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It's the most famous shopping street in the world, | 0:00:02 | 0:00:04 | |
in the heart of Britain's capital city. | 0:00:04 | 0:00:06 | |
A mile and a half long with 30 million visitors each year. | 0:00:06 | 0:00:12 | |
-With some of the world's most famous shops, biggest stars... -Kate Moss! | 0:00:12 | 0:00:17 | |
..and busiest stations. | 0:00:17 | 0:00:19 | |
Sorry, guys. Stand back for me. | 0:00:19 | 0:00:21 | |
What does it take to keep it running 24 hours a day... | 0:00:21 | 0:00:24 | |
'It's the busiest street in the world,' | 0:00:24 | 0:00:26 | |
so it needs constant attention. | 0:00:26 | 0:00:27 | |
-..seven days a week? -Oi, clear off! | 0:00:27 | 0:00:30 | |
You're going to be arrested on suspicion of attempted theft. | 0:00:30 | 0:00:33 | |
'Are you ready, London?!' | 0:00:33 | 0:00:35 | |
A street that never sleeps. | 0:00:35 | 0:00:38 | |
This sort of thing wouldn't happen anywhere else. | 0:00:38 | 0:00:41 | |
Oxford Street. | 0:00:42 | 0:00:43 | |
Coming up... | 0:00:46 | 0:00:47 | |
I think she's spooked. | 0:00:47 | 0:00:48 | |
On the trail of the pickpockets... | 0:00:48 | 0:00:50 | |
Hi, Acting Sgt Bond. | 0:00:50 | 0:00:52 | |
..police crack down. | 0:00:52 | 0:00:54 | |
Cuffs. | 0:00:54 | 0:00:55 | |
There's a flagship store opening... | 0:00:56 | 0:00:58 | |
if they can get it ready on time. | 0:00:58 | 0:01:01 | |
We're all upset about it. | 0:01:01 | 0:01:02 | |
It's going to be open and this guy's not really working. | 0:01:02 | 0:01:04 | |
It's not good enough, Mike. Not good enough at all. | 0:01:04 | 0:01:07 | |
The streets' drains spring a surprise. | 0:01:07 | 0:01:09 | |
-Ooh! -It really, really, really reeks. | 0:01:09 | 0:01:12 | |
To make sure Oxford Street stays as one of the safest major | 0:01:20 | 0:01:24 | |
shopping destinations in the world, | 0:01:24 | 0:01:26 | |
the Metropolitan Police have set up a dedicated team just to police it | 0:01:26 | 0:01:30 | |
known as ORB. | 0:01:30 | 0:01:32 | |
Today, two plainclothes members of the team, Acting Sgt Darren Bond | 0:01:36 | 0:01:40 | |
and PC Alex, are out on patrol in an unmarked car | 0:01:40 | 0:01:44 | |
when a call comes through that snaps them into action. | 0:01:44 | 0:01:47 | |
A security guard at a nearby shop has called to say | 0:01:58 | 0:02:01 | |
he's spotted a suspected dipper, | 0:02:01 | 0:02:03 | |
someone who surreptitiously fishes in bags to steal valuables. | 0:02:03 | 0:02:07 | |
He believes he's seen her trying her luck in a customer's handbag | 0:02:07 | 0:02:11 | |
and he's begun to follow her. | 0:02:11 | 0:02:12 | |
The officers are only minutes away but moving far too slowly. | 0:02:18 | 0:02:22 | |
Darren won't let the midday traffic come between him and a thief. | 0:02:22 | 0:02:26 | |
Still on the wrong side of the road, | 0:02:33 | 0:02:34 | |
Alex tries to get to the bottom of what's going on. | 0:02:34 | 0:02:37 | |
Leaving the car on the pavement, | 0:02:44 | 0:02:45 | |
they race towards the last sighting of the suspect. | 0:02:45 | 0:02:48 | |
The officers have to catch up with her without being noticed. | 0:02:53 | 0:02:56 | |
Although they have the security guard's report, they want to see | 0:02:56 | 0:02:59 | |
if she'll try and steal again, so they can catch her in the act. | 0:02:59 | 0:03:03 | |
She's walking up Regent Street, towards Oxford Street. | 0:03:03 | 0:03:06 | |
They begin what they call the follow. | 0:03:06 | 0:03:09 | |
So you really need this to play out, yeah? OK. | 0:03:09 | 0:03:12 | |
The officers don't want her to see them and take every precaution. | 0:03:12 | 0:03:17 | |
Just mix up the appearance a little bit. | 0:03:17 | 0:03:19 | |
They follow for 300 metres, | 0:03:19 | 0:03:21 | |
doing their best to stay at a safe distance. | 0:03:21 | 0:03:24 | |
But the woman is no longer lingering in shops. | 0:03:24 | 0:03:27 | |
She's walking a direct route to the Oxford Circus underground entrance, | 0:03:27 | 0:03:31 | |
and Darren thinks he might be in trouble. | 0:03:31 | 0:03:34 | |
I think she's spooked. | 0:03:34 | 0:03:35 | |
Darren's sure the woman has now worked out she's being followed. | 0:03:35 | 0:03:39 | |
She heads down the steps to the station. | 0:03:39 | 0:03:41 | |
He can't risk losing her, | 0:03:41 | 0:03:43 | |
so Darren makes the call for his colleague to move in. | 0:03:43 | 0:03:46 | |
Cuffs. | 0:03:48 | 0:03:49 | |
The search doesn't turn up anything of interest, | 0:03:53 | 0:03:55 | |
but Darren wasn't expecting her to have any of the victim's property. | 0:03:55 | 0:03:59 | |
In England, if you try to steal and put your hand in somebody's bag, | 0:03:59 | 0:04:03 | |
