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It's the most famous shopping street in the world, in the heart | 0:00:02 | 0:00:04 | |
of Britain's capital city. | 0:00:04 | 0:00:07 | |
A mile and a half long, with 30 million visitors each year. | 0:00:07 | 0:00:12 | |
With some of the world's most famous shops... | 0:00:12 | 0:00:14 | |
-CHEERING ..biggest stars... -Kate Moss! | 0:00:14 | 0:00:17 | |
..and busiest stations... | 0:00:17 | 0:00:19 | |
Sorry, guys, stand back for me. | 0:00:19 | 0:00:21 | |
..what does it take to keep it running 24 hours a day... | 0:00:21 | 0:00:24 | |
It's the busiest street in the world so it needs constant attention. | 0:00:24 | 0:00:27 | |
-..seven days a week... -Oi! Clear off! | 0:00:27 | 0:00:30 | |
You're going to be arrested on suspicion of attempted theft. | 0:00:30 | 0:00:33 | |
Are you ready, London?! | 0:00:33 | 0:00:36 | |
A street that never sleeps. | 0:00:36 | 0:00:38 | |
This sort of thing wouldn't happen anywhere else. | 0:00:38 | 0:00:41 | |
Oxford Street. | 0:00:42 | 0:00:44 | |
Coming up, the Oxford Street police team take on skankers... | 0:00:46 | 0:00:51 | |
Got a runner, got a runner! IC3 male! | 0:00:51 | 0:00:53 | |
..fake drug dealers with a reputation for robbery. | 0:00:53 | 0:00:56 | |
You are under arrest for offering to supply drugs. | 0:00:56 | 0:01:00 | |
What does it take to work at Britain's busiest railway station? | 0:01:00 | 0:01:03 | |
Love it. Busiest station. Something different happening every day. | 0:01:03 | 0:01:08 | |
Photographer Andy Barnes is sniffing out celebs at a department store. | 0:01:08 | 0:01:13 | |
Lovely. | 0:01:13 | 0:01:14 | |
The task of keeping Oxford Street safe falls to its police team, | 0:01:19 | 0:01:23 | |
known as ORB. | 0:01:23 | 0:01:25 | |
And tonight, their plainclothes officers have joined Operation Bobcat, | 0:01:25 | 0:01:30 | |
a special team tasked with cracking down on crime | 0:01:30 | 0:01:33 | |
on Oxford Street and in neighbouring Soho. | 0:01:33 | 0:01:35 | |
This area of tightly packed streets and lanes is a key part | 0:01:37 | 0:01:41 | |
of the capital's night-time economy, and a popular party destination. | 0:01:41 | 0:01:45 | |
For Sgt Gary Skinner and his eight-man team, | 0:01:46 | 0:01:49 | |
it promises to be a busy night. | 0:01:49 | 0:01:52 | |
Operation Bobcat has been created primarily to reduce | 0:01:52 | 0:01:54 | |
the amount of robberies. | 0:01:54 | 0:01:56 | |
Tonight, they're looking for telltale signs of robbers | 0:01:56 | 0:01:59 | |
and drug dealers, small groups of men lurking in anyways, trying to | 0:01:59 | 0:02:03 | |
attract the attention of passers-by that have had a few drinks. | 0:02:03 | 0:02:07 | |
Just about to walk down this little alleyway, this known is for robberies. | 0:02:07 | 0:02:10 | |
And it is not long before Sgt Skinner spots two men acting suspiciously. | 0:02:10 | 0:02:14 | |
Any Bobcat officers in Wardour Street, near Bourchier Street, the little alleyway? | 0:02:14 | 0:02:19 | |
The men are having discussions in a nearby courtyard. Having been | 0:02:19 | 0:02:22 | |
noticed, Sgt Skinner decides to move in for a chat. | 0:02:22 | 0:02:25 | |
Hello, mate, how are you doing? Both of you stay here. | 0:02:27 | 0:02:30 | |
Just stay there. | 0:02:30 | 0:02:32 | |
Got a runner, got a runner! IC3 male, | 0:02:32 | 0:02:34 | |
dark blue puffer jacket. Five foot ten tall. | 0:02:34 | 0:02:37 | |
Running up towards Greek Street. Left, left, left into Greek Street. | 0:02:37 | 0:02:41 | |
Other officers to assist. | 0:02:41 | 0:02:44 | |
Yeah, stop him! | 0:02:44 | 0:02:45 | |
Got him detained, one detained. | 0:02:46 | 0:02:48 | |
-Carlisle Street. -Yeah. -Why the hell did you run? Hey, why did you run?! | 0:02:48 | 0:02:52 | |
Hey?! | 0:02:52 | 0:02:54 | |
Why did you run? | 0:02:54 | 0:02:55 | |
I am Sgt Skinner. | 0:02:55 | 0:02:57 | |
Sgt Skinner suspects the man might be a drug dealer. | 0:02:57 | 0:03:00 | |
I'm going to search you under section 23, Misuse Of Drugs Act. | 0:03:00 | 0:03:03 | |
Yes, do you understand? | 0:03:03 | 0:03:05 | |
-Before we start getting into it, have you got anything on you? -No. -No? | 0:03:05 | 0:03:08 | |
-What's this? -Paracetamol. -Paracetamol. What, you got a cold? | 0:03:11 | 0:03:14 | |
-Yeah, for a headache. -Have you really? | 0:03:14 | 0:03:16 | |
The paracetamol is the only thing the man has on him, | 0:03:16 | 0:03:19 | |
but Sgt Skinner thinks it is still significant. | 0:03:19 | 0:03:22 | |
He thinks the man is a skanker. | 0:03:22 | 0:03:25 | |
What skanking is, is the criminal offers people drugs. | 0:03:25 | 0:03:31 | |
But what he will normally have is crushed up paracetamol or | 0:03:31 | 0:03:34 | |
Lemsip in the guise of drugs. | 0:03:34 | 0:03:38 | |
The victim will pay 40, £50 for this stuff, | 0:03:38 | 0:03:41 | |
