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It's the most famous shopping street in the world | 0:00:02 | 0:00:04 | |
in the heart of Britain's capital city. | 0:00:04 | 0:00:06 | |
A mile and a half long, with 30-million visitors each year, | 0:00:06 | 0:00:11 | |
with some of the world's most famous shops, | 0:00:11 | 0:00:15 | |
biggest stars and busiest stations. | 0:00:15 | 0:00:19 | |
Sorry, guys, stand back for me! | 0:00:19 | 0:00:21 | |
What does it take to keep it running 24 hours a day... | 0:00:21 | 0:00:25 | |
It's the busiest street in the world. It needs constant attention. | 0:00:25 | 0:00:28 | |
-..seven days a week? -Oi! Clear off! | 0:00:28 | 0:00:30 | |
Welcome to Oxford Street. | 0:00:30 | 0:00:31 | |
Welcome to the pick-pocketing. | 0:00:31 | 0:00:34 | |
Are you ready, London?! | 0:00:34 | 0:00:35 | |
A street that never sleeps. | 0:00:35 | 0:00:38 | |
This sort of thing wouldn't happen anywhere else. | 0:00:38 | 0:00:40 | |
Oxford Street. | 0:00:42 | 0:00:43 | |
-Today on Oxford Street... -Oi! Clear off! | 0:00:46 | 0:00:49 | |
..rogue rickshaw drivers. The police crack down. | 0:00:49 | 0:00:52 | |
You're not getting any more money out of them, my friend. | 0:00:52 | 0:00:55 | |
Not at that price, you're not. Keep going. | 0:00:55 | 0:00:57 | |
There's a grand opening | 0:00:57 | 0:00:58 | |
for the latest shopping brand trying to make its mark. | 0:00:58 | 0:01:00 | |
CHEERING | 0:01:00 | 0:01:02 | |
It's the ultimate step onto Oxford Street. | 0:01:02 | 0:01:05 | |
Police paramedics take drastic action | 0:01:05 | 0:01:07 | |
to help a badly-injured shopper. | 0:01:07 | 0:01:09 | |
Stop! Stop! | 0:01:09 | 0:01:11 | |
And keeping Oxford Street's sewers flowing. | 0:01:11 | 0:01:14 | |
-Right, are you ready? -Yeah. | 0:01:14 | 0:01:16 | |
Yeah, that's it. | 0:01:16 | 0:01:17 | |
London is the most visited city in the world, | 0:01:22 | 0:01:24 | |
with nearly 20 million people taking in its sights and sounds every year. | 0:01:24 | 0:01:29 | |
And the vast majority of them | 0:01:31 | 0:01:32 | |
take the time to visit the city's premier shopping destination. | 0:01:32 | 0:01:36 | |
But this burgeoning scene has created | 0:01:37 | 0:01:39 | |
an opening for opportunists, | 0:01:39 | 0:01:41 | |
and the police's latest concern is rogue rickshaw drivers. | 0:01:41 | 0:01:45 | |
Keep your music down. | 0:01:45 | 0:01:48 | |
The big stores complain that some of these unlicensed vehicles | 0:01:48 | 0:01:51 | |
block off the street and play music at antisocial levels. | 0:01:51 | 0:01:55 | |
Tonight the police are taking action. | 0:01:55 | 0:01:58 | |
Oxford Street police officer Andy Pescott | 0:02:00 | 0:02:02 | |
is out with Westminster Council noise officers | 0:02:02 | 0:02:05 | |
looking for any rickshaws breaking the rules. | 0:02:05 | 0:02:08 | |
And Andy's found a case straightaway. | 0:02:08 | 0:02:10 | |
Pull over. | 0:02:13 | 0:02:14 | |
Pull over, my friend. | 0:02:15 | 0:02:17 | |
OK. Just step off and speak to the council here. | 0:02:17 | 0:02:22 | |
The man will be issued with a court summons | 0:02:34 | 0:02:36 | |
under the noise abatement powers. | 0:02:36 | 0:02:38 | |
Being Oxford Street, this type of behaviour is not to be tolerated. | 0:02:38 | 0:02:42 | |
In other areas, it wouldn't be dealt with so robustly | 0:02:42 | 0:02:46 | |
but, obviously, Oxford Street is a prime tourist location for shopping. | 0:02:46 | 0:02:50 | |
So we've got to deal with it robustly. | 0:02:50 | 0:02:52 | |
Many of the area's most famous stores have complained | 0:02:52 | 0:02:55 | |
that riders block lanes outside their premises. | 0:02:55 | 0:02:58 | |
And, just off Oxford Street, Andy's got two offenders. | 0:02:58 | 0:03:01 | |
They're actually parked up in the bus lane, double yellow lines. | 0:03:01 | 0:03:05 | |
The buses are having to come round them | 0:03:05 | 0:03:07 | |
and then come in sharp to the bus stop beyond. | 0:03:07 | 0:03:10 | |
Andy thinks he's seen these two rickshaws parked up in a bus lane | 0:03:12 | 0:03:16 | |
before approaching potential customers on the side of the road. | 0:03:16 | 0:03:20 | |
It's a strict no-no. | 0:03:20 | 0:03:21 | |
Buddy? Over here. | 0:03:21 | 0:03:23 | |
Here. Identification? | 0:03:25 | 0:03:27 | |
But I use this stop with my customers. | 0:03:27 | 0:03:29 | |
I watched you, OK? | 0:03:29 | 0:03:31 | |
The driver is arguing that he wasn't parked up, | 0:03:31 | 0:03:34 | |
but was hailed by the people on the side of the road. | 0:03:34 | 0:03:37 | |
But Andy saw him parked up and is having none of his tall tales. | 0:03:37 | 0:03:41 | |
You! | 0:03:43 | 0:03:44 | |
And a few yards away, another rider has done exactly the same thing. | 0:03:44 | 0:03:49 | |
Buddy? | 0:03:49 | 0:03:50 | |
Park it up here, behind this one. | 0:03:50 | 0:03:53 | |
Off the rickshaw, join me. | 0:03:55 | 0:03:57 | |
With his rickshaw parked, this chap, too, has a tale to tell. | 0:03:57 | 0:04:02 | |
I am on a booking. | 0:04:02 | 0:04:04 | |
They are my customers and I was waiting just for them. | 0:04:04 | 0:04:06 | |
-You were on a booking? -Yeah. | 0:04:08 | 0:04:09 | |
-What do you mean, you were on a booking? -Sorry? | 0:04:09 | 0:04:13 | |
The rickshaw driver's claiming that a Spanish family saw him | 0:04:13 | 0:04:16 | |
earlier and booked him to come | 0:04:16 | 0:04:17 | |
and pick them up here at an appointed time. | 0:04:17 | 0:04:20 | |
Do any of them speak English? | 0:04:28 | 0:04:30 | |
But Andy thinks he's making excuses to cover up for the fact | 0:04:30 | 0:04:34 | |
he was parked where he's not allowed to be. | 0:04:34 | 0:04:36 | |
Can you tell me if you booked these rickshaws earlier. | 0:04:36 | 0:04:41 | |
What, now? Be quiet. | 0:04:46 | 0:04:48 | |
Just now? You walk over to him now and say, "Rickshaw?" Yes? | 0:04:48 | 0:04:54 | |
Yes. | 0:04:54 | 0:04:56 | |
Not over there, not over there, but here, yes? | 0:04:56 | 0:05:00 | |
Like, two minutes ago. | 0:05:01 | 0:05:03 | |
It's proving tricky for Andy, | 0:05:06 | 0:05:08 | |
but he has an ace up his sleeve in the shape of a Spanish-speaking PC. | 0:05:08 | 0:05:13 | |
HE SPEAKS SPANISH | 0:05:13 | 0:05:15 | |
-No. -Right, you're lying. Over here. -Sorry? -Gracias. | 0:05:26 | 0:05:29 | |
It's as Andy thought - the men were parked up, | 0:05:32 | 0:05:34 | |
despite all the yellow lines and bus lanes. | 0:05:34 | 0:05:37 | |
I will send the paperwork off. | 0:05:37 | 0:05:39 | |
They'll be taken to court and may receive fines. | 0:05:39 | 0:05:42 | |
But these rogues are just the tip of the iceberg. | 0:05:44 | 0:05:47 | |
Later, could this be the most expensive taxi ride ever? | 0:05:47 | 0:05:51 | |
£5.00 per minute, per person? | 0:05:51 | 0:05:54 | |
-Yeah. -Wow. | 0:05:54 | 0:05:56 | |
As well as being a must-visit location for foreign visitors, | 0:06:06 | 0:06:09 | |
