Browse content similar to Episode 2. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
It's the most famous shopping street in the world | 0:00:02 | 0:00:04 | |
in the heart of Britain's capital city, | 0:00:04 | 0:00:07 | |
1.5 miles long with 30 million visitors each year, | 0:00:07 | 0:00:11 | |
with some of the world's most famous shops, biggest stars... | 0:00:11 | 0:00:16 | |
-Kate Moss! -..and busiest stations. -Sorry, guys. Stand back for me. | 0:00:16 | 0:00:21 | |
What does it take to keep it running 24 hours a day... | 0:00:21 | 0:00:25 | |
Busiest street in the world so it needs constant attention. | 0:00:25 | 0:00:27 | |
-..seven days a week? -Oi! Clear off! | 0:00:27 | 0:00:30 | |
You're going to be arrested on suspicion of attempted theft. | 0:00:30 | 0:00:33 | |
-Are you ready, London? -A street that never sleeps... | 0:00:33 | 0:00:38 | |
This sort of thing wouldn't happen anywhere else. | 0:00:38 | 0:00:42 | |
..Oxford Street. | 0:00:42 | 0:00:43 | |
Coming up... Skimming devices on cash machines. | 0:00:46 | 0:00:50 | |
The Oxford Street police hunt down the gangs responsible. | 0:00:50 | 0:00:54 | |
Simon Cowell's coming to Oxford Street. Can the paps get a snap? | 0:00:56 | 0:01:00 | |
Just look at the state of that! That is incredible, that is. | 0:01:00 | 0:01:04 | |
There's a robot loose on the Tube. | 0:01:04 | 0:01:06 | |
And bread of heaven. | 0:01:08 | 0:01:09 | |
It's St David's Day at John Lewis and the store's in full voice. | 0:01:09 | 0:01:14 | |
THEY SING | 0:01:14 | 0:01:18 | |
Oxford Street has its own team of specialist police tasked with | 0:01:25 | 0:01:29 | |
keeping it safe for all those that use it. They're known as ORB. | 0:01:29 | 0:01:34 | |
It's 9am and one of the ORB team, PC Barry Nicholls, has been | 0:01:34 | 0:01:38 | |
-called to a West End bank. -'South-west 1, over.' | 0:01:38 | 0:01:42 | |
-Can you just tell us what number it is, please? -'35.' | 0:01:42 | 0:01:45 | |
He's off to deal with the latest example of a crime | 0:01:45 | 0:01:48 | |
that's afflicting Oxford Street and city centres up and down the UK - | 0:01:48 | 0:01:52 | |
ATM, or cash machine, fraud. | 0:01:52 | 0:01:55 | |
We've got a suspect device that's been put on one of the cash points. | 0:01:55 | 0:01:59 | |
Inside the bank, all becomes clear. | 0:01:59 | 0:02:01 | |
A member of staff has removed the devices to show them to the police. | 0:02:01 | 0:02:05 | |
Ah! | 0:02:05 | 0:02:07 | |
Card clips. They're not actual readers. Do you know how they work? | 0:02:08 | 0:02:12 | |
-No. -Basically, the device is stuck inside the machine, like that. | 0:02:12 | 0:02:17 | |
So you put your card into the machine. | 0:02:17 | 0:02:19 | |
So it goes underneath, works as normal, | 0:02:19 | 0:02:21 | |
and when the card goes to go out, gets stuck, then the machine | 0:02:21 | 0:02:25 | |
says "out of order" and the person thinks they've had their card eaten. | 0:02:25 | 0:02:28 | |
The person will stand near them and try and get the PIN number. | 0:02:28 | 0:02:32 | |
The person will walk away and all they'll do is unclip that, | 0:02:32 | 0:02:35 | |
the card will pop out, so they've got a PIN number and a card. | 0:02:35 | 0:02:38 | |
PC Nicholls and Rickett ask to inspect the bank's CCTV | 0:02:38 | 0:02:42 | |
to try and spot the criminal. | 0:02:42 | 0:02:44 | |
Then, after a few minutes of studying the footage... | 0:02:45 | 0:02:48 | |
-Yeah, yeah, yeah. -Yup. -It's him, isn't it? | 0:02:48 | 0:02:51 | |
Yeah, he's just lining it up, isn't he, to get it right? | 0:02:51 | 0:02:55 | |
He's pushing it up to get it stuck in. | 0:02:55 | 0:02:57 | |
White male, grey long-sleeved jumper, blue jeans, dark-blue cap. | 0:02:57 | 0:03:01 | |
Moments later, | 0:03:02 | 0:03:03 | |
an unwitting member of the public becomes the first victim. | 0:03:03 | 0:03:07 | |
She just keeps putting her hand up, | 0:03:07 | 0:03:09 | |
and that's where the little clicker will have just held it in. | 0:03:09 | 0:03:12 | |
The skimmer waits around, looking for the moment to retrieve the device | 0:03:12 | 0:03:16 | |
and the card it's trapped. | 0:03:16 | 0:03:18 | |
There he is. | 0:03:18 | 0:03:19 | |
PCs Nicholls and Rickett, on the other hand, | 0:03:19 | 0:03:22 | |
are hoping for a clear shot of his face. | 0:03:22 | 0:03:25 | |
Especially there. That was awesome. What time is it? 10.08 and 51. | 0:03:25 | 0:03:30 | |
It's a good facial shot. | 0:03:30 | 0:03:31 | |
ATM skimming is on the rise in the UK. | 0:03:31 | 0:03:35 | |
Fraud from skimmed cards has risen 15%, according to latest figures. | 0:03:35 | 0:03:41 | |
But few places have the resources Oxford Street does to combat it. | 0:03:41 | 0:03:46 | |
With so many tourists and visitors, it's vital they feel safe to shop. | 0:03:46 | 0:03:51 | |
Barry and colleague take the device | 0:03:51 | 0:03:52 | |
and CCTV evidence back to the station. | 0:03:52 | 0:03:55 | |
It will now go to a specialist team | 0:03:55 | 0:03:57 | |
to see if they can identify the suspect. | 0:03:57 | 0:04:00 | |
What it means for the ORB team is | 0:04:00 | 0:04:02 | |
there are cash machine gangs on the loose in the West End | 0:04:02 | 0:04:05 | |
and they need to do everything they can to disrupt them. | 0:04:05 | 0:04:09 | |
Doing his bit is PC Darren Bond, part of the team's plain-clothes squad. | 0:04:09 | 0:04:14 | |
Today, he's on patrol with colleague Hadees Iper. | 0:04:14 | 0:04:18 | |
ATM crime is a big problem for him and he's targeting it hard. | 0:04:18 | 0:04:22 | |
One of the ATMs around Oxford Street will be having a device, | 0:04:22 | 0:04:26 | |
a skimming device, on it on a daily basis. | 0:04:26 | 0:04:29 | |
It's an ongoing war. | 0:04:29 | 0:04:31 | |
They're on the lookout for the telltale signs | 0:04:31 | 0:04:33 | |
of the card skimmers... | 0:04:33 | 0:04:35 | |
We're patrolling along Oxford Street to see what we can see. | 0:04:35 | 0:04:38 | |
..and as they patrol, the team spots something. | 0:04:38 | 0:04:41 | |
Just been keeping an eye on a guy who's been walking down the road, | 0:04:42 | 0:04:46 | |
probably walked along behind him for about 200 metres. | 0:04:46 | 0:04:49 | |
And now he's crossed over, but he's going back the way he's come. | 0:04:52 | 0:04:56 | |
He's wearing a black puffa jacket. | 0:04:56 | 0:04:58 | |
He's got a blue...shoulder Adidas bag. | 0:04:58 | 0:05:03 | |
Yeah, not quite sure what to make of him. | 0:05:03 | 0:05:06 | |
