Browse content similar to Episode 3. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
The world's most famous skyline, | 0:00:03 | 0:00:06 | |
a symbol of ambition, success and wealth. | 0:00:06 | 0:00:11 | |
Welcome to New York. | 0:00:11 | 0:00:13 | |
We're going to show you how this city works. | 0:00:16 | 0:00:18 | |
We've gained privileged access | 0:00:19 | 0:00:21 | |
to some of New York's most iconic places. | 0:00:21 | 0:00:24 | |
We're revealing the hidden systems and armies of workers that | 0:00:27 | 0:00:30 | |
keep everything on track. | 0:00:30 | 0:00:32 | |
WHISTLE BLOWS | 0:00:33 | 0:00:35 | |
This time, we're in Central Park. | 0:00:35 | 0:00:37 | |
A quarter of a million visitors are heading this way. | 0:00:37 | 0:00:40 | |
A green oasis surrounded by some of the world's most expensive housing. | 0:00:42 | 0:00:47 | |
Tonight, we investigate the sky-high price of property | 0:00:47 | 0:00:51 | |
in this crowded city. | 0:00:51 | 0:00:52 | |
Journalist Ade Adepitan goes house-hunting in Harlem. | 0:00:54 | 0:00:57 | |
If it's a house that needs renovation, three million. | 0:00:57 | 0:01:00 | |
-If it's done, it's four to five million. -That is incredible. | 0:01:00 | 0:01:05 | |
Engineer Ant Anstead discovers even thin air comes at a price. | 0:01:06 | 0:01:10 | |
-You spent 1 billion and you didn't get any land? -Correct. | 0:01:11 | 0:01:16 | |
I get the lowdown from the locals about the best... | 0:01:16 | 0:01:18 | |
It's the most wonderful place on earth. So good, they named it twice. | 0:01:18 | 0:01:22 | |
..and worst things about living here. | 0:01:22 | 0:01:25 | |
My rent doubled overnight. | 0:01:25 | 0:01:27 | |
And historian Dan Snow gets into deep water on Coney Island. | 0:01:29 | 0:01:33 | |
-So the ocean came in round the back? -Yes. It flooded the entire area. | 0:01:33 | 0:01:37 | |
This is your access-all-areas pass to American's biggest and busiest city. | 0:01:40 | 0:01:45 | |
Welcome to Central Park, New York's most famous green space, | 0:02:03 | 0:02:07 | |
all 843 glorious acres of it. | 0:02:07 | 0:02:10 | |
It cuts a swathe through the map of Manhattan, | 0:02:12 | 0:02:15 | |
two and a half miles long and half a mile wide. | 0:02:15 | 0:02:18 | |
It's 7am, the sun's rising, | 0:02:20 | 0:02:22 | |
it's warming up and the park is heading towards its busiest hours. | 0:02:22 | 0:02:26 | |
We're here right through to 3pm, | 0:02:26 | 0:02:28 | |
when it'll reach its peak visitor numbers. | 0:02:28 | 0:02:31 | |
This is the city's back yard, where New Yorkers come to relax. | 0:02:31 | 0:02:34 | |
But keeping this place relaxing is far from a walk in the park. | 0:02:34 | 0:02:38 | |
More than twice the size of London's Regent's Park, | 0:02:40 | 0:02:43 | |
this is America's most visited urban park. | 0:02:43 | 0:02:46 | |
At this time of day, it looks serene, but preparing this place for | 0:02:48 | 0:02:52 | |
its 42 million annual visitors is an enormous and costly logistical | 0:02:52 | 0:02:58 | |
operation involving 375 full-time staff. | 0:02:58 | 0:03:01 | |
And they start early. | 0:03:05 | 0:03:07 | |
The first and one of the most important jobs in the park is | 0:03:08 | 0:03:11 | |
handled by Gary Gentilucci and his team. | 0:03:11 | 0:03:13 | |
-Gary, who's your team? What do you do? -We're the turf crew. -Yes. | 0:03:13 | 0:03:16 | |
-Hello, turf crew. -How you doing? | 0:03:16 | 0:03:19 | |
The turf team's super-sized task is mowing all 300 acres of lawn | 0:03:19 | 0:03:23 | |
across the park. | 0:03:23 | 0:03:24 | |
In a few hours, this one, Sheep Meadow, | 0:03:25 | 0:03:28 | |
will be packed with close to 2,000 picnickers. | 0:03:28 | 0:03:31 | |
I have to say, I'm looking at your lawn | 0:03:32 | 0:03:34 | |
and it is beautifully maintained. | 0:03:34 | 0:03:36 | |
And then human beings just come and ruin it. | 0:03:36 | 0:03:38 | |
That's OK. That's what it's there for. | 0:03:38 | 0:03:40 | |
It's going to get used but we're going to take care of it, and that's what the turf crew does. | 0:03:40 | 0:03:43 | |
So how many times a week do you have to mow the lawns? | 0:03:43 | 0:03:46 | |
Something like Sheep Meadow here gets mowed twice a week. | 0:03:46 | 0:03:49 | |
Our goal is to mow every lawn at least once a week. | 0:03:49 | 0:03:52 | |
Well, let's talk about this fantastic piece of kit that you've got here. | 0:03:52 | 0:03:55 | |
-Is it comfortable? -Very comfortable. See? Air-assisted seats. | 0:03:55 | 0:04:00 | |
Air-conditioned, state-of-the-art mower. | 0:04:00 | 0:04:02 | |
And what's the top speed? | 0:04:02 | 0:04:03 | |
-About 8-10 miles on it. -Even though it goes eight miles an hour, you want to go | 0:04:03 | 0:04:07 | |
a little bit slower, you want to let the machine work for itself. | 0:04:07 | 0:04:10 | |
The slower you go, nice carpet comes out when you mow. | 0:04:10 | 0:04:13 | |
If you're going fast, you're going to leave little blades of grass, | 0:04:13 | 0:04:16 | |
so the slower, the better. | 0:04:16 | 0:04:18 | |
Well, you'd better get on with it, because you've got a lot of grass to cut. So let's... | 0:04:18 | 0:04:22 | |
-Off he goes. -Get out there. | 0:04:22 | 0:04:24 | |
This team are a crucial part of the park's complex organisational jigsaw. | 0:04:27 | 0:04:32 | |
It's divided into 49 separate zones, each overseen by a manager. | 0:04:33 | 0:04:39 | |
The specialist teams work across all areas, looking after the lawns, | 0:04:39 | 0:04:43 | |
monuments, lakes and ponds, trees and sports fields. | 0:04:43 | 0:04:49 | |
-So this is a softball field? -This is a softball field, that's right. | 0:04:49 | 0:04:52 | |
-So you have to tidy these every morning? -Every morning. | 0:04:52 | 0:04:55 | |
-What do I need to do? -All right. Let's see. | 0:04:55 | 0:04:57 | |
What you want to do is you want to use the back end of that rake | 0:04:57 | 0:04:59 | |
and take the excess clay here. | 0:04:59 | 0:05:02 | |
You just push it right on in there, yep. | 0:05:02 | 0:05:04 | |
So how many of these pitches are there in the park? | 0:05:04 | 0:05:08 | |
-There are 26 ball fields in Central Park. -And they're all done by hand? | 0:05:08 | 0:05:13 | |
They're all done by hand and we also have | 0:05:13 | 0:05:15 | |
a machine that'll go around and do the bigger areas as well. | 0:05:15 | 0:05:18 | |
It takes about 15-20 minutes to do each field. | 0:05:18 | 0:05:21 | |
How many games do you reckon there will be? | 0:05:21 | 0:05:23 | |
-Today, we have about 170 games booked. -There's 170 games? -Correct. | 0:05:23 | 0:05:27 | |
So the guys that are playing first this morning, | 0:05:27 | 0:05:30 | |
when would they have booked? | 0:05:30 | 0:05:31 | |
They would probably have booked some time in the winter. | 0:05:31 | 0:05:34 | |
-So it's really prestigious to play here? -Absolutely. | 0:05:34 | 0:05:37 | |
Would you want to play anywhere else? | 0:05:37 | 0:05:39 | |
I guess it's pretty amazing, isn't it? | 0:05:39 | 0:05:41 | |
Sports arena, leisure space, cultural hub. | 0:05:43 | 0:05:47 | |
In a few hours, this park will play many roles for its visitors. | 0:05:47 | 0:05:51 | |
But it wasn't part of the original plan for the city. | 0:05:54 | 0:05:58 | |
Manhattan's famous grid system was set out back in 1811 | 0:06:00 | 0:06:06 | |
and is known as the Commissioners' Plan. | 0:06:06 | 0:06:09 | |
Laid out long before the city was fully populated, | 0:06:09 | 0:06:12 | |
it created a blueprint for New York's development. | 0:06:12 | 0:06:16 | |
But it had one major flaw - no large open spaces. | 0:06:16 | 0:06:21 | |
By the mid 19th century, New York's rapid development meant | 0:06:23 | 0:06:26 | |
living conditions in Lower Manhattan were overcrowded and unhealthy. | 0:06:26 | 0:06:31 | |
Cramped tenements provided the perfect breeding ground for disease | 0:06:32 | 0:06:36 | |
and were hotbeds of criminality and violence. | 0:06:36 | 0:06:41 | |
It was thought a park would solve these | 0:06:41 | 0:06:44 | |
social and public health issues. | 0:06:44 | 0:06:46 | |
In 1853, the city government set aside a rocky, | 0:06:46 | 0:06:51 | |
sparsely populated area in the north of the city for development. | 0:06:51 | 0:06:56 | |
Journalist Frederick Law Olmsted and English-born architect Calvert Vaux | 0:06:58 | 0:07:03 | |
won the competition to build there. | 0:07:03 | 0:07:05 | |
Their design, the Greensward Plan, | 0:07:07 | 0:07:09 | |
was influenced by the landscape paintings | 0:07:09 | 0:07:12 | |
of the Hudson River school of artists. | 0:07:12 | 0:07:15 | |
Creating spaces that mimicked the countryside but inside the city | 0:07:15 | 0:07:20 | |
was an innovation in park design. | 0:07:20 | 0:07:22 | |
Construction began in 1858. | 0:07:26 | 0:07:29 | |
It took a team of over 4,000 people more than 16 years | 0:07:30 | 0:07:35 | |
to turn Olmsted and Vaux's vision into a reality. | 0:07:35 | 0:07:39 | |
And their legacy is plain to see across all 843 acres. | 0:07:40 | 0:07:45 | |
This park is so natural, it's like it's been here for ever. | 0:07:50 | 0:07:53 | |
But one of the strangest things about it is that it hasn't. | 0:07:53 | 0:07:57 | |
It's pretty much man-made. It's manufactured wildlife, if you like. | 0:07:57 | 0:08:01 | |
It's like a Disneyland. | 0:08:01 | 0:08:02 | |
One of the only things that has been here for more than 200 years | 0:08:02 | 0:08:05 | |
is this, the bedrock of the city. | 0:08:05 | 0:08:07 | |
It's called the Manhattan schist. | 0:08:07 | 0:08:10 | |
Even the seven water bodies, all 150 acres of it, | 0:08:10 | 0:08:14 | |
