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'Claridge's Hotel in the heart of London's Mayfair provides | 0:00:02 | 0:00:05 | |
'a five star service for the rich, where nothing is too much trouble.' | 0:00:05 | 0:00:11 | |
Can you clean the chairs with your damp cloth? | 0:00:11 | 0:00:13 | |
Can you make sure you do the legs, look? | 0:00:13 | 0:00:15 | |
We nag. Do a lot of nagging. | 0:00:15 | 0:00:17 | |
I'm sorry. We have to do it. | 0:00:17 | 0:00:19 | |
'For the first time, the hotel has allowed cameras inside, | 0:00:19 | 0:00:23 | |
'and we've spent a year filming upstairs | 0:00:23 | 0:00:25 | |
'and downstairs, following the staff and the guests they serve, some | 0:00:25 | 0:00:30 | |
'wealthy enough to treat the hotel as a second home.' | 0:00:30 | 0:00:34 | |
Just in case weather's bad in London, he'll use one of those hats. | 0:00:34 | 0:00:37 | |
But we have to wait to him to decide which one. | 0:00:37 | 0:00:40 | |
But they will all stay in boxes. | 0:00:40 | 0:00:41 | |
And what's it like, saying "yes" to people all the time? | 0:00:41 | 0:00:45 | |
Horrible! | 0:00:45 | 0:00:46 | |
HE LAUGHS | 0:00:46 | 0:00:47 | |
It's fun! You've got to keep saying "yes". That's a positive "yes". | 0:00:47 | 0:00:51 | |
'It's the summer of 2012, | 0:00:51 | 0:00:54 | |
'and the hotel is facing a worldwide invasion.' | 0:00:54 | 0:00:58 | |
There's a little bit of uncertainty, which we don't like in this business. | 0:00:58 | 0:01:02 | |
'Dignitaries and heads of state are checking in for the Olympics. | 0:01:02 | 0:01:06 | |
'And Thomas Kochs, the General Manager, is planning | 0:01:06 | 0:01:09 | |
'a revolutionary Nordic dining experience, costing £195 a head. | 0:01:09 | 0:01:15 | |
'The menu is going to cause quite a stir...' | 0:01:16 | 0:01:19 | |
There's lots of charcoal in there and lots of hay and grass! | 0:01:19 | 0:01:23 | |
'..With a few live ants!' | 0:01:23 | 0:01:25 | |
How do you eat an ant, cos it's live when it goes on your tongue? | 0:01:25 | 0:01:29 | |
You just chew and... God, yeah! Let's not put that in! | 0:01:29 | 0:01:33 | |
We can take them off and then... | 0:01:56 | 0:01:57 | |
'The hotel has over 36,000 guests a year, and some stay so often, | 0:02:02 | 0:02:07 | |
'they have their clothes and furniture stored between visits.' | 0:02:07 | 0:02:10 | |
Quickly! | 0:02:10 | 0:02:12 | |
I think we should take this first. | 0:02:12 | 0:02:14 | |
-And I'll follow behind with the clothes rail, Joel. -Yeah, sure. | 0:02:14 | 0:02:19 | |
'One such guest is Cuban-born multi-millionaire Pepe Fanjul. | 0:02:21 | 0:02:25 | |
'He's been staying at the hotel for over 62 years, | 0:02:27 | 0:02:31 | |
'since he was a small boy.' | 0:02:31 | 0:02:32 | |
How many suits have you got there, Stephen? | 0:02:34 | 0:02:37 | |
Most of them are the shooting attire that he's taken with him before. | 0:02:37 | 0:02:43 | |
And then sometimes, he'll leave things behind. | 0:02:43 | 0:02:45 | |
So you've got mainly jackets, trousers, | 0:02:47 | 0:02:53 | |
and then there's the clothes that he left behind, | 0:02:53 | 0:02:56 | |
which we had to get ready for him to be pressed and cleaned. | 0:02:56 | 0:02:59 | |
And they'll go back in his room. | 0:02:59 | 0:03:01 | |
Four blankets, two sheets and two eiderdowns. | 0:03:06 | 0:03:11 | |
Four feather pillows and two foam pillows. | 0:03:11 | 0:03:14 | |
Is this unusual, to have four blankets and two eiderdowns? | 0:03:14 | 0:03:19 | |
No. It's what a guest has asked for, so nothing's unusual. | 0:03:19 | 0:03:24 | |
'So we take photos. You know, when he comes back,' | 0:03:37 | 0:03:39 | |
everything is set up exactly how he wants it to be. | 0:03:39 | 0:03:43 | |
'It's home from home, so it has to be correct.' | 0:03:45 | 0:03:48 | |
You have an incredibly smart uniform. | 0:03:53 | 0:03:57 | |
Everyone says I look like a snooker player! | 0:03:57 | 0:03:59 | |
HE LAUGHS | 0:03:59 | 0:04:00 | |
And why does a house porter look so smart? | 0:04:00 | 0:04:03 | |
'Because we're seen by everyone and we're everywhere.' | 0:04:05 | 0:04:08 | |
And it makes you feel nice, if you dress smartly, as well. | 0:04:08 | 0:04:10 | |
You don't want to be wearing a T-shirt or something. | 0:04:10 | 0:04:13 | |
So it's a bit nicer to wear a shirt and a waistcoat and a bowtie. | 0:04:13 | 0:04:17 | |
'Mr Fanjul has notched up over 300 nights in the hotel | 0:04:19 | 0:04:24 | |
'in the last ten years. | 0:04:24 | 0:04:27 | |
'He likes to stay in a Linley Suite, | 0:04:27 | 0:04:29 | |
'which can cost up to £3,500 a night.' | 0:04:29 | 0:04:32 | |
He's an incredibly loyal guest at the hotel. | 0:04:33 | 0:04:36 | |
He's been coming to us for many, many years, | 0:04:36 | 0:04:39 | |
knows many of our staff members extremely well. | 0:04:39 | 0:04:43 | |
He bought us an ice cream machine for our staff cafeteria, | 0:04:45 | 0:04:49 | |
which was very kind of him. | 0:04:49 | 0:04:50 | |
'It's gone down extremely well within the hotel.' | 0:04:50 | 0:04:54 | |
So during winter and summer, | 0:04:54 | 0:04:55 | |
we have a permanent supply of ice cream, thank you to Mr Fanjul! | 0:04:55 | 0:04:59 | |
He's a very elegant gentleman, very tall, distinguished, fair hair. | 0:04:59 | 0:05:03 | |
He's wonderful. He's coming to the hotel longer than I am. | 0:05:03 | 0:05:06 | |
And he usually has the same suite all the time when he comes. | 0:05:06 | 0:05:09 | |
When did he last stay? | 0:05:09 | 0:05:12 | |
He was here last week for one night, and then he's left, | 0:05:12 | 0:05:18 | |
gone back to Scotland. He'll be back again. | 0:05:18 | 0:05:21 | |
-For how long? -For one night. | 0:05:21 | 0:05:23 | |
It's as much work for one night as it is for a week. | 0:05:25 | 0:05:28 | |
'Yes. It's the same whether he be here for one night, | 0:05:28 | 0:05:30 | |
'two nights, a week or three weeks.' | 0:05:30 | 0:05:33 | |
Everything has to be prepped, | 0:05:33 | 0:05:34 | |
and it will always be prepped exactly the same. | 0:05:34 | 0:05:37 | |
-Mr Fanjul, welcome back. -Thank you very much. Thank you. | 0:05:46 | 0:05:49 | |
-Good to see you again. How are you? -Mr Fanjul, Michael. -How are you? | 0:05:49 | 0:05:53 | |
-Hi there. -Thank you very much. -Nice to welcome you back! | 0:05:53 | 0:05:55 | |
How are you? Everything well? | 0:05:55 | 0:05:57 | |
'Mr Fanjul is a sugar magnate whose family owns | 0:05:57 | 0:06:00 | |
'companies around the world, including Tate and Lyle.' | 0:06:00 | 0:06:03 | |
-Have a lovely stay. -Thank you very much. | 0:06:03 | 0:06:05 | |
'Much rather come to Claridge's | 0:06:08 | 0:06:09 | |
'than have the headache of running another place and everything else. | 0:06:09 | 0:06:14 | |
'While Claridge's continues to be good | 0:06:14 | 0:06:16 | |
'and the service continues to be like home, I'd rather stay at Claridge's. | 0:06:16 | 0:06:20 | |
'They do everything for me, instead of having to worry about staff | 0:06:20 | 0:06:23 | |
'and everything else. And the staff here are like family.' | 0:06:23 | 0:06:26 | |
Welcome back, sir. Nice to see you. | 0:06:26 | 0:06:28 | |
-How's everything? I'm very well, thank you. -Have a lovely stay. | 0:06:28 | 0:06:31 | |
-Thank you very much. -We'll see you a little bit later. -We'll see you in a few minutes. | 0:06:31 | 0:06:35 | |
-Thank you so much, Mr Fanjul. -Have a good trip, Sir. -Thank you very much. | 0:06:35 | 0:06:39 | |
Now, what do you like about this room when you look around? | 0:06:43 | 0:06:46 | |
Just I know where everything is! | 0:06:46 | 0:06:48 | |
HE LAUGHS | 0:06:48 | 0:06:49 | |
That's half the battle. | 0:06:49 | 0:06:51 | |
He's very organised and he likes to know where everything is kept. | 0:06:51 | 0:06:56 | |
'I think that you may find hotels that are grander, | 0:06:58 | 0:07:01 | |
'like the Ritz in Paris, maybe.' | 0:07:01 | 0:07:03 | |
Or the Ritz in Madrid that has that wonderful outside area to have lunch, | 0:07:03 | 0:07:07 | |
which is beautiful. | 0:07:07 | 0:07:09 | |
'But I think what Claridge's is the people that come here, always. | 0:07:09 | 0:07:12 | |
'They treat them as family, whether it's the hall porter, | 0:07:12 | 0:07:15 | |
'whether it's the manager, whether it's the elevator man.' | 0:07:15 | 0:07:18 | |