Oxford Street is a major destination | 0:06:09 | 0:06:12 | |
for foreign brands hoping to break into the lucrative UK market. | 0:06:12 | 0:06:16 | |
And today is no exception. | 0:06:16 | 0:06:18 | |
Behind these hoardings, builders are hard at work putting | 0:06:22 | 0:06:25 | |
the finishing touches to the street's newest edition. | 0:06:25 | 0:06:28 | |
In a week's time, Danish knick-knack chain Tiger | 0:06:28 | 0:06:32 | |
will be opening its flagship UK store here. | 0:06:32 | 0:06:35 | |
Many new stores open on the street but, with rents at a premium at such | 0:06:38 | 0:06:42 | |
a key location, if they don't make a big return they won't last long. | 0:06:42 | 0:06:46 | |
Making a profit is everything. | 0:06:46 | 0:06:49 | |
Tasked with getting the shop ready for that challenge | 0:06:51 | 0:06:53 | |
is opening manager Ian Longmore. | 0:06:53 | 0:06:56 | |
Every store has been a step towards this. | 0:06:56 | 0:06:59 | |
Last year, we opened one at Tottenham Court Road, | 0:06:59 | 0:07:01 | |
which was a big step for us, | 0:07:01 | 0:07:02 | |
and now it's the ultimate step onto Oxford Street, so we've arrived. | 0:07:02 | 0:07:06 | |
OK, guys, you ready? | 0:07:07 | 0:07:08 | |
Over the last month, he's been making sure both the shop | 0:07:08 | 0:07:12 | |
and staff are ready for the big day. | 0:07:12 | 0:07:14 | |
All the pallets you see here, we've got 15 pallets, | 0:07:14 | 0:07:17 | |
it must be finished by two o'clock. | 0:07:17 | 0:07:19 | |
Many of the newly-recruited staff | 0:07:19 | 0:07:21 | |
are members of the long-term unemployed | 0:07:21 | 0:07:23 | |
who Tiger has especially recruited | 0:07:23 | 0:07:25 | |
from local Jobcentres via a training programme. | 0:07:25 | 0:07:27 | |
Leandro Dantas is typical. | 0:07:29 | 0:07:31 | |
Before Tiger, he'd been out of work for some time. | 0:07:31 | 0:07:34 | |
For the past year I've been unemployed and, um... | 0:07:34 | 0:07:37 | |
it has kind of knocked my self-esteem. | 0:07:37 | 0:07:40 | |
You know, I don't want to be in the Jobcentre no more. | 0:07:40 | 0:07:44 | |
Nikki has had other reasons for being out of the job market. | 0:07:46 | 0:07:50 | |
I used to be a singer. I was on Elton John's record label for a while. | 0:07:52 | 0:07:57 | |
And then I became a mum and I've been sort of behind the kitchen sink | 0:07:57 | 0:08:01 | |
for the last few years, and that's not me at all. | 0:08:01 | 0:08:03 | |
For Leandro, Nikki and the others, | 0:08:05 | 0:08:06 | |
Friday's unveiling represents more than just a shop opening. | 0:08:06 | 0:08:10 | |
It's a whole new start for them. | 0:08:10 | 0:08:12 | |
We've got camping and then travel, but it's what links them more. | 0:08:13 | 0:08:16 | |
For Tiger itself, it's a multimillion-pound investment | 0:08:16 | 0:08:19 | |
which has to pay off. | 0:08:19 | 0:08:20 | |
The opening day is crucial to get them off to the right start. | 0:08:20 | 0:08:25 | |
It's the big day and final preparations are under way | 0:08:29 | 0:08:33 | |
before the doors open to the public at 11. | 0:08:33 | 0:08:36 | |
Everything's looking beautiful. | 0:08:36 | 0:08:38 | |
All the staff are here and happy. | 0:08:38 | 0:08:40 | |
In a week's time or two weeks' time, they'll be flying around | 0:08:40 | 0:08:43 | |
putting it all out. They won't need us any more. | 0:08:43 | 0:08:46 | |
If I'd been allowed a glass of wine | 0:08:46 | 0:08:48 | |
I probably would've had one to settle the nerves | 0:08:48 | 0:08:51 | |
but, no, I'll be fine. | 0:08:51 | 0:08:52 | |
To open, the store, senior company executives, | 0:08:52 | 0:08:55 | |
including Tiger founder Lennart Lajboschitz, | 0:08:55 | 0:08:58 | |
have travelled over from Denmark. | 0:08:58 | 0:09:00 | |
Opening a store on Oxford Street is a milestone for us | 0:09:02 | 0:09:05 | |
because it is the most important street in Europe. | 0:09:05 | 0:09:10 | |
I think there are so many people coming to London, | 0:09:10 | 0:09:12 | |
for them to see our store is so important. | 0:09:12 | 0:09:15 | |
It makes a brand come true. | 0:09:15 | 0:09:17 | |
And, at 11 on the dot, it's the moment they've all been waiting for. | 0:09:18 | 0:09:22 | |
-Right, ready? -Ten, nine, | 0:09:22 | 0:09:24 | |
eight, seven, six, five, | 0:09:24 | 0:09:28 | |
four, three, | 0:09:28 | 0:09:30 | |
two, one, open! | 0:09:30 | 0:09:32 | |
CHEERING | 0:09:32 | 0:09:34 | |
For Ian, it's the culmination of months of hard work. | 0:09:36 | 0:09:39 | |
This is where we hand over to Bilel now, the store director. | 0:09:39 | 0:09:42 | |
-He's running it from now on. -Oh, it's too heavy(!) | 0:09:42 | 0:09:44 | |
Within moments of opening | 0:09:44 | 0:09:47 | |
the store's filling up with eager shoppers. | 0:09:47 | 0:09:50 | |
The store's full of knick-knacks and stuff you don't really need, | 0:09:50 | 0:09:53 | |
but they're so bright and eye-catching, | 0:09:53 | 0:09:55 | |
you have to buy them cos they're cheap. | 0:09:55 | 0:09:58 | |
You come in, you're not expecting anything | 0:09:58 | 0:10:00 | |
and then all of a sudden you're getting everything. | 0:10:00 | 0:10:02 | |
For Nikki and Leandro, there's no time to acclimatise. | 0:10:02 | 0:10:06 | |
They're both straight into action. | 0:10:06 | 0:10:08 | |
Perfect! £12, please, darling. | 0:10:08 | 0:10:11 | |
-Brilliant. -Thank you. Thanks. | 0:10:11 | 0:10:13 | |
It's a solid start for the store, | 0:10:13 | 0:10:15 | |
but if they're to hit their targets they'll need to keep the sales up. | 0:10:15 | 0:10:19 | |
Later, we'll see Tiger pull out all the stops | 0:10:19 | 0:10:22 | |
to try to get the customers in. | 0:10:22 | 0:10:24 | |
Guys, the bus is going! | 0:10:24 | 0:10:25 | |
To keep London working | 0:10:35 | 0:10:36 | |
the capital's Underground network is vital. | 0:10:36 | 0:10:39 | |
1.3 billion journeys are made on it every year | 0:10:41 | 0:10:44 | |
and over four million every day. | 0:10:44 | 0:10:46 | |
Anything which causes a disruption to it | 0:10:47 | 0:10:50 | |
can have a massive knock-on effect far beyond its tunnels and trains. | 0:10:50 | 0:10:54 | |
Which is why British Transport Police | 0:10:58 | 0:11:00 | |
and London Underground have set up the Network Incident Response team. | 0:11:00 | 0:11:04 | |
Their job is to deal with any incident in Central London | 0:11:04 | 0:11:07 | |
which might disrupt the network. | 0:11:07 | 0:11:09 | |
And they've just taken a call about an accident involving | 0:11:09 | 0:11:12 | |
an Oxford Street shopper which threatens to do exactly that. | 0:11:12 | 0:11:16 | |
For the benefit of the medics, what's her current condition? | 0:11:16 | 0:11:19 | |
Right, OK. | 0:11:19 | 0:11:21 | |
Bye. | 0:11:21 | 0:11:22 | |
A lady that fell on the escalator, she's had an operation on her back, | 0:11:22 | 0:11:26 | |