is plugged in to the New York water mains. | 0:08:14 | 0:08:16 | |
And some of that water is flowing into this beautiful waterfall. | 0:08:19 | 0:08:23 | |
And a woman with a fantastic job is horticulturalist Shanna Blanchard. | 0:08:23 | 0:08:26 | |
-Hello. -Shanna, shatter the illusion. Where's the water coming from? | 0:08:26 | 0:08:29 | |
-Crouch down just a little bit. It's just this light pipe. -Oh, that's it? | 0:08:29 | 0:08:33 | |
-That's it. -An ordinary garden pipe. -Exactly. | 0:08:33 | 0:08:36 | |
-It's clean, it's a very natural illusion. -It's impressive. | 0:08:36 | 0:08:39 | |
-It is impressive. -Very fancy water feature. | 0:08:39 | 0:08:41 | |
Where are we? Put us into context. Where in the park are we? | 0:08:41 | 0:08:44 | |
We are in the Hallett Nature Sanctuary, | 0:08:44 | 0:08:45 | |
which is a four-acre woodland at the south end of the park. | 0:08:45 | 0:08:48 | |
And if I look this way, it's like a beautiful, lovely park, | 0:08:48 | 0:08:51 | |
and this way, you've got Manhattan. | 0:08:51 | 0:08:53 | |
-Skyscrapers, exactly. -So there's no hiding from it. -No! | 0:08:53 | 0:08:56 | |
Why was this place created? | 0:08:56 | 0:08:58 | |
This was created as a woodland, | 0:08:58 | 0:09:00 | |
so something to immerse yourself in the natural world. | 0:09:00 | 0:09:02 | |
We've planted a lot of native species in here to create habitat | 0:09:02 | 0:09:06 | |
for all of our nonhuman users, | 0:09:06 | 0:09:08 | |
so thinking about birds, butterflies, bees, wasps et cetera. | 0:09:08 | 0:09:12 | |
-And what birds come into this place? -We get tons and tons of species. | 0:09:12 | 0:09:16 | |
I think, at a certain point, around 230 species of birds | 0:09:16 | 0:09:20 | |
have been counted collectively in the park. | 0:09:20 | 0:09:23 | |
So we have some beautiful egrets and herons that like to make their | 0:09:23 | 0:09:27 | |
home here, which is fantastic. | 0:09:27 | 0:09:28 | |
And how many trees do you have in the park as a whole, not just in here? | 0:09:28 | 0:09:31 | |
In the park as a whole, about 20,000. | 0:09:31 | 0:09:34 | |
And then, within that 20,000, about 195 species. | 0:09:34 | 0:09:37 | |
-Incredible. -Which is amazing. | 0:09:37 | 0:09:39 | |
And then, beyond that, hundreds and hundreds and hundreds | 0:09:39 | 0:09:42 | |
of different species of herbaceous plants and shrubs. | 0:09:42 | 0:09:46 | |
What are the challenges of maintaining somewhere this beautiful | 0:09:46 | 0:09:50 | |
and this natural in an urban environment? | 0:09:50 | 0:09:52 | |
The human impact does create a lot of challenges, you know. | 0:09:52 | 0:09:55 | |
If you have ten people on this trail then they're, at some point, | 0:09:55 | 0:09:58 | |
going to step on the plants that we've been lovingly maintaining. | 0:09:58 | 0:10:01 | |
-So, on the one hand, it's created for public consumption... -Which is great. | 0:10:01 | 0:10:05 | |
-..but we have to use it with respect. -And that's why we're here. | 0:10:05 | 0:10:09 | |
It's 8am. | 0:10:12 | 0:10:14 | |
Early visitors are arriving in the park, enjoying the quiet. | 0:10:14 | 0:10:18 | |
And now, ladies and gentlemen, keep your focus here on the start line. | 0:10:18 | 0:10:22 | |
But two miles north, at the 102nd Street entrance, | 0:10:23 | 0:10:27 | |
it's a very different story. | 0:10:27 | 0:10:29 | |
We are inspired to see so many LGBT runners and allies | 0:10:29 | 0:10:32 | |
running in the name of equality. | 0:10:32 | 0:10:34 | |
Here, the first of today's 55 events is about to start, | 0:10:34 | 0:10:39 | |
another logistical challenge for the park team. | 0:10:39 | 0:10:42 | |
I'm here with Jamie Warren, and you oversee all the major events | 0:10:42 | 0:10:45 | |
that go on through the park all over the year. | 0:10:45 | 0:10:49 | |
First of all, tell me, what is going on here today? | 0:10:49 | 0:10:51 | |
So, this morning we're here with New York Road Runners | 0:10:51 | 0:10:54 | |
for their annual Front Runners race. | 0:10:54 | 0:10:56 | |
It's a five-mile race around the park with probably 5,000 participants. | 0:10:56 | 0:11:01 | |
These folks have been here since probably two o'clock this morning, | 0:11:01 | 0:11:05 | |
setting up water stations, medical stations, start line, finish line, | 0:11:05 | 0:11:08 | |
making sure that everything is ready to go, so that when these people | 0:11:08 | 0:11:11 | |
cross the start line, everything is taken care of. | 0:11:11 | 0:11:14 | |
So just a small undertaking, you don't have to do that much, | 0:11:14 | 0:11:16 | |
-you know, two o'clock in the morning... -Piece of cake! | 0:11:16 | 0:11:19 | |
Is it just fun runs you do? | 0:11:19 | 0:11:20 | |
What other major events do you do in the park? | 0:11:20 | 0:11:22 | |
Throughout the year, we probably have events... | 0:11:22 | 0:11:25 | |
around 3,000 events a year that are permanent. | 0:11:25 | 0:11:27 | |
-3,000 events? -3,000. | 0:11:27 | 0:11:29 | |
We have events that range from birthday parties and weddings | 0:11:29 | 0:11:32 | |
that might have 20 people, | 0:11:32 | 0:11:33 | |
all the way to things like the New York City Marathon, | 0:11:33 | 0:11:36 | |
which has 50,000 runners cross the finish line in Central Park, | 0:11:36 | 0:11:39 | |
our great lawn concerts, which can see 60,000 people, | 0:11:39 | 0:11:42 | |
400 film and photography shoots throughout the year. | 0:11:42 | 0:11:46 | |
I mean, it just goes on and on. It doesn't end here. | 0:11:46 | 0:11:48 | |
If you're going to see it anywhere, you're going to see it here. | 0:11:48 | 0:11:51 | |
It's a real important hub for the whole of the city, isn't it? | 0:11:51 | 0:11:54 | |
What keeps you up at night? | 0:11:54 | 0:11:55 | |
What do you worry about, Jamie, when it comes to an event like this? | 0:11:55 | 0:11:58 | |
I think the thing that keeps me up most at night | 0:11:58 | 0:12:01 | |
is probably the weather. | 0:12:01 | 0:12:02 | |
We have days where we've got thunderstorms and blizzards and... | 0:12:02 | 0:12:06 | |
It's something that we have no control over | 0:12:06 | 0:12:08 | |
but can have a serious effect on an event. | 0:12:08 | 0:12:10 | |
It can also have a really great effect, like this morning. | 0:12:10 | 0:12:13 | |
It's cool, it's sunny, there's not a cloud in the sky. This is ideal. | 0:12:13 | 0:12:17 | |
These 5,000 runners are only a small proportion of | 0:12:19 | 0:12:24 | |
today's 250,000 visitors. | 0:12:24 | 0:12:27 | |
Collectively, they will leave behind more than ten tonnes of rubbish. | 0:12:28 | 0:12:33 | |
And, like everything in Central Park, | 0:12:33 | 0:12:34 | |
even the rubbish collection is planned with military precision. | 0:12:34 | 0:12:38 | |
I'm with Nick Marotta on his daily round. | 0:12:40 | 0:12:42 | |
Are we doing these ones here? | 0:12:42 | 0:12:44 | |
-Yes, we are. -Oh, right. | 0:12:44 | 0:12:45 | |
-Can I use the pincers? -Yes, you can. -Lovely. | 0:12:47 | 0:12:50 | |
How many of these bins are there around the park, do you reckon? | 0:12:51 | 0:12:54 | |
-Oh, there are hundreds around the park. -Literally hundreds? | 0:12:54 | 0:12:57 | |
Yes, they're all over the place. | 0:12:57 | 0:12:58 | |
-So how big's the area that you're responsible for? -I do 59th to 72nd Street. | 0:12:58 | 0:13:03 | |
-It's about a quarter of the park. -That's a massive area. -Yes, it is. | 0:13:03 | 0:13:07 | |
And how many people help you? | 0:13:07 | 0:13:08 | |
We have approximately 20 people in the park help us, | 0:13:08 | 0:13:11 | |
along with six packer drivers. | 0:13:11 | 0:13:14 | |
Right. So how many bags, then, will you do, I don't know, in a day? | 0:13:14 | 0:13:18 | |
-Roughly about 1,000 bags a day. -1,000 a day? -If not more. | 0:13:18 | 0:13:22 | |
-So where's the bag go now? -Well, the bag is going to go... | 0:13:22 | 0:13:24 | |
we have right now is going to go into the cart. | 0:13:24 | 0:13:26 | |
-OK. -And then we'll transport it. | 0:13:26 | 0:13:28 | |
Easy. | 0:13:28 | 0:13:30 | |
-I mean, that's a lot of rubbish. -Yes, it is. | 0:13:30 | 0:13:32 | |
-So how many times will you do that bin a day? -Five to ten times a day. | 0:13:36 | 0:13:39 | |
-Ten times? -Yes. | 0:13:39 | 0:13:40 | |
20 people on the rubbish team patrol the pathways on golf buggies. | 0:13:41 | 0:13:46 | |
They collect the rubbish and take it to one of seven drop zones | 0:13:46 | 0:13:49 | |
on the main Park Drive. | 0:13:49 | 0:13:51 | |
From there, one of three trucks collects it | 0:13:51 | 0:13:54 | |
and ships it out of the park. | 0:13:54 | 0:13:55 | |
And this is just a fraction of the 2,000 tonnes of rubbish that | 0:13:56 | 0:14:00 | |
comes out of Central Park each year. | 0:14:00 | 0:14:02 | |
Perhaps the least glamorous job in the park, but one of the most vital. | 0:14:04 | 0:14:08 | |
CHEERING AND APPLAUSE | 0:14:08 | 0:14:10 | |
On your mark... | 0:14:11 | 0:14:13 | |
It's 8.30am and the runners are off. | 0:14:14 | 0:14:17 | |
AIR HORN SOUNDS | 0:14:17 | 0:14:18 | |
Happy Pride, everybody. Enjoy your run. | 0:14:22 | 0:14:25 | |
I'll be out there with you today. | 0:14:25 | 0:14:26 | |
The fastest will take just 24 minutes | 0:14:28 | 0:14:31 | |
to get around the park's perimeter road. | 0:14:31 | 0:14:34 | |
Now, as these runners make their way around the park, they're going to be | 0:14:34 | 0:14:37 | |
running past some of the most expensive property in the world. | 0:14:37 | 0:14:41 | |
And just to give you an idea of HOW expensive, | 0:14:41 | 0:14:43 | |
if you want an apartment round here, be prepared to fork out | 0:14:43 | 0:14:47 | |
