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PEOPLE CHATTER | 0:00:39 | 0:00:41 | |
It isn't real. I think I'm dreaming that I'm here. | 0:02:05 | 0:02:09 | |
And you'll wake up at home and Diana's alive... | 0:02:09 | 0:02:13 | |
I heard about the flowers but never dreamt it would be like this. | 0:02:13 | 0:02:17 | |
That one person can command all this love and affection is... | 0:02:19 | 0:02:25 | |
You can't take it all in. | 0:02:26 | 0:02:29 | |
I was thinking, | 0:02:29 | 0:02:31 | |
"When the flowers die, how are they going to move them?" | 0:02:31 | 0:02:34 | |
Cos there's masses of them! | 0:02:34 | 0:02:37 | |
I've been wandering around for just over an hour, | 0:02:56 | 0:03:00 | |
and when you came along I was saying a prayer to world peace, | 0:03:00 | 0:03:05 | |
because I was thinking about Mother Teresa dying as well. | 0:03:05 | 0:03:10 | |
And I was thinking that I hope that the death of Princess Diana | 0:03:10 | 0:03:16 | |
really has a meaning for people | 0:03:16 | 0:03:19 | |
and they think about the changes they need to make in their lives, | 0:03:19 | 0:03:24 | |
and that they don't always look outwards | 0:03:24 | 0:03:28 | |
and think others have to do things. | 0:03:28 | 0:03:30 | |
Everybody can make a contribution. | 0:03:30 | 0:03:34 | |
You see all these people building shrines, sitting there in silence. | 0:03:34 | 0:03:40 | |
They're thinking very deeply. | 0:03:40 | 0:03:42 | |
And something like this, it transcends religion. | 0:03:42 | 0:03:47 | |
And there's an Indian called Sai Baba, | 0:03:47 | 0:03:52 | |
who says there's only one religion - the religion of love. | 0:03:52 | 0:03:55 | |
I think that's reflected here today. | 0:03:55 | 0:03:58 | |
LOW CHANTING | 0:03:58 | 0:04:02 | |
CHANTS | 0:04:05 | 0:04:08 | |
BIG BEN STRIKES | 0:05:19 | 0:05:22 | |
On the 19th of May '94, | 0:05:22 | 0:05:26 | |
I was actually homeless, sleeping round Hyde Park, | 0:05:26 | 0:05:30 | |
Regent's Park, that area. | 0:05:30 | 0:05:31 | |
And some gentleman decided that, in his wisdom, | 0:05:31 | 0:05:35 | |
he didn't like homeless people | 0:05:35 | 0:05:38 | |
so he wanted to beat me up. I ran off and he set his dog on me. | 0:05:38 | 0:05:43 | |
I jumped over the bridge there and ended up in the water. | 0:05:43 | 0:05:48 | |
Princess Diana had been out running and she stopped... | 0:05:48 | 0:05:53 | |
She saw what happened and she stopped the car | 0:05:53 | 0:05:55 | |
and, er...gave me some assistance. | 0:05:55 | 0:06:00 | |
I went to hospital. She came to visit me in hospital, gave me £5, | 0:06:00 | 0:06:05 | |
and then, afterwards, she got her staff to actually speak | 0:06:05 | 0:06:10 | |
to the Social Work Department, | 0:06:10 | 0:06:13 | |
and now, thanks to her, I've got a place in Hammersmith in London. | 0:06:13 | 0:06:19 | |
I can't explain it. It's like losing a best friend. | 0:06:23 | 0:06:28 | |
Because, as I say, if it hadn't have been for her, | 0:06:28 | 0:06:32 | |
I wouldn't have been alive today. | 0:06:32 | 0:06:35 | |
It's my birthday this month, my 40th birthday, | 0:06:35 | 0:06:39 | |
and it's only thanks to her that I'm seeing that 40th birthday | 0:06:39 | 0:06:44 | |
and I have, as I say, got a roof over my head. | 0:06:44 | 0:06:47 | |
The most profound impression here - | 0:07:19 | 0:07:22 | |
it sounds strange for a radio journalist to say this - | 0:07:22 | 0:07:26 | |
but it is of silence, | 0:07:26 | 0:07:28 | |
silence that speaks so much of what this nation feels. | 0:07:28 | 0:07:32 | |
MUSIC: "The Death Of Jazz" by Winton Marsalis | 0:09:22 | 0:09:27 | |
The impression that I have was it wasn't going to be | 0:10:27 | 0:10:31 | |
a state funeral because that wasn't Diana. | 0:10:31 | 0:10:34 | |
But it was going to be a family funeral in which the general public | 0:10:34 | 0:10:40 | |
could pay their respects. | 0:10:40 | 0:10:42 | |
But the sun was shining for Diana. | 0:10:42 | 0:10:44 | |
At the end of the day, the sun was shining for her. | 0:10:44 | 0:10:48 | |
JAMES NAUGHTIE ON RADIO: ..The coffin making its gentle, dignified way | 0:11:12 | 0:11:18 | |
down Constitution Hill | 0:11:18 | 0:11:21 | |
to the place where they wait, led by the monarch, the Queen... FADES AWAY | 0:11:21 | 0:11:28 | |
CHURCH BELL TOLLS | 0:11:40 | 0:11:42 | |
-DAVID DIMBLEBY: -'And so the coffin's nearing the final stages | 0:11:45 | 0:11:50 | |
'of its journey to the abbey.' | 0:11:50 | 0:11:52 | |
HORSE NEIGHS | 0:11:54 | 0:11:57 | |
'And still Prince William, with head hung, | 0:11:59 | 0:12:03 | |
'walking next to his grandfather. | 0:12:03 | 0:12:08 | |
'Prince Harry on his father's right and Charles Spencer in the centre.' | 0:12:08 | 0:12:14 | |
HELICOPTER DRONES | 0:12:14 | 0:12:17 | |
MUSIC: "Improvisation On Organ" by Martin Baker | 0:12:30 | 0:12:36 | |
'And the coffin | 0:13:22 | 0:13:25 | |
'enters the final stages | 0:13:25 | 0:13:29 | |
'of this long and moving journey... | 0:13:29 | 0:13:33 | |
'..to Westminster Abbey.' | 0:13:35 | 0:13:37 | |
TOM FLEMING: 'The Collegiate Body turns to face eastward, | 0:14:24 | 0:14:28 | |