think they're getting drugs, go to wherever it is | 0:03:41 | 0:03:43 | |
they're going to take these drugs and find out they have been conned. Skanking is a con. | 0:03:43 | 0:03:48 | |
Skanking is a problem that's on the rise in nightlife | 0:03:48 | 0:03:51 | |
areas across the UK. | 0:03:51 | 0:03:53 | |
The police's main concern is the more serious crimes that come with it. | 0:03:53 | 0:03:57 | |
The harsh reality of it is that 93% of the people we've | 0:03:57 | 0:04:00 | |
arrested, mainly for offering to supply drugs, are known for robbery. | 0:04:00 | 0:04:05 | |
And once they lure the victim in, | 0:04:05 | 0:04:07 | |
once they get into the dark alleyway and | 0:04:07 | 0:04:09 | |
they find that their victim has got an amount of money on them, | 0:04:09 | 0:04:12 | |
the temptation for them to rob them is, a lot of the time, too great. | 0:04:12 | 0:04:16 | |
Skanking is a massive problem. | 0:04:16 | 0:04:18 | |
To offer to supply drugs is an offence. Even if you haven't got any drugs on you. | 0:04:18 | 0:04:21 | |
The man admits to having been stopped by the police | 0:04:21 | 0:04:23 | |
-once before for smoking cannabis. -What happened then? | 0:04:23 | 0:04:27 | |
-I got a fine and tag. -You got a tag?! | 0:04:27 | 0:04:30 | |
You've done a bit more than cannabis. We don't get those tags out easy. | 0:04:30 | 0:04:34 | |
You have to earn those tags. Yeah? | 0:04:34 | 0:04:36 | |
A search on the Police National Computer reveals a bit more than that. | 0:04:42 | 0:04:46 | |
The man is wanted by Bedfordshire Police for breaching a curfew, | 0:04:46 | 0:04:50 | |
having tampered with his court-ordered ankle tag. | 0:04:50 | 0:04:53 | |
Gary has now got all the evidence he needs to make an arrest. | 0:04:53 | 0:04:56 | |
Because you made us all go for a run, | 0:04:56 | 0:04:58 | |
I'm arresting you for wilfully obstructing police. | 0:04:58 | 0:05:00 | |
When the police officer grabbed you and you ran away in your slippery coat. | 0:05:00 | 0:05:03 | |
You made us all go for a run as well. That's obstructing police, all right? | 0:05:03 | 0:05:07 | |
The team head back to Charing Cross Police Station to book the man in. | 0:05:07 | 0:05:11 | |
He's going to be dealt with for the offence that I arrested him | 0:05:11 | 0:05:14 | |
for, which was obstructing police. | 0:05:14 | 0:05:16 | |
Then he's going to be picked up by Bedfordshire Police to | 0:05:16 | 0:05:18 | |
appear at Bedfordshire Magistrate's Court tomorrow | 0:05:18 | 0:05:21 | |
morning for breach of a court order. | 0:05:21 | 0:05:23 | |
The man is locked up and separated from his headache pills. | 0:05:23 | 0:05:27 | |
They all seem to have colds. There's a lot of colds flying around amongst these type of people. | 0:05:27 | 0:05:32 | |
-Later, things threaten to get ugly... -Relax, relax! | 0:05:34 | 0:05:38 | |
..as Sgt Skinner and his team continue their battle with the skankers. | 0:05:38 | 0:05:42 | |
-Take it easy. -I'm taking it easy. You take it easy! | 0:05:42 | 0:05:45 | |
There are nearly 3,000 railway stations in the UK, | 0:05:53 | 0:05:56 | |
and the busiest of all of them is in the middle of Oxford Street. | 0:05:56 | 0:05:59 | |
Oxford Circus Tube station. | 0:05:59 | 0:06:01 | |
Here, three Tube lines converge, and 100 million passengers a year | 0:06:03 | 0:06:07 | |
use the station. | 0:06:07 | 0:06:09 | |
It gets so busy, people are regularly queueing in their thousands to | 0:06:10 | 0:06:13 | |
get in. | 0:06:13 | 0:06:15 | |
But what does it take to work at a station like this? | 0:06:18 | 0:06:21 | |
It's no surprise staff here are renowned for having | 0:06:21 | 0:06:24 | |
some of the biggest personalities and coolest heads on the network. | 0:06:24 | 0:06:29 | |
People like Greg Cousins. | 0:06:29 | 0:06:32 | |
Love it. Busy station. | 0:06:32 | 0:06:34 | |
Something different happening every day. Yeah, it is a good buzz. | 0:06:34 | 0:06:39 | |
I'm kind of known on the station anyway by a lot of the customers. | 0:06:39 | 0:06:43 | |
You know, the way I look, etc. | 0:06:45 | 0:06:48 | |
You're exactly what I aspire to be. | 0:06:48 | 0:06:51 | |
That was my photo for the interview. | 0:06:51 | 0:06:54 | |
I might not have got the job if I was like this. | 0:06:55 | 0:06:58 | |
While Greg keeps an eye on the ticket hall, down on the platforms, | 0:06:58 | 0:07:01 | |
things are getting busy for Matthew. | 0:07:01 | 0:07:04 | |
It's just where you start to get a feel how busy the platform can get. | 0:07:04 | 0:07:07 | |
At the moment, the team are on high alert. | 0:07:07 | 0:07:10 | |
In about the last ten or 15 minutes, we had quite a close call, | 0:07:10 | 0:07:13 | |
we believe, with one of the customers. | 0:07:13 | 0:07:15 | |
The lady's basically approached one of the guys on the gate line | 0:07:15 | 0:07:19 | |
and asked when the next train was due. | 0:07:19 | 0:07:21 | |