anything up to 5,000 per square foot, which is around 3,500 quid. | 0:14:47 | 0:14:52 | |
It's similar to what you'd pay to live in some of the poshest | 0:14:52 | 0:14:56 | |
parts of London. | 0:14:56 | 0:14:57 | |
And because of that, | 0:14:57 | 0:14:58 | |
this area has always attracted the rich and famous. | 0:14:58 | 0:15:02 | |
John Lennon had an apartment in the Dakota building, | 0:15:02 | 0:15:04 | |
Sting and Denzel Washington still live around this area. | 0:15:04 | 0:15:07 | |
Oh, and a certain Donald Trump has got a small, not very | 0:15:07 | 0:15:10 | |
spectacular place, just a little two-up-two-down number around here. | 0:15:10 | 0:15:14 | |
New York's property prices are as high as its skyline. | 0:15:20 | 0:15:25 | |
A penthouse apartment in this block, just south of Central Park, | 0:15:25 | 0:15:28 | |
sold in 2013 for 95 million. | 0:15:28 | 0:15:32 | |
If you can't afford that, | 0:15:33 | 0:15:35 | |
you still need deep pockets to buy in Manhattan. | 0:15:35 | 0:15:38 | |
The average sale price for an apartment is over 2 million | 0:15:38 | 0:15:41 | |
and for a luxury townhouse it's a minimum of ten. | 0:15:41 | 0:15:45 | |
This supercharged market has spawned specialist high-end estate agents. | 0:15:47 | 0:15:51 | |
Paula Del Nunzio is one of an elite group who sell houses | 0:15:53 | 0:15:57 | |
to some of the wealthiest people on earth. | 0:15:57 | 0:15:59 | |
This particular house was designed by a woman named Penny Bradley, | 0:16:01 | 0:16:06 | |
who was actually British. | 0:16:06 | 0:16:08 | |
This six-storey townhouse on the Upper East Side | 0:16:08 | 0:16:11 | |
bordering Central Park is on the market for 22.5 million. | 0:16:11 | 0:16:16 | |
You can see the attention to detail she brought to bear. | 0:16:17 | 0:16:20 | |
Then she got a faux-painter to come in and disguise the plugs, which | 0:16:20 | 0:16:24 | |
she's put quite a few places, but you can't see them unless you look. | 0:16:24 | 0:16:28 | |
Paula specialises in luxury townhouses and | 0:16:28 | 0:16:32 | |
has sold 1.2 billion worth of them in the last ten years. | 0:16:32 | 0:16:37 | |
In the rear, we have a very large living room with its own fireplace | 0:16:37 | 0:16:43 | |
and three tall windows. | 0:16:43 | 0:16:45 | |
She holds the current record for selling the city's most | 0:16:46 | 0:16:50 | |
expensive house, the Harkness Mansion, | 0:16:50 | 0:16:53 | |
21,000 square feet of opulence | 0:16:53 | 0:16:56 | |
located on the Upper East Side, which went for 53 million. | 0:16:56 | 0:17:02 | |
Paula knows exactly what | 0:17:03 | 0:17:04 | |
her demanding clients expect in their homes. | 0:17:04 | 0:17:08 | |
This is the very important elevator. And then this is the dining room. | 0:17:08 | 0:17:13 | |
Beautiful view of Japanese plum trees. | 0:17:13 | 0:17:15 | |
63% of the UK's housing stock is owner-occupied | 0:17:22 | 0:17:26 | |
but here it's a different story. | 0:17:26 | 0:17:29 | |
Just 25% own their own place. | 0:17:29 | 0:17:31 | |
There are only 200,000 privately owned homes in Manhattan, | 0:17:33 | 0:17:37 | |
which creates a supply problem at the very top of the market. | 0:17:37 | 0:17:42 | |
If you have a constant influx of people coming into Manhattan | 0:17:42 | 0:17:46 | |
from different countries, as the wealth moves around in the world, | 0:17:46 | 0:17:49 | |
there'll always be a somewhat limited supply. | 0:17:49 | 0:17:53 | |
And that will always keep the market fairly strong, | 0:17:53 | 0:17:56 | |
no matter what the kerfuffles are along the way. | 0:17:56 | 0:17:59 | |
In this global market, asking prices are up 17% on last year | 0:17:59 | 0:18:04 | |
and can sound more like telephone numbers than real figures. | 0:18:04 | 0:18:08 | |
This one is the opportunity to acquire this building right here | 0:18:08 | 0:18:11 | |
for 49.5 million. | 0:18:11 | 0:18:14 | |
This is 35 million. | 0:18:14 | 0:18:17 | |
This one's only 29.9 but it requires renovation. | 0:18:17 | 0:18:20 | |
At the moment, I have 11 houses and about six apartments | 0:18:20 | 0:18:25 | |
for a total of 359 million. | 0:18:25 | 0:18:29 | |
This does not include, however, other properties that I can | 0:18:29 | 0:18:33 | |
make available to a very qualified customer. | 0:18:33 | 0:18:35 | |
These are things that are not officially being marketed | 0:18:35 | 0:18:38 | |
but the seller has come to me | 0:18:38 | 0:18:40 | |
and said, "If you can get me 90 million, I'll show it." | 0:18:40 | 0:18:43 | |
These prices are beyond the reach of everyone | 0:18:43 | 0:18:46 | |
but the top 0.1% of earners in the world. | 0:18:46 | 0:18:50 | |
My particular clients have been people that run hedge funds | 0:18:50 | 0:18:53 | |
who are exceedingly demanding, they are able usually to finance what | 0:18:53 | 0:18:58 | |
they want, but they have little time and little attention to devote to it. | 0:18:58 | 0:19:02 | |
And Paula's clients are always on the lookout | 0:19:02 | 0:19:05 | |
for the next big status symbol. | 0:19:05 | 0:19:07 | |
Like the apartments in this 43-floor block | 0:19:09 | 0:19:12 | |
on the banks of the East River. | 0:19:12 | 0:19:14 | |
So now we're in 50 United Nations Plaza. | 0:19:15 | 0:19:19 | |
This three-bedroom, | 0:19:23 | 0:19:24 | |
3,000-square-foot home is a relative bargain at 8 million. | 0:19:24 | 0:19:30 | |
Typically the kind of person who buys here is going to buy it all cash. | 0:19:30 | 0:19:34 | |
Nearly half of those who invest in new developments are foreign buyers | 0:19:35 | 0:19:39 | |
and purchasing in cash isn't unusual. | 0:19:39 | 0:19:42 | |
Views like this can easily bump up prices by 20%. | 0:19:43 | 0:19:47 | |
The better the view, the higher the premium. | 0:19:49 | 0:19:51 | |
At the moment we are about here, at a cost of approximately 7-10 million. | 0:19:53 | 0:19:59 | |
If we travel up the building to the top | 0:19:59 | 0:20:02 | |
we can have a penthouse at 70 million. | 0:20:02 | 0:20:04 | |
The 88 apartments that make up this building are nearly all sold. | 0:20:06 | 0:20:11 | |
And in this global marketplace, for the super-rich it's a good bet | 0:20:12 | 0:20:16 | |
that New York's real-estate values will continue to rise. | 0:20:16 | 0:20:20 | |
The cost of some of those properties is absolutely staggering, | 0:20:25 | 0:20:28 | |
but I've got another figure for you, even more impressive. | 0:20:28 | 0:20:31 | |
We asked an estate agent to put a price tag on Central Park. | 0:20:31 | 0:20:35 | |
Not that it can be sold, but it would go for 1.2 trillion. | 0:20:35 | 0:20:41 | |
That's a thousand billion, or 12 zeros. Get your head around that one. | 0:20:41 | 0:20:45 | |
You can understand why. | 0:20:45 | 0:20:47 | |
It's in the centre of Manhattan and it's a lovely place to be. | 0:20:47 | 0:20:50 | |
But in the '70s it was a very different story. | 0:20:50 | 0:20:53 | |
-NEWSREEL: -Central Park, right in the middle of Manhattan. | 0:20:55 | 0:20:59 | |
An ideal place to retreat from the way the city assaults the senses. | 0:20:59 | 0:21:03 | |
The only problem is, it's not safe. | 0:21:05 | 0:21:08 | |
In 1974 more than 700 crimes were committed here. | 0:21:10 | 0:21:14 | |
This included robbery and murder. | 0:21:14 | 0:21:17 | |
That's the kid we got this morning. | 0:21:18 | 0:21:20 | |
He robbed that minibike, I think. That's the one we seen this morning. | 0:21:20 | 0:21:25 | |
As the city teetered on the brink of bankruptcy, there was | 0:21:25 | 0:21:28 | |
no money to spend on policing or managing the park. | 0:21:28 | 0:21:31 | |
It was covered in graffiti, lights and benches were broken | 0:21:32 | 0:21:36 | |
and the lakes and ponds were badly polluted. | 0:21:36 | 0:21:39 | |
It's hard to believe we're in the same place, isn't it? | 0:21:41 | 0:21:44 | |
Well, I'm joined by one of the men who was instrumental in | 0:21:44 | 0:21:47 | |
turning it into this gorgeous haven that we see now, and that is the CEO | 0:21:47 | 0:21:52 | |
and president of the Central Park Conservancy, Doug Blonsky. | 0:21:52 | 0:21:56 | |
-Doug, just how bad was it in the '70s and '80s? -Oh, it was pretty scary. | 0:21:56 | 0:22:01 | |
I came here in 1980 on a school trip | 0:22:01 | 0:22:04 | |
and I can remember vividly walking into the park. | 0:22:04 | 0:22:06 | |
There were more rats than there were people and the bridges and arches | 0:22:06 | 0:22:10 | |
were covered with graffiti, the Great Lawn was | 0:22:10 | 0:22:13 | |
a dust bowl and it actually was called the Great Dust Bowl. | 0:22:13 | 0:22:16 | |
And the thing that really caught us the most was the Belvedere Castle, | 0:22:16 | 0:22:19 | |
which is the visitor centre now, was basically covered with graffiti, | 0:22:19 | 0:22:23 | |
locked up, boarded up and had razor wire around it. | 0:22:23 | 0:22:26 | |
It was dreadful. | 0:22:26 | 0:22:27 | |
Even growing up in the UK, we knew, oh, you can't walk | 0:22:27 | 0:22:29 | |
from one side of Central Park to the other without getting mugged. | 0:22:29 | 0:22:32 | |
But I think that's what saved the park, actually. | 0:22:32 | 0:22:34 | |
It was so bad, it was so scary that something had to be done. | 0:22:34 | 0:22:38 | |
So how did you go about changing that? | 0:22:38 | 0:22:41 | |
-What was the first thing that happened? -You know what happened? | 0:22:41 | 0:22:43 | |
In the mid '70s, early to mid '70s, a few groups started popping up, | 0:22:43 | 0:22:47 | |
you know, citizens' groups, | 0:22:47 | 0:22:48 | |
private individuals that said, "We can't deal with this," | 0:22:48 | 0:22:52 | |
and then there were two really dominant groups, | 0:22:52 | 0:22:54 | |