you try to unzip somebody's handbag, that's an offence. | 0:04:03 | 0:04:07 | |
PC Alex speaks to the security guard who first alerted them | 0:04:07 | 0:04:10 | |
and is now back in his own shop retrieving the CCTV. | 0:04:10 | 0:04:13 | |
And their investigations throw up something else totally unexpected. | 0:04:18 | 0:04:23 | |
Despite being dressed like a wealthy Arab shopper in a headscarf, | 0:04:23 | 0:04:27 | |
the woman is Bulgarian and, police believe, not a Muslim. | 0:04:27 | 0:04:31 | |
She's not dangerous, so they take her back to the station in the same car. | 0:04:33 | 0:04:37 | |
Darren thinks the headscarf is a disguise. | 0:04:37 | 0:04:40 | |
It's very easy for them to dress up with a headscarf | 0:04:40 | 0:04:42 | |
to look like another Arab female. | 0:04:42 | 0:04:45 | |
Allows them to get close to their victims and not be noticed. | 0:04:45 | 0:04:49 | |
Stand against here and look. | 0:04:49 | 0:04:51 | |
It's an aggravating factor to the offence. | 0:04:51 | 0:04:54 | |
Almost like going equipped to steal | 0:04:54 | 0:04:56 | |
from somebody with a foil-lined bag, etc. | 0:04:56 | 0:04:58 | |
She's using that as a disguise | 0:04:58 | 0:05:00 | |
to allow her to facilitate her stealing. | 0:05:00 | 0:05:03 | |
Running her details through the system has thrown up | 0:05:03 | 0:05:06 | |
some interesting results. | 0:05:06 | 0:05:07 | |
She is apparently known in Germany as a member of an organised crime gang | 0:05:07 | 0:05:12 | |
and the address she's given doesn't feel right. | 0:05:12 | 0:05:15 | |
We're going to try and see if that is a good address. | 0:05:24 | 0:05:27 | |
If we're not happy, we're going to ask the custody sergeant | 0:05:27 | 0:05:30 | |
to consider not giving her bail, put her straight in front of the court. | 0:05:30 | 0:05:33 | |
Over 300 notes in the police database for one address rings alarm bells. | 0:05:35 | 0:05:40 | |
They think she might be giving out a common holding address | 0:05:40 | 0:05:42 | |
that's nothing to do with her. | 0:05:42 | 0:05:45 | |
This is something they want to check out. | 0:05:45 | 0:05:48 | |
Sgt Carling decides to take a small team to go and have a look. | 0:05:48 | 0:05:52 | |
Later, the team reach the address, | 0:05:53 | 0:05:56 | |
but it looks like someone's been here before them. | 0:05:56 | 0:05:59 | |
This door has been put in by the police. | 0:05:59 | 0:06:01 | |
Opening a new flagship store on Oxford Street is a big deal. | 0:06:09 | 0:06:13 | |
Soaring rents in such a prime shopping location | 0:06:13 | 0:06:16 | |
mean it's expensive and any new arrival has to be profitable. | 0:06:16 | 0:06:21 | |
And the best way to ensure your new place is a smash hit | 0:06:21 | 0:06:24 | |
is to make as big a splash as possible with the opening. | 0:06:24 | 0:06:28 | |
Which is what trainer chain JD is planning to do | 0:06:28 | 0:06:31 | |
with its brand-new flagship Oxford Street store. | 0:06:31 | 0:06:34 | |
It's a massive undertaking for the chain. | 0:06:35 | 0:06:38 | |
It's the biggest shop that we've ever opened. | 0:06:38 | 0:06:40 | |
At the moment, we've got an empty shell, and in under a week, | 0:06:40 | 0:06:43 | |
we'll have a brand-new megastore to open for everyone. | 0:06:43 | 0:06:46 | |
So today, we've got 12 18-tonne trucks coming | 0:06:46 | 0:06:49 | |
with all the stock on them. | 0:06:49 | 0:06:51 | |
Shop manager James is in charge of getting | 0:06:51 | 0:06:53 | |
all 216 tonnes of stock into the store. | 0:06:53 | 0:06:57 | |
All right, guys! | 0:06:57 | 0:06:58 | |
Get everyone spread out and then we'll start loading it off. | 0:06:58 | 0:07:01 | |
To cope with such a massive new store, | 0:07:02 | 0:07:04 | |
the company has invested in some cutting-edge tech wizardry. | 0:07:04 | 0:07:08 | |
They've got a brand-new bespoke trainer lift. | 0:07:09 | 0:07:12 | |
It's been designed to get trainers from the stock room shelf | 0:07:12 | 0:07:15 | |
to customers' feet in no more than 30 seconds. | 0:07:15 | 0:07:18 | |
It should be running constantly, | 0:07:20 | 0:07:22 | |
but the experimental technology is having teething problems. | 0:07:22 | 0:07:27 | |
You can see here that somebody has actually | 0:07:27 | 0:07:29 | |
pushed the boxes forward too much. | 0:07:29 | 0:07:31 | |
"Do not push the boxes forward." | 0:07:31 | 0:07:33 | |
And now we have to restart the system. | 0:07:33 | 0:07:35 | |
This should be idiot proof. | 0:07:36 | 0:07:38 | |
No doubt some idiot will find a way of causing a problem | 0:07:38 | 0:07:41 | |
that I'll have to come back and address. | 0:07:41 | 0:07:43 | |
