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What you need is some real history! I'll show you round Bristol. | 0:00:13 | 0:00:17 | |
JOLLY MUSIC | 0:00:21 | 0:00:23 | |
'Bristol. Gateway to the west. | 0:00:32 | 0:00:35 | |
'A great regional city of nearly half a million inhabitants.' | 0:00:35 | 0:00:40 | |
'Bristol, thriving throughout Britain's history on the marriage of sea and land.' | 0:00:40 | 0:00:44 | |
'One Saturday, in the middle of an English summer, | 0:00:44 | 0:00:47 | |
'the people of the St Paul's area in Bristol put on a parade of their first festival. | 0:00:47 | 0:00:52 | |
'It rained all day long.' | 0:00:52 | 0:00:54 | |
This is the Queen speaking from Bristol. | 0:00:54 | 0:00:57 | |
'They're fixing lights to the Clifton Suspension Bridge, | 0:00:59 | 0:01:02 | |
'working more than 250 feet above the River Avon.' | 0:01:02 | 0:01:05 | |
'To the casual eye, it's a huddle of roofs, | 0:01:07 | 0:01:10 | |
'a cluster of spires, a labyrinth of streets, | 0:01:10 | 0:01:13 | |
'but to the people of Bristol whom know and understand their city, | 0:01:13 | 0:01:17 | |
'these buildings and these streets, all these tell a story.' | 0:01:17 | 0:01:21 | |
'Joseph Fry's vanilla chocolate must've tasted good. | 0:01:24 | 0:01:28 | |
'Because 250 years later, they're still making chocolate with his name on it.' | 0:01:28 | 0:01:33 | |
'Here, cocoa from the Gold Coast and sugar from the West Indies | 0:01:38 | 0:01:43 | |
'meet the milk and the cream of the dairy farms of Somerset | 0:01:43 | 0:01:47 | |
'in the manufacture of cocoa and chocolate.' | 0:01:47 | 0:01:50 | |
'These are conches. | 0:01:58 | 0:02:00 | |
'Funny names, but effective machines. | 0:02:00 | 0:02:03 | |
'The chocolate submits from one to three days, | 0:02:03 | 0:02:06 | |
'whilst the flavour is developed and perfect smoothness obtained.' | 0:02:06 | 0:02:10 | |
'Now, how does the cream get in the chocolate? Very simple. | 0:02:11 | 0:02:15 | |
'Moulds are filled with molten chocolate | 0:02:15 | 0:02:17 | |
'and as they proceed, the cream centres are placed in.' | 0:02:17 | 0:02:21 | |
'Modern wrapping machines are amazingly clever. | 0:02:26 | 0:02:29 | |
'They handle the chocolate bars as dextrously as a conjuror and as gently as a woman.' | 0:02:29 | 0:02:36 | |
'Fry's also run an air service for urgent deliveries. | 0:02:36 | 0:02:39 | |
'This, by the way, is the famous aeroplane which accompanied the Mount Everest expedition. | 0:02:39 | 0:02:44 | |
'It flew to India for reconnaissance work. | 0:02:44 | 0:02:47 | |
'It also carried Fry's for the intrepid airmen | 0:02:47 | 0:02:49 | |
'who, for the first time, saw the summit of Everest below them.' | 0:02:49 | 0:02:53 | |
'Long ago, the girls were called Fry's Angels and outnumbered the men two-to-one. | 0:02:58 | 0:03:03 | |
'But the Angels of today are in the minority.' | 0:03:03 | 0:03:06 | |
It's like a monster, it just keeps coming. It goes on and on and on. | 0:03:08 | 0:03:14 | |
Sometimes you feel like... getting up and running out. | 0:03:20 | 0:03:25 | |
Run away from it all and forget it. But you don't. | 0:03:25 | 0:03:29 | |
You don't do that kind of thing. | 0:03:29 | 0:03:31 | |
'Yes, these are the boxes single ladies get | 0:03:34 | 0:03:37 | |
'that the married ones dream of.' | 0:03:37 | 0:03:40 | |
'For 2,000 years, give or take a few, | 0:03:47 | 0:03:51 | |
'ships have been coming to the mouth of the Avon from abroad, | 0:03:51 | 0:03:54 | |
