Episode 2 Oxford Street Revealed


Episode 2

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It's the most famous shopping street in the world,

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in the heart of Britain's capital city.

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A mile and a half long,

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with 30 million visitors each year.

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With some of the world's most famous shops...

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WHOOPING ..biggest stars...

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-Kate Moss!

-CHEERING

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..and busiest stations.

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Sorry, guys! Stand back for me.

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What does it take to keep it running 24 hours a day...

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Busiest street in the world, so it needs constant attention.

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-..seven days a week?

-Oi! Clear off!

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You're going to be arrested on suspicion of attempted theft.

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Are you ready, London?

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A street that never sleeps.

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This sort of thing wouldn't happen anywhere else.

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Oxford Street.

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-Coming up...

-Back to the pavement!

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..anarchy in the bus queue.

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No getting on the bus!

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-SHOUTING

-Get off the bus!

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A Tube strike brings chaos to Oxford Street.

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It's getting out of hand. More units, please.

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It's all change at John Lewis and with the press launch imminent,

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the nerves are kicking in. HE INHALES SHARPLY

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I'd sooner be in my workshop.

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I'm not very used to these sorts of things.

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And ice, ice, baby -

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London's coolest bar gets a refit.

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It's more power and muscles than brain.

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To keep Oxford Street as one of the top places to shop in Europe,

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the retailers have invested in a team of these,

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welcome ambassadors.

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They act as walking information points for visitors

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and try and deal with anything that might disrupt a shopper's experience.

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-It's this way?

-That turning there, that's Argyle Street.

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And tonight, ambassador Michael is expecting to be busy.

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There's a Tube strike on,

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bringing London's key transport network to a halt for 48 hours.

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It means hundreds of thousands of Oxford Street visitors

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and commuters are having to find alternative means of transport home.

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The major strain is expected to be taken by the buses,

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but with the roads already busier than usual with cars,

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cabs and cyclists, it's not going to be easy.

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Six, seven buses in a row that are completely packed out.

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Even the doors don't shut, look at that.

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And as he patrols, the scale of the problem becomes all too clear.

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This bus stop serves two key bus routes,

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which call at many locations normally served by the Tube.

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Crowds here have been getting steadily worse

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since rush hour started.

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People are trying to get on buses,

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but they're too busy for them to get on.

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People are waiting for half an hour, up to an hour,

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just to get on the bus that they want.

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This bus was full to bursting at the previous stop

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and the police have been called to try and manage

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-people getting on and off.

-Hold on, hold on. Oi!

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Stop pushing!

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CROWD SHOUT OUT

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What's that about? He tried to bump the queue.

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Michael and the police have their work cut out.

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Out!

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All move back.

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If you're this side of the tape, you should be at the back of the queue.

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One person goes past me at a time, right? One person at a time.

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Slowly, slowly. Respect for people, mate.

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You're not standing here. Back to the queue.

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Guys, if you push me again, I'm shutting the doors!

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Back to the queue.

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There's a steady stream of buses,

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but despite the police getting as many people on board as possible,

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they hardly make a dent in the crowd numbers.

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At 7.30pm, the police sergeant in charge

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asks Michael and his team to separate the queue into smaller ones

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for different bus routes to help ease the crowd congestion.

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If you're looking for the 25, please line up here on the back.

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You need to go to that side of the line.

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We're not going to let you guys on

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unless you're on this line, all right?

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But half an hour later,

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just as he's succeeded in separating the crowds into two queues,

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the police change their mind and ask him to put it back the way it was.

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We'll just have to make it one big queue.

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Michael has to inform the passengers

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they now need to go to the back of the other queue.

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They're not happy.

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Those people were there, because that's where the bus starts.

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-You've asked us...

-Madam...

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-What did you say to us?

-I'm just doing what I've been told.

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I didn't know what routes are going where. I've just been told...

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-55 is there...

-Yeah.

-..25 is here and 25 is there.

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-Yeah...

-So you guys don't know what you're doing,

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you don't know how you're helping us now,

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you shouldn't have told us what to do at the beginning.

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I do apologise. If I was in your situation, I'd be like that as well.