She also asked how fast the trains come in, which is | 0:07:21 | 0:07:24 | |
when obviously you do start questioning what her motives were. | 0:07:24 | 0:07:27 | |
We believe she was going to jump. She came down to the platform, | 0:07:27 | 0:07:30 | |
and we managed to bring her straight back upstairs. We tried to detain her, | 0:07:30 | 0:07:33 | |
but she managed to take off down Regent Street. | 0:07:33 | 0:07:35 | |
It means all staff must look out in case she returns. | 0:07:35 | 0:07:38 | |
-See you in a bit. -See you in a bit. | 0:07:41 | 0:07:42 | |
We've got a couple of BT people patrolling the Central Line platform. | 0:07:42 | 0:07:46 | |
We all have a description of the girl as well, | 0:07:46 | 0:07:48 | |
so it'll be all hands on deck, really. | 0:07:48 | 0:07:50 | |
On the Central Line, trainee Alex is shadowing Kola Ayanwale for the evening | 0:07:52 | 0:07:56 | |
to learn the ropes. | 0:07:56 | 0:07:59 | |
I have lost my apprentice. He's left me. | 0:07:59 | 0:08:02 | |
Oh, there he is. | 0:08:02 | 0:08:03 | |
He's hoping to qualify for a permanent position, | 0:08:03 | 0:08:05 | |
-and his performance is being closely monitored. -This is Oxford Circus. | 0:08:05 | 0:08:09 | |
You are on the eastbound Central Line platform. | 0:08:09 | 0:08:12 | |
Oxford Circus is certainly a different kettle of fish, really. | 0:08:12 | 0:08:15 | |
It is a whole other level of busy. | 0:08:15 | 0:08:18 | |
If you can do it better than I can, all good. If not... | 0:08:18 | 0:08:21 | |
When you learn stuff, it is not just about sitting down and saying, | 0:08:21 | 0:08:24 | |
"Right, I've learnt this." You have to put it into practice. | 0:08:24 | 0:08:27 | |
For your own safety, please stand behind the yellow line | 0:08:27 | 0:08:29 | |
and use the full length of the platform, using all available space. | 0:08:29 | 0:08:33 | |
I would like him to come just a little bit forward. | 0:08:33 | 0:08:36 | |
I don't want him to stand too far behind that yellow line | 0:08:36 | 0:08:39 | |
because I might get worried he's going to fall off the platform onto the track, and I don't want that. | 0:08:39 | 0:08:43 | |
-But other than that, no, he is pretty good. -Yeah, I thought that was all right. | 0:08:43 | 0:08:47 | |
Up at the ticket gates is Matthew Mitchelmore. | 0:08:47 | 0:08:50 | |
He's been working Oxford Circus for over five years, | 0:08:50 | 0:08:52 | |
despite living with Asperger's syndrome, a form of autism. | 0:08:52 | 0:08:57 | |
Asperger's is a different way that the brain deals... | 0:08:57 | 0:09:01 | |
with information. | 0:09:01 | 0:09:03 | |
In some cases it can lead to the person having a very strong | 0:09:05 | 0:09:10 | |
interest. My...my | 0:09:10 | 0:09:13 | |
Asperger's interest is in transport. | 0:09:13 | 0:09:16 | |
Matthew has used his love of transport to pass a special | 0:09:16 | 0:09:20 | |
training scheme, and is now a fully fledged customer service assistant. | 0:09:20 | 0:09:24 | |
I try to be kind and help people if I can. | 0:09:24 | 0:09:28 | |
He's also obsessed with something else - cleanliness. | 0:09:28 | 0:09:31 | |
That is a potential trip hazard. I'm just going to move that. | 0:09:31 | 0:09:35 | |
Actually... | 0:09:43 | 0:09:45 | |
I'm just going to bin it. | 0:09:45 | 0:09:47 | |
Don't worry, I will wash my hands with antibacterial soap late... | 0:09:47 | 0:09:52 | |
Very shortly. | 0:09:52 | 0:09:54 | |
Mind the doors, please. | 0:09:55 | 0:09:58 | |
Also, another thing... | 0:09:59 | 0:10:02 | |
Nine-five to base, over. | 0:10:02 | 0:10:04 | |
PERSON REPLIES OVER RADIO | 0:10:04 | 0:10:06 | |
Could we have an Interserve operative to the bullring to | 0:10:06 | 0:10:10 | |
deal with a build-up of litter at the bottom of exit one, please? | 0:10:10 | 0:10:15 | |
Down on the platforms, | 0:10:17 | 0:10:18 | |
Matthew is still on the lookout for the woman suspected of trying | 0:10:18 | 0:10:21 | |
to jump on the tracks, when a different call comes through. | 0:10:21 | 0:10:24 | |
But one the team also dread. | 0:10:24 | 0:10:27 | |
-MAN SPEAKS OVER THE RADIO -Call for man the gates. | 0:10:27 | 0:10:30 | |
Every customer is going to be held, because of how busy it is about to get down here. | 0:10:30 | 0:10:34 | |
Oxford Circus gets so busy, that it regularly has to | 0:10:34 | 0:10:37 | |
introduce temporary closures to stop overcrowding on the platforms. | 0:10:37 | 0:10:41 | |
Known as "manning the gates". | 0:10:41 | 0:10:43 | |
For Matthew Mitchelmore, up by the ticket gates, it's a big deal. | 0:10:44 | 0:10:48 | |
Stop. | 0:10:50 | 0:10:52 | |
This station... | 0:10:52 | 0:10:53 | |
Ladies and gentlemen, this station is temporarily | 0:10:57 | 0:11:00 | |
closed to prevent overcrowding at lower levels. | 0:11:00 | 0:11:03 | |
It's always frustrating when someone pushes past you, | 0:11:03 | 0:11:08 | |