'or, as the port men say, from foreign.' | 0:03:54 | 0:03:58 | |
'During the 18th century, Bristol was insulated | 0:04:00 | 0:04:02 | |
'from the murderous reality of the slave trade, | 0:04:02 | 0:04:06 | |
'though not from its profits. | 0:04:06 | 0:04:07 | |
'Ships left Bristol for Africa | 0:04:07 | 0:04:10 | |
'loaded with brass, guns and trinkets. | 0:04:10 | 0:04:13 | |
'They left Africa for the West Indies loaded with slaves, | 0:04:13 | 0:04:17 | |
'and they sailed from the West Indies back to Bristol | 0:04:17 | 0:04:20 | |
'with a full cargo of sugar and tobacco. | 0:04:20 | 0:04:23 | |
'There was a handsome profit to be made on every leg of the voyage, | 0:04:23 | 0:04:27 | |
'and in Bristol, hardly a whiff of the human misery | 0:04:27 | 0:04:30 | |
'that helped mint the money.' | 0:04:30 | 0:04:33 | |
SHIP'S HORN WAILS | 0:04:34 | 0:04:36 | |
'Of course, German reports of their operations differ from British. | 0:04:38 | 0:04:42 | |
'They claimed in one raid to have wiped out Bristol Docks. | 0:04:42 | 0:04:45 | |
'American journalists go to see for themselves | 0:04:45 | 0:04:48 | |
'and observe that the docks are not only still there, | 0:04:48 | 0:04:51 | |
'but quite a lot of shipping is using them.' | 0:04:51 | 0:04:54 | |
'It's often asked, "Why do the Germans issue such fantastic claims?" | 0:04:57 | 0:05:01 | |
'It's Hitler's principle that if you're going to lie, it'd better be a whopper. | 0:05:01 | 0:05:05 | |
'He believes you and I will say there must be some truth in it or they couldn't make such statements.' | 0:05:05 | 0:05:10 | |
'An extremely important arrival was the good ship Tilapa, | 0:05:13 | 0:05:16 | |
'coming from the West Indies | 0:05:16 | 0:05:18 | |
'with a cargo of about ten million bananas. | 0:05:18 | 0:05:22 | |
'This was the first consignment to reach Britain since 1940, so it was a big event. | 0:05:22 | 0:05:26 | |
'Very interesting to watch the bunches of bananas coming ashore. | 0:05:26 | 0:05:30 | |
'For so important an occasion, the Lord Mayor was there in person.' | 0:05:30 | 0:05:34 | |
They are the finest quality and they're very nice, too. | 0:05:34 | 0:05:38 | |
Isn't it lovely? | 0:05:38 | 0:05:40 | |
'She had eaten bananas before, but others hadn't, | 0:05:40 | 0:05:44 | |
'and the captain had to explain how to peel these strange fruit. | 0:05:44 | 0:05:47 | |
'Even then, some kids didn't seem to know how to eat them. | 0:05:47 | 0:05:50 | |
'Soon, we hope all young Britain will know how, | 0:05:50 | 0:05:53 | |
'for more banana ships are on the way.' | 0:05:53 | 0:05:56 | |
'Every docker in Avonmouth who hasn't got a job already | 0:06:01 | 0:06:05 | |
'has to go to the call stand to find work. | 0:06:05 | 0:06:08 | |
'This is where the employers choose their men.' | 0:06:08 | 0:06:10 | |
MEN SHOUT SIMULTANEOUSLY | 0:06:10 | 0:06:12 | |
Both the dockers and the employers say that | 0:06:18 | 0:06:21 | |
they don't really approve of this system. | 0:06:21 | 0:06:24 | |
But neither will set their faces against it, | 0:06:24 | 0:06:27 | |
and it's typical of Bristol that both should tolerate something that, in theory, they abhor. | 0:06:27 | 0:06:33 | |
I don't like it at all! I think it's degrading. | 0:06:33 | 0:06:36 | |
In this day and age, 1962, men have to stand in a pen like cattle and be selected, | 0:06:36 | 0:06:41 | |
I don't think it's right and I think most of the dockers resent it. | 0:06:41 | 0:06:45 | |
