Browse content similar to London-New York. Check below for episodes and series from the same categories and more!
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BBC Four Collections - | 0:00:02 | 0:00:03 | |
archive programmes chosen by experts. | 0:00:03 | 0:00:06 | |
For this collection, Simon Jenkins has selected programmes | 0:00:07 | 0:00:10 | |
celebrating the people and places of London. | 0:00:10 | 0:00:13 | |
More programmes on this theme and other BBC Four collections | 0:00:13 | 0:00:17 | |
are available on BBC iPlayer. | 0:00:17 | 0:00:19 | |
HARMONICA MUSIC PLAYS | 0:00:21 | 0:00:25 | |
London is a great place to live in but a hell of a place to visit. | 0:00:37 | 0:00:41 | |
New York is a great place to visit but a hell of a place to live in. | 0:00:41 | 0:00:46 | |
I visited both, I've lived in both and I like both. | 0:00:46 | 0:00:50 | |
These are skyscrapers. | 0:00:52 | 0:00:54 | |
Skyscrapers start at the bottom and go up. | 0:00:54 | 0:00:57 | |
I think that about covers that subject. | 0:00:57 | 0:01:00 | |
There's the Empire State Building, the world's tallest. | 0:01:00 | 0:01:02 | |
On a clear day, from the top of this building, | 0:01:02 | 0:01:05 | |
you can see the people who came up in the lift with you. | 0:01:05 | 0:01:08 | |
Look at those people way down there. | 0:01:32 | 0:01:34 | |
Look mighty large, don't they? | 0:01:34 | 0:01:36 | |
Those empty taxi cabs, and just when you don't happen to want one. | 0:01:57 | 0:02:00 | |
This is the United Nations building where the delegates wear headphones | 0:02:04 | 0:02:07 | |
so that they can be insulted in their own language. | 0:02:07 | 0:02:10 | |
That's the Lever building. They sell soap. | 0:02:12 | 0:02:15 | |
People who live in glass houses shouldn't sell soap. Or throw moss. | 0:02:15 | 0:02:19 | |
Or have I got that wrong? | 0:02:19 | 0:02:22 | |
The Brooklyn Bridge leading to Brooklyn. | 0:02:56 | 0:02:59 | |
For those contemplating suicide, | 0:03:04 | 0:03:07 | |
the Brooklyn Bridge is an absolute must. | 0:03:07 | 0:03:09 | |
The House of Parliament, where the speeches, like the River Thames, | 0:03:12 | 0:03:16 | |
just keep rolling along | 0:03:16 | 0:03:18 | |
and where it all will end, pavane only knows. | 0:03:18 | 0:03:22 | |
And I think your policemen are wonderful. | 0:03:25 | 0:03:28 | |
I wish this was commercial TV, | 0:03:37 | 0:03:40 | |
then I could plug the fact I wrote the music for... | 0:03:40 | 0:03:43 | |
MUSIC: "Genevieve" by Larry Adler | 0:03:43 | 0:03:46 | |
London has a reverence for age | 0:04:24 | 0:04:27 | |
and yet is always on the lookout for new faces. | 0:04:27 | 0:04:30 | |
A view from one of the Palace Guards. | 0:04:37 | 0:04:40 | |
GUARDSMAN BARKS ORDER | 0:04:47 | 0:04:49 | |
LARRY PLAYS A DIRGE | 0:04:54 | 0:04:57 | |
Sorry, wrong band. | 0:04:59 | 0:05:01 | |
Notice something about that band? They're all brunettes. | 0:05:02 | 0:05:06 | |
I wonder if this is just coincidence. | 0:05:07 | 0:05:10 | |
For the benefit of American audiences, | 0:05:21 | 0:05:24 | |
these are London buskers, street entertainers. | 0:05:24 | 0:05:27 | |
I thought that being a busker was easy | 0:05:27 | 0:05:30 | |
and once, for a bet, I tried being one around 1937. | 0:05:30 | 0:05:33 | |
I played to the queue at the old Holborn Empire | 0:05:33 | 0:05:36 | |
and I regret to tell you I got no money whatsoever. | 0:05:36 | 0:05:40 | |
What you've seen so far | 0:05:46 | 0:05:48 | |