'and, led by the Beadle | 0:14:28 | 0:14:30 | |
'and Master of the Choristers, Mr Martin Neary, | 0:14:30 | 0:14:34 | |
'who has arranged the music for this whole service...' | 0:14:34 | 0:14:39 | |
SINGING '..and by the choir who sing now the familiar funeral sentences | 0:14:39 | 0:14:44 | |
'in a setting by William Croft, who was organist here in the abbey | 0:14:44 | 0:14:48 | |
'from 1708 to 1727, | 0:14:48 | 0:14:52 | |
'the slow procession through the nave begins. | 0:14:52 | 0:14:58 | |
'"I am the resurrection and the life," saith the Lord. | 0:14:58 | 0:15:03 | |
' "I know that my Redeemer liveth." | 0:15:03 | 0:15:06 | |
'"The Lord gave... and the Lord hath taken away."' | 0:15:06 | 0:15:13 | |
CHOIR SINGS | 0:15:13 | 0:15:17 | |
'I stand here before you today the representative of a family in grief, | 0:16:03 | 0:16:09 | |
'in a country in mourning, before a world in shock. | 0:16:09 | 0:16:14 | |
'We're all united not only in our desire to pay our respects to Diana, | 0:16:14 | 0:16:19 | |
'but rather in our NEED to do so. | 0:16:19 | 0:16:23 | |
'For such was her extraordinary appeal, | 0:16:23 | 0:16:26 | |
'that tens of millions of people | 0:16:26 | 0:16:29 | |
'taking part in this service all over the world, who never met her, | 0:16:29 | 0:16:34 | |
'feel that they too lost someone close to them | 0:16:34 | 0:16:38 | |
'in the early hours of Sunday morning. | 0:16:38 | 0:16:41 | |
'It is a more remarkable tribute | 0:16:41 | 0:16:43 | |
'to Diana that I can ever hope to offer her today.' | 0:16:43 | 0:16:47 | |
There is a temptation to rush to canonise your memory. | 0:16:47 | 0:16:52 | |
There is no need to do so. | 0:16:52 | 0:16:54 | |
You stand tall enough as a human being of unique qualities | 0:16:54 | 0:16:59 | |
to not need to be seen as a saint. | 0:16:59 | 0:17:02 | |
The last time I saw Diana was on July 1st, | 0:17:05 | 0:17:08 | |
her birthday, in London, | 0:17:08 | 0:17:10 | |
when, typically, she was not taking time to celebrate | 0:17:10 | 0:17:14 | |
her special day with friends, | 0:17:14 | 0:17:16 | |
but was guest of honour at a fund-raising charity evening. | 0:17:16 | 0:17:21 | |
She was looking for a new direction in her life at this time. | 0:17:21 | 0:17:25 | |
She talked endlessly of getting away from England, | 0:17:25 | 0:17:29 | |
mainly because of the treatment she received from the newspapers. | 0:17:29 | 0:17:32 | |
I don't think she ever understood why her genuinely good intentions | 0:17:32 | 0:17:35 | |
were sneered at by the media - why there appeared to be | 0:17:35 | 0:17:38 | |
a permanent quest on their behalf to bring her down. | 0:17:38 | 0:17:42 | |
She would want us to pledge ourselves to protecting her beloved boys - | 0:17:42 | 0:17:46 | |
William and Harry - | 0:17:46 | 0:17:48 | |
from a similar fate, and I do this here, Diana, on your behalf. | 0:17:48 | 0:17:53 | |
We will not allow them to suffer | 0:17:53 | 0:17:55 | |
the anguish that used to regularly drive you to tearful despair. | 0:17:55 | 0:17:59 | |
CROWD CLAPS | 0:17:59 | 0:18:01 | |
Beyond that, on behalf of your mother and sisters, | 0:18:01 | 0:18:04 | |
I pledge that we, your blood family, | 0:18:04 | 0:18:07 | |
will do all we can to continue the imaginative and loving way | 0:18:07 | 0:18:10 | |
in which you were steering these two exceptional young men, | 0:18:10 | 0:18:14 | |
so that their souls are not simply immersed by duty and tradition, | 0:18:14 | 0:18:18 | |
but can sing openly as you planned. | 0:18:18 | 0:18:20 | |
I end by thanking God for the small mercies he's shown us at this time, | 0:18:22 | 0:18:28 | |
for taking Diana at her most beautiful and radiant, | 0:18:28 | 0:18:31 | |
and when she had joy in her private life. | 0:18:31 | 0:18:34 | |
Above all, we give thanks for the life of a woman | 0:18:34 | 0:18:37 | |
I'm so proud to be able to call my sister... | 0:18:37 | 0:18:41 | |
the unique, complex, extraordinary and irreplaceable Diana, | 0:18:41 | 0:18:46 | |
whose beauty, internal and external, | 0:18:46 | 0:18:49 | |
will never be extinguished from our minds. | 0:18:49 | 0:18:53 | |
APPLAUSE | 0:18:53 | 0:18:55 | |
TOM FLEMING: Charles, Earl Spencer. | 0:18:57 | 0:19:00 | |
And spontaneous applause breaks out in Westminster Abbey. | 0:19:03 | 0:19:06 | |
I've never heard that before. | 0:19:06 | 0:19:09 | |
CHOIR: "Alleluia! Song For Athena" by John Tavener | 0:19:35 | 0:19:41 | |
'For one minute, the whole nation keeps silence.' | 0:20:22 | 0:20:27 | |
ABBEY CHURCH BELLS RING | 0:21:25 | 0:21:30 | |
'The silence ends | 0:21:32 | 0:21:35 | |
'and the half-muffled bells of Westminster Abbey | 0:21:35 | 0:21:38 | |
'ring out their quarter peal | 0:21:38 | 0:21:42 | |
'across an unusually still London. | 0:21:42 | 0:21:46 | |
'You shared your life with us. | 0:21:54 | 0:21:57 | |
'God give to you eternal life. | 0:21:57 | 0:22:01 | |
'You gave your time to us. God give you his eternity. | 0:22:01 | 0:22:06 | |
'You gave your love to us. God give you his unending love. | 0:22:06 | 0:22:12 | |
'You gave your light to us. God shed anew his perpetual light. | 0:22:12 | 0:22:17 | |