The quicker they do away with this type of selection of labour, the better for all of us. | 0:06:45 | 0:06:51 | |
Heights have never been a bother to me. | 0:06:56 | 0:06:59 | |
One of the first things you think of when you apply for the position | 0:06:59 | 0:07:03 | |
is, you know, up there. | 0:07:03 | 0:07:04 | |
Another thing is solitude. People can't stand that either. | 0:07:04 | 0:07:09 | |
They can't stand being up there on their own, | 0:07:09 | 0:07:12 | |
even though you're within shouting distance of someone. | 0:07:12 | 0:07:15 | |
When a job is going well, you do get a satisfied feeling | 0:07:17 | 0:07:21 | |
that, although you haven't got covered in dirt | 0:07:21 | 0:07:25 | |
like some of the jobs demand of the men in the ship's hold, | 0:07:25 | 0:07:28 | |
you do have a feeling of satisfaction, | 0:07:28 | 0:07:31 | |
because however much they've worked | 0:07:31 | 0:07:35 | |
and however much money they've earned, | 0:07:35 | 0:07:37 | |
they couldn't do it without you. | 0:07:37 | 0:07:40 | |
Every day is a different day. | 0:07:57 | 0:08:00 | |
You may not be working with the same people or doing the same job. | 0:08:00 | 0:08:03 | |
A lot of dockers that I know down there, it's their life. It's their life to be at work. | 0:08:03 | 0:08:09 | |
They prefer to be there than at home. | 0:08:09 | 0:08:11 | |
'Much of the tobacco that comes to Britain passes through Bristol, | 0:08:48 | 0:08:51 | |
'a cargo which could hardly go back farther than it does | 0:08:51 | 0:08:54 | |
'because here, Sir Walter Raleigh is said to have smoked the first pipeful in England.' | 0:08:54 | 0:08:59 | |
JOLLY MUSIC | 0:08:59 | 0:09:02 | |
'2,000 cigarettes a minute are coming out of that machine. | 0:09:23 | 0:09:27 | |
'And the output of this one factory, if its cigarettes could be joined end to end, | 0:09:27 | 0:09:32 | |
'would go to the moon and back once every year. | 0:09:32 | 0:09:35 | |
'Each machine has a crew of four, a man responsible for operating | 0:09:35 | 0:09:39 | |
'and three girls to examine them as they're cleared into the slings. | 0:09:39 | 0:09:43 | |
'Nearly 40 million cigarettes go through this factory every day. | 0:09:43 | 0:09:47 | |
'The smoker will pay the taxman a mighty lot of money for the finished product | 0:09:47 | 0:09:51 | |
'now leaving the packing machines.' | 0:09:51 | 0:09:53 | |
'For the Bristol factories of this one firm, | 0:09:53 | 0:09:56 | |
'duty amounts to about three-quarters of a million pounds per day. | 0:09:56 | 0:09:59 | |
'The cheque has to be taken by hand each day to the customs office. | 0:09:59 | 0:10:03 | |
'No credit is allowed. | 0:10:03 | 0:10:04 | |
'The amount for Friday, May 29th, | 0:10:04 | 0:10:07 | |
'was £753,465, four shillings and sixpence.' | 0:10:07 | 0:10:13 | |
'Cargos from the New World, from the West Indies, | 0:10:13 | 0:10:16 | |
'from every shore of the North Atlantic, | 0:10:16 | 0:10:18 | |
'brought prosperity to Bristol. | 0:10:18 | 0:10:20 | |
'Rum, sugar, tobacco | 0:10:20 | 0:10:23 | |
'and the fine sherry wines for which the city is still famous.' | 0:10:23 | 0:10:27 | |
JOLLY MUSIC | 0:10:27 | 0:10:29 | |
'800 years ago, Bristol was one of the busiest wine ports in the world, | 0:10:32 | 0:10:36 | |
'and it hasn't stopped ever since.' | 0:10:36 | 0:10:38 | |
'Bristol doesn't merely hand the wine on, | 0:10:44 | 0:10:46 | |