That could be a job across the road at the ATM. | 0:05:06 | 0:05:08 | |
The man has stopped at several cash machines. | 0:05:10 | 0:05:12 | |
Darren thinks he might be planting card skimmers on them | 0:05:12 | 0:05:15 | |
like the one found earlier. | 0:05:15 | 0:05:17 | |
A definite job. | 0:05:21 | 0:05:22 | |
Just seen two males standing very close | 0:05:22 | 0:05:25 | |
and observing the ATMs just down here. | 0:05:25 | 0:05:28 | |
Some of the team are going to observe them now | 0:05:28 | 0:05:31 | |
and just going to go down and see what I can see on the machines. | 0:05:31 | 0:05:35 | |
Darren glances at the machines the men were at. | 0:05:35 | 0:05:37 | |
It's not clear if they have a skimming device on them | 0:05:37 | 0:05:40 | |
and he doesn't want to get too close. | 0:05:40 | 0:05:42 | |
Got to be very aware of the third eye | 0:05:42 | 0:05:44 | |
they may have left, watching the machines, | 0:05:44 | 0:05:47 | |
if there is a device on them. | 0:05:47 | 0:05:49 | |
Darren and Hadees call in more officers to covertly follow the two | 0:05:49 | 0:05:53 | |
and the officers report the men are heading towards a bank. | 0:05:53 | 0:05:57 | |
When they're at the cashpoint, bang! | 0:06:02 | 0:06:04 | |
Later, Darren finds a lot more than he bargained for. | 0:06:05 | 0:06:09 | |
That has a pinhole camera here. | 0:06:09 | 0:06:11 | |
In the dog-eat-dog world of the paparazzi photographer, | 0:06:21 | 0:06:24 | |
there's no patch more crucial than Oxford Street, | 0:06:24 | 0:06:28 | |
where a steady stream of stars come to work, shop and play. | 0:06:28 | 0:06:32 | |
No-one knows this better than leading celebrity snapper Andy Barnes. | 0:06:34 | 0:06:38 | |
Got to be there at the right time. | 0:06:38 | 0:06:40 | |
You've got to have the right equipment. | 0:06:40 | 0:06:42 | |
I mean, I'm all kitted out. | 0:06:42 | 0:06:44 | |
And it's all about preparation and also, perhaps, sometimes, | 0:06:44 | 0:06:47 | |
just that little bit of luck can help you just get the right moment. | 0:06:47 | 0:06:51 | |
And today, Andy's got a hot tip he's hoping will land him | 0:06:52 | 0:06:55 | |
some lucrative picture sales. | 0:06:55 | 0:06:58 | |
The auditions for ITV's Britain's Got Talent show | 0:06:58 | 0:07:01 | |
are taking place at the Dominion Theatre at the east end of the street | 0:07:01 | 0:07:05 | |
and the celebrity judges are due to arrive. | 0:07:05 | 0:07:08 | |
We're expecting some really good names to turn up - | 0:07:08 | 0:07:11 | |
the likes of Simon Cowell. | 0:07:11 | 0:07:13 | |
They always sell really well in magazines. | 0:07:13 | 0:07:15 | |
They're always absolutely brilliant, price-wise. | 0:07:15 | 0:07:18 | |
Yesterday, the show's judges staged a red carpet entrance | 0:07:18 | 0:07:23 | |
at the front door of the theatre especially for the press. | 0:07:23 | 0:07:26 | |
But Andy's learnt there's a second day of auditions, | 0:07:26 | 0:07:29 | |
and all four judges - Simon Cowell, David Walliams, | 0:07:29 | 0:07:33 | |
Amanda Holden and Alesha Dixon - | 0:07:33 | 0:07:35 | |
are expected to make a low-key entrance to the theatre. | 0:07:35 | 0:07:38 | |
-What's going on? -Britain's Got Talent. -Oh, is it here? -Yeah. | 0:07:38 | 0:07:43 | |
Oh, right. Didn't realise. Do you like Simon Cowell? | 0:07:43 | 0:07:46 | |
-See if he gets out of that car. -No. Not really! | 0:07:46 | 0:07:49 | |
SHE LAUGHS | 0:07:49 | 0:07:51 | |
-Oh, well. I hope you see him. -Yeah, so do I. | 0:07:51 | 0:07:53 | |
The problem for Andy is | 0:07:53 | 0:07:55 | |
he doesn't know where the stars will be arriving. | 0:07:55 | 0:07:58 | |
Right, off we go. | 0:07:58 | 0:08:00 | |
Let's go and see if we can get Simon Cowell in the bag. | 0:08:00 | 0:08:04 | |
And the layout of the theatre doesn't help. | 0:08:04 | 0:08:06 | |
There are at least three separate entrances a good distance apart. | 0:08:06 | 0:08:11 | |
At the stage door at the back, | 0:08:11 | 0:08:13 | |
Andy thinks he might have the field to himself. | 0:08:13 | 0:08:16 | |
Oh, look at this! This is great. I can't believe it! | 0:08:17 | 0:08:20 | |
Have any of the judges actually arrived yet? Nothing at all? | 0:08:21 | 0:08:25 | |
Brilliant. That's lovely, that. | 0:08:25 | 0:08:27 | |
But it's not long before other snappers are on the case. | 0:08:27 | 0:08:30 | |
Andy goes on the hunt for insider information. | 0:08:32 | 0:08:36 | |
Do you know if they'll be coming this way? | 0:08:36 | 0:08:38 | |
-We've been told front doors. -Oh, really? | 0:08:38 | 0:08:40 | |
-They're going straight in at the front door? -Yeah. -Lovely. OK. | 0:08:40 | 0:08:44 | |
Andy heads back to the front. | 0:08:44 | 0:08:46 | |
Getting this right could mean the difference between | 0:08:46 | 0:08:49 | |
thousands of pounds of picture sales or nothing at all. | 0:08:49 | 0:08:52 | |
He was just saying that if it's quiet, | 0:08:54 | 0:08:57 | |
he might drop them off here and then they walk through the front door. | 0:08:57 | 0:09:01 | |
But then, the driver might think that it's a little bit too busy | 0:09:01 | 0:09:04 | |
so he might just take them round the corner and put them | 0:09:04 | 0:09:07 | |
through the stage door. 50-50 on this one. 50-50. | 0:09:07 | 0:09:10 | |
If I hear that they've gone round the back, we leg it. | 0:09:10 | 0:09:14 | |
We leg it as fast as we can possibly go, and I've got a bad leg. | 0:09:14 | 0:09:19 | |
But with the arrival imminent, Andy suddenly gets fresh info. | 0:09:19 | 0:09:24 | |
They're coming in the back exit through there. | 0:09:24 | 0:09:26 | |
-Over there on the right. -Lovely. | 0:09:26 | 0:09:28 | |
-Definitely that way, is it? -100%. -Lovely. Thank you. | 0:09:28 | 0:09:30 | |
We'd better run. | 0:09:30 | 0:09:32 | |
Think we'd better go and see | 0:09:32 | 0:09:33 | |
if we can get something round the back here now. | 0:09:33 | 0:09:35 | |
Andy gets moving, bad leg and all... | 0:09:35 | 0:09:37 | |
Good for a bit of exercise. | 0:09:37 | 0:09:39 | |
..and just in time, as David Walliams's Range Rover swoops in. | 0:09:42 | 0:09:47 | |
-Hi, David. -Hi, David. -Hi, David. | 0:09:50 | 0:09:54 | |
-Thank you. -David? | 0:09:54 | 0:09:55 | |
That was a bit rubbish, wasn't it? Didn't get anything at all there. | 0:09:59 | 0:10:03 | |
I got him in the car, so it's not too bad. | 0:10:04 | 0:10:06 | |
I got a couple of frames out of it, so it's not too bad, | 0:10:06 | 0:10:09 | |