'Into the sadness and smiles of our memories, we let you go. | 0:22:17 | 0:22:23 | |
'Now, with you, we lay down what is past, and look to the future.' | 0:22:23 | 0:22:30 | |
MUSIC: "Offering" by Ravi Shankar and Philip Glass | 0:22:50 | 0:22:57 | |
We were walking up, and it must have been a good half-mile away | 0:24:32 | 0:24:37 | |
the fragrance hit us. | 0:24:37 | 0:24:38 | |
And, er... | 0:24:38 | 0:24:41 | |
I think we both stood looking at the flowers, crying, | 0:24:41 | 0:24:44 | |
because it really hits home, | 0:24:44 | 0:24:46 | |
all the people who've brought flowers and what she means. | 0:24:46 | 0:24:50 | |
So many are left feeling like you are today, and it is such | 0:24:50 | 0:24:55 | |
a sensitive place, here, I think. | 0:24:55 | 0:24:57 | |
It's one of those scenes you want to hold in. | 0:25:01 | 0:25:05 | |
You've to stand there so you've got it for the rest of your life. | 0:25:05 | 0:25:08 | |
What's surprised me is how quiet everyone's been. | 0:25:10 | 0:25:13 | |
In the build-up when the procession was going through, it was so quiet. | 0:25:13 | 0:25:18 | |
Nobody moved. It was like that for a few hours before the procession hit | 0:25:18 | 0:25:23 | |
your area. Afterwards, nobody moved. | 0:25:23 | 0:25:26 | |
Everyone was in their own world thinking about Diana. | 0:25:26 | 0:25:30 | |
I think her imperfections was what made her so perfect. | 0:25:46 | 0:25:51 | |
The fact that she shared that, that's what made her whole. | 0:25:51 | 0:25:56 | |
You put the humanity and compassion with that, | 0:25:56 | 0:26:00 | |
and it was just a complete picture. | 0:26:00 | 0:26:03 | |
She wasn't trying to be a saint. She was just a human being. | 0:26:06 | 0:26:11 | |
I lost my mother when I was 15, | 0:26:24 | 0:26:27 | |
so, in some ways I suppose, | 0:26:27 | 0:26:31 | |
for this week it's been a selfish emotion as well, | 0:26:31 | 0:26:34 | |
in that I can grieve, and it has been for Diana, there's no doubt, | 0:26:34 | 0:26:39 | |
but you can go through the processes | 0:26:39 | 0:26:42 | |
you didn't go through at that time because you were protecting others. | 0:26:42 | 0:26:46 | |
It's made you more sensitive to William and Harry. | 0:26:46 | 0:26:50 | |
That was the age me and my brother were more or less at, | 0:26:50 | 0:26:54 | |
and we didn't even share it with each other because we wanted | 0:26:54 | 0:26:57 | |
to protect each other from it. | 0:26:57 | 0:27:00 | |
And it does hit you. | 0:27:00 | 0:27:02 | |
And I'm very grateful to Diana for that, | 0:27:04 | 0:27:07 | |
and that must be the case for a lot of other people. | 0:27:07 | 0:27:10 | |
MUSIC: "Offering" by Ravi Shankar and Philip Glass | 0:27:11 | 0:27:16 | |
SOMEONE WEEPS NOISILY | 0:28:42 | 0:28:47 | |
I was quite surprised. In the crowd, | 0:29:20 | 0:29:23 | |
you know what men are, they'll be all right, and the girls will cry. | 0:29:23 | 0:29:28 | |
But the men started weeping | 0:29:28 | 0:29:30 | |
as soon as the coffin came off round Parliament Square. | 0:29:30 | 0:29:33 | |
And they were weeping all the time. | 0:29:36 | 0:29:38 | |
Well, it's from watching television. | 0:29:38 | 0:29:41 | |
One couple had come from Rochdale and the lady had just an open blazer. | 0:29:41 | 0:29:46 | |
I asked her, "What you going to do, love?" And she said, | 0:29:46 | 0:29:50 | |
"Oh, I'll be all right." | 0:29:50 | 0:29:52 | |
Somebody brought some bread trays and they sat on them all night. | 0:29:52 | 0:29:57 | |
They didn't look fit. Her husband had had open-heart surgery. | 0:29:57 | 0:30:02 | |
I said, "He's quiet, isn't he, love? | 0:30:02 | 0:30:05 | |
She said, "Yeah, he's had open-heart surgery." | 0:30:05 | 0:30:08 | |
-She dragged him down here! -No wonder he was quiet. -But it was worth it. | 0:30:08 | 0:30:13 | |
-Have you been here long? -Er... Only since about ten last night. | 0:30:28 | 0:30:35 | |
What time did we get here? Well, we left Derby about half seven.... | 0:30:37 | 0:30:41 | |
..so a few hours. | 0:30:44 | 0:30:47 | |
What time is it? | 0:30:47 | 0:30:49 | |
(Ten... 24... 28...) | 0:30:52 | 0:30:56 | |
30 hours. | 0:30:56 | 0:30:58 | |
Got to come. Just have to, I don't know why. | 0:31:06 | 0:31:09 | |
It's not only a piece of history, it's a piece of you. | 0:31:09 | 0:31:13 | |
Something in your heart's telling you to come here. | 0:31:13 | 0:31:16 | |
Oh, I don't know. It's just so sad. The feeling in the air is incredible. | 0:31:22 | 0:31:27 | |
Anything you ever said that was derogatory towards her | 0:31:29 | 0:31:33 | |
just feels total and utter guilt. | 0:31:33 | 0:31:36 | |
And a lot of people are feeling that now. | 0:31:36 | 0:31:39 | |
And do you know what else does me? | 0:31:46 | 0:31:49 | |
When you look at the Royal Family going round meeting the crowds, | 0:31:49 | 0:31:53 | |
what member of the Royal Family doesn't wear gloves? | 0:31:53 | 0:31:57 | |
There ain't one I've seen that shakes the hands of the people. | 0:31:57 | 0:32:01 | |
It's so rare. She didn't care. | 0:32:01 | 0:32:05 | |
She kissed the cheeks. She... Do you know what I mean? | 0:32:07 | 0:32:10 | |