'as everyone who can read the label knows. | 0:10:46 | 0:10:49 | |
'Bristol firms are famous for the selection, blending and marketing | 0:10:49 | 0:10:53 | |
'of fine wines and spirits.' | 0:10:53 | 0:10:55 | |
Sherry is a very complex wine, made up of, perhaps, 100 different wines, | 0:10:55 | 0:11:00 | |
and those wines, in turn, contain many different years. | 0:11:00 | 0:11:04 | |
It's rather like an artist with his palette, | 0:11:04 | 0:11:07 | |
there are so many things to choose from. | 0:11:07 | 0:11:09 | |
It's our special expertise that has produced this unique wine, | 0:11:09 | 0:11:13 | |
which has been so successful all over the world. | 0:11:13 | 0:11:16 | |
I'm standing on the stage of the Theatre Royal, Bristol. | 0:12:02 | 0:12:08 | |
I've known the theatre for 17 years. | 0:12:08 | 0:12:11 | |
I consider it to be the loveliest theatre in the world. | 0:12:11 | 0:12:16 | |
A perfect theatre to play in and to see a play. | 0:12:16 | 0:12:20 | |
Simply, unless something is done immediately, | 0:12:20 | 0:12:25 | |
the whole place might just fall down. | 0:12:25 | 0:12:29 | |
The last time I came down this way was in 1957 | 0:12:33 | 0:12:37 | |
in the pantomime Ali Baba and the Forty Thieves. | 0:12:37 | 0:12:41 | |
I was Mrs Ali Baba. | 0:12:41 | 0:12:43 | |
'As nightclubs spread across the region's towns and cities, | 0:12:44 | 0:12:48 | |
'they recorded the first to open specially for West Indians in St Paul's. | 0:12:48 | 0:12:53 | |
'The man behind it was Tony Bullimore, | 0:12:53 | 0:12:55 | |
'who was to become famous as a round-the-world yachtsman.' | 0:12:55 | 0:12:58 | |
From a sociologic point of view, | 0:12:58 | 0:13:00 | |
the West Indian in Bristol | 0:13:00 | 0:13:04 | |
feels that he's now more on an equal footing | 0:13:04 | 0:13:08 | |
to Bristolians, who have their own clubs. | 0:13:08 | 0:13:12 | |
They feel quite proud of that fact that the club is done out | 0:13:12 | 0:13:16 | |
the same as an English club. | 0:13:16 | 0:13:18 | |
And it takes away this inferiority complex - | 0:13:18 | 0:13:21 | |
"We haven't got anywhere to take our English friends." Now they can take them here. | 0:13:21 | 0:13:26 | |
Now here is a heap | 0:13:26 | 0:13:29 | |
of the most complicated antique stage machinery ever devised. | 0:13:29 | 0:13:34 | |
Some lunatic Georgian inventor was let loose! It doesn't function. It's useless. | 0:13:34 | 0:13:39 | |
I'll show you backstage. This way. | 0:13:39 | 0:13:42 | |
Number seven... | 0:13:45 | 0:13:47 | |
I used this dressing room for two years when I first came down here. | 0:13:49 | 0:13:53 | |
I shared it with Edward Hardwicke. It's a cosy little oven. | 0:13:53 | 0:13:57 | |
If one's playing Othello, | 0:13:57 | 0:14:00 | |
or another part which required body makeup, | 0:14:00 | 0:14:03 | |
one went home rather stickily. | 0:14:03 | 0:14:05 | |
But for the more fastidious, | 0:14:05 | 0:14:07 | |
there was a zinc bath and buckets of hot water provided in the boiler room. | 0:14:07 | 0:14:13 | |
We used to say, "If you can't do it here, | 0:14:13 | 0:14:17 | |
you can't do it." | 0:14:17 | 0:14:20 | |
"So would you please help us to keep on doing it?" | 0:14:20 | 0:14:24 | |
DRAMATIC MUSIC | 0:14:24 | 0:14:27 | |
'A superb edition to the West Country entertainment world, | 0:14:29 | 0:14:32 | |
'within The New Bristol Centre, a new ABC Cinema. | 0:14:32 | 0:14:36 | |
'It is a brilliant architectural triumph, wonderfully equipped with all thoughts of tomorrow in mind. | 0:14:36 | 0:14:42 | |
