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It's the most famous shopping street in the world, | 0:00:02 | 0:00:04 | |
in the heart of Britain's capital city - | 0:00:04 | 0:00:07 | |
a mile and a half long, with 30 million visitors each year, | 0:00:07 | 0:00:12 | |
with some of the world's most famous shops, | 0:00:12 | 0:00:14 | |
-biggest stars... -Kate Moss. -CHEERING | 0:00:14 | 0:00:17 | |
-..and busiest stations. -Sorry, guys, stand back for me! | 0:00:17 | 0:00:21 | |
What does it take to keep it running 24 hours a day... | 0:00:21 | 0:00:24 | |
It's the busiest street in the world, so needs constant attention. | 0:00:24 | 0:00:27 | |
-..seven days a week? -Oi! Clear off! | 0:00:27 | 0:00:30 | |
You're going to be arrested on suspicion of attempted theft. | 0:00:30 | 0:00:33 | |
Are you ready, London? | 0:00:33 | 0:00:35 | |
A street that never sleeps. | 0:00:35 | 0:00:38 | |
This sort of thing wouldn't happen anywhere else. | 0:00:38 | 0:00:41 | |
Oxford Street. | 0:00:42 | 0:00:44 | |
Coming up... | 0:00:46 | 0:00:47 | |
The Oxford Street police crack down on table surfing - | 0:00:47 | 0:00:51 | |
distraction thefts from bars and cafes. | 0:00:51 | 0:00:54 | |
Just be aware of your belongings cos they'll be targeting you. | 0:00:54 | 0:00:57 | |
The Traffic Droid takes on bad driving. | 0:00:57 | 0:01:00 | |
What is your problem, sir? Your driving is terrible. | 0:01:00 | 0:01:03 | |
Window cleaning on ropes. | 0:01:03 | 0:01:06 | |
This is the best bit - the point of no return. | 0:01:06 | 0:01:08 | |
And bargain hunters go crazy for the Boxing Day sales. | 0:01:08 | 0:01:12 | |
Somebody will be up on the 5th floor in about two seconds | 0:01:12 | 0:01:14 | |
and they can start buying their TVs. | 0:01:14 | 0:01:16 | |
Oxford Street may be the home of shopping in the West End, | 0:01:18 | 0:01:22 | |
but the streets and courtyards immediately around it | 0:01:22 | 0:01:25 | |
are the place to eat and drink. | 0:01:25 | 0:01:27 | |
There's everything from Michelin stars to frozen ice bars | 0:01:27 | 0:01:30 | |
and the best restaurants get busy from early in the evening. | 0:01:30 | 0:01:34 | |
Making sure it's a safe place to eat and drink | 0:01:34 | 0:01:37 | |
is the job of the Oxford Street police team, known as ORB, | 0:01:37 | 0:01:41 | |
and tonight, PC Andy Pescott is on patrol, doing just that. | 0:01:41 | 0:01:45 | |
At the moment, he's on the lookout | 0:01:47 | 0:01:49 | |
for a priority crime known as table surfing. | 0:01:49 | 0:01:52 | |
This is when thieves target bars and restaurants | 0:01:52 | 0:01:55 | |
and attempt to distract their customers, | 0:01:55 | 0:01:57 | |
then steal items like phones or cash from their tables. | 0:01:57 | 0:02:02 | |
It's a problem throughout UK city centres | 0:02:02 | 0:02:04 | |
but the ORB team have the resources to target it hard. | 0:02:04 | 0:02:09 | |
And out on patrol... | 0:02:09 | 0:02:11 | |
From 3279. Have you got a direction of travel, please? | 0:02:13 | 0:02:17 | |
Negative. No direction of travel at the moment. | 0:02:17 | 0:02:19 | |
..Andy gets a call to just such a crime. | 0:02:19 | 0:02:22 | |
Flower seller's just stolen a phone on Hanover Street. | 0:02:22 | 0:02:25 | |
It's only a few hundred yards away, so Andy hurries. | 0:02:25 | 0:02:29 | |
But at the location of the robbery, there's no sign of anyone suspicious. | 0:02:31 | 0:02:35 | |
Andy decides to take a look round the area, | 0:02:35 | 0:02:38 | |
but the description he was given over the radio is basic. | 0:02:38 | 0:02:42 | |
It was a possibly European male, dark clothing. | 0:02:42 | 0:02:45 | |
Basically, it's called table surfing | 0:02:45 | 0:02:47 | |
and they'll pretend to try and sell you flowers | 0:02:47 | 0:02:51 | |
and at the same time, they will surf your phone off the table | 0:02:51 | 0:02:54 | |
and that's what's just happened in Hanover Street. | 0:02:54 | 0:02:57 | |
This time round, it seems the thief is long gone. | 0:02:57 | 0:03:00 | |
Yeah, re the flower seller, Slug and Lettuce, | 0:03:00 | 0:03:03 | |
I've done a quick area search from Hanover Street, | 0:03:03 | 0:03:06 | |
Brook Street, South Molton Lane, South Molton Street - no trace. | 0:03:06 | 0:03:10 | |
Andy decides to warn drinkers at the local pubs | 0:03:10 | 0:03:13 | |
that there's a table surfer about and it seems he's been seen. | 0:03:13 | 0:03:18 | |
How long ago and where? | 0:03:18 | 0:03:20 | |
I would say it was about an hour ago and right there. He had flowers. | 0:03:20 | 0:03:24 | |
Yeah. So, basically, he's offering you flowers | 0:03:24 | 0:03:27 | |
but when he puts them down, he'll take your phone. | 0:03:27 | 0:03:29 | |
For tonight, at least, Andy's thief is gone. | 0:03:29 | 0:03:33 | |
But the ORB team know there are table surfers out there | 0:03:33 | 0:03:36 | |
and they're determined to stop them. With that in mind, | 0:03:36 | 0:03:39 | |
tonight, other plain-clothes officers have been covertly hidden | 0:03:39 | 0:03:43 | |
in various pubs and restaurants, | 0:03:43 | 0:03:46 | |
in an operation overseen by PC Darren Bond. | 0:03:46 | 0:03:49 | |
Whoa. | 0:03:49 | 0:03:50 | |
And just off Oxford Street, Darren sees two men | 0:03:51 | 0:03:55 | |
he thinks are behaving suspiciously. He decides to tail them. | 0:03:55 | 0:03:58 | |
I've seen a couple of guys. | 0:04:00 | 0:04:01 | |
I noticed one of them outside one of the restaurants up the road | 0:04:01 | 0:04:04 | |
and he was looking around a lot before going in. | 0:04:04 | 0:04:07 | |
I've now noticed them going towards another restaurant | 0:04:07 | 0:04:11 | |
a few minutes later and, again, very edgily looking around | 0:04:11 | 0:04:14 | |
before looking to go into a restaurant. | 0:04:14 | 0:04:17 | |
Maybe they're looking for bags to take. | 0:04:17 | 0:04:19 | |
They're walking off again now from this restaurant. | 0:04:19 | 0:04:21 | |
The only option is to covertly follow the two men. | 0:04:21 | 0:04:25 | |
They soon head into another restaurant. | 0:04:25 | 0:04:27 | |
Darren follows them in and decides it's time to sit down on the job. | 0:04:27 | 0:04:31 | |
-OK. -So, it won't be eating, | 0:04:33 | 0:04:35 | |
-it'll just be watching somebody for a second. -I see, OK. | 0:04:35 | 0:04:38 | |
But after a few moments, Darren is happy | 0:04:41 | 0:04:44 | |
that the two men were just being fussy | 0:04:44 | 0:04:46 | |
over which restaurant to choose. | 0:04:46 | 0:04:48 | |
You'll get ones that'll sit down in a restaurant | 0:04:48 | 0:04:51 | |
but you're looking not so much... | 0:04:51 | 0:04:53 | |
Sometime you think that's more innocent | 0:04:53 | 0:04:55 | |
but it can be sometimes they're looking to do something | 0:04:55 | 0:04:57 | |
next to them, but these guys, I can't see anything for them | 0:04:57 | 0:05:00 | |
to take where they are, so they're probably all right. | 0:05:00 | 0:05:04 | |