and I would very much urge you not to do this. | 0:11:08 | 0:11:13 | |
I know you need to get your trains, | 0:11:13 | 0:11:16 | |
but we've closed the station for a reason. | 0:11:16 | 0:11:19 | |
Soon after, things reopen. | 0:11:19 | 0:11:22 | |
Ladies and gentlemen, I'm sorry for keeping you outside, you can | 0:11:22 | 0:11:25 | |
now come into the station. | 0:11:25 | 0:11:27 | |
It's another difficult situation dealt with by Matthew, | 0:11:27 | 0:11:30 | |
and shows just how far he's come in the five and a half years he's worked here. | 0:11:30 | 0:11:35 | |
Working here at Oxford Circus has massively helped | 0:11:35 | 0:11:39 | |
improve my confidence. | 0:11:39 | 0:11:41 | |
Everyone, whether you've got a disability or not, you've got | 0:11:41 | 0:11:45 | |
fantastic potential. Use it and you'll make yourself proud. | 0:11:45 | 0:11:49 | |
Someone else that's proved themselves tonight is trainee Alex. | 0:11:51 | 0:11:55 | |
He's doing brilliant. | 0:11:55 | 0:11:56 | |
Aside from the fact that we know he's an apprentice, | 0:11:56 | 0:11:59 | |
anybody else who sees him will just think he's a member of staff, | 0:11:59 | 0:12:02 | |
because he copes with it that well. | 0:12:02 | 0:12:03 | |
And there was no further sign of the woman suspected of wanting to | 0:12:03 | 0:12:07 | |
jump on the tracks, which means the staff can go home satisfied | 0:12:07 | 0:12:10 | |
another night has passed safely for the UK's busiest station. | 0:12:10 | 0:12:14 | |
It's London Fashion Week, and at House of Fraser, | 0:12:24 | 0:12:28 | |
a famous British couture label is preparing to bring its latest bespoke | 0:12:28 | 0:12:32 | |
collection to public attention in an Oxford Street first. | 0:12:32 | 0:12:35 | |
Ariella is launching a range of dresses in the department store. | 0:12:38 | 0:12:41 | |
To get as much publicity for the event as possible, | 0:12:41 | 0:12:43 | |
they are staging a red-carpet photo call, | 0:12:43 | 0:12:46 | |
with models and celebrities on the steps of the store. | 0:12:46 | 0:12:49 | |
Achilleas Constantinou is the label's creative director. | 0:12:51 | 0:12:54 | |
We thought, "Why not do something different? | 0:12:54 | 0:12:56 | |
"Let's bring it to the consumer." | 0:12:56 | 0:12:59 | |
It's Alison's job to oversee the event she's been planning for months. | 0:12:59 | 0:13:04 | |
You need leaflets and you need to be out here now telling people | 0:13:04 | 0:13:07 | |
what to do. So you need to walk about... | 0:13:07 | 0:13:09 | |
I need you, first of all, do not disappear again. | 0:13:09 | 0:13:11 | |
You're all disappearing, I've got nobody here. I need you here, we'll find other people. | 0:13:11 | 0:13:15 | |
-Get the leaflets, come out here. -Right. | 0:13:15 | 0:13:18 | |
The plan today is for a team of models to wear the dresses on | 0:13:18 | 0:13:21 | |
the steps of the store, and two celebrity guests are on their way to join them. | 0:13:21 | 0:13:26 | |
Which is what has grabbed the attention of this man, | 0:13:26 | 0:13:28 | |
celebrity photographer Andy Barnes. | 0:13:28 | 0:13:31 | |
We've got Sam Faiers and we've got Stephanie Pratt today. | 0:13:31 | 0:13:35 | |
The Only Way Is Essex's Sam Faiers, | 0:13:35 | 0:13:37 | |
and Made In Chelsea's Stephanie Pratt are just the ticket for Andy, | 0:13:37 | 0:13:41 | |
who's been promised exclusive access inside the store. | 0:13:41 | 0:13:44 | |
Hello. Nice to see. | 0:13:45 | 0:13:46 | |
He's hoping to be the only photographer outside as well. | 0:13:46 | 0:13:50 | |
It would be really good if not many turn up, | 0:13:50 | 0:13:52 | |
because obviously that will increase my sales. | 0:13:52 | 0:13:55 | |
The one thing that is really up my sleeve is, I know when the | 0:13:55 | 0:13:58 | |
celebs are turning up, and I know where they are turning up as well. | 0:13:58 | 0:14:02 | |
And those shots of them | 0:14:02 | 0:14:03 | |
arriving are just as valuable as these shots out here. | 0:14:03 | 0:14:08 | |
In fact, even more so. | 0:14:08 | 0:14:10 | |
The models have already started strutting their stuff, | 0:14:10 | 0:14:13 | |
but for both the organisers and Andy, the main challenge is knowing | 0:14:13 | 0:14:17 | |
when the celebrities will arrive. | 0:14:17 | 0:14:19 | |
Andy's intel is that there is about to be an arrival at the back. | 0:14:20 | 0:14:24 | |
Is that her down there? That's her at the van. | 0:14:25 | 0:14:28 | |
-Hi, Sam, how are you doing? Are you all right? -Thank you, yes. | 0:14:32 | 0:14:35 | |
Straight ahead this way. | 0:14:35 | 0:14:37 | |
Can I just get you walking from the car towards me, | 0:14:37 | 0:14:39 | |
if it's OK? Lovely. | 0:14:39 | 0:14:41 | |
-Great. Just one more. -This is just up Andy's street. | 0:14:43 | 0:14:46 | |
The Only Way Is Essex's Sam Faiers is playing ball, | 0:14:46 | 0:14:49 | |
