Browse content similar to Episode 3. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Mumbai... | 0:00:03 | 0:00:05 | |
INDIAN MUSIC PLAYS | 0:00:05 | 0:00:06 | |
..the biggest city in India. | 0:00:06 | 0:00:08 | |
Steeped in culture... | 0:00:10 | 0:00:12 | |
..and in tradition. | 0:00:13 | 0:00:15 | |
It's home to one of the oldest and grandest hotels in the world, | 0:00:17 | 0:00:21 | |
The Taj Mahal Palace. | 0:00:21 | 0:00:24 | |
It's beyond just luxury. | 0:00:27 | 0:00:29 | |
You know, this is this...mirage in the middle of this city. | 0:00:29 | 0:00:34 | |
Famed for its opulent ballrooms... | 0:00:37 | 0:00:39 | |
..and obsessive attention to detail. | 0:00:42 | 0:00:44 | |
For India's elite, | 0:00:46 | 0:00:48 | |
The Taj has always been THE place to get married. | 0:00:48 | 0:00:50 | |
It's where people meet to fall in love. | 0:00:50 | 0:00:53 | |
LAUGHTER | 0:00:53 | 0:00:54 | |
How was I proposed to? | 0:00:56 | 0:00:58 | |
Well, there have been three proposals in the past! SHE LAUGHS | 0:00:58 | 0:01:01 | |
But with everyone wanting their wedding to stand out from the crowd... | 0:01:04 | 0:01:07 | |
Let's not compromise quality. | 0:01:07 | 0:01:09 | |
Let's not compromise. | 0:01:09 | 0:01:11 | |
..the hotel must strive to meet ever-increasing demands. | 0:01:11 | 0:01:15 | |
This is India and we frankly don't say no to anything. | 0:01:16 | 0:01:20 | |
CAR HORN | 0:01:34 | 0:01:36 | |
MUSIC: Spring Cleaning by Fats Waller | 0:01:36 | 0:01:38 | |
# Polish the leaves | 0:01:43 | 0:01:44 | |
# Make 'em green again | 0:01:44 | 0:01:45 | |
# Shake out the trees | 0:01:45 | 0:01:47 | |
# Change the scene again | 0:01:47 | 0:01:48 | |
# Spring cleaning | 0:01:48 | 0:01:50 | |
# Getting ready for love... # | 0:01:50 | 0:01:52 | |
The food and beverage department | 0:01:52 | 0:01:54 | |
accounts for over half the hotel's revenue. | 0:01:54 | 0:01:57 | |
And Mehr is one of their youngest managers. | 0:02:00 | 0:02:03 | |
The food and beverage operation at The Taj Mahal Palace | 0:02:04 | 0:02:07 | |
is actually the largest in the country. | 0:02:07 | 0:02:09 | |
We are an operation that has 500 staff members. | 0:02:09 | 0:02:13 | |
It would be close to 1,000-1,500 meals a day. | 0:02:13 | 0:02:18 | |
Mehr runs a team of 12 managers... | 0:02:18 | 0:02:20 | |
-Good morning, everyone. ALL: -Good morning. | 0:02:20 | 0:02:22 | |
..who oversee the eight restaurants, two bars and ten banquet rooms. | 0:02:22 | 0:02:27 | |
OK, let's start going through the numbers. | 0:02:27 | 0:02:30 | |
Each day she calls a meeting to discuss sales figures and targets. | 0:02:30 | 0:02:34 | |
-So, as of now, against a target of 16.38 you're on 11.62. -Yes, ma'am. | 0:02:35 | 0:02:41 | |
And your daily average is actually below what it needs to be | 0:02:41 | 0:02:45 | |
-in order to gain an incentive? -Yes, ma'am. | 0:02:45 | 0:02:47 | |
So your team is not getting an incentive this month. | 0:02:47 | 0:02:50 | |
-So what are we going to do about it? -We'll pick it up. | 0:02:50 | 0:02:53 | |
We are just off by almost 2,000 rupees only. | 0:02:53 | 0:02:55 | |
-2,000 per day, my dear. -Yes. | 0:02:55 | 0:02:58 | |
So if you talk about it, you are really, really off. | 0:02:58 | 0:03:00 | |
So you need to have a concrete plan over the next eight days | 0:03:00 | 0:03:03 | |
if you want to go on the positive side. | 0:03:03 | 0:03:05 | |
Let's move on with the next department. You start. | 0:03:05 | 0:03:09 | |
I think being in the middle of a man's world | 0:03:09 | 0:03:12 | |
is actually... | 0:03:12 | 0:03:15 | |
It has... It's been difficult getting here, | 0:03:15 | 0:03:17 | |
but I quite honestly think that once you are here | 0:03:17 | 0:03:19 | |
it's just about performance. | 0:03:19 | 0:03:21 | |
I think that's what I've been telling all of you, | 0:03:21 | 0:03:23 | |
one big-ticket item can change | 0:03:23 | 0:03:25 | |
your entire, entire scope of how things run. | 0:03:25 | 0:03:28 | |
And big wines, come on. | 0:03:28 | 0:03:30 | |
You've got sake sitting in the store worth 15 lakhs, | 0:03:30 | 0:03:33 | |
so, please, start picking it up and selling it. | 0:03:33 | 0:03:36 | |
But you have to constantly... | 0:03:36 | 0:03:39 | |
you know, be a little more aggressive than what you might be inherently. | 0:03:39 | 0:03:44 | |
More than anything, between both of you, | 0:03:44 | 0:03:46 | |
I want the bar snacks revisited in the hotel. | 0:03:46 | 0:03:49 | |
Your snack selection is fairly sad, | 0:03:49 | 0:03:51 | |
so I would like you to relook at it, | 0:03:51 | 0:03:53 | |
come back to me with suggestions. See what is available in the market. | 0:03:53 | 0:03:56 | |
A little more salty, makes you want to drink more. | 0:03:56 | 0:03:59 | |
So accordingly, please, look at your options. | 0:03:59 | 0:04:02 | |
And, please, don't get me three types of olives, yeah? | 0:04:02 | 0:04:06 | |
So...get something interesting. | 0:04:06 | 0:04:08 | |
Every year the hotel hosts hundreds of weddings | 0:04:12 | 0:04:15 | |
for the elite families of Mumbai... | 0:04:15 | 0:04:19 | |
Chef, Mehr. | 0:04:19 | 0:04:21 | |
Sea Lounge. We're removing the two centre chandeliers. | 0:04:21 | 0:04:26 | |
..and Mehr's food and beverage department | 0:04:26 | 0:04:28 | |
is responsible for making them happen. | 0:04:28 | 0:04:30 | |
OK, so the round one is closer to the window side? OK. | 0:04:30 | 0:04:34 | |
Tomorrow we have a really big wedding event for 800-1,000 people. | 0:04:34 | 0:04:38 | |
OK. Thanks. Thanks. | 0:04:38 | 0:04:40 | |
The Sea Lounge is going to be the dessert lounge. | 0:04:40 | 0:04:44 | |
So, essentially, we're going to remove the main chandelier | 0:04:44 | 0:04:48 | |
and put up these huge suspended acrylic, you know, sheets, | 0:04:48 | 0:04:52 | |
which are going to carry the entire dessert buffet. | 0:04:52 | 0:04:55 | |
It is difficult to keep thinking differently for each person. | 0:04:57 | 0:05:01 | |
You know, when a guest just says, "I leave it to you," and is willing to pay anything for it, | 0:05:01 | 0:05:05 | |
I think then for us as well, you know, there is no limit | 0:05:05 | 0:05:08 | |
to how you need to think about it and what you need to do. | 0:05:08 | 0:05:11 | |
So there really are no limits. And for us, guest is God. | 0:05:11 | 0:05:14 | |
We put forward whatever we can for them. | 0:05:14 | 0:05:17 | |
So that's how it is. | 0:05:17 | 0:05:19 | |
When money is no object, everything is examined | 0:05:21 | 0:05:24 | |
to see what can be better or different | 0:05:24 | 0:05:27 | |
and there's one area on which a wedding will stand or fall - | 0:05:27 | 0:05:31 | |
the food. | 0:05:31 | 0:05:32 | |
I mean, that's Chef's forte, | 0:05:32 | 0:05:34 | |
he always comes up with something new for each guest. | 0:05:34 | 0:05:37 | |
And this is something very unique. | 0:05:37 | 0:05:39 | |
A wedding is all about fun, sometimes one-upmanship | 0:05:41 | 0:05:46 | |
You'll have the fresh foie gras, you'll have the caviar... | 0:05:48 | 0:05:53 | |
and you'll have the truffles, the lobsters and the crabs. | 0:05:53 | 0:05:57 | |
We don't have one-day ceremonies, | 0:05:59 | 0:06:01 | |
we have about five, six or ten days at times, ten-day ceremonies. | 0:06:01 | 0:06:06 | |
Depending on your pocket, how much you can afford. | 0:06:06 | 0:06:11 | |