But, elsewhere, there has been a table surf and Darren gets word | 0:05:04 | 0:05:08 | |
that one of his covertly hidden officers thinks she's foiled it. | 0:05:08 | 0:05:12 | |
A couple of the team have deployed to one of our hot spots | 0:05:12 | 0:05:16 | |
and are looking for bag thieves and what we call table surfers | 0:05:16 | 0:05:21 | |
and they've been looking for that type of offence | 0:05:21 | 0:05:23 | |
and have witnessed one, so we've got one detained. | 0:05:23 | 0:05:26 | |
Later, Darren catches up with his team and a table surfer. | 0:05:27 | 0:05:31 | |
5,000 cyclists are injured on the roads in London every year. | 0:05:38 | 0:05:43 | |
Of those, more than 400 are seriously hurt or even killed. | 0:05:43 | 0:05:48 | |
But one man is on a personal crusade to do something about it, | 0:05:48 | 0:05:52 | |
recording and uploading hundreds of hours of footage | 0:05:52 | 0:05:55 | |
of drivers and riders breaking the law. | 0:05:55 | 0:05:58 | |
He's made it his mission to shame dangerous road users on YouTube | 0:05:58 | 0:06:02 | |
and report hundreds to the police. | 0:06:02 | 0:06:04 | |
HORN BLARES | 0:06:04 | 0:06:06 | |
What's the matter with you? You just knocked my hand. | 0:06:06 | 0:06:09 | |
HORNS BLARE | 0:06:09 | 0:06:11 | |
HORNS BLARE | 0:06:15 | 0:06:19 | |
In doing so, he's earned a reputation as a hero... | 0:06:19 | 0:06:23 | |
-Love your YouTube channel. -Thank you, sir. | 0:06:23 | 0:06:25 | |
..or a complete nuisance, depending on whom you ask. | 0:06:25 | 0:06:28 | |
-You are a fool. -No, YOU are the fool. | 0:06:28 | 0:06:31 | |
Meet Lewis, the Traffic Droid. | 0:06:31 | 0:06:34 | |
Today, as every day, he's on Oxford Street. | 0:06:34 | 0:06:37 | |
Wind down your window. You're a pathetic driver! | 0:06:37 | 0:06:41 | |
If you violate the rules | 0:06:42 | 0:06:44 | |
or terrorise any cyclists or pedestrians, | 0:06:44 | 0:06:47 | |
I will report you and have you done. | 0:06:47 | 0:06:49 | |
-Lewis has become a minor celebrity. -Hello. | 0:06:49 | 0:06:53 | |
But there's a reason he takes his campaign so seriously. | 0:06:53 | 0:06:57 | |
Before I became Traffic Droid, I was an ordinary cyclist. | 0:06:57 | 0:07:01 | |
I got hit, almost killed, | 0:07:01 | 0:07:03 | |
by a driver in a hit-and-run incident, who left the scene. | 0:07:03 | 0:07:06 | |
It was six months before I started cycling again. | 0:07:06 | 0:07:09 | |
But I was worried about getting back on the road and I said, | 0:07:09 | 0:07:12 | |
"How am I going to deal with these drivers? | 0:07:12 | 0:07:14 | |
-"How am I going to report them?" -HORN BLARES | 0:07:14 | 0:07:17 | |
I still feel a bit of anger from that first accident | 0:07:17 | 0:07:20 | |
because the driver left me for dead. | 0:07:20 | 0:07:22 | |
The aim is to have a safe environment | 0:07:22 | 0:07:25 | |
for cyclists and pedestrians and for drivers to take extra care. | 0:07:25 | 0:07:29 | |
To aid him on his mission, he rides a modified bicycle | 0:07:29 | 0:07:33 | |
and carries a little more gear than the average cyclist. | 0:07:33 | 0:07:36 | |
I have the droid cams on my droid helmet. | 0:07:36 | 0:07:41 | |
I have high-intensity beams, a microphone in-built into my helmet. | 0:07:41 | 0:07:46 | |
The droid bicycle is not complete without the droid horn. | 0:07:46 | 0:07:50 | |
-HORN BLARES LOUDLY -135 decibels of car-repellent power. | 0:07:50 | 0:07:57 | |
Lewis has eight cameras, as well as an extendible ruler... | 0:07:57 | 0:08:01 | |
That is only 64 centimetres - less than the legal requirement. | 0:08:01 | 0:08:06 | |
-..and the universal sign for foul play. -Red card. | 0:08:06 | 0:08:10 | |
Lewis's daily commute takes him along Oxford Street, | 0:08:10 | 0:08:13 | |
which he says is a hot spot for cycling accidents. | 0:08:13 | 0:08:17 | |
Today, as any other, if he sees any dangerous behaviour, | 0:08:17 | 0:08:20 | |
he'll film it and report it to the police as part of a formal complaint. | 0:08:20 | 0:08:25 | |
The street's a mile and half long and, as ever, | 0:08:25 | 0:08:28 | |
he starts in the east at Tottenham Court Road. | 0:08:28 | 0:08:30 | |
Today, as usual, he is being law-abiding. | 0:08:30 | 0:08:34 | |
He takes the Highway Code very seriously. | 0:08:34 | 0:08:37 | |
OK, shoulder checks. Right-hand signal. | 0:08:38 | 0:08:43 | |
Shoulder checks, left-hand signal, get back in lane. | 0:08:44 | 0:08:49 | |
But other road users aren't being quite as careful. | 0:08:49 | 0:08:52 | |
Taxi driver texting when turning - ridiculous! | 0:08:52 | 0:08:55 | |
See that guy jumping the lights? | 0:08:55 | 0:08:58 | |
-LEWIS HONKS HORN -Behave yourself, man! So impatient. | 0:08:58 | 0:09:02 | |
I have three methods. I rebuke... | 0:09:04 | 0:09:07 | |
Hey! Hey! Hey! Wait! You wait! | 0:09:07 | 0:09:10 | |
..I educate... Sir, you're violating traffic rules. | 0:09:10 | 0:09:14 | |
Do not pass the solid white line. | 0:09:14 | 0:09:16 | |
..and I prosecute. Is that hands-free mobile, sir? | 0:09:16 | 0:09:19 | |
Should I report it to the police, sir? I have the evidence. | 0:09:20 | 0:09:23 | |
Some drivers think I'm an interfering person, | 0:09:24 | 0:09:28 | |
but I'm only here to help them. | 0:09:28 | 0:09:31 | |
Further down the street, | 0:09:31 | 0:09:33 | |
he gets the chance to put his methods into action. | 0:09:33 | 0:09:36 | |
A taxi driver has not given him enough room | 0:09:36 | 0:09:39 | |
and encroached on an area where pedestrians cross. | 0:09:39 | 0:09:43 | |
Hold it. Hold it. People are crossing. | 0:09:43 | 0:09:47 | |
-What is your problem, sir? -What's YOUR problem? | 0:09:49 | 0:09:53 | |
People are crossing. | 0:09:53 | 0:09:55 | |
Yeah, well, I haven't got to the crossing. I know what I'm doing... | 0:09:55 | 0:09:58 | |
-Your driving is terrible. -And so is yours! | 0:09:58 | 0:10:01 | |
You're a nuisance. | 0:10:01 | 0:10:03 | |
No, YOU are a nuisance, because you're endangering other people. | 0:10:03 | 0:10:06 | |
The driver pulls off but the lights are only a few yards away | 0:10:06 | 0:10:10 | |
-and Lewis isn't finished. -And this is my point. | 0:10:10 | 0:10:14 | |
Taxi drivers rushing everywhere, rushing everywhere, | 0:10:14 | 0:10:18 | |
rushing everywhere without consideration | 0:10:18 | 0:10:21 | |
-of pedestrians on Oxford Street. -Mind your own business. | 0:10:21 | 0:10:24 | |
-Ridiculous, careless, selfish driving. -Look after yourself. | 0:10:24 | 0:10:28 | |
I am trying to look after myself but you're not watching out for me. | 0:10:28 | 0:10:32 | |
-Don't worry about other people. -You need to be careful. | 0:10:32 | 0:10:36 | |
He's a terrible cyclist. | 0:10:36 | 0:10:37 | |
He's worried about everybody else, but his own ability. | 0:10:37 | 0:10:40 | |
Keep your eyes on the road, turkey! | 0:10:40 | 0:10:42 | |
Point made, Lewis chooses not to report the incident this time | 0:10:42 | 0:10:47 | |
