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It's the most famous shopping street in the world, | 0:00:01 | 0:00:03 | |
in the heart of Britain's capital city. | 0:00:03 | 0:00:06 | |
A mile and a half long, with 30 million visitors each year. | 0:00:06 | 0:00:11 | |
With some of the world's most famous shops... | 0:00:11 | 0:00:13 | |
CHEERING | 0:00:13 | 0:00:15 | |
-..biggest stars... -Kate Moss! -CHEERING | 0:00:15 | 0:00:17 | |
..and busiest stations. | 0:00:17 | 0:00:19 | |
Sorry, guys! Stand back for me. | 0:00:19 | 0:00:21 | |
What does it take to keep it running, 24 hours a day... | 0:00:21 | 0:00:24 | |
It's the busiest street in the world, so it needs constant attention. | 0:00:24 | 0:00:27 | |
..seven days a week? | 0:00:27 | 0:00:29 | |
Oi! Clear off. | 0:00:29 | 0:00:30 | |
Welcome to Oxford Street. Welcome to the pickpocket team. | 0:00:30 | 0:00:33 | |
'Are you ready, London?' | 0:00:33 | 0:00:36 | |
A street that never sleeps. | 0:00:36 | 0:00:38 | |
This sort of thing wouldn't happen anywhere else. | 0:00:38 | 0:00:40 | |
Oxford Street. | 0:00:42 | 0:00:44 | |
-Coming up... -Christmas here, everybody! | 0:00:46 | 0:00:48 | |
CHEERING | 0:00:48 | 0:00:50 | |
It's switch-on the time for the street's Christmas lights. | 0:00:50 | 0:00:54 | |
-I have to make my stage work, I'm sorry. -OK, all right. | 0:00:54 | 0:00:56 | |
If the team can get everything set up in time for Cheryl. | 0:00:56 | 0:01:01 | |
-CROWD CHEERS -Cheryl! | 0:01:01 | 0:01:02 | |
Ten, nine... | 0:01:02 | 0:01:04 | |
I'm losing them. | 0:01:04 | 0:01:05 | |
The police are on the trail of suspected shoplifters... | 0:01:05 | 0:01:07 | |
Turn around. You've come to Oxford Street to steal, | 0:01:07 | 0:01:10 | |
we will deal with you. You understand? | 0:01:10 | 0:01:13 | |
And tastes clash, personal shopping. | 0:01:13 | 0:01:16 | |
-Oh, my God. I love it! -Good! | 0:01:16 | 0:01:18 | |
-It doesn't suit you at all. -Yep. | 0:01:18 | 0:01:20 | |
No-one wishes it could be Christmas every day more than Oxford Street. | 0:01:23 | 0:01:28 | |
Over 12% of shops' annual sales are made in the festive period. | 0:01:28 | 0:01:33 | |
And to make sure people choose Oxford Street for | 0:01:33 | 0:01:36 | |
their Christmas shopping, for the last 55 years, | 0:01:36 | 0:01:38 | |
the Street has invested in a world-famous light display. | 0:01:38 | 0:01:42 | |
It's a big deal for the street. | 0:01:43 | 0:01:45 | |
This year, 10,000 people are expected to watch live | 0:01:45 | 0:01:48 | |
as 1,500 illuminated globes | 0:01:48 | 0:01:51 | |
and three quarters of a million LEDs are lit up | 0:01:51 | 0:01:53 | |
by Cheryl Fernandez-Versini, as part of a huge switch-on show. | 0:01:53 | 0:01:58 | |
Making sure the stage is set for Cheryl is the job of Dean Parker. | 0:02:01 | 0:02:05 | |
Right, I've got a coffee now, I'm a bit more woken up. | 0:02:05 | 0:02:08 | |
But there won't be a show without a stage. | 0:02:08 | 0:02:11 | |
And as dawn breaks on the most important day of the street's year, | 0:02:11 | 0:02:14 | |
it's Dean's job to build it. | 0:02:14 | 0:02:16 | |
The problem we have is that this ice cream unit here is in the way. | 0:02:17 | 0:02:23 | |
The last time it was moved, someone moved it with a forklift truck | 0:02:23 | 0:02:27 | |
and they damaged it. | 0:02:27 | 0:02:28 | |
And as a result, it can no longer be moved, otherwise it will fall apart. | 0:02:28 | 0:02:32 | |
So, unfortunately, we have to build around this. | 0:02:32 | 0:02:37 | |
And this splendid structure is going to be within our stage. | 0:02:37 | 0:02:40 | |
Which is something of a challenge. | 0:02:40 | 0:02:43 | |
Getting the stage built takes a generous helpings of manpower. | 0:02:45 | 0:02:49 | |
Chuck it over the top and it will be a "U" outwards and then... | 0:02:51 | 0:02:54 | |
-Pull it from the back, up. -Yeah, we're going down this way. | 0:02:54 | 0:02:57 | |
Stay close to the stage, Dez. | 0:03:00 | 0:03:01 | |
That needs to go that way. | 0:03:01 | 0:03:03 | |
Whoa, whoa, whoa! | 0:03:03 | 0:03:04 | |
There's three or four on the stage. | 0:03:04 | 0:03:06 | |
-Right, go on, other way. -HE GRUNTS | 0:03:07 | 0:03:12 | |
That was heavy. That was VERY heavy! | 0:03:12 | 0:03:16 | |
It's up now, and that's a huge weight off my mind. | 0:03:16 | 0:03:18 | |
The stage will host an hour-long switch-on show. | 0:03:21 | 0:03:24 | |
This year, it includes five music acts, a talent show winner, | 0:03:24 | 0:03:27 | |
the live unveiling of sponsor John Lewis's TV ad, | 0:03:27 | 0:03:31 | |
and at the end of it all, Cheryl. | 0:03:31 | 0:03:33 | |
And at Christmas, fans come from far and wide to follow their star. | 0:03:33 | 0:03:37 | |