The shop have only got a week to get | 0:07:43 | 0:07:46 | |
the lift up and running properly before they open. | 0:07:46 | 0:07:48 | |
While the shop team work on getting that right, across town, | 0:07:48 | 0:07:51 | |
JD are working on something else | 0:07:51 | 0:07:53 | |
to make sure the opening goes with a bang. | 0:07:53 | 0:07:55 | |
JD's marketing team have set up a nationwide competition | 0:07:55 | 0:07:59 | |
to find a new face for the Oxford Street store. | 0:07:59 | 0:08:02 | |
Thousands of youngsters have attended photo shoots | 0:08:05 | 0:08:08 | |
up and down the UK to try and get chosen. | 0:08:08 | 0:08:11 | |
The winners will be plastered on advertising across the new shop. | 0:08:11 | 0:08:16 | |
It's the brainchild of marketing director Steve White. | 0:08:16 | 0:08:20 | |
It gives a reality to the people that we photograph and use | 0:08:20 | 0:08:23 | |
cos they come from an everyday stable. | 0:08:23 | 0:08:25 | |
The main thing is, I would say, close to the consumer. | 0:08:25 | 0:08:27 | |
Every time I take a photo, I want to see something a bit different, OK? | 0:08:27 | 0:08:30 | |
-A bit different? -That's great. | 0:08:30 | 0:08:32 | |
And a week later in Manchester, Steve's overseeing the final audition | 0:08:34 | 0:08:38 | |
with the winners of the regional heats. | 0:08:38 | 0:08:41 | |
-Come on, smile. That's it! Cool. -That's great. | 0:08:41 | 0:08:44 | |
Brooke was selected in London and is one of the first on set. | 0:08:44 | 0:08:48 | |
She's good but needs some coaching. | 0:08:48 | 0:08:50 | |
Just take the tension out of your legs. | 0:08:50 | 0:08:51 | |
So just slightly bring them forward, your knees. Slightly relax them. | 0:08:51 | 0:08:55 | |
It's quite a change for Charlie, | 0:08:55 | 0:08:57 | |
who was preparing to join the Royal Marines. | 0:08:57 | 0:09:00 | |
Getting used to people just jumping in and fixing things. | 0:09:00 | 0:09:04 | |
It's all part of the job, I suppose. | 0:09:04 | 0:09:06 | |
-Just been demonstrating how to model. -You have? How brilliant. | 0:09:06 | 0:09:09 | |
HE LAUGHS | 0:09:09 | 0:09:11 | |
Have you seen my legs? | 0:09:11 | 0:09:12 | |
Steve's legs might not impress but Ramone, | 0:09:12 | 0:09:15 | |
who came through the Manchester casting, certainly does. | 0:09:15 | 0:09:19 | |
He's got that dead masculine structure to the top of his body, | 0:09:19 | 0:09:22 | |
-hasn't he? -Fantastic. | 0:09:22 | 0:09:23 | |
It's still early but the photographers | 0:09:23 | 0:09:25 | |
already have some favourites. | 0:09:25 | 0:09:27 | |
-It's really good. I love that. -Yeah, she's brilliant. | 0:09:27 | 0:09:30 | |
-Good. A good find, then. -Yeah. -Great. | 0:09:30 | 0:09:33 | |
If I could be the face of JD Oxford Street, that would just be amazing. | 0:09:33 | 0:09:37 | |
Absolutely loved it, can't wait to come back. | 0:09:37 | 0:09:39 | |
Fingers crossed I will be a winner. | 0:09:39 | 0:09:41 | |
Both Charlie and Brooke, as well as fellow finalist Ramone, | 0:09:43 | 0:09:46 | |
were selected to be the faces of the new Oxford Street store. | 0:09:46 | 0:09:51 | |
-This is mental! -HE LAUGHS | 0:09:51 | 0:09:53 | |
Later, it's the day before the opening and the boss is in town. | 0:09:53 | 0:09:57 | |
Here he comes. | 0:09:57 | 0:09:58 | |
And the store's teething problems continue. | 0:09:58 | 0:10:01 | |
I haven't got a clue at the moment. | 0:10:01 | 0:10:03 | |
Visitors come to Oxford Street to soak up | 0:10:11 | 0:10:13 | |
the glamour of its high-end stores and luxury products. | 0:10:13 | 0:10:17 | |
What they don't see is the work | 0:10:17 | 0:10:19 | |
that goes on behind the scenes to keep it running. | 0:10:19 | 0:10:23 | |
There's a small army of tradesmen and engineers that operate unseen. | 0:10:23 | 0:10:27 | |
And one of those is Dave Taylor. | 0:10:27 | 0:10:30 | |
He's been a plumber for over 20 years. | 0:10:30 | 0:10:33 | |
Today, he's covering the West End of London. | 0:10:33 | 0:10:36 | |
And at the centre of that patch is Oxford Street. | 0:10:36 | 0:10:39 | |
The West End ain't my favourite place. | 0:10:40 | 0:10:42 | |
I'd rather much be out in the suburbs | 0:10:42 | 0:10:44 | |
on a lovely little cul-de-sac somewhere | 0:10:44 | 0:10:46 | |
having a nice cup of tea and unblocking an old lady's drain. | 0:10:46 | 0:10:49 | |
But it's not always like that. | 0:10:49 | 0:10:50 | |
Today, he's primed for emergency callouts, | 0:10:50 | 0:10:53 | |
and that could mean anything and everything. | 0:10:53 | 0:10:56 | |
Out in the van, it's not long before he gets his first call of the day. | 0:10:56 | 0:11:01 | |
Hello? Yeah, I'll be as quick as I can. I'm in the area. | 0:11:01 | 0:11:05 | |