but, if I'm honest with you, he can be a bit... | 0:10:09 | 0:10:12 | |
He doesn't like just posing up outside. | 0:10:12 | 0:10:15 | |
Andy's hoping for better luck with the ladies. | 0:10:16 | 0:10:19 | |
I reckon Alesha or Amanda will probably do something for us now. | 0:10:19 | 0:10:22 | |
And he hasn't got long to wait. | 0:10:22 | 0:10:25 | |
Hold on a minute. | 0:10:25 | 0:10:26 | |
Here's Amanda. | 0:10:26 | 0:10:28 | |
Let's hope we get a better shot than Mr Walliams. | 0:10:30 | 0:10:33 | |
Guys, is there any chance we can get a photo? | 0:10:36 | 0:10:40 | |
But today, Amanda's not keen on being seen. | 0:10:40 | 0:10:43 | |
Oh, clever stuff! Oh, look at that! | 0:10:46 | 0:10:50 | |
All he gets is a view of her footwear. | 0:10:50 | 0:10:52 | |
Just look at the state of that! That is incredible, that is. | 0:10:54 | 0:10:57 | |
The lengths they've gone to to hide what she's wearing! | 0:10:57 | 0:11:00 | |
Just unbelievable. | 0:11:00 | 0:11:01 | |
I've never seen that before at all, covering the car like that. | 0:11:01 | 0:11:06 | |
This is new territory for Andy - | 0:11:06 | 0:11:08 | |
a celebrity that, today at least, doesn't want publicity. | 0:11:08 | 0:11:12 | |
It's not looking good for Andy. | 0:11:14 | 0:11:16 | |
Walliams didn't play ball and Holden didn't want to know. | 0:11:16 | 0:11:20 | |
Later, we'll see if he gets any more luck bagging himself a Cowell. | 0:11:21 | 0:11:26 | |
There's quite a few snappers there but we've all got very, very little. | 0:11:26 | 0:11:29 | |
Standing out from the crowd amongst Oxford Street's 200 shops | 0:11:37 | 0:11:41 | |
are its four huge department stores. | 0:11:41 | 0:11:44 | |
These giants of the retail world have battled for customers | 0:11:44 | 0:11:47 | |
on the street for decades and each seeks to outdo the others | 0:11:47 | 0:11:51 | |
with events and offerings to entice shoppers in. | 0:11:51 | 0:11:54 | |
And today, John Lewis has got an event | 0:11:55 | 0:11:58 | |
it's hoping will do exactly that. | 0:11:58 | 0:12:00 | |
It's St David's Day, the national day of Wales, and to celebrate it, | 0:12:00 | 0:12:05 | |
the shop's food hall has lined up a special series of events. | 0:12:05 | 0:12:10 | |
As well as an in-store harpist, | 0:12:10 | 0:12:12 | |
half a dozen boutique Welsh food producers have sent samplers | 0:12:12 | 0:12:16 | |
to promote their products in store. | 0:12:16 | 0:12:18 | |
Hi, would you like to try? | 0:12:18 | 0:12:20 | |
The aim is to help sales and get shoppers to try Welsh foods | 0:12:20 | 0:12:23 | |
they might never have even heard of before. | 0:12:23 | 0:12:26 | |
Food sampler Lucinda is here on behalf of pate-maker Patchwork. | 0:12:26 | 0:12:31 | |
Hello, how are you? | 0:12:31 | 0:12:33 | |
This is tequila and cranberry with a chicken liver base. OK? | 0:12:33 | 0:12:36 | |
South Wales baker James's family have been making | 0:12:37 | 0:12:40 | |
classic Welsh cakes and pastries for three generations. | 0:12:40 | 0:12:44 | |
Today, he's hoping shoppers like his bara brith - a type of cake. | 0:12:45 | 0:12:49 | |
We soak the sultanas in tea overnight. | 0:12:49 | 0:12:52 | |
You've got mixed spices in there, the whole combination going on. | 0:12:52 | 0:12:55 | |
Well, I hope you enjoy my products on St David's Day. | 0:12:55 | 0:12:58 | |
Thank you very much. | 0:12:58 | 0:12:59 | |
At the end of the day, all the samplers will get a sales report | 0:12:59 | 0:13:02 | |
to see if they've hit their targets. | 0:13:02 | 0:13:04 | |
To add a bit of theatre to the event, | 0:13:07 | 0:13:09 | |
the store's pulling out all the stops. | 0:13:09 | 0:13:12 | |
There's a harpist on hand to accompany the food tasting | 0:13:12 | 0:13:16 | |
and they've got another special Welsh treat in store. | 0:13:16 | 0:13:19 | |
They've booked a choir to perform some of the principality's | 0:13:19 | 0:13:22 | |
most famous songs as part of a surprise flash mob. | 0:13:22 | 0:13:25 | |
But this morning, choir leader Alice has already run into difficulties. | 0:13:25 | 0:13:31 | |
The alto in our group fell over in the Tube | 0:13:31 | 0:13:36 | |
and fell down some stairs and hit her head | 0:13:36 | 0:13:38 | |
and had to go to casualty, | 0:13:38 | 0:13:40 | |
so frantically trying to call everyone we knew in London | 0:13:40 | 0:13:43 | |
who was a singer and could speak Welsh | 0:13:43 | 0:13:45 | |
and who knew the songs we were going to sing. | 0:13:45 | 0:13:47 | |
And one of those calls has found them a saviour in the shape of Becca. | 0:13:47 | 0:13:52 | |
So I've just arrived here and, hopefully, I'll know the songs | 0:13:52 | 0:13:55 | |
and maybe I'll be able to make up some harmony. | 0:13:55 | 0:13:58 | |
So hopefully, it will be OK. | 0:13:58 | 0:13:59 | |
It's kind of added to the pressure that we already had before | 0:13:59 | 0:14:02 | |
because it's a new thing, and now, we're just going to have | 0:14:02 | 0:14:05 | |
a quick rehearsal, just to see how it goes, | 0:14:05 | 0:14:08 | |
and then we're going to have to go out and do our thing. | 0:14:08 | 0:14:11 | |
# Mae bys Meri Ann wedi brifo | 0:14:12 | 0:14:16 | |
# A Dafydd y gwas... # | 0:14:16 | 0:14:18 | |
First rehearsals do not bode well. | 0:14:18 | 0:14:21 | |
# Dai bach... # | 0:14:22 | 0:14:24 | |
Sorry. | 0:14:24 | 0:14:26 | |
I'll do that again. I apologise. | 0:14:26 | 0:14:28 | |
The choir plan to surprise shoppers, | 0:14:30 | 0:14:32 | |
coming out of nowhere as store staff and customers | 0:14:32 | 0:14:35 | |
to sing traditional Welsh songs. | 0:14:35 | 0:14:38 | |
So I'm just putting on this staff apron, | 0:14:38 | 0:14:40 | |
so that I blend in with the rest of the Waitrose staff. | 0:14:40 | 0:14:44 | |
A flash mob is quite a bizarre thing to do anyway, and to know that | 0:14:44 | 0:14:47 | |
you're doing it in about half an hour is even more bizarre. | 0:14:47 | 0:14:51 | |
But no, I think it should be all right. | 0:14:51 | 0:14:53 | |
There's quite a lot of people out there though, so it's a bit scary. | 0:14:53 | 0:14:57 | |
But we'll see how it goes. | 0:14:57 | 0:14:58 | |
I reckon people will stop and just stare. | 0:14:58 | 0:15:03 | |
Later, it's iechyd da at the food hall, | 0:15:04 | 0:15:07 | |
as the harp plays, the public tuck in and the choir get ready to sing. | 0:15:07 | 0:15:12 | |
The undercover Oxford Street police team are on the hunt | 0:15:21 | 0:15:24 | |
