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Years of armed conflicts have created | 0:00:03 | 0:00:05 | |
a battalion of the battle-scarred. | 0:00:05 | 0:00:08 | |
My right eye was down here somewhere and the left eye was damaged. | 0:00:08 | 0:00:11 | |
I was found in a ditch with a radio antenna embedded in the back of my skull. | 0:00:11 | 0:00:14 | |
Let's get that right, come on! | 0:00:14 | 0:00:16 | |
Choirmaster Gareth Malone is taking on his biggest battle yet. | 0:00:16 | 0:00:20 | |
I want to give a voice to the people who have served our country | 0:00:20 | 0:00:23 | |
and come back with shattered lives who deserve to be heard | 0:00:23 | 0:00:27 | |
and who deserve to tell their stories. | 0:00:27 | 0:00:29 | |
He's joining forces with Prince Harry... | 0:00:29 | 0:00:31 | |
-Please, come in. -Thank you. | 0:00:31 | 0:00:32 | |
..founder of the Invictus Games, a sporting competition for wounded veterans. | 0:00:32 | 0:00:37 | |
It's about providing new opportunities, | 0:00:37 | 0:00:39 | |
and a lot of these guys have never, ever stepped outside their house. | 0:00:39 | 0:00:43 | |
Together, they want to form an Invictus Choir. | 0:00:43 | 0:00:45 | |
Hello! | 0:00:45 | 0:00:47 | |
The goal is to inspire the world. | 0:00:47 | 0:00:49 | |
HE SINGS LOUDLY | 0:00:49 | 0:00:51 | |
Whoa! Easy, tiger. | 0:00:51 | 0:00:53 | |
# Life... # | 0:00:53 | 0:00:54 | |
Now with a face that doesn't look like an axe murderer. | 0:00:54 | 0:00:57 | |
HE LAUGHS | 0:00:57 | 0:00:58 | |
I want it to be a choir of people with life-changing, extraordinary stories - | 0:00:58 | 0:01:02 | |
even if they can't sing - because I want this to really pack a punch. | 0:01:02 | 0:01:06 | |
I want it to tell people what everyone's gone through. | 0:01:06 | 0:01:09 | |
My best friend who died in my arms. | 0:01:09 | 0:01:11 | |
I was sleeping in disused stairwells by choice, | 0:01:11 | 0:01:14 | |
whilst my youngest was learning to crawl. | 0:01:14 | 0:01:16 | |
Gareth has never had to work with problems as serious as these. | 0:01:16 | 0:01:20 | |
I'm not listening to what you're saying, it's painful in my head. | 0:01:20 | 0:01:23 | |
There's another emotion for me and that actually is quite a lot of anger. | 0:01:23 | 0:01:26 | |
I just needed to get away, it was all a bit too much. | 0:01:26 | 0:01:30 | |
I'm having a wobble. | 0:01:30 | 0:01:32 | |
They're sounding awful. | 0:01:32 | 0:01:34 | |
More energy! Let's get that right, come on. | 0:01:34 | 0:01:36 | |
That section almost was good. | 0:01:36 | 0:01:38 | |
They've got seven weeks until they perform for a global audience, | 0:01:38 | 0:01:43 | |
opening the 2016 Invictus Games in America. | 0:01:43 | 0:01:47 | |
Welcome to Invictus. | 0:01:49 | 0:01:51 | |
I think this is what we are very good at as a nation, | 0:02:06 | 0:02:09 | |
we're great at building beautiful memorials to those that have fallen | 0:02:09 | 0:02:13 | |
in the various conflicts that we've been involved in. | 0:02:13 | 0:02:16 | |
But we are less good at remembering those that come back | 0:02:16 | 0:02:20 | |
with horrible life-changing injuries and mental trauma. | 0:02:20 | 0:02:26 | |
Prince Harry's trying to change that with the Invictus Games | 0:02:26 | 0:02:29 | |
and he's invited me to go and put together a choir | 0:02:29 | 0:02:32 | |
of wounded, injured and sick servicepeople | 0:02:32 | 0:02:34 | |
to perform at the Invictus Games | 0:02:34 | 0:02:36 | |
and I'm hugely honoured and incredibly excited | 0:02:36 | 0:02:39 | |
because I think it's very important. | 0:02:39 | 0:02:40 | |
We shouldn't forget those that still have something to give | 0:02:40 | 0:02:44 | |
and still have lives to lead. | 0:02:44 | 0:02:45 | |
It's just two months until the Invictus Games. | 0:02:48 | 0:02:51 | |
Today, Gareth has a royal appointment with Prince Harry. | 0:02:51 | 0:02:55 | |
What do you call Prince Harry and do I have to keep saying Prince all the time? | 0:02:55 | 0:02:59 | |
I'm going to find that very difficult. | 0:02:59 | 0:03:01 | |
I'd be fine if he wanted to call me Gareth. | 0:03:01 | 0:03:03 | |
There's absolutely no problem with that. He doesn't need to use mister. | 0:03:03 | 0:03:07 | |
# Gloria, gloria... # | 0:03:07 | 0:03:11 | |
Kensington Palace. | 0:03:11 | 0:03:12 | |
I feel really nervous, actually. | 0:03:12 | 0:03:14 | |
It's like going for a job interview. | 0:03:14 | 0:03:16 | |
Hello! | 0:03:23 | 0:03:24 | |
-Who let you in?! Hi, Gareth. How are you doing? -Hello. | 0:03:24 | 0:03:28 | |
-Please, come in. -Thank you. It's a very intimidating place to come. | 0:03:28 | 0:03:31 | |
-Hello. -Very nice to meet you. -Very nice to meet you, as well. -After all this time. -Yeah. | 0:03:31 | 0:03:35 | |
-Welcome. -Thank you. -Come in, please. -Thank you very much, Your Royal Highness. Is that...? | 0:03:35 | 0:03:39 | |
-No, no, no. Call me Harry, please. -Harry. Thank you very much. Nice place you have. | 0:03:39 | 0:03:42 | |
After you. | 0:03:42 | 0:03:43 | |
Prince Harry's served in the Armed Forces for ten years, | 0:03:43 | 0:03:46 | |
including two tours in Afghanistan as an Apache helicopter pilot. | 0:03:46 | 0:03:51 | |
You must feel very lucky to have got through those experiences unscathed? | 0:03:51 | 0:03:55 | |
There was a few...a few close calls. | 0:03:55 | 0:03:58 | |
Being in a helicopter was probably a lot safer. | 0:03:58 | 0:04:01 | |
-It's not my idea of safe! -No, no, no. | 0:04:01 | 0:04:04 | |
We always said to ourselves, you know, we weren't the guys having to | 0:04:04 | 0:04:07 | |
kick people's doors down and be confronted with a guy with an AK-47. | 0:04:07 | 0:04:11 | |
Or, you know, a mine just outside, or an IED down an alleyway. | 0:04:11 | 0:04:15 | |
That's a really hard thing, to have to wake up and know that | 0:04:15 | 0:04:18 | |
every single day it could be your last day with two legs. | 0:04:18 | 0:04:21 | |
I mean, some of the guys were preparing themselves | 0:04:21 | 0:04:23 | |
and actually putting tourniquets on their legs | 0:04:23 | 0:04:26 | |
before they went on patrol, just so that if they lost a leg, | 0:04:26 | 0:04:28 | |
-they'd be ready to... -Strap it up. -Strap it up. | 0:04:28 | 0:04:31 | |
Those are horrific things to see. | 0:04:31 | 0:04:33 | |
Was it that that made you want to start the Invictus Games? | 0:04:33 | 0:04:35 | |
I think after spending ten years in the Army, you naturally end up | 0:04:35 | 0:04:39 | |
sort of wanting to help - wanting to give back. | 0:04:39 | 0:04:42 | |
Dave Henson in that photo, for instance, | 0:04:42 | 0:04:45 | |
double amputee from Afghanistan, and that's the cost. | 0:04:45 | 0:04:48 | |
But then you look at the smile on his face | 0:04:48 | 0:04:50 | |
and you realise that actually no matter how these people | 0:04:50 | 0:04:52 | |
have basically had their lives cut in half - quite literally - | 0:04:52 | 0:04:56 | |
they've managed to bring themselves back | 0:04:56 | 0:04:58 | |
and, as they always say to me, there is life beyond injury. | 0:04:58 | 0:05:01 | |
Can we talk about where you see this performance sitting | 0:05:01 | 0:05:03 | |
and what you want it to say? | 0:05:03 | 0:05:05 | |
I think it's about providing new opportunities in their lives | 0:05:05 | 0:05:08 | |
and thinking - right, this is all about getting back on track. | 0:05:08 | 0:05:11 | |
Because a lot of these guys have never, ever stepped outside their house. | 0:05:11 | 0:05:15 | |
Major anxiety - and if music is that way of being able | 0:05:15 | 0:05:18 | |
to give them that opportunity, then absolutely fantastic. | 0:05:18 | 0:05:21 | |
I'm just glad I'm not having to sing and it's them with you. | 0:05:21 | 0:05:25 | |
-I can see I'm not going to persuade you into this. -Er, no. | 0:05:25 | 0:05:28 | |
-Are you musical? Do you sing? -I'm tone deaf. -Totally? | 0:05:28 | 0:05:31 | |
Yeah, totally tone deaf. Well, I like to think I can sing, | 0:05:31 | 0:05:34 | |
but people who stand next to me normally say... | 0:05:34 | 0:05:36 | |
-You were never picked for choir? -I wasn't. | 0:05:36 | 0:05:39 | |
-I'm pretty good on the triangle! -Oh, great! | 0:05:39 | 0:05:41 | |
I take my hat off to you, it's going to be a challenge. | 0:05:41 | 0:05:44 | |
If you can get a bunch of military people who don't normally sing to sing in tune... | 0:05:44 | 0:05:48 | |
-That will be inspiring in itself. Lovely to meet you. -Cheers, Gareth. | 0:05:48 | 0:05:51 | |
Thank you so much and I'll see you soon. | 0:05:51 | 0:05:54 | |
He's so passionate in everything that he says | 0:05:57 | 0:06:01 | |
about the Invictus Games and the inspiration that these guys offer to the world. | 0:06:01 | 0:06:07 | |
These guys have been cruelly injured | 0:06:07 | 0:06:10 | |
and their lives have been so... | 0:06:10 | 0:06:14 | |
I was going to say ruined, but what Invictus brings is that they're not ruined - | 0:06:14 | 0:06:19 | |
they can come back from the most extraordinary difficulty. | 0:06:19 | 0:06:23 | |
I'm excited. I've got fire in my belly for this now. | 0:06:23 | 0:06:26 | |
Gareth Malone - creating a choir of injured, wounded and sick service personnel. | 0:06:32 | 0:06:36 | |
I'm looking for a group of singers... | 0:06:36 | 0:06:38 | |
First Gareth needs to recruit his choir. | 0:06:38 | 0:06:41 | |
He's come to British Forces Broadcasting. | 0:06:41 | 0:06:43 | |