a previous operation, and is still stuck on the escalator. | 0:11:26 | 0:11:29 | |
SIRENS WAIL | 0:11:29 | 0:11:31 | |
Although an ambulance was called, | 0:11:33 | 0:11:35 | |
none has yet been able to make it to the scene | 0:11:35 | 0:11:38 | |
and the escalator is still out of action, | 0:11:38 | 0:11:40 | |
causing disruption to passengers. | 0:11:40 | 0:11:42 | |
RADIO: "She may possibly have a broken collarbone. | 0:11:43 | 0:11:46 | |
"She's in extreme pain and she'll deteriorate | 0:11:46 | 0:11:49 | |
"if we don't move her fairly sharpish." | 0:11:49 | 0:11:51 | |
With the lady shopper having existing medical conditions, | 0:11:52 | 0:11:55 | |
the team are immediately concerned. | 0:11:55 | 0:11:58 | |
Yes, please. | 0:12:00 | 0:12:02 | |
The team are set up to deal with medical emergencies... | 0:12:02 | 0:12:05 | |
Move to the side, move to the side, move to the side! | 0:12:05 | 0:12:07 | |
..and both police officers, Sharon Turner and Andy Baker, | 0:12:07 | 0:12:10 | |
are trained medics. | 0:12:10 | 0:12:12 | |
They head down to the escalator where the woman fell. | 0:12:12 | 0:12:15 | |
Hiya. | 0:12:16 | 0:12:18 | |
-Broken collarbone. -She's been like this for an hour? -Yeah. | 0:12:18 | 0:12:21 | |
She needs a body board to come off here. | 0:12:21 | 0:12:23 | |
Yeah, she needs a spinal board. Fracture of the collarbone. | 0:12:23 | 0:12:26 | |
-Are we worried about the spine? -Yeah. | 0:12:26 | 0:12:28 | |
Andy, just to let you know I'm currently on scene now. | 0:12:28 | 0:12:32 | |
Medics are just having a little review of what the situation is. | 0:12:32 | 0:12:35 | |
I'll update you in a minute. | 0:12:35 | 0:12:37 | |
Hello, my love. I'm a police medic. | 0:12:37 | 0:12:39 | |
We're going to get you some help as quickly as possible, OK? | 0:12:39 | 0:12:42 | |
The woman, Carmen Dolan, is being attended by staff. | 0:12:42 | 0:12:46 | |
But it's clear she's in a huge amount of pain. | 0:12:46 | 0:12:48 | |
The situation is worsened by the fact she's lying at 45 degrees | 0:12:48 | 0:12:52 | |
on an uncomfortable escalator and she's gradually slipping down it. | 0:12:52 | 0:12:56 | |
No, you're not going to fall down. | 0:12:58 | 0:13:01 | |
Sharon would like to move her but, with the injuries | 0:13:01 | 0:13:04 | |
she has sustained, it's not going to be easy. | 0:13:04 | 0:13:08 | |
What's the pain, out of ten? Ten being the worst. | 0:13:09 | 0:13:12 | |
-Nine. -It's a nine. OK. | 0:13:12 | 0:13:14 | |
Carmen, do you take any medication for anything? | 0:13:14 | 0:13:17 | |
What do you take medication for, my love? | 0:13:17 | 0:13:19 | |
OK, you suffer from back pain? | 0:13:22 | 0:13:24 | |
Sharon puts a neck brace on Carmen. | 0:13:27 | 0:13:30 | |
-I'm just going to... -Argh! | 0:13:30 | 0:13:32 | |
I'm just going to try and... Try and relax, my love, OK? | 0:13:32 | 0:13:35 | |
INDISTINCT RADIO CHATTER | 0:13:37 | 0:13:39 | |
OK, good. All right. OK, my love. | 0:13:40 | 0:13:43 | |
They've got a collar on the lady in question. | 0:13:43 | 0:13:46 | |
They're not comfortable about moving her with the equipment we've got. | 0:13:46 | 0:13:50 | |
They're going to need one of those stiff body boards. | 0:13:50 | 0:13:53 | |
Do you remember falling? | 0:13:53 | 0:13:55 | |
I did. I felt dizzy and... | 0:13:55 | 0:13:57 | |
-You felt dizzy and then fell? -Yeah. | 0:13:57 | 0:13:59 | |
My friend said it's about 12 steps. | 0:13:59 | 0:14:02 | |
-OK, you fell down 12 steps. -Yeah. | 0:14:02 | 0:14:05 | |
Can you remember all of it? Did you trip? | 0:14:05 | 0:14:08 | |
-I couldn't remember anything... -You can't remember anything? | 0:14:08 | 0:14:11 | |
-I just fell down. -OK. -And I was down. | 0:14:11 | 0:14:13 | |
Other than the pain in your neck and your shoulder, | 0:14:13 | 0:14:16 | |
have you got any pain anywhere else? | 0:14:16 | 0:14:19 | |
Higher up in my spine. | 0:14:19 | 0:14:20 | |
-High up in your spine. -Yeah. -OK. | 0:14:20 | 0:14:22 | |
Try not to move, my love, OK? | 0:14:22 | 0:14:24 | |
The pain in the spine is a big worry for the team, | 0:14:24 | 0:14:27 | |
as is the woman's age. | 0:14:27 | 0:14:29 | |
-How old are you, my love? -73. | 0:14:29 | 0:14:32 | |
73? Well, you look good on 73. | 0:14:32 | 0:14:34 | |
-Thank you very much. -You look lovely. | 0:14:34 | 0:14:36 | |
We're going to get you sorted out, out of here as quickly as possible. | 0:14:36 | 0:14:40 | |
Carmen's son arrives, but there's still no sign of the ambulance, | 0:14:40 | 0:14:44 | |
so Richie calls the ambulance service | 0:14:44 | 0:14:46 | |
and upgrades the priority level. | 0:14:46 | 0:14:49 | |
So hopefully they'll be here a bit sharper | 0:14:49 | 0:14:51 | |
because we also need some kind of pain relief, as well. | 0:14:51 | 0:14:54 | |
I think what we're going to do when the ambulance get here, | 0:14:54 | 0:14:57 | |
they'll probably put a drip in your hand | 0:14:57 | 0:14:59 | |
so we can get you some morphine painkiller | 0:14:59 | 0:15:02 | |
so that when we move you it's going to be easier, all right? | 0:15:02 | 0:15:05 | |
Good God! | 0:15:05 | 0:15:06 | |
Um...she's right on the edge. | 0:15:06 | 0:15:09 | |
Carmen is slipping further down the escalator. | 0:15:09 | 0:15:13 | |
What are you thinking? | 0:15:13 | 0:15:14 | |
The team is desperate to move her so they can get her horizontal, | 0:15:14 | 0:15:17 | |
but it becomes clear getting her onto the stretcher | 0:15:17 | 0:15:20 | |
is going to be near-impossible in the position she's in | 0:15:20 | 0:15:23 | |
without putting her at risk of further injury. | 0:15:23 | 0:15:26 | |
Stay. No, no, no, no. You're not going to fall. | 0:15:26 | 0:15:28 | |
Then Sharon has an idea. | 0:15:28 | 0:15:30 | |
Moving the escalator up until we've got a flat bit? | 0:15:32 | 0:15:35 | |
-Could you do that? -We could move the escalator to the top. -I don't... | 0:15:37 | 0:15:41 | |
-We can get it until it's flat. -Yeah? | 0:15:41 | 0:15:43 | |
-I mean, you'd have to hold on to her... -Yeah. | 0:15:43 | 0:15:46 | |
-Do you want us to do that? -We could do that. | 0:15:46 | 0:15:48 | |
It's going to start with a slight jerk, as well. | 0:15:48 | 0:15:50 | |
At least she'll be flatter. She's not going to slip. | 0:15:50 | 0:15:54 | |
I think we need to. I think she's going to slip. | 0:15:54 | 0:15:56 | |
You'll have to stop it, as well. All right? | 0:15:56 | 0:16:00 | |
Sharon, Andy and Richie, along with the station's staff, | 0:16:00 | 0:16:02 | |
get ready to move the escalator. | 0:16:02 | 0:16:05 | |
They've never used one to move an injured person before. | 0:16:05 | 0:16:08 | |
It's a big moment. | 0:16:08 | 0:16:10 | |
With Carmen's injuries, getting it right will be absolutely essential. | 0:16:10 | 0:16:15 | |
Later, the team turn the escalator back on. | 0:16:15 | 0:16:18 | |