and he's the only photographer in sight. | 0:14:49 | 0:14:52 | |
At the front of the store, a sizeable crowd is beginning to gather. | 0:14:52 | 0:14:56 | |
Other photographers are now at work here, but with his shots of Sam | 0:14:56 | 0:15:00 | |
arriving already in the bag, Andy is feeling pretty pleased with himself. | 0:15:00 | 0:15:05 | |
Got some really nice pictures of Sam just walking in. | 0:15:05 | 0:15:08 | |
All the mags, they love those informal type pictures, | 0:15:08 | 0:15:11 | |
so that's really good, that is. Very pleased, very pleased. | 0:15:11 | 0:15:14 | |
Sam joins the models. | 0:15:14 | 0:15:17 | |
Guys, just all looking straight this way. Oh, oh. | 0:15:19 | 0:15:21 | |
Just moving along a little bit for me. That's it. That's cool. | 0:15:21 | 0:15:24 | |
Sam, straight ahead, darling. Big smiles. Brilliant. | 0:15:24 | 0:15:28 | |
Look at the crowds that we've got. It is fantastic. | 0:15:28 | 0:15:30 | |
They are really good for the brand. So we are really, really happy. | 0:15:30 | 0:15:33 | |
Things might be going well, | 0:15:33 | 0:15:35 | |
but there's still no sign of Stephanie Pratt. | 0:15:35 | 0:15:38 | |
Ironically, traffic caused by a Chelsea football match is | 0:15:38 | 0:15:41 | |
delaying the Made In Chelsea star. | 0:15:41 | 0:15:44 | |
-What about Stephanie, is she coming? -She's getting held by the match, she'll be here shortly. | 0:15:44 | 0:15:48 | |
We are just trying to work out whether we keep taking photos with Sam, | 0:15:48 | 0:15:51 | |
or whether we try and dive off and go and | 0:15:51 | 0:15:54 | |
cover Stephanie Pratt coming along. | 0:15:54 | 0:15:57 | |
Later, the chase is on for Andy and his pictures. | 0:15:57 | 0:16:00 | |
-Are you Sam Faiers' car? -No. | 0:16:00 | 0:16:03 | |
I might need some assistance, just so you're aware of where I am. | 0:16:11 | 0:16:14 | |
Sergeant Gary Skinner and the rest of the Operation Bobcat team | 0:16:14 | 0:16:18 | |
are in Soho. | 0:16:18 | 0:16:20 | |
They've already arrested one man they suspect of being a skanker, | 0:16:20 | 0:16:23 | |
someone trying to sell over-the-counter medicines | 0:16:23 | 0:16:26 | |
as illegal drugs, | 0:16:26 | 0:16:28 | |
and more often than not, robbing their victim in the process. | 0:16:28 | 0:16:31 | |
This suspect tried to flee, but picked the wrong man to outrun. | 0:16:31 | 0:16:36 | |
I'm not a good runner, I sort of plod through, | 0:16:36 | 0:16:39 | |
um, but I've done the last 16 New York marathons. | 0:16:39 | 0:16:42 | |
The skankers have a reputation for aggression | 0:16:42 | 0:16:45 | |
and Sergeant Skinner knows his men must be on their guard. | 0:16:45 | 0:16:48 | |
And while on patrol, Gary spots one man acting suspiciously, | 0:16:48 | 0:16:52 | |
approaching another man outside a restaurant. | 0:16:52 | 0:16:55 | |
He suspects he's offered him drugs. | 0:16:55 | 0:16:57 | |
All right, don't be alarmed, don't be alarmed. Sergeant Skinner. | 0:16:57 | 0:17:00 | |
-Sure. How are you doing? -Not too bad. How's yourself, you all right? | 0:17:00 | 0:17:03 | |
-Yeah, good. -A fella just came up to you. What did he offer you? | 0:17:03 | 0:17:06 | |
Yeah, well... | 0:17:06 | 0:17:07 | |
I don't know. A bit of everything, really. | 0:17:07 | 0:17:09 | |
-Did he offer you, what, drugs? -Yeah. | 0:17:09 | 0:17:11 | |
Are you willing to give a statement regarding that, a quick statement? Cos we can nick him, then. | 0:17:11 | 0:17:15 | |
-Yeah. -You are? You're a gentleman, sir. Thanks. | 0:17:15 | 0:17:18 | |
It's all the evidence Gary needs | 0:17:18 | 0:17:19 | |
and he radios in for his team to make a stop. | 0:17:19 | 0:17:23 | |
But in the meantime, much to his frustration, | 0:17:23 | 0:17:25 | |
the suspect has disappeared. | 0:17:25 | 0:17:27 | |
OK, mate. Give it another five minutes, five, ten minutes | 0:17:27 | 0:17:30 | |
and if you can't find him, we'll have to just knock it on the head. | 0:17:30 | 0:17:34 | |
They're still busy looking for the suspect when HE comes to THEM. | 0:17:34 | 0:17:38 | |
He's with me now. Come here. | 0:17:38 | 0:17:40 | |
-Why? -INDISTINCT | 0:17:40 | 0:17:42 | |
-Really? -Yeah. | 0:17:42 | 0:17:43 | |
Well, you're under arrest. | 0:17:43 | 0:17:45 | |
-I'm a police officer... -No, relax, relax, relax... | 0:17:45 | 0:17:47 | |
-No, you relax. Put your hands out. Put your hands out. -For what? | 0:17:47 | 0:17:50 | |
I'm arresting you on suspicion of offering to supply controlled drugs. | 0:17:50 | 0:17:54 | |
You do not have to say anything but it may harm your defence If you do not mention | 0:17:54 | 0:17:57 | |
-when questioned, something... -I'm not forcing you nothing... | 0:17:57 | 0:18:00 | |
Anything you do say you may be given in evidence. Understand that? | 0:18:00 | 0:18:02 | |
-Gentleman... -Relax. -..plain clothes officer, all right? | 0:18:02 | 0:18:05 | |