but later, he witnesses something | 0:10:47 | 0:10:49 | |
he's not prepared to forgive or forget. | 0:10:49 | 0:10:51 | |
I'm going to report you as well | 0:10:51 | 0:10:53 | |
for violating rule 178 of the Highway Traffic Code. | 0:10:53 | 0:10:56 | |
It's 6.30am on Oxford Street and, at the moment, all the shops are shut. | 0:11:04 | 0:11:09 | |
This is no time for a bit of retail therapy, | 0:11:09 | 0:11:12 | |
but it IS the time when the street does its housework. | 0:11:12 | 0:11:15 | |
Oxford Street, more than most roads, needs to keep up appearances, | 0:11:17 | 0:11:21 | |
which is why Craig Deamer and his team of window cleaners | 0:11:21 | 0:11:24 | |
are here bright and early. | 0:11:24 | 0:11:26 | |
Today, this office block is in their sights. | 0:11:26 | 0:11:30 | |
The owners want the windows cleaned before the shops open their doors | 0:11:30 | 0:11:33 | |
in a couple of hours' time. | 0:11:33 | 0:11:35 | |
The team unpack the van and get ready. | 0:11:35 | 0:11:38 | |
First up, they need to make the pavement safe. | 0:11:38 | 0:11:41 | |
I just created a little drop zone | 0:11:41 | 0:11:42 | |
so people can walk without getting tangled up in our ropes. | 0:11:42 | 0:11:45 | |
This being Oxford Street, | 0:11:45 | 0:11:47 | |
cleaning the windows takes a little more than a rag and a bucket. | 0:11:47 | 0:11:50 | |
With no space for erecting a platform or machinery, | 0:11:52 | 0:11:55 | |
they're going to have to do this one from the top down. | 0:11:55 | 0:11:58 | |
It's the middle of Oxford Street. | 0:11:58 | 0:12:00 | |
It's going to be very busy in the next half an hour or so. | 0:12:00 | 0:12:04 | |
Our biggest concern is the weather. It's predicted thunderstorms later. | 0:12:04 | 0:12:08 | |
So, they quickly head to the roof to get started. | 0:12:08 | 0:12:12 | |
-LIFT: -'Doors closing.' -They're taking the easy way up. | 0:12:12 | 0:12:16 | |
But it'll be the hard way down. They're going abseiling. | 0:12:16 | 0:12:21 | |
With such extreme window cleaning ahead, | 0:12:21 | 0:12:23 | |
they need specialist equipment | 0:12:23 | 0:12:26 | |
and the all-important hi-tech cleaning solution. | 0:12:26 | 0:12:29 | |
Bit of washing-up liquid with a bit of water. That's the secret. | 0:12:29 | 0:12:33 | |
OK, ready to go. | 0:12:34 | 0:12:36 | |
These ropes can take the weight of five fully-grown men, | 0:12:36 | 0:12:39 | |
so there's no concern over them snapping, | 0:12:39 | 0:12:42 | |
but Craig has another worry. | 0:12:42 | 0:12:44 | |
Any rubbing of the rope on a sharp edge will just cut the rope. | 0:12:44 | 0:12:48 | |
-That's our main concern. -Fortunately, they have a solution. | 0:12:48 | 0:12:52 | |
We use Kevlar matting. | 0:12:52 | 0:12:54 | |
Kevlar is five times stronger than steel and will prevent any disasters. | 0:12:54 | 0:12:59 | |
Craig and Andy will be doing the first run. | 0:12:59 | 0:13:02 | |
Back on the ground, | 0:13:02 | 0:13:03 | |
trainee rope window cleaner, Sean, will be keeping an eye on the clock. | 0:13:03 | 0:13:07 | |
He doesn't know it yet, but he's also going to be having a go himself. | 0:13:07 | 0:13:11 | |
The shop will be open at nine o'clock, so we've got to get | 0:13:11 | 0:13:14 | |
these two front elevations done before the shop opens. | 0:13:14 | 0:13:16 | |
But, even with all safety measures taken, | 0:13:16 | 0:13:19 | |
the experienced hands are apprehensive. | 0:13:19 | 0:13:21 | |
If you ain't nervous, you're more likely to make more mistakes. | 0:13:21 | 0:13:25 | |
And with one last text to his mum, it's time to clean some windows. | 0:13:25 | 0:13:29 | |
This is the best bit - the point of no return. | 0:13:31 | 0:13:34 | |
As they progress down, those Kevlar safety mats are going their job. | 0:13:36 | 0:13:41 | |
And the windows certainly need plenty of attention. | 0:13:41 | 0:13:44 | |
The street has near-permanent bus and taxi traffic, a hoard of pigeons | 0:13:44 | 0:13:49 | |
and this particular building is next to the giant building works | 0:13:49 | 0:13:53 | |
at the Crossrail site. This could take a lot of washing-up liquid. | 0:13:53 | 0:13:57 | |
Cleaning the windows, come up to the bars - | 0:13:57 | 0:14:00 | |
bit difficult to get your arm behind. | 0:14:00 | 0:14:02 | |
Apart from that, great views, great scenery. | 0:14:02 | 0:14:06 | |
With the seasoned pros getting the windows above the alley and doorway | 0:14:13 | 0:14:17 | |
finished in time for the shops to open, | 0:14:17 | 0:14:19 | |
Craig has a surprise for trainee Sean. | 0:14:19 | 0:14:22 | |
-Right, Sean, it's your turn, buddy. -OK. -How do you feel about it, bud? | 0:14:22 | 0:14:26 | |
-Fine. -Yeah? -Looking forward to it. -All right, go steady. | 0:14:26 | 0:14:28 | |
I'll be down the bottom if you need me. | 0:14:28 | 0:14:30 | |
It's not trainee Sean's first time up the rope, | 0:14:30 | 0:14:33 | |
but Oxford Street has more distractions than most | 0:14:33 | 0:14:36 | |
and with the rain due within the hour, | 0:14:36 | 0:14:38 | |
this will be a test of his ability to focus and get the job done. | 0:14:38 | 0:14:42 | |
-He fancies his chances. -It's a lot to take in. | 0:14:42 | 0:14:45 | |
You've got really concentrate and knuckle down in your training course | 0:14:45 | 0:14:48 | |
and then that all shows when you're out on the ropes. | 0:14:48 | 0:14:51 | |
But now's the moment to keep his cool. | 0:14:51 | 0:14:53 | |
He's tying the ropes that will take his weight once he's hanging | 0:14:53 | 0:14:56 | |
-over the edge of the building. -This looks shorter. | 0:14:56 | 0:14:59 | |
-Between the two eights, where you had the other eight. -Oh, OK. | 0:14:59 | 0:15:02 | |
-Look like you're shaking a bit. -SEAN LAUGHS NERVOUSLY | 0:15:03 | 0:15:06 | |
Excited. Looking forward to going over the edge | 0:15:08 | 0:15:10 | |
-and doing some window cleaning. -Down on the ground, | 0:15:10 | 0:15:12 | |
Craig is also waiting for Sean to get on with the job. | 0:15:12 | 0:15:16 | |
When we do this bit and go over the edge, | 0:15:16 | 0:15:18 | |
the adrenaline kicks in and it's great. | 0:15:18 | 0:15:20 | |
Sean is now suspended over Oxford Street, | 0:15:20 | 0:15:23 | |
at the mercy of the ropes he tied himself. | 0:15:23 | 0:15:26 | |
But Andy is watching his every step. | 0:15:28 | 0:15:31 | |
Try and make sure your rope protector's done up nice and secure. | 0:15:31 | 0:15:34 | |
It's now up to Sean and Andy to clean the rest of the windows | 0:15:34 | 0:15:38 | |
-and divvy up the work. -I can't get... -You can't get there? | 0:15:38 | 0:15:42 | |
Is it just too much of a stretch for you? I'll get your bit of window... | 0:15:43 | 0:15:47 | |
So that's your half and my half. | 0:15:51 | 0:15:54 | |
Quite what the office workers inside make of it is anyone's guess. | 0:15:54 | 0:15:58 | |
And by the end of the drop, | 0:15:58 | 0:16:00 | |
Sean is confidently cleaning windows like an old pro. | 0:16:00 | 0:16:03 | |