Are you ready? Hold on tight because it will jolt. | 0:16:18 | 0:16:21 | |
Earlier, we saw PC Andy Pescott | 0:16:29 | 0:16:31 | |
taking on the rogue rickshaw drivers of Oxford Street. | 0:16:31 | 0:16:35 | |
They're an unlicensed trade | 0:16:35 | 0:16:36 | |
and many are breaking noise and highway rules. | 0:16:36 | 0:16:39 | |
Buddy? Park it up here. | 0:16:39 | 0:16:42 | |
But Andy's night of action is about to take an unexpected turn. | 0:16:42 | 0:16:46 | |
Andy has stopped a rickshaw with four customers on board | 0:16:52 | 0:16:56 | |
and the driver is just explaining to his unsuspecting passengers | 0:16:56 | 0:16:59 | |
how much their 20-minute ride has cost them. | 0:16:59 | 0:17:02 | |
No, no, no, no, no. £100 each? | 0:17:02 | 0:17:06 | |
-No. -Five pounds a minute. | 0:17:06 | 0:17:07 | |
£5.00 per minute, per person? | 0:17:07 | 0:17:12 | |
-Yeah. -You have four people in here. | 0:17:12 | 0:17:14 | |
How long does it take you to go the distance of Oxford Street? | 0:17:14 | 0:17:17 | |
Wow! | 0:17:21 | 0:17:23 | |
£5.00 per minute, per person. | 0:17:23 | 0:17:26 | |
You won't get much change for shopping on Oxford Street | 0:17:26 | 0:17:30 | |
if you pay for a trip on this rickshaw. | 0:17:30 | 0:17:32 | |
Give him the £20, go on your way. | 0:17:32 | 0:17:35 | |
Right, I'm telling you, my friend, | 0:17:35 | 0:17:36 | |
the price you are setting is disgusting. | 0:17:36 | 0:17:39 | |
Make do with what you've got. | 0:17:39 | 0:17:41 | |
Make do with what you've got and get on your way. | 0:17:41 | 0:17:44 | |
You're not getting any more money out of them, my friend. | 0:17:45 | 0:17:48 | |
Not at that price, you're not. Keep going! | 0:17:48 | 0:17:50 | |
No, I'm not happy. | 0:17:52 | 0:17:53 | |
£5.00 per minute, per person? It's extortion! | 0:17:53 | 0:17:57 | |
And the driver's not finished. | 0:17:57 | 0:17:59 | |
He's trying to catch up with the ladies now | 0:17:59 | 0:18:01 | |
to extract more money out of them. | 0:18:01 | 0:18:03 | |
Oi! Clear off! | 0:18:03 | 0:18:05 | |
He's gone...for now. | 0:18:07 | 0:18:09 | |
But a short time later, Andy finds the same driver | 0:18:13 | 0:18:16 | |
illegally parked at one of Oxford Street's landmark stores. | 0:18:16 | 0:18:21 | |
Step off onto the footpath, please. Step off onto the footpath. | 0:18:21 | 0:18:24 | |
Yet again, you have parked outside Selfridges | 0:18:26 | 0:18:29 | |
and you both know that you cannot park outside Selfridges. | 0:18:29 | 0:18:32 | |
You do not have to say anything, | 0:18:32 | 0:18:33 | |
but it may harm your defence if you do not mention when questioned | 0:18:33 | 0:18:36 | |
something you later rely on in court. | 0:18:36 | 0:18:38 | |
Anything you do say may be given in evidence. | 0:18:38 | 0:18:39 | |
Do you understand the caution? | 0:18:39 | 0:18:41 | |
As they've both been warned before, | 0:18:41 | 0:18:43 | |
they are now summonsed to court for causing the obstruction. | 0:18:43 | 0:18:46 | |
Abuses by the rickshaws on Oxford Street have kept Andy busy tonight, | 0:18:48 | 0:18:52 | |
but he's keen to stay one step ahead. | 0:18:52 | 0:18:55 | |
Of course it's a game. | 0:18:55 | 0:18:57 | |
We'll summons them to court, they'll get a small fine, | 0:18:57 | 0:18:59 | |
but they make more in 20 minutes than the fine itself. | 0:18:59 | 0:19:02 | |
But if we don't enforce it, what's the point of us being here? | 0:19:02 | 0:19:06 | |
Whether they consider it to be a game or not, it's my job. | 0:19:07 | 0:19:10 | |
We've got businesses who don't want it, so we've got to act positively. | 0:19:10 | 0:19:15 | |
Why are you playing that music so loud? | 0:19:15 | 0:19:17 | |
It's not even like you've got customers. | 0:19:17 | 0:19:18 | |
By the end of the operation, | 0:19:18 | 0:19:20 | |
-Andy and the team have issued ten summonses for noise... -Turn it down! | 0:19:20 | 0:19:23 | |
..and six for obstructing the highway. | 0:19:23 | 0:19:25 | |
Andy knows the rogue rickshaw drivers will be back | 0:19:25 | 0:19:28 | |
but, for tonight at least, | 0:19:28 | 0:19:30 | |
he's made sure they know who's in charge on Oxford Street. | 0:19:30 | 0:19:34 | |
Mate! Move on! | 0:19:34 | 0:19:36 | |
Danish knick-knack store Tiger | 0:19:46 | 0:19:48 | |
has opened its flagship Oxford Street shop this morning. | 0:19:48 | 0:19:51 | |
We're open, it's Oxford Street! | 0:19:51 | 0:19:53 | |
Loads of people queuing to get in. | 0:19:53 | 0:19:56 | |
So far, things have gone well. | 0:19:56 | 0:19:57 | |
If I was going to open a store, this is exactly how I would've done it. | 0:19:57 | 0:20:01 | |
Everyone's happy and everyone is allowed to dance around the store. | 0:20:01 | 0:20:05 | |
But if they're going to reach their targets | 0:20:05 | 0:20:08 | |
they'll need a steady stream of customers. | 0:20:08 | 0:20:10 | |
And outside the search is on. | 0:20:10 | 0:20:13 | |
There's our bus! | 0:20:13 | 0:20:14 | |
The company has hired its own London bus | 0:20:16 | 0:20:18 | |
to drive custom towards the new store. | 0:20:18 | 0:20:21 | |
Hiya, come to Tiger. It's just down there on your right. | 0:20:21 | 0:20:24 | |
Matthew Elwood is street side, | 0:20:24 | 0:20:26 | |
trying to get as many potential customers as possible on board. | 0:20:26 | 0:20:30 | |
Come to Tiger, just on your right, just down there. | 0:20:30 | 0:20:32 | |
He's set himself a target of 100. | 0:20:32 | 0:20:35 | |
My first line might have to be, "I've got a free bus." | 0:20:35 | 0:20:38 | |
Now, people may be inclined to take a free bus. | 0:20:38 | 0:20:42 | |
We have a free bus. There's our bus stop down there. | 0:20:42 | 0:20:44 | |
I'll give you one of these to take. | 0:20:44 | 0:20:45 | |
But after an hour of leafleting, | 0:20:45 | 0:20:47 | |
Matthew's struggling to get any customers on board. | 0:20:47 | 0:20:50 | |
Guys, the bus is going. The bus has gone. | 0:20:50 | 0:20:53 | |
OK, we missed the bus. | 0:20:54 | 0:20:56 | |
100 target I think is a little bit way off at the moment. | 0:20:56 | 0:20:59 | |
Back at the store, it might not have been open long, | 0:21:01 | 0:21:04 | |
but Ian's desperate to get a look at the takings. | 0:21:04 | 0:21:07 | |
The store's tills compare the amount of money taken | 0:21:07 | 0:21:10 | |
against the number of transactions made. | 0:21:10 | 0:21:12 | |
So we've been open for roughly three hours, so it's time to go and check | 0:21:12 | 0:21:16 | |
the figures and see where we're up to, especially the average spend. | 0:21:16 | 0:21:19 | |
I'm hoping it's above £7.00. | 0:21:19 | 0:21:21 | |
If it's anything over that, we're really, really doing well. | 0:21:21 | 0:21:23 | |
OK, so we've got £2,528, | 0:21:26 | 0:21:29 | |
which is, um...it's well on the way there. | 0:21:29 | 0:21:33 | |
And then the average spend, which I'm really interested in, £8.14. | 0:21:33 | 0:21:37 | |
