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It's the most famous shopping street in the world, | 0:00:02 | 0:00:04 | |
in the heart of Britain's capital city. | 0:00:04 | 0:00:07 | |
A mile and a half long, with 30 million visitors each year. | 0:00:07 | 0:00:12 | |
With some of the world's most famous shops, biggest stars... | 0:00:12 | 0:00:15 | |
-Kate Moss! -Whoo! | 0:00:15 | 0:00:17 | |
..and busiest stations. | 0:00:17 | 0:00:19 | |
Sorry, guys, stand back for me. | 0:00:19 | 0:00:21 | |
What does it take to keep it running 24 hours a day... | 0:00:21 | 0:00:25 | |
Busiest street in the world so it needs constant attention. | 0:00:25 | 0:00:27 | |
..seven days a week? | 0:00:27 | 0:00:29 | |
Right, clear off! | 0:00:29 | 0:00:30 | |
You're going to be arrested on suspicion of attempted theft. | 0:00:30 | 0:00:33 | |
Are you ready, London? | 0:00:33 | 0:00:35 | |
A street that never sleeps. | 0:00:35 | 0:00:38 | |
This sort of thing wouldn't happen anywhere else. | 0:00:38 | 0:00:41 | |
Coming up - fare dodgers on Oxford Street. | 0:00:46 | 0:00:50 | |
What you've done there's an offence. | 0:00:50 | 0:00:51 | |
Disputes break out... | 0:00:51 | 0:00:53 | |
BLEEP! | 0:00:53 | 0:00:55 | |
..as ticket inspectors crack down. | 0:00:55 | 0:00:57 | |
Is there any reason why you didn't buy your own ticket? | 0:00:57 | 0:01:00 | |
It's jingle bells for a new Christmas musical. | 0:01:00 | 0:01:02 | |
SIRENS BLARE | 0:01:02 | 0:01:04 | |
And opening night's a riot. | 0:01:04 | 0:01:06 | |
Well, I'm concerned. That sleigh could become a target. | 0:01:06 | 0:01:10 | |
How a high street chain helps the homeless... | 0:01:10 | 0:01:13 | |
You're just giving them what you're going to throw in the dustbin. | 0:01:13 | 0:01:15 | |
..and we saddle up with the mounted police. | 0:01:15 | 0:01:19 | |
Quick as you can, across the road, thank you. | 0:01:19 | 0:01:21 | |
Oxford Street sees some 250 buses pass down it an hour. | 0:01:26 | 0:01:31 | |
And its four Tube stations are some of the busiest on the network. | 0:01:31 | 0:01:36 | |
Most of the millions of shoppers and commuters who come to the street | 0:01:36 | 0:01:40 | |
on public transport pay their way... | 0:01:40 | 0:01:42 | |
Lovely, thank you. | 0:01:42 | 0:01:44 | |
..but there are some that don't. | 0:01:44 | 0:01:45 | |
Fare evasion is estimated to cost Transport For London | 0:01:47 | 0:01:51 | |
more than £70 million a year. | 0:01:51 | 0:01:54 | |
Catching and stopping evaders has become a priority. | 0:01:54 | 0:01:58 | |
And TfL now employs 500 inspectors across London's Tube and bus network. | 0:01:58 | 0:02:04 | |
It's a difficult job, with staff regularly facing surliness, | 0:02:05 | 0:02:09 | |
antagonism, or even worse. | 0:02:09 | 0:02:11 | |
Working Bond Street and Oxford Circus Tube stations today, | 0:02:15 | 0:02:19 | |
Scott Waring and Dan Middleherst are in plain clothes | 0:02:19 | 0:02:23 | |
and keeping a close eye out for evaders. | 0:02:23 | 0:02:26 | |
There's no set, erm, description of a fare evader. | 0:02:26 | 0:02:30 | |
It could be anyone, it could be everyone. | 0:02:30 | 0:02:33 | |
They're here to spot people doubling through the barriers. | 0:02:33 | 0:02:36 | |
But they've also set them to flash and identify people | 0:02:36 | 0:02:39 | |
going through using discounted fares. | 0:02:39 | 0:02:42 | |
Passes with discounts are the most commonly misused. | 0:02:43 | 0:02:47 | |
This man has a valid armed services veterans card, | 0:02:47 | 0:02:50 | |
entitling him to free travel. | 0:02:50 | 0:02:53 | |
He matches the photo on the card | 0:02:53 | 0:02:55 | |
but, just a few moments later, Dan has stopped another man, | 0:02:55 | 0:02:58 | |
with a disabled pass, who doesn't. | 0:02:58 | 0:03:01 | |
Have you got any proof of ID with you? | 0:03:01 | 0:03:03 | |
Just cos your photograph's really erm... | 0:03:03 | 0:03:05 | |
-It's your brother's? -Yeah. -Why are you using your brother's? | 0:03:05 | 0:03:09 | |
OK, just come back through, I'll ask you some questions, yeah, | 0:03:09 | 0:03:12 | |
we won't be long. | 0:03:12 | 0:03:13 | |
The man admits he's using a disabled Freedom Pass | 0:03:13 | 0:03:16 | |
that belongs to someone else. | 0:03:16 | 0:03:18 | |
On the buses, anyone without a ticket is at fault. | 0:03:18 | 0:03:21 | |
On the Tube, inspectors have to prove intent to evade a fare, | 0:03:21 | 0:03:26 | |
and so they like to ask some questions. | 0:03:26 | 0:03:28 | |
You're being reported for the offence of fare evasion. | 0:03:30 | 0:03:33 | |
You're not under arrest. You're not obliged to remain with me, | 0:03:33 | 0:03:35 | |
-you're free to leave if you wish to go. -OK, yeah. | 0:03:35 | 0:03:38 | |
-OK, do you understand the caution? -Yeah, fine. | 0:03:38 | 0:03:41 | |
You can, yeah. | 0:03:41 | 0:03:42 | |
OK. We may need to call you in for another interview further. | 0:03:43 | 0:03:47 | |
So you understand the facts will be reported, yeah? | 0:03:47 | 0:03:50 | |
-You may be prosecuted for this. -OK, fine. | 0:03:50 | 0:03:52 | |