Can we ask Sheeta to just polish this? | 0:06:12 | 0:06:14 | |
This is like... | 0:06:14 | 0:06:16 | |
-It's clean but it's not polished, if she can just shine it up. -OK. | 0:06:16 | 0:06:19 | |
Everyone knows that having a wedding at The Taj | 0:06:19 | 0:06:23 | |
is, you know, obviously expensive. | 0:06:23 | 0:06:26 | |
And automatically when you see The Taj on a wedding invitation, | 0:06:26 | 0:06:31 | |
you obviously think that this is, you know, a great family. | 0:06:31 | 0:06:35 | |
All in all, I think this one is totally done, there's no problem, | 0:06:44 | 0:06:47 | |
just get these ladders out of here. | 0:06:47 | 0:06:49 | |
OK? | 0:06:49 | 0:06:50 | |
That's it. | 0:06:50 | 0:06:52 | |
Each family wants their wedding to be different from what they've seen earlier. | 0:06:52 | 0:06:56 | |
We never get guests who tell us, "I remember seeing that format and I like it and please use it." | 0:06:56 | 0:07:01 | |
We, actually, always get guests that say, "We've seen these formats, show us something else." | 0:07:01 | 0:07:07 | |
And that's always the difficulty, | 0:07:07 | 0:07:09 | |
in trying to create something new each time, for each event, for each family, | 0:07:09 | 0:07:13 | |
trying to live up to that expectation of getting something which is unique. | 0:07:13 | 0:07:20 | |
-Are we taking now only the Crystal Room? -No. | 0:07:24 | 0:07:26 | |
Arshad told us to keep the Boiler Room as well as the Crystal Room. | 0:07:26 | 0:07:30 | |
We will give them an option and then they'll decide. | 0:07:30 | 0:07:32 | |
With 38 billion spent on weddings in India last year, | 0:07:32 | 0:07:36 | |
the catering sales department | 0:07:36 | 0:07:37 | |
has to make sure families keep coming back to the hotel. | 0:07:37 | 0:07:40 | |
Mahtaab is meeting the Karvat and Mehta families | 0:07:43 | 0:07:46 | |
to discuss the final details of their wedding. | 0:07:46 | 0:07:49 | |
It's a two-day event. | 0:07:51 | 0:07:52 | |
We have a Sangeet function, which is for around 400-440 people. | 0:07:52 | 0:07:56 | |
The wedding is for around 400 people. | 0:07:56 | 0:08:00 | |
And the wedding reception is over 700-800 people. | 0:08:00 | 0:08:03 | |
-This is my son, Parth. -Yes, I already met him. -Yes, we met. | 0:08:03 | 0:08:07 | |
Parth, Rittika and their families | 0:08:07 | 0:08:09 | |
all want their wedding to live up to the billing. | 0:08:09 | 0:08:14 | |
-OK. -So should we start from the 22nd event? | 0:08:14 | 0:08:19 | |
OK, yeah. | 0:08:19 | 0:08:21 | |
It's a big wedding with us, | 0:08:21 | 0:08:23 | |
giving us a minimum revenue of around 35 lakhs. | 0:08:23 | 0:08:26 | |
How much is 35 lakhs? | 0:08:26 | 0:08:28 | |
35 lakhs is how many? | 0:08:28 | 0:08:30 | |
3.5 million rupees. | 0:08:33 | 0:08:36 | |
-So that's £35,000, isn't it? -Yes. | 0:08:36 | 0:08:39 | |
Last time we were talking about that, you know, | 0:08:39 | 0:08:42 | |
for the food you're going to serve in a ballroom, if it's not booked. | 0:08:42 | 0:08:47 | |
If the ballroom is available, | 0:08:47 | 0:08:48 | |
we will be willing enough to offer to you because it's nicer, | 0:08:48 | 0:08:52 | |
but at the same time... | 0:08:52 | 0:08:54 | |
What's the biggest spend on a wedding in Taj? | 0:08:54 | 0:08:56 | |
It was 4.5 crores plus taxes. | 0:08:56 | 0:08:59 | |
Plus the rooms which was about 80 lakhs, I think. | 0:08:59 | 0:09:03 | |
-That's hundreds of thousands? -Exactly. | 0:09:03 | 0:09:06 | |
I think what is happening is that all those people | 0:09:06 | 0:09:09 | |
-who are coming in Taj, they're coming with great expectations. -I'm sure. | 0:09:09 | 0:09:14 | |
There are so many marriages happening around, | 0:09:14 | 0:09:18 | |
so when they come here they should feel it, "Oh, this is something great!" | 0:09:18 | 0:09:23 | |
That's the only difference we have to make. | 0:09:23 | 0:09:27 | |
There is a lot of competition within the social, you know, | 0:09:27 | 0:09:31 | |
within the social life itself. | 0:09:31 | 0:09:34 | |
If I'm calling one celebrity, they'll call two celebrities | 0:09:34 | 0:09:37 | |
for their event to make their function a little more hyped. | 0:09:37 | 0:09:40 | |
Because of the heritage and because of so many memories | 0:09:44 | 0:09:48 | |
which are there were all the guests, they keep coming. | 0:09:48 | 0:09:51 | |
28 years ago Parth's parents, Ambrish and Yujita, | 0:09:54 | 0:09:59 | |
had their own wedding in the hotel's Crystal Room. | 0:09:59 | 0:10:02 | |
We can do sushi but that would be at an additional cost. | 0:10:03 | 0:10:07 | |
-OK. -Is that something...? | 0:10:07 | 0:10:09 | |
LAUGHTER | 0:10:20 | 0:10:22 | |
Theirs was an arranged marriage. | 0:10:27 | 0:10:29 | |
The first introduction took place in the Sea Lounge at the hotel. | 0:10:29 | 0:10:33 | |
We came here and met each other | 0:10:35 | 0:10:38 | |
and talked for a little bit more than one and a half hours | 0:10:38 | 0:10:41 | |
and tried to exchange information about each other. | 0:10:41 | 0:10:44 | |
Then we thought, "Yeah, this seems to be a right partner." | 0:10:44 | 0:10:48 | |
And then we met in this room. | 0:10:48 | 0:10:51 | |
Then we have a kind of a courtship period for a couple of months. | 0:10:51 | 0:10:56 | |
We got engaged in February | 0:10:56 | 0:10:59 | |
and then we got married here in the Crystal Room in May. | 0:10:59 | 0:11:02 | |
It's always a little bit difficult, | 0:11:04 | 0:11:05 | |
because you are just engaged to a person for three months, | 0:11:05 | 0:11:08 | |
you don't know the family members or your husband-to-be very well. | 0:11:08 | 0:11:13 | |
After marriage you are expected to live in an extended family, | 0:11:13 | 0:11:16 | |
so you expected to do a lot of adjustment | 0:11:16 | 0:11:21 | |
and fit into the family ways and how they live together. | 0:11:21 | 0:11:27 | |
And so when I went down the stairs, I was crying | 0:11:35 | 0:11:39 | |
and I was very sad that, "OK, now I'm going to stay with my husband in a new house." | 0:11:39 | 0:11:44 | |
You are going into something | 0:11:46 | 0:11:48 | |
where there are too many things which are not exactly clear to you. | 0:11:48 | 0:11:53 | |
But that's how it is. | 0:11:53 | 0:11:55 | |
But there's a lot of not only emotions, | 0:11:55 | 0:11:58 | |
but there is a kind of prestige and status also which goes with Taj. | 0:11:58 | 0:12:04 | |
So when you are getting married at Taj, you know, people... | 0:12:04 | 0:12:08 | |
You get this, "Wow! That's a great place!" Like that, yeah. | 0:12:08 | 0:12:12 | |
We need additionally two chicken grilled sandwiches | 0:12:15 | 0:12:21 | |
and we need tandoori chicken now. | 0:12:21 | 0:12:24 | |
So whatever version of it, chicken tikka, but you just do it quickly. | 0:12:24 | 0:12:30 | |
Chicken tikka? I'll send you the message, | 0:12:30 | 0:12:33 | |
I think it's only one portion of the chicken tikka, but two portions of the grilled... | 0:12:33 | 0:12:37 | |
Yeah, yeah. But he's saying urgent. I don't know how urgent. Yeah? Bye. | 0:12:37 | 0:12:41 | |
This is an emergency order for a minister who's kind of getting out of a cabinet meeting, | 0:12:41 | 0:12:47 | |
so that happens sometimes because Mantralaya is right next door, | 0:12:47 | 0:12:50 | |
which is where all the government meetings happen. | 0:12:50 | 0:12:53 | |