Place just off the back of Oxford Street. | 0:11:05 | 0:11:07 | |
Old lady seems to be in a bit of a panic. Very bad smells. | 0:11:07 | 0:11:10 | |
Moments later, Dave's at the address. | 0:11:12 | 0:11:14 | |
Nina runs a beauty PR company from the ground floor of her home. | 0:11:14 | 0:11:18 | |
-Nina? -Yes, hi. -Dave Taylor. -Hi, Dave. -How are you doing? | 0:11:18 | 0:11:21 | |
She's got some kind of plumbing problem in her boardroom, | 0:11:21 | 0:11:24 | |
and it's not very nice. | 0:11:24 | 0:11:26 | |
Yes, this is where all my clients come and it stinks. | 0:11:26 | 0:11:29 | |
-OK. -Keep getting a really horrible smell in here. -OK. | 0:11:29 | 0:11:34 | |
Nina needs the problem sorted. | 0:11:34 | 0:11:36 | |
She has to be able to meet with clients here. | 0:11:36 | 0:11:40 | |
Everything here is about beautiful smells and lovely products. | 0:11:40 | 0:11:44 | |
It's slightly embarrassing, to say the least, | 0:11:44 | 0:11:46 | |
that they come to this prestigious PR consultancy | 0:11:46 | 0:11:49 | |
to just smell this rank smell of drains, actually. | 0:11:49 | 0:11:53 | |
Drains, sewage. | 0:11:53 | 0:11:55 | |
Dave moves outside to have a look under the manhole by the front door. | 0:11:56 | 0:12:00 | |
Ooh, there's your problem! | 0:12:01 | 0:12:03 | |
Ooh! Wow! | 0:12:04 | 0:12:07 | |
HE COUGHS | 0:12:07 | 0:12:09 | |
That is pretty straightforward, | 0:12:09 | 0:12:10 | |
to tell you where the smell's coming from. | 0:12:10 | 0:12:12 | |
I would say that's been blocked for quite a while because... | 0:12:12 | 0:12:15 | |
..that is extra thick compacted sewage. | 0:12:15 | 0:12:19 | |
That... | 0:12:20 | 0:12:22 | |
is not good. | 0:12:22 | 0:12:23 | |
Dave's seen a lot of drains, and it takes a lot of sewage to impress him. | 0:12:23 | 0:12:27 | |
But he can't resist sharing the experience. | 0:12:27 | 0:12:29 | |
-Hi, Nina? -Coming down. | 0:12:29 | 0:12:32 | |
-Have you got a second, sweetheart? -Yeah, yeah, yeah. | 0:12:32 | 0:12:34 | |
Oh, no! | 0:12:34 | 0:12:35 | |
-Look. -Oh, I can't bear it. That... | 0:12:35 | 0:12:38 | |
It shouldn't be there, it should be down below the ground. | 0:12:38 | 0:12:40 | |
-It should be gone. -Grace? Gracie! | 0:12:40 | 0:12:45 | |
-That's the whole street's. -No, that's you. | 0:12:45 | 0:12:47 | |
SHE LAUGHS | 0:12:47 | 0:12:49 | |
It's disgusting. | 0:12:49 | 0:12:51 | |
I've never seen anything like that. | 0:12:51 | 0:12:52 | |
Yeah, not very nice. Not very nice. | 0:12:54 | 0:12:56 | |
Dave's found the problem, | 0:12:56 | 0:12:58 | |
but now he has to work out how to deal with it. | 0:12:58 | 0:13:01 | |
I need to get it clear to see if there could be something | 0:13:01 | 0:13:03 | |
stuck in the trap at the bottom. | 0:13:03 | 0:13:05 | |
It could be collapsed. | 0:13:05 | 0:13:06 | |
He's got a high-pressure hose in his van | 0:13:06 | 0:13:08 | |
and he taps into the mains water supply down the street. | 0:13:08 | 0:13:12 | |
Until he can clean out the drain, he won't know if it's a simple fix. | 0:13:12 | 0:13:16 | |
If he can't get it running, | 0:13:16 | 0:13:17 | |
Nina might have to put up with the smell for a while. | 0:13:17 | 0:13:20 | |
What I'm trying to do here - | 0:13:22 | 0:13:24 | |
it's probably going to smell a bit worse now - | 0:13:24 | 0:13:26 | |
I'm going to try and break this up a bit on the top, | 0:13:26 | 0:13:28 | |
this crust. | 0:13:28 | 0:13:29 | |
Later, we'll see if Dave can get Nina's pipes flowing again. | 0:13:30 | 0:13:35 | |
It's pretty nasty. | 0:13:35 | 0:13:36 | |
Back at the new JD store on Oxford Street, | 0:13:44 | 0:13:47 | |
it's 24 hours until opening, and there's still much to do. | 0:13:47 | 0:13:51 | |
Oh, no, not like that! | 0:13:51 | 0:13:53 | |
No! | 0:13:54 | 0:13:55 | |
The last-minute preparations continue. | 0:13:55 | 0:13:57 | |
Downstairs, Steve is waiting for chairman Peter Cowgill | 0:13:57 | 0:14:01 | |
to show off his team's work. | 0:14:01 | 0:14:02 | |
Where is he now? I'm getting anxious. | 0:14:02 | 0:14:04 | |
Has he got lost? Here he comes! | 0:14:04 | 0:14:06 | |
-Welcome to the new store, chairman. -Thank you. | 0:14:07 | 0:14:10 | |
Immediately, Peter spots something he doesn't like. | 0:14:10 | 0:14:13 | |
We don't need the G. | 0:14:13 | 0:14:14 | |
The problem with the G is, obviously, | 0:14:14 | 0:14:16 | |
I think there are very few people who don't understand | 0:14:16 | 0:14:18 | |
that they're on the ground floor | 0:14:18 | 0:14:19 | |
when they've just walked in off the pavement, | 0:14:19 | 0:14:21 | |
so I don't really think we need to tell 'em that, G for ground. | 0:14:21 | 0:14:25 | |
Steve here will have that done for Monday. | 0:14:25 | 0:14:27 | |