-Well done. Good effort. -You've done really well. -Cheers. | 0:16:08 | 0:16:12 | |
-Bit more swinging and you'll be fine. -I really enjoyed that. | 0:16:12 | 0:16:15 | |
Getting over the edge was a bit of a buzz and adrenalin, | 0:16:15 | 0:16:18 | |
then coming down, yeah, it was good. | 0:16:18 | 0:16:21 | |
But with several hundred stores on Oxford Street | 0:16:22 | 0:16:24 | |
needing their windows cleaned, | 0:16:24 | 0:16:26 | |
there's a steady stream of work for the boys. | 0:16:26 | 0:16:29 | |
But that's a job for another day. | 0:16:29 | 0:16:31 | |
We can drive away, happy that the job's been completed on time. | 0:16:31 | 0:16:35 | |
HE TOOTS HORN | 0:16:35 | 0:16:37 | |
Oxford Circus Tube station. | 0:16:47 | 0:16:50 | |
Tens of thousands of people pass through this ticket hall each day, | 0:16:50 | 0:16:55 | |
making it the busiest station on the network. | 0:16:55 | 0:16:58 | |
And for staff based here, how they interact with passengers | 0:16:58 | 0:17:02 | |
and the quality of their customer service is everything... | 0:17:02 | 0:17:05 | |
Northbound Bakerloo, platform four. | 0:17:05 | 0:17:08 | |
..as new girl Sinead knows only too well. | 0:17:08 | 0:17:11 | |
It's a job you have to have quite a thick skin for. | 0:17:11 | 0:17:13 | |
You have to be quite bubbly, you can't be too shy. | 0:17:13 | 0:17:16 | |
Customers are always in need of help, | 0:17:16 | 0:17:18 | |
they're always in need of directions they're always in need of help | 0:17:18 | 0:17:21 | |
with the machines, tickets or just general information. | 0:17:21 | 0:17:25 | |
It's a fantastic job and I'm glad I'm here. | 0:17:25 | 0:17:28 | |
I need to go to Kensington. | 0:17:28 | 0:17:30 | |
Change at Victoria for the Circle line | 0:17:30 | 0:17:33 | |
and that will take you to High Street Kensington. | 0:17:33 | 0:17:36 | |
And it's a good job she's prepared | 0:17:36 | 0:17:38 | |
because tonight's an important one for the station. | 0:17:38 | 0:17:41 | |
Transport for London are modernising the Tube service | 0:17:42 | 0:17:45 | |
and this includes closing ticket offices | 0:17:45 | 0:17:48 | |
so customers can only buy tickets from machines. | 0:17:48 | 0:17:51 | |
The plan is this will free up staff | 0:17:51 | 0:17:53 | |
to deal with passengers face-to-face on the station floor. | 0:17:53 | 0:17:56 | |
But some staff are nervous, so today, at Oxford Circus, | 0:17:56 | 0:18:00 | |
they're doing a trial closure. | 0:18:00 | 0:18:03 | |
Team leader Mustak is overseeing the experiment. | 0:18:03 | 0:18:06 | |
Today, all our staff will be coming | 0:18:06 | 0:18:08 | |
and helping our customers on the machines. | 0:18:08 | 0:18:10 | |
Staff realise that technology has taken over | 0:18:11 | 0:18:14 | |
so they have to utilise that more and they understand that, | 0:18:14 | 0:18:17 | |
but some staff are nervous. | 0:18:17 | 0:18:20 | |
One staff member who will be coming out of the office today | 0:18:20 | 0:18:23 | |
is station assistant Stan Neill. | 0:18:23 | 0:18:25 | |
-He's worked the ticket office here for nearly 30 years. -I'm sad. | 0:18:25 | 0:18:30 | |
I think the ticket office should have been kept open, my own opinion, | 0:18:30 | 0:18:34 | |
because it's nice to help people at the window, | 0:18:34 | 0:18:37 | |
especially tourists, and we're coming to the busy summer season, | 0:18:37 | 0:18:41 | |
so that should be fun and games outside. | 0:18:41 | 0:18:44 | |
I hope it all goes well, that's all I hope. | 0:18:44 | 0:18:47 | |
They're about to find out. | 0:18:47 | 0:18:49 | |
-You're giving me £10. -Stan, make that your last one, yeah? -OK. | 0:18:49 | 0:18:53 | |
So, I'm going to close now and get outside amongst all the people. | 0:18:53 | 0:18:58 | |
You deal with the two machines here, three machines. | 0:18:58 | 0:19:01 | |
This is your guideline, so if you're not sure what to do, | 0:19:01 | 0:19:03 | |
-this tells you in there. -OK, thanks. | 0:19:03 | 0:19:06 | |
So, with a guidebook and some encouraging words, | 0:19:06 | 0:19:09 | |
staff now have an hour and a half of solid customer service | 0:19:09 | 0:19:12 | |
and no ticket office to hide away in. | 0:19:12 | 0:19:14 | |
It's just a trial this time, but in two weeks, | 0:19:14 | 0:19:18 | |
their jobs will be based permanently out on the ticket hall floor. | 0:19:18 | 0:19:22 | |
-Mustak's team get stuck in. -It's £4.80 to Arsenal. | 0:19:22 | 0:19:28 | |
-Two children to Victoria, return. -No, hang on. | 0:19:28 | 0:19:31 | |
The best ticket is a one-day travel card, OK? | 0:19:31 | 0:19:34 | |
-Is it cheaper than the return? -Yeah. -OK. | 0:19:34 | 0:19:36 | |
But it's not long before the team are faced | 0:19:36 | 0:19:38 | |
with a more complex ticket problem. | 0:19:38 | 0:19:40 | |
This man's monthly travel card is broken | 0:19:40 | 0:19:43 | |
and he needs to get it replaced. | 0:19:43 | 0:19:45 | |
I went to the ticket office to get it changed, | 0:19:45 | 0:19:48 | |
but it looks like it's closed. | 0:19:48 | 0:19:51 | |
Without a ticket office, Mustak's options are limited. | 0:19:51 | 0:19:54 | |
I can do it for two days | 0:20:00 | 0:20:01 | |
and then they will transfer the monthly to your new card. | 0:20:01 | 0:20:05 | |
Mustak can't issue a new monthly card from the machines available. | 0:20:05 | 0:20:09 | |
The man will have to make do with a two-day ticket | 0:20:09 | 0:20:12 | |
and contact customer services separately. | 0:20:12 | 0:20:15 | |
The ticket office was great last time. | 0:20:15 | 0:20:16 | |
This time there was no ticket office, so we'll see. | 0:20:16 | 0:20:19 | |
It's a far from ideal start for the closure trial | 0:20:21 | 0:20:24 | |
but while staff continue to get to grips with it, | 0:20:24 | 0:20:26 | |
other staff are about to put different customer service skills | 0:20:26 | 0:20:30 | |
-to the test. -VIP, eastbound Central line. | 0:20:30 | 0:20:33 | |
-What number train, rear car? Over. -Train number 002. Over. | 0:20:33 | 0:20:37 | |
On my way. Out. I'm going to go and meet a VIP. | 0:20:37 | 0:20:40 | |
Gerry Haines, better known as the Colonel, has got a VIP to deal with. | 0:20:40 | 0:20:45 | |
VIP, in company parlance, means a visually impaired passenger. | 0:20:45 | 0:20:49 | |
A visually impaired passenger is going to need help | 0:20:49 | 0:20:52 | |
being led from one platform to another. That's where I come in. | 0:20:52 | 0:20:56 | |
While he heads to the platform, | 0:20:56 | 0:20:58 | |
up top, Sinead has got herself a traveller | 0:20:58 | 0:21:01 | |
in need of a different kind of assistance. | 0:21:01 | 0:21:04 | |
This man has had a few drinks | 0:21:10 | 0:21:13 | |
and staff believe he slipped on the stairs and banged his head. | 0:21:13 | 0:21:17 | |
Sinead takes him into the office. He could need medical help. | 0:21:17 | 0:21:21 | |
Later, VIPs, injuries and ticket issues are par for the course | 0:21:21 | 0:21:26 | |