I seen her picture on the news the other day, and she was in India, | 0:32:10 | 0:32:15 | |
a doctor had pulled a lady's shoe off - she would have been about 60. | 0:32:15 | 0:32:20 | |
He was showing Diana the cracks on her feet from dermatitis, | 0:32:20 | 0:32:26 | |
and Diana was rubbing her hands down this Indian lady's feet. | 0:32:26 | 0:32:31 | |
And who would do that? | 0:32:31 | 0:32:33 | |
Would you see the Queen do it to anybody...of any origin? | 0:32:33 | 0:32:38 | |
She wouldn't do it. None of them would. | 0:32:38 | 0:32:41 | |
It just... No colour divide, no sex divide, no ability divide, | 0:32:41 | 0:32:48 | |
just love for everybody. | 0:32:48 | 0:32:51 | |
Me dad wants to go home and me mum doesn't. They've just gone off there. | 0:33:23 | 0:33:28 | |
They're not very happy, cos she wants to stay and he wants to go. | 0:33:28 | 0:33:33 | |
And they won't leave me here, | 0:33:33 | 0:33:35 | |
but she'll probably have to end up agreeing with him, like mothers do, | 0:33:35 | 0:33:40 | |
and they'll probably drag me away sometime this evening or tomorrow. | 0:33:40 | 0:33:44 | |
I don't want to go home. I don't want to leave it. | 0:33:44 | 0:33:48 | |
I'm the same as everybody else. I'm nothing special. | 0:33:48 | 0:33:51 | |
Everybody feels it. Everybody's here and they just wish she was in there. | 0:33:51 | 0:33:56 | |
When she was in there last night, | 0:33:56 | 0:33:58 | |
the strangest feeling overcame everybody that was here. | 0:33:58 | 0:34:01 | |
Every person that walked up to that fence cried. | 0:34:01 | 0:34:03 | |
Not one person wasn't absolutely devastated. | 0:34:03 | 0:34:09 | |
I want to stay here. I don't want to go home. | 0:34:12 | 0:34:15 | |
It's stupid, innit? | 0:34:18 | 0:34:20 | |
Look at everybody. I know you all feel the same. | 0:34:20 | 0:34:24 | |
No-one wants to leave it. | 0:34:24 | 0:34:26 | |
I don't want to go home and I'm going to have to go home tomorrow. | 0:34:28 | 0:34:32 | |
We can't camp out here for the rest of our lives, can we? | 0:34:32 | 0:34:37 | |
MUSIC: "For Arinushka, Upon Regaining Her Health" by Arvo Part | 0:34:40 | 0:34:47 | |
It's like an extraordinary love story. | 0:36:33 | 0:36:37 | |
Young girl becomes a princess, marries the man who'll be king. | 0:36:37 | 0:36:43 | |
It falls apart, she find a new love and they die in each other's arms. | 0:36:43 | 0:36:48 | |
It's... You know, you'd write it, | 0:36:48 | 0:36:51 | |
you'd never sell it, would you? I mean... | 0:36:51 | 0:36:54 | |
You were saying you photographed lots of wars. | 0:37:00 | 0:37:03 | |
Yes, nearly all the wars since Vietnam. | 0:37:03 | 0:37:07 | |
The one war, I suppose, | 0:37:07 | 0:37:11 | |
that strangely reminds me of this is Rwanda, | 0:37:11 | 0:37:13 | |
where there were as many bodies in Rwanda in fields | 0:37:13 | 0:37:18 | |
as there are flowers here. | 0:37:18 | 0:37:21 | |
And it strangely reminds me of it. | 0:37:21 | 0:37:24 | |
And the strange quiet silence. | 0:37:24 | 0:37:26 | |
People just almost lost in their own thoughts. | 0:37:26 | 0:37:30 | |
Although there's horrible things going on around them, | 0:37:30 | 0:37:34 | |
here people just stare and read the messages. | 0:37:34 | 0:37:39 | |
There's a sort of quiet madness about it. It's quiet hysteria. | 0:37:39 | 0:37:45 | |
If you wanted to be cynical, you'd ask how many dialysis machines | 0:37:55 | 0:38:00 | |
can you buy with all these flowers. | 0:38:00 | 0:38:03 | |
They're paying £5, £10 out there to pick up some flowers | 0:38:03 | 0:38:07 | |
and then put them down here. | 0:38:07 | 0:38:09 | |
It's like throwing money away. | 0:38:09 | 0:38:12 | |
That money could be better employed and help other people survive. | 0:38:12 | 0:38:16 | |
But then I'm just being practical | 0:38:16 | 0:38:19 | |
on a subject that's not open to that sort of approach. | 0:38:19 | 0:38:23 | |
She did a lot of good work, particularly on mines. | 0:38:23 | 0:38:28 | |
I've seen a lot of victims of those, especially children, over 30 years. | 0:38:28 | 0:38:33 | |
It's just appalling, | 0:38:33 | 0:38:35 | |
and it's children who become victims very quickly - | 0:38:35 | 0:38:40 | |
run into the fields, playing. | 0:38:40 | 0:38:42 | |
I'm getting to the point | 0:38:42 | 0:38:44 | |
I don't want to see more children in pain, because they're so... | 0:38:44 | 0:38:48 | |
What she did there was very good. | 0:38:48 | 0:38:51 | |
But she was no saint. She played away from home like her own husband. | 0:38:52 | 0:38:57 | |
So, I don't like this deity business about it all. | 0:38:57 | 0:39:01 | |
Of course, I'm just old and cynical. | 0:39:01 | 0:39:05 | |
The first thing I did when I went for a paper | 0:39:33 | 0:39:36 | |
was see if she was on the front page. | 0:39:36 | 0:39:40 | |
I'd say, "Here she is again..." | 0:39:40 | 0:39:42 | |
-Can't leave her alone. -We didn't want to know her private life... -No. | 0:39:42 | 0:39:47 | |
..as long as we saw her going about doing things. | 0:39:47 | 0:39:50 | |
I don't think anybody knew just what she did do till now. | 0:39:50 | 0:39:55 | |
And, well, the press just put her down all the time. | 0:39:55 | 0:39:59 | |