Inspectors aren't police, and can't detain people to question them, | 0:03:52 | 0:03:56 | |
but the man has already admitted the offence. | 0:03:56 | 0:03:59 | |
He's using a disabled Freedom Pass. It's pretty worn, | 0:03:59 | 0:04:02 | |
looks like it's been through the washing machine a few times. | 0:04:02 | 0:04:06 | |
It's not an ideal situation | 0:04:06 | 0:04:07 | |
because I'd rather continue interviewing him, | 0:04:07 | 0:04:10 | |
about where he got the pass, | 0:04:10 | 0:04:12 | |
how long he's been using it. Erm... | 0:04:12 | 0:04:15 | |
But, unfortunately, it's his right to leave. | 0:04:15 | 0:04:17 | |
So he's exercised that right to leave. | 0:04:17 | 0:04:20 | |
Soon after, Dan spots someone trying to double their way | 0:04:20 | 0:04:23 | |
through the ticket gates, behind someone else, | 0:04:23 | 0:04:25 | |
to avoid paying. | 0:04:25 | 0:04:27 | |
See what you've done there is an offence. | 0:04:27 | 0:04:29 | |
The man seems to see the funny side of things. | 0:04:29 | 0:04:32 | |
Yeah, yeah, yeah. | 0:04:33 | 0:04:35 | |
If you would've had a valid ticket, you wouldn't be in this trouble now, would you? | 0:04:38 | 0:04:42 | |
-I know. -And you'd still be getting her number. -Yeah. | 0:04:42 | 0:04:46 | |
This man's brief encounter has ended up costing him at least £40. | 0:04:46 | 0:04:50 | |
With an annual Tube travel card costing up to £3,336 a year, | 0:04:52 | 0:04:58 | |
the temptation to take advantage of free or discounted rates is strong. | 0:04:58 | 0:05:02 | |
Scott has stopped another man using someone else's student pass. | 0:05:02 | 0:05:06 | |
Why are you using your sister's ticket? | 0:05:06 | 0:05:09 | |
But the ticket's not transferable, | 0:05:11 | 0:05:13 | |
it's solely for your sister to use, because it's a discounted ticket. | 0:05:13 | 0:05:17 | |
You're not entitled to discounted travel, are you? | 0:05:17 | 0:05:20 | |
-No. -So do you agree | 0:05:20 | 0:05:21 | |
that you've avoided the full fare for your journey this morning? | 0:05:21 | 0:05:24 | |
Dan and Scott have caught three people evading already this morning, | 0:05:26 | 0:05:29 | |
but all three have taken it on the chin. | 0:05:29 | 0:05:33 | |
However, above ground, on the buses, | 0:05:33 | 0:05:35 | |
things are not so straightforward for Lincoln Stuart and Beata Wall. | 0:05:35 | 0:05:39 | |
You haven't got a valid ticket for your journey, | 0:05:39 | 0:05:42 | |
so what I need to do is take some details. | 0:05:42 | 0:05:45 | |
This couple have only one validated Oyster card between them, | 0:05:45 | 0:05:49 | |
but the woman claims the driver told them to board anyway. | 0:05:49 | 0:05:53 | |
Beata wants to check at the next stop, | 0:05:53 | 0:05:55 | |
but before she gets the chance... | 0:05:55 | 0:05:57 | |
Unfortunately... Hello, sir? I need to, erm... | 0:05:57 | 0:06:01 | |
..they get off. | 0:06:01 | 0:06:02 | |
Yeah, I'm not supposed to follow people off the bus. | 0:06:03 | 0:06:08 | |
It's illegal to refuse to provide your details to a bus inspector, | 0:06:08 | 0:06:12 | |
but they have no powers to detain you. | 0:06:12 | 0:06:15 | |
All I'm going to do is submit a report to TfL, and this card. | 0:06:15 | 0:06:19 | |
And, hopefully, they'll be able to obtain details at a later date. | 0:06:19 | 0:06:23 | |
They might have got off, but if the Oyster card is registered, | 0:06:23 | 0:06:27 | |
TfL may soon be in touch. | 0:06:27 | 0:06:29 | |
Later, for the revenue inspectors, | 0:06:32 | 0:06:34 | |
it's disgruntled customers... | 0:06:34 | 0:06:36 | |
She stormed off the bus, stomping her feet. | 0:06:36 | 0:06:39 | |
..aggression... | 0:06:39 | 0:06:40 | |
BLEEP! | 0:06:40 | 0:06:42 | |
..and even worse. | 0:06:42 | 0:06:44 | |
Pushed his way through the gates so there's bite marks. | 0:06:44 | 0:06:47 | |
Christmas comes early to Oxford Street. | 0:06:55 | 0:06:57 | |
And, at the Dominion Theatre, this year, it's even earlier than usual. | 0:06:57 | 0:07:02 | |
October, to be exact. | 0:07:02 | 0:07:05 | |
In ten days' time, the theatre's biggest show of the year opens - | 0:07:05 | 0:07:09 | |
a musical version of the hit Hollywood movie Elf, | 0:07:09 | 0:07:12 | |
starring Girls Aloud's Kimberley Walsh. | 0:07:12 | 0:07:15 | |
Rehearsals are entering their final phases, | 0:07:16 | 0:07:19 | |
and the show will open with a gala press performance. | 0:07:19 | 0:07:23 | |
Everything needs to be perfect. | 0:07:23 | 0:07:25 | |
HE GIVES INSTRUCTIONS | 0:07:25 | 0:07:26 | |
David Pearson is the theatre's general manager. | 0:07:26 | 0:07:29 | |
On opening night, it's tradition, it's the press night. | 0:07:29 | 0:07:32 | |
Erm, so this is the night all the press come and they review the show. | 0:07:32 | 0:07:35 | |
So everybody, from our front of house staff, | 0:07:35 | 0:07:37 | |
through to our box office staff, everybody is focused | 0:07:37 | 0:07:40 | |
on making sure the experience is great for the audience. | 0:07:40 | 0:07:43 | |
The man with the most at stake, is the show's producer Michael Rose. | 0:07:43 | 0:07:47 | |