as evening continues in the ticket hall. | 0:21:26 | 0:21:30 | |
Outside a busy bar full of evening drinkers, | 0:21:36 | 0:21:40 | |
the Oxford Street police team have made an arrest | 0:21:40 | 0:21:43 | |
and they think it's a big score. | 0:21:43 | 0:21:45 | |
One of Darren's most recent recruits has radioed him | 0:21:47 | 0:21:50 | |
to say she's just bagged herself a table surfer. | 0:21:50 | 0:21:54 | |
Yeah, so my colleagues who's got this body | 0:21:54 | 0:21:56 | |
was recently on our training programme | 0:21:56 | 0:21:59 | |
and has done a number of shifts working with us. | 0:21:59 | 0:22:02 | |
Darren is soon on the scene. This is the suspect. | 0:22:02 | 0:22:06 | |
He's having his picture taken and circulated | 0:22:06 | 0:22:08 | |
to see if any other officers recognise his face. | 0:22:08 | 0:22:11 | |
The guy's been seen to approach the table | 0:22:11 | 0:22:14 | |
with four young ladies having a drink | 0:22:14 | 0:22:16 | |
with their phones on the table. | 0:22:16 | 0:22:18 | |
He's put an A4 piece of paper across the table | 0:22:18 | 0:22:22 | |
that has, scrawled on it in some foreign language, some writing. | 0:22:22 | 0:22:25 | |
It doesn't seem to be particularly legible, but that doesn't matter, | 0:22:25 | 0:22:29 | |
cos that means the person has to look at it more intently | 0:22:29 | 0:22:31 | |
to see what they're actually reading in front of them. | 0:22:31 | 0:22:34 | |
This is the paper. It's part of a cunning ruse, | 0:22:34 | 0:22:37 | |
but Darren's covert officer spotted what was happening. | 0:22:37 | 0:22:41 | |
Myself and Richard have been out today in plain clothes. | 0:22:41 | 0:22:44 | |
We've been in All Bar One, sitting by the table. | 0:22:44 | 0:22:47 | |
I noticed this gentleman approach some females | 0:22:47 | 0:22:50 | |
with a bit of paper in his hand | 0:22:50 | 0:22:51 | |
and put his hand under the bit of paper | 0:22:51 | 0:22:53 | |
and I could clearly see him pick up the phone, which amounts to theft. | 0:22:53 | 0:22:56 | |
So, we stopped him straightaway and he's been arrested for theft. | 0:22:56 | 0:23:00 | |
Excellent result. Really pleased with it. | 0:23:00 | 0:23:02 | |
The training course helps officers to develop the skills | 0:23:02 | 0:23:06 | |
to spot when individuals might be up to no good. | 0:23:06 | 0:23:09 | |
This shows that the training course really does work. | 0:23:09 | 0:23:11 | |
The arrested man seems a little bewildered at what's happened | 0:23:11 | 0:23:15 | |
and doesn't want to try his English. | 0:23:15 | 0:23:17 | |
HE SPEAKS IN NATIVE TONGUE | 0:23:17 | 0:23:19 | |
With the suspect taken in for interview, | 0:23:21 | 0:23:23 | |
the woman whose phone was nearly stolen is relieved | 0:23:23 | 0:23:26 | |
to still have her prize possession. | 0:23:26 | 0:23:28 | |
This is my iPhone and, obviously, it's a smartphone | 0:23:28 | 0:23:31 | |
and they're quite desirable, so a lot of people will try and get them. | 0:23:31 | 0:23:36 | |
He basically put that bit of paper on top of my phone, | 0:23:36 | 0:23:39 | |
trying to steal my phone and, luckily, | 0:23:39 | 0:23:41 | |
we managed to catch this and we got really lucky | 0:23:41 | 0:23:46 | |
because next to us, there were two police officers. | 0:23:46 | 0:23:49 | |
They blended extra well cos I would never have guessed | 0:23:49 | 0:23:52 | |
that they were police officers and I'm grateful that they were here. | 0:23:52 | 0:23:56 | |
It's one table surfer safely off the streets, | 0:23:56 | 0:23:59 | |
but there will be others out there. | 0:23:59 | 0:24:01 | |
Darren thinks the diners and drinkers of the West End | 0:24:01 | 0:24:05 | |
would do well to keep their eyes peeled. | 0:24:05 | 0:24:08 | |
Always ask yourself, "Why is this person approaching my table? | 0:24:08 | 0:24:11 | |
"Why are they talking to me? What are they doing with their hands?" | 0:24:11 | 0:24:14 | |
Just be aware of your belongings, your bags by your feet, | 0:24:14 | 0:24:18 | |
all of those, cos they'll be targeting you. | 0:24:18 | 0:24:21 | |
They're looking to target people in pubs, in cafes, | 0:24:21 | 0:24:25 | |
catch them unawares and be off with your personal property. | 0:24:25 | 0:24:28 | |
Don't allow them to. | 0:24:28 | 0:24:30 | |
On Oxford Street, the Traffic Droid is on his daily commute... | 0:24:39 | 0:24:43 | |
What is that in your hand, sir? Mobile phone. | 0:24:43 | 0:24:47 | |
..doing his bit to address cycle safety in central London. | 0:24:48 | 0:24:51 | |
Drivers using mobiles are one of his main bugbears. | 0:24:51 | 0:24:55 | |
Is that a mobile? | 0:24:57 | 0:24:59 | |
Why is it in your hand, texting? Why are you texting? | 0:25:00 | 0:25:03 | |
Yes, you were texting just now. I had it on camera. | 0:25:05 | 0:25:07 | |
Don't do it again. | 0:25:07 | 0:25:09 | |
Do you always read a newspaper when you drive, sir? | 0:25:11 | 0:25:14 | |
Today, Lewis is approaching an Oxford Street junction | 0:25:17 | 0:25:21 | |
when he spots a taxi driver parked in a keep-clear zone. | 0:25:21 | 0:25:24 | |
With the cab so far forward, it's blocking a bus's turning circle | 0:25:24 | 0:25:28 | |
and neither can move. | 0:25:28 | 0:25:30 | |
You tell him off for being beyond that line, yeah? Tell him off. | 0:25:30 | 0:25:35 | |
Tell him off. | 0:25:36 | 0:25:37 | |
The cab backs up but Lewis isn't impressed. | 0:25:37 | 0:25:41 | |
For him, it's just the sort of careless driving | 0:25:41 | 0:25:44 | |
he's determined to stamp out. | 0:25:44 | 0:25:45 | |
Silly man. And he's going to cross the line again. | 0:25:47 | 0:25:50 | |
The cab stops past a second white line. | 0:25:51 | 0:25:54 | |
You see what happens when you cross a white line. | 0:25:58 | 0:26:00 | |
You should never stop beyond that white line | 0:26:03 | 0:26:05 | |
because you're breaking the rules. I'm going to report you | 0:26:05 | 0:26:08 | |
because you don't understand what I'm talking about. | 0:26:08 | 0:26:10 | |
Back there you held a bus. | 0:26:10 | 0:26:12 | |
-I love your YouTube channel. Really good. -Thank you, sir. | 0:26:12 | 0:26:15 | |
This guy held up a bus because he crossed the white line | 0:26:15 | 0:26:18 | |
and they don't understand that. That's a violation in itself, yeah? | 0:26:18 | 0:26:22 | |
I'll report you as well. Look at where your wheels are. | 0:26:25 | 0:26:28 | |
How? Tell me far it is. | 0:26:30 | 0:26:32 | |
I'm going to report you as well for violating rule 178 | 0:26:35 | 0:26:38 | |
of the Highway Traffic Code, both of you. | 0:26:38 | 0:26:40 | |
You're both busted. That's a red card for bad driving. | 0:26:40 | 0:26:43 | |
You too, red card. Smile now, cry later. | 0:26:44 | 0:26:48 | |
Unhappy with both drivers, | 0:26:48 | 0:26:50 | |
a furious Lewis decides to take his complaint to the next level. | 0:26:50 | 0:26:54 | |
In the nearby West End Central Police Station, | 0:26:54 | 0:26:58 | |
