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It's the most famous shopping street in the world, | 0:00:02 | 0:00:04 | |
in the heart of Britain's capital city - | 0:00:04 | 0:00:07 | |
a mile and a half long, with 30 million visitors each year, | 0:00:07 | 0:00:12 | |
with some of the world's most famous shops, | 0:00:12 | 0:00:14 | |
-biggest stars... -Kate Moss. -CHEERING | 0:00:14 | 0:00:17 | |
-..and busiest stations. -Sorry, guys, stand back for me! | 0:00:17 | 0:00:21 | |
What does it take to keep it running 24 hours a day... | 0:00:21 | 0:00:24 | |
It's the busiest street in the world, so needs constant attention. | 0:00:24 | 0:00:27 | |
-..seven days a week? -Oi! Clear off! | 0:00:27 | 0:00:30 | |
You're going to be arrested on suspicion of attempted theft. | 0:00:30 | 0:00:33 | |
Are you ready, London? | 0:00:33 | 0:00:35 | |
A street that never sleeps. | 0:00:35 | 0:00:38 | |
This sort of thing wouldn't happen anywhere else. | 0:00:38 | 0:00:41 | |
Oxford Street. | 0:00:42 | 0:00:44 | |
Coming up... | 0:00:46 | 0:00:47 | |
The Oxford Street police crack down on table surfing - | 0:00:47 | 0:00:51 | |
distraction thefts from bars and cafes. | 0:00:51 | 0:00:54 | |
Just be aware of your belongings cos they'll be targeting you. | 0:00:54 | 0:00:57 | |
And window cleaning on ropes. | 0:00:57 | 0:00:59 | |
This is the best bit - the point of no return. | 0:00:59 | 0:01:01 | |
Oxford Street may be the home of shopping in the West End, | 0:01:07 | 0:01:10 | |
but the streets and courtyards immediately around it | 0:01:10 | 0:01:13 | |
are the place to eat and drink. | 0:01:13 | 0:01:15 | |
There's everything from Michelin stars to frozen ice bars | 0:01:15 | 0:01:19 | |
and the best restaurants get busy from early in the evening. | 0:01:19 | 0:01:23 | |
Making sure it's a safe place to eat and drink | 0:01:23 | 0:01:26 | |
is the job of the Oxford Street police team, known as ORB, | 0:01:26 | 0:01:29 | |
and tonight, PC Andy Pescott is on patrol, doing just that. | 0:01:29 | 0:01:34 | |
At the moment, he's on the lookout | 0:01:36 | 0:01:38 | |
for a priority crime known as table surfing. | 0:01:38 | 0:01:41 | |
This is when thieves target bars and restaurants | 0:01:41 | 0:01:44 | |
and attempt to distract their customers, | 0:01:44 | 0:01:46 | |
then steal items like phones or cash from their tables. | 0:01:46 | 0:01:50 | |
It's a problem throughout UK city centres. | 0:01:50 | 0:01:54 | |
And out on patrol... | 0:01:54 | 0:01:55 | |
From 3279. Have you got a direction of travel, please? | 0:01:58 | 0:02:02 | |
Negative. No direction of travel at the moment. | 0:02:02 | 0:02:04 | |
..Andy gets a call to just such a crime. | 0:02:04 | 0:02:07 | |
Flower seller's just stolen a phone on Hanover Street. | 0:02:07 | 0:02:10 | |
It's only a few hundred yards away, so Andy hurries. | 0:02:10 | 0:02:14 | |
But at the location of the robbery, there's no sign of anyone suspicious. | 0:02:16 | 0:02:20 | |
Andy decides to take a look round the area, | 0:02:20 | 0:02:23 | |
but the description he was given over the radio is basic. | 0:02:23 | 0:02:27 | |
It was a possible European male, dark clothing. | 0:02:27 | 0:02:30 | |
This time round, it seems the thief is long gone. | 0:02:30 | 0:02:33 | |
Yeah, re the flower seller, Slug and Lettuce, | 0:02:33 | 0:02:37 | |
I've done a quick area search from Hanover Street, | 0:02:37 | 0:02:40 | |
Brook Street, South Molton Lane, South Molton Street - no trace. | 0:02:40 | 0:02:43 | |
Andy decides to warn drinkers at the local pubs | 0:02:43 | 0:02:47 | |
that there's a table surfer about and it seems he's been seen. | 0:02:47 | 0:02:52 | |
How long ago and where? | 0:02:52 | 0:02:54 | |
I would say it was about an hour ago and right there. He had flowers. | 0:02:54 | 0:02:58 | |
Yeah. So, basically, he's offering you flowers | 0:02:58 | 0:03:00 | |
but when he puts them down, he'll take your phone. | 0:03:00 | 0:03:02 | |
For tonight, at least, Andy's thief is gone. | 0:03:02 | 0:03:06 | |
But the ORB team know there are table surfers out there | 0:03:06 | 0:03:09 | |
and they're determined to stop them. With that in mind, | 0:03:09 | 0:03:13 | |
tonight, other plain-clothes officers have been covertly hidden | 0:03:13 | 0:03:17 | |
in various pubs and restaurants, | 0:03:17 | 0:03:19 | |
in an operation overseen by PC Darren Bond. | 0:03:19 | 0:03:22 | |
Whoa. | 0:03:22 | 0:03:23 | |
And just off Oxford Street, Darren sees two men | 0:03:24 | 0:03:28 | |
he thinks are behaving suspiciously. He decides to tail them. | 0:03:28 | 0:03:32 | |
I've seen a couple of guys. | 0:03:33 | 0:03:34 | |