the Central Park Community Fund and the Central Park Task Force, | 0:22:54 | 0:22:58 | |
that were just two volunteer organisations | 0:22:58 | 0:23:00 | |
coming in and doing work. | 0:23:00 | 0:23:01 | |
And in 1979 the parks commissioner said, "You know something? | 0:23:01 | 0:23:04 | |
"We've got to get together." | 0:23:04 | 0:23:06 | |
So that's what really began the creation of the Central Park Conservancy in 1980 | 0:23:06 | 0:23:10 | |
and it was really an organisation that said, | 0:23:10 | 0:23:12 | |
"Go out and raise money, because we're not giving you any." | 0:23:12 | 0:23:15 | |
The city wasn't. "And start taking the park back." | 0:23:15 | 0:23:18 | |
Always with the premise that the park belonged to the public. | 0:23:18 | 0:23:21 | |
It's the city's park. | 0:23:21 | 0:23:22 | |
Today, Central Park is one of the safest places in New York. | 0:23:26 | 0:23:30 | |
Last year 86 crimes were reported - | 0:23:31 | 0:23:33 | |
an 88% decrease on its figures in the '70s. | 0:23:33 | 0:23:37 | |
Policing the park is another essential behind-the-scenes operation. | 0:23:40 | 0:23:45 | |
And they don't use your standard cop car. | 0:23:45 | 0:23:47 | |
New York Parks has got its own specialist mounted division. | 0:23:48 | 0:23:51 | |
It helps keep the park a low-crime area. | 0:23:51 | 0:23:54 | |
The person in charge is Sgt Desree Fazalari. | 0:23:54 | 0:23:57 | |
She should be getting ready to go out on patrol. | 0:23:57 | 0:23:59 | |
-Hi, Sarge. -Hi, how are you? -Good. | 0:23:59 | 0:24:02 | |
-So who's this guy? -This is Atlas. He's about nine years old. | 0:24:02 | 0:24:05 | |
-God, he's massive, isn't he? -Yes, he is. | 0:24:05 | 0:24:07 | |
-And he's a little bit feisty today. -Just a little bit. | 0:24:07 | 0:24:10 | |
'Atlas and his colleague Justice live in this purpose-built stable | 0:24:10 | 0:24:14 | |
'at the south end of the park. | 0:24:14 | 0:24:16 | |
'They're about to head out on their 11am patrol.' | 0:24:16 | 0:24:20 | |
Have you two worked together long? | 0:24:20 | 0:24:22 | |
Atlas and I have worked together for about three years. | 0:24:22 | 0:24:24 | |
-So you're pretty good friends? -We're pretty good friends. | 0:24:24 | 0:24:27 | |
We know each other very well. | 0:24:27 | 0:24:28 | |
-And has he got you out of a few scrapes? -He has. | 0:24:28 | 0:24:31 | |
He has indeed got me out of a few issues and problems | 0:24:31 | 0:24:34 | |
that we've had here in the park. | 0:24:34 | 0:24:36 | |
So what's the idea of patrolling Central Park on horseback? | 0:24:36 | 0:24:39 | |
One of the ideas is the horses give us an advantage to be able to | 0:24:39 | 0:24:42 | |
see throughout the park that maybe an officer on the ground or in a vehicle | 0:24:42 | 0:24:46 | |
couldn't necessarily see themselves because they're lower to the ground. | 0:24:46 | 0:24:50 | |
And it also gives us the advantage of going places where they | 0:24:50 | 0:24:53 | |
might not be able to go. | 0:24:53 | 0:24:54 | |
So what are the main problems the park's got? | 0:24:54 | 0:24:57 | |
Some of the main problems inside of Central Park are littering, | 0:24:57 | 0:25:00 | |
drinking in public, which here in America is illegal. | 0:25:00 | 0:25:04 | |
We also deal with issues where people need aid. | 0:25:04 | 0:25:07 | |
As first responders we are generally the first people on scene. | 0:25:07 | 0:25:11 | |
We are trained in CPR and first aid as well as we're able to | 0:25:11 | 0:25:14 | |
call an ambulance if absolutely necessary. | 0:25:14 | 0:25:17 | |
How long do you reckon you and Atlas could get round the park on a patrol? | 0:25:17 | 0:25:20 | |
On a short patrol we could probably get throughout the entire park in an hour and a half. | 0:25:20 | 0:25:24 | |
Through a thorough patrol we could probably do four to five hours. | 0:25:24 | 0:25:28 | |
-Right. Well, I'd better let you get on with it. -All right. | 0:25:28 | 0:25:31 | |
-See you, Atlas. -Have a good day. | 0:25:31 | 0:25:33 | |
As they begin today's patrol, | 0:25:34 | 0:25:38 | |
the park is full of people, | 0:25:38 | 0:25:41 | |
all blissfully unaware of the morning's careful preparations | 0:25:41 | 0:25:44 | |
for their arrival. | 0:25:44 | 0:25:45 | |
Games are in full swing on the ball fields I helped to prepare earlier. | 0:25:48 | 0:25:52 | |
And thousands of people are picnicking and playing on | 0:25:56 | 0:25:59 | |
the lawn Gary's turf crew mowed first thing this morning. | 0:25:59 | 0:26:02 | |
You can see everyone's so chilled out and it really feels like | 0:26:04 | 0:26:08 | |
this is a place that New Yorkers see as their back garden. | 0:26:08 | 0:26:13 | |
Now, if Central Park is where New Yorkers come to relax, | 0:26:13 | 0:26:16 | |
then Coney Island is where they've always gone to let their hair down. | 0:26:16 | 0:26:20 | |
Dan went over there to trace its roller-coaster ride through history. | 0:26:20 | 0:26:24 | |
13 miles south of the park, | 0:26:27 | 0:26:29 | |
Coney Island has been New York's playground for almost 200 years. | 0:26:29 | 0:26:34 | |
-How are you doing? -Hello. Welcome to Nathan's. -Thank you. | 0:26:39 | 0:26:42 | |
-Can I get two original? -There you go. -Thank you very much. | 0:26:42 | 0:26:45 | |
-And where's the ketchup and stuff? -Right behind you. | 0:26:45 | 0:26:48 | |
-Ketchup and mustard. -Thanks very much. | 0:26:48 | 0:26:50 | |
If there's one place that shows the city's ability | 0:26:53 | 0:26:56 | |
to weather the storms of recent history, | 0:26:56 | 0:26:59 | |
it's here. | 0:26:59 | 0:27:01 | |
Like the rest of New York City, | 0:27:02 | 0:27:04 | |
the early 20th century was boom time for Coney Island. | 0:27:04 | 0:27:08 | |
On a lovely hot summer's day when the sun was out | 0:27:08 | 0:27:11 | |
100,000 people would flock to this beach. | 0:27:11 | 0:27:15 | |
-NEWSREEL: -Coney Island, the world's greatest fun frolic, | 0:27:20 | 0:27:23 | |
with its beach, miles long, all peppered with people. | 0:27:23 | 0:27:26 | |
It cost just five cents to get here on the subway from Manhattan - | 0:27:28 | 0:27:33 | |
affordable for everyone. | 0:27:33 | 0:27:35 | |
Folks who are just like all of us, all refugees from the city heat, | 0:27:35 | 0:27:40 | |
here where the beach meets the cool Atlantic. | 0:27:40 | 0:27:42 | |
Family-friendly amusements rub shoulders with more dubious | 0:27:44 | 0:27:47 | |
forms of entertainment. | 0:27:47 | 0:27:49 | |
Hurry, hurry, step this way. | 0:27:49 | 0:27:52 | |
Freaks from the four corners of the world. | 0:27:52 | 0:27:54 | |
But Coney Island's greatest eating invention is the frankfurter. | 0:27:57 | 0:28:01 | |
For it was here that the hot dog was born. | 0:28:01 | 0:28:04 | |
There we go. Mustard for you. | 0:28:08 | 0:28:11 | |
One man who remembers those days is local legend Jimmy Prince, | 0:28:11 | 0:28:15 | |
a butcher here for 60 years. | 0:28:15 | 0:28:17 | |
What was it like here on the boardwalk? | 0:28:18 | 0:28:21 | |
Oh, it was absolutely fantastic. | 0:28:21 | 0:28:23 | |
I mean, it was just so energised. | 0:28:23 | 0:28:26 | |
There was so many people, so much going on. | 0:28:26 | 0:28:29 | |
But the glory days didn't last. | 0:28:32 | 0:28:34 | |
Like the rest of the city, the '70s and '80s were a dark time here. | 0:28:34 | 0:28:39 | |
The neighbourhood itself started to get a little shabby, | 0:28:39 | 0:28:43 | |
a lot of crime and prostitution and drinking and it just... | 0:28:43 | 0:28:49 | |
You just didn't want to see this happen. | 0:28:49 | 0:28:52 | |
Coney Islanders like Dennis Vourderis and his family | 0:28:54 | 0:28:57 | |
refused to give in. | 0:28:57 | 0:28:59 | |
-You in first. -OK, thank you. -OK. | 0:28:59 | 0:29:02 | |
Whoa! That was fun. | 0:29:02 | 0:29:04 | |
My family has been in Coney Island since 1966. | 0:29:06 | 0:29:10 | |
My mom and dad started as food vendors on the boardwalk many | 0:29:10 | 0:29:13 | |
years ago and, you know, we always thought Coney Island had a huge | 0:29:13 | 0:29:17 | |
potential and we invested heavily into Coney Island. | 0:29:17 | 0:29:22 | |
Not only our time and our labour and our sweat but our own money as well. | 0:29:22 | 0:29:27 | |
When everyone else was getting out, | 0:29:27 | 0:29:30 | |
Dennis's dad sank his cash into this amusement park, | 0:29:30 | 0:29:34 | |
getting the run-down but much-loved Wonder Wheel as part of the deal. | 0:29:34 | 0:29:38 | |
When the Wonder Wheel became available for sale | 0:29:39 | 0:29:42 | |
my dad jumped on it right away and bought it in 1983. | 0:29:42 | 0:29:45 | |
It was in pretty bad shape so he thought it was an excellent | 0:29:46 | 0:29:50 | |
opportunity to get in. | 0:29:50 | 0:29:52 | |
We began working on it right away and restoring it, | 0:29:52 | 0:29:55 | |
repainting it and rebuilding it. | 0:29:55 | 0:29:57 | |
It was declared officially a New York City landmark in 1989. | 0:29:57 | 0:30:01 | |
Coney Island's gradual renaissance was supported by | 0:30:04 | 0:30:07 | |
140 million of city investment, | 0:30:07 | 0:30:11 | |
but its rebirth came to an abrupt end. | 0:30:11 | 0:30:14 | |
MUSIC: BBC News Theme | 0:30:14 | 0:30:16 | |
America's East Coast prepares for Hurricane Sandy - | 0:30:16 | 0:30:20 | |
nine states declare an emergency. | 0:30:20 | 0:30:22 | |
Sandy was a nightmare. It's something we want to forget. | 0:30:27 | 0:30:31 | |
That night was very ugly. | 0:30:31 | 0:30:34 | |
The Atlantic Ocean came up from behind, | 0:30:34 | 0:30:37 | |
around the bend, and came up from the Coney Island Creek. | 0:30:37 | 0:30:42 | |