he unpacks his droid gear and gets to work. | 0:26:58 | 0:27:00 | |
Memory drive... | 0:27:00 | 0:27:02 | |
..cables and my laptop. | 0:27:04 | 0:27:05 | |
All essential equipment of being Traffic Droid. | 0:27:07 | 0:27:10 | |
Lewis prepares a statement and runs off a CD with a copy of the video. | 0:27:11 | 0:27:15 | |
Actually, I just noticed he gave me a very rude sign. | 0:27:17 | 0:27:20 | |
When a road traffic offence is reported in this way, | 0:27:20 | 0:27:24 | |
the victim is offered the chance to suggest the appropriate punishment | 0:27:24 | 0:27:28 | |
and Lewis opts for them to go on a training course. | 0:27:28 | 0:27:31 | |
I think that will hurt them more - | 0:27:31 | 0:27:32 | |
cyclists sending drivers back to school | 0:27:32 | 0:27:34 | |
to learn how to drive properly. It's not a malicious thing. | 0:27:34 | 0:27:37 | |
It's something which has to be done. | 0:27:37 | 0:27:39 | |
It's one of hundreds of complaints filed by the Traffic Droid. | 0:27:39 | 0:27:44 | |
Yes, I've just come to submit a form 96X. Seal of approval. That's it. | 0:27:44 | 0:27:50 | |
And with that, Lewis's day on Oxford Street is over. | 0:27:50 | 0:27:54 | |
But he'll soon be back on the road, cameras rolling. | 0:27:54 | 0:27:57 | |
Oxford Street's central location makes it the ideal place | 0:28:05 | 0:28:09 | |
for star-studded openings and product launches. | 0:28:09 | 0:28:13 | |
And that usually means there'll be a photo opportunity or two | 0:28:13 | 0:28:16 | |
with a famous celeb on the street. | 0:28:16 | 0:28:18 | |
And that's it. That's lovely. | 0:28:18 | 0:28:20 | |
That's great. That's lovely. Thank you, Anthea. | 0:28:20 | 0:28:22 | |
Today, an event is planned | 0:28:22 | 0:28:24 | |
with a soap actress appearing on the steps of a large department store | 0:28:24 | 0:28:28 | |
and that's good news for photographer Andy Barnes. | 0:28:28 | 0:28:32 | |
Michelle Keegan is turning up at House of Fraser. | 0:28:32 | 0:28:35 | |
She is number one FHM's sexiest women in the world. | 0:28:35 | 0:28:39 | |
Doing a big party tonight, but she's doing a launch of a clothing range | 0:28:39 | 0:28:43 | |
at House of Fraser, Oxford Street. I'm on my way. | 0:28:43 | 0:28:46 | |
Andy is a celebrity photographer who makes his living | 0:28:49 | 0:28:52 | |
being in the right place at the right time with a camera. | 0:28:52 | 0:28:55 | |
He's usually on or around Oxford Street | 0:28:55 | 0:28:58 | |
and thinks snaps of former Coronation Street star Michelle Keegan | 0:28:58 | 0:29:02 | |
are something he can sell to celebrity magazines. | 0:29:02 | 0:29:05 | |
Pictures of Michelle Keegan, at the moment, sell exceptionally well. | 0:29:05 | 0:29:09 | |
They are really good. They are like gold dust. | 0:29:09 | 0:29:11 | |
She's getting married to Mark Wright, so there's a lot going on. | 0:29:11 | 0:29:15 | |
It's very buzzy-buzzy. They're right on top of the list. | 0:29:15 | 0:29:18 | |
Andy's hoping to get an exclusive. | 0:29:18 | 0:29:20 | |
Cos I know so many people in the area now, | 0:29:20 | 0:29:23 | |
I get invited to events and parties. | 0:29:23 | 0:29:25 | |
This is really my manor, if you like. | 0:29:25 | 0:29:28 | |
But at House of Fraser, it's clear he's not the first pap on the scene. | 0:29:28 | 0:29:33 | |
-Do you know what time? -Er, 5.15. -5.15? | 0:29:33 | 0:29:37 | |
Andy gets to work. | 0:29:37 | 0:29:39 | |
First of all, he needs to find out | 0:29:39 | 0:29:41 | |
the state of play with the store itself. | 0:29:41 | 0:29:43 | |
Is this where the photocall's going to happen? | 0:29:43 | 0:29:46 | |
-Where's she going to...? -Right there. -Right there? | 0:29:52 | 0:29:54 | |
-Definitely for quarter past five? -Yes. -Yeah? Brilliant. | 0:29:54 | 0:29:58 | |
The event's important for House of Fraser. | 0:29:58 | 0:30:01 | |
They're hoping the celebrity endorsement | 0:30:01 | 0:30:03 | |
will help them sell more of the clothing line. | 0:30:03 | 0:30:06 | |
To help gain publicity, they've roped off an area | 0:30:06 | 0:30:08 | |
on the front steps of the store for photographers. | 0:30:08 | 0:30:11 | |
Andy wants to see how far he can push for access. | 0:30:11 | 0:30:15 | |
Is there an opportunity to get any pictures inside at all? | 0:30:15 | 0:30:18 | |
My understanding is no. | 0:30:18 | 0:30:19 | |
It's a blow for Andy and, as he waits, competition is growing. | 0:30:19 | 0:30:24 | |
Andy's agency have got him accreditation from the store | 0:30:24 | 0:30:27 | |
to be in the photographer's pen but other paps are arriving | 0:30:27 | 0:30:31 | |
and getting the same access | 0:30:31 | 0:30:33 | |
-without having agreed attendance in advance. -What's he doing? | 0:30:33 | 0:30:37 | |
No, he's not one of the accredited photographers. So, he's like.. | 0:30:41 | 0:30:46 | |
He needs to stay out of the pen area. | 0:30:47 | 0:30:50 | |
So, I'm the one who's been accredited. | 0:30:50 | 0:30:52 | |
-Just give me one second. -All right. | 0:30:52 | 0:30:54 | |
Just making sure that I'm the one, | 0:30:54 | 0:30:56 | |
the photographer who actually does the photos | 0:30:56 | 0:30:59 | |
inside the press pen area. | 0:30:59 | 0:31:01 | |
But, despite Andy's protests, | 0:31:01 | 0:31:04 | |
it's decided the unaccredited photographer can stay. | 0:31:04 | 0:31:08 | |
He's been let in, so you've just got to run with it. | 0:31:08 | 0:31:11 | |
Definitely going to have to up the game now, without a doubt. | 0:31:11 | 0:31:14 | |
We're going to have to make sure we get the right images, | 0:31:14 | 0:31:17 | |
get them sent out ever so quickly. | 0:31:17 | 0:31:19 | |
It's now a straight fight to get the best pics and Andy's in his element. | 0:31:19 | 0:31:24 | |
I get a good little rush from doing this job. | 0:31:24 | 0:31:27 | |
It gives me a real buzz and that's why I really enjoy it | 0:31:27 | 0:31:30 | |
and that's why I decided to do what I do now. | 0:31:30 | 0:31:33 | |
Oxford Street is just one big, buzzy street. | 0:31:33 | 0:31:37 | |
A crowd is gathering to see what all the fuss is about. | 0:31:37 | 0:31:41 | |
Meanwhile, at the back of the store, | 0:31:41 | 0:31:43 | |
Michelle sneaks in through a side door. | 0:31:43 | 0:31:46 | |
Andy rushes for a look but he's too late. | 0:31:46 | 0:31:50 | |
She's gone straight in down that way. | 0:31:50 | 0:31:52 | |
He'll have to make do with the press pen, | 0:31:52 | 0:31:55 | |
but at least he's at the front, which matters, | 0:31:55 | 0:31:58 | |
because moments later, Michelle Keegan arrives and Andy gets to work. | 0:31:58 | 0:32:03 | |
-Hi, Michelle, how are you doing? Michelle, look this way. -Yeah. | 0:32:03 | 0:32:07 | |
And, Michelle, looking this way, please. Lovely. | 0:32:07 | 0:32:11 | |
-Brilliant, brilliant. -And, with his prime location, Andy can snap away. | 0:32:11 | 0:32:16 | |
This way, please. Lovely, thank you. | 0:32:16 | 0:32:19 | |