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All we're trying to do is help.

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With more commuters arriving every minute,

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the buses that do pull up simply can't cope.

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With the queues and jostling increasing,

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things threaten to get out of hand.

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What are you doing?

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No, you're not pushing in.

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He was right down there, he was right down there.

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We let the lady through, cos she's got a child.

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You told me you were with the lady.

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You lied to me.

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THEY REMONSTRATE ANGRILY

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-Don't touch me! Don't touch me!

-There's children!

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It's getting out of hand. More units, please.

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Later, bus crushes...

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Get back on the pavement!

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..and bike crashes...

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BRAKES SCREECH

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Are you OK?

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They don't actually look where they are going.

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..as things at the Tube strike go from bad to worse.

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No pushing, no shoving!

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Get back!

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There are four giant department stores on Oxford Street

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and each one invests millions in their displays and layouts

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to help them stand out from the crowd.

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It's early evening and John Lewis Oxford Street

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is about to play its part.

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It's ringing the changes in its homeware department.

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The store are working on a cutting-edge new design,

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the centrepiece of which will turn the third floor of the building

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into a house within the shop.

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It's very exciting. The plans look absolutely great,

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the whole concept is going to be brand-new with brand-new fixturing

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and, really, being the flagship branch, it is just what we need

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for our home assortment.

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The house within the store will be made up of four rooms,

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each one taken over by a different designer

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and kitted out with their goods.

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One of those rooms is busy taking shape,

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300 miles away in deepest Cornwall.

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John Lewis has asked furniture maker Tom Raffield

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to design one of the four new rooms.

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His brief from the store is to create his perfect space.

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We are going to be given one of the rooms in the house,

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so that's our room there, it's a rectangular room.

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It's a very open brief, so yeah, I'd better sort of read it all properly

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and get my head around it, cos at the moment it's all quite vague.

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Tom's made his name reinventing an ancient form of woodwork

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at his workshop in Nanskerris.

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Tom steams wood to bend it to make furniture and furnishings.

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His technique involves subjecting planks of wood to hot steam.

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Each plank is steamed for an hour.

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Once out, it will begin to harden in just 60 seconds,

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so they need to shape it quickly.

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They can't afford any mistakes.

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Oh! Oopsie.

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-Precious seconds.

-Yeah.

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With the wood clamped into place,

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the team can begin bending it round the mould.

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Too little pressure and the wood will cool before it's set into position.

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Too much and the wood will snap.

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LOUD CREAKING

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I always think of it as torturing the wood,

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because I feel like that's what we're doing.

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Not for the faint-hearted.

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You actually get adrenaline just flowing through your body

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-as you're bending the wood.

-Or anxiety!

-Yeah!

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Tom's found inspiration for his John Lewis room close to home -

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a walk in his woods.

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Being here makes me think that it would be so nice

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to take a bit of this woodland, and the workshop, but the woodland

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to the John Lewis room, because this is where it all started for me.

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Oh, hi, Sian, how are you doing?

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When do you need to see some sketches?

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So probably, yeah, two days.

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This is a handmade product. I think perhaps we're such a small business,

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so I'm nervous, I suppose anxious

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whether it all comes together in time,

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cos time's going to be very tight.

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Later, Cornwall comes to Oxford Street

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as Tom gets to grips with his new room.

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But how will it go down with the press?

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A bad review would be...

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Yeah, it would be awful.

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Nestled between Oxford Street and Regent Street is the Icebar,

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the only hostelry in London where the entire bar is made of ice.

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It's an establishment so cool,

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guests are given special clothing

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and have to leave after 40 minutes to avoid frostbite.

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But unlike wood or steel,

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regular wear and tear causes the ice to melt,

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so once a year, bar manager Matthieu Bourgogne redesigns

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and rebuilds the bar with fresh ice.

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And it's that time of year already.

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He's shutting the bar for a week to carry out the work,

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which must be completed in time for the grand reopening,

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to which he's already booked VIP guests.

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Over 1,000 booked. That's a lot of people booked in,

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that's a lot of people disappointed if we were to be late

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and it's a lot of revenue lost.