They all know you by name, you know them by name. | 0:07:18 | 0:07:22 | |
"For Excellence We Strive." | 0:07:22 | 0:07:25 | |
It's like the Butler Department! | 0:07:25 | 0:07:27 | |
And while people go and come at upper levels, let's say, | 0:07:27 | 0:07:31 | |
the people that work at the hotel every day, | 0:07:31 | 0:07:34 | |
they pretty much all stay the same. | 0:07:34 | 0:07:36 | |
We had it repaired recently because one of the wheels fell off. | 0:07:36 | 0:07:40 | |
I think it was overloaded, and we actually got this for him | 0:07:40 | 0:07:43 | |
to save us storing things in boxes. | 0:07:43 | 0:07:46 | |
So this was from the hotel to Mr Fanjul from Claridge's. | 0:07:46 | 0:07:50 | |
We normally go out for dinner, but if not, | 0:07:50 | 0:07:52 | |
if we're tired and we want to have dinner here, they bring, | 0:07:52 | 0:07:57 | |
you know, a table and you have dinner up here. | 0:07:57 | 0:07:59 | |
And I love that. | 0:07:59 | 0:08:00 | |
I have a TV night, watching TV in my pyjamas, which is very nice! | 0:08:00 | 0:08:04 | |
'Mr Fanjul might be here for a quiet night in, but with the Olympics | 0:08:07 | 0:08:11 | |
'opening in three days' time, the hotel is preparing for an influx | 0:08:11 | 0:08:15 | |
'of world leaders and their extensive entourages.' | 0:08:15 | 0:08:18 | |
Variety of different things that we're putting in for all | 0:08:20 | 0:08:23 | |
the staff members. | 0:08:23 | 0:08:24 | |
So we've got drinking bottles, energy drink. | 0:08:24 | 0:08:27 | |
We've got a sort of fun book, all about the Olympics | 0:08:27 | 0:08:31 | |
and the spirit of the Olympics. We've got a travel card holder. | 0:08:31 | 0:08:35 | |
We've got lots of transport information, | 0:08:35 | 0:08:37 | |
so people know how to get around London. | 0:08:37 | 0:08:40 | |
Have you got lots of people arriving today? | 0:08:44 | 0:08:47 | |
Yes. There's a few VIPs who's arrived today. | 0:08:47 | 0:08:50 | |
-Do you know which countries they're from? -Different countries. | 0:08:50 | 0:08:54 | |
Thank you very much. | 0:08:58 | 0:08:59 | |
'They need doing every 15, 20 minutes. Even when I do them this morning,' | 0:09:03 | 0:09:07 | |
there'll be someone coming in as soon as you do it, | 0:09:07 | 0:09:09 | |
'and they'll just touch the glass where you've just done it.' | 0:09:09 | 0:09:13 | |
So, yeah. They do need a clean quite regularly, really. | 0:09:13 | 0:09:16 | |
Do you ever feel, "Oi! That was clean till you put your fingers..." | 0:09:16 | 0:09:19 | |
Every morning! Said, "I've just done that!" | 0:09:19 | 0:09:22 | |
'August is usually a quiet time of the year, | 0:09:22 | 0:09:25 | |
'but with 30 nations in the hotel, | 0:09:25 | 0:09:27 | |
'the Olympics is seriously big business. | 0:09:27 | 0:09:31 | |
'The senior management team is inspecting every room to | 0:09:31 | 0:09:34 | |
'ensure that not even a cushion is out of place. | 0:09:34 | 0:09:37 | |
'Top suites for the visiting delegations can cost up | 0:09:38 | 0:09:42 | |
'to £5,000 a night.' | 0:09:42 | 0:09:43 | |
'Algeria, Angola, Argentina,' | 0:09:45 | 0:09:47 | |
Armenia, Bulgaria, Brazil, Canada, | 0:09:47 | 0:09:51 | |
China, Gabon, Hong Kong, Italy, Indonesia, | 0:09:51 | 0:09:55 | |
'Jamaica, | 0:09:55 | 0:09:58 | |
'Kazakhstan, Korea, Kyrgyzstan, Malawi,' | 0:09:58 | 0:10:02 | |
Malaysia, Mexico, Moldova, | 0:10:02 | 0:10:07 | |
'Morocco, Netherlands,' | 0:10:07 | 0:10:08 | |
New Zealand, Oman, Qatar, Rwanda, Spain, Thailand and Tunisia. | 0:10:08 | 0:10:14 | |
'Yeah. It's 30 countries, so... | 0:10:16 | 0:10:19 | |
'You know, I think there's been a few moments' | 0:10:19 | 0:10:21 | |
where we thought, "Wow! We're taking on probably quite a lot here." | 0:10:21 | 0:10:24 | |
'It's 6:40am, and the husband of the President of Malawi | 0:10:30 | 0:10:34 | |
'is due any moment. | 0:10:34 | 0:10:35 | |
'But there's a problem. | 0:10:39 | 0:10:40 | |
'A Rolls-Royce suddenly stalls outside the entrance.' | 0:10:43 | 0:10:47 | |
Try to get the driver out. Is the driver there? | 0:10:48 | 0:10:51 | |
'Despite their best efforts, the hotel staff can't restart it, | 0:10:51 | 0:10:56 | |
'and the diplomatic car arrives somewhat awkwardly.' | 0:10:56 | 0:10:59 | |
Welcome to Claridge's. | 0:11:06 | 0:11:07 | |
'First Gentleman Richard Banda has booked into the hotel | 0:11:11 | 0:11:14 | |
'for 11 nights, along with the rest of his 15-strong entourage.' | 0:11:14 | 0:11:19 | |
John, who did you just take up in the lift? | 0:11:24 | 0:11:28 | |
-Mr President. -What was he like? | 0:11:28 | 0:11:30 | |
He was very nice person, very nice person. He's been here before. | 0:11:30 | 0:11:35 | |
He knows the place, he likes to stay with us. | 0:11:35 | 0:11:38 | |
'7:30, and it's the turn of the President of Gabon.' | 0:11:44 | 0:11:48 | |
It's a highly unusual week. It's a very exciting week. | 0:11:49 | 0:11:53 | |
'President Bongo has booked into a top suite for 12 nights, | 0:11:53 | 0:11:57 | |
'and his delegation have taken a further eight rooms.' | 0:11:57 | 0:12:00 | |
Will you have five or six kings and queens in the lobby, though? | 0:12:03 | 0:12:07 | |
You potentially could have a number of heads of state waiting at one time. | 0:12:07 | 0:12:11 | |
It's very swiftly done, and they have | 0:12:11 | 0:12:13 | |
their own personal security too. | 0:12:13 | 0:12:15 | |
We don't want to leave anything to chance. | 0:12:18 | 0:12:20 | |
But does this mean you can't be spontaneous in Claridge's? | 0:12:21 | 0:12:24 | |
No, I mean, spontaneity is lovely, | 0:12:24 | 0:12:28 | |
but it all needs to be thought out. | 0:12:28 | 0:12:32 | |
You know, there's ramifications for everything that you do, | 0:12:32 | 0:12:36 | |
good and bad, so no, you just need to be really well prepared. | 0:12:36 | 0:12:41 | |
-Fried egg, sunny side up, white toast, coffee and two croissants. -OK. | 0:12:41 | 0:12:46 | |
We have one at 7:15am, two at 8 o'clock, one at 11:am, | 0:12:49 | 0:12:53 | |
one at 10:15am and we sent one already at 6:45am. | 0:12:53 | 0:12:57 | |
They're just the pre-orders. We have 30 rooms so most of our guests | 0:12:57 | 0:13:00 | |
will have breakfast, so we're quite busy this morning. | 0:13:00 | 0:13:03 | |
We're all creatures of habit. Usually people have the same breakfast. | 0:13:06 | 0:13:09 | |
If it's English breakfast today, it's the same tomorrow. They don't vary much. | 0:13:09 | 0:13:13 | |
The Japanese breakfast, have you seen it? Its very colourful. | 0:13:13 | 0:13:16 | |
Salmon, pickle, poached eggs, miso soup, it's all very, very nice. | 0:13:16 | 0:13:21 | |
This is a separate order for the omelette, but we also have an order | 0:13:21 | 0:13:25 | |
of chicken burger and French fries for breakfast. | 0:13:25 | 0:13:28 | |
-Does that happen often? -Every now and then. | 0:13:28 | 0:13:31 | |
But yes, we do anything, any time for our guests. Yes. | 0:13:31 | 0:13:36 | |
As if the kitchen didn't have enough to do with breakfast for the Olympic delegations... | 0:13:41 | 0:13:46 | |
Friday's delivery... | 0:13:46 | 0:13:47 | |
..there's a new ingredient to contend with. | 0:13:47 | 0:13:49 | |
A parcel was brought down to me on Friday morning, a sort of long, | 0:13:51 | 0:13:56 | |
brown parcel which I opened, | 0:13:56 | 0:13:58 | |
and then there was another sort of foil container inside it. | 0:13:58 | 0:14:02 | |
A little bit like a sort of Chinese takeaway box. | 0:14:02 | 0:14:05 | |
And then all these ants started to fall out of it. | 0:14:05 | 0:14:08 | |
'This single ant is the first in a series of bizarre foods, | 0:14:08 | 0:14:14 | |
'quite unlike anything kitchen staff have seen before.' | 0:14:14 | 0:14:18 | |
This poor little guy was the only one that was left, so he made it. | 0:14:18 | 0:14:22 | |
He's rather special, actually. | 0:14:22 | 0:14:25 | |
This is Orlando. | 0:14:25 | 0:14:27 | |
Only because I think in A Bug's Life, there was an ant called Orlando, | 0:14:27 | 0:14:30 | |
so I suddenly decided that he would be called Orlando. | 0:14:30 | 0:14:34 | |
-He's very shy, actually. -So how many ants were sent to you? -200. | 0:14:34 | 0:14:40 | |
Ants are the heart of a radical idea | 0:14:43 | 0:14:45 | |