Put your arm out! Put your arm out. Good. | 0:18:05 | 0:18:08 | |
Relax! Relax! | 0:18:08 | 0:18:09 | |
-I'm not moving, why the... -BLEEP | 0:18:09 | 0:18:12 | |
-Relax! -Why are you acting like a movie? | 0:18:12 | 0:18:14 | |
Relax. Relax, and take it easy. | 0:18:14 | 0:18:17 | |
I'm taking it easy, you take it easy! | 0:18:17 | 0:18:19 | |
Yeah, gents, Bobcat officers, I've got this male detained, | 0:18:19 | 0:18:21 | |
I've also got a, er, witness who's willing to give a statement. | 0:18:21 | 0:18:26 | |
-You're under arrest, all right? -I'm not against that, I'm saying you're pulling my arm off. -What? | 0:18:26 | 0:18:31 | |
-What's wrong? -You're pulling my arm... | 0:18:31 | 0:18:33 | |
-BLEEP -..my arm's hurting. | 0:18:33 | 0:18:35 | |
No, look. Your arms are fine. | 0:18:35 | 0:18:36 | |
How are you telling me how my body feels? | 0:18:36 | 0:18:38 | |
You've got to take it easy, take it on the chin. Be a man about it, you've been nicked. | 0:18:38 | 0:18:42 | |
-Relax... -You're shaking, I can feel your character. | 0:18:42 | 0:18:44 | |
No, no, no. I'm not shaking. | 0:18:44 | 0:18:46 | |
You're the one that's getting all tense. Don't do the eyes again. | 0:18:46 | 0:18:49 | |
Look into the eyes, around the eyes, is that what you're going to try and to do to me? | 0:18:49 | 0:18:52 | |
Just relax. Stop eyeballing me. | 0:18:52 | 0:18:54 | |
Gary searches the man and soon finds something very suspicious indeed... | 0:18:54 | 0:18:59 | |
paper wraps containing white powder. | 0:18:59 | 0:19:02 | |
Marked up as 0.6. | 0:19:02 | 0:19:04 | |
Marked up as 0.6? | 0:19:04 | 0:19:05 | |
-All three as 0.6. -What's in these? | 0:19:07 | 0:19:10 | |
-What's in these? -Paracetamols. -Sorry? Paracetamol? | 0:19:10 | 0:19:14 | |
We'll get it tested back at the nick. | 0:19:14 | 0:19:17 | |
Paracetamol. | 0:19:17 | 0:19:18 | |
Why have you got paracetamol? | 0:19:18 | 0:19:21 | |
Why have you got paracetamol? | 0:19:21 | 0:19:22 | |
I'm going to further arrest you, yeah? Listen to me... | 0:19:22 | 0:19:25 | |
-You're wasting... -..at 12:44, listen to me, | 0:19:25 | 0:19:28 | |
on suspicion of possession with intent to supply. | 0:19:28 | 0:19:31 | |
-BLEEPING -Just take it easy, | 0:19:31 | 0:19:33 | |
don't start adding threatening behaviour to it as well. Just relax, relax. Take it easy. | 0:19:33 | 0:19:37 | |
The man is insistent the powder is just paracetamol | 0:19:37 | 0:19:40 | |
but even if it is, it's not enough to get him off the hook. | 0:19:40 | 0:19:44 | |
Even if you didn't have anything on you, | 0:19:44 | 0:19:46 | |
-if you offer to supply drugs, that's the offence. -What do you mean? | 0:19:46 | 0:19:49 | |
I'm explaining it to you, listen to me carefully... | 0:19:49 | 0:19:52 | |
-Lovely, come over here, we'll talk about it down the nick. -No, no, no. | 0:19:52 | 0:19:55 | |
You are coming. | 0:19:55 | 0:19:56 | |
Sergeant Skinner and his team take the man back to the station. | 0:19:56 | 0:20:00 | |
On being searched, he's got three wraps containing white powder. | 0:20:04 | 0:20:08 | |
The white powder gives the appearance of being cocaine. | 0:20:08 | 0:20:11 | |
Gentleman informs me it's paracetamol. | 0:20:11 | 0:20:14 | |
I can't do this all night. | 0:20:14 | 0:20:16 | |
This ain't Come Dancing, come on. | 0:20:16 | 0:20:17 | |
For Gary, it's a very satisfying result. | 0:20:17 | 0:20:20 | |
DOOR SLAMS | 0:20:20 | 0:20:22 | |
Later... | 0:20:22 | 0:20:24 | |
OK, then. We're going to cuff you. | 0:20:24 | 0:20:25 | |
..Gary has his hands full | 0:20:25 | 0:20:27 | |
as the problem with skankers persists. | 0:20:27 | 0:20:29 | |
I never sell for no-one. | 0:20:29 | 0:20:30 | |
Offering to supply, let's go. If anything's in that van... | 0:20:30 | 0:20:33 | |
Man! What are you doing? | 0:20:33 | 0:20:35 | |
Andy Barnes is at House Of Fraser, | 0:20:42 | 0:20:44 | |
covering a London Fashion Week photo shoot for a couture brand. | 0:20:44 | 0:20:48 | |
He's managed to catch TOWIE's Sam Faiers, | 0:20:49 | 0:20:52 | |
but he's still waiting for Made In Chelsea star, Stephanie Pratt, | 0:20:52 | 0:20:56 | |
who's caught up in football traffic. | 0:20:56 | 0:20:58 | |
We need to get Stephanie getting out as well, | 0:20:58 | 0:21:00 | |
-cos she's just as important. -Fine. | 0:21:00 | 0:21:02 | |
All right, I think she's, like, literally a minute away. | 0:21:02 | 0:21:05 | |
But before the 60 seconds is up, | 0:21:05 | 0:21:08 | |
word comes through that Sam Faiers is leaving round the back. | 0:21:08 | 0:21:11 | |
-It's a keen shot for Andy. -There's a car, over here. | 0:21:11 | 0:21:15 | |
Hi, guys. | 0:21:15 | 0:21:17 | |
Are you Sam Faiers' car? | 0:21:17 | 0:21:19 | |
INDISTINCT | 0:21:19 | 0:21:20 | |
-Are you Sam Faiers' car? -No. | 0:21:20 | 0:21:22 | |
He might have the wrong car, | 0:21:25 | 0:21:26 | |
but Andy's definitely in the right place at the right time | 0:21:26 | 0:21:30 | |