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The pressure is on, there's no doubt about it.

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To get things started, at 7am Monday morning,

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a crew of Swedish ice engineers have turned up

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to begin dismantling the old bar.

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This part of the job is more...

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..power and muscles than brain.

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Jens Ivarsson and his team know their ice.

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They built an 80-room hotel entirely from the stuff

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in their home town of Jukkasjarvi in northern Sweden

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and have since designed and built ice bars around the world.

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It's a job few people in the world can do.

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They are just a different breed.

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They work in here all day with chainsaws.

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Moving blocks of ice, it's heavy, hard work.

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40 tonnes of ice out, 40 tonnes of ice in,

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and make it into a beautiful thing,

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a working bar that is also a work of art.

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The Swedes are ice pros, but it's a local refrigerated truck firm

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that has the job of transporting the ice away.

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It's not their usual cargo

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and it's proving to be a challenge.

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What are you doing?!

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It's just too steep for the pump truck to go up with it on.

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Heads up!

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It's like being hit by a small car.

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If you get the tonne of ice over you, you will die.

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After six hours of chainsawing,

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the bar is an empty shell,

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but the tail lift technique is yet to be perfected.

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I said before you come off the end!

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It's on!

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HE GROANS

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Now we have about five days, more or less, to build a new one.

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The next morning, the team is back

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and waiting for a delivery of very special ice.

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That's my home village.

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548 people living there.

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This is the river that we use in here, building the ice.

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It has the perfect speed to create clear ice

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and also thick ice,

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so it's all about the speed of the water

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and Jukkasjarvi, we have the perfect speed for it.

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Jens reckons his ice is the best in the world,

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but it isn't here.

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The ice hasn't arrived yet, so, er...

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-we're wondering where it is.

-No, it's not a good start at all.

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We go have breakfast.

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Last year, the bar was frozen fruit-themed.

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This year is its tenth anniversary and the theme is rock and roll.

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The bar, for example, has all these studs.

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That's, for me, very rock icon.

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Here in this corner you have the drum kit.

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Jens is proud of his town's top export.

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From the Torne River.

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It's definitely the most beautiful and best ice in the world.

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Not everyone understands Torne River ice like Jens.

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The delivery has finally arrived an hour and a half late,

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but it's too cold.

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These guys, they don't know that we...

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They put the temperature down to minus 25, something...

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..cos they want to make sure that it's cold,

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and we do not want that.

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At that temperature, it's too fragile and could easily crack when carved.

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-Turn it off.

-Yeah?

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Despite being late, even now, they can't start building.

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It's very cold, it's very fragile right now.

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After letting it rest

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at the more manageable minus five degrees at the bar,

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the team are finally ready to start building.

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Like a puzzle or building with Lego, you just build it up piece by piece.

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Over the next five days,

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the team work ten hours daily to get the bar together.

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By Friday morning, the team are back on track,

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but then, disaster strikes.

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The bar is basically a huge freezer and it's broken down.

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Quite a significant leak coming from the ceiling,

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straight on to our brand-new ice.

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Later, can the team stop the leak

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and build their bar in time for the grand reopening?

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Yeah, this is bad.

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Hours after it started, the Tube strike is still causing chaos

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along the length of Oxford Street. CROWD SHOUT

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Welcome ambassador Michael is trying to deal with a fraught situation

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at a bus stop.

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You guys don't know what you're doing.

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You shouldn't have told us what to do at the beginning.

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Oxford Street is one of the only shopping streets in the country

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to have its own dedicated security team.

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And at the west end of the street,

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Lewis and Ian from the team are on patrol.

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Here observing anyone wandering into the road.

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There's scope for them to be hit by vehicles.

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Just keeping a general eye on the public,

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make sure everyone's OK, really.

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Lewis has barely started his day's work

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when the busier than usual roads begin to throw up issues

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for him to deal with too.

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Yeah, received, we'll make our way up there, over.

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A little boy on holiday with his family

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has been hit and hurt by a cyclist.

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Hello, mate!

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Have you hurt your hand?