to transform the empty ballroom into a pop-up restaurant. | 0:14:45 | 0:14:49 | |
It will cost £195 a head, plus wine. | 0:14:51 | 0:14:57 | |
Claridge's being such a meaningful hotel in the city, | 0:14:57 | 0:15:03 | |
we thought about, how can we contribute | 0:15:03 | 0:15:06 | |
to making London even more fascinating | 0:15:06 | 0:15:09 | |
and even more exciting to all these people who come and visit our city? | 0:15:09 | 0:15:13 | |
Thomas has set his sights on luring a Copenhagen-based restaurant to the hotel. | 0:15:13 | 0:15:19 | |
Voted number one in the world for three years running, | 0:15:19 | 0:15:22 | |
Noma is famed for its Nordic cuisine and avant-garde ingredients, | 0:15:22 | 0:15:27 | |
a far cry from the usual Claridge's fair. | 0:15:27 | 0:15:31 | |
You sit down, I think they put an empty plate in front of you. | 0:15:33 | 0:15:37 | |
And then they move the flower arrangements and go, | 0:15:37 | 0:15:40 | |
"There you go. There's your first course." | 0:15:40 | 0:15:43 | |
So this whole discovery of the experience | 0:15:43 | 0:15:46 | |
is what they're very much about. | 0:15:46 | 0:15:48 | |
I think we should absolutely not call it a pop-up restaurant. | 0:15:49 | 0:15:53 | |
-It's not... -It's an experience. -Exactly, it's a dining experience. | 0:15:53 | 0:15:57 | |
We can maybe... Do we want to add to that? | 0:15:57 | 0:16:00 | |
Is it a gastronomic dining experience | 0:16:00 | 0:16:02 | |
or is it just a dining experience? | 0:16:02 | 0:16:05 | |
What can people expect to eat? | 0:16:05 | 0:16:07 | |
Whatever's on the menu, the ingredients are wild, | 0:16:09 | 0:16:12 | |
weather dependent and often foraged on the day. | 0:16:12 | 0:16:15 | |
At the most basic level, is this going to be Norwegian food? | 0:16:17 | 0:16:21 | |
I think from our conversations, probably not. | 0:16:21 | 0:16:23 | |
We need to have some kind of guidance, I think. | 0:16:23 | 0:16:27 | |
I'm not convinced we have to tell people | 0:16:27 | 0:16:29 | |
what they're actually going to be eating. | 0:16:29 | 0:16:32 | |
I'm just confused, because if you read everything, all the time, | 0:16:32 | 0:16:35 | |
look, this is what they're seeing. | 0:16:35 | 0:16:38 | |
This is Time magazine, this is the visuals. | 0:16:38 | 0:16:40 | |
Every picture of him is scavenging in the Norwegian fjords, | 0:16:40 | 0:16:44 | |
or in Denmark's waters, how does that translate to Mayfair? | 0:16:44 | 0:16:49 | |
Hi, Matt. How are you? | 0:16:52 | 0:16:54 | |
'Matt Orlando, head chef at Noma, has just arrived. | 0:16:54 | 0:16:59 | |
'He's here to find out whether the Claridge's kitchen can cope with the new menu.' | 0:16:59 | 0:17:03 | |
How are you? | 0:17:05 | 0:17:07 | |
-So you're just doing one portion? -Yeah. Of this measure. | 0:17:13 | 0:17:16 | |
Do you want a smaller cup, like a demitasse? | 0:17:19 | 0:17:21 | |
No, I think this is good because we need to be able to pile like 21 grams of raspberries. | 0:17:21 | 0:17:26 | |
-Oh, right. -Not really crushed but kind of torn a little bit. | 0:17:26 | 0:17:29 | |
And then a little bit of juniper oil, | 0:17:29 | 0:17:33 | |
and then the herbs is kind of over the top. | 0:17:33 | 0:17:36 | |
This dish is a play on tea and scones. | 0:17:36 | 0:17:39 | |
It's raspberries with tea, | 0:17:39 | 0:17:41 | |
and then served with a scone on the side with caviar and clotted cream. | 0:17:41 | 0:17:47 | |
It's that kind of exploration of finding flavours | 0:17:56 | 0:17:58 | |
that you associate with somewhere else but actually they've been in your backyard this whole time. | 0:17:58 | 0:18:03 | |
For me, that's the most exciting part about the ants, | 0:18:03 | 0:18:06 | |
making people realise that these flavours are all around us. | 0:18:06 | 0:18:11 | |
You just need to actually step out of the realm of a vegetable | 0:18:11 | 0:18:15 | |
or a fruit or an herb, and actually look into something else, like ants. | 0:18:15 | 0:18:20 | |
-I'm bringing nine kilos of sol with us. -OK. | 0:18:24 | 0:18:28 | |
Sole as in fish or...? | 0:18:28 | 0:18:32 | |
-No, sol, the red seaweed from Iceland, sol. -Right. | 0:18:32 | 0:18:36 | |
-To make the stocks, to make powders and stuff like that. -OK. | 0:18:36 | 0:18:40 | |
And how prepared are you at this stage? | 0:18:43 | 0:18:46 | |
Not as prepared as we probably feel that we should be. | 0:18:46 | 0:18:50 | |
We have two things that are really outstanding in the menu. | 0:18:52 | 0:18:56 | |
Outstanding questions that we don't really know very much about. | 0:18:56 | 0:19:00 | |
Purely because of the change of ingredients. | 0:19:00 | 0:19:02 | |
Originally we had the chestnut dish and we cannot get the chestnuts | 0:19:02 | 0:19:06 | |
so now that's become an oyster dish. And although we know a little bit | 0:19:06 | 0:19:09 | |
about the dish itself, we don't know exactly what they want, | 0:19:09 | 0:19:12 | |
exactly what's going to go in it. And about three weeks ago, | 0:19:12 | 0:19:16 | |
Matt said we need, I think it was 12 kilos of raspberries | 0:19:16 | 0:19:20 | |
and 15 litres of vinegar. "Put it in a bucket and I'll tell you what you need". | 0:19:20 | 0:19:24 | |
'It's not just the food that's a challenge, it's the Noma style. | 0:19:26 | 0:19:31 | |
'Minimal, monochrome and Nordic, | 0:19:31 | 0:19:34 | |
'it won't sit easily in the Art Deco ballroom.' | 0:19:34 | 0:19:38 | |
This is how we'd be sitting. | 0:19:38 | 0:19:40 | |
If there's a four, it won't be divided like that. | 0:19:40 | 0:19:42 | |
It's almost a very, very positive obsession | 0:19:42 | 0:19:45 | |
with getting it perfectly right, | 0:19:45 | 0:19:48 | |
and by really almost over-focusing on the detail right now. | 0:19:48 | 0:19:53 | |
The secret in hotels and in gastronomy is in the preparation. | 0:19:53 | 0:19:58 | |
If you are prepared and if you have anticipated what could happen, | 0:19:58 | 0:20:01 | |
the outcome is normally a very, very positive one. | 0:20:01 | 0:20:05 | |
-You've got longer legs than me... -'It's not what we do every day. | 0:20:05 | 0:20:09 | |
-'It's very, very new for us.' -I'm fine on that one. | 0:20:09 | 0:20:13 | |
But you see, the question is, are you fine for 10 minutes | 0:20:13 | 0:20:16 | |
or are you fine for three hours? | 0:20:16 | 0:20:18 | |
'Even at just under £200 a head, plus wine, | 0:20:18 | 0:20:22 | |
'the restaurant needs to seat 176 people to make a decent profit. | 0:20:22 | 0:20:27 | |
'But Thomas is worried about compromising elbow room.' | 0:20:27 | 0:20:31 | |
Can we afford to add five centimetres to the table widths? | 0:20:32 | 0:20:36 | |
There isn't that sense of space and generosity and luxury. | 0:20:36 | 0:20:42 | |
-That's the end of your next table. -That's my next table. -Which is fine. | 0:20:42 | 0:20:46 | |
-Where, where? -Where my finger is. There's the centre line, Thomas. | 0:20:46 | 0:20:50 | |
I know, but it's like how it would look, really. | 0:20:50 | 0:20:53 | |
-You're not that close, are you? -No, but Eugene, honestly, make the banquettes a little bigger | 0:20:53 | 0:20:58 | |
because it's different if you sit on the same banquette with someone | 0:20:58 | 0:21:01 | |
who you don't know or you have two chairs next to each other. | 0:21:01 | 0:21:04 | |
This is sharing a piece of furniture | 0:21:04 | 0:21:06 | |
so you need a little bit more privacy, I think. | 0:21:06 | 0:21:09 | |
There is that fine line between having 110 covers | 0:21:09 | 0:21:13 | |
and having that privacy and having enough covers to make it work. | 0:21:13 | 0:21:16 | |
-I'm being convinced now. -No, but the reality is the brief was 170. | 0:21:16 | 0:21:22 | |
Correct, and that perfectly... | 0:21:22 | 0:21:24 | |
You're kind of creating a piece of theatre, aren't you? | 0:21:29 | 0:21:32 | |
We are, we are, we are. It's a 10 day show, really. | 0:21:32 | 0:21:36 | |
And I think that's really important. | 0:21:36 | 0:21:38 | |
Everything we can do to make these 10 days even more special, we will. | 0:21:38 | 0:21:42 | |
And it's a set for 10 days. And I think that adds to the uniqueness | 0:21:42 | 0:21:47 | |
because you either experience it during those 10 days, | 0:21:47 | 0:21:49 | |
but it will be over after that. | 0:21:49 | 0:21:52 | |