Great. That's amazing. | 0:21:37 | 0:21:39 | |
If we carry on like that, we'll do exactly what we need to do today. | 0:21:39 | 0:21:43 | |
So happy days. | 0:21:43 | 0:21:44 | |
Those on early shifts are heading home. | 0:21:44 | 0:21:47 | |
Nikki's family have come to congratulate her on her first day. | 0:21:47 | 0:21:51 | |
First day's all over. All went brilliantly, so a glass of wine now. | 0:21:52 | 0:21:56 | |
Store director Bilel is pleased with how the day has gone so far, | 0:21:56 | 0:22:01 | |
with no major hitches and sales targets having been met. | 0:22:01 | 0:22:04 | |
Half an hour left, we're about to close and it's unbelievable. | 0:22:04 | 0:22:09 | |
It's still busy. | 0:22:09 | 0:22:10 | |
Downstairs in the stockroom, Leandro's still hard at it. | 0:22:14 | 0:22:18 | |
For him, it's clear it's been more than just a day at work. | 0:22:18 | 0:22:21 | |
It's a change from the usual, innit? | 0:22:21 | 0:22:23 | |
It's a change from just being at home and relaxing. | 0:22:23 | 0:22:26 | |
Living off Mum and Dad. | 0:22:26 | 0:22:28 | |
I just wanted some money, some extra money to blow. | 0:22:28 | 0:22:31 | |
So I thought, you know what? Go for it. | 0:22:31 | 0:22:33 | |
And then it actually turned out to be more than I expected. | 0:22:33 | 0:22:37 | |
It came out to be a job prospect at the end. | 0:22:37 | 0:22:41 | |
I don't know, I'm not looking back. | 0:22:41 | 0:22:43 | |
I'm just giving it 100%. | 0:22:43 | 0:22:44 | |
The doors are about to shut and customers are being turned away. | 0:22:46 | 0:22:50 | |
Sorry, we're closed. We're open tomorrow. Nine o'clock. | 0:22:50 | 0:22:53 | |
Thank you. | 0:22:55 | 0:22:56 | |
A visibly-emotional Bilel locks up, | 0:22:56 | 0:22:59 | |
delighted with the day | 0:22:59 | 0:23:00 | |
and that the all-important sales targets have been met. | 0:23:00 | 0:23:03 | |
A good day. An excellent day. | 0:23:06 | 0:23:08 | |
Never forget. I will never forget. | 0:23:08 | 0:23:11 | |
Neither will the staff as they finally head for home. | 0:23:11 | 0:23:14 | |
Tiger, Tiger! | 0:23:17 | 0:23:19 | |
Oxford Street shopper Carmen Dolan | 0:23:27 | 0:23:29 | |
has fallen down a Tube escalator on her way home. | 0:23:29 | 0:23:32 | |
She's got a suspected fractured pelvis and is in great pain. | 0:23:32 | 0:23:37 | |
She's also slipping down the escalator. | 0:23:37 | 0:23:39 | |
I promise you, we're not going to let you fall down the stairs. | 0:23:39 | 0:23:42 | |
All right? We'll not let go. | 0:23:42 | 0:23:44 | |
A busy ambulance service is on its way, | 0:23:44 | 0:23:46 | |
but until they get there, Sharon, Andy and Richie | 0:23:46 | 0:23:49 | |
from the Network Incident Response team | 0:23:49 | 0:23:51 | |
need to get Carmen horizontal, and fast. | 0:23:51 | 0:23:55 | |
The best way to do this is by moving her on the escalator. | 0:23:55 | 0:23:59 | |
But it's not something they've ever done before | 0:23:59 | 0:24:01 | |
and it could be a bumpy ride. | 0:24:01 | 0:24:03 | |
-Are we all right with this? -Yeah, I think so. -OK. | 0:24:03 | 0:24:06 | |
On your say-so, I will up and on your say-so, I will stop. | 0:24:06 | 0:24:10 | |
-OK. -All right? -Yeah. -OK? -Yeah. -You ready? | 0:24:10 | 0:24:13 | |
Hold on tight because it will jolt. | 0:24:13 | 0:24:15 | |
-All right. On three, one, two, three. -Up, now! | 0:24:15 | 0:24:20 | |
OK. You're doing really well. | 0:24:21 | 0:24:24 | |
Give me this finger, this finger. | 0:24:24 | 0:24:26 | |
-When you say. -OK. All right. | 0:24:26 | 0:24:27 | |
-When you say. -All right. -When you say. | 0:24:27 | 0:24:30 | |
-Stop! -Stop! -Stop! | 0:24:30 | 0:24:32 | |
-Excellent! Perfect! -Thank you! | 0:24:34 | 0:24:37 | |
I'm going to take control of the head. | 0:24:37 | 0:24:38 | |
-Sharon's going to take the shoulders. -OK. | 0:24:38 | 0:24:40 | |
Carmen may now be flat, but it's not the end of the job | 0:24:40 | 0:24:43 | |
for Sharon and Andy. | 0:24:43 | 0:24:45 | |
It's going to hurt, OK? It's going to hurt, OK? | 0:24:45 | 0:24:48 | |
Say something rude in a different language. Go on. | 0:24:48 | 0:24:52 | |
You can, you can do it. I don't mind. Go on, go on. | 0:24:52 | 0:24:55 | |
It's all right, it's all right. OK. Good girl! It's OK. Good girl. | 0:24:55 | 0:24:59 | |
Move your leg, move your leg. | 0:24:59 | 0:25:00 | |
That's it. That's it. | 0:25:00 | 0:25:02 | |
OK, Carmen, what we're going to do now | 0:25:02 | 0:25:04 | |
is we're going to do what's called a logroll. | 0:25:04 | 0:25:07 | |
-OK? -John, do you want to come and help us? | 0:25:07 | 0:25:10 | |
What we're going to do...is we're going to roll her over | 0:25:10 | 0:25:13 | |
on my count and then we're going to... | 0:25:13 | 0:25:15 | |
Towards...? Right, OK. | 0:25:15 | 0:25:17 | |
-Ready? Roll. -Slide it under. | 0:25:17 | 0:25:19 | |
-Far as you can. -That's it. | 0:25:19 | 0:25:22 | |
-And back again. -Good. | 0:25:22 | 0:25:23 | |
-Lovely. -That's it. Good girl! | 0:25:23 | 0:25:26 | |
-Well done! -Well done. -You have done so well. -Try not to move. | 0:25:26 | 0:25:29 | |
You've done so well, Carmen. | 0:25:29 | 0:25:31 | |
Now on the stretcher, they move her away from the escalator. | 0:25:31 | 0:25:34 | |
-Your call. -Right, ready? Raise, lift. Nice and slow, nice and slow. | 0:25:36 | 0:25:41 | |
-Lift. That's it. Lift, that's it. -That's it. | 0:25:41 | 0:25:43 | |
-Nice and slow, nice and easy. -Don't trip, Andy. | 0:25:43 | 0:25:45 | |
Step. You've got the MIVS behind you, dude. Well done, Carmen. | 0:25:45 | 0:25:50 | |
-Bend your legs. -That's it. | 0:25:52 | 0:25:55 | |
-Stay there, that's fine. -Are you sure? -Yeah. | 0:25:55 | 0:25:57 | |
At least now she's in a stiff board, her back is straight | 0:25:57 | 0:26:01 | |
and her head is in a better position. | 0:26:01 | 0:26:04 | |
-Do it crossways, Rich. -Like that? -Yeah. | 0:26:04 | 0:26:08 | |
Carmen's still in pain, so Sharon keeps her talking. | 0:26:09 | 0:26:13 | |
We were shopping in Oxford Street and we were just on our way home... | 0:26:13 | 0:26:17 | |
-You were shopping in Oxford Street? -Yeah. | 0:26:17 | 0:26:20 | |
-Carmen, have you got any medical conditions? -Oh, yes. | 0:26:20 | 0:26:22 | |
And then, finally, the London Ambulance Service arrives | 0:26:22 | 0:26:26 | |
and with them the pain relief Carmen so badly needed. | 0:26:26 | 0:26:30 | |
This is good news, we've got a means of transportation. | 0:26:30 | 0:26:33 | |
The LAS has turned up and it looks like they've got some pain relief. | 0:26:33 | 0:26:37 | |
So, that's good news. | 0:26:37 | 0:26:38 | |
That's a bit of action to recover this person | 0:26:38 | 0:26:42 | |
to hospital, where they need to be. | 0:26:42 | 0:26:45 | |
And, with that, Carmen is stretchered out of the station | 0:26:45 | 0:26:48 | |
to hospital for specialist treatment. | 0:26:48 | 0:26:51 | |