I am excited to see Cheryl. On a scale of one to ten, I'm about a 12. | 0:03:38 | 0:03:44 | |
We've travelled all the way from Wales today, I'm quite excited, | 0:03:44 | 0:03:47 | |
-but she is like, overly... -I'm that excited I want to die! | 0:03:47 | 0:03:51 | |
So beautiful. I love her so much. | 0:03:51 | 0:03:54 | |
I'll probably start crying if I go into it. | 0:03:54 | 0:03:56 | |
To make sure everything's in place for their idol, | 0:03:59 | 0:04:01 | |
Dean and his team finish off fitting out the stage. | 0:04:01 | 0:04:05 | |
You'd never know there's an ice cream stand underneath it all. | 0:04:05 | 0:04:08 | |
Two-two, hey-hey, head-tail one. | 0:04:08 | 0:04:12 | |
Overseeing the show itself is producer, Jo Dakin. | 0:04:12 | 0:04:16 | |
What I want to do is work out this area here. | 0:04:16 | 0:04:18 | |
So shall we just have a nose at the stage? | 0:04:18 | 0:04:20 | |
It's much more shallow than I expected. | 0:04:22 | 0:04:24 | |
I mean, it's...it's a tight squeeze, isn't it? | 0:04:24 | 0:04:27 | |
Unusually for an event of this scale, there's no rehearsal, | 0:04:27 | 0:04:31 | |
adding to the pressure on Jo. | 0:04:31 | 0:04:32 | |
Right, what we need really urgently from the presenters | 0:04:34 | 0:04:37 | |
once they arrive is what they're going to say. | 0:04:37 | 0:04:39 | |
Around half a million people will watch the switch-on for a live | 0:04:39 | 0:04:42 | |
link to the local news, which Jo will coordinate. | 0:04:42 | 0:04:46 | |
We're meant to go live to London Tonight at 6:17. | 0:04:47 | 0:04:52 | |
So I will definitely feel the pressure then. | 0:04:52 | 0:04:55 | |
In addition to Cheryl and the music acts, | 0:04:55 | 0:04:57 | |
there'll be a less well-known performer on the stage tonight. | 0:04:57 | 0:05:00 | |
The street's Retail Association has run a talent competition | 0:05:00 | 0:05:04 | |
for a new face to appear. | 0:05:04 | 0:05:05 | |
It's been won by a local girl, 16-year-old Lauren Mae Kidd. | 0:05:05 | 0:05:09 | |
SHE SINGS | 0:05:10 | 0:05:12 | |
As she's never done anything like this before, | 0:05:12 | 0:05:14 | |
Jo's allowing Lauren a quick rehearsal. | 0:05:14 | 0:05:18 | |
We haven't given anybody else a sound check at all, | 0:05:18 | 0:05:20 | |
but we wanted her to feel she could have a microphone in her hand | 0:05:20 | 0:05:24 | |
and actually find out what she sounded like, | 0:05:24 | 0:05:26 | |
so she had confidence when she actually came on. | 0:05:26 | 0:05:29 | |
Lauren's nervous, and not just because | 0:05:29 | 0:05:31 | |
she thinks this could be her big break. | 0:05:31 | 0:05:33 | |
It's also a street that means a lot to her. | 0:05:33 | 0:05:36 | |
It's actually really crazy, because Oxford Street | 0:05:36 | 0:05:38 | |
is one of the main streets where I shop. | 0:05:38 | 0:05:40 | |
And I've always been here, walking up and down and past | 0:05:40 | 0:05:43 | |
when I was a little girl and I just...loved it. | 0:05:43 | 0:05:45 | |
So it's crazy to perform in Oxford Street! | 0:05:45 | 0:05:47 | |
And her grandparents have come to see her, too. | 0:05:47 | 0:05:51 | |
-She's very good. -Very good. | 0:05:51 | 0:05:53 | |
Well, we think so! THEY LAUGH | 0:05:53 | 0:05:55 | |
But Lauren isn't the only one making a stage debut tonight. | 0:05:57 | 0:06:00 | |
The all-important switch-on device is also unveiled. | 0:06:00 | 0:06:04 | |
OK. It's all about this button. | 0:06:04 | 0:06:06 | |
On. Off. | 0:06:06 | 0:06:08 | |
But before any buttons can get pushed, | 0:06:10 | 0:06:12 | |
there's still a load of preparations to be done. | 0:06:12 | 0:06:14 | |
Dean's entering what he calls "the mad hour". | 0:06:14 | 0:06:18 | |
Still live traffic, still live traffic! | 0:06:18 | 0:06:20 | |
Yeah, mad hour. | 0:06:23 | 0:06:25 | |
Haven't yet got the road... The closure's gone in, | 0:06:25 | 0:06:27 | |
but there's still traffic, they're still using taxis and buses, | 0:06:27 | 0:06:30 | |
not a lot, but enough to make it tricky. | 0:06:30 | 0:06:32 | |
Tree branches and even the traffic lights are removed to improve views. | 0:06:32 | 0:06:36 | |
The road is closed to traffic and a crowd area cordoned off. | 0:06:36 | 0:06:40 | |
No, only the branded one! | 0:06:40 | 0:06:42 | |
Watch these crowds when we try and tape it off now. You'll be amazed. | 0:06:42 | 0:06:45 | |
They'll be ducking and diving, jumping over it, | 0:06:45 | 0:06:48 | |
leaping over it, limbo-ing under it. | 0:06:48 | 0:06:50 | |
And then...everything's ready. | 0:06:50 | 0:06:52 | |
Later in the programme, wires get crossed at the light show, | 0:06:54 | 0:06:57 | |
as the team get ready for the big moment. | 0:06:57 | 0:07:00 | |