After one minute and 42 seconds of standing in front of a hoarding, | 0:32:19 | 0:32:23 | |
it's all over. | 0:32:23 | 0:32:25 | |
We got a nice, clean shot | 0:32:25 | 0:32:27 | |
and she was looking straight down the line at me, | 0:32:27 | 0:32:30 | |
so it was great. Very pleased. | 0:32:30 | 0:32:31 | |
And now the race is on to get the photos out and sold. | 0:32:31 | 0:32:35 | |
There's a big market for snaps like this | 0:32:35 | 0:32:38 | |
with the red-top newspapers and celebrity magazines. | 0:32:38 | 0:32:41 | |
But they want the pictures right away, | 0:32:41 | 0:32:43 | |
so Andy finds a spot nearby to upload his photos. | 0:32:43 | 0:32:47 | |
Ooh, look at that. That is a nice picture. | 0:32:48 | 0:32:52 | |
I'm sending them off to an agency | 0:32:52 | 0:32:55 | |
that I use a lot for all my celeb stuff. | 0:32:55 | 0:32:58 | |
Andy has high hopes for his afternoon on Oxford Street. | 0:32:58 | 0:33:02 | |
I can see that type of picture being used, | 0:33:02 | 0:33:04 | |
probably on the front page of something. | 0:33:04 | 0:33:07 | |
If that happens, Andy will make serious money | 0:33:07 | 0:33:10 | |
and he certainly thinks his day has been well spent. | 0:33:10 | 0:33:13 | |
Really pleased. Got my pictures sent off. | 0:33:13 | 0:33:15 | |
Fingers crossed and wait for the morning. | 0:33:15 | 0:33:18 | |
With that done, Andy heads off, ready for his next celebrity bash. | 0:33:18 | 0:33:22 | |
At the busiest station on the London Underground network, Oxford Circus, | 0:33:30 | 0:33:34 | |
staff are testing their customer service skills to the limit. | 0:33:34 | 0:33:38 | |
There's a practice closure of the ticket office, | 0:33:38 | 0:33:41 | |
so staff are having to show passengers | 0:33:41 | 0:33:43 | |
how to use the ticket machines. | 0:33:43 | 0:33:45 | |
Now touch your card. No, no, you have to leave it there, otherwise... | 0:33:45 | 0:33:49 | |
-Yeah, there you go. -They've had some teething problems. -My card broken. | 0:33:49 | 0:33:54 | |
-And the queues are building up. -You've used up your money. | 0:33:54 | 0:33:57 | |
You need to put on £3. | 0:33:57 | 0:34:00 | |
But as the going gets tough, the tough get going | 0:34:00 | 0:34:03 | |
and staff seem to be getting to grips with the new setup. | 0:34:03 | 0:34:07 | |
£15 in change and £5 on the machine, OK? | 0:34:07 | 0:34:11 | |
He was very polite with me | 0:34:11 | 0:34:12 | |
and he was very useful and he helped me so much. | 0:34:12 | 0:34:16 | |
-There you go. -Thank you very much. -Enjoy. Thank you. | 0:34:16 | 0:34:19 | |
-That's your receipt. Thank you very much. -Thank you very much. | 0:34:19 | 0:34:22 | |
OK, looks like you've won the jackpot there. | 0:34:23 | 0:34:26 | |
-Do you want to play again? Cheers. -Thank you very much. -Bye. | 0:34:26 | 0:34:29 | |
-Thank you. -Happy. | 0:34:29 | 0:34:32 | |
After some early nerves, staff are feeling more positive. | 0:34:32 | 0:34:35 | |
It's like training a new-born child how to work. | 0:34:35 | 0:34:39 | |
It's not going to be easy, but with time, you should get used to it. | 0:34:39 | 0:34:42 | |
Not everyone's convinced about the changes. | 0:34:43 | 0:34:46 | |
There are still concerns from passengers and staff. | 0:34:46 | 0:34:49 | |
Why have these machines | 0:34:49 | 0:34:51 | |
when these people are there telling you how to work it? | 0:34:51 | 0:34:53 | |
They might as well be stuck behind the cash point...cash desk, | 0:34:53 | 0:34:58 | |
where you're going to get sense out of them. | 0:34:58 | 0:35:00 | |
And it doesn't smile at me or say thank you. | 0:35:00 | 0:35:04 | |
I'm not the first. People have problems trying to get tickets | 0:35:04 | 0:35:08 | |
and they need people in the ticket offices to assist and help. | 0:35:08 | 0:35:12 | |
As far as most customers are concerned, very, very wrong. | 0:35:12 | 0:35:15 | |
So far, I haven't had any major problems. | 0:35:15 | 0:35:18 | |
The customers might get used to it, I'll probably get used to it. | 0:35:18 | 0:35:22 | |
Let's hope that nothing goes seriously wrong. | 0:35:22 | 0:35:25 | |
But as the test period comes to a close, | 0:35:25 | 0:35:27 | |
working without the ticket office | 0:35:27 | 0:35:29 | |
hasn't been the disaster some feared it might be. | 0:35:29 | 0:35:32 | |
-You've done well, for what we have to deal with. -Sure. | 0:35:32 | 0:35:35 | |
So, everybody, well done. | 0:35:35 | 0:35:37 | |
And one man hasn't had quite the experience he expected. | 0:35:37 | 0:35:41 | |
I'm looking forward to it. | 0:35:41 | 0:35:42 | |
It wasn't as bad as I thought it was going to be. | 0:35:42 | 0:35:45 | |
For tonight, Mustak reopens the ticket office. | 0:35:45 | 0:35:48 | |
He'll be hoping things go as smoothly | 0:35:48 | 0:35:50 | |
when it closes its curtains permanently in two weeks' time. | 0:35:50 | 0:35:55 | |
They all know what to expect from the customer, what went well, | 0:35:55 | 0:35:58 | |
what went wrong, so hopefully, they will learn from that and then, | 0:35:58 | 0:36:01 | |
on the day, when we close the ticket offices, | 0:36:01 | 0:36:04 | |
they'll pick out those things from today's experience. | 0:36:04 | 0:36:08 | |
Meanwhile, down on the platform, and Gerry's just in time for his VIP. | 0:36:08 | 0:36:13 | |
Hello, sir. I'm a member of staff. Can I help you? | 0:36:13 | 0:36:16 | |
He wants to get to the Victoria line. | 0:36:16 | 0:36:18 | |
You want to get to the Victoria line, OK. | 0:36:18 | 0:36:20 | |
Northbound or southbound? | 0:36:20 | 0:36:22 | |
Highbury and Islington, platform six. | 0:36:24 | 0:36:25 | |
Do you want somebody to meet you at the other end? | 0:36:25 | 0:36:28 | |
OK. 2-4 for base. | 0:36:28 | 0:36:30 | |
Excuse me, folks. Come this way, please. | 0:36:31 | 0:36:34 | |
-HANDSET: -'That's train number two. Over.' | 0:36:35 | 0:36:37 | |
Imagine that without London Underground being there to help | 0:36:37 | 0:36:40 | |
and provide this service, it would be much more difficult | 0:36:40 | 0:36:43 | |
for a disabled person to find their way around in London. | 0:36:43 | 0:36:47 | |
That's one of the things I enjoy about this job. I can help people. | 0:36:47 | 0:36:50 | |
Mind the doors, please! | 0:36:50 | 0:36:52 | |
Up in the station office, Sinead's busy helping her injured passenger. | 0:36:57 | 0:37:01 | |
-No. -Will you drink that for me, please? Thank you. | 0:37:04 | 0:37:07 | |
What's your name, sir? | 0:37:07 | 0:37:09 | |
Did you hit your head? Cos I've seen you holding it. | 0:37:10 | 0:37:13 | |
-No, I'm fine. I missed a step. -You missed a step, yeah. | 0:37:13 | 0:37:17 | |
It is quite busy in the station, especially with the rain and that. | 0:37:17 | 0:37:21 | |
A glass of water and some comforting words later, | 0:37:23 | 0:37:26 | |
they're happy to see him on his way. | 0:37:26 | 0:37:28 | |
That's no problem. That's what we're here for. | 0:37:30 | 0:37:32 | |