So sometimes we get these emergency orders | 0:12:53 | 0:12:56 | |
that so-and-so is leaving from a meeting to another meeting, | 0:12:56 | 0:12:59 | |
so give us quickly something packed so that they can eat it in the car. | 0:12:59 | 0:13:02 | |
So that's exactly what's happening right now. | 0:13:02 | 0:13:05 | |
I was five when I walked into the hotel, actually. | 0:13:09 | 0:13:13 | |
Every few minutes you have to step out of the outlet and check this. | 0:13:13 | 0:13:16 | |
OK. | 0:13:16 | 0:13:18 | |
I had moved to Mumbai from a small town called Pune, | 0:13:18 | 0:13:21 | |
which was just about four hours from here at that time. | 0:13:21 | 0:13:24 | |
You're supposed to come out and check it. | 0:13:24 | 0:13:26 | |
There's exactly one way it goes, this goes in diamond shape, | 0:13:26 | 0:13:29 | |
this goes as a square. Yeah? | 0:13:29 | 0:13:31 | |
So, please, keep an eye on this. | 0:13:31 | 0:13:34 | |
So we walked in really scared and we went to the grand staircase. | 0:13:34 | 0:13:40 | |
I will never forget that moment, | 0:13:40 | 0:13:43 | |
when I looked up the grand staircase at the beautiful blue dome. | 0:13:43 | 0:13:48 | |
And I remember thinking, even as tiny as I was, | 0:13:48 | 0:13:52 | |
I remember thinking to myself that, you know, "I want to own this place." | 0:13:52 | 0:13:56 | |
Mehr spends at least 12 hours a day, 6 days a week in the hotel. | 0:13:59 | 0:14:04 | |
Please, let's not have this, huh? | 0:14:08 | 0:14:10 | |
There is a standard font size. | 0:14:10 | 0:14:12 | |
This is incorrect because you've got this in bold. | 0:14:12 | 0:14:15 | |
This is incorrect because you didn't have an explanation and it's not even the same font size. | 0:14:15 | 0:14:19 | |
Every tag out of the six is different. | 0:14:19 | 0:14:22 | |
So since you've just taken over the first thing you will do... | 0:14:22 | 0:14:25 | |
It's a different life, | 0:14:25 | 0:14:27 | |
but at the same time it's a life you wouldn't want to change for anything. | 0:14:27 | 0:14:32 | |
I mean, it's contagious. | 0:14:32 | 0:14:33 | |
Once you get used to it, you just don't feel like doing anything else. | 0:14:33 | 0:14:37 | |
I mean, it's the way...it's the way we've all become. | 0:14:37 | 0:14:41 | |
The hotel is more of a home. | 0:14:51 | 0:14:54 | |
Your friends are here, your entire life is the hotel. | 0:14:54 | 0:14:58 | |
The hotel is a home away from home for staff. | 0:15:05 | 0:15:08 | |
Many have left the villages of their birth to work here. | 0:15:11 | 0:15:15 | |
-Good afternoon, everyone. ALL: -Good afternoon. | 0:15:17 | 0:15:20 | |
Today, arrivals, we have 37 for the evening. | 0:15:20 | 0:15:23 | |
Departures 26 and house count will be 199 people in house. | 0:15:23 | 0:15:27 | |
Guests of room number 641 who checked out on 17th, | 0:15:28 | 0:15:33 | |
we have got the excellent feedback. | 0:15:33 | 0:15:36 | |
I'll just read the comment. | 0:15:36 | 0:15:37 | |
"Special thanks to Manush for his help, he was amazing in his work, | 0:15:37 | 0:15:41 | |
"he never let us worry about our plans and further travelling worries. | 0:15:41 | 0:15:44 | |
"Everything was just so smooth done by him." So great job, Manush. | 0:15:44 | 0:15:48 | |
-Thank you. -APPLAUSE | 0:15:48 | 0:15:50 | |
And now if you can share what all you have done for the guest? | 0:15:50 | 0:15:53 | |
It's, basically, I just met those guests in the evening every time | 0:15:53 | 0:15:57 | |
and just checked for their plans. | 0:15:57 | 0:15:59 | |
They didn't have any fixed itinerary, basically, | 0:15:59 | 0:16:01 | |
so I told them, "Let me just plan an itinerary for you." | 0:16:01 | 0:16:04 | |
-So complete leisure. -Complete leisure. | 0:16:04 | 0:16:06 | |
So starting from cocktails, till the dinner, till cognac and till next day's shopping. | 0:16:06 | 0:16:11 | |
-Oh, that's great. -And during the time of checkout, | 0:16:11 | 0:16:14 | |
I made sure that the flight is confirmed, | 0:16:14 | 0:16:16 | |
the seats are booked, the car arrangement was done properly. | 0:16:16 | 0:16:20 | |
Oh, that's brilliant. | 0:16:20 | 0:16:21 | |
As far as the VIP movements are concerned for the day, we have... | 0:16:23 | 0:16:28 | |
a few regular guests coming back again. | 0:16:28 | 0:16:31 | |
-Great. -Dana Gillespie is a blues singer | 0:16:31 | 0:16:34 | |
who's been coming to the hotel for over 30 years. | 0:16:34 | 0:16:37 | |
SHE SIGHS | 0:16:37 | 0:16:39 | |
Wonderful! Home, home, home! | 0:16:39 | 0:16:41 | |
And a view over my favourite view. | 0:16:41 | 0:16:45 | |
Truly my favourite view. | 0:16:45 | 0:16:48 | |
How fabulous. | 0:16:49 | 0:16:51 | |
She's here with her piano player for a performance in the hotel. | 0:16:51 | 0:16:54 | |
-That's your room. -SHE SIGHS | 0:16:54 | 0:16:57 | |
Yes! | 0:16:58 | 0:17:00 | |
Yes! | 0:17:00 | 0:17:02 | |
SHE SIGHS | 0:17:02 | 0:17:04 | |
Happy bunny I am. | 0:17:04 | 0:17:06 | |
Totally happy. | 0:17:06 | 0:17:07 | |
Yeah! | 0:17:07 | 0:17:09 | |
Joaquin, come and have a look at the bed. | 0:17:10 | 0:17:13 | |
I could have a foot... No, a cricket team in here if I wanted. | 0:17:14 | 0:17:18 | |
-Too late. -Too late! And at my age, I can't be bothered. | 0:17:18 | 0:17:22 | |
-I might have done in the old days. -THEY LAUGH | 0:17:22 | 0:17:24 | |
During the '60s and '70s, | 0:17:27 | 0:17:29 | |
Dana performed and recorded with the likes of David Bowie and Mick Jagger | 0:17:29 | 0:17:34 | |
and appeared in numerous films and stage productions. | 0:17:34 | 0:17:37 | |
Yeah, definitely cool. | 0:17:37 | 0:17:40 | |
And now onto the bed. | 0:17:40 | 0:17:42 | |
Yes! Yes, yes, yes, yes, yes! | 0:17:43 | 0:17:47 | |
SHE SIGHS | 0:17:47 | 0:17:49 | |
So totally over the top. | 0:17:49 | 0:17:51 | |
I love excess. | 0:17:51 | 0:17:53 | |
SHE LAUGHS | 0:17:53 | 0:17:54 | |
Of course, they always say if you've got to ask the price of something, | 0:17:54 | 0:17:57 | |
then you're not rich enough to stay here. | 0:17:57 | 0:18:00 | |
INDISTINCT | 0:18:00 | 0:18:02 | |
Oh, I hear somebody on the bell. Better go. | 0:18:02 | 0:18:05 | |
Maybe it's somebody exciting, wouldn't that be nice. Let's see. | 0:18:05 | 0:18:08 | |
A suite at the hotel can cost anything from £2,000-£9,000 a night. | 0:18:08 | 0:18:13 | |
-Ready to get this chocolate... -I've been caught. | 0:18:13 | 0:18:16 | |
Well, I know, you know me and chocolates. Yippee. | 0:18:16 | 0:18:19 | |
Put it right there. It's something I can look forward... | 0:18:19 | 0:18:22 | |
You all right, then? | 0:18:22 | 0:18:24 | |
-My pleasure. -Thanks very much. -My pleasure. -Bye. -Bye. | 0:18:24 | 0:18:27 | |
-SHE SIGHS -Service! | 0:18:28 | 0:18:30 | |
Bye. Look at that, chocolates on demand! | 0:18:30 | 0:18:34 | |
Cheers! | 0:18:34 | 0:18:36 | |
Musicians don't usually stay in this kind of splendour. | 0:18:36 | 0:18:40 | |
And, you know, when you encounter it, | 0:18:40 | 0:18:45 | |
it makes you feel so fabulous | 0:18:45 | 0:18:48 | |
that I think your life just goes better. | 0:18:48 | 0:18:51 | |
Although, I know full well if I step outside the door here, | 0:18:51 | 0:18:54 | |
I'm into the mad markets of Colaba and hustle and bustle. | 0:18:54 | 0:18:58 | |
But here it's like a sanctuary for the soul. | 0:18:58 | 0:19:02 | |
This is the edge of two worlds | 0:19:03 | 0:19:05 | |