If this doesn't run at the right time, I'm really sorry, I have to... | 0:07:00 | 0:07:03 | |
-...sort it out in a second. -No, you won't. | 0:07:03 | 0:07:05 | |
Some officers on the Metropolitan Police's pickpocketing squad | 0:07:12 | 0:07:15 | |
live to catch thieves. | 0:07:15 | 0:07:17 | |
Sergeant Steve Stamp is one of them. | 0:07:17 | 0:07:20 | |
Operation Blizzard, we all know what that means. | 0:07:20 | 0:07:22 | |
We're now in the peak period for the type of offences | 0:07:22 | 0:07:25 | |
we're dealing with on a daily basis. | 0:07:25 | 0:07:27 | |
He heads up the West End team | 0:07:27 | 0:07:29 | |
and his powers of detection are legendary. | 0:07:29 | 0:07:31 | |
He can spot the giveaway signs and catching crooks is what | 0:07:31 | 0:07:35 | |
gets him out of bed on a cold and rainy weekend morning. | 0:07:35 | 0:07:38 | |
It's a total war on crime. | 0:07:40 | 0:07:42 | |
We're out there every day on Oxford Street. We're out there | 0:07:42 | 0:07:45 | |
catching bag thieves, we're out there catching pickpockets, | 0:07:45 | 0:07:48 | |
we're catching bogus police officers, | 0:07:48 | 0:07:50 | |
we're catching the lot of them. | 0:07:50 | 0:07:52 | |
And no matter what the weather is doing, | 0:07:52 | 0:07:54 | |
Sergeant Stamp and his fellow officers are patrolling their beat | 0:07:54 | 0:07:58 | |
looking for pickpockets and shoplifters. | 0:07:58 | 0:08:00 | |
Oxford Street, Christmas period. | 0:08:04 | 0:08:06 | |
The streets are already starting to swell up. | 0:08:06 | 0:08:09 | |
It's all about a cat-and-mouse today. | 0:08:09 | 0:08:11 | |
Not only are we up against the criminals, the thieves, | 0:08:11 | 0:08:14 | |
we're also up against the weather conditions. | 0:08:14 | 0:08:17 | |
Today, they've been patrolling Oxford Street. | 0:08:17 | 0:08:19 | |
But so far, found nothing. | 0:08:19 | 0:08:22 | |
But on neighbouring Regent Street, | 0:08:22 | 0:08:24 | |
Steve suddenly spots what he's looking for. | 0:08:24 | 0:08:26 | |
This group has aroused his attention. | 0:08:26 | 0:08:30 | |
Right there. Literally, the four guys right there. | 0:08:30 | 0:08:32 | |
He's asking them to do something, he's shaking his head. | 0:08:32 | 0:08:35 | |
He's also got an empty carrier bag, which will be foil-lined, | 0:08:35 | 0:08:38 | |
all right, so they're out to steal. | 0:08:38 | 0:08:40 | |
Most police officers wouldn't have spotted anything amiss | 0:08:41 | 0:08:43 | |
with these lads, but Steve is an experienced spotter | 0:08:43 | 0:08:47 | |
and he believes they could be shoplifters. | 0:08:47 | 0:08:50 | |
It's not an easy call, as all four of them are young. | 0:08:50 | 0:08:53 | |
They've got a sort of older male who is actually telling | 0:08:53 | 0:08:56 | |
and showing one of these juveniles how to actually steal. | 0:08:56 | 0:09:01 | |
Um... We're going to follow them and see what they do. | 0:09:01 | 0:09:06 | |
Game time. | 0:09:06 | 0:09:07 | |
The man holding the black bag and the youths next to him | 0:09:07 | 0:09:10 | |
are Steve's suspects. | 0:09:10 | 0:09:12 | |
They haven't realised that the street's thief taker is just | 0:09:12 | 0:09:14 | |
a footstep behind them. | 0:09:14 | 0:09:17 | |
He's telling him how to hold the bag. | 0:09:17 | 0:09:19 | |
He's telling him what stores to go to. | 0:09:19 | 0:09:21 | |
He's trying to gee him up to do it. | 0:09:21 | 0:09:23 | |
The gang have turned around. | 0:09:23 | 0:09:25 | |
Steve's prepared for that, though, and pretends he's browsing. | 0:09:25 | 0:09:28 | |
He's soon back after the suspects. | 0:09:28 | 0:09:31 | |
Right, come on. | 0:09:32 | 0:09:34 | |
He's right behind them as they walk into a store, | 0:09:35 | 0:09:37 | |
giving Steve a window to call in other officers from the team. | 0:09:37 | 0:09:41 | |
Now, we can either go with them and watch them steal... | 0:09:42 | 0:09:46 | |
..or we can hang back, wait till they come out and nab them. | 0:09:48 | 0:09:51 | |
Store security knows Sergeant Stamp on sight. | 0:09:51 | 0:09:55 | |
And they know that with him on the case, | 0:09:55 | 0:09:56 | |
the chances the store will get robbed are now tiny. | 0:09:56 | 0:10:00 | |
Three youngsters, one male. They've got a black bag they're carrying. | 0:10:00 | 0:10:03 | |
There's one. | 0:10:03 | 0:10:05 | |
You can see it's important that we liaise with security staff, | 0:10:05 | 0:10:08 | |
it saves us getting blown, we get the cameras on it. | 0:10:08 | 0:10:10 | |
Modern technology does the job for us. | 0:10:10 | 0:10:13 | |
-All right. Do you think they've got the goods? -I think so. | 0:10:13 | 0:10:15 | |
All right, what I'm going to do is, if you print this up, | 0:10:15 | 0:10:18 | |
-I'll follow them. Don't stop them, -all right? OK. | 0:10:18 | 0:10:20 | |