He wants to get the word out to the military community. | 0:06:43 | 0:06:46 | |
Tell us about the Heroes Choir. | 0:06:46 | 0:06:48 | |
I've got a hunch that it could be really good for people, | 0:06:48 | 0:06:50 | |
people that feel like this could be the challenge that gets them back on their feet. | 0:06:50 | 0:06:54 | |
And what about the quality of their singing? | 0:06:54 | 0:06:56 | |
This is not about a group of excellent singers. | 0:06:56 | 0:06:58 | |
I'm looking for people who have a voice, | 0:06:58 | 0:07:01 | |
who've got something to say, to represent our nation through music. | 0:07:01 | 0:07:04 | |
-Thank you very much. -Thank you so much, that was great. | 0:07:04 | 0:07:07 | |
Within a few days the first video applications are coming in. | 0:07:10 | 0:07:14 | |
# There would be no reason why... # | 0:07:14 | 0:07:18 | |
I'm looking for about 12 singers who can come with me to America. | 0:07:20 | 0:07:24 | |
# We all need somebody... # | 0:07:24 | 0:07:26 | |
Because I want to choose people who are going to benefit | 0:07:26 | 0:07:28 | |
from the experience and people who represent this community of injured people. | 0:07:28 | 0:07:34 | |
-WITH STRONG VOICE: -# Have I told you lately that I love you... # | 0:07:34 | 0:07:40 | |
So, this guy - yeah, he can sing. | 0:07:40 | 0:07:42 | |
# Sittin' on the dock of the bay | 0:07:42 | 0:07:46 | |
# Watching the tide roll away... # | 0:07:46 | 0:07:49 | |
Multitasking. Stayed pretty much in tune | 0:07:49 | 0:07:53 | |
and also managed to cook a cheeseburger at the same time. | 0:07:53 | 0:07:56 | |
# Chantilly lace had a pretty face... # | 0:07:56 | 0:07:59 | |
Why is he wearing a tutu? | 0:07:59 | 0:08:02 | |
# A wiggle in her walk A giggle in her talk | 0:08:02 | 0:08:04 | |
# Makes the world go round... # | 0:08:04 | 0:08:06 | |
He seems really fun. Great guy to have on the team. | 0:08:06 | 0:08:10 | |
But he hasn't sung a note yet! | 0:08:10 | 0:08:13 | |
# I sure do... # | 0:08:13 | 0:08:15 | |
# Oh, liberation comes in whatever form to save me... # | 0:08:15 | 0:08:22 | |
There's a really good voice in there. | 0:08:22 | 0:08:24 | |
# Comes and whispers in the breeze... # | 0:08:24 | 0:08:29 | |
You can sense the amount of emotion that are in the lyrics - | 0:08:29 | 0:08:32 | |
obviously meant something to her. | 0:08:32 | 0:08:34 | |
A degree of emotional vulnerability is needed in something like this. | 0:08:34 | 0:08:37 | |
They've got to stand up and sing about themselves | 0:08:37 | 0:08:40 | |
and bring some of that emotion to the performance. | 0:08:40 | 0:08:44 | |
Yes, she gets two ticks. | 0:08:45 | 0:08:47 | |
Before Gareth decides on his final line-up, | 0:08:51 | 0:08:53 | |
he's meeting some of the applicants in person. | 0:08:53 | 0:08:56 | |
Former rifleman Paul lost his sight | 0:08:59 | 0:09:02 | |
as a result of the conflict in Afghanistan. | 0:09:02 | 0:09:05 | |
Hello, good morning. | 0:09:05 | 0:09:07 | |
Paul received the George Medal for bravery in 2010. | 0:09:07 | 0:09:11 | |
He's now working as a journalist | 0:09:11 | 0:09:13 | |
and training to compete as a blind boxer. | 0:09:13 | 0:09:15 | |
Maybe it's my prejudice, but I hadn't expected to find a blind person boxing. | 0:09:16 | 0:09:21 | |
No. I run, I climb, swim, cycle. | 0:09:21 | 0:09:23 | |
It's great. It's great to see and I didn't come here expecting to find | 0:09:23 | 0:09:27 | |
somebody who was self-pitying, because of your tutu, frankly. | 0:09:27 | 0:09:31 | |
I just thought, you know, that looks like somebody who's up for a laugh. | 0:09:31 | 0:09:34 | |
-Look, I want to be very honest... -OK. | 0:09:34 | 0:09:36 | |
..that I didn't hear tremendous vocal potential. | 0:09:36 | 0:09:40 | |
Would it be OK just to sing something simple like a nursery rhyme? | 0:09:40 | 0:09:43 | |
# Twinkle, twinkle, little star... # | 0:09:43 | 0:09:46 | |
# Twinkle, twinkle, little star... # | 0:09:46 | 0:09:50 | |
We're approaching the right zone. | 0:09:50 | 0:09:53 | |
# How I wonder what you are... # | 0:09:53 | 0:09:55 | |
# How I wonder what you are... # | 0:09:55 | 0:09:59 | |
-I thought you was going to say something. -No. I was just... That was a smile you heard. | 0:10:00 | 0:10:04 | |
HE LAUGHS | 0:10:04 | 0:10:05 | |
Good ears. Do you mind telling me a bit about what happened to you? | 0:10:05 | 0:10:09 | |
-I was a rifleman. -Yeah. | 0:10:09 | 0:10:11 | |
I was out on a patrol. I realised once the dust had settled | 0:10:11 | 0:10:15 | |
I was laying in an IED field. So, that means a daisy chain. | 0:10:15 | 0:10:19 | |
So, all the IEDs are connected. | 0:10:19 | 0:10:21 | |
A couple of IEDs were connected, so if one goes off... Boom, boom. | 0:10:21 | 0:10:23 | |
So, yeah, somebody else come out to bolster up the team and then he... | 0:10:23 | 0:10:27 | |
-He set them all off. -He set it off and he got blown in half | 0:10:27 | 0:10:30 | |
and I got blown up and, yeah, two men dead - | 0:10:30 | 0:10:33 | |
and me - my right eye was down here somewhere | 0:10:33 | 0:10:35 | |
-and the left eye was damaged and my face was all blown. -Wow. | 0:10:35 | 0:10:39 | |
And they had to scoop me up in a JCB, erm... | 0:10:39 | 0:10:42 | |
Oh, because of the risk of more IEDs. | 0:10:42 | 0:10:46 | |
Apparently, I would have died, do you know what I mean? But they obviously saved me, so... | 0:10:46 | 0:10:49 | |
You've just got to keep going. We're human, we can overcome anything. | 0:10:49 | 0:10:53 | |
You know, my attitude is that you don't need sight to have vision. | 0:10:53 | 0:10:55 | |
-You should have that tattooed. -I don't think I've got space! | 0:10:55 | 0:10:58 | |
THEY LAUGH | 0:10:58 | 0:10:59 | |
-Listen, it's really very inspiring to meet you. -Thank you very much. | 0:10:59 | 0:11:03 | |
That is a challenge. | 0:11:03 | 0:11:05 | |
That is a challenge. | 0:11:05 | 0:11:07 | |
Not the greatest singer. | 0:11:07 | 0:11:10 | |
Actually, one of the most off-the-note people I've met. | 0:11:10 | 0:11:14 | |
It's quite astonishing to hear what he's been through | 0:11:14 | 0:11:17 | |
and see what incredible spirit he's got. | 0:11:17 | 0:11:21 | |
Paul is what this is all about. | 0:11:21 | 0:11:22 | |
Somebody like him is exactly what I'm looking for. | 0:11:22 | 0:11:25 | |
Headley Court in Surrey is one of the military's leading medical rehabilitation centres. | 0:11:31 | 0:11:36 | |
In operation since the Second World War, it's treated 16,000 | 0:11:37 | 0:11:41 | |
service personnel coping with life-changing injuries and trauma. | 0:11:41 | 0:11:46 | |
-Hello. -Hello. -Nice to meet you. | 0:11:46 | 0:11:48 | |
Gareth's meeting two retired officers and patients here | 0:11:48 | 0:11:52 | |
who are hoping to be recruited into the choir. | 0:11:52 | 0:11:54 | |
-This is what you had. -Yeah, yeah, yeah. | 0:11:54 | 0:11:56 | |
Days and days and days sitting on these benches | 0:11:56 | 0:11:58 | |
being fitted with legs. | 0:11:58 | 0:12:01 | |
Retired Captain Bernie is one of the many who have been injured | 0:12:02 | 0:12:05 | |
away from the battlefield serving their country. | 0:12:05 | 0:12:08 | |
He lost his lower right leg on a military fear training exercise | 0:12:08 | 0:12:12 | |
eight years ago. | 0:12:12 | 0:12:14 | |
It was a race - inter-regimental race - | 0:12:14 | 0:12:17 | |
I was on the skeleton toboggan, I went round a right-hand corner | 0:12:17 | 0:12:19 | |
and it hit that post and it took my foot clean off. So... | 0:12:19 | 0:12:22 | |
-I was doing about 80 miles an hour, so... -Wow! -Yeah. | 0:12:22 | 0:12:25 | |
I got to the bottom and I won my race. | 0:12:25 | 0:12:27 | |
-Oh, great. -Every cloud, you know. | 0:12:27 | 0:12:30 | |
Hello, how are you? | 0:12:30 | 0:12:32 | |
Stewart was a company commander leading 160 men in Afghanistan | 0:12:32 | 0:12:36 | |
when an IED exploded. | 0:12:36 | 0:12:39 | |
-The shrapnel smashed through the back of my brain. -Ooph. | 0:12:39 | 0:12:42 | |
I was found in a ditch with a radio antenna embedded | 0:12:42 | 0:12:45 | |
in the back of my skull. | 0:12:45 | 0:12:47 | |
And so I've got difficulties and impairments | 0:12:47 | 0:12:50 | |
in this part of the brain here. | 0:12:50 | 0:12:51 | |
What does it affect, then? Exactly? | 0:12:51 | 0:12:53 | |
It's just exhausting. So, my brain, it's as if it's running on just a tiny battery. | 0:12:53 | 0:12:58 | |
-We'd better get on with it before your batteries run down. -No, no. | 0:12:58 | 0:13:01 | |
I'm better than I was, yeah. | 0:13:01 | 0:13:03 | |
Would you mind singing me a song? | 0:13:03 | 0:13:05 | |
Erm... OK. | 0:13:05 | 0:13:09 | |
# We got sunlight on the sand, we got moonlight on the...sea - trees | 0:13:09 | 0:13:13 | |
# We got sunshine and bananas you can pick right off a tree | 0:13:13 | 0:13:17 | |
# We got volleyball and Ping-Pong and a lot of dandy games | 0:13:17 | 0:13:21 | |
# What ain't we got? | 0:13:21 | 0:13:23 | |
# We ain't got dames. # | 0:13:23 | 0:13:25 | |
-I don't know the rest of the chorus. -That's fine. | 0:13:27 | 0:13:29 | |
That's good. That's good, there is a voice there. | 0:13:29 | 0:13:32 | |
Let's hear you now, sir. | 0:13:32 | 0:13:34 | |
# O'er the hills and o'er the main | 0:13:34 | 0:13:37 | |
# Through Flanders, Portugal and Spain | 0:13:37 | 0:13:41 | |
# King George commands and we obey | 0:13:41 | 0:13:44 | |
# Over the hills and far away. # | 0:13:44 | 0:13:47 | |
-Good. -All right? -Yeah, good. Very good. There's a nice tone there. | 0:13:49 | 0:13:52 | |