So, the ocean came in, but round the back? | 0:30:42 | 0:30:43 | |
Yes, and flooded the entire area. | 0:30:43 | 0:30:46 | |
So, after the tough years that this place has endured, | 0:30:49 | 0:30:52 | |
that was another bitter blow. | 0:30:52 | 0:30:54 | |
It was, but it gave many of us a new start. | 0:30:54 | 0:30:58 | |
Coney Island rebuilt, again, at a cost of a further 2 billion. | 0:31:03 | 0:31:11 | |
It's now attracting a record number of visitors. | 0:31:11 | 0:31:14 | |
I have a huge respect for the resilience this place has shown. | 0:31:15 | 0:31:19 | |
There is a powerful sense here that the best days lie ahead, | 0:31:19 | 0:31:24 | |
and it's that optimism, that energy, that makes this one of the | 0:31:24 | 0:31:28 | |
most exciting places in the world. | 0:31:28 | 0:31:30 | |
ANITA: It's lunchtime. | 0:31:37 | 0:31:39 | |
The two restaurants, four snack bars and dozens of pushcarts | 0:31:39 | 0:31:43 | |
are doing a roaring trade. | 0:31:43 | 0:31:45 | |
This year, they'll contribute 3 million towards | 0:31:45 | 0:31:48 | |
the running of the park. | 0:31:48 | 0:31:51 | |
It's a vital contribution and today some of that money is funding | 0:31:51 | 0:31:55 | |
the restoration of a very famous feature. | 0:31:55 | 0:31:57 | |
Maintaining the 56 monuments within the park is a mammoth task. | 0:32:00 | 0:32:03 | |
The lady in charge is Marie. | 0:32:03 | 0:32:05 | |
-Hi. How are you? -Hi. Good. | 0:32:05 | 0:32:07 | |
So, there's a lot of activity going on. What are the guys doing? | 0:32:07 | 0:32:09 | |
So, we're performing annual maintenance on | 0:32:09 | 0:32:11 | |
the Alice In Wonderland sculpture, | 0:32:11 | 0:32:14 | |
and what this team of five interns is doing is applying | 0:32:14 | 0:32:17 | |
a hot wax treatment to the bronze. | 0:32:17 | 0:32:19 | |
What the wax will do is protect the bronze from the elements. | 0:32:19 | 0:32:23 | |
-So they're using a flame-thrower? -Yeah. | 0:32:23 | 0:32:25 | |
So, they need to heat up the surface of the bronze in order | 0:32:25 | 0:32:29 | |
so they can apply the wax and it can really impregnate the surface. | 0:32:29 | 0:32:32 | |
So, how long will that protection last? | 0:32:32 | 0:32:34 | |
Well, lasts about a year. | 0:32:34 | 0:32:36 | |
We do this every year to all of the monuments, | 0:32:36 | 0:32:39 | |
and this monument in particular gets a kind of special attention, | 0:32:39 | 0:32:43 | |
in part because it is considered a play sculpture. | 0:32:43 | 0:32:47 | |
So, it's a monument that children can actually climb on | 0:32:47 | 0:32:50 | |
and are encouraged to climb on. | 0:32:50 | 0:32:52 | |
Right, so, the shiny bits, where members of the public are | 0:32:52 | 0:32:54 | |
-climbing all over the monument. -Yeah. -Wow. | 0:32:54 | 0:32:56 | |
-Yeah. -You allow that to happen? | 0:32:56 | 0:32:58 | |
Just on this monument and a couple of others. | 0:32:58 | 0:33:00 | |
Right. You don't let them touch any of the others. | 0:33:00 | 0:33:02 | |
-You can't climb Shakespeare. -Fair enough. | 0:33:02 | 0:33:04 | |
And this monument specifically, what's the history of this? | 0:33:04 | 0:33:07 | |
This one was installed in 1959, and it was initiated by | 0:33:07 | 0:33:11 | |
-a philanthropist named George Delacorte... -OK. | 0:33:11 | 0:33:13 | |
..who wanted to create a memorial to his wife. | 0:33:13 | 0:33:16 | |
And his wife loved children, and so he thought to commission | 0:33:16 | 0:33:19 | |
a monument to this great story of Alice In Wonderland, | 0:33:19 | 0:33:23 | |
and so it shows Alice and her entourage. | 0:33:23 | 0:33:26 | |
So, how long is it going to take them to do this? | 0:33:26 | 0:33:29 | |
It takes about four hours. | 0:33:29 | 0:33:30 | |
You know, we want to kind of close it for as little time as possible | 0:33:30 | 0:33:34 | |
so that we can open it back up and the public can enjoy it. | 0:33:34 | 0:33:37 | |
The overall budget for running this place is 65 million a year. | 0:33:39 | 0:33:43 | |
Three quarters of that money comes from donations, | 0:33:45 | 0:33:49 | |
often in the form of large sums like bench sponsorship, | 0:33:49 | 0:33:52 | |
which costs 10,000, but more usually in smaller amounts. | 0:33:52 | 0:33:56 | |
Last year, around 60,000 people made donations, | 0:33:57 | 0:34:02 | |
but some people prefer to contribute in a different way. | 0:34:02 | 0:34:05 | |
This is the green team, and these people are part of | 0:34:05 | 0:34:07 | |
the 3,000 volunteers that give up their time to look after the park. | 0:34:07 | 0:34:11 | |
-Hello, Rita. -Hello. | 0:34:11 | 0:34:13 | |
-How are you? -I'm very well, thank you. | 0:34:13 | 0:34:15 | |
-So, tell me what you're doing here. -Well, I'm getting rid of clover, | 0:34:15 | 0:34:18 | |
but I want to get the roots so that I can make sure it doesn't come back. | 0:34:18 | 0:34:23 | |
But it will come back. I know how these plants work. | 0:34:23 | 0:34:25 | |
-It's constant work, yeah? -Constant work, yes. | 0:34:25 | 0:34:28 | |
And then how long have you been doing this for? | 0:34:28 | 0:34:30 | |
-About 27 years. -27 years? | 0:34:30 | 0:34:33 | |
And over those 27 years, you must have seen an amazing transformation. | 0:34:33 | 0:34:37 | |
Oh, absolutely. Absolutely. | 0:34:37 | 0:34:39 | |
We first began, my husband and I, | 0:34:39 | 0:34:41 | |
just picking up trash and there was a good deal. | 0:34:41 | 0:34:43 | |
People would throw cigarettes and their dirty things around | 0:34:43 | 0:34:47 | |
and we would pick that up. | 0:34:47 | 0:34:48 | |
We rarely find trash of that nature any more. | 0:34:48 | 0:34:51 | |
The park's beautiful, basically, now. | 0:34:51 | 0:34:53 | |
When you keep it clean, it stays that way, | 0:34:53 | 0:34:56 | |
and it really makes a difference. | 0:34:56 | 0:34:57 | |
And that's mainly because of you guys. | 0:34:57 | 0:34:59 | |
Well, only because of me. I'm the only one! | 0:34:59 | 0:35:03 | |
No, not really. | 0:35:03 | 0:35:05 | |
How does it make you feel to be a part of this community | 0:35:05 | 0:35:08 | |
and be working in this park? | 0:35:08 | 0:35:09 | |
It's the best thing in my life, really. | 0:35:09 | 0:35:11 | |
I have friends that I would never have had - | 0:35:11 | 0:35:14 | |
they're much younger, most of them - | 0:35:14 | 0:35:15 | |
and they're wonderful and we have parties and we celebrate, | 0:35:15 | 0:35:19 | |
but mainly the park is the draw and it's really my own back yard. | 0:35:19 | 0:35:24 | |
Thank you, Rita, and keep up the good work. | 0:35:24 | 0:35:26 | |
Thank you. I shall. Thank you. | 0:35:26 | 0:35:28 | |
And be sure you put everything in the trash. | 0:35:28 | 0:35:31 | |
-Yes. -OK. -Yes, yes. Yes, ma'am. | 0:35:31 | 0:35:33 | |
OK. Yeah, sure. | 0:35:33 | 0:35:35 | |
Thanks to the efforts of people like Rita, | 0:35:37 | 0:35:39 | |
the park is a protected and unchanging part of | 0:35:39 | 0:35:42 | |
the geography of the city, | 0:35:42 | 0:35:45 | |
but, beyond its borders, New York is a permanent construction site. | 0:35:45 | 0:35:49 | |
There are more than 4,500 buildings going up right now. | 0:35:51 | 0:35:55 | |
Historically, this place solved its space problems by building up, | 0:36:02 | 0:36:07 | |
but this vertical city is now, to all intents and purposes, full, | 0:36:07 | 0:36:13 | |
which is why a huge new development is being built on top of | 0:36:13 | 0:36:17 | |
a working rail depot. | 0:36:17 | 0:36:18 | |
This is the only land left to build on. | 0:36:20 | 0:36:22 | |
I can't resist having a nose around this 25 billion project. | 0:36:24 | 0:36:29 | |
The man in charge is Jay Cross. | 0:36:29 | 0:36:31 | |
-Jay. -Indeed. -Nice to meet you. -Nice to meet you. | 0:36:31 | 0:36:35 | |
In nine years' time, Hudson Yards will be home to 4,000 flats, | 0:36:35 | 0:36:40 | |
100 shops and more than 10 million square feet of office space. | 0:36:40 | 0:36:45 | |
It'll even have its own power station. | 0:36:45 | 0:36:48 | |
It's the largest private real-estate development | 0:36:48 | 0:36:51 | |
in the history of the USA. | 0:36:51 | 0:36:53 | |
So, let me get this right. | 0:36:53 | 0:36:54 | |
You bought the space, the air, above a train yard? | 0:36:54 | 0:36:58 | |
-That's right. -What did that cost? | 0:36:58 | 0:37:00 | |
It cost about 1 billion. | 0:37:00 | 0:37:01 | |
-You spent 1 billion and you didn't get any land? -Correct. | 0:37:01 | 0:37:05 | |
So what happened is the railroad was very insistent that they had to | 0:37:05 | 0:37:08 | |
keep running a rail yard here, so they own the ground, | 0:37:08 | 0:37:11 | |
and they basically sold us - | 0:37:11 | 0:37:13 | |
or leased us, actually, for 99 years - | 0:37:13 | 0:37:15 | |
all of the air rights above the tracks. | 0:37:15 | 0:37:18 | |
-You spent 1 billion on a 99-year lease... -Yeah. | 0:37:18 | 0:37:21 | |
-..above a working train yard... -Correct. -..to build that? | 0:37:21 | 0:37:25 | |
That and a lot more over there, and so that's the opportunity. | 0:37:25 | 0:37:29 | |
This must have loads of challenges. | 0:37:29 | 0:37:31 | |
It's very complicated. It's like open-heart surgery, really. | 0:37:31 | 0:37:34 | |
They're building 13 skyscrapers here. | 0:37:36 | 0:37:40 | |
To create their foundations, | 0:37:40 | 0:37:42 | |
two-metre-wide cylinders called caissons are drilled | 0:37:42 | 0:37:45 | |
between the train lines | 0:37:45 | 0:37:46 | |
and down 50 metres into the bedrock of Manhattan. | 0:37:46 | 0:37:50 | |
Steel is connected to these cylinders to form | 0:37:50 | 0:37:52 | |
the skeletons of the buildings. | 0:37:52 | 0:37:55 | |