I will stop them further on, all right. | 0:10:20 | 0:10:21 | |
The one with the bag will definitely be getting stopped. | 0:10:21 | 0:10:24 | |
-You'll have your goods. -All right, thank you. -All right. | 0:10:24 | 0:10:27 | |
With an arrest likely, Steve lets the rest of the team | 0:10:27 | 0:10:30 | |
know where he wants them to be. | 0:10:30 | 0:10:33 | |
I think they've done a job, I need you now. | 0:10:33 | 0:10:35 | |
Steve's right behind the boy with the black bag | 0:10:35 | 0:10:38 | |
when he and his friends rush across the road. | 0:10:38 | 0:10:40 | |
Steve does his best to catch up. | 0:10:40 | 0:10:45 | |
BLEEP | 0:10:45 | 0:10:46 | |
Having told the store security that he would get any goods back, | 0:10:46 | 0:10:50 | |
Steve might be about to be embarrassed. | 0:10:50 | 0:10:52 | |
I'm losing them. | 0:10:52 | 0:10:54 | |
The four suspects have been lost from the sight | 0:10:54 | 0:10:56 | |
in the rain and the crowds. | 0:10:56 | 0:10:58 | |
If Steve can't find them soon, | 0:10:58 | 0:10:59 | |
then anything they've stolen is long gone. | 0:10:59 | 0:11:02 | |
Later in the programme, Steve tracks down the gang of four | 0:11:02 | 0:11:07 | |
and the search turns up more than he bargained for. | 0:11:07 | 0:11:10 | |
Turn around! | 0:11:10 | 0:11:12 | |
Look at that, what's that for. | 0:11:12 | 0:11:13 | |
Why're you on a tag? | 0:11:13 | 0:11:15 | |
-Is it for stealing? -No! | 0:11:15 | 0:11:16 | |
In less than an hour's time, | 0:11:24 | 0:11:26 | |
Oxford Street will host the biggest event of its year, | 0:11:26 | 0:11:29 | |
the Christmas light switch-on, featuring a crowd of thousands, | 0:11:29 | 0:11:32 | |
five musical acts, a talent show star | 0:11:32 | 0:11:35 | |
and Cheryl Fernandez-Versini pressing the button. | 0:11:35 | 0:11:39 | |
ALL: Whoo! | 0:11:39 | 0:11:41 | |
With the road closed and everything ready, | 0:11:42 | 0:11:45 | |
the hordes of Cheryl fans are allowed to descend on the arena. | 0:11:45 | 0:11:48 | |
OK, we're ready down there. | 0:11:48 | 0:11:52 | |
Dean to Jo, we're letting them in, over. | 0:11:52 | 0:11:54 | |
Slowly, slowly don't push, don't crush. | 0:11:54 | 0:11:57 | |
Jo to Louise, the audience are in. | 0:11:57 | 0:12:00 | |
Cheryl! | 0:12:00 | 0:12:01 | |
-Backstage, Jo runs through things with her team. -OK, what... | 0:12:03 | 0:12:07 | |
I need them down by...now. | 0:12:07 | 0:12:10 | |
I'm relying on you to have everybody backstage when I said. | 0:12:10 | 0:12:13 | |
Meanwhile, show presenters Dave Berry and Lisa Snowdon have arrived. | 0:12:13 | 0:12:19 | |
It's always an honour to be asked to switch on the lights | 0:12:19 | 0:12:21 | |
and this is like a massive one, being down at Oxford Street. | 0:12:21 | 0:12:24 | |
We've got some amazing people performing... | 0:12:24 | 0:12:26 | |
-But Cheryl will be there, she's going to handle it all. -Yeah. | 0:12:26 | 0:12:29 | |
Because I reckon she can count AND push at the same time. | 0:12:29 | 0:12:31 | |
Mmm, quite possibly. | 0:12:31 | 0:12:33 | |
Seven minutes to show, ladies and gentlemen. | 0:12:33 | 0:12:35 | |
CROWD CHEERS | 0:12:35 | 0:12:37 | |
You are going to say when it's time to go, the countdown clock. | 0:12:37 | 0:12:41 | |
-All right? -Leave it to us. | 0:12:41 | 0:12:43 | |
CROWD CHEERS | 0:12:43 | 0:12:45 | |
RADIO: "Dave Berry and Lisa Snowdon..." | 0:12:45 | 0:12:47 | |
The hosts take to the stage and warm up the crowd. | 0:12:47 | 0:12:51 | |
Who loves Christmas? | 0:12:51 | 0:12:52 | |
-CHEERING -Good, good. | 0:12:52 | 0:12:55 | |
So, ladies and gentlemen, boys and girls, let's get | 0:12:55 | 0:12:57 | |
the show started in style, and here's the one, the only, Rixton! | 0:12:57 | 0:13:01 | |
# Shot gun, aimed at my heart | 0:13:01 | 0:13:03 | |
# You got one... # | 0:13:03 | 0:13:04 | |
With Rixton's set underway, the show's off and running. | 0:13:04 | 0:13:07 | |
Backstage, someone from the local news programme has arrived to | 0:13:07 | 0:13:11 | |
discuss the live link-up with Jo. | 0:13:11 | 0:13:13 | |
-For the 17-past... -Yeah... -..we aim to go for the switch. -Yeah. | 0:13:13 | 0:13:17 | |
-No later, if we can. -No. | 0:13:17 | 0:13:19 | |
Waiting in the wings for her cue, is 16-year-old Lauren Mae Kidd, | 0:13:20 | 0:13:25 | |
and the butterflies are kicking in. | 0:13:25 | 0:13:27 | |
Guys, she's been selected from thousands of entries | 0:13:27 | 0:13:30 | |
to come perform for you all tonight. CHEERING | 0:13:30 | 0:13:33 | |
My throat's going all dry! | 0:13:33 | 0:13:34 | |
And backstage waiting for another key event is presenter, Dave. | 0:13:34 | 0:13:38 | |
Sponsor John Lewis will be | 0:13:38 | 0:13:40 | |