For the Network Incident Response team it's a picture perfect example | 0:26:51 | 0:26:54 | |
of what they were set up to do. | 0:26:54 | 0:26:56 | |
It could have gone better, | 0:26:57 | 0:26:59 | |
just for the response from the London Ambulance. | 0:26:59 | 0:27:01 | |
Hence why Andy and I made the decision to move the lady. | 0:27:01 | 0:27:06 | |
It was a difficult decision to make, | 0:27:06 | 0:27:08 | |
because we didn't want to make the injury any worse. | 0:27:08 | 0:27:10 | |
However, she was sliding on the escalator | 0:27:10 | 0:27:13 | |
and could have damaged her spine and her neck even more. | 0:27:13 | 0:27:17 | |
-So, it was... -Camden Town, platform one. | 0:27:17 | 0:27:19 | |
Sorry to interrupt. Got a person collapsed on a train. | 0:27:19 | 0:27:21 | |
The Network Incident Response team's day is far from over. | 0:27:21 | 0:27:25 | |
And since we filmed, | 0:27:27 | 0:27:28 | |
Carmen was treated at the Royal London Hospital. | 0:27:28 | 0:27:31 | |
Thankfully, it turned out her collarbone wasn't broken | 0:27:31 | 0:27:34 | |
and neither was her pelvis. | 0:27:34 | 0:27:36 | |
However, her pelvis had been severely bruised. | 0:27:36 | 0:27:39 | |
She is now recovering well and is managing to get around | 0:27:39 | 0:27:43 | |
with the help of a walking frame. | 0:27:43 | 0:27:44 | |
With its grand buildings and world-famous stores, | 0:27:52 | 0:27:55 | |
Oxford Street is a must-visit destination for shoppers | 0:27:55 | 0:27:58 | |
both nationally and internationally. | 0:27:58 | 0:28:00 | |
And to stay at the top of the retail tree, it's paramount the street | 0:28:02 | 0:28:05 | |
is as attractive a place to shop as possible. | 0:28:05 | 0:28:08 | |
It's so important, in fact, that the street's Retail Association, | 0:28:10 | 0:28:14 | |
the New West End Company, has invested in its own cleaning team. | 0:28:14 | 0:28:18 | |
It's the job of this team to make sure all aspects of the pavements | 0:28:18 | 0:28:22 | |
and street furniture look spick and span each day, every day. | 0:28:22 | 0:28:26 | |
This morning, Andre is up bright and early | 0:28:27 | 0:28:30 | |
to give the street a once-over. | 0:28:30 | 0:28:32 | |
It's never boring, it's not that kind of work. | 0:28:32 | 0:28:35 | |
You leave the street looking nice, | 0:28:35 | 0:28:39 | |
very fresh - if a street can look fresh. | 0:28:39 | 0:28:42 | |
Andre's a trained flusher, | 0:28:42 | 0:28:44 | |
allowed to use a high-pressure water jet to clean the streets. | 0:28:44 | 0:28:48 | |
It helps in his ongoing battle with spilt drinks. | 0:28:48 | 0:28:51 | |
What we usually do is, where the bins are, | 0:28:53 | 0:28:56 | |
because that's where people drop most of the milkshake. | 0:28:56 | 0:28:59 | |
They drop here. | 0:28:59 | 0:29:00 | |
It's like people have been having a milkshake fight or something. | 0:29:00 | 0:29:03 | |
It's all over the place, you know. | 0:29:03 | 0:29:05 | |
I blame milkshake, but it's not milkshake's fault. | 0:29:05 | 0:29:07 | |
It's coffee, it's milkshake, it's a lot of drinks. | 0:29:07 | 0:29:10 | |
Now, this one is kind of fresh. | 0:29:10 | 0:29:12 | |
I think somebody dropped that maybe about half an hour ago. | 0:29:12 | 0:29:15 | |
Well, this one looks like it needs a bit of degreaser | 0:29:18 | 0:29:21 | |
because it's not coming up, | 0:29:21 | 0:29:22 | |
but degreaser will change its mind. | 0:29:22 | 0:29:26 | |
Just put down a splash of degreaser. | 0:29:26 | 0:29:28 | |
It's definitely a lemonade-based drink, | 0:29:28 | 0:29:30 | |
or perhaps maybe tea or something. | 0:29:30 | 0:29:34 | |
No, not tea. | 0:29:34 | 0:29:35 | |
And the gun on its own wouldn't have got rid of that. | 0:29:41 | 0:29:44 | |
Another thing you can do with this | 0:29:44 | 0:29:46 | |
is you can flush cigarettes out of the cracks in the pavement. | 0:29:46 | 0:29:49 | |
That's secret, though. But, yeah. | 0:29:49 | 0:29:52 | |
Yeah, this is not too bad now. | 0:29:52 | 0:29:54 | |
Probably going to come back later after all this filming | 0:29:54 | 0:29:56 | |
and just do the whole lot. | 0:29:56 | 0:29:58 | |
Just do a real big job, you know, very aggressively. | 0:29:58 | 0:30:01 | |
You won't see that, you don't want to see that on camera. | 0:30:01 | 0:30:04 | |
But, yeah, this bit here. Yeah, it's very nice now | 0:30:04 | 0:30:07 | |
and then I'll put down some more degreaser | 0:30:07 | 0:30:09 | |
and it'll look pretty good, you know. | 0:30:09 | 0:30:11 | |
Not many jobs you can see a result. The result is right there. | 0:30:11 | 0:30:15 | |
Clean. | 0:30:15 | 0:30:16 | |
Andre's just one of the eight strong clean team dedicated | 0:30:19 | 0:30:22 | |
to keeping Oxford Street shipshape and Bristol fashion. | 0:30:22 | 0:30:26 | |
For team boss Simon it's about making sure the street | 0:30:28 | 0:30:31 | |
is fit to host the millions of foreign visitors | 0:30:31 | 0:30:34 | |
that flock there every year. | 0:30:34 | 0:30:36 | |
It's very important. These people have come from all over the world | 0:30:36 | 0:30:40 | |
to visit places like Oxford Street. | 0:30:40 | 0:30:43 | |
The least we can do is create a great impression for these people. | 0:30:43 | 0:30:46 | |
At the other end of the street fellow clean team member Viktor | 0:30:47 | 0:30:50 | |
is getting ready for his shift. | 0:30:50 | 0:30:52 | |
Originally from Russia, | 0:30:52 | 0:30:54 | |
Viktor's been part of the clean team for ten years. | 0:30:54 | 0:30:57 | |
Everyday I'm busy. It's a very different job, every day. | 0:30:57 | 0:31:02 | |
Viktor's heading up Oxford Street to begin work | 0:31:04 | 0:31:06 | |
but, as he reaches the halfway point at Oxford Circus, | 0:31:06 | 0:31:09 | |
he's stopped in his tracks. | 0:31:09 | 0:31:11 | |
In Viktor's way is a public sector march, | 0:31:14 | 0:31:17 | |
which sees tens of thousands of people | 0:31:17 | 0:31:19 | |
heading to Trafalgar Square to protest against Government policy. | 0:31:19 | 0:31:23 | |
WHISTLE BLOWING | 0:31:23 | 0:31:24 | |
-What do we want? -Gove out! -When do we want it? -Now. | 0:31:24 | 0:31:27 | |
-What we want? -Gove out! -When do we want it? -Now. | 0:31:27 | 0:31:30 | |
It's the clean team's worst nightmare - | 0:31:30 | 0:31:33 | |
thousands of people generating tonnes of rubbish. | 0:31:33 | 0:31:37 | |
And political protests like this bring with them a serious headache. | 0:31:37 | 0:31:41 | |
Stickers. | 0:31:41 | 0:31:42 | |
For example, these stickers on this map. | 0:31:43 | 0:31:47 | |
I use a scraper for removing these stickers. | 0:31:48 | 0:31:52 | |
Stickers are a potent weapon in the protester's armoury. | 0:31:56 | 0:31:58 | |
Unfortunately for Viktor, it means he's got his work cut out. | 0:31:58 | 0:32:03 | |
There's a lot of rubbish, | 0:32:03 | 0:32:05 | |
