27:21 | |
that they ultimately went back to Northern Ireland. | 0:27:21 | 0:27:25 | |
It does make me, you know... | 0:27:25 | 0:27:28 | |
Again, it comes back to how hard it is for that migrant group, | 0:27:28 | 0:27:31 | |
and how strong they must have been to have just left, | 0:27:31 | 0:27:35 | |
cos I can fly home and be home | 0:27:35 | 0:27:37 | |
in 24 hours, door to door. | 0:27:37 | 0:27:40 | |
And to just know that that wasn't available to you | 0:27:40 | 0:27:43 | |
-is just almost heartbreaking, right? -Yeah. | 0:27:43 | 0:27:46 | |
Because you never lose that part of you, right, | 0:27:46 | 0:27:49 | |
that is still at home in Northern Ireland. | 0:27:49 | 0:27:51 | |
On the face of it, Sarah has little in common with those early pioneers | 0:27:54 | 0:27:58 | |
who forged a trail to the American West. | 0:27:58 | 0:28:01 | |
Yet it's the ability of those Ulster Scots migrants | 0:28:01 | 0:28:04 | |
to assimilate within their adopted country, | 0:28:04 | 0:28:06 | |
along with the diversity of their experience | 0:28:06 | 0:28:09 | |
and contribution to this land | 0:28:09 | 0:28:11 | |
that links her story to theirs. | 0:28:11 | 0:28:13 | |
The men and women from Ulster who made their home | 0:28:18 | 0:28:21 | |
here in the United States did so for many different reasons. | 0:28:21 | 0:28:24 | |
Someone were migrants desperate for a new life. | 0:28:24 | 0:28:27 | |
Some were entrepreneurs pursuing a new opportunity. | 0:28:27 | 0:28:31 | |
Some were dreamers exploring a new world. | 0:28:31 | 0:28:33 | |
But however they got here, their influence is everywhere to be seen. | 0:28:33 | 0:28:38 | |
In the literature, the music, the politics, the culture. | 0:28:38 | 0:28:42 | |
The values of this, their brave new world. | 0:28:42 | 0:28:46 |