Now it's the princes we've got to think of more now. | 0:39:59 | 0:40:04 | |
Just hope that they get the love their mum tried to give them. | 0:40:04 | 0:40:09 | |
She did, didn't she? Big cuddles she used to give when she met them. | 0:40:09 | 0:40:15 | |
-I don't think anybody will forget that day. -No... | 0:40:15 | 0:40:20 | |
-You've just come down? -I've just arrived. | 0:40:26 | 0:40:30 | |
But it's my third trip down here since she died. | 0:40:30 | 0:40:34 | |
-Why do you keep coming? -I've been coming here since I was five. | 0:40:34 | 0:40:39 | |
I used to live in Queensway and fish for sticklebacks | 0:40:39 | 0:40:42 | |
in the Round Pond. | 0:40:42 | 0:40:46 | |
But I came the first time to see the scene | 0:40:46 | 0:40:50 | |
and then I was surprised at how moved and taken I was by it. | 0:40:50 | 0:40:55 | |
I didn't actually expect this reaction to hit me, if you like. | 0:40:55 | 0:41:00 | |
I think it was the... just the, just the group energy. | 0:41:00 | 0:41:05 | |
It just felt a really valuable experience | 0:41:05 | 0:41:09 | |
to come here and share this. | 0:41:09 | 0:41:11 | |
It's... It's poignant and powerful and, er...tragic | 0:41:14 | 0:41:20 | |
and it's all these sort of major emotions wrapped up into one. | 0:41:20 | 0:41:25 | |
And it's also a...a greater loss | 0:41:25 | 0:41:29 | |
than I thought I'd ever imagine that I would perceive it to be. | 0:41:29 | 0:41:35 | |
It took her death for me to realise how much I valued her presence | 0:41:35 | 0:41:40 | |
as the only woman of prominence on the world stage | 0:41:40 | 0:41:44 | |
expressing womanly emotion. | 0:41:44 | 0:41:47 | |
I was amazed, watching on TV, the self-control of the crowds | 0:41:50 | 0:41:55 | |
and the absence of police to hold the crowds back. | 0:41:55 | 0:42:00 | |
I remember my brother telling me | 0:42:00 | 0:42:03 | |
that when he was at the only sort of funeral of comparable significance | 0:42:03 | 0:42:09 | |
in my recent history - | 0:42:09 | 0:42:11 | |
that was the funeral of Kennedy - | 0:42:11 | 0:42:14 | |
that was one of the things | 0:42:14 | 0:42:16 | |
that made him decide not to live in America, | 0:42:16 | 0:42:20 | |
because the crowd was just rapacious and horrendous, | 0:42:20 | 0:42:25 | |
and had they not been held back forcibly by police | 0:42:25 | 0:42:29 | |
they'd have torn the coffin apart. | 0:42:29 | 0:42:32 | |
And the contrast with England was just very impressive, | 0:42:32 | 0:42:38 | |
to see the respect and the restraint and the, er... | 0:42:38 | 0:42:43 | |
I don't know, just the purity of the emotions. | 0:42:43 | 0:42:48 | |
Everything that happens is life-changing, | 0:42:54 | 0:42:58 | |
so I suppose this is, | 0:42:58 | 0:43:00 | |
but I...I couldn't sort of say it's changed me in one way or another, | 0:43:00 | 0:43:04 | |
but everything does. | 0:43:04 | 0:43:06 | |
It's made me realise the importance of love | 0:43:06 | 0:43:10 | |
more than I used to, I suppose. | 0:43:10 | 0:43:14 | |
-Carla. -Yeah. -Look. "We are glad you both found happiness together | 0:43:22 | 0:43:27 | |
"in your final days together, and you'll be together forever." | 0:43:27 | 0:43:30 | |
Aw-w-w. | 0:43:30 | 0:43:33 | |
I heard the news about Princess Diana's death | 0:43:43 | 0:43:47 | |
on Sunday morning at church. | 0:43:47 | 0:43:50 | |
And completely... | 0:43:52 | 0:43:55 | |
I just couldn't really take it. I couldn't... | 0:43:57 | 0:44:00 | |
A lady put her arm round my shoulders and I felt | 0:44:00 | 0:44:05 | |
the presence of God come down on me. | 0:44:05 | 0:44:08 | |
And I just very gently lay on the floor for over two-and-a-half hours. | 0:44:09 | 0:44:16 | |
And the presence of God was so strong on me that I could hardly get up, | 0:44:16 | 0:44:21 | |
even after everyone went home. | 0:44:21 | 0:44:24 | |
And then I had to turn over on my hands and knees | 0:44:24 | 0:44:27 | |
and push myself up off the floor. | 0:44:27 | 0:44:29 | |
Then I just felt I had to come on the Tuesday | 0:44:29 | 0:44:33 | |
on behalf of the church that I go to. | 0:44:33 | 0:44:38 | |
And...I gave... I made a card for her. | 0:44:41 | 0:44:45 | |
It said, "Come to me, all you who are weary and burdened, | 0:44:46 | 0:44:49 | |
"and I will give you rest." | 0:44:49 | 0:44:51 | |
I think the burden of Princess Diana... | 0:44:51 | 0:44:54 | |
I felt all of what she was receiving from people. | 0:44:54 | 0:44:58 | |
At the actual passing of the coffin, my breath just went away. | 0:45:02 | 0:45:07 | |
And I just felt | 0:45:07 | 0:45:10 | |
I've got to control myself, because everybody was quiet, | 0:45:10 | 0:45:12 | |
but I just felt like screaming, "Oh, God!" | 0:45:12 | 0:45:15 | |
because the loss is so great. | 0:45:15 | 0:45:17 | |
Just looking at all these people round here just shows how much | 0:45:19 | 0:45:23 | |
each individual has lost in her going. | 0:45:23 | 0:45:27 | |
MUSIC: "String Quartet No 5" by Philip Glass | 0:45:32 | 0:45:37 | |
BELLS TINKLE | 0:47:09 | 0:47:13 | |
We came down on Thursday night | 0:47:23 | 0:47:25 | |