I noticed one of them outside one of the restaurants up the road | 0:03:34 | 0:03:38 | |
and he was looking around a lot before going in. | 0:03:38 | 0:03:41 | |
I've now noticed them going towards another restaurant | 0:03:41 | 0:03:44 | |
a few minutes later and, again, very edgily looking around | 0:03:44 | 0:03:47 | |
before looking to go into a restaurant. | 0:03:47 | 0:03:50 | |
Maybe they're looking for bags to take. | 0:03:50 | 0:03:52 | |
They're walking off again now from this restaurant. | 0:03:52 | 0:03:55 | |
The only option is to covertly follow the two men. | 0:03:55 | 0:03:58 | |
They soon head into another restaurant. | 0:03:58 | 0:04:00 | |
Darren follows them in and decides it's time to sit down on the job. | 0:04:00 | 0:04:04 | |
-OK. -So, it won't be eating, | 0:04:06 | 0:04:08 | |
-it'll just be watching somebody for a second. -I see, OK. | 0:04:08 | 0:04:11 | |
But after a few moments, Darren is happy | 0:04:14 | 0:04:17 | |
that the two men were just being fussy | 0:04:17 | 0:04:19 | |
over which restaurant to choose. | 0:04:19 | 0:04:22 | |
You'll get ones that'll sit down in a restaurant | 0:04:22 | 0:04:24 | |
but you're looking not so much... | 0:04:24 | 0:04:26 | |
Sometime you think that's more innocent | 0:04:26 | 0:04:28 | |
but it can be sometimes they're looking to do something | 0:04:28 | 0:04:31 | |
next to them, but these guys, I can't see anything for them | 0:04:31 | 0:04:33 | |
to take where they are, so they're probably all right. | 0:04:33 | 0:04:37 | |
But, elsewhere, there has been a table surf and Darren gets word | 0:04:37 | 0:04:41 | |
that one of his covertly hidden officers thinks she's foiled it. | 0:04:41 | 0:04:45 | |
A couple of the team have deployed to one of our hot spots | 0:04:45 | 0:04:49 | |
and are looking for bag thieves and what we call table surfers | 0:04:49 | 0:04:54 | |
and they've been looking for that type of offence | 0:04:54 | 0:04:57 | |
and have witnessed one, so we've got one detained. | 0:04:57 | 0:04:59 | |
Later, Darren catches up with his team and a table surfer. | 0:05:01 | 0:05:04 | |
It's 6.30am on Oxford Street and, at the moment, all the shops are shut. | 0:05:12 | 0:05:18 | |
This is no time for a bit of retail therapy, | 0:05:18 | 0:05:20 | |
but it IS the time when the street does its housework. | 0:05:20 | 0:05:23 | |
Oxford Street, more than most roads, needs to keep up appearances, | 0:05:25 | 0:05:30 | |
which is why Craig Deamer and his team of window cleaners | 0:05:30 | 0:05:33 | |
are here bright and early. | 0:05:33 | 0:05:35 | |
Today, this office block is in their sights. | 0:05:35 | 0:05:38 | |
The owners want the windows cleaned before the shops open their doors | 0:05:38 | 0:05:42 | |
in a couple of hours' time. | 0:05:42 | 0:05:44 | |
This being Oxford Street, | 0:05:44 | 0:05:46 | |
cleaning the windows takes a little more than a rag and a bucket. | 0:05:46 | 0:05:49 | |
With no space for erecting a platform or machinery, | 0:05:51 | 0:05:54 | |
they're going to have to do this one from the top down. | 0:05:54 | 0:05:57 | |
It's the middle of Oxford Street. | 0:05:57 | 0:05:58 | |
It's going to be very busy in the next half an hour or so. | 0:05:58 | 0:06:03 | |
Our biggest concern is the weather. It's predicted thunderstorms later. | 0:06:03 | 0:06:07 | |
So, they quickly head to the roof to get started. | 0:06:07 | 0:06:10 | |
-LIFT: -'Doors closing.' -They're taking the easy way up. | 0:06:10 | 0:06:15 | |
But it'll be the hard way down. They're going abseiling. | 0:06:15 | 0:06:19 | |
With such extreme window cleaning ahead, | 0:06:19 | 0:06:22 | |
they need specialist equipment. | 0:06:22 | 0:06:24 | |
These ropes can take the weight of five fully-grown men, | 0:06:24 | 0:06:27 | |
so there's no concern over them snapping, | 0:06:27 | 0:06:30 | |
but Craig has another worry. | 0:06:30 | 0:06:32 | |
Any rubbing of the rope on a sharp edge will just cut the rope. | 0:06:32 | 0:06:36 | |
-That's our main concern. -Fortunately, they have a solution. | 0:06:36 | 0:06:40 | |
We use Kevlar matting. | 0:06:40 | 0:06:42 | |
Kevlar is five times stronger than steel and will prevent any disasters. | 0:06:42 | 0:06:47 | |
Craig and Andy will be doing the first run. | 0:06:47 | 0:06:50 | |
Back on the ground, | 0:06:50 | 0:06:51 | |
trainee rope window cleaner, Sean, will be keeping an eye on the clock. | 0:06:51 | 0:06:55 | |
He doesn't know it yet, but he's also going to be having a go himself. | 0:06:55 | 0:06:59 | |
The shop will be open at nine o'clock, so we've got to get | 0:06:59 | 0:07:02 | |
these two front elevations done before the shop opens. | 0:07:02 | 0:07:04 | |
But, even with all safety measures taken, | 0:07:04 | 0:07:07 | |