Certainly, chairman. Certainly. | 0:14:27 | 0:14:29 | |
Aside from some minor design quibbles, | 0:14:29 | 0:14:31 | |
Peter's pleased with the shop. | 0:14:31 | 0:14:33 | |
I mean, it's on the prime street in Europe, top of the tree. | 0:14:33 | 0:14:36 | |
Um, and I've not seen anything that competes with it. | 0:14:36 | 0:14:39 | |
The marketing team are also in town. | 0:14:39 | 0:14:42 | |
Last time, we saw them pick three faces of JD - | 0:14:42 | 0:14:46 | |
Brooke, Charlie and Ramone. | 0:14:46 | 0:14:50 | |
And it's Ramone they've brought with them to film a special video | 0:14:50 | 0:14:54 | |
to showcase some more of the store's new technology. | 0:14:54 | 0:14:57 | |
And he's been working on a new look for the occasion. | 0:14:57 | 0:15:00 | |
I think they quite like it when I look stern. | 0:15:00 | 0:15:03 | |
Um, so I've nicknamed that one Black Steel, | 0:15:03 | 0:15:05 | |
because I use it quite regularly now. | 0:15:05 | 0:15:07 | |
Then give us the Black Steel. | 0:15:07 | 0:15:09 | |
Looking cool. Cool as you like, innit? | 0:15:11 | 0:15:13 | |
HE LAUGHS | 0:15:13 | 0:15:14 | |
He nails it every time! | 0:15:14 | 0:15:16 | |
After months of planning, the new store is ready. | 0:15:17 | 0:15:21 | |
The doors will open at 9am tomorrow morning. | 0:15:21 | 0:15:24 | |
Regional manager Kevin is a happy man. | 0:15:24 | 0:15:26 | |
Just wanted to thank everyone, it's been fantastic. | 0:15:26 | 0:15:28 | |
Thanks very much and well done. | 0:15:28 | 0:15:30 | |
But the store has one final challenge to throw at them, | 0:15:33 | 0:15:36 | |
the escalator to the first floor has broken. | 0:15:36 | 0:15:39 | |
Manager Moz has tried turning it off and on again, but that hasn't worked. | 0:15:39 | 0:15:44 | |
It's not happening, mate. | 0:15:44 | 0:15:45 | |
An engineer is called. | 0:15:46 | 0:15:48 | |
If it can't be fixed, staff will have to direct customers | 0:15:48 | 0:15:52 | |
to the upper floors through the shop via the stairs or lift. | 0:15:52 | 0:15:56 | |
All right. So, boys, I'll see you in the morning, yeah? | 0:15:56 | 0:15:58 | |
HE LAUGHS | 0:15:58 | 0:15:59 | |
Finally, at 11.30pm, the engineer arrives. | 0:16:05 | 0:16:09 | |
But it's immediately apparent this might not be a simple fix. | 0:16:09 | 0:16:13 | |
I haven't got a clue at the moment. | 0:16:13 | 0:16:14 | |
Is it a case of one of the belts going? | 0:16:15 | 0:16:17 | |
I just don't know, there's something not right there. | 0:16:17 | 0:16:19 | |
The reset button feels a bit moody and all. | 0:16:19 | 0:16:22 | |
The store opens at nine o'clock tomorrow morning. | 0:16:22 | 0:16:25 | |
We have up until then to get this sorted, | 0:16:25 | 0:16:28 | |
so we're working on the next nine hours. | 0:16:28 | 0:16:30 | |
Later, the success of opening day hangs by a shoelace. | 0:16:30 | 0:16:34 | |
-Sweetie, you got a scanner? -They're all dead. -They're all dead? -Yes! | 0:16:34 | 0:16:38 | |
At a property just off Oxford Street, plumber Dave Taylor is battling | 0:16:47 | 0:16:52 | |
a huge back-up of sewage at PR consultant Nina's house. | 0:16:52 | 0:16:55 | |
It's disgusting. I've never seen anything like that. | 0:16:55 | 0:16:59 | |
He thinks the drain's been blocked up for a while. | 0:16:59 | 0:17:02 | |
So you wouldn't drive your car, would you, for three years | 0:17:02 | 0:17:05 | |
without servicing it? | 0:17:05 | 0:17:06 | |
It's a bit like a drain. | 0:17:06 | 0:17:07 | |
People think they can chuck everything down the drain | 0:17:07 | 0:17:10 | |
and it's just all going to go away. Well, actually, it don't. | 0:17:10 | 0:17:12 | |
So they need a bit of service every now and again. | 0:17:12 | 0:17:15 | |
Dave's used to the smell, but Nina is struggling to cope. | 0:17:16 | 0:17:20 | |
It really, really, really, really reeks. | 0:17:20 | 0:17:22 | |
But thank God we've got some candles. | 0:17:24 | 0:17:26 | |
Candles? | 0:17:26 | 0:17:27 | |
Probably won't make any difference at all, but you know... | 0:17:27 | 0:17:30 | |
Luckily as a beauty PR, Nina has a number of different products | 0:17:30 | 0:17:33 | |
to try and cover up the odour. | 0:17:33 | 0:17:36 | |
I've got to say, the smell is so, so bad. | 0:17:36 | 0:17:38 | |
Oh, that nothing is going to do it, nothing's going to do it. | 0:17:40 | 0:17:44 | |
Outside, Dave is still trying to get to the bottom of the sewage problem. | 0:17:44 | 0:17:47 | |
Keeps you fit! | 0:17:47 | 0:17:48 | |
You see, that's what happens, it gets caught in there. | 0:17:49 | 0:17:52 | |
There's a big U-bend there. | 0:17:52 | 0:17:53 | |
Finally, with the blockage removed, it's clear. | 0:17:54 | 0:17:57 | |