There is no extra day, we won't do it again next year. | 0:21:52 | 0:21:55 | |
It's for the Olympics, 10 days, that's it. | 0:21:55 | 0:21:58 | |
'It's a week before the opening and the brains behind Noma, | 0:22:00 | 0:22:03 | |
'Rene Redzepi, is in the kitchen, | 0:22:03 | 0:22:06 | |
'micromanaging the staff's every move.' | 0:22:06 | 0:22:08 | |
What was it like when Claridge's first approached you? | 0:22:09 | 0:22:13 | |
First initial thought was no. | 0:22:13 | 0:22:16 | |
Because, well, because it's 10 days, | 0:22:17 | 0:22:22 | |
and how on earth are we going to leave our restaurant for 10 days? | 0:22:22 | 0:22:25 | |
I was very sceptical at first about it | 0:22:25 | 0:22:27 | |
because it's something we've never done. | 0:22:27 | 0:22:30 | |
For me, we're in our safe zone, up in Denmark, 35 for lunch, | 0:22:30 | 0:22:35 | |
45 for dinner. It's safe. | 0:22:35 | 0:22:38 | |
'This is the first time Rene has adapted his food philosophy | 0:22:40 | 0:22:43 | |
'to British ingredients, and in such huge quantities.' | 0:22:43 | 0:22:48 | |
This makes potato peeling seem like a luxury. | 0:22:48 | 0:22:53 | |
LAUGHTER It does, no? | 0:22:53 | 0:22:55 | |
So in here, you see all this soil? | 0:22:57 | 0:23:00 | |
Obviously we don't want to serve that. | 0:23:00 | 0:23:03 | |
'190 celeriacs from Lincolnshire | 0:23:03 | 0:23:07 | |
'will take 10 chefs three hours to clean each day.' | 0:23:07 | 0:23:11 | |
It took us years, really, to consider this the lead guitarist of a dish. | 0:23:11 | 0:23:18 | |
'35,000 sorrel leaves have been hand-picked in Surrey.' | 0:23:18 | 0:23:22 | |
Again, the yield, we only get 40% yield out of this. | 0:23:24 | 0:23:27 | |
'And 2,000 necks of lamb have arrived from the Romney marshes.' | 0:23:27 | 0:23:32 | |
What was the first ingredient you fell in love with? | 0:23:32 | 0:23:35 | |
Most likely chicken. | 0:23:35 | 0:23:37 | |
My relationship with chicken started in Macedonia, | 0:23:37 | 0:23:40 | |
and it was very special occasions. | 0:23:40 | 0:23:43 | |
My uncle, he would chop off the head and then he would release the chicken | 0:23:43 | 0:23:47 | |
and the blood would squirt out of its neck | 0:23:47 | 0:23:49 | |
and it would, of course, run everywhere. | 0:23:49 | 0:23:52 | |
And we thought that was so fun. | 0:23:52 | 0:23:54 | |
'Good morning, Claridge's, how may I help you? | 0:23:54 | 0:23:58 | |
'Good morning, Claridge's, how may I help you?' | 0:23:58 | 0:24:00 | |
Normally we get between 10,500 to 12,000 calls | 0:24:00 | 0:24:04 | |
coming into the hotel per month. | 0:24:04 | 0:24:07 | |
The day that Noma reservations opened, we had 4,258 calls that day. | 0:24:07 | 0:24:14 | |
They're very excited about eating Rene Redzepi's cuisine | 0:24:14 | 0:24:20 | |
and, you know, I can understand that. | 0:24:20 | 0:24:22 | |
You know, it's the world's best restaurant. One moment. | 0:24:22 | 0:24:26 | |
Good morning, this is Timothy. | 0:24:27 | 0:24:30 | |
Yes, of course. Let me connect you. | 0:24:30 | 0:24:33 | |
The calls were coming in from everywhere. | 0:24:33 | 0:24:36 | |
I believe close to 10,000 people who pre-registered. | 0:24:36 | 0:24:40 | |
So if you think that each of those people wanted a table too, | 0:24:41 | 0:24:44 | |
it may have been more, there's 20,000 pre-registrations | 0:24:44 | 0:24:48 | |
for 3,400 place settings, so there will be some disappointed people, | 0:24:48 | 0:24:54 | |
but I don't know, I guess Noma is like our Lady Gaga. | 0:24:54 | 0:24:58 | |
It goes very quickly. | 0:24:58 | 0:25:00 | |
Noma has never fed more than 45 people at one sitting. | 0:25:03 | 0:25:08 | |
But in a few days' time, they will need to seat four times that number, | 0:25:10 | 0:25:14 | |
twice a day. | 0:25:14 | 0:25:16 | |
We haven't tried that many covers before. | 0:25:20 | 0:25:23 | |
So it's going to be a challenge. There's no question. | 0:25:23 | 0:25:27 | |
I'm not going to lie | 0:25:27 | 0:25:29 | |
and say that everything is going to be perfect and smooth. | 0:25:29 | 0:25:33 | |
We don't expect that. We expect it to be very difficult initially. | 0:25:33 | 0:25:37 | |
If you open a restaurant, most people would say, give us a year. | 0:25:37 | 0:25:41 | |
Then we found our voice. Here, we have 10 days, | 0:25:41 | 0:25:44 | |
so it is a challenge. | 0:25:44 | 0:25:48 | |
It's the day before the Olympics begin. | 0:25:52 | 0:25:55 | |
The torch is travelling through central London. | 0:25:55 | 0:25:58 | |
The temperatures are soaring. And hotel staff are feeling the heat. | 0:25:58 | 0:26:02 | |
It's very hot, very tacky, but you learn to live and learn | 0:26:07 | 0:26:10 | |
and grow with it. | 0:26:10 | 0:26:11 | |
-Do you think it's still important to wear the uniform? -Of course. | 0:26:13 | 0:26:17 | |
You can't short change anything. Never will do. We never will. | 0:26:17 | 0:26:23 | |
Even if we sweat and faint outside, we'll still wear it. | 0:26:23 | 0:26:26 | |
I'm dreading when that sun gets round here, Jesus. | 0:26:27 | 0:26:31 | |
I'm going to be up here. I'm going to be up there! | 0:26:31 | 0:26:33 | |
-Who is about to arrive? -Prince Andrew. Prince Andrew, yeah. | 0:26:37 | 0:26:41 | |
He comes periodically, because he likes the hotel, obviously, | 0:26:41 | 0:26:45 | |
it's a nice hotel. | 0:26:45 | 0:26:47 | |
-We welcome him and he is very, very nice. -Is it hats off again? | 0:26:47 | 0:26:51 | |
No, I tip my hat to him, yeah. He never gives us a chance, | 0:26:51 | 0:26:54 | |
he usually just runs straight in. | 0:26:54 | 0:26:56 | |
Very quick, seriously. | 0:26:59 | 0:27:00 | |
'Right now it almost feels as if we are running three different operations. | 0:27:16 | 0:27:20 | |
So there's one hotel for our dignitaries and Olympic guests, | 0:27:20 | 0:27:23 | |
then there's one hotel for our normal guests, which is still very busy, and then there is Noma. | 0:27:23 | 0:27:28 | |
So it's all happening at the same time. | 0:27:28 | 0:27:30 | |
Not an everyday occurrence but it happens quite a lot. | 0:27:56 | 0:28:00 | |
And it's wonderful. We've just seen the Attorney-General of New Zealand, | 0:28:00 | 0:28:04 | |
the Prime Minister of Jamaica and there's lots more to come. | 0:28:04 | 0:28:07 | |
It's now gone up to seven protected heads of state, | 0:28:10 | 0:28:13 | |
presidents, prime ministers. I got to use the famous line yesterday. | 0:28:13 | 0:28:17 | |
Someone called up and said, "We're coming to see the President". | 0:28:17 | 0:28:21 | |
And I was, "Which one?" | 0:28:21 | 0:28:22 | |
It's an old line which is used in Claridge's' history. | 0:28:22 | 0:28:25 | |
'It feels like Claridge's is the centre of the world. | 0:28:38 | 0:28:41 | |
'All the delegations arriving, all the different nations. | 0:28:41 | 0:28:47 | |
Everybody had a smile on their face. | 0:28:47 | 0:28:49 | |
'I think one of the great things about Claridge's is that buzz in the lobby. It's quite musical in a way. | 0:28:55 | 0:29:01 | |
However, when more people are added to that dynamic, | 0:29:01 | 0:29:04 | |
it just can get a little too much. | 0:29:04 | 0:29:06 | |
50, 60 people in the lobby really changes the ambience of the hotel. | 0:29:06 | 0:29:10 | |
We like things to be very much in order as well. | 0:29:10 | 0:29:12 | |
The lobby is set up in a certain way because we feel that's the best way the lobby looks, | 0:29:12 | 0:29:17 | |
so where that sofa is and those chairs are and the table are, | 0:29:17 | 0:29:20 | |
you know, it's very important. Someone has designed that space. | 0:29:20 | 0:29:24 | |
When it's altered, the lobby begins not to look as good as it could. | 0:29:24 | 0:29:28 | |
So if you go past someone and they've got a Starbucks | 0:29:28 | 0:29:31 | |
and a muffin on their lap, does that make you wince? | 0:29:31 | 0:29:33 | |
Slightly, slightly, but then it should, | 0:29:33 | 0:29:36 | |
because you know, it affects what the lobby looks like. | 0:29:36 | 0:29:39 | |
You have the odd person perhaps putting their foot on to a table, | 0:29:41 | 0:29:45 | |
which we tend to try and limit, but we understand that business | 0:29:45 | 0:29:50 | |
needs to continue and people need to use the lobby. | 0:29:50 | 0:29:54 | |
It is the meeting place of a hotel. So we just need to manage that. | 0:29:54 | 0:29:58 | |