But, for engineer Geoff Butler, building this way has created | 0:37:55 | 0:37:59 | |
a series of problems. | 0:37:59 | 0:38:01 | |
As you look around, this is quite obviously | 0:38:01 | 0:38:03 | |
-a hugely fabricated steel shell, isn't it? -Yes. | 0:38:03 | 0:38:06 | |
We have a lot of heavy steel landing on just | 0:38:06 | 0:38:08 | |
a few supports over the rail yard. | 0:38:08 | 0:38:11 | |
'There are fewer steel columns meeting the ground than would | 0:38:11 | 0:38:14 | |
'typically be used in this type of build, | 0:38:14 | 0:38:17 | |
'so the steel here has to support a colossal weight.' | 0:38:17 | 0:38:20 | |
These columns are very heavy. | 0:38:20 | 0:38:22 | |
Instead of being hollow, | 0:38:22 | 0:38:23 | |
it's solid steel with plates stacked together. | 0:38:23 | 0:38:25 | |
-So that's solid? -It's solid steel. | 0:38:25 | 0:38:27 | |
And because they're so heavy, they're only in four-metre sections | 0:38:27 | 0:38:30 | |
that all have to be connected in the field. | 0:38:30 | 0:38:32 | |
And it can take a couple of welders at least a week | 0:38:32 | 0:38:34 | |
to work on one connection. | 0:38:34 | 0:38:36 | |
So, how many storeys in this building? | 0:38:36 | 0:38:38 | |
92. | 0:38:38 | 0:38:40 | |
So you've got to weld every four metres for 92 storeys. | 0:38:40 | 0:38:43 | |
Yes. | 0:38:43 | 0:38:44 | |
-That's a lot of welding. -That's a lot of welding. | 0:38:44 | 0:38:47 | |
'Currently there are more than 100 welders employed on this site - | 0:38:47 | 0:38:52 | |
'more or less every available qualified welder | 0:38:52 | 0:38:54 | |
'in the whole of New York State.' | 0:38:54 | 0:38:57 | |
You'd think with a four-metre column section on top of each other | 0:38:57 | 0:39:00 | |
that the area of the weld would be a weak point, but it's not. | 0:39:00 | 0:39:03 | |
The four-metre column is dropped in with a V in it, | 0:39:03 | 0:39:07 | |
and it's this V here that's filled up individually | 0:39:07 | 0:39:09 | |
with layers and layers of weld, | 0:39:09 | 0:39:12 | |
until it comes to the outside, which is the ninth layer. | 0:39:12 | 0:39:15 | |
The heat that penetrates each part joins the two together | 0:39:15 | 0:39:19 | |
and it's that that gives it the strength. | 0:39:19 | 0:39:20 | |
This is a strong point. | 0:39:20 | 0:39:22 | |
Get this bit wrong and the whole lot will fall down. | 0:39:22 | 0:39:25 | |
MUSIC: Conversation 16 by The National | 0:39:25 | 0:39:29 | |
One of the skyscrapers is already topped out | 0:39:29 | 0:39:31 | |
and almost ready for people to move in. | 0:39:31 | 0:39:35 | |
Urban planner Michael Samuelian is taking me to the top. | 0:39:35 | 0:39:39 | |
People are moving into the bottom part and the top part. | 0:39:39 | 0:39:42 | |
We're still finishing up the structure and the mechanical stages. | 0:39:42 | 0:39:46 | |
Right. | 0:39:46 | 0:39:48 | |
-It's pretty high, then. -Yeah. | 0:39:48 | 0:39:50 | |
43. | 0:39:50 | 0:39:52 | |
Lovely. | 0:39:52 | 0:39:54 | |
'Up here, I'm able to get a feel of what it would be like | 0:39:54 | 0:39:57 | |
'to live and work so high up.' | 0:39:57 | 0:40:00 | |
-What a great space! -It's amazing, isn't it? | 0:40:00 | 0:40:02 | |
Do you know what? I could definitely see this as someone's office. | 0:40:02 | 0:40:05 | |
Yes, it's going to be a pretty fantastic office space. | 0:40:05 | 0:40:07 | |
It's floor-to-ceiling windows, | 0:40:07 | 0:40:09 | |
which gives you really great views of the entire city. | 0:40:09 | 0:40:11 | |
Even on a day like this, the views are amazing. | 0:40:11 | 0:40:13 | |
You can see the Empire State Building right over there, | 0:40:13 | 0:40:16 | |
and all of midtown Manhattan just in front of us. | 0:40:16 | 0:40:19 | |
So, this would be someone's corner office, glass partitions here, | 0:40:19 | 0:40:22 | |
-big door, massive desk, big chair... -Mm-hmm. -Oh, yeah. | 0:40:22 | 0:40:26 | |
Yeah, master of their universe. | 0:40:26 | 0:40:28 | |
So, if you imagine the place in the future when it's all occupied, | 0:40:28 | 0:40:32 | |
how many people are going to be housed within this area? | 0:40:32 | 0:40:34 | |
When we're fully built out in 2025, 125,000 people will live in, | 0:40:34 | 0:40:39 | |
work in or visit where we are today. | 0:40:39 | 0:40:41 | |
I mean, that's a small city in America - | 0:40:41 | 0:40:43 | |
actually, a mid-sized city in America. | 0:40:43 | 0:40:44 | |
And I guess if somebody wants to replicate what you've done | 0:40:44 | 0:40:48 | |
anywhere else in the city, | 0:40:48 | 0:40:49 | |
they're going to have to knock down entire blocks. | 0:40:49 | 0:40:51 | |
Yeah, this is six city blocks, so you would have to demolish | 0:40:51 | 0:40:54 | |
a lot of buildings in order to replicate | 0:40:54 | 0:40:55 | |
what we're doing right here. | 0:40:55 | 0:40:57 | |
-In fact, it's just not viable. -It's absolutely impossible. | 0:40:57 | 0:41:00 | |
OK, so I'm sold. | 0:41:00 | 0:41:01 | |
What's it going to cost me to live in Hudson Yards? | 0:41:01 | 0:41:04 | |
Well, it will probably cost you anywhere from 2 million for | 0:41:04 | 0:41:07 | |
a starter apartment up to 50 million for probably the biggest | 0:41:07 | 0:41:10 | |
apartment at the top of the building. | 0:41:10 | 0:41:12 | |
50 million? | 0:41:12 | 0:41:13 | |
-Five-oh, yes. -Five-oh, 50 million, OK. | 0:41:13 | 0:41:16 | |
I'm going to stay in Hertfordshire. | 0:41:16 | 0:41:19 | |
But isn't it a great view? | 0:41:19 | 0:41:20 | |
It's a great view! | 0:41:20 | 0:41:22 | |
For me, this development typifies the ambition of New York. | 0:41:24 | 0:41:28 | |
The spiritual home of the skyscraper is reinventing land use. | 0:41:30 | 0:41:34 | |
That was amazing, Anita, and you know what it makes me think, | 0:41:41 | 0:41:44 | |
is that this is the city of the skyscraper | 0:41:44 | 0:41:46 | |
and every inch of land is important. | 0:41:46 | 0:41:50 | |
But it's not just land now, it's about aerial real estate. | 0:41:50 | 0:41:53 | |
You're paying for the air above you. | 0:41:53 | 0:41:54 | |
I know. It's mental, isn't it? But incredible. | 0:41:54 | 0:41:57 | |
But it just goes to show that Manhattan is a place for the rich. | 0:41:57 | 0:42:00 | |
It's a paradise for them. | 0:42:00 | 0:42:01 | |
The only people who can afford to buy property here | 0:42:01 | 0:42:04 | |
are the uber-wealthy or foreign investors, | 0:42:04 | 0:42:06 | |
and what that does is it pushes out the traditional communities | 0:42:06 | 0:42:09 | |
to other areas, | 0:42:09 | 0:42:11 | |
and in so doing they then change the face of other communities as well. | 0:42:11 | 0:42:14 | |
Anita, that story is happening all over the world. | 0:42:14 | 0:42:16 | |
I grew up in east London. | 0:42:16 | 0:42:17 | |
I left, not because of gentrification, | 0:42:17 | 0:42:19 | |
but I can't go back now because it's so expensive. | 0:42:19 | 0:42:22 | |
And what it's done is it's changed the make-up of the community. | 0:42:22 | 0:42:25 | |
-I'm part of that gentrification. -It's your fault! | 0:42:25 | 0:42:28 | |
I've moved into east London, and you're right, it might be more | 0:42:28 | 0:42:30 | |
homogenised but it's safer, and it's a really nice place to live. | 0:42:30 | 0:42:35 | |
So, you're an Asian wonderwoman that's come down from Yorkshire | 0:42:35 | 0:42:38 | |
to save east London. | 0:42:38 | 0:42:40 | |
Listen, the battle for gentrification is going on | 0:42:40 | 0:42:43 | |
in this city, and the front line is over there. | 0:42:43 | 0:42:46 | |
At the northern end of the park is Harlem... | 0:42:51 | 0:42:55 | |
JAZZ PLAYS | 0:42:55 | 0:42:58 | |
..a heartland of black culture and politics, | 0:42:58 | 0:43:01 | |
famous for the flowering of the Jazz Age in the 1920s, | 0:43:01 | 0:43:05 | |
that became infamous for drugs and crime. | 0:43:05 | 0:43:07 | |
SIREN WAILS | 0:43:07 | 0:43:10 | |
MUSIC: Born To Die by Lana Del Ray | 0:43:10 | 0:43:12 | |
By the '80s, entire blocks had been abandoned, | 0:43:12 | 0:43:16 | |
but today it has transformed into one of New York's | 0:43:16 | 0:43:18 | |
most desirable places to live. | 0:43:18 | 0:43:22 | |
Harlem is gentrifying. | 0:43:22 | 0:43:24 | |
'Willie Suggs moved here in 1985 and set up as a local estate agent.' | 0:43:25 | 0:43:30 | |
-I'm Ade. -I'm Willie, and welcome to my beautiful block. | 0:43:30 | 0:43:33 | |
Thank you. | 0:43:33 | 0:43:34 | |
This area seems so peaceful and tranquil - | 0:43:34 | 0:43:37 | |
I can't imagine there being any trouble here. | 0:43:37 | 0:43:40 | |
Oh, no, it was very interesting the first year I was in the house. | 0:43:40 | 0:43:43 | |
I remember walking out the front door and I saw a man run by, | 0:43:43 | 0:43:46 | |
followed by another man with a gun, and he was shooting at him. | 0:43:46 | 0:43:49 | |
-Seriously? -Oh, yeah. -Shooting at him? | 0:43:49 | 0:43:51 | |
Yes, in 1990 we had 55 murders in this police precinct. | 0:43:51 | 0:43:56 | |
Last year there were two. | 0:43:56 | 0:43:59 | |
In 1994, Mayor Rudolph Giuliani implemented | 0:43:59 | 0:44:03 | |
a citywide zero-tolerance policy on crime. | 0:44:03 | 0:44:06 | |
NEWSREADER: On a wet night in south Brooklyn, | 0:44:07 | 0:44:10 | |
officers of the 67th Precinct prepare for the graveyard shift. | 0:44:10 | 0:44:14 | |
Their task, to keep the streets of their neighbourhoods safe. | 0:44:14 | 0:44:18 | |
He put 12,000 more police on patrol and implemented | 0:44:18 | 0:44:23 | |
a crackdown on antisocial behaviour, | 0:44:23 | 0:44:25 | |
and as crime fell here in Harlem, house prices went up. | 0:44:25 | 0:44:30 | |