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-BOY WAILS

-Your head?

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-Have you phoned for an ambulance?

-Yes.

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OK. How long ago?

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-Do you speak...?

-30 minutes.

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-30 minutes ago?

-Yes.

-Can you put this through as a 999 call?

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Say he's four years old, been hit by a cyclist,

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got a massive lump on his head, erm, pretty distressed.

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SIREN WAILS

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-Are you for the little lad?

-Yeah.

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-These guys here will help you out.

-BOY WAILS LOUDLY

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SIREN BLURTS

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Lewis is still dealing with the family when across the road...

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-BRAKES SCREECH, CRASHING

-Are you all right, fella?

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..a bike's hit a bus.

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-Are you OK?

-Are you all right?

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Yeah?

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Swerving to avoid a U-turning taxi,

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the cyclist has hit the side of a bus.

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The team help the man off the road.

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Can you move your arm, yeah? Can you do that?

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I just came out to do a U-turn, and the bus was giving me way,

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and this cyclist tried to swerve me,

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hit me, and went into the bus.

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It was quite shocking.

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They don't actually look where they are going, that is the problem.

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Yeah, I'm amazed he didn't end up

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underneath that bus, to be honest. Very lucky.

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Well, it shocks you, really,

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but that's working on Oxford Street, isn't it?

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The bus, taxi and cyclist are sent on their way,

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but back at the John Lewis queue, people aren't getting away so fast.

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It's now 8.30pm, and the arrival of each new bus brings with it

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more pushing and queue jumping.

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I can see you pushing. Don't push. Don't push.

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I've seen you push. Don't push.

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No, I'm here. Ask anybody.

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Guys, stop pushing. Calm down.

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-One at a time!

-I'm waiting this side.

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You're on the wrong side of the thing, sir.

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I'll wait where I want. That man was pushing me. What?

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I hate this. Abusing the people.

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-They are not criminals.

-No.

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We pay for our transport. This is ridiculous.

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Whoa-whoa-whoa-whoa-whoa!

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Small babies at the front here. Do not push.

0:16:420:16:44

Aware of the crush, the police have sent specialist officers

0:16:440:16:48

from the Safer Transport Police Team to deal with the flashpoint bus stop.

0:16:480:16:53

We're getting there, slowly.

0:16:530:16:54

Having come in for flak themselves,

0:16:540:16:57

Michael and his team decide they've done as much as they can.

0:16:570:17:00

They leave it to the professionals.

0:17:000:17:01

-Will you guys still be here?

-Oh, no, you can go.

0:17:010:17:03

-Is that all right?

-Yeah. Yeah. Thank you very much.

-Thanks, man. Cheers.

0:17:030:17:07

Police urge the crowd to behave calmly.

0:17:080:17:11

When the bus arrives, which will be very soon, it only holds

0:17:110:17:13

so many people, and there is one door.

0:17:130:17:16

If you push, if you scream and you shout,

0:17:160:17:19

you will not get on any quicker.

0:17:190:17:20

By 9pm, several hundred people are still waiting to get on.

0:17:200:17:25

You can see we're here long. We need to get on this one.

0:17:250:17:28

Very, very terrible.

0:17:280:17:29

We have been waiting more than three hours now.

0:17:290:17:32

For some people, it's all become too much.

0:17:320:17:35

One at a time, stop pushing.

0:17:370:17:39

No pushing, no shoving at the back.

0:17:390:17:42

Act like adults and get back.

0:17:420:17:44

When the next bus arrives, people take matters into their own hands.

0:17:440:17:48

Guys, no getting on the bus...

0:17:480:17:50

Get off the bus.

0:17:500:17:52

No getting on the bus.

0:17:520:17:53

You're all adults over here, start acting like adults!

0:17:530:17:56

Don't start. Who says who gets on the bus? It's not you.

0:17:560:17:59

You are disorganised. You don't know how to do your job.

0:17:590:18:02

People are getting on the back of the bus. The bus is at the front.

0:18:020:18:05

The entrance to the bus is at the front.

0:18:050:18:07

Guys, listen very carefully!