the experienced hands are apprehensive. | 0:07:07 | 0:07:09 | |
If you ain't nervous, you're more likely to make more mistakes. | 0:07:09 | 0:07:13 | |
And with one last text to his mum, it's time to clean some windows. | 0:07:13 | 0:07:17 | |
This is the best bit - the point of no return. | 0:07:19 | 0:07:22 | |
As they progress down, those Kevlar safety mats are going their job. | 0:07:24 | 0:07:29 | |
And the windows certainly need plenty of attention. | 0:07:29 | 0:07:32 | |
The street has near-permanent bus and taxi traffic, a hoard of pigeons | 0:07:32 | 0:07:37 | |
and this particular building is next to the giant building works | 0:07:37 | 0:07:41 | |
at the Crossrail site. This could take a lot of washing-up liquid. | 0:07:41 | 0:07:45 | |
Cleaning the windows, come up to the bars - | 0:07:45 | 0:07:48 | |
bit difficult to get your arm behind. | 0:07:48 | 0:07:50 | |
Apart from that, great views, great scenery. | 0:07:50 | 0:07:54 | |
With the seasoned pros getting the windows above the alley and doorway | 0:08:01 | 0:08:05 | |
finished in time for the shops to open, | 0:08:05 | 0:08:07 | |
Craig has a surprise for trainee Sean. | 0:08:07 | 0:08:10 | |
-Right, Sean, it's your turn, buddy. -OK. -How do you feel about it, bud? | 0:08:10 | 0:08:14 | |
-Fine. -Yeah? -Looking forward to it. -All right, go steady. | 0:08:14 | 0:08:17 | |
I'll be down the bottom if you need me. | 0:08:17 | 0:08:19 | |
It's not trainee Sean's first time up the rope, | 0:08:19 | 0:08:21 | |
but Oxford Street has more distractions than most | 0:08:21 | 0:08:24 | |
and with the rain due within the hour, | 0:08:24 | 0:08:27 | |
this will be a test of his ability to focus and get the job done. | 0:08:27 | 0:08:31 | |
-He fancies his chances. -It's a lot to take in. | 0:08:31 | 0:08:33 | |
You've got really concentrate and knuckle down in your training course | 0:08:33 | 0:08:37 | |
and then that all shows when you're out on the ropes. | 0:08:37 | 0:08:39 | |
But now's the moment to keep his cool. | 0:08:39 | 0:08:42 | |
He's tying the ropes that will take his weight once he's hanging | 0:08:42 | 0:08:44 | |
-over the edge of the building. -This looks shorter. | 0:08:44 | 0:08:47 | |
-Between the two eights, where you had the other eight. -Oh, OK. | 0:08:47 | 0:08:50 | |
-Look like you're shaking a bit. -SEAN LAUGHS NERVOUSLY | 0:08:52 | 0:08:54 | |
Excited. Looking forward to going over the edge | 0:08:56 | 0:08:58 | |
-and doing some window cleaning. -Down on the ground, | 0:08:58 | 0:09:01 | |
Craig is also waiting for Sean to get on with the job. | 0:09:01 | 0:09:04 | |
When we do this bit and go over the edge, | 0:09:04 | 0:09:07 | |
the adrenaline kicks in and it's great. | 0:09:07 | 0:09:09 | |
Sean is now suspended over Oxford Street, | 0:09:09 | 0:09:12 | |
at the mercy of the ropes he tied himself. | 0:09:12 | 0:09:14 | |
But Andy is watching his every step. | 0:09:16 | 0:09:19 | |
Try and make sure your rope protector's done up nice and secure. | 0:09:19 | 0:09:22 | |
It's now up to Sean and Andy to clean the rest of the windows | 0:09:22 | 0:09:26 | |
-and divvy up the work. -I can't get... -You can't get there? | 0:09:26 | 0:09:31 | |
Is it just too much of a stretch for you? I'll get your bit of window... | 0:09:32 | 0:09:35 | |
And by the end of the drop, | 0:09:35 | 0:09:38 | |
Sean is confidently cleaning windows like an old pro. | 0:09:38 | 0:09:42 | |
-Well done. Good effort. -You've done really well. -Cheers. | 0:09:46 | 0:09:50 | |
-Bit more swinging and you'll be fine. -I really enjoyed that. | 0:09:50 | 0:09:54 | |
Getting over the edge was a bit of a buzz and adrenalin, | 0:09:54 | 0:09:57 | |
then coming down, yeah, it was good. | 0:09:57 | 0:09:59 | |
But with several hundred stores on Oxford Street | 0:10:00 | 0:10:03 | |
needing their windows cleaned, | 0:10:03 | 0:10:05 | |
there's a steady stream of work for the boys. | 0:10:05 | 0:10:07 | |
But that's a job for another day. | 0:10:07 | 0:10:10 | |
We can drive away, happy that the job's been completed on time. | 0:10:10 | 0:10:13 | |
HE TOOTS HORN | 0:10:13 | 0:10:15 | |
Oxford Circus Tube station. | 0:10:26 | 0:10:28 | |
Tens of thousands of people pass through this ticket hall each day, | 0:10:28 | 0:10:33 | |
making it the busiest station on the network. | 0:10:33 | 0:10:36 | |
And for staff based here, how they interact with passengers | 0:10:36 | 0:10:40 | |
and the quality of their customer service is everything... | 0:10:40 | 0:10:44 | |
Northbound Bakerloo, platform four. | 0:10:44 | 0:10:46 | |
..as new girl Sinead knows only too well. | 0:10:46 | 0:10:49 | |