-Hello. -Hello. | 0:07:48 | 0:07:50 | |
-How are you? -Good to see you, good to see you. | 0:07:50 | 0:07:53 | |
So we need to do a walk-round this morning, erm, regarding press night. | 0:07:53 | 0:07:57 | |
OK. We know we're going to get some top celebrities, in fact, | 0:07:57 | 0:08:01 | |
we're being bombarded with requests | 0:08:01 | 0:08:03 | |
because of the sort of show that it is. | 0:08:03 | 0:08:05 | |
And I think most of the Girls Aloud people are coming to see Kimberley. | 0:08:05 | 0:08:10 | |
Erm... Along with a whole host of other celebrities | 0:08:10 | 0:08:13 | |
that I would have to kill you if I told you about. | 0:08:13 | 0:08:15 | |
To get the theatre looking good for the opening, | 0:08:19 | 0:08:21 | |
they've hired a team of specialist Christmas decorators | 0:08:21 | 0:08:25 | |
to sprinkle a bit of magic in the foyer. | 0:08:25 | 0:08:28 | |
What we're going to do here, | 0:08:28 | 0:08:29 | |
is we're going to have two trees right up the top there, | 0:08:29 | 0:08:32 | |
by the champagne bar, either side. | 0:08:32 | 0:08:34 | |
A wreath is going to go just above that, a 4ft wreath. | 0:08:34 | 0:08:37 | |
Then, on the stairway, on both sides, | 0:08:37 | 0:08:39 | |
we're going to have a swag garland. | 0:08:39 | 0:08:41 | |
Right, let's get cracking. Let's get it done. | 0:08:41 | 0:08:44 | |
I basically bring Christmas to all interiors, anywhere. | 0:08:50 | 0:08:56 | |
Everything is obviously tested at the workshop | 0:08:58 | 0:09:01 | |
before we come to the site. | 0:09:01 | 0:09:03 | |
So I'm confident that it's all going to light up. | 0:09:03 | 0:09:06 | |
He-e-ey! | 0:09:06 | 0:09:08 | |
-Keep on moving it... Stop. -"Stop", yeah? | 0:09:10 | 0:09:15 | |
And no celebrity premiere would be complete | 0:09:21 | 0:09:24 | |
without the instant glamour of a red carpet. | 0:09:24 | 0:09:27 | |
This might be a bit of a long process. | 0:09:27 | 0:09:29 | |
The carpet might be laid, | 0:09:34 | 0:09:35 | |
but it's in danger from a meteorological condition. | 0:09:35 | 0:09:38 | |
And it isn't snow. | 0:09:38 | 0:09:40 | |
We're just thinking, shall we just put a tape in here? No. | 0:09:41 | 0:09:44 | |
Well, because of the rain, the tape won't stick obviously. | 0:09:44 | 0:09:48 | |
It won't stick down if it's wet, no, but if you... | 0:09:48 | 0:09:51 | |
-if it's against the rails, we should be OK. -Yeah. | 0:09:51 | 0:09:54 | |
Erm...took a lot of work to get it right, but, yeah... Success. | 0:09:54 | 0:09:58 | |
Success, Dave! | 0:09:58 | 0:10:01 | |
The show doesn't start for another two hours, | 0:10:02 | 0:10:05 | |
but already the fans are getting in place. | 0:10:05 | 0:10:07 | |
And there's one person in particular they're hoping to see. | 0:10:07 | 0:10:11 | |
Waiting for Cheryl Fernandez-Versini, so... | 0:10:11 | 0:10:13 | |
I love Cheryl. | 0:10:13 | 0:10:15 | |
No, I do! I'm obsessed. | 0:10:15 | 0:10:20 | |
In the foyer, the excitement is reaching fever pitch. | 0:10:20 | 0:10:23 | |
Usually, with nights like tonight, | 0:10:23 | 0:10:25 | |
you don't really know who's going to be coming in. So it is quite... | 0:10:25 | 0:10:28 | |
I think I've got the best shift here in the whole building. | 0:10:28 | 0:10:31 | |
Although I've been told I'm not allowed on the red carpet. | 0:10:31 | 0:10:34 | |
But, I suppose, no-one wants to take a picture of me anyway, | 0:10:34 | 0:10:37 | |
so there you go. | 0:10:37 | 0:10:38 | |
The celebrities and public begin arriving. | 0:10:38 | 0:10:41 | |
There are presenters, | 0:10:41 | 0:10:44 | |
TV doctors, | 0:10:44 | 0:10:45 | |
I haven't felt Christmas-y up until this point... | 0:10:45 | 0:10:47 | |
-Right now. -..and, now suddenly, I'm kind of like... -Literally, right now. | 0:10:47 | 0:10:51 | |
-..I'm thinking about presents, Santa... -Tinsel. | 0:10:51 | 0:10:53 | |
And even a Spice Girl. | 0:10:53 | 0:10:55 | |
-Hello, mate. -Hello, gorgeous, how you doing? Mwah! You well? | 0:10:55 | 0:10:57 | |
Good evening, stalls straight ahead, circle up the stairs. | 0:10:57 | 0:11:01 | |
Just about to start the show. | 0:11:01 | 0:11:02 | |
Got to get them all inside. | 0:11:02 | 0:11:04 | |
Ladies and gentlemen, if you could carry on inside, | 0:11:04 | 0:11:06 | |
the show will begin in about 31 seconds! | 0:11:06 | 0:11:09 | |
-Hiya. -Hey, how you doing? | 0:11:09 | 0:11:11 | |
Right, so it's down the middle aisle, on the left-hand side. | 0:11:11 | 0:11:14 | |
Ladies and gentlemen, boys and girls, | 0:11:14 | 0:11:17 | |
pixies and elves, welcome to this performance of Elf: The Musical. | 0:11:17 | 0:11:22 | |
It's going very well. | 0:11:22 | 0:11:24 | |
It's been a bit hectic but we're doing all right. | 0:11:24 | 0:11:26 | |
But staff are still waiting for some expected celebrities. | 0:11:26 | 0:11:30 | |
FANS SHOUT | 0:11:30 | 0:11:32 | |
I think Cheryl's arrived. | 0:11:32 | 0:11:33 | |
The show started a few minutes ago, but she's arrived now. | 0:11:33 | 0:11:36 | |
-Cheryl! -Cheryl! -Cheryl! | 0:11:36 | 0:11:38 | |
I'm so sorry. | 0:11:40 | 0:11:42 | |