'Willie bought her first home for 50,000.' | 0:44:30 | 0:44:34 | |
And how much are these houses worth now? | 0:44:34 | 0:44:37 | |
If it's a house that needs renovation, 3 million. | 0:44:37 | 0:44:40 | |
If it's done, it's 4 million to 5 million. | 0:44:40 | 0:44:42 | |
That is incredible. | 0:44:42 | 0:44:45 | |
-Yes, I'm very happy. -4 to 5... | 0:44:45 | 0:44:46 | |
-Yeah, I'm sure you'd be very happy! -WILLIE LAUGHS | 0:44:46 | 0:44:49 | |
'Soaring house prices are good news for people like Willie, | 0:44:50 | 0:44:53 | |
'who own their own homes, but not for renters.' | 0:44:53 | 0:44:57 | |
SIREN WAILS | 0:44:57 | 0:45:00 | |
'As Harlem gets even more desirable, | 0:45:00 | 0:45:02 | |
'landlords are hiking up rental prices. | 0:45:02 | 0:45:06 | |
'Since 2002, they have gone up as much as 90%.' | 0:45:06 | 0:45:10 | |
-Hey, my name's Ade. Nice to meet you. -Mike. How are you? | 0:45:10 | 0:45:12 | |
-Yeah, cool. You? -Pleasure. Pleasure. | 0:45:12 | 0:45:14 | |
'At this Baptist church in central Harlem, | 0:45:14 | 0:45:16 | |
'Pastor Mike Walrond is worried that long-term residents | 0:45:16 | 0:45:20 | |
'can no longer afford to live here.' | 0:45:20 | 0:45:23 | |
We help so many people who are losing their apartments, | 0:45:23 | 0:45:26 | |
about to lose their apartments, | 0:45:26 | 0:45:28 | |
people who are literally trying to fight | 0:45:28 | 0:45:30 | |
to stay in this community, but it's becoming harder and harder every day. | 0:45:30 | 0:45:34 | |
So, I don't know how this is going to play out, | 0:45:34 | 0:45:36 | |
but I do think you'll see more New Yorkers who are not as | 0:45:36 | 0:45:39 | |
financially well off leaving the state. | 0:45:39 | 0:45:41 | |
The demographic of Harlem is changing. | 0:45:41 | 0:45:44 | |
The once 98% black community now makes up | 0:45:44 | 0:45:47 | |
less than half its residents. | 0:45:47 | 0:45:49 | |
And has the change caused any tensions? | 0:45:49 | 0:45:52 | |
It has created some tensions racially | 0:45:52 | 0:45:55 | |
because there are people who'll say, you know, | 0:45:55 | 0:45:57 | |
the whites, white people are taking over Harlem, | 0:45:57 | 0:46:00 | |
and that's not necessarily the case. | 0:46:00 | 0:46:02 | |
But it is easy to do that, to make that claim, | 0:46:02 | 0:46:04 | |
when you see such a change in the landscape. | 0:46:04 | 0:46:07 | |
So, what do you think about the word or the term "gentrification"? | 0:46:07 | 0:46:11 | |
Well, in certain quarters, if you raise that word, it could... | 0:46:11 | 0:46:15 | |
-That could be a fighting word in certain places. -Seriously? | 0:46:15 | 0:46:18 | |
Because I think it has become a taboo word, a bad word, in certain circles. | 0:46:18 | 0:46:23 | |
For many people it's a terrifying word, | 0:46:23 | 0:46:25 | |
and it causes a lot of fear and it spawns a lot of emotions. | 0:46:25 | 0:46:29 | |
But I tell people all the time, these landlords, these developers | 0:46:29 | 0:46:33 | |
are not chasing white dollars - they are chasing green dollars. | 0:46:33 | 0:46:37 | |
Some people say that what's happening in Harlem | 0:46:37 | 0:46:39 | |
is simply part of living in a free-market economy, | 0:46:39 | 0:46:43 | |
but Pastor Mike feels the financial boom is coming at too high a price. | 0:46:43 | 0:46:47 | |
I mean, isn't this just progress? | 0:46:47 | 0:46:49 | |
Here's the one potential problem, | 0:46:49 | 0:46:51 | |
that when the landscape begins to change, | 0:46:51 | 0:46:54 | |
when the demographics begin to shift, the population changes, | 0:46:54 | 0:46:59 | |
something will be lost. | 0:46:59 | 0:47:00 | |
What makes Harlem Harlem is not the buildings, | 0:47:00 | 0:47:03 | |
it is not the businesses, it is the people. | 0:47:03 | 0:47:07 | |
It's not just happening in Harlem. | 0:47:10 | 0:47:12 | |
Gentrification and the displacement of long-term residents is | 0:47:12 | 0:47:16 | |
one of the city's thorniest issues. | 0:47:16 | 0:47:19 | |
Take Brooklyn - once Manhattan's poor cousin, | 0:47:19 | 0:47:23 | |
with strong Irish, Italian and Jewish communities, | 0:47:23 | 0:47:26 | |
today a byword for hipster culture. | 0:47:26 | 0:47:29 | |
This change came about under Mayor Bloomberg's tenure | 0:47:32 | 0:47:35 | |
in the early 2000s, | 0:47:35 | 0:47:37 | |
when property developers were encouraged to invest and build here. | 0:47:37 | 0:47:41 | |
It now has the least affordable housing market in the whole country. | 0:47:41 | 0:47:46 | |
The average salary here is 45,000 - | 0:47:46 | 0:47:50 | |
the average rent 33,000. | 0:47:50 | 0:47:53 | |
Everyone knows someone who is living this nightmare. | 0:47:53 | 0:47:58 | |
'Donna Mossman has rented in the Crown Heights district | 0:47:58 | 0:48:01 | |
'for 38 years.' | 0:48:01 | 0:48:03 | |
Tell me about your experience with change in this neighbourhood. | 0:48:03 | 0:48:07 | |
All the mom-and-pop shops are gone, | 0:48:07 | 0:48:09 | |
and even the stores that have stayed, the shops that have stayed, | 0:48:09 | 0:48:13 | |
raised their prices, | 0:48:13 | 0:48:15 | |
redid their stores, | 0:48:15 | 0:48:17 | |
because now we have people in the community | 0:48:17 | 0:48:19 | |
who can afford these prices. | 0:48:19 | 0:48:21 | |
And that's the issue that we have, that tenants have, | 0:48:21 | 0:48:24 | |
that the community have, is that you're beautifying the neighbourhood | 0:48:24 | 0:48:27 | |
and yet you're pushing us out at the same time. | 0:48:27 | 0:48:30 | |
'But Donna won't be pushed.' | 0:48:30 | 0:48:32 | |
Who can afford 2,500-a-month rent? I know that I cannot, so we fight. | 0:48:32 | 0:48:37 | |
Don't raise the rent. | 0:48:37 | 0:48:39 | |
People need some relief, and landlords are making money. | 0:48:39 | 0:48:42 | |
Let's be real clear. | 0:48:42 | 0:48:44 | |
In 2013, Donna and her neighbours set up | 0:48:44 | 0:48:47 | |
the Crown Heights Tenant Union, part of a citywide grass-roots movement | 0:48:47 | 0:48:52 | |
trying to resist gentrification. | 0:48:52 | 0:48:55 | |
We believe a tenant is a tenant. | 0:48:55 | 0:48:57 | |
It doesn't matter if you're a long-standing tenant, right? | 0:48:57 | 0:48:59 | |
Or you're a new tenant. | 0:48:59 | 0:49:00 | |
But join us because you too are being overcharged, | 0:49:00 | 0:49:04 | |
you too are being harassed, you too are being taken advantage of. | 0:49:04 | 0:49:07 | |
It's everyone's story as long as you're a tenant. | 0:49:07 | 0:49:10 | |
'As real estate becomes ever more valuable in this crowded city, | 0:49:15 | 0:49:19 | |
'the odds are stacked against tenants, | 0:49:19 | 0:49:21 | |
'but Donna and her strength-in-numbers strategy | 0:49:21 | 0:49:24 | |
'is a force to be reckoned with.' | 0:49:24 | 0:49:27 | |
So, Donna, with all the changes that are going on | 0:49:27 | 0:49:29 | |
in this neighbourhood, | 0:49:29 | 0:49:30 | |
do you see yourself still living here in ten years' time? | 0:49:30 | 0:49:33 | |
Absolutely. I'm not going anywhere. | 0:49:33 | 0:49:36 | |
There's a fight to be fought | 0:49:36 | 0:49:39 | |
and I'm going to continue to fight that fight. | 0:49:39 | 0:49:42 | |
ANITA: It's 3pm, the park's busiest time of day. | 0:49:47 | 0:49:51 | |
With no entry fee, it's open to everyone - | 0:49:51 | 0:49:54 | |
truly a park for the people. | 0:49:54 | 0:49:56 | |
This democratic vision was at the heart of | 0:49:58 | 0:50:00 | |
Olmsted and Vaux's original plan, | 0:50:00 | 0:50:04 | |
and it's ever more important in this unequal city, which is why the | 0:50:04 | 0:50:09 | |
authorities are spending 350 million on New York's parks this year. | 0:50:09 | 0:50:14 | |
I'm in the North Woods, | 0:50:17 | 0:50:18 | |
which is one of the most secluded areas in the park, | 0:50:18 | 0:50:20 | |
and I'm joined by the Commissioner for all of New York's 1,700 parks, | 0:50:20 | 0:50:26 | |
the head honcho, Mitchell Silver. | 0:50:26 | 0:50:28 | |
What's the value of a park in a city? | 0:50:28 | 0:50:31 | |
Well, this one is for public health. | 0:50:31 | 0:50:33 | |
We believe in having healthy communities | 0:50:33 | 0:50:35 | |
and there's no better place to get healthy than in a park. | 0:50:35 | 0:50:37 | |
People may sleep in their apartments but you live in your open spaces, | 0:50:37 | 0:50:41 | |
and that's why Central Park, and all the other parks in the city, | 0:50:41 | 0:50:44 | |
are so important to the livability of our city. | 0:50:44 | 0:50:46 | |
You have physical recreation but it's also for mental health. | 0:50:46 | 0:50:49 | |
I watch people come off the street, walk into the park | 0:50:49 | 0:50:52 | |
and, all of a sudden, you see their eyes gazing at the beauty. | 0:50:52 | 0:50:55 | |
It does something to you, | 0:50:55 | 0:50:56 | |
so it is vital to the public health of our citizens | 0:50:56 | 0:50:59 | |
and vital to the public health of our city. | 0:50:59 | 0:51:01 | |
People of all ages and races have access to the same park. | 0:51:01 | 0:51:05 | |
1,700 parks, that's quite a lot that you have to look after. | 0:51:05 | 0:51:08 | |
How do you prioritise where the money goes? | 0:51:08 | 0:51:10 | |
We prioritise in terms of equity. That's very important to us. | 0:51:10 | 0:51:13 | |
We want to make sure, as we plan our park system, | 0:51:13 | 0:51:15 | |
that each neighbourhood throughout the city | 0:51:15 | 0:51:17 | |
has their fair share of resources so they can have an outstanding park. | 0:51:17 | 0:51:21 | |
One example is the High Bridge. | 0:51:21 | 0:51:22 | |
Now, here is a bridge that has been abandoned that connected | 0:51:22 | 0:51:25 | |