It's a job you have to have quite a thick skin for. | 0:10:49 | 0:10:52 | |
You have to be quite bubbly, you can't be too shy. | 0:10:52 | 0:10:54 | |
Customers are always in need of help, | 0:10:54 | 0:10:57 | |
they're always in need of directions they're always in need of help | 0:10:57 | 0:11:00 | |
with the machines, tickets or just general information. | 0:11:00 | 0:11:03 | |
It's a fantastic job and I'm glad I'm here. | 0:11:03 | 0:11:06 | |
I need to go to Kensington. | 0:11:06 | 0:11:09 | |
Change at Victoria for the Circle line | 0:11:09 | 0:11:11 | |
and that will take you to High Street Kensington. | 0:11:11 | 0:11:14 | |
And it's a good job she's prepared | 0:11:14 | 0:11:16 | |
because tonight's an important one for the station. | 0:11:16 | 0:11:19 | |
Transport for London are modernising the Tube service | 0:11:20 | 0:11:23 | |
and this includes closing ticket offices | 0:11:23 | 0:11:26 | |
so customers can only buy tickets from machines. | 0:11:26 | 0:11:29 | |
The plan is this will free up staff | 0:11:29 | 0:11:31 | |
to deal with passengers face-to-face on the station floor. | 0:11:31 | 0:11:35 | |
But some staff are nervous, so today, at Oxford Circus, | 0:11:35 | 0:11:39 | |
they're doing a trial closure. | 0:11:39 | 0:11:41 | |
Team leader Mustak is overseeing the experiment. | 0:11:41 | 0:11:44 | |
Today, all our staff will be coming | 0:11:44 | 0:11:46 | |
and helping our customers on the machines. | 0:11:46 | 0:11:49 | |
Staff realise that technology has taken over | 0:11:50 | 0:11:52 | |
so they have to utilise that more and they understand that, | 0:11:52 | 0:11:56 | |
but some staff are nervous. | 0:11:56 | 0:11:58 | |
One staff member who will be coming out of the office today | 0:11:58 | 0:12:02 | |
is station assistant Stan Neill. | 0:12:02 | 0:12:04 | |
-He's worked the ticket office here for nearly 30 years. -I'm sad. | 0:12:04 | 0:12:08 | |
I think the ticket office should have been kept open, my own opinion, | 0:12:08 | 0:12:12 | |
because it's nice to help people at the window, | 0:12:12 | 0:12:16 | |
especially tourists, and we're coming to the busy summer season, | 0:12:16 | 0:12:19 | |
so that should be fun and games outside. | 0:12:19 | 0:12:22 | |
I hope it all goes well, that's all I hope. | 0:12:22 | 0:12:25 | |
They're about to find out. | 0:12:25 | 0:12:27 | |
-You're giving me £10. -Stan, make that your last one, yeah? -OK. | 0:12:27 | 0:12:32 | |
So, I'm going to close now and get outside amongst all the people. | 0:12:32 | 0:12:37 | |
You deal with the two machines here, three machines. | 0:12:37 | 0:12:39 | |
This is your guideline, so if you're not sure what to do, | 0:12:39 | 0:12:42 | |
-this tells you in there. -OK, thanks. | 0:12:42 | 0:12:44 | |
So, with a guidebook and some encouraging words, | 0:12:44 | 0:12:47 | |
staff now have an hour and a half of solid customer service | 0:12:47 | 0:12:50 | |
and no ticket office to hide away in. | 0:12:50 | 0:12:53 | |
It's just a trial this time, but in two weeks, | 0:12:53 | 0:12:56 | |
their jobs will be based permanently out on the ticket hall floor. | 0:12:56 | 0:13:00 | |
Mustak's team get stuck in. | 0:13:00 | 0:13:03 | |
It's £4.80 to Arsenal. | 0:13:03 | 0:13:06 | |
-Two children to Victoria, return. -No, hang on. | 0:13:06 | 0:13:09 | |
The best ticket is a one-day travel card, OK? | 0:13:09 | 0:13:12 | |
-Is it cheaper than the return? -Yeah. -OK. | 0:13:12 | 0:13:14 | |
But it's not long before the team are faced | 0:13:14 | 0:13:16 | |
with a more complex ticket problem. | 0:13:16 | 0:13:18 | |
This man's monthly travel card is broken | 0:13:18 | 0:13:21 | |
and he needs to get it replaced. | 0:13:21 | 0:13:23 | |
I went to the ticket office to get it changed, | 0:13:23 | 0:13:26 | |
but it looks like it's closed. | 0:13:26 | 0:13:29 | |
Without a ticket office, Mustak's options are limited. | 0:13:29 | 0:13:32 | |
I can do it for two days | 0:13:38 | 0:13:39 | |
and then they will transfer the monthly to your new card. | 0:13:39 | 0:13:43 | |
Mustak can't issue a new monthly card from the machines available. | 0:13:43 | 0:13:47 | |
The man will have to make do with a two-day ticket | 0:13:47 | 0:13:50 | |
and contact customer services separately. | 0:13:50 | 0:13:52 | |
The ticket office was great last time. | 0:13:52 | 0:13:54 | |
This time there was no ticket office, so we'll see. | 0:13:54 | 0:13:57 | |
It's a far from ideal start for the closure trial | 0:13:59 | 0:14:01 | |
but while staff continue to get to grips with it, | 0:14:01 | 0:14:04 | |
other staff are about to put different customer service skills | 0:14:04 | 0:14:08 | |
to the test. | 0:14:08 | 0:14:09 | |