It's two days before Noma opens and there are problems raising the bespoke chandelier. | 0:30:05 | 0:30:11 | |
It's supposed to be Copenhagen from the sky, so, looking up, | 0:30:13 | 0:30:17 | |
you see the light pattern of the city, basically. | 0:30:17 | 0:30:20 | |
It's actually about 350 kilos, but then there's the chains | 0:30:22 | 0:30:25 | |
and the structure. This is the old 1931 lightwell for the hotel, | 0:30:25 | 0:30:29 | |
so above it is a glass block and concrete ceiling. | 0:30:29 | 0:30:32 | |
The structure had to be drilled right up to the top, | 0:30:32 | 0:30:34 | |
so it's another two metres above. | 0:30:34 | 0:30:36 | |
Did you ever think it would be this big a job when you started? | 0:30:38 | 0:30:41 | |
In my mind I know exactly what's involved, | 0:30:41 | 0:30:44 | |
but you don't want to think about it at the beginning of a project | 0:30:44 | 0:30:48 | |
because it gives you 100 reasons not to do it. | 0:30:48 | 0:30:51 | |
Everything that's exceptional involves a lot of work. | 0:30:51 | 0:30:54 | |
It's like that in life. Special things need special effort. | 0:30:54 | 0:30:58 | |
This is not something you would expect to see at Claridge's! | 0:31:07 | 0:31:10 | |
We have this for the hay plates that will be underneath the lamb necks, | 0:31:13 | 0:31:17 | |
and it will, really, when they start to walk into the room, | 0:31:17 | 0:31:20 | |
we're going to fluff them up before the lamb necks go on. | 0:31:20 | 0:31:23 | |
When they start to walk in the room, it's just going to fill with hay. | 0:31:23 | 0:31:26 | |
I don't know, don't quote me, but we were contemplating putting like bowls of it | 0:31:26 | 0:31:30 | |
and when the main course arrives, maybe light it on fire, | 0:31:30 | 0:31:33 | |
but we're trying to work around, we have to maybe shut the fire alarms off in the building or something! | 0:31:33 | 0:31:38 | |
2 o'clock. We're going to pretend that it's Saturday at 12 o'clock, | 0:31:41 | 0:31:44 | |
at 2 o'clock today. Team one, you guys are going to welcome them | 0:31:44 | 0:31:49 | |
as you will for the reception here, and then seated for dinner. | 0:31:49 | 0:31:53 | |
The other teams are going to be the guests. Not the food runners. | 0:31:53 | 0:31:56 | |
With one day to the opening, | 0:31:57 | 0:31:59 | |
the staff of 70 waiters are faced with a whole new way of working. | 0:31:59 | 0:32:04 | |
Next to that we have black ants with lemongrass flavour. | 0:32:04 | 0:32:10 | |
Enjoy. | 0:32:10 | 0:32:12 | |
Remember, it's not like a banquet, OK? | 0:32:12 | 0:32:15 | |
When you come, straight down, into the position and back. | 0:32:16 | 0:32:19 | |
Everything one between two, nice easy reach. | 0:32:19 | 0:32:23 | |
Scones, description. Let's go, Orlando. | 0:32:23 | 0:32:26 | |
-Welcome, ladies and gentlemen. -Quick, snappy. | 0:32:26 | 0:32:28 | |
-Raspberry tea. -Yeah. -Yeah? -Yeah. -Two sentences. | 0:32:28 | 0:32:32 | |
Two sentences, OK. Raspberry tea with some afternoon tea, | 0:32:32 | 0:32:34 | |
um, with some, um, afternoon tea. | 0:32:34 | 0:32:37 | |
Scones with a bit of... | 0:32:37 | 0:32:39 | |
They do like we do in Claridge's a lot, which is very engaging, | 0:32:39 | 0:32:43 | |
and we'll ask you about why you're here, but for this, | 0:32:43 | 0:32:48 | |
it needs to be quick, quick, quick, snappy, snappy, snappy. | 0:32:48 | 0:32:51 | |
So what's the line they should say about the ants? | 0:32:51 | 0:32:54 | |
"These are black ants from Denmark." | 0:32:54 | 0:32:58 | |
They're alive, you know. | 0:32:58 | 0:33:00 | |
Matt is boiling dead animals for sauce. | 0:33:07 | 0:33:10 | |
That always sounds so delicious. | 0:33:12 | 0:33:14 | |
I tried boiling live animals, but they're a bit bitter. | 0:33:14 | 0:33:17 | |
No, we're making lamb sauce. | 0:33:17 | 0:33:19 | |
We make it in batches, as it is no more than 3,000 covers, so... | 0:33:19 | 0:33:23 | |
I've made 60 litres of sauce over the last two days, | 0:33:23 | 0:33:26 | |
and it's required 700 kilos of bones. | 0:33:26 | 0:33:30 | |
We're kind of losing track of days, not really counting, | 0:33:30 | 0:33:33 | |
because of course it's just imminent. | 0:33:33 | 0:33:36 | |
The hotel's incredibly busy as well. We're full. | 0:33:36 | 0:33:39 | |
We've just picked up little picnic for 30 people that want to take a picnic out somewhere, | 0:33:39 | 0:33:44 | |
they're going to make use of the lovely weather. | 0:33:44 | 0:33:47 | |
As well as a couple of meetings upstairs, a cocktail party for 100 this evening. | 0:33:47 | 0:33:52 | |
Does it interest you that, for example, | 0:33:52 | 0:33:55 | |
the president of Malawi arrived today, | 0:33:55 | 0:33:57 | |
-the President of Jamaica's arriving at 4 o'clock? -No. | 0:33:57 | 0:34:01 | |
-I mean... -Prince Andrew came for lunch today. -Who's he? | 0:34:02 | 0:34:06 | |
The Queen's son. | 0:34:06 | 0:34:08 | |
'The restaurant is designed and the staff are getting their heads around the service. | 0:34:12 | 0:34:17 | |
'There's one thing left to do. | 0:34:17 | 0:34:19 | |
'Someone needs to try the nine course menu.' | 0:34:19 | 0:34:22 | |
We can move it quite quickly now. Can we let Pastry know? | 0:34:22 | 0:34:25 | |
Hello. | 0:34:33 | 0:34:34 | |
-How would people eat this, Martin? -Well, you're going to pick it up. | 0:34:36 | 0:34:40 | |
But you need a side plate, because the soil's going to drop out. | 0:34:40 | 0:34:44 | |
It will be radish, carrot and or turnip. Everything is between two. | 0:34:44 | 0:34:50 | |
-OK, and how many ants are in the pot approximately? -Four. | 0:34:50 | 0:34:53 | |
-So you have to...? -There's eight ants, | 0:34:53 | 0:34:55 | |
-so you have to fight and make sure that everyone gets... Or you just eat them all. -Right. | 0:34:55 | 0:35:00 | |
OK. | 0:35:02 | 0:35:03 | |
It's moving. | 0:35:06 | 0:35:07 | |
CHUCKLING | 0:35:07 | 0:35:09 | |
It's so... | 0:35:09 | 0:35:10 | |
It's so I'm A Celebrity, Get Me Out Of Here!, isn't it? | 0:35:10 | 0:35:13 | |
-Shall we try it? -Is that Orlando? -Yeah. -Is Orlando the name of the ant? | 0:35:13 | 0:35:18 | |
That's Orlando, yeah. No, you cannot eat that one. No. | 0:35:18 | 0:35:21 | |
It's not allowed. | 0:35:21 | 0:35:23 | |
What is this? | 0:35:29 | 0:35:31 | |
Oh, and it really holds together. | 0:35:33 | 0:35:35 | |
You drink the tea and then you eat the raspberries. | 0:35:39 | 0:35:41 | |
I need to wash this down. I need a glass of water. | 0:35:44 | 0:35:47 | |
It's fun. | 0:35:52 | 0:35:53 | |
I'm just, I'm just thinking I'm a little bit worried. | 0:35:56 | 0:35:59 | |
If it's too quick, it's also going to be over very quickly | 0:35:59 | 0:36:02 | |
because at Noma, it's 26 courses. | 0:36:02 | 0:36:04 | |
-Here, it's what, 6, 7? -9. -9, exactly. | 0:36:04 | 0:36:08 | |
The service can feel on it and snappy and things are happening, | 0:36:08 | 0:36:13 | |
I just think for us we need to, | 0:36:13 | 0:36:15 | |
it has to last at least two hours per table. | 0:36:15 | 0:36:18 | |
-I think it will, I think it will, totally. -It absolutely will. | 0:36:18 | 0:36:21 | |
-It's a big day today, no? Friday, 27th July. -Its Olympic day! | 0:36:32 | 0:36:37 | |
Yeah, so here we are. We've been waiting for it. | 0:36:37 | 0:36:40 | |
It feels like a long time. | 0:36:40 | 0:36:42 | |
It's for the New Zealand delegation. | 0:36:43 | 0:36:46 | |
Breakfast for two. 8 o'clock sharp. | 0:36:46 | 0:36:49 | |
Do you agree that the hotel feels incredible and it feels different? | 0:36:49 | 0:36:53 | |
Tonight is the opening ceremony so we have a lot of departures and co-ordination. | 0:36:53 | 0:36:57 | |
There will be a lot of pressure on the hotel and on London. | 0:36:57 | 0:37:00 | |
-Which countries are you looking at? -Armenia, New Zealand, Qatar... | 0:37:00 | 0:37:03 | |
and Bongo, President Bongo. | 0:37:03 | 0:37:06 | |
-He's quite nice. -What's President Bongo like? | 0:37:06 | 0:37:08 | |
Very nice. He arrived yesterday morning, bright and early. Very sweet man. | 0:37:08 | 0:37:11 | |
Push, push. | 0:37:12 | 0:37:14 | |
Wouldn't come from me if there wasn't a little, little word of caution. | 0:37:14 | 0:37:18 | |
Noma opens today, of course, | 0:37:18 | 0:37:19 | |