for the criminal gangs targeting cash machines. | 0:15:24 | 0:15:27 | |
As they patrol, | 0:15:27 | 0:15:28 | |
they think they've spotted two men behaving suspiciously. | 0:15:28 | 0:15:32 | |
They could be planting skimmers on Oxford Street. | 0:15:32 | 0:15:35 | |
Time to find out. | 0:15:35 | 0:15:37 | |
I think I have one now. | 0:15:37 | 0:15:38 | |
Police. | 0:15:41 | 0:15:42 | |
The two men have just withdrawn cash, | 0:15:42 | 0:15:45 | |
but no-one has seen if they were interfering with the cash machines. | 0:15:45 | 0:15:49 | |
They seem surprised and are cooperating. | 0:15:49 | 0:15:52 | |
-Is this your card, sir? -Yeah. -Right, saw you earlier, | 0:15:52 | 0:15:55 | |
hanging around the cashpoint further down the road. | 0:15:55 | 0:15:58 | |
On that basis, we get a lot of distraction thefts | 0:15:58 | 0:16:01 | |
and a lot of devices put on ATMs. | 0:16:01 | 0:16:03 | |
We're going to search you for articles for use in fraud | 0:16:03 | 0:16:06 | |
-and for stolen property. -I not do nothing. | 0:16:06 | 0:16:09 | |
-We have to check. We've been watching you. -Yeah, of course. | 0:16:09 | 0:16:12 | |
And some of your behaviour's been a bit... Walk fast, turn around... | 0:16:12 | 0:16:15 | |
Yeah, yeah, of course. Of course. This is your job. | 0:16:15 | 0:16:18 | |
And officer Paul Penrose has met this man before. | 0:16:18 | 0:16:21 | |
It's not first time. I remember this guy before in that other street. | 0:16:21 | 0:16:25 | |
Maybe six months. This is second time he has made me have a check. | 0:16:25 | 0:16:30 | |
Yeah, before. | 0:16:30 | 0:16:31 | |
Thankfully, everyone's smiling. | 0:16:35 | 0:16:37 | |
Despite some of their behaviour matching that of the skimmers, | 0:16:37 | 0:16:40 | |
checks have confirmed the men have no previous | 0:16:40 | 0:16:43 | |
and nothing suspicious on them. | 0:16:43 | 0:16:45 | |
He walks very fast, going from ATM to ATM, but it's all checked out. | 0:16:45 | 0:16:49 | |
Sometimes, there's an innocent explanation. | 0:16:49 | 0:16:52 | |
-Have a good day. -Have a good day, you too. | 0:16:52 | 0:16:55 | |
The skimming gangs are hard to catch, and although this was a false alarm, | 0:16:55 | 0:17:00 | |
stops like this are essential to try and root out the real criminals. | 0:17:00 | 0:17:04 | |
And as Darren and the team continue their patrols, | 0:17:05 | 0:17:09 | |
it's not long before they find more examples of the gangs at work. | 0:17:09 | 0:17:13 | |
Another skimming device on another ATM. | 0:17:13 | 0:17:16 | |
I've come along today, noticed an ATM that has been targeted before, | 0:17:17 | 0:17:22 | |
seen there is a device on it from my experience before. | 0:17:22 | 0:17:25 | |
Darren takes a closer look at this much more sophisticated skimmer. | 0:17:25 | 0:17:31 | |
Your card would go in there and there'd be electronics | 0:17:31 | 0:17:34 | |
before it goes in to the machine to skim your card, | 0:17:34 | 0:17:37 | |
take the details off your card like any magnetic strip reader. | 0:17:37 | 0:17:41 | |
They insert it into the mouth, glue it in position. Your card goes through there. | 0:17:41 | 0:17:45 | |
Normally into the machine, you use the card and the machine perfectly normally, but as it's gone through, | 0:17:45 | 0:17:50 | |
the electronics in here have skimmed your card details. | 0:17:50 | 0:17:53 | |
So this is the camera, | 0:17:53 | 0:17:54 | |
so that's been fixed across the legitimate cash sign, | 0:17:54 | 0:17:59 | |
with their own, as you can see, like that. | 0:18:01 | 0:18:04 | |
It has a pinhole camera here, that tiny pinhole there, | 0:18:05 | 0:18:09 | |
will read as you put your PIN number in | 0:18:09 | 0:18:13 | |
so you've got to very carefully cover the keypad | 0:18:13 | 0:18:18 | |
with your wallet or your purse, so if the camera's here, | 0:18:18 | 0:18:22 | |
nobody can see you inputting your number. | 0:18:22 | 0:18:25 | |
So they've got your card details and your PIN number. | 0:18:25 | 0:18:28 | |
Then they can go away, make their own cards. | 0:18:28 | 0:18:30 | |
Organised crime, normally Eastern European gangs, | 0:18:30 | 0:18:34 | |
generally we see doing it. | 0:18:34 | 0:18:36 | |
They've had a number of these fascias made up, | 0:18:36 | 0:18:39 | |
so they'll keep on coming back to it. | 0:18:39 | 0:18:41 | |
And we'll keep on hopefully arresting them. | 0:18:41 | 0:18:43 | |
With the skimmer in his hands, Darren recognises an opportunity | 0:18:43 | 0:18:47 | |
to try and catch himself an elusive cash machine crook. | 0:18:47 | 0:18:51 | |
Rather than remove the skimmer, he makes it safe | 0:18:51 | 0:18:54 | |
and decides to wait across the street, in a nearby handbag shop. | 0:18:54 | 0:18:58 | |
He hopes the crooks will turn up to retrieve their device. | 0:18:58 | 0:19:02 | |
After 45 minutes of waiting, someone is using the machine | 0:19:13 | 0:19:17 | |
and looks to be tampering with it. | 0:19:17 | 0:19:20 | |
Unfortunately, it turns out to be a vigilant member of the public | 0:19:20 | 0:19:24 | |
and he's told the bank staff. | 0:19:24 | 0:19:26 | |
Darren decides to step in. | 0:19:26 | 0:19:28 | |
Hi, guys. Police. | 0:19:32 | 0:19:34 | |
We've been watching. | 0:19:34 | 0:19:35 | |
We saw it a while ago, we've been waiting for somebody to come | 0:19:35 | 0:19:38 | |
-and take it off. Obviously, not you guys. -Sorry. | 0:19:38 | 0:19:41 | |
Cos I use this machine quite regularly, I was just trying | 0:19:41 | 0:19:45 | |
to slide my card in and it was a little bit funny this time. | 0:19:45 | 0:19:49 | |
And I know those things happen, especially in this area. | 0:19:49 | 0:19:52 | |
And then I saw that the cash sign here was a little bit... | 0:19:52 | 0:19:56 | |
sticking out, so I've touched and it moved. | 0:19:56 | 0:19:59 | |
It got me scared for a second, but... | 0:19:59 | 0:20:01 | |
Thanks, guys. | 0:20:01 | 0:20:03 | |
No, no, no. That's one of those things. | 0:20:03 | 0:20:06 | |
The skimming device is on its way to forensics, | 0:20:08 | 0:20:11 | |
but, for Darren, the hard work now is to be done on the street. | 0:20:11 | 0:20:15 | |
One skimming device like that has been left on there, | 0:20:15 | 0:20:18 | |
we were monitoring it for about an hour. | 0:20:18 | 0:20:21 | |
They'll leave it on for up to five, six hours, | 0:20:21 | 0:20:23 | |
getting everybody who uses that card machine's details, | 0:20:23 | 0:20:28 | |
so that could be hundreds of people being victims of that type of crime. | 0:20:28 | 0:20:31 | |