-There's a bit of rushed nervousness, as well! -Yeah, of course. | 0:13:52 | 0:13:55 | |
Well, you're very much a part of the team for me. So... | 0:13:55 | 0:13:57 | |
-Fantastic, brilliant. -Well done. Good. | 0:13:57 | 0:13:59 | |
-And you, sir. -Really? -Yeah, definitely. -Thank you. | 0:13:59 | 0:14:02 | |
The explosion in Afghanistan brought Stewart's 18-year Army career to an end. | 0:14:04 | 0:14:09 | |
I loved it, I just really did enjoy soldiering. | 0:14:09 | 0:14:14 | |
I'd just been selected for promotion to colonel, | 0:14:14 | 0:14:17 | |
so on paper I was doing everything to have a very good career. | 0:14:17 | 0:14:22 | |
Everything that I loved about the military has been taken away | 0:14:22 | 0:14:26 | |
because of my injury. I've lost my identity. | 0:14:26 | 0:14:29 | |
The damage to certain functions in Stewart's brain | 0:14:29 | 0:14:32 | |
makes simple, everyday tasks problematic. | 0:14:32 | 0:14:35 | |
The first time I came home, I was put in the bath by my wife, | 0:14:35 | 0:14:39 | |
she then heard me crying and so she came in and asked what was wrong | 0:14:39 | 0:14:44 | |
and I did not know how to wash my hair. | 0:14:44 | 0:14:46 | |
I couldn't work out shampoo, hair, water - what do I do? | 0:14:46 | 0:14:52 | |
You should see me when I'm cooking lunch, Sunday roast - | 0:14:52 | 0:14:55 | |
all gets very stressful. | 0:14:55 | 0:14:57 | |
The problem that I've got with my brain injury | 0:14:57 | 0:15:00 | |
is that I struggle with planning and organising, | 0:15:00 | 0:15:02 | |
with problem-solving. | 0:15:02 | 0:15:04 | |
I've tried to work and I can't hold down a job. | 0:15:04 | 0:15:08 | |
This is one way of showing to people that it's not just the visible injury. | 0:15:08 | 0:15:13 | |
I am an invisible injury | 0:15:13 | 0:15:16 | |
and it is about having a voice, telling my story. | 0:15:16 | 0:15:21 | |
One in five veterans suffer with mental-health problems | 0:15:28 | 0:15:32 | |
and some in Gareth's choir have battle scars that are psychological as well as physical. | 0:15:32 | 0:15:38 | |
The thing that actually frightens me about the project is dealing | 0:15:38 | 0:15:41 | |
with people with PTSD - post-traumatic stress disorder - | 0:15:41 | 0:15:44 | |
because that's a mental-health issue | 0:15:44 | 0:15:47 | |
and that's unpredictable | 0:15:47 | 0:15:48 | |
and I don't know how those people are going to... | 0:15:48 | 0:15:51 | |
You know, they might give every appearance of being completely fine | 0:15:51 | 0:15:54 | |
and totally able to take part in the project, | 0:15:54 | 0:15:56 | |
but are they actually going to be able to get all the way | 0:15:56 | 0:15:59 | |
to stand on that stage? | 0:15:59 | 0:16:01 | |
I've got no idea. | 0:16:01 | 0:16:03 | |
Morning. | 0:16:06 | 0:16:07 | |
He's come to mental-health charity Combat Stress to meet retired squadron leader Alison... | 0:16:07 | 0:16:11 | |
-Hello. -It's lovely to meet you. -Pleasure to meet you, too. | 0:16:11 | 0:16:14 | |
..who's receiving treatment here for post-traumatic stress disorder. | 0:16:14 | 0:16:19 | |
-Did you sing as a kid? -I've always enjoyed singing. -Did you stop, then? | 0:16:19 | 0:16:24 | |
Yeah, I kind of stopped everything. I lost...I lost everything | 0:16:24 | 0:16:28 | |
and I lost any confidence I'd ever had in myself. | 0:16:28 | 0:16:31 | |
So, this could be potentially something else that will help with that? | 0:16:31 | 0:16:36 | |
Absolutely. | 0:16:36 | 0:16:37 | |
13 years in service and a tour of Kosovo | 0:16:37 | 0:16:40 | |
left Alison severely traumatised. | 0:16:40 | 0:16:43 | |
She suffered a breakdown and was discharged from service five years ago. | 0:16:43 | 0:16:47 | |
The breakdown - it's quite a complex issue that triggered the PTSD. | 0:16:47 | 0:16:54 | |
Really, I'm not ready to talk about it yet. | 0:16:54 | 0:16:58 | |
Alison developed a fear of leaving the house alone | 0:16:58 | 0:17:01 | |
and has become dependent on her family. | 0:17:01 | 0:17:04 | |
About six years that I haven't been anywhere by myself. | 0:17:04 | 0:17:08 | |
I lean on Mum and Rhys quite a lot. | 0:17:08 | 0:17:11 | |
Alison does suffer from anxiety and sometimes panic attacks | 0:17:11 | 0:17:17 | |
and anything can be a trigger, and that's unbelievable. | 0:17:17 | 0:17:20 | |
That's not my daughter. | 0:17:20 | 0:17:22 | |
She can't do very much independently. | 0:17:22 | 0:17:28 | |
Lots of phone calls during the day. | 0:17:28 | 0:17:30 | |
I'm glad she's on an unlimited limit on her mobile phone, | 0:17:30 | 0:17:34 | |
because there's just so many. | 0:17:34 | 0:17:36 | |
I don't like to classify myself as a carer, because it's my wife | 0:17:36 | 0:17:40 | |
and it's something that I believe I should be doing. | 0:17:40 | 0:17:44 | |
Alison is hoping reconnecting with her love of singing | 0:17:44 | 0:17:47 | |
will help with her recovery. | 0:17:47 | 0:17:49 | |
-I'd love to hear you sing. -OK, just here, now? | 0:17:49 | 0:17:52 | |
-No time like the present. -Whilst we're chilling. | 0:17:52 | 0:17:55 | |
# The only one who could ever reach me | 0:17:55 | 0:17:58 | |
# Was the son of a preacher man | 0:17:58 | 0:18:01 | |
# The only boy who could ever teach me | 0:18:01 | 0:18:04 | |
# Was the son of a preacher man | 0:18:04 | 0:18:05 | |
# Yes, he was, he was Oooh. # | 0:18:05 | 0:18:11 | |
Great. You've got a strong voice. I don't know if you can hear it, | 0:18:11 | 0:18:14 | |
-but you've made all the guitars vibrate. -Have I? -Yeah. | 0:18:14 | 0:18:17 | |
-Good, that's great. You're in, congratulations. -Really? Thank you. | 0:18:17 | 0:18:20 | |
-That is amazing. -Well, thank you so much. I think it's going to be great. | 0:18:20 | 0:18:23 | |
Honestly, I'm so excited. | 0:18:23 | 0:18:26 | |
Gareth now has a choir of ten | 0:18:31 | 0:18:34 | |
and is starting with three days of intensive rehearsals | 0:18:34 | 0:18:37 | |
at Tedworth House Recovery Centre for members of the Armed Forces. | 0:18:37 | 0:18:41 | |
I don't know how I'm going to deal with them. | 0:18:41 | 0:18:43 | |
They're a very different group of people from any I've worked with before. | 0:18:43 | 0:18:47 | |
He's got just seven weeks to get them ready to perform | 0:18:47 | 0:18:49 | |
at the opening ceremony of the Invictus Games. | 0:18:49 | 0:18:52 | |
We're going to America to perform on an international stage. | 0:18:52 | 0:18:56 | |
It's a hugely, hugely pressured thing that they're going to do. | 0:18:56 | 0:18:59 | |
Before we get anywhere near that, I want to train them, | 0:18:59 | 0:19:02 | |
I want to find out what they're capable of. | 0:19:02 | 0:19:04 | |
This is the Gareth Malone equivalent of boot camp. | 0:19:04 | 0:19:07 | |
Gareth's new recruits are drawn from the last 50 years of conflict. | 0:19:10 | 0:19:14 | |
Tedworth House is familiar to some of them, | 0:19:15 | 0:19:18 | |
who've spent time here in treatment. | 0:19:18 | 0:19:20 | |
But today is the first time the choir are meeting each other. | 0:19:20 | 0:19:24 | |
A bit anxious this morning. | 0:19:24 | 0:19:25 | |
I haven't engaged, really, with military people for a long time. | 0:19:25 | 0:19:29 | |
-Geoff. -Hi, David. I'm Gemma. | 0:19:29 | 0:19:31 | |
Andy, welcome. | 0:19:31 | 0:19:34 | |
Exciting. There's a varied bunch of people and the common thing is, | 0:19:34 | 0:19:39 | |
you know, we've lost bits and bobs, and we're still here, aren't we? | 0:19:39 | 0:19:43 | |
It is emotional, really. | 0:19:43 | 0:19:44 | |
-This is Paul. -Hey, Paul. | 0:19:44 | 0:19:46 | |
Yeah, I'm feeling optimistic. | 0:19:46 | 0:19:48 | |
Something could come of this. | 0:19:48 | 0:19:50 | |
Just work hard and keep your head down. | 0:19:50 | 0:19:52 | |
I think we're waiting on one more. | 0:19:52 | 0:19:54 | |
Last to arrive is Alison. | 0:19:54 | 0:19:56 | |
It's the first time in six years | 0:19:56 | 0:19:58 | |
she's travelled anywhere without a member of her family. | 0:19:58 | 0:20:01 | |
-Nice to see you. Welcome. -Thank you. -Are you all right? | 0:20:01 | 0:20:04 | |
-You're here! -Yeah. I know. -Are you OK? | 0:20:04 | 0:20:06 | |
-Yeah, it's the first time I've done that on my own, so... -Well done. | 0:20:06 | 0:20:09 | |
-It's a good step already. -Brilliant. Right, first of many, I think. | 0:20:09 | 0:20:13 | |
-Hopefully. -Come in, come and meet everyone. Don't be nervous, it's fine. -OK. | 0:20:13 | 0:20:16 | |
This is Alison, everyone. | 0:20:16 | 0:20:17 | |
-So, welcome, everyone. -ALL: -Thank you. | 0:20:17 | 0:20:20 | |
Welcome. You are now the Invictus Choir. Congratulations. | 0:20:20 | 0:20:23 | |
THEY CHEER | 0:20:23 | 0:20:24 | |
And the goal is to inspire the world... | 0:20:24 | 0:20:27 | |
..with your voices and with what you've been through and what you are now doing. | 0:20:29 | 0:20:34 | |
I'd like for you to say why you're here. | 0:20:34 | 0:20:37 | |
My service career was in the Royal Military Police. | 0:20:37 | 0:20:42 | |
I was blown up by the IRA in 1989. | 0:20:42 | 0:20:45 | |
I was going shopping on a Saturday morning, | 0:20:45 | 0:20:48 | |
my wife and I jumped in the car and there was a bomb underneath the front. | 0:20:48 | 0:20:53 | |
It changed my life - | 0:20:54 | 0:20:56 | |
but singing, I'm very keen on singing, but I'm rubbish! | 0:20:56 | 0:21:00 | |