a lot of stickers, on the lampposts, everywhere. | 0:32:05 | 0:32:08 | |
So it's big job. | 0:32:08 | 0:32:10 | |
PROTESTERS WHISTLE AND CHANT | 0:32:10 | 0:32:12 | |
Thumbs down. It's thumbs down, it's funny. | 0:32:16 | 0:32:19 | |
At last, victory is in sight. | 0:32:21 | 0:32:24 | |
I remove now all stickers on Oxford Circus. | 0:32:24 | 0:32:27 | |
Now finished. They go to Trafalgar Square direction. | 0:32:27 | 0:32:33 | |
And, with that, Viktor, Simon and Andre's jobs are over. | 0:32:34 | 0:32:38 | |
For all of them, keeping such an important street clean | 0:32:38 | 0:32:41 | |
is a matter of pride. | 0:32:41 | 0:32:42 | |
It's got the highest footfall, as they call it, | 0:32:44 | 0:32:48 | |
in the world, almost. You know? | 0:32:48 | 0:32:51 | |
I mean, yes, it's the busiest street in the world, | 0:32:51 | 0:32:55 | |
so it needs constant attention to keep it looking in tip-top shape. | 0:32:55 | 0:32:59 | |
It doesn't stop. It doesn't stop, no, no, no. Almost 24/7, almost. | 0:32:59 | 0:33:03 | |
Except that it isn't 24/7, it's more nine hours a day, yeah. | 0:33:03 | 0:33:08 | |
It's 11pm and, while Oxford Street is full of drinkers and partygoers, | 0:33:19 | 0:33:24 | |
for Gary Patterson and Dan Emery of Thames Water | 0:33:24 | 0:33:27 | |
their working day is just beginning. | 0:33:27 | 0:33:29 | |
We're in Oxford Circus. | 0:33:31 | 0:33:32 | |
As you can see, there's buses, traffic, | 0:33:32 | 0:33:34 | |
a lot of people walking through. | 0:33:34 | 0:33:36 | |
It's one of the busiest parts of London. | 0:33:36 | 0:33:39 | |
They're trunk sewer technicians, better known as flushers. | 0:33:40 | 0:33:43 | |
It's their job as part of Thames Water's maintenance team | 0:33:43 | 0:33:47 | |
to make sure the capital's vast sewer system | 0:33:47 | 0:33:49 | |
is kept in good working order, | 0:33:49 | 0:33:51 | |
free of fat, rats and other unpleasant deposits. | 0:33:51 | 0:33:55 | |
You do maintenance checks, | 0:33:57 | 0:33:59 | |
just in case there is stuff that needs to be done. | 0:33:59 | 0:34:01 | |
If there is emergency works | 0:34:01 | 0:34:02 | |
then we're making sure everything is still operational. | 0:34:02 | 0:34:05 | |
Increased building development, the paving over of green spaces | 0:34:05 | 0:34:09 | |
and intense storms mean there's been an increase | 0:34:09 | 0:34:12 | |
in the amount of surface water entering the sewer network. | 0:34:12 | 0:34:15 | |
It means the upkeep of the sewers is more important than ever | 0:34:15 | 0:34:19 | |
to prevent them flooding. | 0:34:19 | 0:34:21 | |
Today, Gary and Dan have been tasked with testing out | 0:34:21 | 0:34:24 | |
a key piece of Victorian sewer equipment | 0:34:24 | 0:34:26 | |
in one of the vast historic brick sewers | 0:34:26 | 0:34:28 | |
that runs underneath the world's most famous shopping street. | 0:34:28 | 0:34:33 | |
For flushers Gary and Dan, working the sewers is a labour of love. | 0:34:33 | 0:34:36 | |
It's not an everyday type job, | 0:34:37 | 0:34:40 | |
but being stuck behind a desk for seven years, | 0:34:40 | 0:34:43 | |
and I wanted to get my hands dirty, | 0:34:43 | 0:34:45 | |
I think this is the most interesting job I've ever had in my lifetime. | 0:34:45 | 0:34:49 | |
I don't see it as a job, it's more of an adventure, you know. | 0:34:49 | 0:34:52 | |
It's very different. | 0:34:52 | 0:34:53 | |
The presence of Thames Water sewer flushers is a stark contrast | 0:34:53 | 0:34:57 | |
to the heart of London's glittering West End around them. | 0:34:57 | 0:35:00 | |
It's no wonder they can cause quite a stir. | 0:35:00 | 0:35:03 | |
Everyone does look at you thinking what you wear? | 0:35:03 | 0:35:05 | |
-GARY LAUGHS -Ghostbusters, pest controllers, | 0:35:05 | 0:35:09 | |
forensics, everything. | 0:35:09 | 0:35:12 | |
# Who you gonna call? Ghostbusters! | 0:35:13 | 0:35:15 | |
# DO-DO DO-DO I ain't afraid of no slime. # | 0:35:15 | 0:35:19 | |
With waste from over 200 shops and 30 million visitors | 0:35:20 | 0:35:24 | |
each year flowing into the sewer, | 0:35:24 | 0:35:26 | |
fat and other deposits can easily build up and cause blockages. | 0:35:26 | 0:35:30 | |
When it comes to what they'll find down under, | 0:35:31 | 0:35:34 | |
Gary and Dan have learned to expect the unexpected. | 0:35:34 | 0:35:37 | |
Always exciting when you're going down | 0:35:37 | 0:35:39 | |
cos you never know what you're going to see. | 0:35:39 | 0:35:41 | |
It's a different world under there compared to what it is up here. | 0:35:41 | 0:35:44 | |
No-one sees it, we're actually the lucky ones | 0:35:44 | 0:35:47 | |
that go down and actually see the underground of London. | 0:35:47 | 0:35:50 | |
BEEPING | 0:35:50 | 0:35:52 | |
It's soon time for Gary and Dan to get to work. | 0:35:52 | 0:35:55 | |
Today, they've got two tasks. The first one is to lace and bait | 0:35:55 | 0:35:59 | |
for the ever-growing population of sewer rats. | 0:35:59 | 0:36:02 | |
The second and main job | 0:36:03 | 0:36:04 | |
is to inspect the Victorian sewer equipment. | 0:36:04 | 0:36:07 | |
It's imperative it's in good working order. | 0:36:07 | 0:36:09 | |
All clear. | 0:36:09 | 0:36:11 | |
The first part of the sewer has modern concrete walling, | 0:36:11 | 0:36:15 | |
but the equipment they're here to visit is down another ladder | 0:36:15 | 0:36:18 | |
to another level altogether, and a sewer well over 100 years old. | 0:36:18 | 0:36:23 | |
As you go down further, | 0:36:24 | 0:36:25 | |
you will see the old Victorian brick, which will be your next level. | 0:36:25 | 0:36:28 | |
-OK. -Right, you're on your safety rope, yeah? | 0:36:28 | 0:36:31 | |
-BEEPING -There's quite a bit of water. | 0:36:31 | 0:36:33 | |
I'm just going to go and have a look | 0:36:33 | 0:36:35 | |
to make sure we can actually get in there. | 0:36:35 | 0:36:38 | |
Er...about just up to my ankle. | 0:36:42 | 0:36:45 | |
It's not that deep at all. | 0:36:45 | 0:36:47 | |
-Top? -Yes? | 0:36:49 | 0:36:51 | |
Right, it's full of silt, we're going to have to go along again. | 0:36:51 | 0:36:54 | |
There's a couple of dead rats here, so just watch your step. | 0:36:54 | 0:36:57 | |
All right, dude. | 0:36:57 | 0:36:58 | |
The mention of rats sees Gary called to the surface for some backup. | 0:36:58 | 0:37:02 | |
-Can you send the equipment down? -Yeah, we'll send it down. | 0:37:02 | 0:37:05 | |
This is basically to beat the rats out of the way | 0:37:07 | 0:37:09 | |
cos Gary's quite scared of rats. | 0:37:09 | 0:37:11 | |
So, this is how far he can get to them. | 0:37:11 | 0:37:15 | |
He can't get any closer, apparently. | 0:37:15 | 0:37:17 | |
Coming down! | 0:37:18 | 0:37:20 | |
The rats around here are a big problem. | 0:37:20 | 0:37:22 | |
They breed so quickly. I mean, they've never seen the surface, | 0:37:22 | 0:37:28 | |
they just live and die down here. | 0:37:28 | 0:37:30 | |