0:18:070:18:10

This bus will not move unless you get back on the pavement.

0:18:100:18:13

I will send them empty.

0:18:130:18:16

In London, this is what a crush is like.

0:18:160:18:18

I am tired and hungry and angry.

0:18:180:18:21

Them police are making noise, telling you, "Wait, wait, wait."

0:18:210:18:24

What can I do, innit?

0:18:240:18:25

Later, as day becomes night, the wait for a bus goes on,

0:18:280:18:32

and on, and on.

0:18:320:18:34

If you're pushing again, you're not going to get on a bus today, sir.

0:18:340:18:38

John Lewis Oxford Street has invested hundreds of thousands of pounds

0:18:440:18:48

in a brand-new homewares department.

0:18:480:18:51

They've ripped out the old fittings and are replacing them

0:18:510:18:53

with an ambitious new design.

0:18:530:18:56

They've asked four of their suppliers to each design a room

0:18:560:18:58

to form a house within the store,

0:18:580:19:02

and on a crisp Saturday morning, Cornish wood-bender Tom Raffield

0:19:020:19:06

and his wife and business partner Dani

0:19:060:19:09

arrive on Oxford Street to put the finishing touches to their room.

0:19:090:19:13

We're really, really anxious to go and have a look at this room.

0:19:130:19:16

We've put so much work into it.

0:19:160:19:18

Well, it's the culmination of probably, like,

0:19:180:19:20

three or four weeks' solid work.

0:19:200:19:23

The shop's team have built the basic structure of Tom's design

0:19:230:19:26

but he's now got two days to adapt and fit the rest of his plan.

0:19:260:19:30

The hoarding separates the shopping public from

0:19:320:19:35

the closely guarded new rooms.

0:19:350:19:37

In two days' time,

0:19:370:19:38

it'll be removed for the official launch of the new department.

0:19:380:19:43

We could see our space from a million miles away,

0:19:430:19:45

-because this is all the wood that we've sent up from Cornwall.

-Yeah.

0:19:450:19:49

-It's quite nice to see it's up on the walls already.

-It looks good.

0:19:490:19:52

-We've got to do quite a bit now, haven't we?

-Yeah.

0:19:520:19:54

-So we should get to work.

-Get cracking.

-Yeah, cool.

0:19:540:19:57

They get busy with it.

0:19:590:20:01

DRILL BUZZES

0:20:010:20:04

Just very slightly to your right.

0:20:040:20:06

That's it. That's it. You got it?

0:20:060:20:08

The room and decorations are designed to show off Tom's lampshades,

0:20:120:20:16

which are the main items he sells through John Lewis.

0:20:160:20:20

While Tom's busy with his room,

0:20:200:20:22

overseeing the rest of the project is head of design Diane Staplehurst.

0:20:220:20:27

It's all about the attention to detail.

0:20:270:20:30

It just shows that you care about it, I think,

0:20:300:20:33

and I do like things quite, sort of, orderly and straight.

0:20:330:20:38

Do you think I've got OCD, Matt?

0:20:380:20:41

-No.

-I haven't, have I?

0:20:410:20:42

She's coordinated the designs and designers of all four rooms.

0:20:440:20:48

This is, to me, more of an art installation.

0:20:490:20:51

But the real test for Diane will be tomorrow, when the cream of Britain's

0:20:530:20:57

homeware journalists get their first look at her new department.

0:20:570:21:01

Right, let's go.

0:21:020:21:04

And next morning, as the team gets ready for the press,

0:21:150:21:18

final preparations are being made to the new features.

0:21:180:21:22

All the glitches that we were panicking about yesterday

0:21:220:21:25

are all sorted, and I'm working on adrenaline at the moment.

0:21:250:21:29

Overseeing the press launch is PR manager Sian Jones.

0:21:290:21:33

We've worked up until the wire in terms of creating the best

0:21:330:21:37

environment possible for the press to arrive in,

0:21:370:21:39

so it's just up to us now to really garner

0:21:390:21:42

the coverage around what's been an incredible refurb.

0:21:420:21:45

Upstairs, the designers are giving their displays the final once-over.