-Alison. -Hi, I'm Alison. I... | 0:21:02 | 0:21:06 | |
-I don't think I can do this. -You're here. That's fine. -I can't. | 0:21:09 | 0:21:12 | |
That's all right. | 0:21:12 | 0:21:14 | |
I'm just glad you're here and I'm glad that we're going to start singing, | 0:21:14 | 0:21:17 | |
we're going to start making music and it's going to be good for you. Thank you. | 0:21:17 | 0:21:20 | |
I was an aircraft engineer in the Royal Navy. | 0:21:20 | 0:21:24 | |
I left in 2002 and I was never really able to settle. | 0:21:24 | 0:21:28 | |
Nightmares started coming back with PTSD | 0:21:28 | 0:21:31 | |
and then house repossessed, homeless. | 0:21:31 | 0:21:34 | |
I have no history in music other than two tunes | 0:21:35 | 0:21:39 | |
I learned on the harmonica and that's about it. | 0:21:39 | 0:21:41 | |
-We won't be needing that! -No. Thank God. | 0:21:41 | 0:21:45 | |
I need to sort you into a choir, | 0:21:45 | 0:21:48 | |
and for that to happen I need to roughly establish | 0:21:48 | 0:21:53 | |
what your natural range is. Shall we just go this way? | 0:21:53 | 0:21:57 | |
Would you like to stand up? Here we go! | 0:21:57 | 0:21:59 | |
HE SINGS SCALES OPERATICALLY | 0:21:59 | 0:22:01 | |
Hey, hey! Go on, again. | 0:22:01 | 0:22:03 | |
HE REPEATS SCALES | 0:22:03 | 0:22:06 | |
-OK, that's enough, Pavarotti. Thank you. -THEY LAUGH | 0:22:06 | 0:22:09 | |
Very good. Paul. Ready, and... | 0:22:09 | 0:22:11 | |
HE SINGS OUT OF TUNE | 0:22:11 | 0:22:15 | |
You've inserted a new one in the middle that doesn't belong. | 0:22:15 | 0:22:17 | |
-It's good. He's creative, I'll give him that. -Thank you. -Good. | 0:22:17 | 0:22:20 | |
OK, Stewart. Ready? | 0:22:20 | 0:22:22 | |
HE SINGS FORCEFULLY | 0:22:22 | 0:22:24 | |
Yeah, can you just do that one more time? Just more softly. | 0:22:24 | 0:22:26 | |
HE SINGS OUT OF TUNE | 0:22:26 | 0:22:28 | |
OK, we'll come back to that. Softly we'll do next week. Good. | 0:22:28 | 0:22:32 | |
Geoff, up you get. | 0:22:32 | 0:22:33 | |
HE SINGS LOUDLY | 0:22:33 | 0:22:35 | |
Whoa! Easy, tiger! | 0:22:35 | 0:22:38 | |
THEY LAUGH | 0:22:38 | 0:22:40 | |
So, I am sure that you are itching to find out | 0:22:40 | 0:22:43 | |
what we're going to be singing. | 0:22:43 | 0:22:45 | |
I want to start with a song that I think is absolutely ideal for you. | 0:22:45 | 0:22:48 | |
It's an absolute modern classic. | 0:22:48 | 0:22:51 | |
I'm sure that when I say the name of the band to you | 0:22:51 | 0:22:54 | |
it's going to fill you with joy - | 0:22:54 | 0:22:56 | |
because who here cannot claim to be a One Direction fan?! | 0:22:56 | 0:23:00 | |
-I love One Direction! -You're not a One Direction fan? | 0:23:00 | 0:23:02 | |
-I'm not a fan, no. -No. | 0:23:02 | 0:23:04 | |
I actually didn't want to do anything too sappy | 0:23:04 | 0:23:06 | |
and sentimental for you guys. | 0:23:06 | 0:23:08 | |
Right, here it is. | 0:23:08 | 0:23:10 | |
# Nobody can drag me down | 0:23:10 | 0:23:12 | |
# Nobody, nobody | 0:23:14 | 0:23:16 | |
# Nobody can drag me down. # | 0:23:16 | 0:23:20 | |
That's the song. So... | 0:23:20 | 0:23:21 | |
# I've got a fire for a heart... # | 0:23:21 | 0:23:24 | |
Ready, two, three, and... | 0:23:24 | 0:23:26 | |
# I've got a fire for a heart... # | 0:23:26 | 0:23:28 | |
You seem to like the word "fire" in here. | 0:23:28 | 0:23:30 | |
It's a good lyric for you, I think. | 0:23:30 | 0:23:32 | |
"I've got a fire for a heart," and, like, feisty. Why don't we stand up? Up we get. | 0:23:32 | 0:23:36 | |
Paul, my purpose in life is to point at people to say come in. | 0:23:36 | 0:23:42 | |
The best way for me to get you that cue - | 0:23:42 | 0:23:45 | |
-if he just kind of gives you a nudge when it's about to be you. -Yeah. | 0:23:45 | 0:23:50 | |
If we hold hands, I'll squeeze. | 0:23:50 | 0:23:52 | |
-HE CHUCKLES -Oh, Navy boy! | 0:23:52 | 0:23:54 | |
And, go. | 0:23:54 | 0:23:55 | |
# All my life you stood by me, when no-one else was ever behind me | 0:23:55 | 0:24:03 | |
# All these lights They can't blind me | 0:24:03 | 0:24:07 | |
# With your love, nobody can drag me down. # | 0:24:07 | 0:24:13 | |
-Has it gone there? Bloody tune! -Almost! OK. | 0:24:13 | 0:24:17 | |
-That was all right, wasn't it? -It was going in a right direction. | 0:24:17 | 0:24:21 | |
There's only ONE DIRECTION to go in! Hey, hey! | 0:24:21 | 0:24:25 | |
I was surprised. | 0:24:27 | 0:24:29 | |
One Direction - not an immediate go-to band for me. | 0:24:29 | 0:24:32 | |
My daughter will be made up, she absolutely loves One Direction. | 0:24:32 | 0:24:35 | |
-And my daughter... -What will your daughter think? -She'll think it's hideous. -Will she? -Totally uncool. | 0:24:35 | 0:24:40 | |
They are not awful. | 0:24:40 | 0:24:42 | |
The biggest thing for me was that Paul sang a note in tune. | 0:24:42 | 0:24:46 | |
It was only one, or maybe two, but it was the right note | 0:24:46 | 0:24:49 | |
and it just proves to me that he can do it. | 0:24:49 | 0:24:54 | |
That's a bold claim. | 0:24:54 | 0:24:56 | |
HE LAUGHS | 0:24:56 | 0:24:57 | |
I think that most of the things that come out of my mouth, | 0:24:57 | 0:25:00 | |
in terms of singing ability, doesn't sound quite right. | 0:25:00 | 0:25:04 | |
I don't want to make a fool of myself, basically. | 0:25:04 | 0:25:07 | |
If I'm going to do it, I want to do it as well as I can. | 0:25:07 | 0:25:11 | |
I really felt their lack of confidence and lack of security. | 0:25:11 | 0:25:15 | |
It's definitely the most vulnerable group I've ever dealt with. | 0:25:15 | 0:25:19 | |
One of the least confident is Alison, and Gareth | 0:25:19 | 0:25:22 | |
wants to work with her one to one. | 0:25:22 | 0:25:24 | |
-You had a little wobble there earlier, didn't you? -I did, yeah. | 0:25:24 | 0:25:27 | |
-OK, but you're all right? -Yep, I'm good. | 0:25:27 | 0:25:29 | |
Let's put that one behind us. Can I hear you do the beginning? | 0:25:29 | 0:25:33 | |
Three and... | 0:25:33 | 0:25:35 | |
SHE VOCALISES | 0:25:35 | 0:25:39 | |
-Nope. -There is a sort of Zen-like place where you go... | 0:25:41 | 0:25:46 | |
HE VOCALISES | 0:25:48 | 0:25:52 | |
And you get that clean concentration just on the note and the vowel | 0:25:54 | 0:25:58 | |
and it's magical. | 0:25:58 | 0:26:00 | |
Try it again. Three and... | 0:26:00 | 0:26:02 | |
SHE VOCALISES | 0:26:04 | 0:26:05 | |
Yeah, good. That's really nice. As soon as you relaxed it was much better. | 0:26:19 | 0:26:22 | |
-I do get the sense for you that this is in your comfort zone. -Singing? | 0:26:22 | 0:26:26 | |
Yeah. And that you're comfortable in here | 0:26:26 | 0:26:28 | |
and it's the outside world that's more difficult for you. | 0:26:28 | 0:26:31 | |
-Yeah, I just want to get over myself. -Good. All right. | 0:26:31 | 0:26:34 | |
-..With a bit of 1D. -Who better? Thanks, Alison. You may go. | 0:26:34 | 0:26:38 | |
Thank you. | 0:26:38 | 0:26:39 | |
I think today's been really good. | 0:26:41 | 0:26:43 | |
When I first met her she was so terrified and nervous | 0:26:43 | 0:26:46 | |
and through the day I think she's calming down | 0:26:46 | 0:26:48 | |
and is finding strength in the fact that she is good at singing. | 0:26:48 | 0:26:51 | |
She's got a lovely voice, she's going to be really useful in this. | 0:26:51 | 0:26:54 | |
I think that will give her a massive boost. | 0:26:54 | 0:26:57 | |
# Since my baby left me | 0:26:57 | 0:26:59 | |
# I found a new place to dwell... # | 0:26:59 | 0:27:02 | |
The first day of rehearsals is coming to an end. | 0:27:02 | 0:27:05 | |
# I've been so lonely, baby | 0:27:05 | 0:27:08 | |
# I've been so lonely | 0:27:08 | 0:27:10 | |
# I've been so lonely I could die. # | 0:27:10 | 0:27:13 | |
Singing in a choir, | 0:27:14 | 0:27:15 | |
it's an opportunity to be involved in a team again. | 0:27:15 | 0:27:19 | |
That's been missing from my life. | 0:27:19 | 0:27:22 | |
The Army has been part of my family's history for six or | 0:27:23 | 0:27:26 | |
seven generations. | 0:27:26 | 0:27:27 | |
Unfortunately, my career came to an end when I was injured | 0:27:28 | 0:27:33 | |
and those are the cards that you're dealt. | 0:27:33 | 0:27:35 | |
In many respects I'm a househusband. | 0:27:35 | 0:27:38 | |
I'm a sourdough-baking, yoghurt-making ninja househusband. | 0:27:38 | 0:27:42 | |
Do you know this one? | 0:27:42 | 0:27:43 | |
# No more do I see the starlight through. # | 0:27:43 | 0:27:47 | |
-You're a proper crooner, aren't you? -It's been known. | 0:27:47 | 0:27:51 | |
It's nice to meet up with them after so many years | 0:27:51 | 0:27:54 | |
because it's 50-odd years since I served. | 0:27:54 | 0:27:57 | |
There's a camaraderie there, that never, ever... | 0:27:57 | 0:27:59 | |
You don't ever get that in civilian life. | 0:27:59 | 0:28:02 | |
You're always a brother. | 0:28:02 | 0:28:05 | |
# No more feel the tender kisses that we used to share | 0:28:06 | 0:28:11 | |
# I close my eyes and clearly my heart... # | 0:28:12 | 0:28:16 | |
It's the second day of rehearsals at the recovery centre. | 0:28:25 | 0:28:28 | |
I've tried to pick a song that has something that will mean | 0:28:30 | 0:28:32 | |
something to them. I know it's a One Direction song | 0:28:32 | 0:28:34 | |
but it actually has lyrics that are charged and are apt for them. | 0:28:34 | 0:28:39 | |
I want them to engage with the music emotionally. | 0:28:39 | 0:28:41 | |
It is about celebrating everything they've done. | 0:28:41 | 0:28:44 | |