'The up-to-date projection room and equipment | 0:14:42 | 0:14:45 | |
'will ensure fine picture and sound quality. | 0:14:45 | 0:14:47 | |
'Trumpeters sounded the fanfare.' | 0:14:47 | 0:14:51 | |
'Everybody present voted it the perfect cinema.' | 0:14:59 | 0:15:04 | |
-REGGAE MUSIC -'Like most other cities, | 0:15:07 | 0:15:10 | |
'Bristol's heart has been eaten out, | 0:15:10 | 0:15:13 | |
'and yet, right in the centre, human life has come back again. | 0:15:13 | 0:15:17 | |
'Black life now, centred around the ancient game of dominoes.' | 0:15:17 | 0:15:22 | |
'But dominoes, you may insist, is essentially a British game. | 0:15:29 | 0:15:32 | |
'The West Indian version of dominoes is different. It's unique. | 0:15:32 | 0:15:37 | |
'It's faster, it's much noisier and it's full of sign language.' | 0:15:37 | 0:15:42 | |
Take your shot. | 0:15:42 | 0:15:43 | |
It's really a thrill to outwit the other person | 0:15:43 | 0:15:46 | |
by using your sign that he don't know. | 0:15:46 | 0:15:50 | |
That's where the fun is, the shouting and the noise. | 0:15:50 | 0:15:54 | |
It's all part of the game. | 0:15:54 | 0:15:55 | |
THEY BANG TABLE, SHOUT | 0:15:55 | 0:15:59 | |
REGGAE MUSIC | 0:16:02 | 0:16:04 | |
'The Western Star Club is not just a hotbed of domino playing, | 0:16:11 | 0:16:14 | |
'although that is its focus. | 0:16:14 | 0:16:17 | |
'It's a social club for mainly first generation, middle-aged West Indians. | 0:16:17 | 0:16:21 | |
'It's not a ghetto. More a place where a community has refound itself | 0:16:21 | 0:16:25 | |
'and its own enjoyment.' | 0:16:25 | 0:16:27 | |
'Think what the West Indians did to the old stately game of cricket! | 0:16:32 | 0:16:36 | |
'Perhaps, all things considered, it's a good job they're not playing rugby league or Irish hurling. | 0:16:36 | 0:16:41 | |
'Heart attacks might count more naturally than score-points.' | 0:16:41 | 0:16:45 | |
-Two pieces! -You shut up! | 0:16:45 | 0:16:49 | |
HE BANGS FIST ON TABLE | 0:16:49 | 0:16:51 | |
MUSIC: "Animal Magic" theme tune | 0:16:56 | 0:17:00 | |
You don't know it, but you're coming back to Bristol with me. | 0:17:00 | 0:17:04 | |
FRENCH ACCENT: "Bristol? Where is Bristol? Is it in France?" | 0:17:04 | 0:17:07 | |
No, it's in Angleterre. | 0:17:07 | 0:17:08 | |
"Angleterre? That will be jolly, eh?" | 0:17:08 | 0:17:11 | |
Yes, it will be very jolly. | 0:17:11 | 0:17:12 | |
Come on, then. Here's your collar. | 0:17:12 | 0:17:16 | |
Come and have your collar on, Lucy. | 0:17:16 | 0:17:18 | |
"I do wish I had an umbrella! I wish I had an umbrella!" | 0:17:20 | 0:17:26 | |
Well, wishes do come true sometimes. | 0:17:26 | 0:17:29 | |
HE HUMS A JOLLY TUNE | 0:17:29 | 0:17:31 | |
Morning, Giraffe! | 0:17:33 | 0:17:35 | |
'Bristol Zoo seems to specialise in unusual babies. | 0:17:35 | 0:17:38 | |
'The latest edition to Daisy the giraffe, a six-foot daughter. | 0:17:38 | 0:17:42 | |
'Very small by giraffe standards, but doing well. | 0:17:42 | 0:17:45 | |
'The new arrival is still unnamed. Any suggestions for Bristol Zoo?' | 0:17:45 | 0:17:51 | |
BEAR: "Oh, come on, dear, it's time for you to meet the general public!" | 0:17:51 | 0:17:55 | |
CUB: "Who are the general public, Ma?" | 0:17:55 | 0:17:58 | |
"The general public, child, are neither you nor me." | 0:17:58 | 0:18:01 | |
"They are always other persons." | 0:18:01 | 0:18:05 | |