0:21:450:21:50

Yeah, they're all looking good.

0:21:500:21:52

Some of these ones here need tightening.

0:21:520:21:54

I'm nervous, I suppose, cos I don't know who's going to come,

0:21:540:21:57

and what their response will be

0:21:570:21:58

cos it's very different to everything out there.

0:21:580:22:01

I think I'd probably sooner be in my workshop.

0:22:010:22:04

I'm not very used to these sorts of things.

0:22:040:22:06

With that, and the exhibition in full swing,

0:22:060:22:09

Sian can get ready for the toughest challenge of the lot.

0:22:090:22:12

-Hi, Isobel.

-Yes! I'm alive!

0:22:120:22:14

-Ta-da! Ta-da!

-Hello.

0:22:140:22:17

Isobel McKenzie-Price,

0:22:170:22:18

editorial director of Ideal Home magazine, is in the store.

0:22:180:22:22

Her magazine is a key publication for the store's target market,

0:22:220:22:26

and they're desperate for their new department to get a good review.

0:22:260:22:30

We are always conscious that everything new,

0:22:300:22:33

everything that we're doing, needs to get her approval,

0:22:330:22:37

and then hopefully the public's.

0:22:370:22:39

it would be fairly horrible to get a bad review.

0:22:390:22:41

So, here are our creative spaces.

0:22:410:22:46

Tom, this is Isobel.

0:22:460:22:47

OK, so, the brief really was to create your perfect space,

0:22:470:22:50

-wasn't it, Tom?

-Yeah, that's right.

0:22:500:22:53

No, it was brilliant, actually, cos we were given an open brief,

0:22:530:22:56

and we just wanted to, really,

0:22:560:22:58

not show how the lights could look in a really nice setting,

0:22:580:23:01

but just bring a piece of where they're made,

0:23:010:23:03

and who they're made by,

0:23:030:23:05

and sort of what inspires the creations, to John Lewis.

0:23:050:23:10

But is it enough to impress the hardest woman in homeware?

0:23:100:23:14

I'm amazed you could do this in the middle of Oxford Street...

0:23:140:23:17

-I know, so am I. Yeah.

-..so well.

0:23:170:23:18

It's fantastic.

0:23:180:23:20

'I think she's been wowed, actually,'

0:23:200:23:22

which I'm delighted by.

0:23:220:23:24

I fell in love with Tom Raffield's Log cabin. I just...

0:23:240:23:27

It was like walking into his workshop, and to be able to

0:23:270:23:29

do that into a tiny, sort of, 12 foot square space is amazing.

0:23:290:23:34

It's been a long journey from Cornwall to the premier

0:23:340:23:37

shopping street in Europe,

0:23:370:23:39

and for Tom, it's been quite an eye-opener.

0:23:390:23:42

Quite an overwhelming morning, really,

0:23:420:23:44

but I'm really glad that I've done it.

0:23:440:23:46

And John Lewis can cut the red ribbon to successfully open

0:23:460:23:49

their new homeware department. CHEERING

0:23:490:23:52

It's Saturday morning at the Icebar,

0:24:010:24:03

and the build is in full swing.

0:24:030:24:05

Jens and his team have been delayed by a series of leaks,

0:24:050:24:08

and there's a lot of time to make up before the bar opens later today.

0:24:080:24:12

The leaking has continued and, at the moment,

0:24:140:24:16

it's eating away at the ice.

0:24:160:24:18

The drip tray is full of water again so I don't know what the deal is.

0:24:180:24:21

-There has to be a blockage somewhere.

-It's not good at all

0:24:210:24:24

that it drips, because the water that drips is a little warm as well.

0:24:240:24:28

If it continues, then it will kind of dig a hole in the ice.

0:24:280:24:32

Yeah, this is bad.

0:24:320:24:34

The bar has to last a year.

0:24:340:24:36

All the ice team's work will be wasted if their design melts away.

0:24:360:24:41

Mathieu has called a plumber, but he doesn't have long to fix the problem.

0:24:410:24:45

There's water on both sides.

0:24:450:24:48

I can stick my finger down there. There's no ice there, yeah.