we have our first training service before tomorrow's big service. | 0:37:19 | 0:37:24 | |
I've never seen so many chefs in the kitchens. | 0:37:24 | 0:37:26 | |
There's 65 chefs just in there today. | 0:37:26 | 0:37:29 | |
You know, continue as we have this week. | 0:37:29 | 0:37:32 | |
Be happy but be humble. | 0:37:32 | 0:37:34 | |
You know, keep on focusing, it's not over. | 0:37:34 | 0:37:37 | |
Two guys with a little team are working on... | 0:37:37 | 0:37:40 | |
The snacks are cut in half | 0:37:40 | 0:37:41 | |
and then another guy's on the tartar with a team, | 0:37:41 | 0:37:43 | |
and then the oyster team, and they're beavering away - | 0:37:43 | 0:37:46 | |
like ants, you might say but... | 0:37:46 | 0:37:49 | |
-Everyone is smiling, though? -Yes. | 0:37:49 | 0:37:51 | |
Not so much in the morning, a bit sleepy still, | 0:37:51 | 0:37:53 | |
but I'm sure as the day goes on you'll see their better side. | 0:37:53 | 0:37:56 | |
-And are you looking forward to the Olympics? -Can't wait. | 0:37:56 | 0:37:59 | |
Yes, perfect. | 0:37:59 | 0:38:01 | |
Thank you, bye. | 0:38:01 | 0:38:03 | |
What's the status of the rooms? | 0:38:03 | 0:38:06 | |
OK, can you meet me there? | 0:38:06 | 0:38:08 | |
The hotel is full to bursting. | 0:38:08 | 0:38:11 | |
Anne, deputy head of housekeeping, | 0:38:11 | 0:38:13 | |
is called upstairs for some last-minute adjustments. | 0:38:13 | 0:38:16 | |
SHE EXHALES | 0:38:16 | 0:38:18 | |
I decided to walk. | 0:38:18 | 0:38:20 | |
OK, so, what are you two doing? | 0:38:22 | 0:38:24 | |
-We're spotting. -Spotting? -VIP checking. | 0:38:24 | 0:38:26 | |
Yeah, OK. | 0:38:26 | 0:38:28 | |
We have an arrival time of 6.30 so what exactly are you going to do? | 0:38:28 | 0:38:33 | |
Just going to wash down, make sure there's no black marks, | 0:38:33 | 0:38:35 | |
ceilings, walls, skirting boards. Touch up, if needed. | 0:38:35 | 0:38:38 | |
Here, look, we've got a little problem here already. | 0:38:38 | 0:38:41 | |
-It's all cracked. -Oh, you're good, Anne. -I know. -Ain't she good? | 0:38:41 | 0:38:45 | |
See, sometimes you can just rub them out. | 0:38:47 | 0:38:49 | |
And can we do anything with this? | 0:38:49 | 0:38:51 | |
There's a bit in here. We're going to be in here today, now. | 0:38:51 | 0:38:53 | |
-OK, but I think we need to have a time... -We'll be out of here by two. | 0:38:53 | 0:38:57 | |
-That's a football. -OK. -Somebody's kicked a football on the ceiling. | 0:38:59 | 0:39:03 | |
How do you know that mark is a football? | 0:39:03 | 0:39:05 | |
-Well, if you look on the ceiling, above your head, now. -Yeah. | 0:39:05 | 0:39:08 | |
You'll see, like, a round, sort of, mark. | 0:39:08 | 0:39:11 | |
So, we've got a football on the ceiling | 0:39:11 | 0:39:13 | |
and a football on the wall, there. | 0:39:13 | 0:39:15 | |
-Maybe there's a footballer staying in here, is there? -Sorry? | 0:39:15 | 0:39:18 | |
Maybe there's a footballer staying in here? | 0:39:18 | 0:39:20 | |
Are you just putting in...? | 0:39:23 | 0:39:25 | |
First I've seen a football mark on the ceiling | 0:39:28 | 0:39:31 | |
but I'm sure it will wash off. | 0:39:31 | 0:39:32 | |
It's just a bit late in the day to be finding things like that. | 0:39:32 | 0:39:35 | |
Yesterday, Rene and Martin, and Matt weren't happy with the lamb stock | 0:39:35 | 0:39:40 | |
so they had to cook all that stock again, | 0:39:40 | 0:39:42 | |
and, basically, everywhere in the kitchen | 0:39:42 | 0:39:44 | |
they were cooking lamb stock. | 0:39:44 | 0:39:45 | |
And, of course, a lot of time pressure, | 0:39:45 | 0:39:48 | |
and all the lard, we think, was going into the drains. | 0:39:48 | 0:39:51 | |
And because it was so much, and unusually - it was very unusual. | 0:39:51 | 0:39:54 | |
-Unusual, yeah. -And then the whole basement was flooded. | 0:39:54 | 0:39:57 | |
Can we just tidy up the pillows a wee bit? And just tidy up the ends? | 0:39:57 | 0:40:01 | |
Cos they just don't... Look, this is not straight. | 0:40:01 | 0:40:04 | |
-Who's coming into this room? -It's coming from Kazakhstan. | 0:40:04 | 0:40:06 | |
Shall we have a look in the bathroom? Just make sure everything is there. | 0:40:06 | 0:40:09 | |
I wonder if we should put any extra hangers in the wardrobe because they're here for a long time? | 0:40:09 | 0:40:13 | |
Don't make any single bed up with blankets, use the new duvets. | 0:40:13 | 0:40:18 | |
-Very good, OK. -Good, excellent. | 0:40:18 | 0:40:20 | |
-That's pretty. -Great, eh? | 0:40:29 | 0:40:31 | |
Well, it doesn't make the food taste better! | 0:40:33 | 0:40:35 | |
HE LAUGHS | 0:40:35 | 0:40:37 | |
-I mean, we're used to creating high energy with 45 people. -Yeah. | 0:40:37 | 0:40:41 | |
-That's four times our restaurant. -There's 180 people in this place. | 0:40:41 | 0:40:44 | |
BOOM! | 0:40:44 | 0:40:46 | |
-This room has probably never seen that much action. -THEY LAUGH | 0:40:46 | 0:40:49 | |
The highlight of Noma's menu, the Danish ants, must be really fresh. | 0:40:51 | 0:40:56 | |
All attempts to send them in the post and keep them alive have failed | 0:40:56 | 0:41:02 | |
so only one option remains | 0:41:02 | 0:41:04 | |
and today they are being hand-delivered | 0:41:04 | 0:41:06 | |
by a Danish ant forager. | 0:41:06 | 0:41:08 | |
-How many have you collected to bring to London? -16,000. | 0:41:08 | 0:41:12 | |
Hand-picked... No, mouth-sucked, one by one, | 0:41:12 | 0:41:16 | |
so I'm a little bit sore right now... | 0:41:16 | 0:41:19 | |
How long did that take you? | 0:41:19 | 0:41:20 | |
A couple of days. | 0:41:20 | 0:41:22 | |
You can't suck them when they put out the acid. It's so hard. | 0:41:22 | 0:41:25 | |
You cough and it will be like having your first cigarette ever. Once... | 0:41:25 | 0:41:30 | |
It's been hard work. It's been hard work. | 0:41:30 | 0:41:32 | |
I'm not used to getting that many. | 0:41:32 | 0:41:34 | |
This is really a lot | 0:41:34 | 0:41:36 | |
and some of them live in places which are quite hard to get to, so, yeah. | 0:41:36 | 0:41:42 | |
Tell us what they actually taste of. | 0:41:42 | 0:41:46 | |
I would say that it's in between an orangey taste | 0:41:46 | 0:41:49 | |
and a little bit of lemon grass, ginger. It's a very exotic taste. | 0:41:49 | 0:41:53 | |
It is a taste that is quite hard to find anywhere else | 0:41:53 | 0:41:56 | |
in our part of the world. | 0:41:56 | 0:41:57 | |
So, you just grab one and... | 0:41:57 | 0:41:59 | |
-What, you just take one? -Just take, yeah. | 0:42:01 | 0:42:03 | |
Put it in your mouth. | 0:42:03 | 0:42:04 | |
You need to squeeze it between your front teeth. That's very important. | 0:42:05 | 0:42:10 | |
It can bite you. It's not painful, it's just, erm... | 0:42:10 | 0:42:14 | |
It can run! | 0:42:14 | 0:42:15 | |
Some people like that. | 0:42:16 | 0:42:18 | |
Mm, delicious(!) | 0:42:20 | 0:42:22 | |
So, I ate an ant! | 0:42:28 | 0:42:31 | |
120 of the hotel's staff are invited to a final dress rehearsal. | 0:42:33 | 0:42:38 | |
They'll sample the nine course menu | 0:42:38 | 0:42:41 | |
but won't be able to eat the precious ants. | 0:42:41 | 0:42:44 | |
-Oh! -THEY LAUGH | 0:42:49 | 0:42:50 | |
This is nice. Is not horrible, it's very nice. | 0:42:50 | 0:42:54 | |
It's just an unusual taste. | 0:42:54 | 0:42:56 | |
But...I mean, I grow vegetables but I never eat them with the stalk. | 0:42:56 | 0:42:59 | |
Maybe I should! | 0:42:59 | 0:43:01 | |
I think you can just use your fingers, look. | 0:43:05 | 0:43:07 | |
Mm! | 0:43:11 | 0:43:13 | |
-Can I get seven oysters away? -Yes, you can. | 0:43:13 | 0:43:16 | |
So, you, take two oysters, two oysters. | 0:43:16 | 0:43:19 | |
Position five - you've got to serve them in league. | 0:43:21 | 0:43:23 | |
OK, good. Good. | 0:43:30 | 0:43:32 | |
We had a rack of lamb that was served on some sort of hay or grass | 0:43:32 | 0:43:38 | |
and I'm sure that's probably what they grazed on. | 0:43:38 | 0:43:40 | |
And it was cooked to perfection. | 0:43:40 | 0:43:42 | |
As with all lamb, it had what I really love about lamb dishes - | 0:43:42 | 0:43:48 | |
no wool! | 0:43:48 | 0:43:49 | |
This is unique. Utterly, completely unique. | 0:43:50 | 0:43:54 | |
In its concept, in its presentation. | 0:43:54 | 0:43:56 | |
-Could you eat it every day? -No. | 0:43:56 | 0:43:59 | |