VIP, eastbound Central line. | 0:14:09 | 0:14:11 | |
-What number train, rear car? Over. -Train number 002. Over. | 0:14:11 | 0:14:15 | |
On my way. Out. I'm going to go and meet a VIP. | 0:14:15 | 0:14:18 | |
Gerry Haines, better known as the Colonel, has got a VIP to deal with. | 0:14:18 | 0:14:23 | |
VIP, in company parlance, means a visually impaired passenger. | 0:14:23 | 0:14:27 | |
A visually impaired passenger is going to need help | 0:14:27 | 0:14:30 | |
being led from one platform to another. That's where I come in. | 0:14:30 | 0:14:34 | |
While he heads to the platform, | 0:14:34 | 0:14:36 | |
up top, Sinead has got herself a traveller | 0:14:36 | 0:14:39 | |
in need of a different kind of assistance. | 0:14:39 | 0:14:42 | |
This man has had a few drinks | 0:14:48 | 0:14:51 | |
and staff believe he slipped on the stairs and banged his head. | 0:14:51 | 0:14:54 | |
Sinead takes him into the office. He could need medical help. | 0:14:54 | 0:14:59 | |
Later, VIPs, injuries and ticket issues are par for the course | 0:14:59 | 0:15:04 | |
as evening continues in the ticket hall. | 0:15:04 | 0:15:07 | |
Outside a busy bar full of evening drinkers, | 0:15:14 | 0:15:18 | |
the Oxford Street police team have made an arrest | 0:15:18 | 0:15:21 | |
and they think it's a big score. | 0:15:21 | 0:15:23 | |
One of Darren's most recent recruits has radioed him | 0:15:25 | 0:15:28 | |
to say she's just bagged herself a table surfer. | 0:15:28 | 0:15:32 | |
Yeah, so my colleagues who's got this body | 0:15:32 | 0:15:34 | |
was recently on our training programme | 0:15:34 | 0:15:37 | |
and has done a number of shifts working with us. | 0:15:37 | 0:15:40 | |
Darren is soon on the scene. This is the suspect. | 0:15:40 | 0:15:44 | |
He's having his picture taken and circulated | 0:15:44 | 0:15:46 | |
to see if any other officers recognise his face. | 0:15:46 | 0:15:49 | |
The guy's been seen to approach the table | 0:15:49 | 0:15:52 | |
with four young ladies having a drink | 0:15:52 | 0:15:54 | |
with their phones on the table. | 0:15:54 | 0:15:56 | |
He's put an A4 piece of paper across the table | 0:15:56 | 0:16:00 | |
that has, scrawled on it in some foreign language, some writing. | 0:16:00 | 0:16:03 | |
It doesn't seem to be particularly legible, but that doesn't matter, | 0:16:03 | 0:16:07 | |
cos that means the person has to look at it more intently | 0:16:07 | 0:16:09 | |
to see what they're actually reading in front of them. | 0:16:09 | 0:16:12 | |
This is the paper. It's part of a cunning ruse, | 0:16:12 | 0:16:15 | |
but Darren's covert officer spotted what was happening. | 0:16:15 | 0:16:19 | |
Myself and Richard have been out today in plain clothes. | 0:16:19 | 0:16:22 | |
We've been in All Bar One, sitting by the table. | 0:16:22 | 0:16:25 | |
I noticed this gentleman approach some females | 0:16:25 | 0:16:27 | |
with a bit of paper in his hand | 0:16:27 | 0:16:29 | |
and put his hand under the bit of paper | 0:16:29 | 0:16:31 | |
and I could clearly see him pick up the phone, which amounts to theft. | 0:16:31 | 0:16:34 | |
So, we stopped him straightaway and he's been arrested for theft. | 0:16:34 | 0:16:38 | |
Excellent result. Really pleased with it. | 0:16:38 | 0:16:40 | |
The training course helps officers to develop the skills | 0:16:40 | 0:16:44 | |
to spot when individuals might be up to no good. | 0:16:44 | 0:16:47 | |
This shows that the training course really does work. | 0:16:47 | 0:16:49 | |
The arrested man seems a little bewildered at what's happened | 0:16:49 | 0:16:53 | |
and doesn't want to try his English. | 0:16:53 | 0:16:55 | |
HE SPEAKS IN NATIVE TONGUE | 0:16:55 | 0:16:57 | |
With the suspect taken in for interview, | 0:16:59 | 0:17:01 | |
the woman whose phone was nearly stolen is relieved | 0:17:01 | 0:17:04 | |
to still have her prize possession. | 0:17:04 | 0:17:06 | |
This is my iPhone and, obviously, it's a smartphone | 0:17:06 | 0:17:09 | |
and they're quite desirable, so a lot of people will try and get them. | 0:17:09 | 0:17:14 | |
He basically put that bit of paper on top of my phone, | 0:17:14 | 0:17:17 | |
trying to steal my phone and, luckily, | 0:17:17 | 0:17:19 | |
we managed to catch this and we got really lucky | 0:17:19 | 0:17:24 | |
because next to us, there were two police officers. | 0:17:24 | 0:17:27 | |
They blended extra well cos I would never have guessed | 0:17:27 | 0:17:30 | |
that they were police officers and I'm grateful that they were here. | 0:17:30 | 0:17:34 | |
It's one table surfer safely off the streets, | 0:17:34 | 0:17:37 | |
but there will be others out there. | 0:17:37 | 0:17:39 | |
Darren thinks the diners and drinkers of the West End | 0:17:39 | 0:17:42 | |