Missed a little bit of it, but she'll be on in time for | 0:11:42 | 0:11:44 | |
Kimberley's first scene, so that's the main thing. | 0:11:44 | 0:11:47 | |
It was worth it, to see her. | 0:11:47 | 0:11:48 | |
And if she stops after then it'll be worth it. If not, then maybe not. | 0:11:48 | 0:11:51 | |
Cos I'm a bit cold. | 0:11:51 | 0:11:53 | |
When I say "a bit", I'm literally freezing. | 0:11:53 | 0:11:55 | |
With Cheryl and Nicola Roberts taking their seats, | 0:11:55 | 0:11:58 | |
it should be time for the team to relax a bit, | 0:11:58 | 0:12:00 | |
but, today, they can't. | 0:12:00 | 0:12:02 | |
They've got two more celebrities on their way for a major photoshoot. | 0:12:02 | 0:12:07 | |
Later, Rudolph's ready, | 0:12:10 | 0:12:12 | |
but will an anti-capitalist riot dampen the Christmas spirit? | 0:12:12 | 0:12:16 | |
Hello. | 0:12:25 | 0:12:27 | |
The problem of homelessness and rough sleeping is a complex one, | 0:12:27 | 0:12:32 | |
but Oxford Street suffers its fair share. | 0:12:32 | 0:12:35 | |
On the street itself, a concerted effort by local police | 0:12:35 | 0:12:38 | |
and support groups has moved most rough sleepers away. | 0:12:38 | 0:12:42 | |
-Begging? No. -Don't beg. | 0:12:42 | 0:12:44 | |
But there's a continuing problem at Marble Arch, at the West End. | 0:12:46 | 0:12:50 | |
It's Oxford Street's Area of Outstanding Natural Beauty, that. | 0:12:50 | 0:12:54 | |
Can't be kipping up there, mate. | 0:12:54 | 0:12:56 | |
We've seen before the problem with Eastern European rough sleepers, | 0:12:56 | 0:12:59 | |
newly arrived at the UK, congregating at the Marble Arch landmark | 0:12:59 | 0:13:04 | |
because it's where their coaches first stop in central London. | 0:13:04 | 0:13:08 | |
As you can see, we have a problem. | 0:13:08 | 0:13:11 | |
PC Andy Pescot, ward officer for the area, has fought a long, | 0:13:11 | 0:13:16 | |
and, at times, fraught, | 0:13:16 | 0:13:17 | |
battle to keep this famous landmark clear for people to enjoy. | 0:13:17 | 0:13:22 | |
This is the tourist hub | 0:13:22 | 0:13:23 | |
and this is where we've got to be seen to enforce it, | 0:13:23 | 0:13:27 | |
more than anywhere else. | 0:13:27 | 0:13:28 | |
And the holiday makers, local businesses and local residents | 0:13:28 | 0:13:33 | |
don't want to see 50 to 60 Roma Gypsies sitting at Marble Arch | 0:13:33 | 0:13:37 | |
with all their bedding, suitcases and the litter, | 0:13:37 | 0:13:41 | |
urination and defecation that comes with that. | 0:13:41 | 0:13:44 | |
SIRENS SOUND | 0:13:44 | 0:13:46 | |
He's just had word that yesterday a coach arrived | 0:13:46 | 0:13:50 | |
and dropped off another sizeable group of people | 0:13:50 | 0:13:53 | |
who are staying in the park. | 0:13:53 | 0:13:55 | |
The name of the person you are... | 0:13:55 | 0:13:56 | |
He wants to move them on using 48-hour dispersal notices | 0:13:56 | 0:14:00 | |
to ban them from the area. | 0:14:00 | 0:14:03 | |
Today, he's not on his own. | 0:14:03 | 0:14:05 | |
We've had reports that there is an increased number | 0:14:05 | 0:14:08 | |
congregating in that area. | 0:14:08 | 0:14:09 | |
Myself, a number of other officers, along with Westminster City Council, | 0:14:09 | 0:14:13 | |
the cleaning team and two remaining police officers | 0:14:13 | 0:14:17 | |
are going to be going up to Marble Arch. | 0:14:17 | 0:14:19 | |
..for them to understand... | 0:14:19 | 0:14:20 | |
The Romanian police will act as translators. | 0:14:20 | 0:14:23 | |
I'm going to explain to them why I'm doing what I'm doing, | 0:14:24 | 0:14:28 | |
the grounds, the reasons and what will happen if they breach it. | 0:14:28 | 0:14:33 | |
Andy heads out. | 0:14:36 | 0:14:38 | |
I've been reliably informed that, at the moment, | 0:14:39 | 0:14:43 | |
there's approximately 20 Roma Gypsy sat at Marble Arch. | 0:14:43 | 0:14:46 | |
So we'll see what we got when we get there. | 0:14:46 | 0:14:49 | |
On arrival, the group of rough sleepers have congregated | 0:14:49 | 0:14:52 | |
in the park. | 0:14:52 | 0:14:53 | |
And are surrounded by their belongings. | 0:14:53 | 0:14:55 | |
Andy gets to work. | 0:14:55 | 0:14:58 | |
Looks like they're washing. | 0:14:58 | 0:14:59 | |
Come with me! Over here! | 0:15:01 | 0:15:03 | |
-HE SHOUTS: -Where's she going? | 0:15:03 | 0:15:05 | |
You! Back! | 0:15:07 | 0:15:09 | |
Back! | 0:15:09 | 0:15:11 | |
The scale of the problem is immediately apparent. | 0:15:12 | 0:15:15 | |
There's a lot of mess and it will all need cleaning up. | 0:15:15 | 0:15:18 | |
Speaks for itself, doesn't it? It speaks volumes. Disgusting. | 0:15:18 | 0:15:23 | |
Disgusting. A tourist attraction, the middle of London. | 0:15:23 | 0:15:27 | |
Over here, now! | 0:15:27 | 0:15:28 | |
So I'm going to take authority on this now. | 0:15:30 | 0:15:32 | |
-OK. Shout when I shout, OK? -OK. | 0:15:32 | 0:15:35 | |
-ANDY SHOUTS: -Listen in! | 0:15:35 | 0:15:38 | |
POLICE OFFICER SPEAKS IN ROMANIAN | 0:15:38 | 0:15:41 | |
Everybody, get your documents. | 0:15:41 | 0:15:43 | |
Your travel document and your ID card out now! Over here. | 0:15:43 | 0:15:47 | |