and camped out opposite Westminster Abbey so we'd get a good view, | 0:47:25 | 0:47:30 | |
and that was just such a lovely funeral, but heartbreaking. | 0:47:30 | 0:47:35 | |
It was just so good that we were fortunate enough to be down there. | 0:47:35 | 0:47:38 | |
And then when that finished we came up here to Kensington Palace | 0:47:38 | 0:47:43 | |
and all these little shrines that have been made up. | 0:47:43 | 0:47:48 | |
We've slept down there and spent all the days down there. | 0:47:48 | 0:47:51 | |
And we've adopted it as our shrine. | 0:47:51 | 0:47:53 | |
And everyone that comes round - | 0:47:53 | 0:47:55 | |
"What do you think of our shrine?" We're so proud of it, aren't we? | 0:47:55 | 0:47:59 | |
It's like a vigil. We feel like pilgrims, don't we? | 0:48:01 | 0:48:05 | |
Cos we've suffered so much pain - | 0:48:05 | 0:48:08 | |
not real pain, but like we're hurt. | 0:48:08 | 0:48:11 | |
Our backs are killing us, our feet are killing us, our behinds are killing us, | 0:48:11 | 0:48:15 | |
our heads are killing us. | 0:48:15 | 0:48:16 | |
Really bad headaches because of lack of sleep. We're eating stale food - | 0:48:16 | 0:48:22 | |
three-day-old sandwiches and things. | 0:48:22 | 0:48:25 | |
I think, "At least I might be losing a bit of weight." | 0:48:25 | 0:48:33 | |
I lost both parents | 0:48:38 | 0:48:40 | |
within three-and-a-half years of one another. | 0:48:40 | 0:48:43 | |
They were 70, 71. My dad first and then my mum. | 0:48:43 | 0:48:48 | |
But my mum has been gone eight years now and I feel they're both here | 0:48:48 | 0:48:52 | |
with me. I just know they are. I just know it. | 0:48:52 | 0:48:57 | |
Definitely, they're here with me | 0:48:57 | 0:49:00 | |
and they're looking after me and they're enjoying... | 0:49:00 | 0:49:03 | |
Well, no. Enjoying is the wrong word. | 0:49:03 | 0:49:07 | |
They're experiencing the same emotions that I am. They're here now. | 0:49:07 | 0:49:11 | |
Away from this area, it is quite cold out there. | 0:49:14 | 0:49:17 | |
But in here it's warm - | 0:49:17 | 0:49:19 | |
that's the warmth of the spirits around us, millions of them. | 0:49:19 | 0:49:23 | |
It's not just our loved ones' spirits, it's everybody around, | 0:49:23 | 0:49:28 | |
their relatives' spirits. | 0:49:28 | 0:49:31 | |
They're all here. I know that. I can feel it. | 0:49:31 | 0:49:35 | |
They're here now. I... | 0:49:35 | 0:49:37 | |
It's gone cold now. Did you feel that cold wind? | 0:49:38 | 0:49:41 | |
Did you feel it? Everything's blowing. | 0:49:41 | 0:49:44 | |
They're letting us know they're here. | 0:49:44 | 0:49:46 | |
MUSIC: "Hat And Beard" by Eric Dolphy | 0:50:10 | 0:50:15 | |
'This is the entrance only.' | 0:50:46 | 0:50:48 | |
Exits are further down on the right. | 0:50:48 | 0:50:51 | |
It made me sick, her going away so quick in that car, | 0:51:16 | 0:51:20 | |
so quick to get back to her holiday at Balmoral. | 0:51:20 | 0:51:24 | |
Poor girl wasn't even buried then. | 0:51:24 | 0:51:27 | |
I'd be starting a riot, I would. | 0:51:30 | 0:51:32 | |
I feel so bitter against the royals now. I really do. | 0:51:32 | 0:51:37 | |
I do. I feel really bitter. | 0:51:37 | 0:51:40 | |
Captain Mark Phillips was at Westminster Cathedral. | 0:51:51 | 0:51:54 | |
He was one of Diana's friends. | 0:51:54 | 0:51:57 | |
He was divorced from one of the royals, and he advised Diana... | 0:51:57 | 0:52:01 | |
Mark Phillips was Diana's husband at one time. ..Not Diana's - Anne's. | 0:52:01 | 0:52:08 | |
-But he was at the cathedral. -Yeah. | 0:52:08 | 0:52:11 | |
Because he helped Diana with things because he had experienced divorce. | 0:52:11 | 0:52:16 | |
He got in touch with her. | 0:52:16 | 0:52:18 | |
-I rather like him. He's never said anything against... -No. -No. | 0:52:18 | 0:52:22 | |
REPORTER: The feeling here seems to be that... | 0:52:29 | 0:52:32 | |
The feeling here seems to be you can | 0:52:34 | 0:52:36 | |
sweep away the flowers but mourning for Princess Diana will continue. | 0:52:36 | 0:52:40 | |
The organisers are anxious everyone, | 0:52:40 | 0:52:43 | |
the millions who have come here from across the world | 0:52:43 | 0:52:46 | |
to lay their tributes - their poems, their messages... | 0:52:46 | 0:52:50 | |
Sorry. | 0:52:50 | 0:52:51 | |
Once again. | 0:52:51 | 0:52:54 | |
You're facing the wrong way, aren't you? | 0:53:14 | 0:53:16 | |
Not facing the wrong way. This is where all the people are! | 0:53:16 | 0:53:19 | |
Do you mean looking at all these old flowers?! We're watching the people, | 0:53:19 | 0:53:26 | |
and it's very interesting. | 0:53:26 | 0:53:29 | |
Well, London's a melting pot, isn't it? Everybody knows that. | 0:53:29 | 0:53:34 | |
So there's everything. | 0:53:34 | 0:53:36 | |
Every nationality, every colour, every type of person altogether. | 0:53:36 | 0:53:40 | |
Oh, no, it's great. We enjoy it. | 0:53:40 | 0:53:42 | |
We hope... We hope we'll come again many times. Don't we? | 0:53:42 | 0:53:47 | |
It seems so un-English, all this lot that's been taking place. | 0:53:53 | 0:53:59 | |
And I would... Of course, reasoning it out, | 0:53:59 | 0:54:04 | |
she was very beautiful - exquisitely beautiful - | 0:54:04 | 0:54:08 | |