would do well to keep their eyes peeled. | 0:17:42 | 0:17:46 | |
Always ask yourself, "Why is this person approaching my table? | 0:17:46 | 0:17:49 | |
"Why are they talking to me? What are they doing with their hands?" | 0:17:49 | 0:17:52 | |
Just be aware of your belongings, your bags by your feet, | 0:17:52 | 0:17:56 | |
They're looking to target people in pubs, in cafes, | 0:17:56 | 0:18:01 | |
catch them unawares and be off with your personal property. | 0:18:01 | 0:18:04 | |
Don't allow them to. | 0:18:04 | 0:18:05 | |
Oxford Street's central location makes it the ideal place | 0:18:13 | 0:18:17 | |
for star-studded openings and product launches. | 0:18:17 | 0:18:20 | |
And that usually means there'll be a photo opportunity or two | 0:18:20 | 0:18:24 | |
with a famous celeb on the street. | 0:18:24 | 0:18:26 | |
And that's it. That's lovely. | 0:18:26 | 0:18:28 | |
That's great. That's lovely. Thank you, Anthea. | 0:18:28 | 0:18:30 | |
Today, an event is planned | 0:18:30 | 0:18:32 | |
with a soap actress appearing on the steps of a large department store | 0:18:32 | 0:18:36 | |
and that's good news for photographer Andy Barnes. | 0:18:36 | 0:18:40 | |
Michelle Keegan is turning up at House of Fraser. | 0:18:40 | 0:18:43 | |
She is number one FHM's sexiest women in the world. | 0:18:43 | 0:18:46 | |
Doing a big party tonight, but she's doing a launch of a clothing range | 0:18:46 | 0:18:51 | |
at House of Fraser, Oxford Street. I'm on my way. | 0:18:51 | 0:18:54 | |
Andy is a celebrity photographer who makes his living | 0:18:57 | 0:19:00 | |
being in the right place at the right time with a camera. | 0:19:00 | 0:19:03 | |
He's usually on or around Oxford Street | 0:19:03 | 0:19:06 | |
and thinks snaps of former Coronation Street star Michelle Keegan | 0:19:06 | 0:19:10 | |
are something he can sell to celebrity magazines. | 0:19:10 | 0:19:13 | |
Pictures of Michelle Keegan, at the moment, sell exceptionally well. | 0:19:13 | 0:19:17 | |
They are really good. They are like gold dust. | 0:19:17 | 0:19:19 | |
Andy's hoping to get an exclusive. | 0:19:19 | 0:19:21 | |
Cos I know so many people in the area now, | 0:19:21 | 0:19:24 | |
I get invited to events and parties. | 0:19:24 | 0:19:26 | |
This is really my manor, if you like. | 0:19:26 | 0:19:29 | |
But at House of Fraser, it's clear he's not the first pap on the scene. | 0:19:29 | 0:19:34 | |
-Do you know what time? -Er, 5.15. -5.15? | 0:19:34 | 0:19:38 | |
Andy gets to work. | 0:19:38 | 0:19:40 | |
First of all, he needs to find out | 0:19:40 | 0:19:42 | |
the state of play with the store itself. | 0:19:42 | 0:19:45 | |
Is this where the photocall's going to happen? | 0:19:45 | 0:19:47 | |
-Where's she going to...? -Right there. -Right there? | 0:19:53 | 0:19:55 | |
-Definitely for quarter past five? -Yes. -Yeah? Brilliant. | 0:19:55 | 0:19:59 | |
The event's important for House of Fraser. | 0:19:59 | 0:20:02 | |
They're hoping the celebrity endorsement | 0:20:02 | 0:20:04 | |
will help them sell more of the clothing line. | 0:20:04 | 0:20:07 | |
To help gain publicity, they've roped off an area | 0:20:07 | 0:20:09 | |
on the front steps of the store for photographers. | 0:20:09 | 0:20:12 | |
Andy wants to see how far he can push for access. | 0:20:12 | 0:20:16 | |
Is there an opportunity to get any pictures inside at all? | 0:20:16 | 0:20:19 | |
My understanding is no. | 0:20:19 | 0:20:20 | |
It's a blow for Andy and, as he waits, competition is growing. | 0:20:20 | 0:20:25 | |
Andy's agency have got him accreditation from the store | 0:20:25 | 0:20:28 | |
to be in the photographer's pen but other paps are arriving | 0:20:28 | 0:20:32 | |
and getting the same access | 0:20:32 | 0:20:34 | |
without having agreed attendance in advance. | 0:20:34 | 0:20:37 | |
What's he doing? | 0:20:37 | 0:20:39 | |
No, he's not one of the accredited photographers. So, he's like.. | 0:20:43 | 0:20:47 | |
He needs to stay out of the pen area. | 0:20:48 | 0:20:51 | |
So, I'm the one who's been accredited. | 0:20:51 | 0:20:53 | |
-Just give me one second. -All right. | 0:20:53 | 0:20:55 | |
I'm just making sure that I'm the one, | 0:20:55 | 0:20:58 | |
the photographer who actually does the photos | 0:20:58 | 0:21:01 | |
inside the press pen area. | 0:21:01 | 0:21:03 | |
But, despite Andy's protests, | 0:21:03 | 0:21:05 | |
it's decided the unaccredited photographer can stay. | 0:21:05 | 0:21:09 | |
He's been let in, so you've just got to run with it. | 0:21:09 | 0:21:12 | |
Definitely going to have to up the game now, without a doubt. | 0:21:12 | 0:21:15 | |