and when you come in here you're cocooned. | 0:19:05 | 0:19:08 | |
It used to be that this whole area of Calaba around The Taj | 0:19:08 | 0:19:13 | |
was the inner circle of Bombay. | 0:19:13 | 0:19:16 | |
A bit like being, I suppose, Knightsbridge, Kensington...Chelsea, | 0:19:16 | 0:19:21 | |
that kind of thing in London would be this thing. | 0:19:21 | 0:19:24 | |
But now it's all shifted to Bandra where the new money is, | 0:19:24 | 0:19:28 | |
where the film stars are. | 0:19:28 | 0:19:30 | |
It's all very nice, | 0:19:32 | 0:19:33 | |
but I kind of like this old-fashioned British area around here. | 0:19:33 | 0:19:38 | |
The moment you walk through the front doors of The Taj, | 0:19:42 | 0:19:46 | |
it's like, for me anyway, I've come home, | 0:19:46 | 0:19:49 | |
the arms are out, it holds you close, | 0:19:49 | 0:19:53 | |
you're nestled in glorious luxury. | 0:19:53 | 0:19:56 | |
I've never ever had a bad time here. | 0:19:56 | 0:20:00 | |
I just feel joy the moment I walk in the doors. | 0:20:00 | 0:20:03 | |
I was actually in India when the terrorist attack happened. | 0:20:08 | 0:20:13 | |
It hurt me. It was almost like my child, my family was being attacked. | 0:20:13 | 0:20:20 | |
And this building shouldn't be hurt by anyone, | 0:20:21 | 0:20:24 | |
it should be nurtured and loved, which is what I do with it. | 0:20:24 | 0:20:29 | |
You know, I go into great hotels all over the world, | 0:20:29 | 0:20:32 | |
but this is the most special to my heart. | 0:20:32 | 0:20:35 | |
And will remain so till my dying day. | 0:20:35 | 0:20:39 | |
The 1,500 staff must be constantly at the ready for whoever is coming to dinner. | 0:20:45 | 0:20:51 | |
Morning, chef. | 0:21:03 | 0:21:05 | |
Good morning. Good morning. | 0:21:05 | 0:21:07 | |
Good morning. Good morning. | 0:21:11 | 0:21:13 | |
While the Chief Justice might be the host of the evening, | 0:21:17 | 0:21:20 | |
please don't end up serving him last. OK? | 0:21:20 | 0:21:24 | |
The Bombay High Court is hosting a dinner in honour of the President of India. | 0:21:26 | 0:21:31 | |
So it's a sit-down dinner for about 100 people. | 0:21:31 | 0:21:34 | |
That's the excitement for today. | 0:21:34 | 0:21:36 | |
Second last from your side. Second from your side. | 0:21:39 | 0:21:43 | |
It's slightly towards the flowers. | 0:21:44 | 0:21:47 | |
I think you reach the stage only once you know you've done the detailing so many times. | 0:21:47 | 0:21:52 | |
Yes. Now the third one is slightly towards the chair. | 0:21:52 | 0:21:56 | |
We're fairly confident that, you know, it's all going right. | 0:21:56 | 0:21:59 | |
INDISTINCT | 0:21:59 | 0:22:00 | |
HE SPEAKS OWN LANGUAGE | 0:22:01 | 0:22:03 | |
The hotel has a team of 250 chefs. | 0:22:05 | 0:22:08 | |
Many have been here all their working lives. | 0:22:08 | 0:22:10 | |
I'm from a family of Taj. | 0:22:13 | 0:22:15 | |
My father started working here in '71. | 0:22:15 | 0:22:18 | |
My mum started working here in '73. | 0:22:18 | 0:22:21 | |
They got married in '75. | 0:22:21 | 0:22:24 | |
Their best man used to work here, | 0:22:24 | 0:22:26 | |
the maid of honour used to work here. | 0:22:26 | 0:22:29 | |
And... So this is the only life I have always known. | 0:22:29 | 0:22:34 | |
SHE SPEAKS OWN LANGUAGE | 0:22:37 | 0:22:39 | |
When I joined we had a master chef, | 0:22:44 | 0:22:48 | |
who had already worked in this company for about 50 odd years. | 0:22:48 | 0:22:51 | |
In his 40 years at the hotel, Chef Oberoi has cooked for everyone | 0:22:53 | 0:22:57 | |
from Margaret Thatcher and Barack Obama to Liz Hurley and Sharon Stone. | 0:22:57 | 0:23:02 | |
You know, this hotel is different, we work like a family. | 0:23:03 | 0:23:07 | |
More or less I have seen the generations here. | 0:23:07 | 0:23:09 | |
For me, the chefs are like children, young children. | 0:23:11 | 0:23:15 | |
They are like cheese and wine. | 0:23:16 | 0:23:18 | |
They mature more with the times. | 0:23:19 | 0:23:22 | |
My boss, he doesn't need to shout. He just comes in and stands. | 0:23:24 | 0:23:29 | |
SHE LAUGHS | 0:23:29 | 0:23:30 | |
And you can hear... It's pin-drop silence. | 0:23:30 | 0:23:33 | |
He doesn't shout, he doesn't scream, he doesn't do any of those things. | 0:23:33 | 0:23:36 | |
He doesn't use verbal abuse, nothing. | 0:23:38 | 0:23:41 | |
He just comes and he just stands. He tells us this is what he wants. | 0:23:41 | 0:23:46 | |
And that's it. Somehow it just gets done. It's like a miracle. | 0:23:46 | 0:23:51 | |
He takes care of us that way. | 0:23:55 | 0:23:57 | |
So in return, we have absolutely no issue | 0:23:57 | 0:24:00 | |
putting in those few hours, putting in that little bit extra. | 0:24:00 | 0:24:03 | |
No problems at all doing it. | 0:24:04 | 0:24:06 | |
I mean, of course, we fight and we crib and we bitch | 0:24:12 | 0:24:16 | |
and we complain and we do everything that happens at home. | 0:24:16 | 0:24:19 | |
It's just like that. | 0:24:19 | 0:24:21 | |
Because right now, this evening, we are going to require | 0:24:21 | 0:24:25 | |
a lot of people to do a lot of things, | 0:24:25 | 0:24:27 | |
so everybody is going to come from somewhere or other to help us | 0:24:27 | 0:24:32 | |
so everybody has got a small job to do and all the small, small jobs | 0:24:32 | 0:24:37 | |
get taken care of, the big job just becomes easy. | 0:24:37 | 0:24:40 | |
As well as banquets and restaurants, the kitchens are on stand-by | 0:24:42 | 0:24:45 | |
for requests at any time, day or night. | 0:24:45 | 0:24:48 | |
In-room dining. Good evening. May I assist you? | 0:24:48 | 0:24:52 | |
Yes, sir. What would you like to have? | 0:24:52 | 0:24:54 | |
Do you have anything particular in mind, sir? | 0:24:54 | 0:24:56 | |
In-room dining takes in excess of 170 orders every 24 hours. | 0:24:58 | 0:25:03 | |
Definitely, ma'am. To drink, ma'am, | 0:25:03 | 0:25:06 | |
you'd like to have a fresh lemon soda sweet and a Diet Coke, ma'am? | 0:25:06 | 0:25:09 | |
Thank you for calling in-room dining. | 0:25:09 | 0:25:11 | |
The time right now on the watch is 9.10. Just allow my steward | 0:25:11 | 0:25:14 | |
to reach your room within 40 minutes' time or soon as it's ready, ma'am. | 0:25:14 | 0:25:18 | |
Yes, ma'am, I'm sending it right away. Thank you for calling. | 0:25:18 | 0:25:22 | |
Anyone who wants food brought to their room talks to Janice. | 0:25:26 | 0:25:30 | |
Our voice must be pleasant because we are here | 0:25:32 | 0:25:35 | |
to talk to the guests because the guests are gods | 0:25:35 | 0:25:37 | |
they are looking after us. | 0:25:37 | 0:25:39 | |
This has gone, 363? | 0:25:39 | 0:25:41 | |
There was a lady who said, "You've got such a beautiful voice, | 0:25:41 | 0:25:44 | |
"I want to see you how you look." I spoke to my boss and he said, "Go." | 0:25:44 | 0:25:49 | |
So the lady said, | 0:25:49 | 0:25:50 | |
"I just wanted to know who was the one with the beautiful voice | 0:25:50 | 0:25:53 | |
"and I'm so happy I met you. Whenever you speak on the phone, | 0:25:53 | 0:25:56 | |
"it's so cheerful, it's so nice, I feel very happy." | 0:25:56 | 0:25:58 | |
Tom Cruise has stayed with us. | 0:26:01 | 0:26:03 | |
Hillary Clinton has stayed with us. | 0:26:03 | 0:26:05 | |
Everybody had gathered in the main lobby | 0:26:05 | 0:26:07 | |
and we gave a warm greeting to Mrs Clinton. | 0:26:07 | 0:26:09 | |