You could not. But then it wouldn't be special. | 0:43:59 | 0:44:01 | |
Superb! | 0:44:01 | 0:44:03 | |
You've got the fish and the samphire went down. It's delicious. | 0:44:03 | 0:44:09 | |
Why don't you come and join us?! | 0:44:09 | 0:44:12 | |
The wine is good as well! | 0:44:12 | 0:44:14 | |
'It's like I keep on saying, "You're doing good, you're doing bad,' | 0:44:15 | 0:44:18 | |
"come on, pick it up, pick it up, "let's go, let's go, let's go!" | 0:44:18 | 0:44:20 | |
And that's what I think service should be like, | 0:44:20 | 0:44:22 | |
instead of being too formal. | 0:44:22 | 0:44:24 | |
Would you like to work in Noma? | 0:44:24 | 0:44:25 | |
Oh, yes. Oh, my God! Oh, my God, of course, yes! | 0:44:25 | 0:44:28 | |
I would love to work there. | 0:44:28 | 0:44:30 | |
'Timing wise, on a few tables in the beginning, | 0:44:30 | 0:44:33 | |
'it didn't start quickly enough. | 0:44:33 | 0:44:35 | |
'I think it's really something that you want to happen' | 0:44:35 | 0:44:37 | |
in two hours to two and a half hours, | 0:44:37 | 0:44:40 | |
so that was, in fact, my main concern | 0:44:40 | 0:44:43 | |
and you need to imagine that today 120, tomorrow 170. | 0:44:43 | 0:44:48 | |
It's lunch and dinner. | 0:44:48 | 0:44:49 | |
Because I think if you ask the team right now if they are tired | 0:44:49 | 0:44:53 | |
they will probably very politely say, "No, I'm OK," | 0:44:53 | 0:44:55 | |
but what they really mean is, like, "Yes, I'm very tired," | 0:44:55 | 0:44:58 | |
and tomorrow, after lunch, we're re-setting the restaurant, | 0:44:58 | 0:45:01 | |
they have dinner and then it's the briefing for dinner service, | 0:45:01 | 0:45:04 | |
and then we do dinner. | 0:45:04 | 0:45:05 | |
And we do that for ten days! | 0:45:05 | 0:45:07 | |
And are you going to watch the opening ceremony of the Olympics tonight? Or go to bed early? | 0:45:07 | 0:45:11 | |
I'm going to be here, in the underbelly, | 0:45:11 | 0:45:14 | |
sweating at Claridge's, preparing for tomorrow. | 0:45:14 | 0:45:18 | |
'This was simple, tomorrow is the real one.' | 0:45:18 | 0:45:21 | |
30 Olympic delegations leave for the opening ceremony. | 0:45:26 | 0:45:29 | |
And the next day Noma opens to the public for the first time. | 0:45:34 | 0:45:38 | |
More people are eating ants than anyone expected | 0:45:44 | 0:45:47 | |
and many of the ants are dying off... | 0:45:47 | 0:45:49 | |
..five days in they run out. | 0:45:51 | 0:45:54 | |
So, I have a case full of ants, | 0:45:58 | 0:46:01 | |
which I have just picked up from Copenhagen airport. | 0:46:01 | 0:46:04 | |
-Cos what's your job normally? -Deputy HR director. | 0:46:04 | 0:46:07 | |
So, it's more of the people | 0:46:07 | 0:46:09 | |
but I have 10,000 little things to look after here, now. | 0:46:09 | 0:46:13 | |
-Do you know the entire success of tonight's dinner is in your hands! -HE LAUGHS | 0:46:15 | 0:46:19 | |
Quite conscious that I haven't killed them on the way! | 0:46:19 | 0:46:22 | |
So, erm, I'm pleased that they are all still alive! | 0:46:22 | 0:46:26 | |
-Your ants have arrived! -YES! -Yes! | 0:46:28 | 0:46:31 | |
Yes! Woo! | 0:46:31 | 0:46:32 | |
They're all dead! | 0:46:34 | 0:46:36 | |
No, they're alive! THEY ALL LAUGH | 0:46:36 | 0:46:39 | |
-Did you eat one? -Yeah, of course. You got to do it, right? | 0:46:42 | 0:46:45 | |
-I can still feel it crawling up the, er... -HE LAUGHS | 0:46:45 | 0:46:47 | |
-'Delicious. -And how many times do you eat live ants?' | 0:46:47 | 0:46:50 | |
Have you ever eaten a live ant? | 0:46:50 | 0:46:52 | |
The live ant that I had clung to my tongue, actually, | 0:46:52 | 0:46:54 | |
for about five minutes. | 0:46:54 | 0:46:55 | |
Where is the salad dressing? | 0:46:57 | 0:46:58 | |
By the time the restaurant closed, | 0:47:00 | 0:47:02 | |
3,500 foodies, undaunted by the £200 price tag, | 0:47:02 | 0:47:06 | |
have dined on 36 kilos of truffles, | 0:47:06 | 0:47:10 | |
10,000 rose petals and 27,000 ants. | 0:47:10 | 0:47:14 | |
So how was it when Noma finished and the Olympics finished? | 0:47:24 | 0:47:28 | |
Was there, like, a calm? | 0:47:28 | 0:47:29 | |
No, it was a little, I think it was a little bit depressing, personally. | 0:47:29 | 0:47:33 | |
I missed it all. | 0:47:33 | 0:47:34 | |
Well, I didn't miss it all, what I mean is I missed the buzz | 0:47:34 | 0:47:37 | |
and I missed... Yeah. I missed all that but... | 0:47:37 | 0:47:40 | |
Did you like the Olympics? | 0:47:40 | 0:47:41 | |
-I loved the Olympics. -Did you watch a lot? -I did. I watched a lot. | 0:47:41 | 0:47:46 | |
-And when it all finished? -It was sad. Mm-hm. | 0:47:46 | 0:47:49 | |
-It was, wasn't it? -Mm. -(Yes.) | 0:47:49 | 0:47:51 | |
What are you going to watch on the television now? | 0:47:51 | 0:47:53 | |
'Good morning, Claridge's, how may I help you?' | 0:47:58 | 0:48:01 | |
Of course, let me connect you with the Foyer and Reading Room. | 0:48:02 | 0:48:05 | |
-'Thank you.' -You're welcome. | 0:48:05 | 0:48:07 | |
I've heard you have a very regular caller? | 0:48:08 | 0:48:10 | |
Oh, yes, the captain. | 0:48:10 | 0:48:14 | |
We're not sure what he was the captain of | 0:48:14 | 0:48:17 | |
but he was definitely the captain of calling Claridge's. | 0:48:17 | 0:48:21 | |
You'd say, "Good evening, Claridge's, how may I help you?", | 0:48:21 | 0:48:24 | |
And he would say, "It's the captain, can I speak to the duty manager?" | 0:48:24 | 0:48:29 | |
Ha-ha, and, of course, you would put the call through to the duty manager, | 0:48:29 | 0:48:33 | |
the duty manager would probably pick up the telephone call | 0:48:33 | 0:48:36 | |
and find out it was the captain, | 0:48:36 | 0:48:38 | |
and just puts the handset down, and continue doing his work | 0:48:38 | 0:48:41 | |
because he would just go on, and on, and on. | 0:48:41 | 0:48:43 | |
And then hit every once in a while go, "Oh, OK," | 0:48:43 | 0:48:46 | |
and so that's how that would work. | 0:48:46 | 0:48:48 | |
With the Olympics over it's back to the usual array of birthdays, | 0:48:50 | 0:48:55 | |
bar mitzvahs and weddings. | 0:48:55 | 0:48:57 | |
Weddings are a big part of Claridge's' business | 0:48:59 | 0:49:01 | |
and the hotel charges anything from £1,000 for an intimate affair | 0:49:01 | 0:49:06 | |
to £150,000 for a lavish celebration. | 0:49:06 | 0:49:10 | |
Weekend is bride time. Every weekend we usually have a bride. | 0:49:12 | 0:49:16 | |
At least one, if not two or three, staying in the hotel. | 0:49:16 | 0:49:19 | |
-All ages? -All ages! | 0:49:20 | 0:49:22 | |
All right. | 0:49:23 | 0:49:25 | |
Bill Nay is a highflyer in finance. | 0:49:25 | 0:49:29 | |
How are you doing? | 0:49:29 | 0:49:30 | |
-How are you? -Good to see you. -Hello! -Hello! | 0:49:30 | 0:49:32 | |
He's flown his fiancee Laura the 4,000 miles from Atlanta | 0:49:32 | 0:49:36 | |
just so that they can have their wedding reception at the hotel. | 0:49:36 | 0:49:40 | |
Bill first brought Laura to Claridge's when she was just 21. | 0:49:41 | 0:49:46 | |
'I've always been drawn to, kind of, all things British.' | 0:49:46 | 0:49:50 | |
Harris Tweed's and, you know, all that knit ties and the, | 0:49:50 | 0:49:52 | |
and the British brogues. | 0:49:52 | 0:49:54 | |
I don't know, I like, I like British sensibilities too, right? | 0:49:54 | 0:49:57 | |
There's a sense of... | 0:49:57 | 0:49:58 | |
Looking prim and proper, and a sense of occasion that, this is, | 0:49:58 | 0:50:03 | |
this is the place to go, this is the epicentre of all that, | 0:50:03 | 0:50:05 | |
and the birthplace, in a lot of ways, of all that. | 0:50:05 | 0:50:08 | |
-Nice to see you back again. -My lucky number. | 0:50:09 | 0:50:12 | |
The States has become casual to a fault, in a lot of ways, in my mind. | 0:50:12 | 0:50:16 | |
I mean, you can't go to a restaurant now in, in the States, | 0:50:16 | 0:50:20 | |
if you're in a suit, which I usually wear, sometimes, for dinner. | 0:50:20 | 0:50:24 | |
You look out of place. | 0:50:24 | 0:50:25 | |
Laura, you're on the fourth floor | 0:50:25 | 0:50:26 | |
-and, Bill, you're on the first floor. -OK. -OK. | 0:50:26 | 0:50:29 | |
So, I'll take you in and show you. | 0:50:29 | 0:50:31 | |
I'm just a girl from a small town in the States, nobody special. | 0:50:31 | 0:50:36 | |