We're going to have to make sure we get the right images, | 0:21:15 | 0:21:18 | |
get them sent out ever so quickly. | 0:21:18 | 0:21:20 | |
It's now a straight fight to get the best pics and Andy's in his element. | 0:21:20 | 0:21:25 | |
I get a good little rush from doing this job. | 0:21:25 | 0:21:28 | |
It gives me a real buzz and that's why I really enjoy it | 0:21:28 | 0:21:31 | |
and that's why I decided to do what I do now. | 0:21:31 | 0:21:35 | |
Oxford Street is just one big, buzzy street. | 0:21:35 | 0:21:38 | |
A crowd is gathering to see what all the fuss is about. | 0:21:38 | 0:21:42 | |
Meanwhile, at the back of the store, | 0:21:42 | 0:21:44 | |
Michelle sneaks in through a side door. | 0:21:44 | 0:21:47 | |
Andy rushes for a look but he's too late. | 0:21:47 | 0:21:51 | |
She's gone straight in down that way. | 0:21:51 | 0:21:53 | |
He'll have to make do with the press pen, | 0:21:53 | 0:21:56 | |
but at least he's at the front, which matters, | 0:21:56 | 0:21:59 | |
because moments later, Michelle Keegan arrives | 0:21:59 | 0:22:02 | |
and Andy gets to work. | 0:22:02 | 0:22:04 | |
-Hi, Michelle, how are you doing? Michelle, look this way. -Yeah. | 0:22:04 | 0:22:09 | |
And, Michelle, looking this way, please. Lovely. | 0:22:09 | 0:22:12 | |
Brilliant, brilliant. | 0:22:12 | 0:22:14 | |
And, with his prime location, Andy can snap away. | 0:22:14 | 0:22:18 | |
This way, please. Lovely, thank you. | 0:22:18 | 0:22:20 | |
After one minute and 42 seconds of standing in front of a hoarding, | 0:22:20 | 0:22:24 | |
it's all over. | 0:22:24 | 0:22:26 | |
We got a nice, clean shot | 0:22:26 | 0:22:28 | |
and she was looking straight down the line at me, | 0:22:28 | 0:22:31 | |
so it was great. Very pleased. | 0:22:31 | 0:22:33 | |
And now the race is on to get the photos out and sold. | 0:22:33 | 0:22:37 | |
There's a big market for snaps like this | 0:22:37 | 0:22:39 | |
with the red-top newspapers and celebrity magazines. | 0:22:39 | 0:22:42 | |
But they want the pictures right away, | 0:22:42 | 0:22:44 | |
so Andy finds a spot nearby to upload his photos. | 0:22:44 | 0:22:48 | |
Ooh, look at that. That is a nice picture. | 0:22:49 | 0:22:53 | |
I'm sending them off to an agency | 0:22:53 | 0:22:56 | |
that I use a lot for all my celeb stuff. | 0:22:56 | 0:22:59 | |
Andy has high hopes for his afternoon on Oxford Street. | 0:22:59 | 0:23:03 | |
I can see that type of picture being used, | 0:23:03 | 0:23:05 | |
probably on the front page of something. | 0:23:05 | 0:23:08 | |
If that happens, Andy will make serious money | 0:23:08 | 0:23:11 | |
and he certainly thinks his day has been well spent. | 0:23:11 | 0:23:14 | |
Really pleased. Got my pictures sent off. | 0:23:14 | 0:23:16 | |
Fingers crossed and wait for the morning. | 0:23:16 | 0:23:19 | |
With that done, Andy heads off, ready for his next celebrity bash. | 0:23:19 | 0:23:23 | |
At the busiest station on the London Underground network, Oxford Circus, | 0:23:31 | 0:23:35 | |
staff are testing their customer service skills to the limit. | 0:23:35 | 0:23:39 | |
There's a practice closure of the ticket office, | 0:23:39 | 0:23:42 | |
so staff are having to show passengers | 0:23:42 | 0:23:44 | |
how to use the ticket machines. | 0:23:44 | 0:23:46 | |
Now touch your card. No, no, you have to leave it there, otherwise... | 0:23:46 | 0:23:50 | |
-Yeah, there you go. -They've had some teething problems. -My card broken. | 0:23:50 | 0:23:55 | |
-And the queues are building up. -You've used up your money. | 0:23:55 | 0:23:58 | |
You need to put on £3. | 0:23:58 | 0:24:01 | |
But as the going gets tough, the tough get going | 0:24:01 | 0:24:04 | |
and staff seem to be getting to grips with the new set-up. | 0:24:04 | 0:24:08 | |
£15 in change and £5 on the machine, OK? | 0:24:08 | 0:24:12 | |
He was very polite with me | 0:24:12 | 0:24:13 | |
and he was very useful and he helped me so much. | 0:24:13 | 0:24:17 | |
-There you go. -Thank you very much. -Enjoy. Thank you. | 0:24:17 | 0:24:20 | |
-That's your receipt. Thank you very much. -Thank you very much. | 0:24:20 | 0:24:23 | |
OK, looks like you've won the jackpot there. | 0:24:24 | 0:24:27 | |
-Do you want to play again? Cheers. -Thank you very much. -Bye. | 0:24:27 | 0:24:30 | |
-Thank you. -Happy. | 0:24:30 | 0:24:33 | |
After some early nerves, staff are feeling more positive. | 0:24:33 | 0:24:36 | |
It's like training a new-born child how to work. | 0:24:36 | 0:24:40 | |
It's not going to be easy, but with time, you should get used to it. | 0:24:40 | 0:24:43 | |
Not everyone's convinced about the changes. | 0:24:45 | 0:24:47 | |
There are still concerns from passengers and staff. | 0:24:47 | 0:24:50 | |