And keep them in the air till an officer collects them. | 0:15:47 | 0:15:50 | |
Recently arrived people from EU member states | 0:15:52 | 0:15:55 | |
have the right to live and work in the UK, | 0:15:55 | 0:15:57 | |
but they don't have the right to sleep rough at famous landmarks, | 0:15:57 | 0:16:01 | |
as they're about to find out. | 0:16:01 | 0:16:04 | |
-OK, ready, guys? -Yes. -Yeah. | 0:16:04 | 0:16:06 | |
Listen to what I am telling you. | 0:16:06 | 0:16:09 | |
Due to ongoing antisocial behaviour, caused by you as a group... | 0:16:09 | 0:16:14 | |
POLICE OFFICER TRANSLATES IN ROMANIAN | 0:16:14 | 0:16:19 | |
..by rough sleeping in large numbers in doorways, | 0:16:19 | 0:16:23 | |
by urinating and defecating in public places, | 0:16:23 | 0:16:26 | |
and by begging on the streets for two days... | 0:16:26 | 0:16:29 | |
POLICE OFFICER TRANSLATES | 0:16:29 | 0:16:30 | |
..there is a dispersal in place. | 0:16:30 | 0:16:33 | |
If you return, you will be liable to arrest. | 0:16:33 | 0:16:36 | |
We are no longer tolerating your behaviour. | 0:16:36 | 0:16:38 | |
The news sinks in with the group. | 0:16:40 | 0:16:43 | |
Either conform to treaty rights, or leave. | 0:16:43 | 0:16:46 | |
Meanwhile, Andy takes an interest in one particular woman. | 0:16:46 | 0:16:50 | |
Why are you back in England? | 0:16:50 | 0:16:53 | |
Some time ago, he found her in breach of her EU treaty right, | 0:16:53 | 0:16:56 | |
having failed to integrate, or get a job or accommodation. | 0:16:56 | 0:17:00 | |
He had her removed from the UK, | 0:17:00 | 0:17:03 | |
but now she's back. | 0:17:03 | 0:17:04 | |
How many times have you been in England now? | 0:17:04 | 0:17:07 | |
-SHE SPEAKS ROMANIAN -Four times. -Four times? | 0:17:07 | 0:17:10 | |
You understand treaty rights, you've been removed before. | 0:17:10 | 0:17:13 | |
You cannot keep coming here. | 0:17:13 | 0:17:14 | |
As you can see, | 0:17:17 | 0:17:18 | |
my colleagues are currently issuing the section 35 dispersals. | 0:17:18 | 0:17:22 | |
We've highlighted the complete area in which the dispersal applies to, | 0:17:22 | 0:17:28 | |
so there can be no confusion | 0:17:28 | 0:17:30 | |
as to which areas they can and cannot enter. | 0:17:30 | 0:17:33 | |
Many Roma people say they come to the UK | 0:17:33 | 0:17:36 | |
to escape prejudice and hardship in their own country. | 0:17:36 | 0:17:39 | |
They say they also find it hard to get work | 0:17:39 | 0:17:41 | |
because their English is often poor. | 0:17:41 | 0:17:46 | |
While PC Pescot gives out dispersal notices, | 0:17:46 | 0:17:49 | |
the other teams he's brought with him get busy doing their bit... | 0:17:49 | 0:17:52 | |
SHE SPEAKS ROMANIAN | 0:17:52 | 0:17:54 | |
..including Stephen Large, the environmental manager for the area. | 0:17:54 | 0:17:59 | |
It's a famous landmark | 0:17:59 | 0:18:00 | |
and it's literally just being mashed with the amount of litter, | 0:18:00 | 0:18:04 | |
the bedding, the aggressive begging that we have here. | 0:18:04 | 0:18:08 | |
It's just endless. And, you know, | 0:18:08 | 0:18:11 | |
we need something done about it really. | 0:18:11 | 0:18:14 | |
But, as the clean team do their stuff, | 0:18:14 | 0:18:16 | |
on the far side of the square, | 0:18:16 | 0:18:18 | |
one woman feels her bag is being taken in the clean up. | 0:18:18 | 0:18:22 | |
SHE SPEAKS ROMANIAN | 0:18:22 | 0:18:24 | |
-A small bag? -Yeah, yeah, a small bag. -What colour is it? | 0:18:24 | 0:18:27 | |
THEY SPEAK ROMANIAN | 0:18:27 | 0:18:30 | |
Think they've chucked the bag in. | 0:18:30 | 0:18:32 | |
She's got it now. | 0:18:32 | 0:18:33 | |
Thank you very much. | 0:18:33 | 0:18:35 | |
Thank you, thank you. | 0:18:35 | 0:18:36 | |
Finally, after an hour and a half, the park is cleared | 0:18:36 | 0:18:39 | |
but Andy's concerned where the rough sleepers will go next. | 0:18:39 | 0:18:43 | |
Just for your information, | 0:18:44 | 0:18:47 | |
we've dispersed approximately 20 Roma for 48 hours. | 0:18:47 | 0:18:52 | |
Unfortunately for yourselves, | 0:18:52 | 0:18:53 | |
it looks like they're all heading into Hyde Park. | 0:18:53 | 0:18:56 | |
I have informed the police officers in the park, | 0:18:56 | 0:19:00 | |
so you make sure you tell all your friends | 0:19:00 | 0:19:02 | |
they are to come out of Hyde Park. | 0:19:02 | 0:19:03 | |
POLICE OFFICERS CONFER OVER RADIO | 0:19:03 | 0:19:05 | |
If they leave any bags in the bushes, | 0:19:05 | 0:19:08 | |
we will remove those bags and destroy them. | 0:19:08 | 0:19:10 | |
CLEAN UP TEAM CHATTER | 0:19:10 | 0:19:12 | |
It's not a pleasant job for Andy, | 0:19:12 | 0:19:13 | |
but some local workers want him to know how they feel about the problem. | 0:19:13 | 0:19:18 | |
I just work in the office here and I see them everyday. | 0:19:18 | 0:19:21 | |
I was really happy to see that today, | 0:19:21 | 0:19:23 | |
-you're getting rid of them, hopefully. -Glad we can help. | 0:19:23 | 0:19:26 | |
I'm really glad and I hope you'll be able to get rid of them. | 0:19:26 | 0:19:29 | |