which, of course, is a riveting idea. | 0:54:08 | 0:54:11 | |
And then to be cut off at the age of 36... | 0:54:11 | 0:54:14 | |
I think people are SO shocked | 0:54:14 | 0:54:17 | |
at the horror of it all that that's what's sent them haywire. | 0:54:17 | 0:54:22 | |
I would think so. | 0:54:22 | 0:54:24 | |
SIREN WAILS | 0:54:24 | 0:54:27 | |
I'm just taking notes. | 0:54:45 | 0:54:48 | |
I started an overall picture, but it wasn't working, | 0:54:48 | 0:54:51 | |
so I started to write down details I'm observing, like the palace. | 0:54:51 | 0:54:57 | |
I want to get a sense of the crowd. | 0:54:57 | 0:55:00 | |
I think people have long felt that traditional buildings - palaces - | 0:55:00 | 0:55:07 | |
had nothing much to do with them, and these old gates, | 0:55:07 | 0:55:11 | |
which seem to represent monarchy, | 0:55:11 | 0:55:13 | |
something distant from the general people, | 0:55:13 | 0:55:16 | |
they're shoving teddy bears and hearts and flags and everything | 0:55:16 | 0:55:21 | |
on them and making them their own somehow. | 0:55:21 | 0:55:24 | |
It's like a peaceful revolution, like the Berlin Wall coming down. | 0:55:24 | 0:55:28 | |
When I bought some flowers, I felt a bit embarrassed. | 0:55:32 | 0:55:35 | |
I said to a friend of mine that I want to take some flowers down | 0:55:35 | 0:55:38 | |
and they said, "You're being very honest." But actually buying and putting them down | 0:55:38 | 0:55:42 | |
made me feel I was contributing to something, | 0:55:42 | 0:55:44 | |
standing up for goodness again. | 0:55:44 | 0:55:45 | |
It's like a ritual. I think there's a great lack of ritual | 0:55:47 | 0:55:49 | |
in our modern society. | 0:55:49 | 0:55:52 | |
It's also something beautiful and valuable been taken away. | 0:55:57 | 0:56:01 | |
That's a shock for anybody, a tragedy. | 0:56:01 | 0:56:05 | |
It's got mythic... | 0:56:05 | 0:56:07 | |
I think she's an archetypal figure for people - | 0:56:07 | 0:56:10 | |
that goddess being snatched away. | 0:56:10 | 0:56:13 | |
Certain individuals have moved thousands of people to do things. | 0:56:13 | 0:56:17 | |
It's how Jesus started. He was made a martyr. He was killed too young. | 0:56:17 | 0:56:22 | |
They built a religion round him. It's how religions start. | 0:56:22 | 0:56:26 | |
MUSIC: "Mad Rush" by Philip Glass | 0:56:30 | 0:56:35 | |
In the name of the Father and of the Son and of the Holy Spirit. Amen. | 0:57:35 | 0:57:40 | |
Our Father who art in heaven hallowed be thy name. | 0:57:42 | 0:57:46 | |
Thy kingdom come. Thy will be done on earth as it is in heaven. | 0:57:46 | 0:57:50 | |
Give us this day our daily bread and forgive us our trespasses | 0:57:50 | 0:57:54 | |
as we forgive those who trespass against us. | 0:57:54 | 0:57:58 | |
And lead us not into temptation, but deliver us from evil. Amen. | 0:57:58 | 0:58:03 | |
Hail, Mary, full of grace the Lord is with thee. | 0:58:03 | 0:58:06 | |
Blessed is the fruit of thy womb, Jesus. | 0:58:06 | 0:58:11 | |
Holy Mary, mother of God, pray for us now and at the hour of our death. | 0:58:11 | 0:58:16 | |
Glory be to the Father and to the Son and to the Holy Spirit. | 0:58:16 | 0:58:20 | |
As it was in the beginning, is now, | 0:58:20 | 0:58:22 | |
and ever shall be world without end. Amen. | 0:58:22 | 0:58:25 | |
I believe in God the Father Almighty creator of Heaven and Earth | 0:58:25 | 0:58:29 | |
and in Jesus Christ, his only son... | 0:58:29 | 0:58:31 | |
Eternal Father, we offer you the body and blood, | 0:58:41 | 0:58:45 | |
soul and divinity of your dearly beloved son, | 0:58:45 | 0:58:49 | |
our Lord Jesus Christ, | 0:58:49 | 0:58:51 | |
in atonement for our sins and those of the whole world, | 0:58:51 | 0:58:56 | |
-for the sake of his sorrowful passion... -Have mercy on us. | 0:58:56 | 0:59:00 | |
-For the sake of his sorrowful passion... -Have mercy on us. | 0:59:00 | 0:59:05 | |
-For the sake of his sorrowful passion... -Have mercy on us. | 0:59:05 | 0:59:10 | |
-For the sake of his sorrowful passion... -Have mercy on us. | 0:59:10 | 0:59:14 | |
-For the sake of his sorrowful passion... -Have mercy on us. | 0:59:14 | 0:59:19 | |
-For the sake of his sorrowful passion... -Have mercy on us. | 0:59:19 | 0:59:23 | |
MUSIC: "Raga Bhimpalasi" by Hariprasad Chaurasia | 0:59:25 | 0:59:30 | |
So you've got... Lined bins are for wrappings and waste and rubbish. | 1:02:09 | 1:02:14 | |
They are for things to be composted. | 1:02:14 | 1:02:17 | |
Underneath, they are the boxes for the little condolence cards, | 1:02:17 | 1:02:22 | |
and I'll get you another box for cuddly toys. | 1:02:22 | 1:02:27 | |
That's it like that. That's great. | 1:02:36 | 1:02:39 | |
-Just turn your face up a bit. -Lift your face up a bit. | 1:02:40 | 1:02:44 | |
You don't have to look at us, but just kneeling down. | 1:02:45 | 1:02:49 | |
My name is Greg... | 1:02:49 | 1:02:52 | |
I lived in London for quite a while | 1:03:01 | 1:03:03 | |
and I can't say I've never wanted to join in | 1:03:03 | 1:03:06 | |
with any major state occasion. | 1:03:06 | 1:03:10 | |
It's quite extraordinary. | 1:03:10 | 1:03:13 | |