After a hose down and some disinfectant, it's all good as new. | 0:17:57 | 0:18:01 | |
-Thank you so much. -It was my pleasure, you're more than welcome. | 0:18:01 | 0:18:04 | |
Thank you. OK, I'm going to go and do the big flush. | 0:18:04 | 0:18:06 | |
-Yeah, on both toilets, yeah? -Yeah, OK. | 0:18:06 | 0:18:09 | |
Perfect, that's how they're supposed to work. | 0:18:10 | 0:18:12 | |
It's taken an hour and a half, | 0:18:12 | 0:18:14 | |
but Dave's got everything working again. | 0:18:14 | 0:18:17 | |
Nina, however, has another problem. | 0:18:17 | 0:18:19 | |
Since you've done that, I'm now hearing in my wall by my desk | 0:18:19 | 0:18:22 | |
this scratching. I absolutely promise you, three times. | 0:18:22 | 0:18:26 | |
Scratching on the wall. | 0:18:27 | 0:18:29 | |
If you've got rats, they've come in from somewhere else | 0:18:29 | 0:18:31 | |
and they've got in behind the cavity. | 0:18:31 | 0:18:33 | |
That scratching continues, | 0:18:33 | 0:18:34 | |
-you're probably better off to get pest control in, all right? -OK. | 0:18:34 | 0:18:38 | |
-Sorry about that. -No, don't you worry. | 0:18:38 | 0:18:40 | |
-I can sort your drain out but... -No, no! | 0:18:40 | 0:18:42 | |
HE LAUGHS | 0:18:42 | 0:18:44 | |
And with that, Dave's done. | 0:18:44 | 0:18:46 | |
Another happy customer. And he can get back on the road, | 0:18:46 | 0:18:48 | |
ready for the next Oxford Street flood or blockage. | 0:18:48 | 0:18:51 | |
Oh, God, it's going again, Grace! | 0:18:55 | 0:18:58 | |
The Oxford Street police team have arrested a suspected pickpocket | 0:19:05 | 0:19:09 | |
who was posing as a wealthy Arab shopper. | 0:19:09 | 0:19:11 | |
Stand against here and look. | 0:19:11 | 0:19:14 | |
She's provided them with an address, | 0:19:14 | 0:19:16 | |
and now they're on their way to check it out. | 0:19:16 | 0:19:19 | |
But they have their suspicions about it. | 0:19:19 | 0:19:21 | |
They think it might be a fake holding address. | 0:19:21 | 0:19:24 | |
If they have reason to believe she doesn't live there, | 0:19:24 | 0:19:26 | |
then they won't need to bail her | 0:19:26 | 0:19:28 | |
and can keep her overnight to charge her the next day. | 0:19:28 | 0:19:32 | |
They arrive at the building. | 0:19:32 | 0:19:34 | |
They are looking for someone to corroborate the woman lives here. | 0:19:34 | 0:19:37 | |
But already, her story is beginning to fall apart. | 0:19:37 | 0:19:40 | |
She put 1/4, we've got 8. So we shall try each one in turn. | 0:19:41 | 0:19:47 | |
They're in. | 0:19:50 | 0:19:51 | |
And although they still don't know which door is their target, | 0:19:51 | 0:19:54 | |
one stands out. | 0:19:54 | 0:19:56 | |
My first impression is, at some point, | 0:19:56 | 0:19:58 | |
this door has been put in by the police. | 0:19:58 | 0:20:00 | |
Because that damage and that damage has been caused by a door enforcer. | 0:20:00 | 0:20:04 | |
OK, so this looks a good place to start. | 0:20:04 | 0:20:06 | |
Without confirmation she lives there, they can't enter without a warrant. | 0:20:09 | 0:20:13 | |
There's no sound from inside, so they move on. | 0:20:15 | 0:20:18 | |
-Hello? Sgt Carling, Met Police. -Yeah? -We are looking for a... | 0:20:20 | 0:20:24 | |
-Natalia Simionova. -Do you know who she is? You don't know? -No. | 0:20:24 | 0:20:29 | |
-No luck here. -All right, let's keep trying flats. | 0:20:29 | 0:20:31 | |
-Nor here. -We're looking for... | 0:20:35 | 0:20:37 | |
-This lady. -I don't know her. -You don't know, yeah? | 0:20:38 | 0:20:41 | |
I'm still working here. | 0:20:41 | 0:20:42 | |
The neighbours either don't know her or don't want to help the police. | 0:20:42 | 0:20:45 | |
The officer checks the roof | 0:20:45 | 0:20:47 | |
while his colleagues go through the communal post. | 0:20:47 | 0:20:50 | |
Their target's name isn't on anything. | 0:20:50 | 0:20:52 | |
Obviously, because we can't get access into her property, | 0:20:52 | 0:20:55 | |
she didn't have any keys with her for us to access, | 0:20:55 | 0:20:57 | |
no-one else is in the property. | 0:20:57 | 0:20:59 | |
So we're going to have to give up on searching the property. | 0:20:59 | 0:21:02 | |
The police can find nothing to indicate that the woman lives here. | 0:21:04 | 0:21:07 | |
Their suspicion remains that the address is a fake. | 0:21:07 | 0:21:10 | |
The lack of proof that this is her residence means the police | 0:21:10 | 0:21:13 | |
don't have to grant her bail | 0:21:13 | 0:21:15 | |
as there's too much risk she could evade court. | 0:21:15 | 0:21:19 | |
Oh, OK. | 0:21:19 | 0:21:20 | |
As they prepare to return to the station, | 0:21:20 | 0:21:22 | |