It was really very nice. | 0:26:09 | 0:26:12 | |
Move, move, move. | 0:26:12 | 0:26:13 | |
We even had this actress who has got six kids. | 0:26:15 | 0:26:19 | |
Her husband is famous. I think he's a football player. He's the first... | 0:26:19 | 0:26:22 | |
Actually, I'm very bad at names, I'm so sorry. | 0:26:24 | 0:26:27 | |
I forgot. What was that actress? | 0:26:27 | 0:26:29 | |
DIALLING TONE | 0:26:31 | 0:26:33 | |
There was an actress who was staying in Taj. | 0:26:35 | 0:26:38 | |
She had six kids, all of different descent. | 0:26:38 | 0:26:40 | |
Chinese and all that thing. | 0:26:40 | 0:26:42 | |
Angela Jolie. Thank you. | 0:26:43 | 0:26:44 | |
Brad Pitt. Angela Jolie. | 0:26:44 | 0:26:47 | |
So these people, what they do, they don't come from the main entrance, | 0:26:47 | 0:26:51 | |
they always come from the back entrance. | 0:26:51 | 0:26:53 | |
So that's the time when I saw her, face-to-face, and looked really good. | 0:26:53 | 0:26:57 | |
Replace it and just leave that. | 0:26:57 | 0:27:00 | |
Mostly in India people settle down between the age of 23 to 29. | 0:27:23 | 0:27:28 | |
We're lucky to have met each other at a time when both of us | 0:27:28 | 0:27:30 | |
wanted to settle down in life. | 0:27:30 | 0:27:32 | |
So it was very... | 0:27:32 | 0:27:34 | |
We met at the gym. | 0:27:36 | 0:27:37 | |
Yeah. | 0:27:38 | 0:27:39 | |
And I saw her at the gym and I just felt like going | 0:27:39 | 0:27:44 | |
and saying hello to her. | 0:27:44 | 0:27:46 | |
Unlike their parents, Rittika and Parth's marriage was not arranged. | 0:27:48 | 0:27:53 | |
But tradition is still important. | 0:27:53 | 0:27:54 | |
We were very confident ourselves that, you know, because | 0:27:56 | 0:27:59 | |
when we met each other and spoke to each other, | 0:27:59 | 0:28:01 | |
we were judging each other... | 0:28:01 | 0:28:04 | |
-I didn't know that! -Judging each other in the sense... | 0:28:04 | 0:28:08 | |
-Keeping our parents' expectations in mind. -Yeah. | 0:28:08 | 0:28:11 | |
So I was not only looking for what only I want, | 0:28:11 | 0:28:15 | |
but what also my family wants out of my wife. | 0:28:15 | 0:28:19 | |
It was very easy for us to convince our parents | 0:28:19 | 0:28:21 | |
because we had already done the thinking on behalf of them. | 0:28:21 | 0:28:24 | |
After the wedding, | 0:28:26 | 0:28:27 | |
Rittika will live with Parth in his parents' family home. | 0:28:27 | 0:28:30 | |
Tonight, basically, we're trying to put all the dances together | 0:28:32 | 0:28:35 | |
We have a sequence of dances for the sangeet. | 0:28:35 | 0:28:38 | |
This is Indian dances, Bollywood dances. | 0:28:38 | 0:28:40 | |
INDIAN MUSIC PLAYS | 0:28:40 | 0:28:44 | |
INDIAN SONG PLAYS | 0:28:54 | 0:28:58 | |
My parents got married at Taj 28 years ago, | 0:29:13 | 0:29:17 | |
so every time it's their | 0:29:17 | 0:29:18 | |
wedding anniversary, we go there and have a family dinner together. | 0:29:18 | 0:29:22 | |
So I thought it would be a great idea to introduce my parents | 0:29:22 | 0:29:25 | |
to Rittika on that day. | 0:29:25 | 0:29:27 | |
PEOPLE CHATTER | 0:29:27 | 0:29:29 | |
Left, right. | 0:29:29 | 0:29:31 | |
HE SINGS | 0:29:31 | 0:29:34 | |
-"Are you nervous?" -No. -We're not. I'm not. -I'm not either. | 0:29:45 | 0:29:50 | |
Why aren't you nervous? | 0:29:50 | 0:29:51 | |
That's everyone's favourite question - "Are you nervous?" | 0:29:51 | 0:29:54 | |
And I'm, like, "Why should I be nervous? | 0:29:54 | 0:29:56 | |
"I know who I'm getting married to and I really like her. | 0:29:56 | 0:29:59 | |
"I want to settle down with her. I love her." | 0:29:59 | 0:30:01 | |
-I'm actually looking forward to it. -Why should I be nervous about it? | 0:30:01 | 0:30:04 | |
I'm just excited. And we're looking forward to it. | 0:30:04 | 0:30:07 | |
-Taj has kind of like been a lucky place where... -Yeah. | 0:30:18 | 0:30:22 | |
-Yeah. -A lot of... -A lot of things... -..have worked out for us. | 0:30:22 | 0:30:25 | |
..have worked out for the better. | 0:30:25 | 0:30:26 | |
And now we're getting married there, so it's a great thing. Yeah. | 0:30:26 | 0:30:29 | |
Weddings are not only celebrated in the hotel, they're also made there. | 0:30:32 | 0:30:36 | |
The Sea Lounge, the original home of high tea in Mumbai, | 0:30:40 | 0:30:44 | |
is where an establishment families have gathered | 0:30:44 | 0:30:47 | |
to arrange marriages for generations. | 0:30:47 | 0:30:49 | |
The hotel is gorgeous. It's just really outstanding. | 0:30:56 | 0:31:00 | |
We know it's very famous | 0:31:02 | 0:31:04 | |
and I just found out that it's where people meet to fall in love. | 0:31:04 | 0:31:08 | |
LAUGHTER | 0:31:08 | 0:31:10 | |
-Is that what brought you here? -No! | 0:31:10 | 0:31:12 | |
I just found out about it today. | 0:31:12 | 0:31:14 | |
This is delicious. Can I come back tomorrow and have another one? | 0:31:14 | 0:31:18 | |
-Well, she's had her dessert first. -I have. Life's short. | 0:31:18 | 0:31:24 | |
Eat dessert first. | 0:31:24 | 0:31:25 | |
Well, we need to get their check | 0:31:26 | 0:31:28 | |
and go back to the hotel for cocktail hour. | 0:31:28 | 0:31:32 | |
-With milk? -No, thank you. -No milk? -No, thanks. | 0:31:35 | 0:31:38 | |
In an arranged marriage, the boy and the girl meet for the first time | 0:31:38 | 0:31:41 | |
under a supervised setting with both their families present. | 0:31:41 | 0:31:45 | |
And the Sea Lounge, for some reason, has always held that position. | 0:31:45 | 0:31:49 | |
How was I proposed to? | 0:31:52 | 0:31:54 | |
Well, they have been three proposals, if you must! | 0:31:56 | 0:32:00 | |
Since you're asking. | 0:32:00 | 0:32:02 | |
And the first one was indeed at the Sea Lounge, | 0:32:02 | 0:32:05 | |
where before I could sit myself down and order a cup of tea, | 0:32:05 | 0:32:08 | |
I was asked whether I'd be interested | 0:32:08 | 0:32:10 | |
in marrying the gentleman, | 0:32:10 | 0:32:12 | |
which was rather abrupt and I said, "Can we just order some tea?" | 0:32:12 | 0:32:18 | |
And I need to... You know what they say, "Stay calm and have more tea." | 0:32:18 | 0:32:21 | |
Shobhaa De was in her early teens | 0:32:25 | 0:32:27 | |
when her father first brought her to the hotel. | 0:32:27 | 0:32:30 | |
She was spotted by a modelling scout | 0:32:31 | 0:32:33 | |
and is now one of the most famous women in India. | 0:32:33 | 0:32:37 | |
I could not have imagined at 14 | 0:32:37 | 0:32:39 | |
that I would ever, ever step into the Taj, | 0:32:39 | 0:32:43 | |
because the Taj was like a mirage that all of us in Mumbai, | 0:32:43 | 0:32:47 | |
those of us who weren't rich rich and couldn't afford to walk in | 0:32:47 | 0:32:51 | |
would have been too intimidated to walk in. | 0:32:51 | 0:32:54 | |
We would often come, the family, to the Gateway of India, | 0:32:57 | 0:33:00 | |
which is a landmark, | 0:33:00 | 0:33:01 | |
and the kind of place that families would come over weekends | 0:33:01 | 0:33:05 | |
and we'd look at the Taj and I'd wonder to myself, | 0:33:05 | 0:33:07 | |
"Would I ever be able to walk in there?" | 0:33:07 | 0:33:09 | |
When I'm sitting here at this window, which I do quite often, | 0:33:13 | 0:33:16 | |
and I'm looking out | 0:33:16 | 0:33:17 | |
and I see people there taking pictures of these windows, | 0:33:17 | 0:33:21 | |