unveiling its Christmas television ad. | 0:13:40 | 0:13:42 | |
And he'll have to cue the big moment. | 0:13:42 | 0:13:44 | |
I need some words. | 0:13:44 | 0:13:46 | |
-What will you do, what will you say? -Um... | 0:13:46 | 0:13:49 | |
But Dave has got to go and do a link-up for his radio show. | 0:13:49 | 0:13:52 | |
Look, OK. W-what, hang on a minute. So, you... | 0:13:52 | 0:13:55 | |
I'm really sorry, I have to go and do this for my radio show. | 0:13:55 | 0:13:58 | |
Well, if this doesn't run at the right time... I'm really sorry, | 0:13:58 | 0:14:00 | |
-I have to... -We'll sort it in a second... -No, you won't, because... | 0:14:00 | 0:14:03 | |
You absolutely won't, because I have to make my stage work, I'm sorry. | 0:14:03 | 0:14:06 | |
-All right, OK. -Excuse me... -Please, it's fine. Relax. | 0:14:06 | 0:14:09 | |
I'm sorry, I have to make it work. | 0:14:09 | 0:14:11 | |
-I'll say, "Let's roll the ad", that'll be the cue. -Thank you. | 0:14:11 | 0:14:15 | |
It's OK, no problem. | 0:14:15 | 0:14:16 | |
Right, the cue is, "Let's roll the ad." | 0:14:16 | 0:14:19 | |
I do have to be the boss. | 0:14:19 | 0:14:20 | |
Fundamentally, if I don't know what cue they're going to give in to | 0:14:20 | 0:14:24 | |
something, the whole thing just sort of tumbles down, really. | 0:14:24 | 0:14:27 | |
So it's really, really important and if we don't know beforehand, | 0:14:27 | 0:14:31 | |
you know, we've got... We're guessing. | 0:14:31 | 0:14:33 | |
And at the moment, I just want to make sure we're on the nail. | 0:14:33 | 0:14:37 | |
When we come back, Dave cues. | 0:14:37 | 0:14:39 | |
Let's roll the ad! | 0:14:39 | 0:14:41 | |
LAUREN SINGS | 0:14:41 | 0:14:43 | |
'Lauren Mae Kidd!' | 0:14:43 | 0:14:46 | |
-Hi! -And Cheryl gets ready to push. | 0:14:46 | 0:14:48 | |
ALL: Nine, eight, seven... | 0:14:48 | 0:14:50 | |
Oxford Street likes to think of itself as being at the | 0:15:00 | 0:15:03 | |
cutting edge of retail. | 0:15:03 | 0:15:05 | |
And at the moment, there's one key trend | 0:15:05 | 0:15:07 | |
that's taking the street by storm. | 0:15:07 | 0:15:09 | |
Personal shopping. | 0:15:09 | 0:15:11 | |
It used to be the preserve of the rich and famous, | 0:15:14 | 0:15:17 | |
an expensive service you had to pay for. But not any more. | 0:15:17 | 0:15:20 | |
An increasing number of stores now offer anyone the chance to | 0:15:22 | 0:15:25 | |
book an appointment with a stylist, free of charge, | 0:15:25 | 0:15:29 | |
who will use their expertise to come up with clothing ideas. | 0:15:29 | 0:15:32 | |
Firmly on the personal shopping bandwagon is Debenhams. | 0:15:35 | 0:15:38 | |
Alain Mehada runs the personal shopping team | 0:15:40 | 0:15:42 | |
at their Oxford Street store. | 0:15:42 | 0:15:45 | |
OK! | 0:15:45 | 0:15:47 | |
Alain isn't on commission. | 0:15:48 | 0:15:50 | |
But for the store to be able to offer his services free of charge, | 0:15:50 | 0:15:53 | |
he's got to make sales, which means picking clothes his clients like. | 0:15:53 | 0:15:57 | |
I love people, I like to change people, | 0:15:59 | 0:16:02 | |
I like to change them from distressed shopper to a happy shopper. | 0:16:02 | 0:16:07 | |
Alain's first client, business development manager, Wendy, has arrived. | 0:16:07 | 0:16:11 | |
My boyfriend's been suggesting that I do something like this for quite | 0:16:14 | 0:16:17 | |
a while, because I seem to have just, I don't know, | 0:16:17 | 0:16:20 | |
lost my confidence or... In the... | 0:16:20 | 0:16:23 | |
In terms of how I look or what I should be wearing and what | 0:16:23 | 0:16:26 | |
I feel comfortable in, what looks good. | 0:16:26 | 0:16:27 | |
Hello! Is that Wendy? | 0:16:27 | 0:16:29 | |
-Yes, it is, hi. -Nice to see you. | 0:16:29 | 0:16:31 | |
I will warn you, I've been shopping and come back empty-handed | 0:16:31 | 0:16:34 | |
-many times before, so no pressure. -SHE LAUGHS | 0:16:34 | 0:16:36 | |
No problem, I've been hearing this for a long time. | 0:16:36 | 0:16:40 | |
And then it's on to the first outfit. | 0:16:40 | 0:16:42 | |
Can he make her day and make himself a sale? | 0:16:42 | 0:16:46 | |
Let's go for something different. | 0:16:46 | 0:16:49 | |
-This and that. -I would never pick them up, but... | 0:16:49 | 0:16:52 | |
Hurrah for that. The word I want to hear from my customers, OK? | 0:16:52 | 0:16:56 | |
WENDY LAUGHS | 0:16:56 | 0:16:57 | |
A few minutes later, and Wendy's ready for Alain. | 0:16:57 | 0:17:00 | |
-I really like this vibe. -Ah! | 0:17:00 | 0:17:02 | |
It's very suave, very classic and to be honest with you, | 0:17:02 | 0:17:06 | |
if I was a client, your client, I would be inspired by your look. | 0:17:06 | 0:17:10 | |
It looks like at least one sale for Alain. | 0:17:10 | 0:17:13 | |