-Come in, come in. -Morning. -You all right? Hello, how are you? | 0:28:44 | 0:28:48 | |
OK, so we are now going to crack on with our song. | 0:28:48 | 0:28:52 | |
And I think the first thing I would like to do is to | 0:28:52 | 0:28:55 | |
think about what this song means for us. | 0:28:55 | 0:28:59 | |
It's so easy to put that barrier up | 0:28:59 | 0:29:02 | |
and not actually think about what the words mean to you. | 0:29:02 | 0:29:05 | |
And I can sniff the difference between it meaning something | 0:29:05 | 0:29:08 | |
to you and not meaning something to you and you doing it by rote. | 0:29:08 | 0:29:11 | |
So who would like to volunteer to read them out? | 0:29:11 | 0:29:14 | |
Yes, sir. Go on, then, Stewart. Do you want to stand? | 0:29:14 | 0:29:18 | |
I've got fire for a heart I'm not scared of the dark | 0:29:18 | 0:29:22 | |
You've never seen it look so easy You taught me how to be someone | 0:29:22 | 0:29:26 | |
-Yeah... -LAUGHTER | 0:29:26 | 0:29:30 | |
Let's have some other people read. Anyone else? | 0:29:30 | 0:29:33 | |
When I first read this I was, like, relating it to my daughter. | 0:29:33 | 0:29:37 | |
So when I read it I'm thinking of my daughter | 0:29:37 | 0:29:39 | |
-and how she's been there for me. -Supportive. -Through the tough times. | 0:29:39 | 0:29:42 | |
-Could you read it now? -No. | 0:29:42 | 0:29:44 | |
Not now having just said that, I can't. | 0:29:44 | 0:29:46 | |
-Give it a go, this is what this is about. -Oh, sh... | 0:29:46 | 0:29:49 | |
All my life you stood by me When no-one else was ever behind me | 0:29:52 | 0:29:56 | |
All these lights They can't blind me | 0:29:56 | 0:29:58 | |
With your love, nobody can drag me down. | 0:29:58 | 0:30:01 | |
Good. That's really good. And that's what I'm looking for. | 0:30:03 | 0:30:08 | |
You OK? | 0:30:08 | 0:30:09 | |
Sorry. | 0:30:12 | 0:30:14 | |
-It's all right. -There's another emotion for me | 0:30:14 | 0:30:16 | |
and that actually is quite a lot of anger. | 0:30:16 | 0:30:18 | |
Um... | 0:30:18 | 0:30:20 | |
Cos I think when you're doing well and you're wearing the beret | 0:30:20 | 0:30:24 | |
-and you're wearing all the rest of it, everyone's around you. -Yeah. | 0:30:24 | 0:30:28 | |
And then when the wheels fall off... | 0:30:28 | 0:30:31 | |
-They're not. -Yeah, there is a sense of being on your own, actually. | 0:30:32 | 0:30:38 | |
Yeah, of course. | 0:30:38 | 0:30:40 | |
But with that the gratefulness of the unconditional love of... | 0:30:40 | 0:30:44 | |
for me, those closest to me whilst the phone kind of stopped ringing. | 0:30:44 | 0:30:49 | |
Yeah. | 0:30:49 | 0:30:50 | |
This business of connecting to the lyrics | 0:30:50 | 0:30:53 | |
and connecting to the song is so important. | 0:30:53 | 0:30:56 | |
It just takes that little step into singing with heart. | 0:30:56 | 0:30:59 | |
But I think we've taken an important one this morning. | 0:30:59 | 0:31:01 | |
Go and get a break. Off you go. Thank you. Very good. | 0:31:01 | 0:31:05 | |
When I was dragged down to the lowest level my daughter was | 0:31:05 | 0:31:10 | |
the purpose in my life. She was the reason to... | 0:31:10 | 0:31:14 | |
..get better, to be better. | 0:31:15 | 0:31:17 | |
And to make a life for myself. | 0:31:17 | 0:31:21 | |
Shit. | 0:31:22 | 0:31:23 | |
Um... | 0:31:25 | 0:31:27 | |
My first taste of how difficult this is going to be for them. | 0:31:27 | 0:31:31 | |
If this is to be an experience that does something for them and | 0:31:31 | 0:31:36 | |
does something to the audience | 0:31:36 | 0:31:38 | |
that's inspiring we've got to go there. | 0:31:38 | 0:31:40 | |
How are you feeling? | 0:31:40 | 0:31:41 | |
Quite surprised at the level of emotion that I'm feeling today. | 0:31:41 | 0:31:45 | |
-Are you? -Which I hadn't quite... | 0:31:45 | 0:31:46 | |
It's only day two, for God's sake. | 0:31:47 | 0:31:50 | |
You see, I think that was me yesterday. | 0:31:50 | 0:31:53 | |
-So we're obviously just going to take it in turns. -Yeah. | 0:31:53 | 0:31:56 | |
The two women in the corner. | 0:31:56 | 0:31:57 | |
Get your wellie boots on. | 0:32:02 | 0:32:04 | |
Gemma was the first woman to be awarded with | 0:32:04 | 0:32:06 | |
the RLC Carmen Sword for outstanding young officer. | 0:32:06 | 0:32:10 | |
Aged 25 she served as a captain during the Kosovo war. | 0:32:10 | 0:32:15 | |
We were going out daily... | 0:32:15 | 0:32:17 | |
..observing the most horrendous ethnic cleansing you can imagine. | 0:32:18 | 0:32:23 | |
These were kids and you'd arrive, they'd implore you because you | 0:32:23 | 0:32:28 | |
were somehow this beacon of hope and they'd implore you to help them. | 0:32:28 | 0:32:32 | |
And yet really you could do nothing. | 0:32:33 | 0:32:36 | |
The toughest thing for me was when we evacuated people that had | 0:32:38 | 0:32:43 | |
worked for us and local villagers were rounded up. | 0:32:43 | 0:32:46 | |
And many of them had a bullet in the back of the head. | 0:32:46 | 0:32:50 | |
I still struggle with that now, actually. | 0:32:50 | 0:32:52 | |
Certainly the guilt of it now. | 0:32:55 | 0:32:57 | |
When Gemma returned home she struggled to cope. | 0:33:00 | 0:33:03 | |
I was sleeping in disused stairwells by choice whilst my youngest | 0:33:03 | 0:33:07 | |
was learning to crawl. | 0:33:07 | 0:33:08 | |
And other people were looking after him | 0:33:08 | 0:33:10 | |
and I'm swigging out of a bottle and choosing to sleep rough. | 0:33:10 | 0:33:15 | |
I haven't forgotten the past but I have moved on from it. | 0:33:16 | 0:33:20 | |
Before Kosovo Gemma was an accomplished singer | 0:33:22 | 0:33:24 | |
and pianist but hasn't played since. | 0:33:24 | 0:33:27 | |
Letting it go and really singing from the heart... | 0:33:29 | 0:33:31 | |
The fear is I'll open some of those boxes that are firmly padlocked. | 0:33:33 | 0:33:37 | |
I'm anxious but I feel ready to do... Yeah, to do it. | 0:33:40 | 0:33:45 | |
Down - two, three and... | 0:33:47 | 0:33:49 | |
# Down | 0:33:49 | 0:33:51 | |
# Nobody, nobody... # | 0:33:51 | 0:33:53 | |
Gareth's new recruits are due to perform | 0:33:53 | 0:33:56 | |
at the Invictus Games in just | 0:33:56 | 0:33:58 | |
six weeks and they're struggling. | 0:33:58 | 0:34:01 | |
Ah! | 0:34:01 | 0:34:02 | |
It sounds like an accident at the moment. | 0:34:02 | 0:34:05 | |
We are going to take a pause there. | 0:34:05 | 0:34:07 | |
For the next few hours he's splitting up his troops. | 0:34:07 | 0:34:11 | |
It's time for your one on one. | 0:34:11 | 0:34:13 | |
-You make a great guide dog. -Excellent | 0:34:13 | 0:34:15 | |
GARETH BARKS | 0:34:15 | 0:34:17 | |
He wants to drill them individually. | 0:34:17 | 0:34:19 | |
No, what I want you to do is copy just what I sing. | 0:34:21 | 0:34:24 | |
# If I didn't have you there would be nothing left... # | 0:34:24 | 0:34:26 | |
Nope. | 0:34:26 | 0:34:28 | |
-# If I didn't have you there would be nothing left... # -Nope. | 0:34:28 | 0:34:32 | |
# Yeah, all my life... # | 0:34:32 | 0:34:35 | |
-# My life... # -Yeah. | 0:34:35 | 0:34:37 | |
Now with a face that doesn't look like an axe murderer. | 0:34:37 | 0:34:39 | |
HE LAUGHS | 0:34:39 | 0:34:40 | |
Paul is still struggling with the basics. | 0:34:42 | 0:34:46 | |
PAUL VOCALISES | 0:34:46 | 0:34:47 | |
GARETH VOCALISES | 0:34:47 | 0:34:49 | |
-That's what I'm doing. -No - that's RIGHT. | 0:34:49 | 0:34:52 | |
If you think I ain't good enough then you just got to tell me. | 0:34:52 | 0:34:55 | |
I would. You're working hard. Rome wasn't built in a day. | 0:34:55 | 0:34:58 | |
Can you do the next bit? | 0:34:58 | 0:34:59 | |
THEY VOCALISE | 0:34:59 | 0:35:03 | |
Good. | 0:35:04 | 0:35:07 | |
Yeah! | 0:35:12 | 0:35:13 | |
There's a nice voice in there. | 0:35:13 | 0:35:15 | |
Whereas when you're trying to make a massive, manly... | 0:35:15 | 0:35:17 | |
GARETH YELLS | 0:35:17 | 0:35:18 | |
..it's just not nice. You're not used to the more sensitive side... | 0:35:18 | 0:35:23 | |
No, I've been roughed around and beaten up all me life. | 0:35:23 | 0:35:25 | |
I'm just used to being smacked around the head and get on with it. | 0:35:25 | 0:35:28 | |
-It's not really my approach. -No, I don't suppose it is. | 0:35:28 | 0:35:31 | |
PAUL LAUGHS | 0:35:31 | 0:35:33 | |
I've got fire for a heart | 0:35:33 | 0:35:34 | |
I'm not scared of the dark. | 0:35:34 | 0:35:36 | |
Retired Lieutenant Colonel Stewart, who has severe traumatic brain | 0:35:36 | 0:35:40 | |
injury, has spent the afternoon trying to memorise the lyrics. | 0:35:40 | 0:35:44 | |
Never seen it...look so easy. | 0:35:45 | 0:35:49 | |
Who would have thought that learning a song to words would be | 0:35:51 | 0:35:54 | |
so hard for me? | 0:35:54 | 0:35:55 | |
Just the practicality of it winds me up. | 0:35:55 | 0:35:59 | |
'Cos it's words, plus music' | 0:35:59 | 0:36:02 | |
plus being amongst other people | 0:36:02 | 0:36:04 | |
and it's almost like...not an attack but it's a lot of pressure | 0:36:04 | 0:36:08 | |
on all my senses and my brain is struggling to handle this. | 0:36:08 | 0:36:11 | |
It can't multitask. | 0:36:11 | 0:36:13 | |
I've got fire for a heart | 0:36:13 | 0:36:15 | |
I'm not scared of the dark. | 0:36:15 | 0:36:17 | |
-You wanted to see me. -Yes. | 0:36:19 | 0:36:22 | |
-I am at a complete blank with the words. -Yes. | 0:36:22 | 0:36:26 | |
I can only remember the first line. | 0:36:26 | 0:36:28 | |