for a celebrity exit. | 0:21:30 | 0:21:32 | |
Oh. | 0:21:32 | 0:21:33 | |
-No-one was there. -Next one. -Next one. | 0:21:33 | 0:21:36 | |
FAINT LAUGHTER | 0:21:36 | 0:21:37 | |
Just looking straight ahead for me, Sam. | 0:21:37 | 0:21:39 | |
-Take care, darling. -For Andy, this is gold dust. | 0:21:39 | 0:21:43 | |
He's still the only photographer getting these photos. | 0:21:43 | 0:21:46 | |
But if he's to sell big numbers, | 0:21:46 | 0:21:48 | |
he needs to get the same again with Stephanie Pratt, | 0:21:48 | 0:21:51 | |
who's still stuck in football-related traffic. | 0:21:51 | 0:21:54 | |
I'll have a bet with you that this is it. | 0:21:54 | 0:21:56 | |
It is. It is. | 0:21:56 | 0:21:58 | |
It's the star of The Hills and Made In Chelsea, Stephanie Pratt. | 0:22:03 | 0:22:07 | |
Thanks, Stephanie. | 0:22:07 | 0:22:09 | |
Are you OK? | 0:22:09 | 0:22:10 | |
-Fine, how are you? -Lovely, good. | 0:22:10 | 0:22:12 | |
Hello. That traffic is insane. | 0:22:14 | 0:22:16 | |
INDISTINCT | 0:22:16 | 0:22:17 | |
Mwah. | 0:22:21 | 0:22:22 | |
There. Oh. | 0:22:22 | 0:22:24 | |
Cool, thank you. | 0:22:25 | 0:22:26 | |
Andy heads inside for a shoot so exclusive | 0:22:26 | 0:22:29 | |
even we're not invited. | 0:22:29 | 0:22:31 | |
Finally, the crowd out front get what they were waiting for. | 0:22:36 | 0:22:39 | |
Guys, just all looking this way for me. | 0:22:41 | 0:22:44 | |
CAMERA CLICKS | 0:22:44 | 0:22:45 | |
Brilliant, and then can we all turn... | 0:22:45 | 0:22:47 | |
Have you finished that? That's brilliant. OK, here you go. | 0:22:47 | 0:22:50 | |
Brilliant, big smile. Great. That's lovely. | 0:22:50 | 0:22:54 | |
For couture label Ariella, it's just the buzz they wanted. | 0:22:54 | 0:22:58 | |
We've got the public involved with London Fashion Week, | 0:22:58 | 0:23:01 | |
we've brought glamorous fashion, catwalk fashion, | 0:23:01 | 0:23:04 | |
to Oxford Street, and I think that's where fashion is going. | 0:23:04 | 0:23:07 | |
But Andy's day's work is just beginning. | 0:23:07 | 0:23:10 | |
-Lovely to see you, can't wait for the pictures. -Oh, yeah. | 0:23:10 | 0:23:13 | |
What worries me a bit is that all the, er, | 0:23:13 | 0:23:15 | |
all...the two celebrities that I photographed, | 0:23:15 | 0:23:18 | |
they're going to be doing the circuit and going to other events, | 0:23:18 | 0:23:22 | |
so I really need to get these pictures out as quickly as possible | 0:23:22 | 0:23:25 | |
so we make sure we, we hit all the magazines. | 0:23:25 | 0:23:28 | |
At a secret location, | 0:23:28 | 0:23:30 | |
Andy hooks up to the net to get his pictures online as soon as possible. | 0:23:30 | 0:23:34 | |
We've got some really strong pictures there. | 0:23:34 | 0:23:36 | |
I'm looking for the likes of OK! Hello! | 0:23:36 | 0:23:40 | |
those sort of type of magazines, | 0:23:40 | 0:23:41 | |
I think they could really pick up on this, big-time. | 0:23:41 | 0:23:44 | |
Hopefully tomorrow morning when I look at the papers | 0:23:44 | 0:23:46 | |
and in a couple of weeks' time as well, looking at all the magazines, | 0:23:46 | 0:23:49 | |
I should be able to see how I got on. | 0:23:49 | 0:23:51 | |
And after we filmed, | 0:23:51 | 0:23:53 | |
a number of publications did pick up on Andy's pictures, | 0:23:53 | 0:23:56 | |
including Reveal and Now magazines | 0:23:56 | 0:23:59 | |
and the crucial Mail Online. | 0:23:59 | 0:24:01 | |
Sgt Gary Skinner and his team are continuing their patrols | 0:24:12 | 0:24:15 | |
of Soho on the lookout for skankers. | 0:24:15 | 0:24:18 | |
Their main focus is on preventing robberies | 0:24:20 | 0:24:23 | |
and their work is having an effect. | 0:24:23 | 0:24:25 | |
They've only been operational for eight weeks, but already robberies in | 0:24:25 | 0:24:28 | |
the area are down 38%. | 0:24:28 | 0:24:32 | |
They've not been back on patrol long when two of Gary's team | 0:24:32 | 0:24:35 | |
radio in to say they've spotted more men acting suspiciously. | 0:24:35 | 0:24:40 | |
I just separated what looks like a dealer from a potential victim. | 0:24:40 | 0:24:44 | |
But this'll be a hell of a result if we get this one. | 0:24:44 | 0:24:47 | |
Gary moves in to talk to the victim. | 0:24:47 | 0:24:49 | |
All right, sir? How are you? | 0:24:49 | 0:24:50 | |
Oh, bit the worse for wear, eh? | 0:24:50 | 0:24:52 | |
The man, who has been drinking in the area, | 0:24:52 | 0:24:54 | |
says he was offered drugs by a suspect the police have stopped. | 0:24:54 | 0:24:57 | |
The search has revealed he had paracetamol on him. | 0:24:57 | 0:25:01 | |
The victim's witness testimony is crucial. | 0:25:01 | 0:25:04 | |
Without it, there will be no evidence the skankers had been offering drugs. | 0:25:04 | 0:25:08 | |
I tell you what, I never done nothing wrong! | 0:25:08 | 0:25:10 | |