Why have these machines | 0:24:50 | 0:24:52 | |
when these people are there telling you how to work it? | 0:24:52 | 0:24:54 | |
They might as well be stuck behind the cash point...cash desk, | 0:24:54 | 0:24:59 | |
where you're going to get sense out of them. | 0:24:59 | 0:25:01 | |
And it doesn't smile at me or say thank you. | 0:25:01 | 0:25:05 | |
I'm not the first. People have problems trying to get tickets | 0:25:05 | 0:25:09 | |
and they need people in the ticket offices to assist and help. | 0:25:09 | 0:25:13 | |
As far as most customers are concerned, very, very wrong. | 0:25:13 | 0:25:16 | |
So far, I haven't had any major problems. | 0:25:16 | 0:25:19 | |
The customers might get used to it, I'll probably get used to it. | 0:25:19 | 0:25:23 | |
Let's hope that nothing goes seriously wrong. | 0:25:23 | 0:25:26 | |
But as the test period comes to a close, | 0:25:26 | 0:25:28 | |
working without the ticket office | 0:25:28 | 0:25:30 | |
hasn't been the disaster some feared it might be. | 0:25:30 | 0:25:33 | |
-You've done well, for what we have to deal with. -Sure. | 0:25:33 | 0:25:36 | |
So, everybody, well done. | 0:25:36 | 0:25:38 | |
And one man hasn't had quite the experience he expected. | 0:25:38 | 0:25:42 | |
I'm looking forward to it. | 0:25:42 | 0:25:44 | |
It wasn't as bad as I thought it was going to be. | 0:25:44 | 0:25:47 | |
For tonight, Mustak reopens the ticket office. | 0:25:47 | 0:25:49 | |
He'll be hoping things go as smoothly | 0:25:49 | 0:25:52 | |
when it closes its curtains permanently in two weeks' time. | 0:25:52 | 0:25:56 | |
They all know what to expect from the customer, what went well, | 0:25:56 | 0:25:59 | |
what went wrong, so hopefully, they will learn from that and then, | 0:25:59 | 0:26:02 | |
on the day, when we close the ticket offices, | 0:26:02 | 0:26:05 | |
they'll pick out those things from today's experience. | 0:26:05 | 0:26:09 | |
Meanwhile, down on the platform, | 0:26:09 | 0:26:12 | |
and Gerry's just in time for his VIP. | 0:26:12 | 0:26:15 | |
Hello, sir. I'm a member of staff. Can I help you? | 0:26:15 | 0:26:17 | |
He wants to get to the Victoria line. | 0:26:17 | 0:26:19 | |
You want to get to the Victoria line, OK. | 0:26:19 | 0:26:21 | |
Northbound or southbound? | 0:26:21 | 0:26:23 | |
Highbury and Islington, platform six. | 0:26:25 | 0:26:27 | |
Do you want somebody to meet you at the other end? | 0:26:27 | 0:26:29 | |
OK. 2-4 for base. | 0:26:29 | 0:26:31 | |
Excuse me, folks. Come this way, please. | 0:26:32 | 0:26:35 | |
-HANDSET: -'That's train number two. Over.' | 0:26:36 | 0:26:38 | |
Imagine that without London Underground being there to help | 0:26:38 | 0:26:41 | |
and provide this service, it would be much more difficult | 0:26:41 | 0:26:44 | |
for a disabled person to find their way around in London. | 0:26:44 | 0:26:48 | |
That's one of the things I enjoy about this job. I can help people. | 0:26:48 | 0:26:51 | |
Mind the doors, please! | 0:26:51 | 0:26:53 | |
Up in the station office, Sinead's busy helping her injured passenger. | 0:26:58 | 0:27:02 | |
-No. -Will you drink that for me, please? Thank you. | 0:27:05 | 0:27:08 | |
What's your name, sir? | 0:27:08 | 0:27:10 | |
Did you hit your head? Cos I've seen you holding it. | 0:27:11 | 0:27:14 | |
-No, I'm fine. I missed a step. -You missed a step, yeah. | 0:27:14 | 0:27:18 | |
It is quite busy in the station, especially with the rain and that. | 0:27:18 | 0:27:22 | |
A glass of water and some comforting words later, | 0:27:24 | 0:27:27 | |
they're happy to see him on his way. | 0:27:27 | 0:27:29 | |
That's no problem. That's what we're here for. | 0:27:31 | 0:27:33 | |
Picking drunks up off the bottom of the stairs. | 0:27:33 | 0:27:35 | |
She won't let me hold her hand. | 0:27:40 | 0:27:42 | |
I'm going to go on the escalator in front of you. | 0:27:42 | 0:27:44 | |
Don't fall on top of me cos I'll move and let you fall. | 0:27:44 | 0:27:47 | |
Bakerloo southbound to Waterloo. | 0:27:49 | 0:27:52 | |
With Sinead onside, the man has made it to the platform. | 0:27:52 | 0:27:55 | |
Now all she's got to do is get him into a carriage. | 0:27:55 | 0:27:59 | |
Looks like your train's here, my dear. | 0:27:59 | 0:28:02 | |
All right. I hope you get home safe. | 0:28:03 | 0:28:05 | |
Right, he's gone on his way. | 0:28:12 | 0:28:14 | |
He'll probably wake up with a banging head in the morning | 0:28:14 | 0:28:17 | |
and his wife probably won't be too happy with him | 0:28:17 | 0:28:19 | |
and he probably won't remember speaking to me, but there you go. | 0:28:19 | 0:28:22 | |
What can you do? Welcome to life on the Underground. | 0:28:22 | 0:28:24 |