A few of those devices put in the area soon adds up | 0:20:31 | 0:20:35 | |
to thousands of victims, so it's a priority crime. | 0:20:35 | 0:20:38 | |
So far, Darren's hunt for the ATM gangs has drawn a blank twice. | 0:20:38 | 0:20:43 | |
Later, there's another gang in action. Will Darren's luck change? | 0:20:44 | 0:20:49 | |
Right, let's go. | 0:20:49 | 0:20:51 | |
There's a new tunnel getting dug on the Tube. | 0:20:51 | 0:20:54 | |
And a race against time for a dirty shirt | 0:20:55 | 0:20:58 | |
that needs taking to the cleaners. | 0:20:58 | 0:21:01 | |
If it's traffic, game over. | 0:21:01 | 0:21:03 | |
Outside the Dominion Theatre | 0:21:10 | 0:21:12 | |
and celebrity photographer Andy Barnes is not having a good day. | 0:21:12 | 0:21:16 | |
Just look at the state of that. That is incredible, that is. | 0:21:16 | 0:21:19 | |
He was hoping to catch exclusive photos | 0:21:19 | 0:21:22 | |
of the Britain's Got Talent judges. | 0:21:22 | 0:21:24 | |
He got a glimpse of David Walliams, but missed Amanda Holden. | 0:21:24 | 0:21:29 | |
We've all got very, very little. There's quite a few snappers there. | 0:21:29 | 0:21:33 | |
But nobody's got anything at all. I just... | 0:21:33 | 0:21:37 | |
I just find it quite amusing that the lengths they went to, | 0:21:37 | 0:21:39 | |
trying to hide. | 0:21:39 | 0:21:41 | |
He heads back to the front of the theatre, | 0:21:41 | 0:21:44 | |
in the hope that Simon Cowell will be arriving there. | 0:21:44 | 0:21:47 | |
-Has Mr Cowell arrived yet? -I don't think so, no. | 0:21:47 | 0:21:51 | |
OK, lovely. Thank you. | 0:21:51 | 0:21:52 | |
It's getting close now cos he's only got about another quarter of an hour | 0:21:52 | 0:21:57 | |
before he's got to be at the event, so... | 0:21:57 | 0:21:59 | |
We're looking at about five or six points | 0:21:59 | 0:22:02 | |
where he could possibly be, so... | 0:22:02 | 0:22:04 | |
Andy waits it out at the front, but all the action is happening | 0:22:04 | 0:22:09 | |
at the other door and Alesha Dixon sneaks in, away from Andy's lens. | 0:22:09 | 0:22:13 | |
Then Andy sees a Rolls Royce sweeping past, | 0:22:14 | 0:22:17 | |
heading round the back. | 0:22:17 | 0:22:19 | |
He throws the bad leg back into action. | 0:22:20 | 0:22:23 | |
It's the main event. Talent judge and media mogul Simon Cowell. | 0:22:26 | 0:22:30 | |
Nice to see you, Simon. | 0:22:33 | 0:22:36 | |
-Are you well? -Yeah, good. -Good, good, good. | 0:22:36 | 0:22:39 | |
-How are you doing, OK? -Just getting one shot. | 0:22:39 | 0:22:42 | |
Just one more, looking back, Simon. Lovely, thank you. | 0:22:42 | 0:22:45 | |
Yeah, nice one. | 0:22:48 | 0:22:50 | |
Oof! | 0:22:50 | 0:22:51 | |
Dear me! I'm getting too old for this game now! | 0:22:51 | 0:22:54 | |
And that's it for the day. It's been a mixed bag for Andy. | 0:22:54 | 0:22:58 | |
He missed Alesha, and Amanda hid, | 0:22:58 | 0:23:00 | |
but he's landed Walliams and the biggest fish of all, Cowell. | 0:23:00 | 0:23:04 | |
Just a side shot. | 0:23:04 | 0:23:07 | |
And just that one over there. | 0:23:07 | 0:23:09 | |
They're not bad. | 0:23:09 | 0:23:11 | |
Cowell always sells, so... | 0:23:11 | 0:23:13 | |
That'll pay for a few coffees. | 0:23:13 | 0:23:15 | |
I'm going to get these pictures sent off now. | 0:23:15 | 0:23:18 | |
So...on to the next one. | 0:23:18 | 0:23:20 | |
Good. | 0:23:21 | 0:23:23 | |
That's the magic of Oxford Street. | 0:23:24 | 0:23:26 | |
You never know what's going to happen from one day to the next. | 0:23:26 | 0:23:30 | |
John Lewis, Oxford Street, | 0:23:40 | 0:23:41 | |
is celebrating St David's Day with an action-packed Welsh food tasting. | 0:23:41 | 0:23:46 | |
-What's it got to do with Wales? -It's made in Wales. | 0:23:46 | 0:23:49 | |
-Oh, right. -In Ruthin. | 0:23:49 | 0:23:50 | |
Lucinda is one of a dozen food samplers, | 0:23:50 | 0:23:53 | |
getting shoppers to try and hopefully buy Welsh produce. | 0:23:53 | 0:23:57 | |
-Ooh, hello. Feeding you. -Mm. | 0:23:57 | 0:23:59 | |
And lunchtime has just arrived. | 0:23:59 | 0:24:02 | |
You can take it from here, if you want. Thank you very much. | 0:24:02 | 0:24:05 | |
Bye-bye. Take care. | 0:24:05 | 0:24:07 | |
At lunchtime, people are ridiculously hungry. | 0:24:07 | 0:24:09 | |
They realise something's going on | 0:24:09 | 0:24:10 | |
and it's amazing how people's behaviour changes. | 0:24:10 | 0:24:13 | |
You have to kind of pull back on the samples a bit | 0:24:13 | 0:24:15 | |
because they just go round and round and round. | 0:24:15 | 0:24:18 | |
And just eat and eat and they just ponder and then they just linger | 0:24:18 | 0:24:21 | |
and they come back for another one and then they linger, another one. | 0:24:21 | 0:24:24 | |
It's really funny. Hello. How are you? | 0:24:24 | 0:24:27 | |
She ain't interested in any products. She's a hungry shopper. | 0:24:27 | 0:24:30 | |
Meanwhile, on the other side of the store, | 0:24:30 | 0:24:33 | |
a specially arranged choir is getting ready | 0:24:33 | 0:24:35 | |
to stage a flash mob in the food hall. | 0:24:35 | 0:24:37 | |
They plan to surprise shoppers by coming out of nowhere | 0:24:37 | 0:24:41 | |
as shop staff and customers and singing traditional Welsh songs. | 0:24:41 | 0:24:45 | |
They've had an enforced line-up change already, | 0:24:47 | 0:24:50 | |
after their original alto had an accident on the Tube. | 0:24:50 | 0:24:54 | |
But with substitute Becca in place, they're ready for the kick-off. | 0:24:54 | 0:24:58 | |
# Mae bys Meri Ann wedi brifo | 0:25:03 | 0:25:08 | |
# A Dafydd y gwas ddim yn iach | 0:25:08 | 0:25:11 | |
# Mae'r baban yn y crud yn crio | 0:25:11 | 0:25:16 | |
# A'r gath wedi sgramo Joni bach | 0:25:16 | 0:25:20 | |
# Dai bach y sowldiwr | 0:25:20 | 0:25:24 | |
# Dai bach y sowldiwr | 0:25:24 | 0:25:28 | |
# Dai bach y sowldiwr | 0:25:28 | 0:25:32 | |
# A'i gwt ei grys e mas | 0:25:32 | 0:25:37 | |
# Sosban fach yn berwi ar y tan | 0:25:37 | 0:25:40 | |
# Sosban fawr yn berwi ar y llawr | 0:25:40 | 0:25:44 | |
# A'r gath wedi sgramo Joni bach. # | 0:25:44 | 0:25:52 | |
CHEERS AND APPLAUSE | 0:25:55 | 0:25:58 | |
It went very well. | 0:25:58 | 0:25:59 | |
We were all quite nervous for it, but it went really well, I think. | 0:25:59 | 0:26:03 | |
Despite it not being a big grand performance in a big concert hall, | 0:26:03 | 0:26:07 | |
I felt quite strange because it's not every day you see | 0:26:07 | 0:26:12 | |