-OK. You're a very diligent and focused and driven character. -Yeah. | 0:36:28 | 0:36:33 | |
I think that's nothing to do with your brain injury, | 0:36:33 | 0:36:35 | |
-that's just you, isn't it? -Yeah. | 0:36:35 | 0:36:37 | |
Clearly the rank you got to, it's the kind of person you are. | 0:36:37 | 0:36:40 | |
Which can lead to frustration | 0:36:40 | 0:36:41 | |
because the brain can't keep up with that. | 0:36:41 | 0:36:44 | |
Then let's have the words. | 0:36:44 | 0:36:46 | |
I would just take the pressure off, use the lyrics for today. | 0:36:46 | 0:36:49 | |
That's fine. No problem for me. | 0:36:49 | 0:36:51 | |
Stewart, he's a high achiever. | 0:36:53 | 0:36:54 | |
And I could see his sense of frustration in it not just | 0:36:54 | 0:36:57 | |
happening for him. | 0:36:57 | 0:36:58 | |
I think memory, remembering all the words quickly | 0:36:58 | 0:37:03 | |
so that you can get them out in quick succession, | 0:37:03 | 0:37:06 | |
that's a big problem for people with brain injuries and PTSD. | 0:37:06 | 0:37:09 | |
It's a lot to contend with, but music, there is so much going on. | 0:37:09 | 0:37:13 | |
They've got to think about the audience, got to think about me, | 0:37:13 | 0:37:16 | |
got to think about everyone else, listen to the music. | 0:37:16 | 0:37:19 | |
It's a lot to take on board. | 0:37:19 | 0:37:21 | |
And I think there's problems in every single area. | 0:37:21 | 0:37:24 | |
You should be so lucky, baby. | 0:37:31 | 0:37:32 | |
Come in, come and stand by the fire. | 0:37:34 | 0:37:36 | |
After two tough days of rehearsals Gareth has arranged | 0:37:36 | 0:37:39 | |
a surprise night out. | 0:37:39 | 0:37:41 | |
# What I really, really want | 0:37:41 | 0:37:43 | |
# So tell me what you want, what you really, really want. # | 0:37:43 | 0:37:46 | |
I'm slightly mortified by karaoke. | 0:37:46 | 0:37:49 | |
# I tell you what I want, what I really, really want. # | 0:37:49 | 0:37:51 | |
But this is great. It's really good for them. | 0:37:51 | 0:37:53 | |
# All you want to do is ride around... # | 0:37:53 | 0:37:55 | |
It's been a really stressful few rehearsals. | 0:37:55 | 0:37:58 | |
The things that they've dealt with in their lives are intense | 0:37:58 | 0:38:01 | |
and we can't talk about it all the time, | 0:38:01 | 0:38:03 | |
we can't think about it all the time, we need to have some fun. | 0:38:03 | 0:38:06 | |
# Sweet Caroline | 0:38:06 | 0:38:07 | |
THEY VOCALISE | 0:38:07 | 0:38:10 | |
# Good times never seemed so good. # | 0:38:10 | 0:38:12 | |
-I'll make a big pig's ear out of it. -Last to take to the stage is Alison. | 0:38:13 | 0:38:18 | |
-I can't do it. -Why don't we do it together? Let's do a duet. | 0:38:18 | 0:38:21 | |
Let's do Angels, right. | 0:38:21 | 0:38:24 | |
# I sit and wait | 0:38:24 | 0:38:25 | |
# Does an angel | 0:38:27 | 0:38:29 | |
# Contemplate my fate? | 0:38:30 | 0:38:34 | |
# I'm loving angels instead | 0:38:36 | 0:38:40 | |
# And through it all | 0:38:40 | 0:38:43 | |
# She offers me protection... # | 0:38:43 | 0:38:46 | |
I am up on the stage singing. It's actually quite exhilarating. | 0:38:46 | 0:38:52 | |
I kind of almost hold some regret for the past seven years that I've | 0:38:52 | 0:38:55 | |
kind of cocooned myself | 0:38:55 | 0:38:57 | |
and shut down and stayed away from everything that I really loved, | 0:38:57 | 0:39:02 | |
which is music. It's quite sad. This is awesome. | 0:39:02 | 0:39:06 | |
Well done, Alis. | 0:39:10 | 0:39:11 | |
Today Gareth has a surprise lined up for the choir. | 0:39:17 | 0:39:21 | |
It's the last day at Tedworth House | 0:39:21 | 0:39:23 | |
and I think it's right that they perform. | 0:39:23 | 0:39:25 | |
Just a small performance, something to ease them into it, but we need | 0:39:25 | 0:39:29 | |
an audience, we need to stand up and see what these guys are made of. | 0:39:29 | 0:39:33 | |
Before they perform Gareth has an idea to improve the song's | 0:39:33 | 0:39:36 | |
arrangement. | 0:39:36 | 0:39:38 | |
I've been thinking about the song. | 0:39:39 | 0:39:41 | |
I think I'd like to hear a couple of people do some solos. | 0:39:41 | 0:39:45 | |
I feel like that first line could benefit from having a solo voice. | 0:39:45 | 0:39:50 | |
So, Alison, could I hear you do the first bit? | 0:39:50 | 0:39:54 | |
And then, Bernie, would you mind doing the first two lines of, | 0:39:55 | 0:40:00 | |
"If I didn't have you there would be nothing left"? | 0:40:00 | 0:40:02 | |
-Are you OK with that? -Yeah. | 0:40:02 | 0:40:04 | |
I know you are because you did that karaoke last night. | 0:40:04 | 0:40:08 | |
Two, three and... | 0:40:08 | 0:40:10 | |
# I've got a fire for a heart | 0:40:10 | 0:40:12 | |
# I'm not scared of the dark | 0:40:12 | 0:40:13 | |
# You've never seen it look so easy | 0:40:13 | 0:40:17 | |
# If I didn't have you I'd never see the sun | 0:40:17 | 0:40:20 | |
# You taught me how I could be someone, yeah | 0:40:20 | 0:40:24 | |
# All my life | 0:40:24 | 0:40:26 | |
# You stood by me | 0:40:26 | 0:40:28 | |
# With your love nobody can drag me down. # | 0:40:28 | 0:40:31 | |
You did it. | 0:40:33 | 0:40:34 | |
I think what you really need now is an audience. | 0:40:34 | 0:40:38 | |
PEOPLE GROAN | 0:40:38 | 0:40:40 | |
Don't you agree? | 0:40:40 | 0:40:42 | |
I think you're ready and I think we should go and perform this now. | 0:40:42 | 0:40:47 | |
-You ready? -Absolutely sick. | 0:40:49 | 0:40:51 | |
-Come on, let's go. -Howay, the lads. | 0:40:52 | 0:40:54 | |
Gareth has invited all the Tedworth staff to the | 0:40:55 | 0:40:58 | |
choir's first ever performance. | 0:40:58 | 0:41:00 | |
Really anxious. Got that real sinking in the pit of my stomach. | 0:41:00 | 0:41:04 | |
I'm feeling the pressure, I have to say, with the whole solo thing. | 0:41:04 | 0:41:08 | |
Hello, ladies and gentlemen. Please welcome the Invictus Choir. | 0:41:13 | 0:41:17 | |
Thank you very much. | 0:41:23 | 0:41:25 | |
We are going to sing One Direction's Drag Me Down. | 0:41:25 | 0:41:28 | |
# I've got fire for a heart | 0:41:34 | 0:41:36 | |
# I'm not scared of the dark | 0:41:36 | 0:41:38 | |
# You've never seen it look so easy | 0:41:38 | 0:41:41 | |
# I've got a river for a soul | 0:41:41 | 0:41:44 | |
# And, baby, you're a boat | 0:41:44 | 0:41:46 | |
# Baby, you're my only reason | 0:41:46 | 0:41:48 | |
# If I didn't have you there would be nothing left | 0:41:48 | 0:41:52 | |
# The shell of a man who could never be his best | 0:41:52 | 0:41:56 | |
# If I didn't have you I'd never see the sun | 0:41:56 | 0:41:59 | |
# You taught me how to be someone | 0:41:59 | 0:42:02 | |
# Yeah All my life you stood by me | 0:42:02 | 0:42:07 | |
# When no-one else was ever behind me | 0:42:07 | 0:42:11 | |
# All these lights | 0:42:11 | 0:42:13 | |
# They can't blind me | 0:42:13 | 0:42:15 | |
# With your love, nobody can drag me down | 0:42:15 | 0:42:19 | |
# Yeah | 0:42:19 | 0:42:20 | |
# All my life you stood by me | 0:42:20 | 0:42:24 | |
# When no-one else was ever behind me | 0:42:24 | 0:42:27 | |
# All these lights They cannot blind me | 0:42:27 | 0:42:31 | |
# With your love, nobody can drag me down. # | 0:42:31 | 0:42:35 | |
CHEERING | 0:42:37 | 0:42:41 | |
Whoohoo! | 0:42:41 | 0:42:43 | |
APPLAUSE DROWNS OUT SPEECH | 0:42:44 | 0:42:47 | |
That was fantastic. Yeah. | 0:42:47 | 0:42:50 | |
You sound terrific. Much better than One Direction. | 0:42:50 | 0:42:53 | |
It was absolutely amazing | 0:42:53 | 0:42:54 | |
to see how well they've done in such a short space of time, | 0:42:54 | 0:42:57 | |
and I was crying on the front row. | 0:42:57 | 0:43:01 | |
-I was like proper... -HUMS TUNE | 0:43:01 | 0:43:03 | |
I was loving it, I was. | 0:43:03 | 0:43:04 | |
-Can I have an autograph? -Yes. | 0:43:04 | 0:43:08 | |
'It was brilliant. I actually can't wait to get home.' | 0:43:08 | 0:43:11 | |
I think they'll be surprised and hopefully proud of what I've done. | 0:43:11 | 0:43:15 | |
-Did you enjoy it? -ALL: Yes. | 0:43:17 | 0:43:19 | |
It was really, really great. | 0:43:19 | 0:43:21 | |
This is a slightly soft audience. | 0:43:21 | 0:43:24 | |
And, you know, the next audience may not understand | 0:43:24 | 0:43:27 | |
as much as this one did. | 0:43:27 | 0:43:29 | |
We will have to notch it up. At ease! | 0:43:29 | 0:43:33 | |
I think a lot of them were | 0:43:33 | 0:43:34 | |
quite overwhelmed by how powerful that was. | 0:43:34 | 0:43:36 | |
I mean, all we did was walk into a room. | 0:43:36 | 0:43:37 | |
We'd been in there all week, | 0:43:37 | 0:43:40 | |
and yet, having a group of people in front of you, | 0:43:40 | 0:43:42 | |
it changes everything with performance | 0:43:42 | 0:43:44 | |
and it meant something to everyone. | 0:43:44 | 0:43:46 | |
And that's good. It's a good first step. | 0:43:46 | 0:43:50 | |
# All these lights. # | 0:43:53 | 0:43:54 | |
The choir now have a week back at home to practise... | 0:43:54 | 0:43:57 | |
# Nobody can drag me... # | 0:43:57 | 0:43:59 | |
SHE LAUGHS | 0:43:59 | 0:44:01 | |
..and they are drafting in family help. | 0:44:01 | 0:44:03 | |
-# With your love nobody can drag me... -Down. -Down. # | 0:44:03 | 0:44:09 | |
# Nobody, nobody. # | 0:44:09 | 0:44:11 | |
Lots. Come here! | 0:44:11 | 0:44:13 | |
# I've got a fire for a heart. # | 0:44:13 | 0:44:15 | |
I've been singing a lot more. | 0:44:15 | 0:44:18 | |
We went climbing mountains, and I was just at the top | 0:44:18 | 0:44:22 | |