That is a bingo! | 0:17:13 | 0:17:15 | |
While Wendy moves on to her next outfit, Alain's got more clients. | 0:17:16 | 0:17:21 | |
Take a seat, darling. | 0:17:21 | 0:17:22 | |
Laura is a freelance screenwriter and mum. | 0:17:22 | 0:17:26 | |
-So, I'm a mother... -OK... -Er, but I still want to look fabulous. | 0:17:26 | 0:17:29 | |
-Of course. -Of course. -Yeah. | 0:17:29 | 0:17:31 | |
-Um, so, just things that I can probably lunge and squat in... -OK. | 0:17:31 | 0:17:35 | |
SHE LAUGHS | 0:17:35 | 0:17:36 | |
-But... And are comfortable... -Of course. | 0:17:36 | 0:17:38 | |
-..yet with that edge of style and the.. -Uh-hmm. | 0:17:38 | 0:17:41 | |
A little bit... So I feel a bit special. | 0:17:41 | 0:17:43 | |
Student Julius is also here, with sister, Samira, | 0:17:43 | 0:17:46 | |
for different reasons. | 0:17:46 | 0:17:48 | |
He hates shopping, but his wardrobe needs a serious overhaul. | 0:17:48 | 0:17:52 | |
Shopping's not really something that I enjoy doing. | 0:17:53 | 0:17:56 | |
So I actually could wear... Sort of get a whole outfit in one go. | 0:17:56 | 0:18:00 | |
And Alain and Sylvan are soon swinging into action. | 0:18:00 | 0:18:03 | |
Things start well. | 0:18:03 | 0:18:05 | |
-Go for it, girl! LAUGHING: -Thank you. | 0:18:05 | 0:18:08 | |
-I like that. -Oh, you've got a good eye! -You think? | 0:18:08 | 0:18:11 | |
-I can see why they employed you! -Yeah? | 0:18:11 | 0:18:14 | |
-Wow! -That's cool. -That is more... | 0:18:14 | 0:18:16 | |
But not all of Alain's picks are popular. | 0:18:17 | 0:18:22 | |
Oh, my God! I love it! | 0:18:22 | 0:18:23 | |
-I couldn't! -Why? -Because it's like a body condom! | 0:18:23 | 0:18:27 | |
My God, you look stunning. | 0:18:27 | 0:18:28 | |
I feel a little bit more self-conscious in this one. | 0:18:28 | 0:18:31 | |
-The only thing I'm not sure about is the bowtie. -I'm not a huge fan. | 0:18:31 | 0:18:34 | |
-It doesn't suit you, at all. -Yep. | 0:18:34 | 0:18:35 | |
But Alain doesn't give up easily. | 0:18:38 | 0:18:40 | |
He's got plenty more outfits planned. | 0:18:40 | 0:18:43 | |
Wow! Let's see. Wow! | 0:18:43 | 0:18:47 | |
-Samira, what do you think? -Definitely. -Yeah. | 0:18:47 | 0:18:49 | |
-He sees a different Wendy. -Like a different person completely! | 0:18:49 | 0:18:53 | |
Yes. He will say, "Hello-oh!" WENDY LAUGHS | 0:18:53 | 0:18:56 | |
-SYLVAN: -Where have you been... -Yes! -..all my life? | 0:18:56 | 0:18:58 | |
Who is this guy who changed your look? | 0:18:58 | 0:19:01 | |
You've been "Gokked"! | 0:19:01 | 0:19:04 | |
And Wendy isn't the only one who Alain has had a big effect on. | 0:19:04 | 0:19:08 | |
I feel like... Alain's changed my view on how to dress. | 0:19:08 | 0:19:13 | |
Tighten the waist in, get a chunky thing around the neck, | 0:19:13 | 0:19:16 | |
you're looking fabulous. | 0:19:16 | 0:19:17 | |
I feel like...I'm going to be a different person | 0:19:17 | 0:19:20 | |
when I go into work tomorrow. | 0:19:20 | 0:19:21 | |
-Bravo! Thank you so much. -Yeah. Thank you very, very much. | 0:19:21 | 0:19:24 | |
I'll see you again, OK? | 0:19:24 | 0:19:26 | |
Although it's a free service, there is a bottom line for Alain and his team. | 0:19:26 | 0:19:30 | |
And today, they've hit it. | 0:19:30 | 0:19:32 | |
That's £329.50. | 0:19:32 | 0:19:34 | |
OK. | 0:19:35 | 0:19:36 | |
Thank you so much. This is my card for next time, yeah? | 0:19:36 | 0:19:40 | |
-Yeah, absolutely. -OK. | 0:19:40 | 0:19:41 | |
I'm here to please my customer and make them happy, | 0:19:41 | 0:19:44 | |
and I think that's the most important role to be a personal stylist. | 0:19:44 | 0:19:50 | |
For Alain, it's just been an ordinary day at work. | 0:19:51 | 0:19:55 | |
But he's part of a growing trend which is changing the way | 0:19:55 | 0:19:57 | |
people shop for clothes. | 0:19:57 | 0:19:59 | |
For his clients, it's been a little peek at what it's like to be, | 0:20:01 | 0:20:05 | |
for one day at least, very far from ordinary. | 0:20:05 | 0:20:07 | |
Sgt Steve Stamp is in Piccadilly Circus. | 0:20:17 | 0:20:20 | |
He's followed a group of youths from near Oxford Street | 0:20:20 | 0:20:22 | |
and believes they've committed a theft in a store. | 0:20:22 | 0:20:26 | |
In the rain and crowds, he thought he'd lost them. | 0:20:26 | 0:20:29 | |
But a search finds them in another store, just as his backup arrives. | 0:20:29 | 0:20:35 | |
Stop! Keep going, keep going, keep going, keep going! | 0:20:35 | 0:20:37 | |
They're going to see you, keep going. | 0:20:37 | 0:20:40 | |
Stop there, and get out of the van. They are all in there, all in there. | 0:20:40 | 0:20:43 | |
Let's take them out. All right. | 0:20:43 | 0:20:45 | |