-Good luck. -Bye-bye. -Bye-bye. | 0:19:29 | 0:19:30 | |
For Andy, it's been a successful operation. | 0:19:31 | 0:19:35 | |
As you can see, behind me, | 0:19:35 | 0:19:37 | |
it's now clear of Roma Gypsy bags and rubbish. | 0:19:37 | 0:19:41 | |
When we first arrived, it was appalling. | 0:19:41 | 0:19:43 | |
And, for 48 hours at least, | 0:19:43 | 0:19:45 | |
people can sit here and enjoy the location, enjoy their lunches | 0:19:45 | 0:19:50 | |
without the rubbish, | 0:19:50 | 0:19:51 | |
without everything else that goes along with it, | 0:19:51 | 0:19:54 | |
the antisocial behaviour. | 0:19:54 | 0:19:55 | |
Revenue inspectors are still hunting for fare evaders | 0:20:05 | 0:20:09 | |
on Oxford Street's buses and Tube stations. | 0:20:09 | 0:20:12 | |
They've already stopped a number of people | 0:20:13 | 0:20:16 | |
travelling without valid tickets | 0:20:16 | 0:20:17 | |
and made themselves unpopular in certain quarters in the process. | 0:20:17 | 0:20:21 | |
Also working the Oxford Street buses today | 0:20:24 | 0:20:26 | |
are Miles Chambers and Rennick Cox | 0:20:26 | 0:20:29 | |
but on the top deck of one bus they think they've been spotted. | 0:20:29 | 0:20:33 | |
The man in the leather jacket got off the bus in a hurry | 0:20:34 | 0:20:37 | |
when he saw the inspectors get on. | 0:20:37 | 0:20:40 | |
And when they get off at the next stop the man is there. | 0:20:46 | 0:20:50 | |
He takes exception to our camera. | 0:20:50 | 0:20:52 | |
-Don't point the camera! Don't -BLEEP -point it at me! -Calm down. | 0:20:52 | 0:20:56 | |
Are you stupid or what? | 0:20:56 | 0:20:58 | |
I'll smash it. Want me to smash it? | 0:20:58 | 0:21:01 | |
-I'll smash your -BLEEP -camera. | 0:21:01 | 0:21:03 | |
-Leave man alone, he ain't done nothing! -I'm telling you! | 0:21:03 | 0:21:06 | |
Leave him alone, you stupid man. | 0:21:06 | 0:21:08 | |
That's what we come across on a day-to-day basis. | 0:21:08 | 0:21:11 | |
Miles and Rennick laugh the incident off | 0:21:11 | 0:21:14 | |
but it's an all-too-regular occurrence. | 0:21:14 | 0:21:16 | |
Recent figures show a 44% rise in workplace assaults | 0:21:16 | 0:21:20 | |
suffered by train and bus staff since 2011 | 0:21:20 | 0:21:24 | |
and the revenue inspectors are all too often at the sharp end. | 0:21:24 | 0:21:28 | |
I would say we get it quite often | 0:21:28 | 0:21:30 | |
but, in terms of the opposite side of the scale, | 0:21:30 | 0:21:33 | |
so the really friendly customers, | 0:21:33 | 0:21:35 | |
I'd say they outweigh that type of male. | 0:21:35 | 0:21:37 | |
Transport for London take a zero-tolerance approach | 0:21:38 | 0:21:42 | |
to staff harassment of any sort. | 0:21:42 | 0:21:44 | |
Underground revenue inspector Dan knows | 0:21:46 | 0:21:49 | |
all about the kind of aggression he and his team can face. | 0:21:49 | 0:21:53 | |
Recently, having stopped someone for dodging his fair, | 0:21:53 | 0:21:56 | |
he was subjected to a vicious assault. | 0:21:56 | 0:21:58 | |
Pushed his way through the gates and then, er, proceeded to kick off. | 0:22:00 | 0:22:04 | |
There's a couple of the images of the bite marks | 0:22:04 | 0:22:06 | |
and the resulting bruising. | 0:22:06 | 0:22:09 | |
They show you the state of my fleece. | 0:22:09 | 0:22:12 | |
Stuff that you have to go through as well, | 0:22:12 | 0:22:14 | |
you know, you have to be tested for HIV and, erm... | 0:22:14 | 0:22:18 | |
hepatitis as well. | 0:22:18 | 0:22:19 | |
And then you have to have a six-month checkup again after, | 0:22:19 | 0:22:22 | |
so, yeah, it just gives you an idea of sometimes how the job can... | 0:22:22 | 0:22:26 | |
you know, one minute can be OK and then it turns. | 0:22:26 | 0:22:29 | |
The man who assaulted him was later given a 14-month prison sentence. | 0:22:30 | 0:22:34 | |
Back on patrol, Dan's hoping for a quieter evening. | 0:22:35 | 0:22:40 | |
On the other side of the station, | 0:22:40 | 0:22:42 | |
Scott has stopped another man using a Freedom Pass that isn't his. | 0:22:42 | 0:22:47 | |
-Where did you get the Freedom Pass? -Found it on the floor. | 0:22:47 | 0:22:50 | |
So do you accept by using the Freedom Pass | 0:22:52 | 0:22:54 | |
-you're avoiding the fare for your journey? -Yeah. | 0:22:54 | 0:22:57 | |
The pass entitles a pensioner to free travel. | 0:22:57 | 0:23:00 | |
It can now be returned to its rightful owner. | 0:23:00 | 0:23:03 | |
The man's details are taken | 0:23:03 | 0:23:04 | |
and he leaves. | 0:23:04 | 0:23:06 | |
He'll be expecting a letter from TfL shortly. | 0:23:06 | 0:23:08 | |
The ticket has got an expiry date of 31 March 2020, so, potentially, | 0:23:09 | 0:23:14 | |
if we hadn't have stopped him today, he could have been using that | 0:23:14 | 0:23:17 | |
until that time. | 0:23:17 | 0:23:18 | |
But Dan and Scott suspect the man might have been using | 0:23:18 | 0:23:21 | |
the pass for a long time. | 0:23:21 | 0:23:23 | |
They want to investigate further, and head to the station's control room. | 0:23:23 | 0:23:28 | |
-Er, Gate 75. -There he is. | 0:23:28 | 0:23:31 | |