Two friends of the stopped suspect are also taking an interest | 0:25:10 | 0:25:14 | |
and Gary wants to ask one of them some questions. | 0:25:14 | 0:25:17 | |
What are you doing here tonight? | 0:25:17 | 0:25:18 | |
Dave, have we got this fella's details? | 0:25:18 | 0:25:20 | |
No, no, no. Just wait a minute. | 0:25:22 | 0:25:24 | |
The man attempts to walk off, so Gary takes action. | 0:25:24 | 0:25:26 | |
In a minute I'm going to cuff you, because I've got a pair in my case. | 0:25:26 | 0:25:29 | |
OK, we're going to cuff you. All right. | 0:25:29 | 0:25:32 | |
You said you were going to walk off and we can't allow you to do that. | 0:25:32 | 0:25:35 | |
-The grounds for me stopping you is that you are in an area known for drugs. -I didn't even... | 0:25:35 | 0:25:39 | |
Listen to me! | 0:25:39 | 0:25:41 | |
The object is to see if you've got drugs on you, all right? | 0:25:41 | 0:25:43 | |
I am Sgt Skinner, attached to Charing Cross. | 0:25:43 | 0:25:46 | |
I'm sure you're an upstanding citizen... | 0:25:46 | 0:25:48 | |
The search doesn't turn up anything suspicious. | 0:25:48 | 0:25:51 | |
Everything now rests on the witness' testimony. | 0:25:51 | 0:25:54 | |
-He's pointed out to me just now, this chap in the white... -Yeah? | 0:25:54 | 0:25:57 | |
..and he said the words, "I can sell you coke at £50 a gram." | 0:25:57 | 0:26:01 | |
There's no drugs, but a clear attempt to extract money by offering them. | 0:26:02 | 0:26:06 | |
Blatant skanking. | 0:26:06 | 0:26:08 | |
The testimony clearly implicates the talkative man | 0:26:08 | 0:26:11 | |
Gary's just put in handcuffs. | 0:26:11 | 0:26:12 | |
-Because you're going to get nicked. -For what? | 0:26:12 | 0:26:15 | |
I'll explain in a minute. I'll give you the good news in a second. | 0:26:15 | 0:26:17 | |
Suddenly, some more friends of the men in handcuffs turn up, | 0:26:20 | 0:26:23 | |
unhappy at what's happening. | 0:26:23 | 0:26:25 | |
Fellas, you need to go away! | 0:26:25 | 0:26:27 | |
On a cold, wet night, it's a fraught situation. | 0:26:27 | 0:26:29 | |
If you can get the van on the hurry up... | 0:26:29 | 0:26:31 | |
Realised I've got a few others that are starting to scurry around | 0:26:31 | 0:26:34 | |
and we'd appreciate if we can get these two out of the area fairly quickly. | 0:26:34 | 0:26:37 | |
You're under arrest for offering to supply drugs. | 0:26:37 | 0:26:41 | |
-I never spoke to no-one! -Offering to supply, let's go. | 0:26:41 | 0:26:43 | |
-..anything you do say... -Get in the van. Get up. Sit down. | 0:26:43 | 0:26:47 | |
-If anything... -My hat! My hat! What the... What're you doing? | 0:26:47 | 0:26:51 | |
-In you get. -How do you prove it... | 0:26:51 | 0:26:54 | |
Superb job, gents. Superb. See you back at the ranch. | 0:26:56 | 0:26:59 | |
All right, see you. Cheers, gents. | 0:26:59 | 0:27:01 | |
For Gary, it's been a busy night, | 0:27:03 | 0:27:05 | |
but when it comes to policing the West End, things are rarely quiet. | 0:27:05 | 0:27:09 | |
What happens now, we go to custody, | 0:27:09 | 0:27:12 | |
they'll both be booked in for offering to supply controlled drugs. | 0:27:12 | 0:27:16 | |
Oi, oi, oi! Calm it down. Police officer. Put it down. | 0:27:16 | 0:27:19 | |
GLASS SMASHES | 0:27:19 | 0:27:21 | |
-You prat. -THEY LAUGH | 0:27:21 | 0:27:22 | |
Yeah, keep walking, fellas, keep walking. | 0:27:22 | 0:27:24 | |
-Fella, you with them? -Yeah, I'm with them. -Calm them down. | 0:27:24 | 0:27:27 | |
There's loads of us about and they're going to get nicked. | 0:27:27 | 0:27:29 | |
-Yeah, no, He's been... -Good man, yep. | 0:27:29 | 0:27:32 | |
Back at the station, the two suspects are booked in and charged. | 0:27:32 | 0:27:36 | |
And it looks like the team's hunches about the men have been spot on. | 0:27:36 | 0:27:39 | |
Have they got any previous for offering? | 0:27:39 | 0:27:41 | |
-Yes, offering to supply... Two drug offences... -Oh, fantastic. | 0:27:41 | 0:27:44 | |
So basically, two thieves, two robbers, yeah? Happy days. | 0:27:44 | 0:27:48 | |
They was professing their innocence, that they wasn't doing anything, | 0:27:48 | 0:27:51 | |
and they wouldn't do such a thing, | 0:27:51 | 0:27:53 | |
and yet the records show a different story. | 0:27:53 | 0:27:56 | |
All in all, it's been a good night. | 0:27:56 | 0:27:58 | |
We got a total of six arrests tonight. | 0:27:58 | 0:28:01 | |
I've got no doubt if they were left out there, would go on to commit further offences. | 0:28:01 | 0:28:05 | |
Since we filmed, the man who ran away from police was given | 0:28:05 | 0:28:08 | |
a suspended seven-week sentence for breaching his court order. | 0:28:08 | 0:28:12 | |
No further action was taken against the man with the wraps of powder. | 0:28:12 | 0:28:17 | |
The man suspected of offering to supply class A drugs was charged | 0:28:17 | 0:28:22 | |
and has been bailed to appear in court. | 0:28:22 | 0:28:23 |