someone next to the crisp aisle in Waitrose just burst in to song, | 0:26:12 | 0:26:16 | |
performing in the middle of Oxford Street and making people | 0:26:16 | 0:26:19 | |
stop for a second and it's quite an experience actually. | 0:26:19 | 0:26:23 | |
It was quite good that I only knew about this half an hour ago, | 0:26:24 | 0:26:27 | |
so I didn't have time to get nervous or think about what I was doing. | 0:26:27 | 0:26:30 | |
Basically, get in and get the job done. | 0:26:30 | 0:26:32 | |
But everybody seemed to enjoy it and there was a good response | 0:26:32 | 0:26:35 | |
cos I don't think anybody was expecting it. | 0:26:35 | 0:26:38 | |
So in the end, a very enjoyable experience. | 0:26:38 | 0:26:40 | |
And the good news is, the choir's injured alto is recovering well. | 0:26:40 | 0:26:45 | |
I think she's OK now. She's in hospital, | 0:26:45 | 0:26:48 | |
maybe take her some Welsh beer for when she gets better. | 0:26:48 | 0:26:51 | |
Iechyd da! | 0:26:51 | 0:26:53 | |
Meanwhile, back at the food tasting, | 0:26:53 | 0:26:55 | |
their aim was to get people trying Welsh foods | 0:26:55 | 0:26:59 | |
they might not have tried before and hopefully, to make some sales. | 0:26:59 | 0:27:02 | |
It's been busy. Tequila and cranberry is sold out. | 0:27:02 | 0:27:05 | |
I've had one negative customer | 0:27:05 | 0:27:06 | |
and then I killed her with lots of love and she left happy. | 0:27:06 | 0:27:10 | |
I'm quite tempted to get a sales report. | 0:27:10 | 0:27:12 | |
I usually get a sales report after I've done a sampling | 0:27:12 | 0:27:15 | |
and it boosts me and motivates me. | 0:27:15 | 0:27:16 | |
And it's the moment of truth for Lucinda and her fellow samplers. | 0:27:16 | 0:27:20 | |
-Has it gone well? -It has, yes. -Oh, it has. Thank you. | 0:27:20 | 0:27:24 | |
OK, so at least we sold something of everything. | 0:27:24 | 0:27:27 | |
I've done OK. I mean, I think I could have done better. | 0:27:27 | 0:27:31 | |
But as... I couldn't have sold any more of tequila and cranberry | 0:27:31 | 0:27:34 | |
because that's all they had in store. | 0:27:34 | 0:27:36 | |
Here he is now. | 0:27:37 | 0:27:39 | |
It's been actually quite good. We had about 74% sales. | 0:27:41 | 0:27:45 | |
So I'm quite happy for that afternoon. | 0:27:45 | 0:27:47 | |
The figures show that James has sold three-quarters of the stock | 0:27:47 | 0:27:51 | |
he has in the food hall. | 0:27:51 | 0:27:54 | |
And with that, it's all over for the day | 0:27:54 | 0:27:56 | |
and as far as food hall manager Toni's concerned, | 0:27:56 | 0:27:59 | |
it's been a successful one for Welsh food, Welsh wine and Welsh song. | 0:27:59 | 0:28:04 | |
Sales were really good, especially the Welsh cakes. | 0:28:04 | 0:28:08 | |
So I'm going to head home for a bit of cake and a nice glass of wine. | 0:28:08 | 0:28:12 | |
Six o'clock in the morning may be too early for most shoppers | 0:28:21 | 0:28:25 | |
to visit Oxford Street, but for delivery driver Alex, | 0:28:25 | 0:28:29 | |
it's just the start of another working day. | 0:28:29 | 0:28:32 | |
Alex is a driver for the Dry Cleaning Business, | 0:28:32 | 0:28:35 | |
a laundry company serving London's premier hotels. | 0:28:35 | 0:28:38 | |
We start at Marriott today, you need to be on time, never late. | 0:28:38 | 0:28:43 | |
So that means seven o'clock we need to be there. | 0:28:43 | 0:28:46 | |
It's Alex's job to collect the dirty laundry | 0:28:46 | 0:28:49 | |
and take it back to the West London depot for cleaning. | 0:28:49 | 0:28:52 | |
As his clients are five star hotels, the service has to be on time | 0:28:52 | 0:28:57 | |
and top notch. | 0:28:57 | 0:28:58 | |
Seven zero zero. | 0:28:58 | 0:29:00 | |
-Today, we have one laundry. -OK. | 0:29:00 | 0:29:03 | |
-This express or normal service? -Express service. -Express. | 0:29:03 | 0:29:06 | |
-For VIP guests. -11 o'clock. | 0:29:06 | 0:29:08 | |
Great, OK. | 0:29:08 | 0:29:10 | |
It might just be one white shirt, | 0:29:10 | 0:29:12 | |
but because it's an express service, it represents a big deal for Alex. | 0:29:12 | 0:29:17 | |
He's got a little over four hours to get it laundered, pressed | 0:29:17 | 0:29:20 | |
and returned to the Marriott on Oxford Street. | 0:29:20 | 0:29:23 | |
If he's late, they'll have to refund the express fee. | 0:29:23 | 0:29:26 | |
We cannot disappoint our guests. | 0:29:26 | 0:29:29 | |
It's a five star, so they are expecting the best | 0:29:29 | 0:29:32 | |
and exact service. | 0:29:32 | 0:29:34 | |
For Alex, the pressure is on. | 0:29:34 | 0:29:36 | |
Seven o'clock and ten minutes, this is going back 11 o'clock. | 0:29:36 | 0:29:41 | |
I hope so. | 0:29:42 | 0:29:43 | |
Alex takes great pride in his work and knows the buck stops with him, | 0:29:43 | 0:29:48 | |
no matter what he encounters on the road. | 0:29:48 | 0:29:51 | |
At the same time, he's got to pick up laundry | 0:29:51 | 0:29:54 | |
from six other hotels on his Oxford Street run. | 0:29:54 | 0:29:57 | |
Oxford Street is host to a number of hotels, | 0:29:59 | 0:30:01 | |
catering to guests from across the world. | 0:30:01 | 0:30:04 | |
People like Alex are vital | 0:30:04 | 0:30:06 | |
in making sure those guests get the service they demand. | 0:30:06 | 0:30:09 | |
With all the dirty laundry safely in the back of the van, | 0:30:11 | 0:30:15 | |
Alex now has to get 6½ miles across London in double quick time. | 0:30:15 | 0:30:19 | |
Here we are, my friend. | 0:30:19 | 0:30:21 | |
Let's do this! | 0:30:25 | 0:30:26 | |
He's made it to the depot. | 0:30:28 | 0:30:30 | |
They've now got just over two hours to get the shirt washed, | 0:30:30 | 0:30:33 | |
dried, ironed, and back to the Marriott. | 0:30:33 | 0:30:35 | |
This laundry. | 0:30:35 | 0:30:37 | |
And the express on the top. | 0:30:38 | 0:30:40 | |
Later, the shirt's playing ball, but the traffic's not. | 0:30:40 | 0:30:44 | |
There are four London Underground stations on Oxford Street. | 0:30:52 | 0:30:55 | |
And two of them are currently undergoing | 0:30:55 | 0:30:58 | |
multi-million pound upgrade works, | 0:30:58 | 0:31:00 | |
which is where construction manager Paul Brookes comes in. | 0:31:00 | 0:31:04 | |
He's overseeing the improvement works at Bond Street Tube station, | 0:31:05 | 0:31:09 | |
and today, his team are tunnelling. | 0:31:09 | 0:31:11 | |
We're going down a temporary staircase at the moment. | 0:31:12 | 0:31:15 | |