they're taking pictures of the Taj and wondered maybe, | 0:33:21 | 0:33:24 | |
"If we work really hard one day," like I did as a 14-year-old girl, | 0:33:24 | 0:33:28 | |
like, five years from now, | 0:33:28 | 0:33:29 | |
they'll be sitting where you and I are sitting. | 0:33:29 | 0:33:32 | |
And that's what the Taj symbolises - it symbolises success and ambition. | 0:33:32 | 0:33:37 | |
And it's a reflection of all that we dreamt of | 0:33:37 | 0:33:40 | |
as young girls and young men. | 0:33:40 | 0:33:42 | |
There's no resentment. Nobody out there will say, | 0:33:45 | 0:33:49 | |
"Oh, look at all those rich people sitting there | 0:33:49 | 0:33:52 | |
"and look at how decadent it all is." | 0:33:52 | 0:33:54 | |
They are saying, "One day we're going to own that, | 0:33:54 | 0:33:56 | |
"and we'll be here, | 0:33:56 | 0:33:57 | |
"ordering exactly what they're ordering right there." | 0:33:57 | 0:34:00 | |
The Taj opened its doors in 1903, | 0:34:05 | 0:34:08 | |
supposedly built after its founder, | 0:34:08 | 0:34:10 | |
JN Tata, was refused entry | 0:34:10 | 0:34:12 | |
to another hotel in the city | 0:34:12 | 0:34:15 | |
for not being European. | 0:34:15 | 0:34:16 | |
It was the first hotel that was opened to Indians. | 0:34:16 | 0:34:21 | |
It gave us, after the sun had set on the Empire, | 0:34:21 | 0:34:27 | |
and even before, a sense of belonging and a sense of welcome | 0:34:27 | 0:34:31 | |
when we weren't welcome in any other place. | 0:34:31 | 0:34:35 | |
So that they had the vision to create something | 0:34:37 | 0:34:40 | |
that was meant for their own countrymen | 0:34:40 | 0:34:43 | |
and to do it with so much elan and such splendour - | 0:34:43 | 0:34:48 | |
already it was a big post-colonial symbol | 0:34:48 | 0:34:51 | |
at least for people like myself. | 0:34:51 | 0:34:53 | |
That's what it still represents. | 0:34:53 | 0:34:55 | |
-Good afternoon, sir. How are you doing today? -Fine. | 0:35:00 | 0:35:03 | |
The luxury for me, the true luxury of coming to the Taj, | 0:35:03 | 0:35:06 | |
is to be made a member of the Taj family. | 0:35:06 | 0:35:11 | |
To come here, you feel welcome like you would feel welcomed | 0:35:11 | 0:35:15 | |
in a very close and loved relative's home. | 0:35:15 | 0:35:18 | |
It's not impersonal, it's never impersonal. | 0:35:21 | 0:35:24 | |
CAR HORN BEEPS | 0:35:26 | 0:35:27 | |
With the wedding day approaching, | 0:35:32 | 0:35:34 | |
Rittika is having her final dress fitting. | 0:35:34 | 0:35:37 | |
One of the things that you understand at an Indian wedding | 0:35:44 | 0:35:46 | |
is that it's not just the two people getting married, | 0:35:46 | 0:35:49 | |
it's more of a...families getting introduced to each other | 0:35:49 | 0:35:53 | |
and, um, families becoming one. | 0:35:53 | 0:35:56 | |
In fact, I think we had made it very clear that | 0:35:58 | 0:36:01 | |
if the parents don't get along, then we might reconsider everything. | 0:36:01 | 0:36:04 | |
See on the front, because it's a little heavy, it's going down. | 0:36:04 | 0:36:09 | |
-It rises a little bit on the hips. -Yeah. | 0:36:09 | 0:36:13 | |
'I met his parents alone to begin with. | 0:36:13 | 0:36:17 | |
'So we met at the Taj for the first time.' | 0:36:17 | 0:36:20 | |
That time it didn't really hit me that I'm going to meet his parents | 0:36:20 | 0:36:23 | |
for the first time, so I was very casual about it. | 0:36:23 | 0:36:26 | |
I think it was only a few fractions before they entered | 0:36:26 | 0:36:28 | |
the restaurant where I was panicking. I'm like, "Oh, my God! | 0:36:28 | 0:36:31 | |
"This is going to be the first time I'm meeting your parents! | 0:36:31 | 0:36:34 | |
"I need to be at my best," and stuff. | 0:36:34 | 0:36:37 | |
But they were really, really comforting, | 0:36:37 | 0:36:39 | |
so I didn't feel like I was going to a test. | 0:36:39 | 0:36:42 | |
It seemed very natural to talk to them and, um... | 0:36:42 | 0:36:47 | |
we got along pretty well. | 0:36:47 | 0:36:50 | |
-This looks... -This looks more... -I think. | 0:36:50 | 0:36:54 | |
-Yeah? -Yeah. | 0:36:54 | 0:36:56 | |
'The Taj, for more than me, it's more like' | 0:36:56 | 0:36:59 | |
a tradition for Parth cos his parents got married there. | 0:36:59 | 0:37:02 | |
-You OK? -Good job. -I'm happy. | 0:37:04 | 0:37:07 | |
'It makes them like a little extended family,' | 0:37:10 | 0:37:12 | |
and then knowing that we've always had all our important moments there, | 0:37:12 | 0:37:17 | |
it's all the more special to share it with them, | 0:37:17 | 0:37:19 | |
this particular wedding, yeah. | 0:37:19 | 0:37:21 | |
-Good evening. May I come in? -Please. | 0:37:39 | 0:37:41 | |
After you. You can leave the door. | 0:37:41 | 0:37:44 | |
-As you know, I'm always happy to see you. -Nice to see you, too. | 0:37:44 | 0:37:48 | |
-Got you lovely chocolates. -Yes! And one with a heart! | 0:37:48 | 0:37:53 | |
You are a killer! Thanks very much. That's very kind of you. | 0:37:53 | 0:37:57 | |
-Thank you so much for staying with us. Thank you so much, ma'am. -Bye. | 0:37:57 | 0:38:01 | |
Have a pleasant evening. | 0:38:01 | 0:38:02 | |
It is quite nice that my every whim - well, some of them - | 0:38:03 | 0:38:07 | |
is catered for, you know, | 0:38:07 | 0:38:08 | |
he's sort of, "Can I help you?" | 0:38:08 | 0:38:11 | |
He kind of sorted the bill, | 0:38:11 | 0:38:13 | |
he sorted my boarding pass for tomorrow, | 0:38:13 | 0:38:15 | |
sorted the car - everything! | 0:38:15 | 0:38:18 | |
But that's normal in these hotels. | 0:38:18 | 0:38:21 | |
But it makes me go, "Glory, hallelujah," | 0:38:21 | 0:38:24 | |
that these places exist, | 0:38:24 | 0:38:26 | |
you know, these bubbles | 0:38:26 | 0:38:28 | |
from the real world out there. | 0:38:28 | 0:38:29 | |
I've got to put my jewellery on, but I like a spot of glitter. | 0:38:31 | 0:38:34 | |
You know, it kind of goes with my profession, doesn't it? | 0:38:34 | 0:38:38 | |
The other thing I have to always do before going off to a gig | 0:38:38 | 0:38:42 | |
is dolloping on jasmine oil | 0:38:42 | 0:38:47 | |
because I like smelling like 1,001 Nights. | 0:38:47 | 0:38:51 | |
It means that actually I can never really kiss a married man | 0:38:51 | 0:38:56 | |
cos it'll permeate everywhere | 0:38:56 | 0:38:58 | |
and the wife would find out on the way home, | 0:38:58 | 0:39:00 | |
but I love jasmine, jasmine and more jasmine. | 0:39:00 | 0:39:05 | |
I've just got to put my shoes on, and then we're out of here. | 0:39:05 | 0:39:09 | |
OK. | 0:39:11 | 0:39:12 | |
Well, I only wear flat shoes. | 0:39:12 | 0:39:15 | |
I used to have an outrageous selection of shoes like that | 0:39:15 | 0:39:19 | |
with skirts like that and slits up to there, plunging. | 0:39:19 | 0:39:22 | |
I'm talking about the '70s, of course. | 0:39:22 | 0:39:25 | |
Now at my age it would be highly inappropriate, | 0:39:25 | 0:39:29 | |
but it's good to have those good memories, | 0:39:29 | 0:39:32 | |
and occasionally I get people saying, | 0:39:32 | 0:39:34 | |
"I've just seen pictures of you on YouTube or something in the | 0:39:34 | 0:39:38 | |
"'60s and '70s. | 0:39:38 | 0:39:39 | |
"Gosh! Did you look like that?" | 0:39:39 | 0:39:42 | |
Yes, I did. | 0:39:42 | 0:39:43 | |
Right. | 0:39:43 | 0:39:45 | |
Let's, um, boogie on down. | 0:39:45 | 0:39:49 | |
Double-check I've got my key. | 0:39:49 | 0:39:51 | |