Steve decides it's time to bring the game of cat-and-mouse to a close. | 0:20:45 | 0:20:50 | |
Boys, police officers. All right. All you lot, come with me outside. | 0:20:50 | 0:20:53 | |
They had no idea Sgt Stamp had been following them | 0:20:53 | 0:20:57 | |
on their shopping trip. The three shorter boys look very young. | 0:20:57 | 0:21:01 | |
MUFFLED VOICES | 0:21:01 | 0:21:04 | |
Time to see what's in the bag. | 0:21:04 | 0:21:06 | |
All right, now. Come and stand over here. | 0:21:06 | 0:21:09 | |
-Open up the bag for me. -Open it. | 0:21:09 | 0:21:12 | |
The younger members of the group look worried, and no wonder, | 0:21:12 | 0:21:15 | |
there are brand-new jeans in the bags, but no receipt for them. | 0:21:15 | 0:21:19 | |
Where did you get these from? You! | 0:21:19 | 0:21:23 | |
Did you buy them? Course you didn't. | 0:21:23 | 0:21:25 | |
Look at me. | 0:21:25 | 0:21:26 | |
Right, you're all under arrest. Conspiracy to steal. | 0:21:29 | 0:21:31 | |
You don't have to say anything that might harm your defence, | 0:21:31 | 0:21:34 | |
if you don't mention when questioned something that you may rely on in court. | 0:21:34 | 0:21:37 | |
Anything you do say may be given in evidence. You're all under arrest. | 0:21:37 | 0:21:40 | |
It turns out the jeans have been stolen from | 0:21:40 | 0:21:42 | |
an Oxford Street clothing store. | 0:21:42 | 0:21:45 | |
Teenagers shoplifting on Oxford Street is not a new problem, | 0:21:45 | 0:21:48 | |
but one the police and stores take very seriously. | 0:21:48 | 0:21:52 | |
The three younger boys are shocked into silence. | 0:21:52 | 0:21:55 | |
The oldest one seems the most upset. | 0:21:55 | 0:21:57 | |
-HE SOBS -No point crying, mate. | 0:21:57 | 0:22:00 | |
Why're you crying? | 0:22:00 | 0:22:02 | |
You come to Oxford Street to steal, we will deal with you. | 0:22:02 | 0:22:05 | |
You understand? Cry all you want. I don't really care. | 0:22:05 | 0:22:08 | |
HE SOBS LOUDLY | 0:22:08 | 0:22:10 | |
Turn around. | 0:22:10 | 0:22:11 | |
But Steve can't afford to be impressed by the boy's tears. | 0:22:11 | 0:22:14 | |
And a search throws more suspicion onto him. | 0:22:14 | 0:22:18 | |
Look at that, what's that for. | 0:22:18 | 0:22:20 | |
Why're you on a tag? Is it for stealing? | 0:22:20 | 0:22:22 | |
-No! -Why are you on a tag then? | 0:22:22 | 0:22:24 | |
No, it's my cousin... | 0:22:24 | 0:22:26 | |
-So, you're wearing your cousin's tag? -Yeah. -Oh, wow! I wish... | 0:22:26 | 0:22:29 | |
What a great idea! | 0:22:29 | 0:22:30 | |
You're going to steal, you're in trouble. Stand up. | 0:22:33 | 0:22:37 | |
How about you? | 0:22:37 | 0:22:38 | |
They probably woke up this morning thinking they were going to come out and steal. | 0:22:38 | 0:22:42 | |
He thought he was going to teach his guys here how to steal. | 0:22:42 | 0:22:45 | |
What happens? They all end up in cuffs. Welcome! | 0:22:45 | 0:22:47 | |
Listen, welcome, welcome to Westminster. | 0:22:47 | 0:22:51 | |
This is how we deal with thieves, whether you like it or not, | 0:22:51 | 0:22:53 | |
you're under arrest. End of story. | 0:22:53 | 0:22:55 | |
Well, there you go. In you get! | 0:22:55 | 0:22:58 | |
Next one! Little lad, get in there. There you go, Merry Christmas. | 0:22:58 | 0:23:02 | |
Job done. | 0:23:04 | 0:23:06 | |
The young age of the boys makes it even more important for Steve | 0:23:06 | 0:23:10 | |
to show them how seriously they take shoplifting. | 0:23:10 | 0:23:12 | |
If found guilty, they'll be put in touch with youth offending teams | 0:23:12 | 0:23:16 | |
in the hope they can change their ways before it's too late. | 0:23:16 | 0:23:19 | |
Zero tolerance means that these youngsters now know, | 0:23:19 | 0:23:23 | |
"I can't steal, if I come to Westminster and steal, | 0:23:23 | 0:23:25 | |
"I'm going to get caught, I'm going to get arrested, | 0:23:25 | 0:23:27 | |
"I'm going to be thrown inside." | 0:23:27 | 0:23:29 | |
That's what I'm trying to teach them now, | 0:23:29 | 0:23:31 | |
I'm tried to show them the hard way. | 0:23:31 | 0:23:33 | |
At the moment, we have a nice pair of jeans, skinny fit. | 0:23:33 | 0:23:36 | |
They're not going to fit me, but they might fit one of them. | 0:23:36 | 0:23:39 | |
I'm more concerned about the chappie there, the ringleader, | 0:23:39 | 0:23:41 | |
with the tag on him. Yeah, he's crying like a baby. | 0:23:41 | 0:23:44 | |
He knows he's in trouble. It's game over for him. | 0:23:44 | 0:23:47 | |
Santa won't be visiting him this year. | 0:23:47 | 0:23:51 | |
It all adds up to a visit to the police station for these youngsters, | 0:23:51 | 0:23:54 | |
miles away from the bright lights and shops on Oxford Street. | 0:23:54 | 0:23:58 | |