"Now, be careful along here, child. It does get a little slippery." | 0:18:05 | 0:18:09 | |
"I don't care, Ma..." | 0:18:09 | 0:18:10 | |
CUB SCREAMS, SOBS | 0:18:10 | 0:18:14 | |
"It's horrid stuff, water!" | 0:18:16 | 0:18:18 | |
I asked you not to do that, Christina. | 0:18:18 | 0:18:21 | |
I asked you not to spray the crowd. | 0:18:21 | 0:18:24 | |
CROWD SCREAM | 0:18:24 | 0:18:26 | |
Now, let me have the hose. | 0:18:26 | 0:18:30 | |
You mustn't take the hose away like that. | 0:18:30 | 0:18:33 | |
HE LAUGHS | 0:18:33 | 0:18:36 | |
Oh, dear. I'm giving up, I think. | 0:18:36 | 0:18:39 | |
'To Willy and Stephanie, on August 25th at Bristol, a daughter. | 0:18:45 | 0:18:49 | |
'A happy event and a noteworthy one. | 0:18:49 | 0:18:51 | |
'Rhona is the first female African Black Rhino to be born in this country. | 0:18:51 | 0:18:56 | |
'Weighing around 60lbs at birth, baby is doing fine and so is Mum. | 0:18:56 | 0:19:00 | |
'3,500 weight of mother love. | 0:19:00 | 0:19:03 | |
'You can't disguise it, a rhino is an unlovely hunk of armour plating. | 0:19:03 | 0:19:07 | |
'Baby animals always have special appeal, | 0:19:07 | 0:19:09 | |
'and Rhona almost manages to look endearing.' | 0:19:09 | 0:19:13 | |
The excitement of this demonstration, | 0:19:20 | 0:19:23 | |
organised up here on an afternoon very much like this, | 0:19:23 | 0:19:28 | |
a rather dour November afternoon, | 0:19:28 | 0:19:32 | |
and my father brought me up, as a small boy of eight. | 0:19:32 | 0:19:36 | |
They then wheeled this thing out and they started up the engine, | 0:19:36 | 0:19:41 | |
and eventually they went. | 0:19:41 | 0:19:43 | |
And there was deathly silence through the whole crowd. There was a hush. | 0:19:43 | 0:19:48 | |
Absolute wonderment - he's flying! | 0:19:50 | 0:19:53 | |
He came past the gorge, up this side of the suspension bridge and landed again. | 0:19:55 | 0:19:59 | |
And it was really something which, as a small boy, I'll never forget. | 0:19:59 | 0:20:04 | |
I think it was pretty well the greatest day of my life. | 0:20:04 | 0:20:08 | |
'Third call is at Filton Aerodrome, Bristol, | 0:20:08 | 0:20:11 | |
'for the christening of the world's largest aircraft, the 126-tonne Brabazon 1. | 0:20:11 | 0:20:17 | |
'Dwarfing the swarms of spectators, the plane is officially named by Air Marshal Coryton. | 0:20:17 | 0:20:23 | |
'Now came the task of getting the giant into its hangar, | 0:20:23 | 0:20:26 | |
'which itself is large enough to house the Queen Mary and the Queen Elizabeth.' | 0:20:26 | 0:20:30 | |
'No wonder the crowds rushed for a closer look at the giant prototype, | 0:20:34 | 0:20:37 | |
'destined to begin a new era in air travel.' | 0:20:37 | 0:20:40 | |
'Filton. Concorde 002 stands like a great bird in a massive cage | 0:20:40 | 0:20:45 | |
'at the British Aircraft Corporation's plant. | 0:20:45 | 0:20:48 | |
'But never has there been such an expensive bird before. | 0:20:48 | 0:20:51 | |
'Nor one which has been so reluctant to fly. | 0:20:51 | 0:20:54 | |
'Built jointly by Britain and France, | 0:20:54 | 0:20:57 | |
'our prototype number 002 already looks more like an aircraft. | 0:20:57 | 0:21:00 | |
'The nose of the plane can be tilted during takeoff and landing.' | 0:21:00 | 0:21:04 | |
'Working on this calls for extraordinary contortions. | 0:21:13 | 0:21:17 | |
'But then she's an extraordinary plane, over 180-feet long.' | 0:21:17 | 0:21:21 | |