But they just multiply, it's just out of control. | 0:37:31 | 0:37:35 | |
-But at least the poison's working. -Yeah. | 0:37:36 | 0:37:38 | |
Time for task one - taking on the rats. | 0:37:39 | 0:37:42 | |
That's a bit of poison for a rat. | 0:37:44 | 0:37:46 | |
Rats teeth constantly grow and they need something to gnaw, | 0:37:51 | 0:37:54 | |
but they eat the brickwork, you've got wood down here, | 0:37:54 | 0:37:57 | |
they can go through cables. It depends what's in the sewer, as well. | 0:37:57 | 0:38:01 | |
So, it's not like us humans. | 0:38:01 | 0:38:03 | |
Rats, they're like mating with, I dunno, | 0:38:03 | 0:38:06 | |
brothers, sisters, everything. ain't they? | 0:38:06 | 0:38:10 | |
Mad. They'll get immune to this bait, anyway. | 0:38:10 | 0:38:13 | |
-All right? -Right, that's the last bit, yeah? | 0:38:13 | 0:38:16 | |
Gary and Dan are part of a team of 39 Thames Water flushers that patrol | 0:38:17 | 0:38:22 | |
London's largest trunk sewers to ensure things keep flowing. | 0:38:22 | 0:38:27 | |
In total, they clear around 80,000 blockages a year. | 0:38:27 | 0:38:31 | |
The majority of these are caused by cooking fats and oils, | 0:38:31 | 0:38:34 | |
which congeal in the sewers | 0:38:34 | 0:38:36 | |
forming a thick layer around the walls and pipes. | 0:38:36 | 0:38:39 | |
That is a lump of fat. | 0:38:39 | 0:38:42 | |
That's what you get from restaurants. | 0:38:42 | 0:38:46 | |
It builds up on the sides. | 0:38:46 | 0:38:48 | |
Just break it, it's just fat. | 0:38:48 | 0:38:50 | |
It can go from one side 100% | 0:38:50 | 0:38:51 | |
and you've still got the flow underneath it | 0:38:51 | 0:38:54 | |
and you've got to sit there with a shovel and just | 0:38:54 | 0:38:57 | |
channel through it until it's all off. | 0:38:57 | 0:38:59 | |
The fat out of the way, they head on to their destination, | 0:38:59 | 0:39:03 | |
and the rats aren't far behind. | 0:39:03 | 0:39:05 | |
-And around your feet. -Up there, look. | 0:39:05 | 0:39:08 | |
-There you go. -Just down the back, there. | 0:39:08 | 0:39:12 | |
-There he goes. -There he goes. -He's gone behind. | 0:39:12 | 0:39:15 | |
No, it's not there now. | 0:39:15 | 0:39:16 | |
Time to turn to the task in hand. | 0:39:16 | 0:39:19 | |
This is a penstock, a cast-iron Victorian valve | 0:39:19 | 0:39:22 | |
used to divert the neighbouring sewer | 0:39:22 | 0:39:25 | |
for maintenance and emergencies. | 0:39:25 | 0:39:27 | |
It's as essential today as the day it was fitted. | 0:39:27 | 0:39:30 | |
What it does, | 0:39:30 | 0:39:32 | |
we open this penstock and it transfers the flow | 0:39:32 | 0:39:34 | |
from the mid level, down the Regent sewer, | 0:39:34 | 0:39:36 | |
all the way up to Piccadilly. | 0:39:36 | 0:39:38 | |
If we don't maintain these on a regular basis they will seize up. | 0:39:38 | 0:39:42 | |
Cos these are old. These are original penstocks that were put in. | 0:39:42 | 0:39:47 | |
But, yeah, we have to take it fully up, let it flow through a bit, | 0:39:47 | 0:39:51 | |
and then let it close back down. | 0:39:51 | 0:39:53 | |
Behind this wall here is where the mid level one sewer is. | 0:39:53 | 0:39:58 | |
So, when we lift this it's going to rush through here. | 0:39:58 | 0:40:01 | |
-Right, are you ready? -Yeah. | 0:40:03 | 0:40:04 | |
They set about opening the penstock. | 0:40:05 | 0:40:08 | |
With 100-year-old cast iron technology, it's not easy to shift. | 0:40:08 | 0:40:12 | |
That's tight, innit? | 0:40:12 | 0:40:13 | |
-OK, it's toward you, innit? -I don't know. | 0:40:16 | 0:40:19 | |
Yeah, that's it. | 0:40:19 | 0:40:21 | |
-OK? -Yeah. | 0:40:21 | 0:40:23 | |
That's the only trouble, | 0:40:25 | 0:40:26 | |
when you start working in environments like this... | 0:40:26 | 0:40:29 | |
you start to build up a sweat. | 0:40:29 | 0:40:31 | |
And, despite not having seen the light of day for over a century, | 0:40:32 | 0:40:35 | |
the penstock is soon shown to be in working order. | 0:40:35 | 0:40:38 | |
I'm just going to move some stones, | 0:40:42 | 0:40:44 | |
so that it drops the level quite better. | 0:40:44 | 0:40:46 | |
It's flowing better now. | 0:40:51 | 0:40:53 | |
This is where you get silt and stones | 0:40:53 | 0:40:55 | |
that sits in it, and it builds up and it builds up. | 0:40:55 | 0:40:58 | |
So the water's stuck behind the stones, | 0:40:58 | 0:41:00 | |
so I just made a pathway to get the flow. | 0:41:00 | 0:41:02 | |
-That's lovely now. -Nice and smooth. -Yeah. | 0:41:02 | 0:41:05 | |
# You spin me right round, Baby, right round | 0:41:05 | 0:41:09 | |
# Like a record baby. # | 0:41:09 | 0:41:10 | |
I've earned myself another shower. | 0:41:10 | 0:41:12 | |
With the penstock greased and working, | 0:41:12 | 0:41:15 | |
Gary takes the chance to search for some more treasures from the past. | 0:41:15 | 0:41:19 | |
HE WHISTLES | 0:41:21 | 0:41:23 | |
Let's see what we've got there. | 0:41:24 | 0:41:26 | |
A bit of DIY. | 0:41:26 | 0:41:29 | |
Here we go, look. This is what I was looking for. | 0:41:29 | 0:41:31 | |
As you can see, it's an old coin. It's proper rusted up. | 0:41:32 | 0:41:36 | |
But you get all the coins. Farthings... | 0:41:36 | 0:41:40 | |
..old spoons, knives and forks. If you've got time on your hands | 0:41:42 | 0:41:45 | |
you can just have a look around, see what you've got. | 0:41:45 | 0:41:49 | |
People outside work, | 0:41:50 | 0:41:52 | |
they ask what job you do and the first thing they do, | 0:41:52 | 0:41:55 | |
"Eurgh! Do you get covered in poo?" | 0:41:55 | 0:41:58 | |
No. You don't get covered in poo. | 0:41:58 | 0:42:01 | |
It's a job that you can sit back and you can be proud of. | 0:42:01 | 0:42:04 | |
Cos you're maintaining the sewers of what the Victorians built. | 0:42:04 | 0:42:08 | |
Some of it is amazing. | 0:42:08 | 0:42:10 | |
You'll never get a brickie who can cut.... | 0:42:10 | 0:42:14 | |
something like this. | 0:42:14 | 0:42:16 | |
I'd put it down as one of the wonders of the world. | 0:42:16 | 0:42:18 | |
This is my office. Innit, Dan? | 0:42:18 | 0:42:21 | |
-Yeah. -It's our office. | 0:42:21 | 0:42:23 | |
The only downfall is, you don't get tea or coffee. | 0:42:23 | 0:42:25 | |
HE LAUGHS | 0:42:25 | 0:42:27 | |
Going up. | 0:42:27 | 0:42:28 | |
And, with that, it's job done for Gary and Dan. | 0:42:28 | 0:42:31 | |
Time to head for the surface and some of the unexpected inhabitants | 0:42:31 | 0:42:35 | |
that lurk above ground in the small hours on Oxford Street. | 0:42:35 | 0:42:39 | |
-What's that smelly -BLEEP -down there? | 0:42:39 | 0:42:41 | |
What's happening? What's down there? | 0:42:43 | 0:42:46 | |
Give me a sword, I'll go down there and kill them all. | 0:42:46 | 0:42:49 | |
-What you think's down there? -I've got a ticket. | 0:42:49 | 0:42:53 | |
-That goes underground. -THEY ALL LAUGH. | 0:42:53 | 0:42:55 |