and just singing, because no-one else was around. Singing, yeah. | 0:44:22 | 0:44:25 | |
It was quite liberating. | 0:44:25 | 0:44:28 | |
# It looks so easy | 0:44:28 | 0:44:30 | |
# I got a river for a soul | 0:44:30 | 0:44:32 | |
# Baby, you're a boat | 0:44:32 | 0:44:34 | |
# Baby, you're my only reason. # | 0:44:34 | 0:44:37 | |
Ray Charles has got nothing on me. | 0:44:37 | 0:44:41 | |
The choir are singing at the Invictus Games in just four | 0:44:41 | 0:44:44 | |
weeks' time. | 0:44:44 | 0:44:47 | |
I don't think that they sound right yet. | 0:44:47 | 0:44:49 | |
I think there's a long way to go. | 0:44:49 | 0:44:50 | |
You know, they've just scratched the surface. | 0:44:50 | 0:44:53 | |
But Gareth needs some more voices to bolster the choir. | 0:44:53 | 0:44:57 | |
I want it to make an impact. At the moment, we're ten people. | 0:44:57 | 0:45:01 | |
And two women. | 0:45:01 | 0:45:03 | |
And the two women are massively outsung by everybody else. | 0:45:03 | 0:45:06 | |
So, I'm looking for more. | 0:45:06 | 0:45:08 | |
# Amazing grace. # | 0:45:08 | 0:45:15 | |
SHE HOLDS A LONG NOTE | 0:45:15 | 0:45:18 | |
I like her, because, you know, her face lights up | 0:45:18 | 0:45:20 | |
and she sings with intensity. | 0:45:20 | 0:45:24 | |
Yeah. That's great. | 0:45:24 | 0:45:26 | |
Retired Lance Corporal Marillia was serving in Iraq | 0:45:26 | 0:45:29 | |
when a missile attack left her buried alive. | 0:45:29 | 0:45:32 | |
When I was covered by this rubble, | 0:45:32 | 0:45:35 | |
what came to me, immediately, is a song that my mummy gave me | 0:45:35 | 0:45:40 | |
that I just hummed as much as I can. | 0:45:40 | 0:45:42 | |
I heard a guy saying, "Hang in. | 0:45:42 | 0:45:45 | |
"We are going to get you out. We're not going to leave you." | 0:45:45 | 0:45:49 | |
And they did. | 0:45:49 | 0:45:50 | |
Singing is the only thing that kept me knowing that I was alive. | 0:45:50 | 0:45:55 | |
HE SIGHS | 0:45:55 | 0:45:58 | |
This is extraordinary, somebody who, in her darkest hour, | 0:45:58 | 0:46:02 | |
when she thought she was going to die, sang a song. | 0:46:02 | 0:46:05 | |
That's my kind of person. | 0:46:05 | 0:46:08 | |
She's going to be great. | 0:46:08 | 0:46:10 | |
LIVELY MAZURKA PLAYS | 0:46:10 | 0:46:14 | |
Morning. It's Gareth Malone. I'm here with the Invictus Choir. | 0:46:22 | 0:46:25 | |
Today, Gareth is at the Royal Marine barracks in London... | 0:46:25 | 0:46:30 | |
It's not like my school gym. | 0:46:30 | 0:46:32 | |
We didn't have rifle parts on the wall. | 0:46:32 | 0:46:35 | |
..to give the choir their next challenge. | 0:46:35 | 0:46:37 | |
Tomorrow, they are going to be performing at an event | 0:46:37 | 0:46:40 | |
which is launching the Invictus Games. | 0:46:40 | 0:46:42 | |
All the athletes will be there. It's a big deal. | 0:46:42 | 0:46:45 | |
I haven't told them about it yet. They are a vulnerable group. | 0:46:45 | 0:46:49 | |
And I think if I give them too much notice of things, | 0:46:49 | 0:46:52 | |
it can build up in their heads. | 0:46:52 | 0:46:55 | |
Hello. Welcome back. | 0:46:55 | 0:46:59 | |
Marillia, hello. It's very good to have you on board. | 0:46:59 | 0:47:02 | |
Have you all been memorising your lines? What about you, Paul? | 0:47:02 | 0:47:05 | |
-Yeah. -How's singing going? -Yeah. I'm pretty squared away. I reckon so. | 0:47:05 | 0:47:09 | |
We shall find out. | 0:47:09 | 0:47:11 | |
The first thing I want to say is, | 0:47:11 | 0:47:13 | |
we've been invited to perform at a very exciting event. | 0:47:13 | 0:47:17 | |
The official launch of the Invictus Games. | 0:47:17 | 0:47:19 | |
This will be in front of all of the athletes | 0:47:19 | 0:47:21 | |
who are going to be taking part. | 0:47:21 | 0:47:23 | |
OK? | 0:47:23 | 0:47:24 | |
Can we go and see the location, please? Before we perform? | 0:47:24 | 0:47:28 | |
-I don't see why not. -Just because I'll be anxious anyway. -Yeah. | 0:47:28 | 0:47:31 | |
This is an important part of the preparation | 0:47:31 | 0:47:33 | |
for going to Orlando. Let's go for it. Here we go. | 0:47:33 | 0:47:36 | |
# Nobody, nobody | 0:47:37 | 0:47:39 | |
# Nobody can drag me down. # | 0:47:39 | 0:47:42 | |
..is how it should go. Building, building, building. | 0:47:42 | 0:47:45 | |
# Nobody, nobody | 0:47:46 | 0:47:48 | |
Smooth. | 0:47:48 | 0:47:49 | |
# Nobody can drag me down. # | 0:47:49 | 0:47:52 | |
Think about the words. | 0:47:52 | 0:47:53 | |
-# Nobody, nobody... # -More energy. | 0:47:53 | 0:47:56 | |
# Nobody can drag me down | 0:47:56 | 0:47:58 | |
# Got a fire for a heart | 0:47:58 | 0:48:00 | |
# I'm not scared of the dark | 0:48:00 | 0:48:02 | |
# You've never seen it look so easy | 0:48:02 | 0:48:05 | |
# If I didn't have you I'd never see the sun... # | 0:48:05 | 0:48:07 | |
And... | 0:48:07 | 0:48:09 | |
-# You taught me how to be someone. # -Yeah. | 0:48:09 | 0:48:11 | |
That's 10% of the commitment that I'm actually talking about. | 0:48:11 | 0:48:14 | |
# You taught me how to be someone. # Not | 0:48:14 | 0:48:16 | |
-WEAKLY: -# You taught me how... # | 0:48:16 | 0:48:18 | |
Two, three, and... | 0:48:18 | 0:48:20 | |
# You taught me how to be someone. # | 0:48:20 | 0:48:23 | |
Yes. Question? | 0:48:23 | 0:48:25 | |
I'm really struggling with the noise and everything. | 0:48:25 | 0:48:27 | |
I'm finding I'm getting too much information coming | 0:48:27 | 0:48:29 | |
through my senses at the moment, I'm not listening to what you're | 0:48:29 | 0:48:33 | |
saying, because it's painful in my head. | 0:48:33 | 0:48:36 | |
-Yeah. -I could do with a break. -That's absolutely fine. | 0:48:36 | 0:48:39 | |
OK. | 0:48:39 | 0:48:40 | |
# Nobody can drag me down. # | 0:48:40 | 0:48:43 | |
Can we try that? Two, three, and... | 0:48:43 | 0:48:45 | |
# Nobody can drag me down. # | 0:48:45 | 0:48:49 | |
-SINGS NOTE -No. | 0:48:49 | 0:48:51 | |
Paul, you're the least experienced singer, | 0:48:51 | 0:48:54 | |
and yet, in this situation, you're the loudest, at the moment. | 0:48:54 | 0:48:56 | |
You're singing very forcefully, and on that moment, | 0:48:56 | 0:49:01 | |
it's not quite right. | 0:49:01 | 0:49:02 | |
Are you OK? | 0:49:02 | 0:49:04 | |
Oh, you're stretching out. That's no problem. I'm hungry for energy. | 0:49:04 | 0:49:07 | |
You can't give me too much. | 0:49:07 | 0:49:09 | |
-Have a break. Thank you, all. -Thank you. | 0:49:09 | 0:49:11 | |
PIANO CONCERTO PLAYS | 0:49:11 | 0:49:13 | |
-I'm having a wobble. -There's got to be melody in there. | 0:49:15 | 0:49:18 | |
They're sounding awful. They're shouting it. | 0:49:18 | 0:49:22 | |
They're not making music. It doesn't sound good. | 0:49:22 | 0:49:24 | |
I've got an extra woman, but she's like she doesn't know it at all. | 0:49:24 | 0:49:27 | |
I've got people late. I've got people leaving. | 0:49:27 | 0:49:29 | |
I've got people that are, like, on medication. | 0:49:29 | 0:49:33 | |
There are so many things that are difficult about this. | 0:49:33 | 0:49:36 | |
I mean, they need energy, but the more energy I give it, | 0:49:36 | 0:49:40 | |
the more Stewart finds it confusing. | 0:49:40 | 0:49:42 | |
I mean, honestly, and we're going to be performing tomorrow. | 0:49:42 | 0:49:46 | |
So, I'm feeling the pressure. | 0:49:48 | 0:49:50 | |
Can you get louder through the phrase? Here we go. | 0:49:50 | 0:49:52 | |
One, two, three, and... | 0:49:52 | 0:49:54 | |
-# You taught me how to be someone. # -Ooh! | 0:49:54 | 0:49:58 | |
Not sure we're ready, but hey. Just haven't got a lot of choice. | 0:49:58 | 0:50:01 | |
I suppose it's better that we get 24 hours' notice, | 0:50:01 | 0:50:04 | |
rather than 20 minutes. | 0:50:04 | 0:50:05 | |
# Whatever... # Opera! | 0:50:05 | 0:50:08 | |
-# All these lights. # -That section almost was good. | 0:50:08 | 0:50:12 | |
Now, I think we're in that military mind-set, we are | 0:50:12 | 0:50:14 | |
committed and we are going to finish it, | 0:50:14 | 0:50:16 | |
irrespective of the pain and anguish perhaps it causes. | 0:50:16 | 0:50:20 | |
# With your love, nobody can drag me down. # | 0:50:20 | 0:50:24 | |
Hey! Good! Good! | 0:50:25 | 0:50:28 | |
Better. | 0:50:28 | 0:50:29 | |
VIOLIN CONCERTO PLAYS | 0:50:29 | 0:50:32 | |
It's the morning of the official launch of the Invictus Games | 0:50:32 | 0:50:35 | |
at Kensington Roof Gardens in London. | 0:50:35 | 0:50:37 | |
Right. It's in here. | 0:50:39 | 0:50:41 | |
The choir will perform in three hours' time. | 0:50:41 | 0:50:44 | |
-This will be full. -OK. | 0:50:44 | 0:50:46 | |
There'll be about 200 people in here. | 0:50:46 | 0:50:48 | |
I don't do very well with crowded places and lots of people, | 0:50:48 | 0:50:50 | |
so if I can see it | 0:50:50 | 0:50:51 | |
when it's empty and know the format, | 0:50:51 | 0:50:53 | |
I'll know, you know, the lay of the land, basically, | 0:50:53 | 0:50:57 | |
so that should reduce some of my anxiety. | 0:50:57 | 0:51:00 | |
There's no-one behind you except the choir members. | 0:51:00 | 0:51:02 | |
OK. | 0:51:02 | 0:51:04 | |
-OK. -It doesn't matter what happens, | 0:51:04 | 0:51:07 | |
it's just got to be... What happens, happens. | 0:51:07 | 0:51:10 | |
-Are you happy? Any more questions? -No. I'm OK. -Right. Let's go. | 0:51:10 | 0:51:14 | |
-MUSIC: Nimrod by Edward Elgar -Whoa, whoa, whoa, whoa, whoa. | 0:51:14 | 0:51:17 | |
For the rest of the choir, it's last-minute preparations. | 0:51:17 | 0:51:21 | |