Yes. | 0:39:53 | 0:39:55 | |
Good. | 0:39:55 | 0:39:56 | |
# Well, I woke up this morning... # | 0:39:56 | 0:40:00 | |
That's it. To work. | 0:40:00 | 0:40:02 | |
# With an awful aching head | 0:40:02 | 0:40:06 | |
# I woke up this morning, yeah | 0:40:10 | 0:40:15 | |
# With an awful aching head | 0:40:15 | 0:40:20 | |
# How's my man just left me | 0:40:24 | 0:40:28 | |
# With a room and an empty bed | 0:40:28 | 0:40:33 | |
# Now he was a deep sea diver | 0:40:39 | 0:40:42 | |
# Oh, he could hold his breath for long | 0:40:43 | 0:40:47 | |
# Yeah. # | 0:40:47 | 0:40:48 | |
PHONE RINGS Good evening. May I assist you? | 0:40:48 | 0:40:53 | |
# Oh, he's a deep sea diver | 0:40:53 | 0:40:58 | |
# He could hold his breath for long | 0:40:58 | 0:41:02 | |
# But when he got down to the bottom | 0:41:07 | 0:41:10 | |
# Ooh! Well, that man could do no wrong | 0:41:10 | 0:41:16 | |
# Now he's gone and left me with nothing but an empty bed. # | 0:41:16 | 0:41:21 | |
The hotel is hosting a wedding for Mumbai's high society, and everyone | 0:41:30 | 0:41:34 | |
from the pastry chefs to the florist has been called into action. | 0:41:34 | 0:41:38 | |
Let's not compromise quality. | 0:41:46 | 0:41:48 | |
Let's not compromise. | 0:41:48 | 0:41:50 | |
For the last 45 years, | 0:41:50 | 0:41:53 | |
Kamal has been creating flower arrangements in the hotel. | 0:41:53 | 0:41:57 | |
I know you're a very good worker, | 0:42:07 | 0:42:09 | |
but this is wrong. | 0:42:09 | 0:42:10 | |
I don't want any rubbish on the floor, please. | 0:42:10 | 0:42:13 | |
Kamal is creating a floral centrepiece for the wedding. | 0:42:15 | 0:42:19 | |
It must be faultless. | 0:42:20 | 0:42:21 | |
You plan first how much will go in this. | 0:42:24 | 0:42:27 | |
You have to... We know exactly in one foot how many hydrangeas go, | 0:42:27 | 0:42:32 | |
how many roses go, | 0:42:32 | 0:42:33 | |
so then we give you the footage. | 0:42:33 | 0:42:37 | |
Sometimes we may go wrong by five or ten pieces. | 0:42:37 | 0:42:41 | |
So that is what today the matter has happened. | 0:42:41 | 0:42:44 | |
We have gone a little wrong. That's why I'm calling for more flowers, | 0:42:44 | 0:42:48 | |
and some have come damaged, | 0:42:48 | 0:42:50 | |
so they have to be returned and brought new ones. | 0:42:50 | 0:42:54 | |
Huh? No. We took everything from him. | 0:42:57 | 0:43:00 | |
Assisting Kamal is her business partner, Bharti. | 0:43:00 | 0:43:04 | |
One minute. | 0:43:05 | 0:43:07 | |
He is saying that he told you these are going to come with the pink touch. | 0:43:07 | 0:43:10 | |
He never told me. Has he gone mad? | 0:43:10 | 0:43:12 | |
-Who is this? -Asheesh. -I don't want to talk to Asheesh. | 0:43:12 | 0:43:15 | |
Sachan knows I've asked for only white. | 0:43:15 | 0:43:18 | |
So you don't want any of this? | 0:43:20 | 0:43:23 | |
Asheesh, what do you want to do now? | 0:43:23 | 0:43:25 | |
I asked this question from Sachan also and I told Sachan this... | 0:43:25 | 0:43:30 | |
No, Sachan didn't tell her that. | 0:43:30 | 0:43:33 | |
Sachan did not tell her that. | 0:43:33 | 0:43:36 | |
No, he has to take it away from here. | 0:43:36 | 0:43:38 | |
All right. One minute. | 0:43:38 | 0:43:40 | |
How many hydrangeas tomorrow he's getting? | 0:43:40 | 0:43:43 | |
-I don't want... -Green. -I don't want. -OK. | 0:43:43 | 0:43:47 | |
I'll talk to Asheesh. | 0:43:47 | 0:43:49 | |
Why is he getting green hydrangeas? | 0:43:50 | 0:43:52 | |
Who has ordered? | 0:43:52 | 0:43:54 | |
-Not for us. He's getting them. -But what is his rate? | 0:43:54 | 0:43:57 | |
-255. -Tell him I've been getting at 200. | 0:43:57 | 0:44:01 | |
I told him 200. | 0:44:01 | 0:44:03 | |
-I don't know how you cope with this much to do! -We both cope. | 0:44:07 | 0:44:12 | |
She's more of a... What shall I... My backbone. | 0:44:13 | 0:44:17 | |
If she's not there, I'm lost. | 0:44:18 | 0:44:21 | |
Mary had a little lamb. | 0:44:21 | 0:44:22 | |
-How long have you two worked together? -16 years. | 0:44:23 | 0:44:27 | |
I've become too dependent on her, which is bad, no? | 0:44:29 | 0:44:33 | |
No, it's not. I always tell everybody I have two mums, | 0:44:33 | 0:44:38 | |
one at home and one here. | 0:44:38 | 0:44:40 | |
Good morning. | 0:44:43 | 0:44:45 | |
I had a fight just now. You know why? | 0:44:49 | 0:44:55 | |
BOTH TALK AT ONCE | 0:44:55 | 0:44:58 | |
This is the most beautiful flower arrangement. | 0:44:58 | 0:45:00 | |
Whenever she does flowers, we just don't have to worry. | 0:45:00 | 0:45:04 | |
We just kind of leave it into her hands, | 0:45:04 | 0:45:07 | |
right from conceptualisation to supervision, | 0:45:07 | 0:45:10 | |
and that's what I came here to see. | 0:45:10 | 0:45:11 | |
You will find her, like, | 0:45:11 | 0:45:12 | |
five o'clock in the morning, she'll be here, | 0:45:12 | 0:45:14 | |
and we'll make sure that by the time everything's not completed to her perfection, | 0:45:14 | 0:45:19 | |
she's not going to leave the place. | 0:45:19 | 0:45:20 | |
It's beautiful. | 0:45:20 | 0:45:22 | |
-Tonight's going to be a very beautiful flower arrangement. -I hope so, please. | 0:45:22 | 0:45:25 | |
-Now I'm getting stressed! -You just have to tell her. Everything, she takes care. | 0:45:25 | 0:45:30 | |
That's why probably... | 0:45:30 | 0:45:32 | |
She must have done the top 500 weddings in her career in Mumbai | 0:45:32 | 0:45:38 | |
where people just take her name and that's about it, you don't | 0:45:38 | 0:45:41 | |
have to worry about it any more. | 0:45:41 | 0:45:42 | |
-She's been in the hotel for 25 years. -45 years. -45, sorry, sorry! | 0:45:42 | 0:45:47 | |
This is a timeless hotel, so, you know, 25, 45, 55! It goes on! | 0:45:47 | 0:45:52 | |
I was trying to make you feel younger! | 0:45:52 | 0:45:55 | |
He's making me feel younger! | 0:45:55 | 0:45:57 | |
If I'd said 45, you wouldn't have felt like that, right? | 0:45:57 | 0:46:00 | |
-Thank you. -Thank you. I'll catch you later. | 0:46:00 | 0:46:02 | |
In the olden era, most people who joined the hotel, | 0:46:08 | 0:46:12 | |
you would join it as your first job | 0:46:12 | 0:46:13 | |
and kind of continue, | 0:46:13 | 0:46:15 | |
and loyalty was very high. | 0:46:15 | 0:46:17 | |
Now, what's started happening | 0:46:17 | 0:46:18 | |
is that over the last few years, | 0:46:18 | 0:46:20 | |
once we're getting the newer younger people coming in, | 0:46:20 | 0:46:23 | |
you find that there are a lot more different job opportunities | 0:46:23 | 0:46:26 | |
which come in and then people tend to leave for a few extra bucks very easily. | 0:46:26 | 0:46:30 | |
However, when you say that, still a lot of people still have | 0:46:30 | 0:46:34 | |
an aspiration to come and work for the hotel. | 0:46:34 | 0:46:37 | |
It's as much an aspiration for an employee to come and work in here | 0:46:37 | 0:46:41 | |
as much as it is for a guest to come and stay here. | 0:46:41 | 0:46:44 | |
The wedding cake is too big to assemble in the kitchen, | 0:46:50 | 0:46:53 | |
so the chefs have brought it into the Crystal Room. | 0:46:53 | 0:46:57 | |
Please don't keep it here. | 0:46:57 | 0:46:59 | |
Kamal is concerned that in this cramped space, | 0:47:06 | 0:47:09 | |
the cake might get damaged. | 0:47:09 | 0:47:12 | |
I'm just putting my hands up. | 0:47:12 | 0:47:14 | |
-I can't keep it here. -I'm not responsible. | 0:47:18 | 0:47:22 | |