Sgt Carling gets a call with more good news. | 0:21:22 | 0:21:26 | |
PC Alex has been talking to the manager of another shop | 0:21:26 | 0:21:29 | |
who thinks the suspect paid them a recent visit, too. | 0:21:29 | 0:21:32 | |
The manager's just looked at the CCTV, seen her face and he says | 0:21:32 | 0:21:37 | |
that she matches the description of someone who did a pickpocket there. | 0:21:37 | 0:21:41 | |
Same venue on the 16th of August. | 0:21:41 | 0:21:43 | |
Footage clearly shows the woman entering the shop | 0:21:45 | 0:21:47 | |
and finding a likely victim. | 0:21:47 | 0:21:50 | |
She takes a shirt from a rack to use as a cover | 0:21:50 | 0:21:53 | |
to try and get her hand in the victim's bag. | 0:21:53 | 0:21:55 | |
On the basis of this evidence and that of their earlier security guard, | 0:22:00 | 0:22:04 | |
the custody sergeant agrees with the team. | 0:22:04 | 0:22:06 | |
With no confidence the woman has given her real address, | 0:22:06 | 0:22:09 | |
she isn't bailed. | 0:22:09 | 0:22:11 | |
Instead, she'll be kept in the station cells overnight. | 0:22:11 | 0:22:14 | |
Now we're going to the Crown Prosecution Service | 0:22:16 | 0:22:18 | |
with the evidence that we've got, | 0:22:18 | 0:22:20 | |
and we'll put her through to courts tomorrow, hopefully. | 0:22:20 | 0:22:23 | |
And after we filmed, the woman pleaded guilty | 0:22:24 | 0:22:27 | |
to one count of theft from person and one count of attempted theft. | 0:22:27 | 0:22:31 | |
She was given a 12-week sentence in total for both offences, | 0:22:32 | 0:22:36 | |
a result the team are delighted with. | 0:22:36 | 0:22:39 | |
As dawn breaks on Oxford Street, | 0:22:50 | 0:22:52 | |
it's all hands on deck at trainer store JD. | 0:22:52 | 0:22:54 | |
It's opening day for their brand-new world flagship store. | 0:22:56 | 0:22:59 | |
Manager James is working hard. | 0:23:00 | 0:23:03 | |
-Unfortunately, his main escalator is not. -It's broken. | 0:23:03 | 0:23:07 | |
My team were here till midnight last night trying to resolve the issue | 0:23:08 | 0:23:11 | |
and the engineer was meant to be in again at 8.15 this morning but... | 0:23:11 | 0:23:16 | |
It's now 8.30 and it's not been resolved, so we'll see what happens. | 0:23:16 | 0:23:20 | |
In a competitive market and paying prime rents, | 0:23:20 | 0:23:23 | |
the shop's got to do well. | 0:23:23 | 0:23:25 | |
And a successful launch is critical. | 0:23:25 | 0:23:27 | |
Regional manager Kevin Dalston | 0:23:27 | 0:23:30 | |
is another who's put months of planning into getting it right. | 0:23:30 | 0:23:33 | |
We got a shop that's going to be open. And this guy's not going to be working. | 0:23:33 | 0:23:37 | |
-We're all upset about it, Kevin. -It's not good enough. | 0:23:37 | 0:23:39 | |
Not good enough at all. | 0:23:39 | 0:23:40 | |
While they wait, James has no option but to continue as planned | 0:23:40 | 0:23:44 | |
and give his staff one last encouraging word. | 0:23:44 | 0:23:47 | |
Well, I think what we've achieved over the last | 0:23:47 | 0:23:49 | |
couple of weeks has been amazing. | 0:23:49 | 0:23:51 | |
Obviously, you're all here because you deserve to be, all right? | 0:23:51 | 0:23:55 | |
All right, guys. Good luck today and just enjoy it. | 0:23:55 | 0:23:57 | |
Finally, the engineer has arrived, | 0:24:00 | 0:24:02 | |
20 minutes after they were expecting him | 0:24:02 | 0:24:05 | |
and less than half an hour before they wanted to start trading. | 0:24:05 | 0:24:08 | |
-Is it... Is it sortable? -It should be, yeah. | 0:24:08 | 0:24:12 | |
While the engineers battle to get the escalator working, | 0:24:15 | 0:24:18 | |
preparations continue around it. | 0:24:18 | 0:24:19 | |
-OTHERS LAUGH -I love that! Excellent. Wicked. | 0:24:21 | 0:24:25 | |
But as the nine o'clock opening draws near, | 0:24:25 | 0:24:28 | |
Steve and the team are forced to make a big call. | 0:24:28 | 0:24:31 | |
Nine o'clock, couple of minutes now, about 9.07. | 0:24:31 | 0:24:35 | |
We're going to put the opening back to 9.30. | 0:24:35 | 0:24:37 | |
So the shutters will be coming up at 9.30. | 0:24:37 | 0:24:40 | |
All in a day's work. | 0:24:40 | 0:24:42 | |
Ten minutes later, the engineer's job is done | 0:24:42 | 0:24:45 | |
and the escalator finally starts. | 0:24:45 | 0:24:47 | |
You can't explain how happy I am that this is working. | 0:24:47 | 0:24:50 | |
How proud are we now? | 0:24:50 | 0:24:51 | |
We're up and running and in fact, ten minutes earlier than 9.30. | 0:24:51 | 0:24:56 | |
The store bursts into life. | 0:24:56 | 0:24:57 | |
Before long, however, | 0:25:03 | 0:25:04 | |
there are problems with getting shoes to the customers to try on. | 0:25:04 | 0:25:08 | |