has been more or less a tourist view of London and New York. | 0:05:48 | 0:05:51 | |
Now, this is more like the New York I remember. | 0:05:53 | 0:05:56 | |
Anybody see that last play by Samuel Beckett? | 0:05:59 | 0:06:01 | |
Here's the heart of New York's fashion world - | 0:06:57 | 0:06:59 | |
glamorous, glittering, gay. | 0:06:59 | 0:07:03 | |
Ladies, for you! | 0:07:03 | 0:07:04 | |
But with all its faults, New York is a law-abiding city(!) | 0:07:13 | 0:07:16 | |
There he stands, the inscrutable East. | 0:07:37 | 0:07:41 | |
And here's some of the scrutable West - west London. | 0:07:42 | 0:07:45 | |
Boy, are they scrutable. | 0:07:45 | 0:07:47 | |
Big hands, too. Look at the way they're holding that camera. | 0:07:47 | 0:07:50 | |
Even I wouldn't do that...I think. | 0:07:50 | 0:07:53 | |
Now why does this shot remind me of the Beveridge Plan? | 0:08:07 | 0:08:10 | |
This is real New York-type New York, Washington Square. | 0:08:21 | 0:08:24 | |
A very rare shot showing Epstein at work. | 0:08:42 | 0:08:45 | |
Not Sir Jacob Epstein, Sam Epstein. Nice kid. | 0:08:45 | 0:08:50 | |
She's engaged, she's lovely, she uses bubblegum. | 0:08:50 | 0:08:55 | |
Yes, New York is a law-abiding city(!) | 0:09:14 | 0:09:17 | |
You, sir, take a card. Any card. | 0:09:33 | 0:09:36 | |
This is London's Trafalgar Square, | 0:09:58 | 0:10:00 | |
named after the famous Tube station that runs underneath. | 0:10:00 | 0:10:03 | |
Here, pigeons come from all over the world to feed the people. | 0:10:04 | 0:10:08 | |
No matter what the season, | 0:10:08 | 0:10:10 | |
the pigeon will always find crowds of eager, hungry tourists. | 0:10:10 | 0:10:15 | |
Some indeed so tame, they'll eat right out of your beak. | 0:10:15 | 0:10:18 | |
Hey, Mac, any messages? | 0:10:21 | 0:10:23 | |
Call me an outsider if you like | 0:10:25 | 0:10:26 | |
but I can take my fountains or leave them alone. | 0:10:26 | 0:10:29 | |
My feeling is, when you've seen one fountain... | 0:10:29 | 0:10:32 | |
Not only that, if you happen to have hydrophobia, | 0:10:32 | 0:10:34 | |
fountains are bad for you. | 0:10:34 | 0:10:36 | |
I should play Autumn Leaves at this point, but the tune is copyright. | 0:11:13 | 0:11:16 | |
That's why I'm making up all my own music. | 0:11:16 | 0:11:19 | |
Through the magic of BBC Television, | 0:11:52 | 0:11:55 | |
we were fortunate to get a shot of the Mayflower | 0:11:55 | 0:11:58 | |
setting out on her heroic voyage across the Atlantic. | 0:11:58 | 0:12:01 | |
Well done, o valiant vessel! | 0:12:01 | 0:12:04 | |
Manhattan is an island. | 0:12:09 | 0:12:11 | |
Gee, I wish I'd said that. | 0:12:11 | 0:12:13 | |
To take a ferry boat ride to Staten Island is one of the few things - | 0:12:16 | 0:12:19 | |
in fact, one of the last things - | 0:12:19 | 0:12:20 | |
that can still be done in New York for a nickel. | 0:12:20 | 0:12:23 | |
Oh, Lord, here come those damn skyscrapers again. | 0:12:31 | 0:12:33 | |
This is the Statue of Liberty. | 0:13:17 | 0:13:19 | |
It hasn't been fingerprinted...yet. | 0:13:19 | 0:13:21 | |
That little fella's really got guts, eh? Come on, boy. Sic 'em! | 0:14:10 | 0:14:14 | |
That's the Queen Mary. I was on the maiden voyage of that ship. | 0:14:19 | 0:14:22 | |
You'd better stick around, I'm full of fascinating information like that. | 0:14:22 | 0:14:26 | |
I was on the maiden voyage of... I know you heard it before. | 0:14:36 | 0:14:39 | |
I just wanted to hear it again. | 0:14:39 | 0:14:41 | |
Come on, have another skyscraper. Take two, they're small. | 0:15:10 | 0:15:14 | |