'Visiting the British Aircraft Corporation factory at Filton, near Bristol, | 0:21:23 | 0:21:28 | |
'the Queen was to see for herself how the Anglo-French Concorde project was shaping, | 0:21:28 | 0:21:33 | |
'to the delight of the crowd.' | 0:21:33 | 0:21:35 | |
'Britain's Brabazon airliner leads the way with the revolution in air travel. | 0:21:39 | 0:21:43 | |
'After five years of exhaustive experiments, | 0:21:43 | 0:21:46 | |
'success crowns the work of the Bristol Aviation company. | 0:21:46 | 0:21:50 | |
'With the Brabazon ticking over and behaving like a textbook machine, | 0:21:50 | 0:21:53 | |
'there's a quick order over the intercom, "This is it, boys", | 0:21:53 | 0:21:57 | |
'and then Pegg lifts the Brabazon's front wheel after only a 400-yard run. | 0:21:57 | 0:22:01 | |
'Another hundred yards and the undercarriage slowly leaves the runway. Airborne!' | 0:22:01 | 0:22:06 | |
'The second production model of Concorde | 0:22:09 | 0:22:12 | |
'takes off from the British Aircraft Corporation's airfield at Filton on its maiden flight.' | 0:22:12 | 0:22:17 | |
'Jerry is here early tonight. The siren went five minutes ago. | 0:22:44 | 0:22:48 | |
'Yes, he's here all right. | 0:22:48 | 0:22:50 | |
'Some bombs are being dropped | 0:22:50 | 0:22:52 | |
'and a fire has started already to the east of us. | 0:22:52 | 0:22:56 | |
'I've got a nasty feeling in my tummy, too, at this moment. | 0:22:56 | 0:23:00 | |
'God grant it's going to be all right.' | 0:23:00 | 0:23:02 | |
'Pause for a moment in the middle of the city | 0:23:02 | 0:23:05 | |
'and you may count 11 churches without moving a single pace from where you stand. | 0:23:05 | 0:23:10 | |
'Though some now are only the shells and remnants of what they once were, | 0:23:10 | 0:23:14 | |
'for the bombing of Bristol fell with uncanny and almost diabolical precision | 0:23:14 | 0:23:18 | |
'on her most venerable buildings. | 0:23:18 | 0:23:20 | |
'But today the rubble is softened with wildflowers, with Buddleja and Rosebay willowherb, | 0:23:20 | 0:23:26 | |
'and the shattered windows and roofless pillars | 0:23:26 | 0:23:29 | |
'have a grave and silent dignity, | 0:23:29 | 0:23:31 | |
'like blinded giants.' | 0:23:31 | 0:23:34 | |
'It was the night of Bristol's first big blitz, | 0:23:35 | 0:23:38 | |
'and a time when many of the city's ancient churches were destroyed. | 0:23:38 | 0:23:42 | |
'Like St Andrew's, on top of Clifton Hill.' | 0:23:42 | 0:23:45 | |
CHOIR SINGS HYMN | 0:23:45 | 0:23:48 | |
'According to the official war diary, | 0:23:51 | 0:23:53 | |
'the air raid sirens wailed out their warning | 0:23:53 | 0:23:55 | |
'at 21 minutes past six that Sunday evening.' | 0:23:55 | 0:23:59 | |
SIRENS WAIL | 0:23:59 | 0:24:01 | |
BOMBS BOOM | 0:24:04 | 0:24:06 | |
'The enemy aircraft, about 60 of them, came in in twos and threes | 0:24:06 | 0:24:11 | |
'to empty their bellies of the destructive power of incendiary bombs and, later, high explosives. | 0:24:11 | 0:24:17 | |
'People did stay in their houses. | 0:24:17 | 0:24:20 | |
'Perhaps it was the feeling of security of being within your own four walls. | 0:24:20 | 0:24:24 | |
'These two ladies were lucky in their cellar. | 0:24:24 | 0:24:26 | |
'They, and five others, came out of a hole in the ground | 0:24:26 | 0:24:29 | |
'when the house above them collapsed about their ears.' | 0:24:29 | 0:24:33 | |
'Clearing up in Park Street at 11 o'clock the next morning, | 0:24:35 | 0:24:38 | |