Picking drinks up off the bottom of the stairs. | 0:37:32 | 0:37:34 | |
She won't let me hold her hand. | 0:37:39 | 0:37:40 | |
I'm going to go on the escalator in front of you. | 0:37:40 | 0:37:43 | |
Don't fall on top of me cos I'll move and let you fall. | 0:37:43 | 0:37:45 | |
Bakerloo southbound to Waterloo. | 0:37:48 | 0:37:51 | |
With Sinead onside, the man has made it to the platform. | 0:37:51 | 0:37:54 | |
Now all she's got to do is get him into a carriage. | 0:37:54 | 0:37:58 | |
Looks like your train's here, my dear. | 0:37:58 | 0:38:00 | |
All right. I hope you get home safe. | 0:38:01 | 0:38:04 | |
Right, he's gone on his way. | 0:38:11 | 0:38:13 | |
He'll probably wake up with a banging head in the morning | 0:38:13 | 0:38:16 | |
and his wife probably won't be too happy with him | 0:38:16 | 0:38:18 | |
and he probably won't remember speaking to me, but there you go. | 0:38:18 | 0:38:21 | |
What can you do? Welcome to life on the underground. | 0:38:21 | 0:38:23 | |
Everybody loves a bargain, | 0:38:33 | 0:38:36 | |
which is why shops across Britain use sales to lure in shoppers. | 0:38:36 | 0:38:40 | |
For Oxford Street, the promise of price reductions and stock clearances | 0:38:40 | 0:38:45 | |
is a huge driver of footfall at various times of the year. | 0:38:45 | 0:38:49 | |
But the most important ones of all are the post-Christmas sales. | 0:38:49 | 0:38:53 | |
It's when the shops slash prices by up to 70% | 0:38:53 | 0:38:56 | |
to get rid of a large amount of stock. | 0:38:56 | 0:38:59 | |
But for those wanting the best deals, | 0:38:59 | 0:39:01 | |
it's not enough to just stroll into the stores. | 0:39:01 | 0:39:04 | |
The serious bargain hunters are up in the middle of the night | 0:39:04 | 0:39:07 | |
and ready for hours of queuing. | 0:39:07 | 0:39:10 | |
Which is exactly what Mohammed's done, | 0:39:10 | 0:39:12 | |
waiting at the front of the queue for the Boxing Day sale at Next to begin. | 0:39:12 | 0:39:17 | |
I came at two o'clock, I'm still waiting. | 0:39:17 | 0:39:19 | |
You feel like you're collecting everything for free, but you pay, | 0:39:19 | 0:39:23 | |
but it's very exciting when you get in, | 0:39:23 | 0:39:25 | |
especially when you are the first or the second person to get in. | 0:39:25 | 0:39:28 | |
Raza, visiting from Pakistan, | 0:39:29 | 0:39:31 | |
has mapped out what he wants to buy with military precision. | 0:39:31 | 0:39:35 | |
I have everything planned in mind - how much I'm going to spend, | 0:39:35 | 0:39:38 | |
where I'm going to spend, what I'm going to buy. | 0:39:38 | 0:39:40 | |
Bags are handed out to those queuing. | 0:39:40 | 0:39:42 | |
To keep things running smoothly, Next is operating a two-bag system. | 0:39:42 | 0:39:47 | |
This bag is for the clothing | 0:39:48 | 0:39:50 | |
and the red bag is for accessories and for shoes. | 0:39:50 | 0:39:54 | |
So, I'm planning to buy most of coats and jackets | 0:39:54 | 0:39:58 | |
-and also some accessories. -And at 6am on the dot, the Next sale begins. | 0:39:58 | 0:40:05 | |
Don't run, please. Walk slowly, thank you. | 0:40:07 | 0:40:10 | |
But while the bargain hunters get stuck in, | 0:40:10 | 0:40:13 | |
the big guns are keeping their powder dry for a few hours. | 0:40:13 | 0:40:17 | |
The major department stores don't open their sales till 9am. | 0:40:17 | 0:40:22 | |
In the first hours of its sale, | 0:40:22 | 0:40:24 | |
Selfridges expects to take a staggering £2 million. | 0:40:24 | 0:40:28 | |
Queues have been building up all morning. | 0:40:28 | 0:40:31 | |
We've been here since 7.30 cos my daughter, who's a student, | 0:40:31 | 0:40:35 | |
really wants a designer handbag and I didn't want to pay full price, | 0:40:35 | 0:40:39 | |
so I said, "I'll get up on Boxing Day and I'll bring you down." | 0:40:39 | 0:40:42 | |
While they wait for the doors to open, | 0:40:42 | 0:40:45 | |
at Next, the early birds are done. | 0:40:45 | 0:40:47 | |
I got 370 because all of them for half-price. | 0:40:47 | 0:40:50 | |
I'm so excited to go home now with my stuff. | 0:40:50 | 0:40:55 | |
But things haven't worked out for everyone. | 0:40:55 | 0:40:58 | |
A bit disappointment. | 0:40:58 | 0:41:00 | |
We were expecting some fantastic items to be on the sale | 0:41:00 | 0:41:04 | |
but they moved all of those premium items. Just spending £70. | 0:41:04 | 0:41:10 | |
At John Lewis, they don't call it a sale. It's a clearance. | 0:41:11 | 0:41:15 | |
It's Steve Cooper's job to open the doors today. | 0:41:15 | 0:41:20 | |
As you can see, there's quite a few people outside, | 0:41:20 | 0:41:22 | |
ready to come in and, of course, we can't let anybody in | 0:41:22 | 0:41:24 | |
till we open the doors, which is now about five minutes away. | 0:41:24 | 0:41:27 | |
Outside, people have a good idea what they want. | 0:41:27 | 0:41:32 | |
Mainly clothing, also handbags | 0:41:32 | 0:41:35 | |
and just trying to see if I can get a good bargain. | 0:41:35 | 0:41:37 | |
Arunava is a DJ and has a special little something in mind | 0:41:37 | 0:41:42 | |
for his big New Year gig at the Harrow Leisure centre. | 0:41:42 | 0:41:45 | |
I do a lot of anchoring and emceeing, | 0:41:46 | 0:41:49 | |
so I have a velvet suit in mind, | 0:41:49 | 0:41:51 | |
which is a very classy John Lewis one. | 0:41:51 | 0:41:54 | |
I have that in mind, so I will definitely buy it. | 0:41:54 | 0:41:57 | |
When you think of class, John Lewis is the only option. | 0:41:57 | 0:42:00 | |
And at 9am, the big boys enter the game. | 0:42:01 | 0:42:04 | |
Good morning, folks. Hey, welcome. | 0:42:04 | 0:42:07 | |
CHEERING | 0:42:07 | 0:42:08 | |
Some take advantage of a surprise second entrance. | 0:42:11 | 0:42:14 | |
Good start. The escalator's already heaving now, | 0:42:14 | 0:42:17 | |
so somebody will be up on the 5th floor in about two seconds | 0:42:17 | 0:42:20 | |
and they can start buying their TVs. | 0:42:20 | 0:42:22 | |
The post-Christmas sales are a big deal for the retailers. | 0:42:23 | 0:42:26 | |
An estimated £50 million will be spent on Oxford Street | 0:42:26 | 0:42:31 | |
and the surrounding area on Boxing Day alone. | 0:42:31 | 0:42:34 | |
I'm a shopaholic myself, crazy, as you can see. I have a lot of stuff. | 0:42:34 | 0:42:38 | |
There you go - that's my skirt. | 0:42:38 | 0:42:41 | |
And one man, in particular, has found his heart's desire. | 0:42:41 | 0:42:44 | |
We found the velvet suit. | 0:42:44 | 0:42:46 | |
It was like Usain Bolt winning the 100 metres. | 0:42:46 | 0:42:49 | |
This will be my MC-style statement for the New Year's Eve party | 0:42:49 | 0:42:53 | |
at the Harrow Leisure Centre on 31st December. | 0:42:53 | 0:42:56 | |
The party starts at 7.30pm and we are rocking till 2.30am. | 0:42:56 | 0:43:00 | |
Which means, Arunava, at least, will be up in time | 0:43:00 | 0:43:04 | |
for the start of the New Year sales as well. | 0:43:04 | 0:43:06 |