At least in London they're small. | 0:15:21 | 0:15:22 | |
We wanted to show you some of London's historic ruins, | 0:15:26 | 0:15:29 | |
but we couldn't get just the people we wanted | 0:15:29 | 0:15:32 | |
so we're showing some bomb sites, St Paul's. | 0:15:32 | 0:15:35 | |
You know, that sort of thing. | 0:15:35 | 0:15:37 | |
This is William Shakespeare, | 0:15:58 | 0:16:00 | |
author of Kiss Me, Kate and many other hit shows. | 0:16:00 | 0:16:03 | |
What secrets have we here? | 0:16:10 | 0:16:13 | |
Could this be the new Budget? | 0:16:13 | 0:16:15 | |
This is part of the old Roman wall of London. | 0:16:39 | 0:16:41 | |
It is not for sale to Mike Todd. | 0:16:41 | 0:16:44 | |
Here's the Portobello Road market, | 0:16:44 | 0:16:46 | |
for sale to Mike Todd or anybody else. | 0:16:46 | 0:16:49 | |
A typical British scene. | 0:16:54 | 0:16:57 | |
This man calls his stall the Cheap and Nasty. | 0:17:04 | 0:17:08 | |
That's what I like - truth in advertising. | 0:17:08 | 0:17:10 | |
# Please sell no more drink | 0:17:24 | 0:17:27 | |
# To my father. # | 0:17:27 | 0:17:29 | |
Jamaica rum, eh? | 0:17:29 | 0:17:31 | |
Hold that monocle. Hold it. Don't lose it! | 0:18:11 | 0:18:14 | |
He's lost it. | 0:18:14 | 0:18:16 | |
Spode... | 0:18:20 | 0:18:21 | |
What are you giving me, Spode? Spode my eye. | 0:18:21 | 0:18:25 | |
Do you know, for one moment, | 0:18:58 | 0:19:00 | |
I honestly thought that dog was stuffed. | 0:19:00 | 0:19:02 | |
This gentleman, who is now a picture restorer, | 0:19:02 | 0:19:05 | |
used to call himself Rembrandt. | 0:19:05 | 0:19:07 | |
He was a lightning sketch artist in music hall. | 0:19:07 | 0:19:10 | |
Music hall?! | 0:19:10 | 0:19:11 | |
Whatever became of that? | 0:19:11 | 0:19:13 | |
I don't know anything about art, and what's more, | 0:19:18 | 0:19:20 | |
I don't know what I like. | 0:19:20 | 0:19:22 | |
Buffeted by wind, waves and the full fury of the elements, | 0:19:27 | 0:19:31 | |
onward, ever onward, the valiant Mayflower sailed. | 0:19:31 | 0:19:35 | |
There's something about getting behind the wheel of a car | 0:19:39 | 0:19:42 | |
that can make a monster out of the meekest Mitty or milk toast. | 0:19:42 | 0:19:45 | |
How do you like that for alliteration? | 0:19:45 | 0:19:48 | |
But haven't you ever wanted to take all the other cars on the road | 0:19:48 | 0:19:51 | |
and make them look like... | 0:19:51 | 0:19:52 | |
this? | 0:19:52 | 0:19:53 | |
This man has found true happiness. | 0:19:58 | 0:20:01 | |
Please! Not while I'm eating. | 0:20:20 | 0:20:23 | |
I'm sorry. I really shouldn't talk while his mouth is full. | 0:20:35 | 0:20:38 | |
Do you realise that if all these cars were laid end to end | 0:20:49 | 0:20:53 | |
they'd look like Piccadilly at 5.30? Do you? | 0:20:53 | 0:20:55 | |
I don't know why it is, but I just don't like the expression | 0:20:55 | 0:20:58 | |
on these cars' faces. I think they're snobs. | 0:20:58 | 0:21:02 | |
This one for example. | 0:21:02 | 0:21:03 | |
And you! | 0:21:03 | 0:21:05 | |
Well, that's what you get for showing off and I'm glad. | 0:21:07 | 0:21:11 | |
Glad, do you hear me? | 0:21:11 | 0:21:12 | |
This is taken from one of the gravestones | 0:21:12 | 0:21:14 | |
in London's Highgate Cemetery. | 0:21:14 | 0:21:16 | |
I wonder why he wrote the music on a gravestone. | 0:21:16 | 0:21:18 | |
I'd have used manuscript paper. But then I'm mad. | 0:21:18 | 0:21:22 | |