'a veil of censorship attempted to disguise wartime Britain, | 0:24:38 | 0:24:42 | |
'"Walls have ears" was a familiar slogan, | 0:24:42 | 0:24:45 | |
'designed to prevent the enemy knowing the extent of the damage he had done. | 0:24:45 | 0:24:49 | |
'Yet remarkably, a lone cameraman walked through the rubble within hours of the raid | 0:24:49 | 0:24:53 | |
'to capture these scenes, never before shown. | 0:24:53 | 0:24:57 | |
'These walls had no ears.' | 0:24:57 | 0:24:59 | |
'Clifton...' CLASSICAL MUSIC | 0:25:10 | 0:25:13 | |
'High up on the Downs. | 0:25:14 | 0:25:16 | |
'Built in the 1790s. | 0:25:16 | 0:25:19 | |
'A place to live in, not just to stay in for a season. | 0:25:19 | 0:25:24 | |
'Where East India men returned from voyages. | 0:25:24 | 0:25:29 | |
'In some of the vaults below these Clifton terraces and crescents | 0:25:29 | 0:25:34 | |
'that hang above the Avon Gorge, | 0:25:34 | 0:25:36 | |
'the Bristol merchants stored their pipes of port.' | 0:25:36 | 0:25:41 | |
'In some way, Clifton has a very Mediterranean atmosphere about it. | 0:25:49 | 0:25:53 | |
'I suppose it's the balconies and the flowers | 0:25:53 | 0:25:57 | |
'and the coloured washes on all the walls. | 0:25:57 | 0:26:01 | |
'And Clifton's just a marvellous place for strolling around in, swinging a shopping basket.' | 0:26:01 | 0:26:07 | |
'I still can turn a corner here | 0:26:13 | 0:26:17 | |
'and get that small glow of pleasure and surprise, | 0:26:17 | 0:26:20 | |
'which one doesn't really expect | 0:26:20 | 0:26:22 | |
'in an environment which has become so familiar. | 0:26:22 | 0:26:27 | |
'I never fail to succumb to its charm, | 0:26:27 | 0:26:30 | |
'its Georgian buildings, the bridge, | 0:26:30 | 0:26:33 | |
'this camera obscura thing up here, for instance.' | 0:26:33 | 0:26:36 | |
'You are now inside one of the few remaining cameras obscura in the country. | 0:26:37 | 0:26:44 | |
'And if you look down into the dish, you will see, | 0:26:44 | 0:26:47 | |
'reflected by the giant lens at the top of this tower, | 0:26:47 | 0:26:51 | |
'a panorama of the city of Bristol. | 0:26:51 | 0:26:54 | |
'You are standing at the highest point of the city, | 0:26:54 | 0:26:59 | |
'more than 300 feet above the Avon, | 0:26:59 | 0:27:02 | |
'and overlooking Brunel's world-famous suspension bridge. | 0:27:02 | 0:27:07 | |
'Don't let that light touch fool you. This could be billed as the suspense story of the year. | 0:27:07 | 0:27:12 | |
'They're fixing lights to the Clifton Suspension Bridge, | 0:27:12 | 0:27:16 | |
'working more than 250 feet above the River Avon. | 0:27:16 | 0:27:19 | |
'Yet all the men engaged on this project are ordinary electricians. None is a professional steeplejack. | 0:27:19 | 0:27:24 | |
'Usually, these men hand each other bulbs from the height of a household ladder. | 0:27:24 | 0:27:29 | |
'They're specialists at inside installation, but they've worked on the chains of this bridge before. | 0:27:29 | 0:27:35 | |
'They illuminated it for the Festival of Britain. | 0:27:35 | 0:27:38 | |
'702-feet-long, the bridge needs six miles of cable for wiring. | 0:27:38 | 0:27:43 | |
'He looks pretty high, and some of us would have to be lit up ourselves | 0:27:43 | 0:27:47 | |
'before we tackled a job like that!' | 0:27:47 | 0:27:49 | |
MUSIC: "Safe From Harm" by Massive Attack | 0:27:56 | 0:27:59 | |
Subtitles by Red Bee Media Ltd | 0:28:52 | 0:28:56 | |
E-mail [email protected] | 0:28:56 | 0:29:00 |