I'll keep guard. | 0:47:22 | 0:47:23 | |
No, no. You keep your waiter here. | 0:47:23 | 0:47:26 | |
I know, but why can't it go somewhere that side? | 0:47:43 | 0:47:47 | |
It can go...there's a place. | 0:47:47 | 0:47:49 | |
This is as far from the stage as is possible. | 0:47:49 | 0:47:52 | |
-Put the cake here at your own risk. -Yes, I told them that. | 0:47:55 | 0:48:00 | |
It's a disclaimer from the florist. | 0:48:00 | 0:48:02 | |
Yes, I will... Yes. My boys won't do that, I know. | 0:48:02 | 0:48:06 | |
Because this is crucial. | 0:48:14 | 0:48:15 | |
The amount of effort which goes in a wedding is a lot more in India | 0:48:50 | 0:48:55 | |
than anywhere else in the world. | 0:48:55 | 0:48:57 | |
Parents save money all their life to actually get their children married | 0:49:01 | 0:49:04 | |
and it's a huge social statement. | 0:49:04 | 0:49:06 | |
Tonight, you'll have some of the top 500 people of the city visiting this wedding. | 0:49:06 | 0:49:11 | |
You'll really see that tonight, | 0:49:20 | 0:49:21 | |
the dessert counter will be the best that you've ever seen. | 0:49:21 | 0:49:26 | |
We've got a fantastic wedding cake, | 0:49:28 | 0:49:30 | |
the flowers are very beautifully done, | 0:49:30 | 0:49:33 | |
so as the hotel is known for doing its best weddings, | 0:49:33 | 0:49:36 | |
panache is extremely important. | 0:49:36 | 0:49:38 | |
So that's why you see people really go over the top. | 0:49:38 | 0:49:41 | |
The stage is looking nice. | 0:49:41 | 0:49:43 | |
The importance of weddings is, | 0:50:05 | 0:50:09 | |
I would say, too much. | 0:50:09 | 0:50:11 | |
People spend money | 0:50:11 | 0:50:13 | |
and money and more money. | 0:50:13 | 0:50:15 | |
There are communities | 0:50:15 | 0:50:17 | |
who want to spend lots of money. | 0:50:17 | 0:50:20 | |
Personally, if you ask me my view, | 0:50:21 | 0:50:23 | |
I don't believe in it. | 0:50:23 | 0:50:25 | |
I had my children's marriage, | 0:50:26 | 0:50:28 | |
which was so simple, | 0:50:28 | 0:50:30 | |
just in a little temple, | 0:50:30 | 0:50:31 | |
like how you have in church, | 0:50:31 | 0:50:33 | |
and a few people for the reception. | 0:50:33 | 0:50:35 | |
Just a few people, | 0:50:35 | 0:50:37 | |
just about 80, 90, that's it. | 0:50:37 | 0:50:40 | |
In our family, we believe in... | 0:50:40 | 0:50:42 | |
..living very moderately. | 0:50:43 | 0:50:45 | |
Let me see the roses. | 0:50:48 | 0:50:50 | |
Red roses. | 0:50:50 | 0:50:52 | |
Open cut? | 0:50:58 | 0:50:59 | |
My husband, when he was alive, he used to tell me, "That's your home." | 0:51:01 | 0:51:06 | |
He says, "This is your second home." | 0:51:06 | 0:51:08 | |
I used to say, "No, that's my second home." He used to say, "No." | 0:51:08 | 0:51:11 | |
We used to have arguments over this. | 0:51:11 | 0:51:13 | |
It was three-quarters of the day I was here. | 0:51:13 | 0:51:15 | |
And my son, he doesn't like me working too much. | 0:51:18 | 0:51:22 | |
He says, "Time to rest." | 0:51:22 | 0:51:24 | |
Yes, work for passion, but I guess I have a family here to support. | 0:51:24 | 0:51:30 | |
Eight boys. And every time I say I want to retire, they start crying, | 0:51:30 | 0:51:35 | |
"No! As long as you can just come here and oversee, we'll manage." | 0:51:35 | 0:51:41 | |
HORNS BEEP | 0:51:43 | 0:51:44 | |
INDIAN SONG PLAYS | 0:51:57 | 0:51:58 | |
I had always a passion for flowers, always. | 0:52:09 | 0:52:13 | |
The young girls, also, they always like flowers. | 0:52:13 | 0:52:17 | |
You know what? It never ends, passion. | 0:52:22 | 0:52:25 | |
Passion is something which never ends. | 0:52:25 | 0:52:27 | |
It's basically auspicious to decorate your hands | 0:53:01 | 0:53:05 | |
before the wedding. | 0:53:05 | 0:53:06 | |
There is particular shapes that they regularly apply | 0:53:08 | 0:53:12 | |
when it comes to bridal henna. | 0:53:12 | 0:53:15 | |
The fun is supposed to be that the groom is supposed to find his name | 0:53:15 | 0:53:20 | |
in all the designs and patterns that they draw. | 0:53:20 | 0:53:23 | |
It's like every ritual, you're getting closer to the other family. | 0:53:26 | 0:53:31 | |
You're becoming one big family, | 0:53:31 | 0:53:34 | |
so if you just have no rituals and... I guess you don't get so close. | 0:53:34 | 0:53:41 | |
When Rittika marries Parth, there will be five generations | 0:53:43 | 0:53:47 | |
of family present, | 0:53:47 | 0:53:49 | |
including her 85-year-old grandmother, | 0:53:49 | 0:53:52 | |
and, flying in especially, | 0:53:52 | 0:53:54 | |
her great-grandmother, who is 100. | 0:53:54 | 0:53:58 | |
-Her grandfather, he said always Vaishnavi. -Yeah. | 0:53:58 | 0:54:02 | |
He always said Vaishnavi. | 0:54:02 | 0:54:05 | |
Vaishnavi is a goddess, so when she was to be born, | 0:54:05 | 0:54:10 | |
Grandfather had a dream, | 0:54:10 | 0:54:12 | |
and he told us in our house, we are going to get a goddess, | 0:54:12 | 0:54:17 | |
so everybody was saying, "What is he saying? | 0:54:17 | 0:54:19 | |
"What is he saying?" And then we got this little girl. | 0:54:19 | 0:54:23 | |
So everybody knows that we have a goddess at home. | 0:54:23 | 0:54:27 | |
Vaishnavi. | 0:54:28 | 0:54:30 | |
And always, everything goes without any mistake | 0:54:30 | 0:54:35 | |
because that's how it is for her. | 0:54:35 | 0:54:37 | |
It's going to go right. | 0:54:37 | 0:54:38 | |
If you get the person home, you think is the right person, | 0:54:40 | 0:54:45 | |
you're very happy because then you know that you don't have | 0:54:45 | 0:54:48 | |
to worry that...that's what I have as a feeling, you know, coming, | 0:54:48 | 0:54:52 | |
that he's going to take care. | 0:54:52 | 0:54:54 | |
-Are you happy? -yeah. | 0:55:01 | 0:55:03 | |
-She's going to a better house. -Yeah. For that, I'm very, very happy. | 0:55:03 | 0:55:08 | |
There is something our literature which says | 0:55:49 | 0:55:53 | |
when you choose a bridegroom, there are, let's say, nine things | 0:55:53 | 0:55:59 | |
which are important, out of which the first thing is the family. | 0:55:59 | 0:56:03 | |
So I think she gets a lot of good things, so she's lucky. | 0:56:11 | 0:56:15 | |
-She's a lucky girl. -She's lucky, yeah. | 0:56:15 | 0:56:17 | |
For Mumbai, this hotel is very dear to everyone, | 0:56:54 | 0:56:57 | |
because for a lot of families, it's almost three generations of loyalty. | 0:56:57 | 0:57:01 | |
For us, the guests become almost family. | 0:57:05 | 0:57:08 | |
That's exactly how they feel. | 0:57:08 | 0:57:10 | |
The hotel gets into your blood. I think you just... You feel it. | 0:57:31 | 0:57:35 | |
After some time, it's in your system. | 0:57:35 | 0:57:37 | |
Wait till the day you have to leave. Just wait for it. | 0:57:39 | 0:57:42 | |
You...you become such a part of it | 0:57:45 | 0:57:47 | |
and it becomes such a part of you that you never want to let go. | 0:57:47 | 0:57:52 | |
You know when the terrorists attacked the place? | 0:58:00 | 0:58:03 | |
I was just across the water, so I actually heard the gunshots. | 0:58:03 | 0:58:07 | |
I saw the place go up in flames. | 0:58:07 | 0:58:09 | |
I realised they were out to destroy the building. | 0:58:09 | 0:58:13 | |
He entered, he pointed the gun at me. | 0:58:15 | 0:58:19 | |
Almost point-blank, they fired at us. | 0:58:19 | 0:58:21 | |
INDIAN SONG PLAYS | 0:58:21 | 0:58:22 |