Women tend to get a bit frisky when they see a man in a kilt. | 0:51:21 | 0:51:25 | |
And for some, it's the first time they've worn their military | 0:51:25 | 0:51:29 | |
medals since leaving the Forces. | 0:51:29 | 0:51:31 | |
I was thinking this morning, as I got the medals out, | 0:51:31 | 0:51:34 | |
actually, I do feel proud about what I gave and what I did. | 0:51:34 | 0:51:37 | |
That's actually a good feeling. It's something that I haven't | 0:51:37 | 0:51:39 | |
thought about since I left. | 0:51:39 | 0:51:41 | |
I just felt angry and bitter | 0:51:41 | 0:51:43 | |
and probably quite twisted. | 0:51:43 | 0:51:45 | |
This is the Rifles' regimental blazer. | 0:51:45 | 0:51:47 | |
When I put the blazer on, I represent not just myself | 0:51:47 | 0:51:50 | |
and my family but I represent the regiment and the men that fell. | 0:51:50 | 0:51:53 | |
My pals that never came back. | 0:51:53 | 0:51:56 | |
This summarises my 18 years in the military. | 0:51:56 | 0:52:00 | |
This is one of the only ways I can really, truly show what I went | 0:52:00 | 0:52:04 | |
through in terms of my career, and the proudest days of my life. | 0:52:04 | 0:52:09 | |
The Invictus Games for wounded members of the Armed Forces | 0:52:11 | 0:52:15 | |
is now in its second year, with 15 countries taking part. | 0:52:15 | 0:52:19 | |
It's just starting to dawn on me | 0:52:19 | 0:52:21 | |
what an incredible privilege it is to be a part of this team. | 0:52:21 | 0:52:25 | |
Team GB has over 100 athletes competing in Orlando, | 0:52:25 | 0:52:29 | |
hoping to bring home the medals. | 0:52:29 | 0:52:31 | |
Beyond the injury, we can still achieve the extraordinary. | 0:52:31 | 0:52:35 | |
To bring a military flourish to the occasion, Gareth has arranged | 0:52:35 | 0:52:39 | |
for the band of the Coldstream Guards | 0:52:39 | 0:52:41 | |
to perform alongside the choir. | 0:52:41 | 0:52:44 | |
Musical support, it's a hug, it's a beautiful, warm sound | 0:52:44 | 0:52:47 | |
that will help...make them feel less exposed. | 0:52:47 | 0:52:49 | |
But also, it's a... I think it's a nice gesture from the military | 0:52:49 | 0:52:52 | |
of their...of their faith in these guys. | 0:52:52 | 0:52:56 | |
And he's also invited their families to give support. | 0:52:56 | 0:53:00 | |
Before she does her first line, everything will be crossed. | 0:53:00 | 0:53:03 | |
Complete bag of nerves for her. | 0:53:03 | 0:53:05 | |
Yes. | 0:53:05 | 0:53:07 | |
I'm sure she can do it, I keep on sending her little messages. | 0:53:07 | 0:53:11 | |
I'll be deliberately trying not to scan the crowd to find my daughter, | 0:53:11 | 0:53:14 | |
because I'll get really embarrassed and emotional when I see her. | 0:53:14 | 0:53:17 | |
Choir, choir, can I have your attention? | 0:53:17 | 0:53:20 | |
-Quiet. -All right, listen in. | 0:53:20 | 0:53:21 | |
We're very, very shortly going on stage. This is not a parade. | 0:53:21 | 0:53:24 | |
It needs to be fun and it needs to be spirited | 0:53:24 | 0:53:26 | |
and it needs to be from the heart. You deserve to be there, | 0:53:26 | 0:53:28 | |
you're going to do a fantastic job. | 0:53:28 | 0:53:30 | |
Just please enjoy it and show that in your faces, | 0:53:30 | 0:53:32 | |
because a couple of you are quite stern. | 0:53:32 | 0:53:34 | |
Best of luck. Best of British! | 0:53:34 | 0:53:36 | |
APPLAUSE | 0:53:36 | 0:53:39 | |
Hello. Hello, ladies and gentlemen, athletes. | 0:53:39 | 0:53:41 | |
It's fantastic to be here. | 0:53:41 | 0:53:43 | |
I can think of no choir in the world | 0:53:43 | 0:53:45 | |
that deserves to stand on this stage today alongside you. | 0:53:45 | 0:53:48 | |
We are going to perform a fantastic song by One Direction | 0:53:48 | 0:53:51 | |
as you've not heard it before, because this will be performed | 0:53:51 | 0:53:55 | |
not only by the newly formed Invictus Choir | 0:53:55 | 0:53:59 | |
but also by the band of the Coldstream Guards. | 0:53:59 | 0:54:01 | |
So please welcome to the stage the Invictus Choir! | 0:54:01 | 0:54:04 | |
APPLAUSE AND CHEERING | 0:54:04 | 0:54:07 | |
# I've got fire for a heart | 0:54:29 | 0:54:31 | |
# I'm not scared of the dark | 0:54:31 | 0:54:33 | |
# You've never seen it look so easy | 0:54:33 | 0:54:36 | |
# I've got a river for a soul | 0:54:36 | 0:54:38 | |
# And, baby, you're a boat | 0:54:38 | 0:54:40 | |
# Baby, you're my only reason | 0:54:40 | 0:54:43 | |
# If I didn't have you there would be nothing left | 0:54:43 | 0:54:47 | |
# The shell of a man who could never be his best | 0:54:47 | 0:54:50 | |
# If I didn't have you I'd never see the sun | 0:54:50 | 0:54:54 | |
# You taught me how to be someone, yeah | 0:54:54 | 0:54:58 | |
# All my life | 0:54:58 | 0:55:00 | |
# You stood by me | 0:55:00 | 0:55:02 | |
# When no-one else was ever behind me | 0:55:02 | 0:55:05 | |
# All these lights | 0:55:05 | 0:55:07 | |
# They can't blind me | 0:55:07 | 0:55:09 | |
# With your love, nobody can drag me down | 0:55:09 | 0:55:13 | |
# All my life | 0:55:13 | 0:55:15 | |
# You stood by me | 0:55:15 | 0:55:17 | |
# When no-one else was ever behind me | 0:55:17 | 0:55:20 | |
# All these lights | 0:55:20 | 0:55:22 | |
# They can't blind me | 0:55:22 | 0:55:24 | |
# With your love, nobody can drag me down | 0:55:24 | 0:55:28 | |
# Nobody, nobody | 0:55:30 | 0:55:33 | |
# Nobody can drag me | 0:55:33 | 0:55:35 | |
-# Down -Down | 0:55:35 | 0:55:38 | |
-# Nobody, nobody -Down | 0:55:38 | 0:55:40 | |
# Nobody can drag me down | 0:55:40 | 0:55:43 | |
# I've got fire for a heart | 0:55:43 | 0:55:45 | |
# I'm not scared of the dark | 0:55:45 | 0:55:47 | |
# You've never seen it look so easy | 0:55:47 | 0:55:49 | |
# I've got a river for a soul | 0:55:49 | 0:55:52 | |
# And, baby, you're a boat | 0:55:52 | 0:55:54 | |
# Baby, you're my only reason | 0:55:54 | 0:55:57 | |
# If I didn't have you, there would be nothing left | 0:55:57 | 0:56:00 | |
# A shell of a man who could never be his best | 0:56:00 | 0:56:04 | |
# If I didn't have you, I'd never see the sun | 0:56:04 | 0:56:07 | |
# You taught me how to be someone, yeah | 0:56:07 | 0:56:11 | |
-# All my life -Oh-oh | 0:56:11 | 0:56:13 | |
-# You stood by me -Oh-oh | 0:56:13 | 0:56:15 | |
# When no-one else was ever behind me | 0:56:15 | 0:56:18 | |
-# All these lights -Oh-oh | 0:56:18 | 0:56:20 | |
-# They can't blind me -Oh-oh | 0:56:20 | 0:56:22 | |
# With your love, nobody can drag me down. # | 0:56:22 | 0:56:27 | |
CHEERING | 0:56:27 | 0:56:30 | |
They were amazing. | 0:56:39 | 0:56:41 | |
A message that means quite a lot to all of us in some ways, | 0:56:41 | 0:56:43 | |
we've had a lot of people around us, | 0:56:43 | 0:56:45 | |
supporting us through various injuries. | 0:56:45 | 0:56:47 | |
So, yeah, I think it's the perfect song that represents the team. | 0:56:47 | 0:56:50 | |
The choir's performance was just mind-blowing, | 0:56:50 | 0:56:52 | |
out of this world. | 0:56:52 | 0:56:54 | |
It was actually... became quite emotional, actually. | 0:56:54 | 0:56:57 | |
-Wahey! -Well done, everybody! Well done. | 0:56:57 | 0:57:00 | |
Team hug? | 0:57:00 | 0:57:02 | |
-You done brilliantly. -Thank you. -Hiya, baby. | 0:57:02 | 0:57:05 | |
Hello. | 0:57:05 | 0:57:06 | |
-You were brilliant. -Yeah. -Was I? | 0:57:06 | 0:57:09 | |
I totally loved it. I totally loved it. | 0:57:09 | 0:57:12 | |
It was awesome. | 0:57:12 | 0:57:14 | |
The lyrics in that song for me are about Dave standing by me. | 0:57:14 | 0:57:18 | |
It's lovely to have him here. | 0:57:18 | 0:57:20 | |
Having a parent sing in public is probably one of the most | 0:57:21 | 0:57:24 | |
embarrassing things a child could have | 0:57:24 | 0:57:27 | |
but I was very surprised | 0:57:27 | 0:57:30 | |
and very proud of him. | 0:57:30 | 0:57:33 | |
I feel that we really smashed it. | 0:57:33 | 0:57:35 | |
All these different voices, but when put together, | 0:57:35 | 0:57:37 | |
it's creating this ultimate and... You know what? | 0:57:37 | 0:57:39 | |
-We're going to be untouchable out there. -What he said. | 0:57:39 | 0:57:42 | |
PAUL LAUGHS | 0:57:42 | 0:57:44 | |
It's bang on, it's bang on. | 0:57:44 | 0:57:46 | |
They've come on so much. | 0:57:46 | 0:57:47 | |
Four weeks ago, they'd never met and now we're here. | 0:57:47 | 0:57:50 | |
It's great. I'm very proud. | 0:57:50 | 0:57:52 | |
We are part of the Invictus mission and that's...that's wonderful. | 0:57:52 | 0:57:56 | |
It's wonderful for them, you know, | 0:57:56 | 0:57:57 | |
these guys who have been so isolated in their lives | 0:57:57 | 0:58:00 | |
and had so many difficulties. | 0:58:00 | 0:58:01 | |
The look in their eyes said, you know, | 0:58:01 | 0:58:03 | |
we are now a team and it was great. | 0:58:03 | 0:58:05 | |
Next time... | 0:58:07 | 0:58:09 | |
-LAUGHING: -Jesus Christ! | 0:58:09 | 0:58:10 | |
..the wounded warriors dig deep... | 0:58:10 | 0:58:12 | |
Did you always have hope? | 0:58:12 | 0:58:14 | |
I didn't care what happened to me. | 0:58:14 | 0:58:15 | |
Stick to your guns. | 0:58:15 | 0:58:16 | |
The last time I stuck to a gun, I got blown up. | 0:58:16 | 0:58:19 | |
..as they prepare for the performance of their lives... | 0:58:19 | 0:58:21 | |
# We come together now... # | 0:58:21 | 0:58:23 | |
Build. | 0:58:23 | 0:58:25 | |
..at the Invictus Games. | 0:58:25 | 0:58:26 | |
You've overcome worse. | 0:58:26 | 0:58:28 | |
This is doable. | 0:58:28 | 0:58:29 |