This will become the goods lift for the new station. | 0:31:15 | 0:31:19 | |
All this building work is designed to coincide with the opening in 2018 | 0:31:19 | 0:31:24 | |
of a brand new railway that will run in tunnels | 0:31:24 | 0:31:27 | |
deep beneath Oxford Street. | 0:31:27 | 0:31:29 | |
It's called Crossrail. | 0:31:29 | 0:31:31 | |
It will interchange with the existing Tube stations | 0:31:31 | 0:31:33 | |
and its arrival is expected to massively increase | 0:31:33 | 0:31:36 | |
the number of people using these stations. | 0:31:36 | 0:31:39 | |
Hence, Paul and his enlargement works. | 0:31:39 | 0:31:42 | |
OK, so now, we're 22 metres underground | 0:31:42 | 0:31:45 | |
and we're at pit bottom level. | 0:31:45 | 0:31:47 | |
These are northern tunnels. If you look up, you can see | 0:31:47 | 0:31:50 | |
that everything is lifted in and out at this position. | 0:31:50 | 0:31:53 | |
Spoil is taken out via this skip. We lift all our plant in here | 0:31:53 | 0:31:58 | |
and our concrete comes down from around about 15 metres underground. | 0:31:58 | 0:32:02 | |
Paul's team's main job today is working on a small tunnel, | 0:32:04 | 0:32:08 | |
which will eventually be used by passengers to access a lift shaft. | 0:32:08 | 0:32:12 | |
These days, most tunnels are dug with large boring machines, | 0:32:14 | 0:32:17 | |
but this tunnel's too small, so they're using a traditional digger. | 0:32:17 | 0:32:21 | |
They dig out a metre of the soft London clay. | 0:32:24 | 0:32:27 | |
This is known as an advance. | 0:32:27 | 0:32:29 | |
Once it's dug, it will need to be washed | 0:32:29 | 0:32:32 | |
and strengthened with concrete. | 0:32:32 | 0:32:34 | |
And for that, they're going to need some special help. | 0:32:34 | 0:32:37 | |
Next, we bring in the Oruga in, which is a spraying device | 0:32:38 | 0:32:42 | |
and we'll start spraying the advance. | 0:32:42 | 0:32:44 | |
They're bringing in the spray concrete robot. | 0:32:44 | 0:32:47 | |
The concrete is forced at the wall under pressure. | 0:32:47 | 0:32:50 | |
Probably hitting the wall at close to 100mph with pressure. | 0:32:50 | 0:32:54 | |
After an hour, they'll do a penetration test | 0:32:55 | 0:32:58 | |
and once it's reached 0.5 of a megapascal within the hour, | 0:32:58 | 0:33:01 | |
they know it's safe to go underneath it. | 0:33:01 | 0:33:03 | |
With the metre of tunnel now dug, | 0:33:06 | 0:33:08 | |
this science-fiction style device can get to work. | 0:33:08 | 0:33:12 | |
The Oruga hoses down the walls to get them ready for the concrete to come. | 0:33:22 | 0:33:26 | |
After a thorough going over from the water jets, | 0:33:32 | 0:33:34 | |
the team declare the advance ready for the grey matter. | 0:33:34 | 0:33:38 | |
Time for the Oruga to switch to concrete mode. | 0:33:38 | 0:33:42 | |
And following ten minutes of high pressure concrete, | 0:33:57 | 0:34:00 | |
the advance is declared complete. | 0:34:00 | 0:34:02 | |
The team will wait to test the concrete before starting | 0:34:18 | 0:34:21 | |
on the next advance. | 0:34:21 | 0:34:23 | |
The concrete on its own will form the structure of the tunnel. | 0:34:23 | 0:34:26 | |
It contains metal fibres, so more steel panels won't be needed. | 0:34:26 | 0:34:30 | |
For Paul, it's all in a day's work. | 0:34:33 | 0:34:35 | |
The production's going well. | 0:34:35 | 0:34:37 | |
You get a couple of problems within the day, | 0:34:37 | 0:34:39 | |
but the solution is easily found. | 0:34:39 | 0:34:42 | |
Mechanical and hydraulic problems, the solution is easily found. | 0:34:42 | 0:34:46 | |
Electrical problems, we haven't experienced any today. | 0:34:46 | 0:34:49 | |
Our ventilation's going well, our advances are going well. | 0:34:49 | 0:34:52 | |
The concrete's happening at the correct time. | 0:34:52 | 0:34:55 | |
Everything's going well, it's a normal day. | 0:34:55 | 0:34:58 | |
It might be a normal day for Paul and the team, | 0:34:58 | 0:35:00 | |
but when they're finished, | 0:35:00 | 0:35:02 | |
Bond Street Station will never be the same again. | 0:35:02 | 0:35:05 | |
The Oxford Street police team are dealing with a priority problem - | 0:35:13 | 0:35:17 | |
gangs targeting cash machines to get their hands on shoppers' money. | 0:35:17 | 0:35:21 | |
The ATM thieves are hard to catch, but back at the station, | 0:35:21 | 0:35:25 | |
Darren thinks he might have just found a crucial lead. | 0:35:25 | 0:35:28 | |
Footage has come in from an Oxford Street bank | 0:35:28 | 0:35:31 | |
of another scam being committed. | 0:35:31 | 0:35:33 | |
So, this is a classic ATM distraction theft. | 0:35:33 | 0:35:37 | |
The two males here have targeted this female. | 0:35:37 | 0:35:41 | |
They've encouraged her to use the ATM, | 0:35:41 | 0:35:43 | |
she had initially used it but had problems with it. | 0:35:43 | 0:35:46 | |
And they've convinced her to go back and as you can see, | 0:35:46 | 0:35:48 | |
he's taken an angle where he can see her put the PIN number. | 0:35:48 | 0:35:52 | |
Second member comes in and he's using a piece of paper to | 0:35:52 | 0:35:54 | |
confuse the person at the ATM. | 0:35:54 | 0:35:57 | |
And he's got the bank card, told his mate he's got the bank card | 0:35:57 | 0:36:01 | |
and off he goes with it. | 0:36:01 | 0:36:02 | |
She's now noticed something's wrong, but the second one's here | 0:36:02 | 0:36:05 | |
to reassure her - oh, the card may have been swallowed by the machine. | 0:36:05 | 0:36:09 | |
They're working a team, | 0:36:09 | 0:36:10 | |
doing a number of these jobs across London every day. | 0:36:10 | 0:36:14 | |
This female lost her card, and the guys then went to a nearby ATM | 0:36:14 | 0:36:19 | |
and withdrew cash from the machines. | 0:36:19 | 0:36:21 | |
And it turns out the gang tried the same distraction crime | 0:36:21 | 0:36:26 | |
at the same machine just a few weeks before. | 0:36:26 | 0:36:28 | |
But have they made a mistake? | 0:36:29 | 0:36:32 | |
Darren Bond is a police super recogniser with a unique ability | 0:36:32 | 0:36:36 | |
to recall the faces and features of regular offenders | 0:36:36 | 0:36:39 | |
to help identify culprits on the street and on grainy CCTV. | 0:36:39 | 0:36:43 | |
And in this case, | 0:36:43 | 0:36:45 | |
he thinks he might have recognised the man in the footage. | 0:36:45 | 0:36:49 | |
He's got a name and an address where his family lives. | 0:36:49 | 0:36:52 | |
So, this morning, the team are heading up the motorway | 0:36:55 | 0:36:58 | |