-Yeah. -Is that him? -I'm sure that was him. | 0:23:31 | 0:23:33 | |
They can see when the pass was used | 0:23:33 | 0:23:36 | |
and, with over 200 cameras in the station, | 0:23:36 | 0:23:38 | |
they can see him every time he's used it. | 0:23:38 | 0:23:42 | |
-There he is. Yeah. -It's him in the baseball cap? -Yeah. | 0:23:42 | 0:23:45 | |
Their investigations show the man has indeed been trying to | 0:23:45 | 0:23:49 | |
pass himself off as a pensioner for some time, | 0:23:49 | 0:23:51 | |
saving himself significant amounts of money. | 0:23:51 | 0:23:55 | |
He said to me, under caution, that he'd been using it | 0:23:55 | 0:23:58 | |
for about two weeks, so that would tie in with that as well. | 0:23:58 | 0:24:04 | |
Dan and Scott below ground and Miles and Rennick above | 0:24:04 | 0:24:07 | |
continue their shifts long into the evening. | 0:24:07 | 0:24:11 | |
I did actually put the card on the thing. | 0:24:11 | 0:24:14 | |
But it obviously didn't go through | 0:24:14 | 0:24:16 | |
because that must have blocked it, so it was a pure accident. | 0:24:16 | 0:24:20 | |
I'm going to have to issue you with a penalty fare, OK? | 0:24:20 | 0:24:23 | |
She actually stormed off the bus, stomping her feet as she got off. | 0:24:25 | 0:24:28 | |
Every day dealing with fare evaders is a challenge | 0:24:28 | 0:24:31 | |
but they think they've been successful. | 0:24:31 | 0:24:34 | |
We've had a few happy customers, a few...disgruntled customers, | 0:24:34 | 0:24:38 | |
but overall we've provided a... a good service. | 0:24:38 | 0:24:41 | |
So it shows you the type of people you can come across | 0:24:41 | 0:24:44 | |
on the lovely, lovely Oxford Street. | 0:24:44 | 0:24:46 | |
At the Dominion Theatre, | 0:24:53 | 0:24:55 | |
it's opening night for West End Christmas show Elf: The Musical. | 0:24:55 | 0:24:59 | |
The celebrities have arrived. | 0:24:59 | 0:25:02 | |
And the show's up and running. | 0:25:02 | 0:25:04 | |
But while the performance is going on, staff are getting ready | 0:25:05 | 0:25:09 | |
for a key promotional event at the front of the theatre. | 0:25:09 | 0:25:12 | |
We'll prepare the reindeer. | 0:25:13 | 0:25:15 | |
Right, so I need to pull into there, don't I? | 0:25:15 | 0:25:18 | |
Nobody really knows about them, so I think it's going to be a surprise | 0:25:18 | 0:25:21 | |
as people leave the theatre and see those reindeers outside. | 0:25:21 | 0:25:23 | |
I think it's going to be quite special. | 0:25:23 | 0:25:26 | |
We've come from near Market Harbour, | 0:25:26 | 0:25:28 | |
where we have a farm with a herd of reindeer, erm, | 0:25:28 | 0:25:31 | |
and we're go to take the leading lady and the leading man | 0:25:31 | 0:25:34 | |
to an afterparty and a press night. | 0:25:34 | 0:25:37 | |
To get to the afterparty, the reindeer and sleigh | 0:25:37 | 0:25:40 | |
will need to travel to the other end of Oxford Street. | 0:25:40 | 0:25:43 | |
Problem is, the show organisers didn't count on the fact | 0:25:44 | 0:25:48 | |
there's an anti-capitalist protest happening just a mile and a half away | 0:25:48 | 0:25:52 | |
which threatens to spread to Oxford Street. | 0:25:52 | 0:25:55 | |
Well, we have got the Million Mask March | 0:25:55 | 0:25:57 | |
which is going on as well, this evening. | 0:25:57 | 0:26:00 | |
And there is still potential for some disorder. | 0:26:00 | 0:26:03 | |
Erm, which could spill over to where we are. | 0:26:03 | 0:26:05 | |
If it is going to affect us, | 0:26:05 | 0:26:07 | |
what I'm concerned about is that that sleigh could become a target. | 0:26:07 | 0:26:10 | |
By 10pm the show's over and the audience spills out. | 0:26:10 | 0:26:14 | |
Absolutely amazing, loved every second of it. | 0:26:16 | 0:26:18 | |
It couldn't have gone better tonight, | 0:26:18 | 0:26:21 | |
it's just a magical atmosphere. | 0:26:21 | 0:26:23 | |
I'm just so relieved! | 0:26:23 | 0:26:25 | |
But, outside, the reindeer ride is causing concern. | 0:26:25 | 0:26:28 | |
Right, OK. | 0:26:36 | 0:26:37 | |
So we just need to have a word with them, because we've been said, yes, | 0:26:37 | 0:26:40 | |
we can do this, but we need to do it now. | 0:26:40 | 0:26:42 | |
Right, OK. | 0:26:47 | 0:26:48 | |
Right, from our control room, he's happy for it to go ahead | 0:26:48 | 0:26:51 | |
but it has to happen now, or very, very soon. | 0:26:51 | 0:26:54 | |
-Right, OK. -But we can do it now, but if we do it we've got to do it now. | 0:26:57 | 0:27:00 | |
David makes a big decision. | 0:27:00 | 0:27:02 | |
We're not going down Oxford Street, we're going to go around the corner and that's it. | 0:27:02 | 0:27:06 | |
Brilliant. I'll let them know. | 0:27:06 | 0:27:07 | |
Life on Oxford Street, eh? | 0:27:07 | 0:27:10 | |
With the decision made to divert from Oxford Street, | 0:27:11 | 0:27:14 | |
theatre staff can relax at least a bit. | 0:27:14 | 0:27:16 | |
But they've still got to wait for stars Kimberley Walsh | 0:27:16 | 0:27:19 | |
and Ben Forster to appear. | 0:27:19 | 0:27:21 | |
So we're going ahead in five minutes. | 0:27:21 | 0:27:24 | |