Three of the lads are very young, but Steve thinks catching | 0:23:58 | 0:24:01 | |
the older lad may be potentially a very significant arrest. | 0:24:01 | 0:24:05 | |
Now, what we have here is clearly somebody who was a thief, | 0:24:05 | 0:24:10 | |
trying to teach others his sort of street craft, his skills. | 0:24:10 | 0:24:14 | |
What's happened is, these kids, | 0:24:14 | 0:24:17 | |
and they are kids, are learning how to steal at a very young age. | 0:24:17 | 0:24:20 | |
We have managed today to put a stop to their criminality, | 0:24:20 | 0:24:24 | |
thieving, at this time. | 0:24:24 | 0:24:26 | |
And what it's going to do to them, is it's going to make them believe | 0:24:26 | 0:24:29 | |
that if they steal, they will get caught, | 0:24:29 | 0:24:31 | |
they will be arrested and they could end up in prison. | 0:24:31 | 0:24:36 | |
Since we filmed, no further action was taken against three of the boys. | 0:24:36 | 0:24:40 | |
But the one caught holding the bag will receive a police reprimand | 0:24:40 | 0:24:43 | |
for theft. He will also meet with the youth offending team. | 0:24:43 | 0:24:46 | |
It turned out he was just 12 years old. | 0:24:46 | 0:24:49 | |
CHEERING | 0:24:56 | 0:25:01 | |
There's just 10 minutes to go | 0:25:01 | 0:25:03 | |
until the switch-on of Oxford Street's Christmas lights. | 0:25:03 | 0:25:06 | |
We're going to be live on Capital, | 0:25:06 | 0:25:08 | |
we are going to be live around the world. | 0:25:08 | 0:25:10 | |
With Cheryl Fernandez-Versini on her way, | 0:25:10 | 0:25:12 | |
an audience of thousands gathered and a live television audience | 0:25:12 | 0:25:16 | |
of half a million waiting to watch, the pressure's on. | 0:25:16 | 0:25:20 | |
And feeling it more than anyone right now | 0:25:20 | 0:25:22 | |
is 16-year-old talent competition winner, Lauren Mae Kidd. | 0:25:22 | 0:25:27 | |
So please give a massive warm welcome, | 0:25:27 | 0:25:30 | |
for the lovely Lauren Mae Kidd! | 0:25:30 | 0:25:35 | |
CHEERING | 0:25:35 | 0:25:38 | |
SHE SINGS | 0:25:38 | 0:25:45 | |
CHEERING | 0:25:53 | 0:25:57 | |
-Good girl! You did great. -Well done, didn't you do a good job! | 0:25:57 | 0:26:00 | |
Mind yourself on the stairs, though. | 0:26:00 | 0:26:03 | |
I actually... I-I've done it now. | 0:26:03 | 0:26:05 | |
I thought I dealt with it quite well. I tried my best. | 0:26:05 | 0:26:09 | |
Stage producer's Jo's responsible for making sure | 0:26:09 | 0:26:12 | |
everyone hits their cues. | 0:26:12 | 0:26:14 | |
Due to come off 58.30, they went on at 57. | 0:26:14 | 0:26:17 | |
That includes the unveiling of the John Lewis ad and making sure | 0:26:17 | 0:26:20 | |
the big switch-on happens in time | 0:26:20 | 0:26:22 | |
for the news programme to show it live. | 0:26:22 | 0:26:24 | |
It's just a case of making sure we give the mark at 18.17. | 0:26:24 | 0:26:29 | |
But first, the commercial everybody's talking about. | 0:26:29 | 0:26:32 | |
Dave does his bit. | 0:26:32 | 0:26:34 | |
-It's so cute! -Let's roll the ad! | 0:26:34 | 0:26:37 | |
Just then, the woman who can start Christmas arrives. | 0:26:37 | 0:26:40 | |
And things swing into action. | 0:26:40 | 0:26:42 | |
As soon as she goes out there, I think | 0:26:42 | 0:26:44 | |
Christmas is going to kick off in earnest. | 0:26:44 | 0:26:46 | |
Christmas here, everybody! | 0:26:48 | 0:26:51 | |
CHEERING DROWNS SPEECH | 0:26:51 | 0:26:53 | |
It's Cheryl Fernandez-Versini! | 0:26:53 | 0:26:56 | |
CHEERING | 0:26:56 | 0:26:59 | |
Hi! | 0:26:59 | 0:27:01 | |
Hello, everybody. | 0:27:01 | 0:27:03 | |
CHEERING DROWNS SPEECH | 0:27:03 | 0:27:05 | |
-OK! -Let's get the clock on and start the countdown! | 0:27:09 | 0:27:13 | |
ALL: Ten, nine, eight, seven, | 0:27:13 | 0:27:17 | |
six, five, four, three, two, one! | 0:27:17 | 0:27:23 | |
CHEERING | 0:27:24 | 0:27:28 | |
And Christmas comes to Oxford Street. | 0:27:28 | 0:27:30 | |
-Wow! -Merry Christmas! | 0:27:30 | 0:27:33 | |
CHEERING | 0:27:35 | 0:27:36 | |
Merry Christmas, everybody! | 0:27:36 | 0:27:38 | |
-Thank you to Cheryl. -Thank you, everybody! | 0:27:38 | 0:27:41 | |
-Thank you all, have a good night! -Thanks, everybody! | 0:27:41 | 0:27:44 | |
Oh, my God! All of that for that tiny moment! It's crazy, isn't it? | 0:27:44 | 0:27:49 | |
I mean, and then I think we went on 50 seconds early! | 0:27:49 | 0:27:52 | |
I am now going to have a beer! | 0:27:52 | 0:27:54 | |
The stage disappears and the ice-cream stand re-emerges. | 0:27:56 | 0:27:59 | |
And with that, the most Christmassy street in the UK | 0:28:01 | 0:28:05 | |
gets on with what it does best, | 0:28:05 | 0:28:07 | |
spreading a little bit of Christmas cheer | 0:28:07 | 0:28:09 | |
and selling an awful lot of presents. | 0:28:09 | 0:28:11 |