'When I come to London it's a whole new life for me. | 0:50:36 | 0:50:39 | |
'I feel like my life completely changes and I'm a princess.' | 0:50:39 | 0:50:42 | |
-Oh, my God! -My God! SHE SQUEALS | 0:50:42 | 0:50:45 | |
Are you kidding? HE LAUGHS | 0:50:45 | 0:50:48 | |
Oh, my! | 0:50:48 | 0:50:49 | |
-This is so pretty. -Look at that. SHE GASPS | 0:50:49 | 0:50:52 | |
-Oh, my God! -It's so..! | 0:50:52 | 0:50:53 | |
It's like a bowling alley in the bathroom. | 0:50:54 | 0:50:57 | |
-Oh, really? Do you think? -Look at this. | 0:50:57 | 0:50:59 | |
It's like, like... | 0:50:59 | 0:51:01 | |
Oh, I love it! Beautiful. | 0:51:02 | 0:51:04 | |
You could have all your bridesmaids in here, right? Like a sleepover! | 0:51:04 | 0:51:07 | |
-So, you're happy to be here? -Oh, my gosh. -Thrilled! | 0:51:07 | 0:51:10 | |
I've never been more excited to be in one single place in my life. | 0:51:10 | 0:51:13 | |
I think it really will click in when I wake up tomorrow morning | 0:51:13 | 0:51:17 | |
-and I'm like, "Where am I?" -Claridge's! | 0:51:17 | 0:51:19 | |
Yeah, yeah, I'll be like, "Oh, my God!" | 0:51:19 | 0:51:21 | |
Yeah. THEY LAUGH | 0:51:21 | 0:51:23 | |
Franco will be the wine waiter for the wedding day. | 0:51:27 | 0:51:30 | |
He's 70 and has been working at the hotel for the last 29 years. | 0:51:32 | 0:51:37 | |
Yes, I'm very unhappy if you're not working. That's the way. | 0:51:37 | 0:51:41 | |
I'm pensioner but I prefer working. I prefer to do something. | 0:51:41 | 0:51:44 | |
I don't like being home to watch television or to stay to watch... | 0:51:44 | 0:51:48 | |
I don't do it like that. | 0:51:48 | 0:51:49 | |
-My wife did look after me well. -And how long have you been married? | 0:51:53 | 0:51:57 | |
We've been married for about...36 years, 37 years... | 0:51:57 | 0:52:01 | |
..but I'm still happy anyway! | 0:52:02 | 0:52:05 | |
-Have you met the bride yet? -No, I haven't met the bride yet. | 0:52:17 | 0:52:20 | |
This will be the first moment. | 0:52:20 | 0:52:21 | |
You're rather fond of brides, though, aren't you? | 0:52:21 | 0:52:24 | |
-Oh, I love brides! -HE CHUCKLES | 0:52:24 | 0:52:26 | |
They're always very quiet and very, and very excited on the big day. | 0:52:26 | 0:52:30 | |
That's very nice. | 0:52:30 | 0:52:31 | |
'Some brides can be very nervous, some can be very difficult,' | 0:52:33 | 0:52:37 | |
especially if we have to steam their dresses and things. | 0:52:37 | 0:52:40 | |
That's when they get a little bit... | 0:52:40 | 0:52:42 | |
sort of hyper and, "Ah, don't do anything with my dress," you know. | 0:52:42 | 0:52:46 | |
We did have one celebrity bride that was here | 0:52:46 | 0:52:48 | |
and she had two wedding dresses, and she couldn't decide. | 0:52:48 | 0:52:51 | |
So, there was Stephen, the butler and myself, | 0:52:51 | 0:52:54 | |
and she said, "Which one do you think I should use?" | 0:52:54 | 0:52:56 | |
So, we said, "That one," and she wore it! | 0:52:56 | 0:52:59 | |
And what have the brides and the bridesmaids ordered? | 0:52:59 | 0:53:02 | |
Chicken sandwich, a little salad and some fruit kebabs. | 0:53:02 | 0:53:05 | |
Hello, Lisa! | 0:53:05 | 0:53:06 | |
-Hi. -Are these for me? -Yeah. Just be careful that they don't... | 0:53:06 | 0:53:09 | |
50 of Bill and Laura's friends and family | 0:53:18 | 0:53:21 | |
have flown in from the US to join in the celebrations. | 0:53:21 | 0:53:24 | |
'There's a lot of people that will be attending the wedding that | 0:53:24 | 0:53:27 | |
'have either never been to Europe or have never been here. | 0:53:27 | 0:53:31 | |
'I want them to feel what I felt that first time. | 0:53:31 | 0:53:35 | |
'That sense of, "Wow, I've arrived, I'm at a place that, you know, | 0:53:35 | 0:53:38 | |
'just is very special,"' | 0:53:38 | 0:53:40 | |
and I want to impart that feeling on them. | 0:53:40 | 0:53:44 | |
-And has Bill showed you another world? -Definitely. | 0:53:46 | 0:53:50 | |
He's always said that his biggest enjoyment is opening my eyes | 0:53:50 | 0:53:54 | |
to other things out there. | 0:53:54 | 0:53:56 | |
'Whether it's, you know, | 0:53:56 | 0:53:58 | |
'eating leeks for the first time or coming to Claridge's | 0:53:58 | 0:54:00 | |
'and being pampered, or, there are things that I've tried with him | 0:54:00 | 0:54:04 | |
'that I probably never would have been able to try elsewhere.' | 0:54:04 | 0:54:07 | |
Oh! Hee-hee-hee! They brought macaroons! | 0:54:07 | 0:54:11 | |
Oh! | 0:54:11 | 0:54:13 | |
Mm! | 0:54:13 | 0:54:16 | |
-So, you never thought about getting married in Atlanta? -Oh, God, no! | 0:54:16 | 0:54:20 | |
-Good luck! -Thank you so much. | 0:54:40 | 0:54:42 | |
We're going to need it! THEY ALL LAUGH | 0:54:42 | 0:54:44 | |
Here we go! | 0:54:49 | 0:54:51 | |
All right. | 0:54:53 | 0:54:55 | |
Whilst some people get married in Claridge's, | 0:55:09 | 0:55:12 | |
Bill and Laura have chosen the traditional route | 0:55:12 | 0:55:15 | |
and will tie the knot in church. | 0:55:15 | 0:55:17 | |
This has to go in there! | 0:55:20 | 0:55:22 | |
OK, you're in. | 0:55:22 | 0:55:24 | |
Bye, Claridge's. See you soon! | 0:55:24 | 0:55:26 | |
Claridge's isn't just a hotel and when I say, "just a hotel," | 0:55:36 | 0:55:40 | |
I mean it in a sense of go to reception, get a key, | 0:55:40 | 0:55:43 | |
go into your room, sleep and check out again. | 0:55:43 | 0:55:46 | |
'Dreams are being fulfilled in this hotel, sometimes. | 0:55:49 | 0:55:52 | |
'And this is where that comes to life. | 0:55:52 | 0:55:55 | |
'This hotel, suddenly, that means so much more than just sleeping.' | 0:55:55 | 0:55:59 | |
It's a stage, isn't it? It's a theatre. | 0:56:04 | 0:56:08 | |
You know, we're behind the scenes yet you go into the lobby | 0:56:08 | 0:56:12 | |
and it's beautiful, it's glamorous, it's timeless. | 0:56:12 | 0:56:15 | |
-The wow factor. -And has the wow factor worn off for you at all? | 0:56:17 | 0:56:20 | |
No, not at all! No. | 0:56:20 | 0:56:23 | |
Mm-mm. | 0:56:23 | 0:56:24 | |
No. | 0:56:24 | 0:56:25 | |
Yay! | 0:56:36 | 0:56:38 | |
SHE LAUGHS | 0:56:38 | 0:56:39 | |
We did it! | 0:56:39 | 0:56:41 | |
-Now if I could get out of... -Are you all right, ma'am? | 0:56:41 | 0:56:44 | |
-Can I take your...? -Thank you. Please. | 0:56:44 | 0:56:46 | |
-Thank you so much. -A pleasure. You're looking... Oh! | 0:56:46 | 0:56:49 | |
Thank you so much. | 0:56:49 | 0:56:51 | |
Hey, congratulations! SHE SQUEALS | 0:56:51 | 0:56:53 | |
-THEY ALL LAUGH -First one to say it! | 0:56:53 | 0:56:55 | |
THEY ALL LAUGH | 0:56:55 | 0:56:57 | |
'It's so exciting!' | 0:56:57 | 0:56:59 | |
Franco has been at the hotel so long there is no-one he hasn't served. | 0:57:02 | 0:57:08 | |
-'What was it like serving the Queen? -It was all right.' | 0:57:08 | 0:57:11 | |
I'd be happy to serve the Queen. | 0:57:11 | 0:57:13 | |
I served the Queen like I serve anyone. | 0:57:13 | 0:57:15 | |
'For me, no make a difference. Everybody be equal, the same.' | 0:57:15 | 0:57:19 | |
'Ladies and gentlemen, would you please welcome Mr and Mrs Lay?' | 0:57:19 | 0:57:23 | |
CHEERING AND APPLAUSE | 0:57:23 | 0:57:25 | |
# Call me irresponsible | 0:57:32 | 0:57:36 | |
# Call me unreliable... # | 0:57:36 | 0:57:40 | |
'People always wanted to celebrate. | 0:57:40 | 0:57:43 | |
'People always wanted to get together in a beautiful environment | 0:57:43 | 0:57:47 | |
'and connect, and talk, and live, and create memories.' | 0:57:47 | 0:57:52 | |
People these days have everything and every year you can buy more and more, | 0:57:54 | 0:57:58 | |
if you have the money to buy it... | 0:57:58 | 0:58:00 | |
'..but what you can't really buy is memories or a memory | 0:58:02 | 0:58:06 | |
'and experiences, and that's why they come.' | 0:58:06 | 0:58:09 | |
I really think people these days, they are curating their lives. | 0:58:09 | 0:58:13 | |
They are collecting various select elements in their life | 0:58:13 | 0:58:17 | |
and that's what they want to experience, | 0:58:17 | 0:58:20 | |
and that's what they want to take away. | 0:58:20 | 0:58:22 | |
And that is how they choose their hotels. | 0:58:22 | 0:58:24 | |
CHEERING FROM WEDDING RECEPTION | 0:58:24 | 0:58:27 | |
Subtitles by Red Bee Media Ltd | 0:59:02 | 0:59:05 |