two boroughs, Manhattan and the Bronx. | 0:51:25 | 0:51:27 | |
It had been closed for about 40 years. | 0:51:27 | 0:51:29 | |
We've invested close to 100 million to restore this beautiful bridge. | 0:51:29 | 0:51:33 | |
The bridge connects the Bronx to a 119-acre park | 0:51:35 | 0:51:39 | |
across the water in Manhattan, | 0:51:39 | 0:51:42 | |
providing vital green space and exercise facilities | 0:51:42 | 0:51:45 | |
for one of the poorest communities in the city. | 0:51:45 | 0:51:48 | |
So, that is one that really connects a community in need that's done. | 0:51:48 | 0:51:52 | |
Another one, we're experimenting with | 0:51:52 | 0:51:54 | |
just changing these former monumental parks | 0:51:54 | 0:51:56 | |
to, really, neighbourhood assets, is Washington Square Park. | 0:51:56 | 0:51:59 | |
Here's one that's been transformed. The plaza has been changed. | 0:51:59 | 0:52:02 | |
We now have this nice mounded area where kids can now play - | 0:52:02 | 0:52:05 | |
we're calling it "creative play". | 0:52:05 | 0:52:07 | |
And it's now become this incredible asset, | 0:52:07 | 0:52:10 | |
not just for tourists but the neighbours around them. | 0:52:10 | 0:52:12 | |
And what about the future? | 0:52:12 | 0:52:14 | |
We have changing demographics. | 0:52:14 | 0:52:15 | |
We have to look at the elderly, where there's adult playgrounds. | 0:52:15 | 0:52:18 | |
Adult playgrounds, did you say? | 0:52:18 | 0:52:19 | |
Adult playgrounds. We now have adult fitness. | 0:52:19 | 0:52:21 | |
We have ways where seniors, as they age - | 0:52:21 | 0:52:24 | |
well, they can enjoy the parks as well. | 0:52:24 | 0:52:27 | |
The 19th-century vision of this park, | 0:52:28 | 0:52:30 | |
as a force for social cohesion, | 0:52:30 | 0:52:32 | |
has proved extraordinarily forward-thinking, | 0:52:32 | 0:52:36 | |
as successful now as it was when the place opened 150 years ago. | 0:52:36 | 0:52:42 | |
But beyond the park, how is the city shaping up for the future? | 0:52:42 | 0:52:46 | |
The glitz and apparent wealth of New York disguises its problems. | 0:52:52 | 0:52:57 | |
An increasing gap between rich and poor, | 0:53:01 | 0:53:04 | |
decaying transport infrastructure | 0:53:04 | 0:53:07 | |
and a growing and ageing population are all hot topics. | 0:53:07 | 0:53:11 | |
'I want to find out what the biggest concern is for New Yorkers.' | 0:53:12 | 0:53:16 | |
So, I'm in Williamsburg, in Brooklyn, and this is really a place to visit. | 0:53:17 | 0:53:22 | |
It's kind of known as hipster-ville - | 0:53:22 | 0:53:24 | |
it's full of cool bars and coffee shops and lovely boutiques - | 0:53:24 | 0:53:27 | |
so I'm quite intrigued to find out what it's really like to live here. | 0:53:27 | 0:53:31 | |
'It's immediately clear there's one thing they all agree on.' | 0:53:31 | 0:53:35 | |
Do you live in this area? | 0:53:35 | 0:53:37 | |
I used to live here. I lived here for seven years, | 0:53:37 | 0:53:39 | |
and I've been in the city for the last five or six years. | 0:53:39 | 0:53:42 | |
So, why did you leave here? | 0:53:42 | 0:53:44 | |
My rent doubled overnight. | 0:53:44 | 0:53:47 | |
Like any city, like any major city, it's mad expensive. | 0:53:47 | 0:53:50 | |
If everyone here is paying 3,000 for an apartment, | 0:53:50 | 0:53:55 | |
and the people that deliver the food are only making 11 an hour, | 0:53:55 | 0:53:58 | |
this is not going to work. | 0:53:58 | 0:54:00 | |
In this wealthy city, | 0:54:02 | 0:54:04 | |
45% of New Yorkers are classified as living in or near poverty, | 0:54:04 | 0:54:10 | |
which is why the current administration has dreamt up | 0:54:10 | 0:54:14 | |
the One NYC scheme. | 0:54:14 | 0:54:16 | |
This is a real blueprint for change in this city. | 0:54:16 | 0:54:20 | |
This is going to be a game-changer in this city. | 0:54:20 | 0:54:23 | |
It's a wide-ranging package of measures designed to make | 0:54:23 | 0:54:26 | |
the city a better and easier place to live in, | 0:54:26 | 0:54:29 | |
and promises to lift 800,000 people out of poverty. | 0:54:29 | 0:54:34 | |
Helping so many of our fellow New Yorkers | 0:54:34 | 0:54:36 | |
finally be able to make ends meet, | 0:54:36 | 0:54:38 | |
and finally be able to know they can keep living | 0:54:38 | 0:54:42 | |
in their own neighbourhood. | 0:54:42 | 0:54:44 | |
One way to fulfil these ambitious promises | 0:54:44 | 0:54:46 | |
is to build more social housing. | 0:54:46 | 0:54:49 | |
This development in Brooklyn aims to address | 0:54:49 | 0:54:52 | |
the problem of gentrification. | 0:54:52 | 0:54:54 | |
This, a really nice-looking building, actually, | 0:54:54 | 0:54:57 | |
is specifically designed to preserve the local community - | 0:54:57 | 0:55:02 | |
only low-income families can come and live here. | 0:55:02 | 0:55:04 | |
'Functional and basic, | 0:55:06 | 0:55:08 | |
'200,000 affordable apartments like this | 0:55:08 | 0:55:10 | |
'are planned for the next ten years. | 0:55:10 | 0:55:12 | |
'52,000 are already welcoming tenants.' | 0:55:12 | 0:55:15 | |
This is it. It's a studio apartment. | 0:55:16 | 0:55:19 | |
It's got an air conditioner, a radiator, | 0:55:19 | 0:55:21 | |
a little bathroom, a kitchenette, | 0:55:21 | 0:55:23 | |
and the average market rate for a place like this | 0:55:23 | 0:55:26 | |
would be about 1,500, which is just under £900. | 0:55:26 | 0:55:30 | |
But here, because it's only for the local community and only for | 0:55:30 | 0:55:34 | |
low-income families, some people are paying about 100 per month. | 0:55:34 | 0:55:38 | |
It's based totally on what you can afford. | 0:55:38 | 0:55:41 | |
Also included in Mayor De Blasio's blueprint for change is job creation, | 0:55:43 | 0:55:48 | |
improving public transport | 0:55:48 | 0:55:49 | |
and future-proofing against another Hurricane Sandy. | 0:55:49 | 0:55:53 | |
'But it won't be straightforward. | 0:55:54 | 0:55:57 | |
'Urban planner Professor Ron Shiffman is worried this spending could have | 0:55:57 | 0:56:00 | |
'a seismic impact on the character of the city.' | 0:56:00 | 0:56:04 | |
We need to begin to look at the money we're spending now to protect | 0:56:04 | 0:56:08 | |
ourselves against climate change. | 0:56:08 | 0:56:10 | |
We need to look at the money that is being generated by Wall Street | 0:56:10 | 0:56:14 | |
and other places in a way that benefits all of New York City | 0:56:14 | 0:56:19 | |
and keeps its diversity in place, | 0:56:19 | 0:56:21 | |
because if we don't keep the diversity in place, | 0:56:21 | 0:56:24 | |
then New York City is going to become boring, | 0:56:24 | 0:56:26 | |
it'll become hyper-segregated, | 0:56:26 | 0:56:28 | |
and it will not be a place that you will want to visit. | 0:56:28 | 0:56:32 | |
I mean, this is a city that has gone through depression, | 0:56:32 | 0:56:35 | |
time and time again, and risen from the ashes like a phoenix, | 0:56:35 | 0:56:38 | |
and, well, quite literally risen. | 0:56:38 | 0:56:39 | |
What's the future of New York? | 0:56:39 | 0:56:41 | |
I think it's going to be a roller-coaster but I am... | 0:56:41 | 0:56:44 | |
I am confident that the people of the city of New York | 0:56:44 | 0:56:47 | |
will come together and will be able to preserve the values | 0:56:47 | 0:56:51 | |
that have built this city. | 0:56:51 | 0:56:53 | |
The residents don't doubt it. | 0:56:53 | 0:56:55 | |
What's so good about living in New York? | 0:56:56 | 0:56:59 | |
Oh, my God. You can be whoever you want to be. | 0:56:59 | 0:57:02 | |
I just feel like there's never a dull moment in New York. | 0:57:02 | 0:57:05 | |
Like, I wouldn't have, like, this if I didn't love it. | 0:57:05 | 0:57:07 | |
This is dedication to a city. I love that. | 0:57:07 | 0:57:10 | |
It's the most wonderful place on earth - so good they named it twice. | 0:57:10 | 0:57:14 | |
In the last 40 years alone, New York has come close to bankruptcy, | 0:57:15 | 0:57:20 | |
suffered the world's most visible terror attack | 0:57:20 | 0:57:23 | |
and weathered the USA's second-worst storm. | 0:57:23 | 0:57:26 | |
Optimism is built into its DNA. | 0:57:26 | 0:57:29 | |
There is no doubt about it - this city is amazing. | 0:57:38 | 0:57:42 | |
It's ambitious, it's resilient, it's beautiful... | 0:57:42 | 0:57:45 | |
-Yes, it's got its problems, but, then, what city hasn't? -Yeah. | 0:57:45 | 0:57:48 | |
A highlight for me has got to be filming up in the community gardens | 0:57:48 | 0:57:51 | |
in the Bronx, to see how the locals are adapting to not having | 0:57:51 | 0:57:55 | |
any fresh fruit or vegetables in the area and growing their own. | 0:57:55 | 0:57:58 | |
It was lovely. It's brilliant. | 0:57:58 | 0:57:59 | |
I've loved meeting the people of Harlem. | 0:57:59 | 0:58:01 | |
Pastor Mike and Willie - both trying to keep their community | 0:58:01 | 0:58:04 | |
together in different ways, but, you know, | 0:58:04 | 0:58:06 | |
if they are able to succeed, | 0:58:06 | 0:58:08 | |
what a powerful message that sends to other cities | 0:58:08 | 0:58:10 | |
struggling with gentrification around the world. | 0:58:10 | 0:58:13 | |
Oh, I love how the city's constantly developing. | 0:58:13 | 0:58:15 | |
In a place where space is at such a premium, | 0:58:15 | 0:58:17 | |
they've got to look at genius ways of building, | 0:58:17 | 0:58:19 | |
and Hudson Yards - I mean, they've created skyscrapers out of thin air. | 0:58:19 | 0:58:23 | |
It's just amazing. | 0:58:23 | 0:58:24 | |
Thank you for watching, | 0:58:24 | 0:58:26 | |
and, from all of us here in New York, it's bye-bye. | 0:58:26 | 0:58:29 | |
-Goodbye. -Goodbye. | 0:58:29 | 0:58:30 |