Yeah, I've been waiting for about 15 minutes. | 0:25:08 | 0:25:10 | |
It's obviously opening-day, so I'm not expecting it to be quick. | 0:25:10 | 0:25:14 | |
It's not just them waiting. The trainer lift has stopped. | 0:25:14 | 0:25:18 | |
It's just tripping out. It's going to slow us down. | 0:25:18 | 0:25:21 | |
Without the technology the store relies on, it's impossible | 0:25:22 | 0:25:25 | |
for the stock room staff to meet the 30-second trainer delivery target. | 0:25:25 | 0:25:30 | |
You on it? You need to be a little bit quicker. Yeah? | 0:25:30 | 0:25:32 | |
Maybe get two people... | 0:25:32 | 0:25:34 | |
Stock room - Ben to the lift, Ben to the lift. | 0:25:34 | 0:25:36 | |
With the main lift still out of action, | 0:25:36 | 0:25:38 | |
problems emerge with more of the store's new tech. | 0:25:38 | 0:25:41 | |
Floor staff have scanners to read barcodes on the display shoes | 0:25:41 | 0:25:45 | |
to order them from the stock room. | 0:25:45 | 0:25:47 | |
It's only mid-afternoon and all of the scanners have got flat batteries. | 0:25:47 | 0:25:52 | |
-Sweetie, you got a scanner? -They're all dead. -They're all dead? -Yes! | 0:25:52 | 0:25:55 | |
We're trying to order trainers, but all the scanners are dead, | 0:25:55 | 0:25:58 | |
so we're going to use the radios now. | 0:25:58 | 0:26:01 | |
Which no-one has prepared for. | 0:26:01 | 0:26:03 | |
Stock room, stock room, stock room, stock room. | 0:26:03 | 0:26:06 | |
No-one answers. | 0:26:06 | 0:26:08 | |
Sales Assistant Anthony can't get anything for customers to try on. | 0:26:08 | 0:26:12 | |
This is not how JD saw opening-day going. | 0:26:12 | 0:26:16 | |
-That means I can't order trainers. -Clear your orders. | 0:26:16 | 0:26:19 | |
Clear your orders, please. | 0:26:19 | 0:26:20 | |
Downstairs, with neither the lift | 0:26:20 | 0:26:22 | |
nor the electronic ordering system working, staff are feeling the heat. | 0:26:22 | 0:26:26 | |
Down here, everyone's sweating. It's all a bit stressed. | 0:26:26 | 0:26:29 | |
Technology is letting us down today. Let's just say that. | 0:26:29 | 0:26:32 | |
But cometh the hour, cometh the man. | 0:26:32 | 0:26:35 | |
Floor manager Moz takes things into his own hands. | 0:26:35 | 0:26:38 | |
First, he finds replacement batteries upstairs, | 0:26:38 | 0:26:41 | |
so his floor staff can get back to full functionality, | 0:26:41 | 0:26:45 | |
before heading downstairs | 0:26:45 | 0:26:46 | |
to single-handedly get things moving again. | 0:26:46 | 0:26:49 | |
Next one, now it's coming. | 0:26:49 | 0:26:51 | |
Superstar childrens. | 0:26:51 | 0:26:53 | |
Got to go 727, size two, please. | 0:26:53 | 0:26:57 | |
Come on, guys! It's 20 seconds now. | 0:26:57 | 0:26:59 | |
Trainers should be out in 30 seconds. You got it? | 0:26:59 | 0:27:03 | |
He even finds time to reset the lift. | 0:27:04 | 0:27:07 | |
For the third time today. | 0:27:07 | 0:27:09 | |
Starting again? Setting up and all. | 0:27:09 | 0:27:11 | |
It's working now, it's going to work. | 0:27:11 | 0:27:12 | |
With the machine back in action and the party still going, | 0:27:14 | 0:27:17 | |
it's down to the staff to try and reach that sales target | 0:27:17 | 0:27:20 | |
in the time left. | 0:27:20 | 0:27:21 | |
You want these, huh? I'll put these at the till. | 0:27:24 | 0:27:26 | |
Connor, Connor! | 0:27:26 | 0:27:27 | |
Now two of the new faces of JD, Charlie and Brooke, | 0:27:31 | 0:27:35 | |
make their appearance and see their pictures for the first time. | 0:27:35 | 0:27:39 | |
-Oh, my God! -SHE GIGGLES | 0:27:39 | 0:27:41 | |
-That's so crazy. -We are everywhere. | 0:27:41 | 0:27:44 | |
This is a mental! | 0:27:45 | 0:27:47 | |
-Two of me. -Three, three! | 0:27:47 | 0:27:49 | |
You can't speak, can you? | 0:27:49 | 0:27:50 | |
-Not yet, it's cool. -Speechless. -It's so cool. | 0:27:50 | 0:27:53 | |
I think we're all speechless, really. | 0:27:53 | 0:27:55 | |
A new store opening is always a step into the unknown. | 0:27:55 | 0:27:58 | |
Moz has had to do some firefighting. | 0:27:58 | 0:28:01 | |
Everyone's struggling, but you learn from your mistakes, innit? | 0:28:01 | 0:28:04 | |
You learn every single day, that's how I learn. | 0:28:04 | 0:28:06 | |
At 9pm, finally the shutters come down. | 0:28:08 | 0:28:11 | |
All right, listen. I've said it all week. | 0:28:11 | 0:28:13 | |
I want to say thank you and I want to say well done. All right? | 0:28:13 | 0:28:16 | |
OTHERS CLAP | 0:28:16 | 0:28:18 | |
It's been a difficult day, | 0:28:18 | 0:28:20 | |
but the team still manage to beat their sale targets. | 0:28:20 | 0:28:23 | |
It just goes to show the power of a flagship store on Oxford Street. | 0:28:23 | 0:28:27 |