You know what I'm going to have on my gravestone? "Here lies Larry Adler. | 0:21:22 | 0:21:26 | |
"Who?" | 0:21:26 | 0:21:27 | |
Got to hand it to these rich people, they really know how to live. | 0:21:49 | 0:21:52 | |
My audience doesn't seem to be getting the message. | 0:22:00 | 0:22:03 | |
Hmm. | 0:22:05 | 0:22:06 | |
Taxi! | 0:22:09 | 0:22:11 | |
Taxi! | 0:22:11 | 0:22:12 | |
Oh, heck. Missed it. | 0:22:13 | 0:22:16 | |
Fascination yet, 42nd Street. | 0:22:16 | 0:22:20 | |
Here's where they have the striptease. | 0:22:26 | 0:22:28 | |
On film anyway. The real stuff is verboten. | 0:22:28 | 0:22:30 | |
I don't know what they mean about strip cos here it says only 70% off. | 0:22:30 | 0:22:34 | |
"A nature film about violets. Bring the kiddies." | 0:22:35 | 0:22:38 | |
Look! Living commercials. | 0:22:40 | 0:22:42 | |
This man has a hole in the head. | 0:22:45 | 0:22:48 | |
This man is carrying A Hole In The Head. | 0:22:50 | 0:22:52 | |
Broadway. The gay, white way. | 0:22:56 | 0:22:59 | |
Except that it ain't gay and it ain't white | 0:22:59 | 0:23:01 | |
and there ain't no legitimate theatres on it. | 0:23:01 | 0:23:04 | |
They're all here on 45th Street. | 0:23:06 | 0:23:09 | |
"No ugly overhang." Whatever do they mean? | 0:23:31 | 0:23:34 | |
Look! Those sailors walked right past those girls! | 0:23:38 | 0:23:41 | |
I could understand it if the sailors walked right past THESE girls. | 0:23:45 | 0:23:49 | |
Although let's be fair, I think what they're probably doing | 0:23:49 | 0:23:52 | |
is being initiated into their college sorority. | 0:23:52 | 0:23:55 | |
Honey, aren't you happy? | 0:24:09 | 0:24:11 | |
And still she sailed onward, ever onward. | 0:24:11 | 0:24:15 | |
Would she make Plymouth Rock? | 0:24:15 | 0:24:17 | |
Would she make Brighton Rock? | 0:24:17 | 0:24:20 | |
Piccadilly, which this is, and Times Square | 0:24:22 | 0:24:25 | |
have something in common. | 0:24:25 | 0:24:26 | |
Gaudy, not neat. | 0:24:26 | 0:24:28 | |
See that sign over there, "This man is wanted"? | 0:24:36 | 0:24:39 | |
In this neighbourhood, it also applies to girls. | 0:24:39 | 0:24:42 | |
This cinema can't make up its mind. | 0:25:09 | 0:25:11 | |
Is its main attraction Macmillan or Brigitte Bardot? Quel dilemma. | 0:25:11 | 0:25:15 | |
Did you know that in sculpture a bust means a head? | 0:25:27 | 0:25:30 | |
By the way, have you read any bad books lately? | 0:25:33 | 0:25:36 | |
"Ole"? | 0:25:40 | 0:25:42 | |
That's for a bull. | 0:25:42 | 0:25:43 | |
Doesn't this take you back? | 0:25:51 | 0:25:54 | |
Gay Vienna, the waltz, | 0:25:54 | 0:25:56 | |
the grace. | 0:25:56 | 0:25:58 | |
Man, dig that crazy gavotte. | 0:25:58 | 0:26:01 | |
When he grows up, he's going to be a tic-tac man. | 0:26:19 | 0:26:23 | |
# Did you ever get the feeling | 0:26:23 | 0:26:25 | |
# That you wanted to go? | 0:26:25 | 0:26:26 | |
# And then you got the feeling That you wanted to stay. # | 0:26:26 | 0:26:29 | |
This girl has gone. | 0:26:35 | 0:26:37 | |
This one hasn't arrived yet. | 0:26:37 | 0:26:40 | |
Pity to hit the bottle at that age. | 0:26:43 | 0:26:45 | |
This one is being sent by special delivery. | 0:26:48 | 0:26:51 | |
Oh, I beg your pardon. I thought you'd gone. | 0:26:51 | 0:26:55 | |
This is a fan. | 0:26:55 | 0:26:57 | |
This is a cool cat. | 0:27:05 | 0:27:08 | |
This is a fountain. | 0:27:08 | 0:27:09 | |
And as the Mayflower slowly sinks in the west with all hands, | 0:27:12 | 0:27:16 | |
we in London say, | 0:27:16 | 0:27:17 | |
"Good night, New York." | 0:27:17 | 0:27:19 |