where they hope they'll find the suspect from the bank. | 0:36:58 | 0:37:01 | |
He's got plenty of previous for ATM distraction thefts | 0:37:01 | 0:37:05 | |
and that's what we're looking at in today. | 0:37:05 | 0:37:08 | |
I've ID'd him from CCTV. | 0:37:08 | 0:37:10 | |
Darren and the team have no way of knowing | 0:37:10 | 0:37:12 | |
if their man is at the target address. | 0:37:12 | 0:37:16 | |
Alex has just gone to have a quick look at the address, | 0:37:16 | 0:37:19 | |
see if he can see any activity. | 0:37:19 | 0:37:22 | |
And to see if the side door is open, | 0:37:22 | 0:37:24 | |
or the best way to get around the back, so we can cover that. | 0:37:24 | 0:37:27 | |
The number of thefts related to ATMs has trebled in recent years. | 0:37:27 | 0:37:32 | |
Hoping to make a dent in these figures, Darren heads in. | 0:37:32 | 0:37:36 | |
OK. ..Right, let's go. | 0:37:36 | 0:37:38 | |
Not quite as, er...picturesque | 0:37:43 | 0:37:47 | |
or as affluent as Oxford Street, | 0:37:47 | 0:37:49 | |
but we've got to go to the criminals where they live | 0:37:49 | 0:37:52 | |
and get them out of their houses, | 0:37:52 | 0:37:53 | |
then we'll take them back to nice, pleasant Westminster. | 0:37:53 | 0:37:56 | |
Amazingly, the suspect is already behind bars for something else. | 0:38:11 | 0:38:15 | |
How long's he been in since? | 0:38:15 | 0:38:18 | |
Yesterday? | 0:38:20 | 0:38:21 | |
For six years? | 0:38:22 | 0:38:24 | |
Well, we'll have to go and talk to him in prison and... | 0:38:24 | 0:38:27 | |
about some other offences. | 0:38:27 | 0:38:29 | |
Some more offences, so... | 0:38:29 | 0:38:31 | |
He's been sentenced to six years' imprisonment, | 0:38:32 | 0:38:34 | |
from what his mother is telling us, | 0:38:34 | 0:38:36 | |
that hasn't come up on the national computer yet, | 0:38:36 | 0:38:40 | |
for similar offences, I would imagine, | 0:38:40 | 0:38:42 | |
that we're wanting to talk to him about. | 0:38:42 | 0:38:44 | |
So this means we'll have to get him out of prison | 0:38:44 | 0:38:47 | |
and talk to him about those offences. | 0:38:47 | 0:38:49 | |
It turns out the man was sentenced only the day before | 0:38:52 | 0:38:56 | |
for a serious motoring offence. | 0:38:56 | 0:38:58 | |
Darren's delighted that a serious criminal is safely behind bars, | 0:39:03 | 0:39:07 | |
but his fight against the ATM gangs is far from over. | 0:39:07 | 0:39:11 | |
It's an ongoing war, | 0:39:12 | 0:39:13 | |
but a war we're coming up against and tackling as hard as we can. | 0:39:13 | 0:39:17 | |
Six miles away from Oxford Street, | 0:39:25 | 0:39:27 | |
delivery driver Alex is waiting at a dry cleaning depot. | 0:39:27 | 0:39:31 | |
He's been given four hours to get a shirt cleaned, ironed, | 0:39:31 | 0:39:35 | |
and back to the hotel. | 0:39:35 | 0:39:36 | |
And he's got just over two hours left. | 0:39:36 | 0:39:39 | |
This 6,000 square foot dry cleaning depot is one of the hidden | 0:39:41 | 0:39:45 | |
service centres that keeps the capital's hotel industry running. | 0:39:45 | 0:39:50 | |
Is that Marriott, Park Lane? | 0:39:50 | 0:39:54 | |
Let's just get it to the washing site then. | 0:39:54 | 0:39:57 | |
The team get on with Alex's express shirt. | 0:39:57 | 0:40:00 | |
Before they can wash it, they treat it for dirt and stains. | 0:40:00 | 0:40:03 | |
Then it's into the washing machine. | 0:40:04 | 0:40:07 | |
With the cleaning under way, all Alex can do is wait and hope. | 0:40:07 | 0:40:10 | |
If he misses his deadline, they'll have to return the fee | 0:40:10 | 0:40:13 | |
and all the work will have been for nothing. | 0:40:13 | 0:40:15 | |
That means for some 20, 25 minutes, we'll be ready. | 0:40:15 | 0:40:19 | |
After, they are going to the dryer, if it's on time, we'll be on time. | 0:40:19 | 0:40:23 | |
It's also got to be pressed, ironed, collars stiffened, | 0:40:23 | 0:40:26 | |
wrapped and packed. | 0:40:26 | 0:40:27 | |
Two shirts. | 0:40:27 | 0:40:29 | |
And for that, it's put in the shirt plant, | 0:40:29 | 0:40:31 | |
a specialist machine which dries and presses at the same time. | 0:40:31 | 0:40:36 | |
The time is half past ten. | 0:40:37 | 0:40:39 | |
If it is not ready for five minutes, it's not good. | 0:40:42 | 0:40:46 | |
In the meantime, Alex packs the rest of his deliveries. | 0:40:46 | 0:40:51 | |
And finally, with the clock ticking, Alex's white shirt is ready to go. | 0:40:54 | 0:40:58 | |
Yes, we feel the pressure | 0:40:58 | 0:41:00 | |
because we have only 20 minutes to get to Marriott. | 0:41:00 | 0:41:03 | |
We don't know how is the road, we don't know how is the traffic. | 0:41:03 | 0:41:07 | |
So we have just given an express to the driver, Alex. | 0:41:07 | 0:41:12 | |
So it's down to him to deliver to the hotel. | 0:41:12 | 0:41:15 | |
Slightly later than we expected, but we know he's a good driver. | 0:41:15 | 0:41:20 | |
He can get there in time. | 0:41:20 | 0:41:21 | |
And he's off. | 0:41:21 | 0:41:23 | |
He's got 20 minutes to get there. | 0:41:23 | 0:41:25 | |
-It's a 15-minute journey on a good day. -If it's traffic, game over. | 0:41:25 | 0:41:31 | |
I late, I late, | 0:41:37 | 0:41:39 | |
I'm the guy, I'm the driver who late. | 0:41:39 | 0:41:42 | |
It's not fair. | 0:41:44 | 0:41:45 | |
He's doing well, but with six and a half miles to travel, | 0:41:45 | 0:41:48 | |
traffic and time are against him. | 0:41:48 | 0:41:50 | |
Red again. | 0:41:57 | 0:41:59 | |
Again, Oxford Street. This is Oxford Street. | 0:41:59 | 0:42:03 | |
We have five, six minutes. | 0:42:06 | 0:42:08 | |
Impossible. | 0:42:08 | 0:42:10 | |
With Marble Arch and the start of Oxford Street in sight, | 0:42:10 | 0:42:14 | |
he's nearly there. | 0:42:14 | 0:42:16 | |
Come on, come on, come on. | 0:42:16 | 0:42:17 | |
Five minutes, five minutes. | 0:42:19 | 0:42:21 | |
And we're here. | 0:42:23 | 0:42:25 | |
-Just in time. -Yeah. -Three minutes left. -Always on time. | 0:42:27 | 0:42:30 | |
-Thank you very much. -Have a nice day. | 0:42:30 | 0:42:33 | |
See you tomorrow. Safe drive. | 0:42:33 | 0:42:36 | |
Done it, but only just. | 0:42:36 | 0:42:38 | |
Ten, 15 minutes to the next place. | 0:42:40 | 0:42:42 | |
No time for wait. You never know. Traffic. | 0:42:42 | 0:42:46 | |
So...see you. | 0:42:46 | 0:42:48 | |
And with that, another task amongst the millions | 0:42:49 | 0:42:52 | |
that keep Oxford Street running is complete. | 0:42:52 | 0:42:55 |