0:24:500:24:54

-It's got to be a blockage.

-It's got to be a blockage down the line.

0:24:540:24:58

Despite the leak, the team continue around the plumber,

0:24:580:25:01

fixing what damage they can.

0:25:010:25:03

They can use tap water as glue to mend breakages.

0:25:030:25:06

It's instant glue.

0:25:060:25:08

New tip. As good as new.

0:25:100:25:12

I've got a feeling the trace heating round the pipe,

0:25:120:25:15

that keeps the pipe from freezing up, it's not working.

0:25:150:25:18

Eventually, the plumber discovers what the source of the problem is.

0:25:180:25:22

A flick of the switch and the pipe heating comes back to life.

0:25:250:25:29

The coolant system unblocks and the leaks stops.

0:25:290:25:33

It was quite a simple fix once we discovered what the problem was.

0:25:330:25:36

Inside, Jens can make the final repair

0:25:360:25:39

to the ice immediately below the leak.

0:25:390:25:42

I will make the final cut...

0:25:420:25:44

for the last time.

0:25:440:25:46

And with that, the bar is ready,

0:25:470:25:49

just in the nick of time.

0:25:490:25:52

The Icehotel crew have built probably the best Icebar

0:25:520:25:56

-we've had in ten years.

-I can't believe it, really.

0:25:560:25:59

THEY CHEER

0:25:590:26:02

Fantastic. Happy ten years.

0:26:020:26:04

Hours later, the Icebar can show off Jens's new design

0:26:080:26:12

and all his team's hard work to the new season's first guests.

0:26:120:26:17

Really cold. I don't know how they do it

0:26:210:26:23

but they must love living in thermal underwear, is all I can say!

0:26:230:26:27

I'm glad to be outside, cos it's a lot warmer,

0:26:270:26:29

even though I'm from t'north.

0:26:290:26:30

But it were a good laugh. I'd recommend it to anyone.

0:26:300:26:34

And so, the coolest bar in London, literally, can open for business.

0:26:340:26:38

On a side street by John Lewis,

0:26:460:26:49

thousands of frustrated commuters have been queueing from early evening

0:26:490:26:53

to try and get their buses home in the face of a major Tube strike.

0:26:530:26:57

We're waiting for two, three hours

0:26:570:26:59

and we haven't even got into the bus yet.

0:26:590:27:02

A thin blue line of police and Oxford Street welcome ambassadors

0:27:020:27:05

have been trying to marshal the queues,

0:27:050:27:09

but it's not gone well.

0:27:090:27:10

SHOUTING

0:27:100:27:14

You're all adults here! No getting on to the bus!

0:27:150:27:19

As darkness falls,

0:27:190:27:21

by 9.30pm,

0:27:210:27:23

a workable system seems to have emerged.

0:27:230:27:26

Oh, thank you! Goodbye!

0:27:260:27:29

But some people are still trying to jump the queues.

0:27:320:27:35

Get him out the bus. Get him off the bus.

0:27:350:27:39

Get the driver to open the back door. He's pushed in.

0:27:390:27:42

Come off the bus, please. Come off the bus.

0:27:420:27:44

Sir, you have only been here for 15 minutes.

0:27:440:27:48

You've pushed in the queue approximately four times

0:27:480:27:51

when I very kindly asked you...

0:27:510:27:53

Shall we move out the way, sir?

0:27:530:27:55

The police keep going, helping dozens more passengers get their buses,

0:27:560:28:00

and finally, just after midnight, the queues begin to die down.

0:28:000:28:05

It's been a really long day. Long day.

0:28:050:28:08

Tempers flaring. Not ours!

0:28:080:28:11

But I think we've done as best as we can, really.

0:28:110:28:15

I'm hungry, I haven't had any dinner, so I'm going to go have

0:28:150:28:18

dinner, try and make my way home on two or three night buses myself,

0:28:180:28:21

hopefully not crowded. So that's the end of it, really.

0:28:210:28:24

They head off. Thankfully, by the morning,

0:28:240:28:27

the Tubes will be running again.

0:28:270:28:29

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