I think the people who have come to be part of it have just... | 1:03:13 | 1:03:19 | |
ARE part of it, | 1:03:19 | 1:03:21 | |
whereas before it's always felt as though you were pure spectators | 1:03:21 | 1:03:25 | |
to something else. | 1:03:25 | 1:03:27 | |
It was what belonged to someone else. | 1:03:27 | 1:03:30 | |
All royal occasions were ROYAL occasions and you were | 1:03:30 | 1:03:34 | |
just subjects to stand by and... | 1:03:34 | 1:03:38 | |
But this has been different | 1:03:38 | 1:03:40 | |
in so far as people haven't just been spectators. | 1:03:40 | 1:03:45 | |
They've been there taking part in it. | 1:03:45 | 1:03:47 | |
And I thought what was really good | 1:03:49 | 1:03:52 | |
was that when Earl Spencer gave his talk, | 1:03:52 | 1:03:56 | |
it was the people in Hyde Park that stood up and applauded. | 1:03:56 | 1:04:00 | |
And applause then went through the cathedral. | 1:04:00 | 1:04:02 | |
But it was the people who made the response, | 1:04:02 | 1:04:06 | |
and I thought that was good. | 1:04:06 | 1:04:08 | |
Monarchy, just in itself, | 1:04:13 | 1:04:17 | |
has long since been useful as an institution | 1:04:17 | 1:04:20 | |
and there's been a move where people have felt that government | 1:04:20 | 1:04:27 | |
should be of all the people | 1:04:27 | 1:04:30 | |
and that we should look to be citizens rather than subjects. | 1:04:30 | 1:04:35 | |
And if Diana did anything, | 1:04:35 | 1:04:39 | |
it was to move that process | 1:04:39 | 1:04:41 | |
a little bit further along down the line. | 1:04:41 | 1:04:45 | |
And so here was a chance for ordinary people to respond to that | 1:04:45 | 1:04:50 | |
and to say, "Yes, I think that's probably...that's right." | 1:04:50 | 1:04:55 | |
And so maybe we can express it by sort of saying, | 1:04:55 | 1:05:02 | |
"Yes, this was a terrible thing that happened to her, | 1:05:02 | 1:05:05 | |
"but we mustn't let the momentum go." | 1:05:05 | 1:05:08 | |
Been wanting to come all week. | 1:05:28 | 1:05:30 | |
We just felt we had to come and see everyone and put the flowers down. | 1:05:30 | 1:05:36 | |
So... | 1:05:36 | 1:05:39 | |
Always liked her since I was little, so I had to do it. | 1:05:39 | 1:05:44 | |
I always admired her and always think of her. | 1:05:44 | 1:05:48 | |
Tragic... | 1:05:56 | 1:05:58 | |
Just a waste of a young life. | 1:06:14 | 1:06:17 | |
Far too young and far too beautiful. | 1:06:20 | 1:06:24 | |
It's such a waste. | 1:06:28 | 1:06:30 | |
INTRO TO CANDLE IN THE WIND PLAYS | 1:06:51 | 1:06:54 | |
# Goodbye England's rose | 1:06:59 | 1:07:02 | |
# May you ever grow in our hearts | 1:07:02 | 1:07:05 | |
# You were the grace that placed itself | 1:07:05 | 1:07:09 | |
# Where lives were torn apart | 1:07:09 | 1:07:13 | |
# You called out to our country... # | 1:07:13 | 1:07:17 | |
You do one. Where are you? | 1:07:17 | 1:07:20 | |
# Now you belong to heaven... # | 1:07:20 | 1:07:24 | |
Dave, you do one as well. | 1:07:24 | 1:07:26 | |
# And the stars spell out your name | 1:07:26 | 1:07:30 | |
# And it seems to me | 1:07:30 | 1:07:32 | |
# You lived your life like a candle in the wind | 1:07:32 | 1:07:37 | |
# Never fading with the sunset when the rain set in... # | 1:07:37 | 1:07:43 | |
Just trying to get the end. | 1:07:43 | 1:07:45 | |
# And your footsteps will always fall here | 1:07:45 | 1:07:49 | |
# Along England's greenest hills | 1:07:49 | 1:07:53 | |
# Your candle's burned out long before... # THEY JOIN IN | 1:07:53 | 1:07:59 | |
# Your legend ever will... # | 1:07:59 | 1:08:02 | |
That's the bit I absolutely... I love that bit, | 1:08:04 | 1:08:08 | |
just the bit sort of in between on the piano. | 1:08:08 | 1:08:13 | |
# Goodbye England's rose... # | 1:08:13 | 1:08:17 | |
-This is just so beautiful. -Yeah, it's wonderful. | 1:08:17 | 1:08:20 | |
-You can't stop coming back to see it. -No... | 1:08:20 | 1:08:25 | |
Because there's such beauty... well, like her. | 1:08:25 | 1:08:28 | |
# Goodbye England's rose from a country lost without your soul | 1:08:30 | 1:08:35 | |
# Who'll miss the wings of your compassion | 1:08:35 | 1:08:39 | |
# More than you'll ever know | 1:08:39 | 1:08:42 | |
# And it seems to me you lived your life | 1:08:45 | 1:08:48 | |
# Like a candle in the wind | 1:08:48 | 1:08:52 | |
# Never fading with the sunset | 1:08:52 | 1:08:55 | |
# When the rain set in | 1:08:55 | 1:08:59 | |
# And your footsteps will always fall here | 1:09:00 | 1:09:04 | |
# Among England's greenest hills | 1:09:04 | 1:09:07 | |
# Your candle's burned out long ago | 1:09:07 | 1:09:13 | |
# Your legend never will | 1:09:13 | 1:09:17 | |
# Your footsteps will always fall here | 1:09:21 | 1:09:25 | |
# Along England's greenest hills | 1:09:25 | 1:09:28 | |
# Your candle's burned out long before | 1:09:28 | 1:09:33 | |
# Your legend never will. # | 1:09:35 | 1:09:38 | |
Mm. Dear, oh dear. I don't know. | 1:09:44 | 1:09:48 | |
So many questions. | 1:09:49 | 1:09:51 | |
SIRENS WAIL IN DISTANCE | 1:09:53 | 1:09:58 | |
MUSIC: "For Arinushka, Upon Regaining Her Health" by Arvo Part | 1:11:45 | 1:11:52 | |
Subtitles by Red Bee Media Ltd | 1:14:30 | 1:14:34 |