The real stars of the show make their appearance bang on time. | 0:27:25 | 0:27:29 | |
These two are my most experienced reindeer. | 0:27:30 | 0:27:33 | |
-Excuse me. -Oh. Excuse me. -Excuse me, please. | 0:27:33 | 0:27:36 | |
We're just waiting for the stars, for our passengers, | 0:27:36 | 0:27:39 | |
but that's fine, we can do that, we can still create the spectacle, | 0:27:39 | 0:27:43 | |
and that's what we're going to do. | 0:27:43 | 0:27:45 | |
Good boy. Good boy. | 0:27:45 | 0:27:47 | |
-Do we know how soon we'll be ready to move off? -I'll find out now. | 0:27:47 | 0:27:50 | |
Oh, right, cos I'll update them. All right, thanks. | 0:27:50 | 0:27:53 | |
-They're on their way. -They're on the way? | 0:27:53 | 0:27:55 | |
All right, excellent, thanks. | 0:27:55 | 0:27:57 | |
-They're on the way now. -Right. | 0:27:58 | 0:28:00 | |
As soon as she comes down, they'll move off onto the road, | 0:28:00 | 0:28:03 | |
we're going to follow, and then we'll hold the traffic back | 0:28:03 | 0:28:05 | |
while they make progress up the road. | 0:28:05 | 0:28:08 | |
Another five minutes? OK, I'll let them know. | 0:28:08 | 0:28:11 | |
I've just decided the reindeer are going to get in the sleigh | 0:28:11 | 0:28:14 | |
and Kimberley and Ben are going to pull them. | 0:28:14 | 0:28:17 | |
For taking so long. | 0:28:17 | 0:28:18 | |
A lady will always keep you waiting. | 0:28:18 | 0:28:20 | |
But, just when everyone was about to give up, | 0:28:21 | 0:28:24 | |
show stars Ben Forster and Kimberley Walsh appear. | 0:28:24 | 0:28:27 | |
Oh, well. Greatest of plans and all that. We got there. | 0:28:27 | 0:28:30 | |
-I think they all walked away getting excited for Christmas, and that's all we wanted, isn't it? -Yeah. | 0:28:30 | 0:28:34 | |
-It's really quite exciting. I want to go pet the reindeers. -Me too. | 0:28:34 | 0:28:37 | |
I'm going to go pet the reindeers. | 0:28:37 | 0:28:39 | |
Where's the red nose? I want to see his red nose. | 0:28:39 | 0:28:42 | |
And, with that, they're away, | 0:28:46 | 0:28:48 | |
bringing a little Christmas magic as they dash through the rain. | 0:28:48 | 0:28:53 | |
See you, then, everybody. Bye! | 0:28:53 | 0:28:56 | |
On the little bit, Charlie, on the little bit. | 0:28:57 | 0:28:59 | |
Having a lead reindeer gives them the herd instinct, | 0:28:59 | 0:29:02 | |
it's following the tail of the one in front, so...all's going well. | 0:29:02 | 0:29:06 | |
The cast and crew can head on to the afterparty, | 0:29:07 | 0:29:09 | |
the paparazzi hot on their heels. | 0:29:09 | 0:29:12 | |
-I've already done it! -Can I get a quick picture? -Yeah. | 0:29:14 | 0:29:18 | |
-Thank you. -Thank you. | 0:29:20 | 0:29:21 | |
It's probably the shortest one we've ever done, four minutes, no more. | 0:29:21 | 0:29:24 | |
-Hi, Kimberley! -Bye! Love you! | 0:29:24 | 0:29:27 | |
And the reindeer can head home to Market Harborough, | 0:29:27 | 0:29:30 | |
or is it the North Pole? | 0:29:30 | 0:29:32 | |
Last chance of a drink till we get home. | 0:29:32 | 0:29:34 | |
No? | 0:29:35 | 0:29:36 | |
Everyone's safe, everyone's going home, so... | 0:29:36 | 0:29:38 | |
Community is safe, community reassured. | 0:29:38 | 0:29:41 | |
Oh, it's been brilliant for us. | 0:29:41 | 0:29:43 | |
It's gone really well, the audience loved it, | 0:29:43 | 0:29:45 | |
they were all up on their feet at the end, 100% standing ovation. | 0:29:45 | 0:29:48 | |
We couldn't get the whole run of Oxford Street | 0:29:48 | 0:29:50 | |
but, hey, that's show business and that's Oxford Street. | 0:29:50 | 0:29:53 | |
What a bizarre business we work in. | 0:29:53 | 0:29:55 | |
Teeming with crowds and with traffic frequently at a standstill, | 0:30:09 | 0:30:13 | |
Oxford Street isn't the easiest place to police. | 0:30:13 | 0:30:16 | |
Sometimes you need more speed than a foot patrol, | 0:30:16 | 0:30:20 | |
more versatility than a car and an extra-high vantage point. | 0:30:20 | 0:30:23 | |
At Great Scotland Yard stables in central London, PC Kate Cornish | 0:30:28 | 0:30:32 | |
is getting police horse Merlin ready for a day's work - | 0:30:32 | 0:30:36 | |
patrolling Oxford Street. | 0:30:36 | 0:30:38 | |
Just likes his melons in the morning! | 0:30:38 | 0:30:41 | |
Merlin is one of the Metropolitan Police's most experienced horses. | 0:30:41 | 0:30:45 | |
Today he and Kate will be patrolling with PC Helen Ridge, | 0:30:45 | 0:30:49 | |
riding one of their newest recruits. | 0:30:49 | 0:30:52 | |
This is Raleigh, police horse number 37. | 0:30:52 | 0:30:55 | |
And he's been my horse for three months. | 0:30:55 | 0:30:59 | |
Raleigh's completed six months' training but has little experience | 0:31:00 | 0:31:04 | |
of the crowds and noise he'll see today on Oxford Street. | 0:31:04 | 0:31:07 | |
Today is crucial to see how he copes | 0:31:08 | 0:31:10 | |
before he'll be allowed on more serious crowd operations. | 0:31:10 | 0:31:14 | |
Well, what we really hope from Raleigh today is that he... | 0:31:15 | 0:31:19 | |
doesn't get stressed out by it. He's a young boy. | 0:31:19 | 0:31:21 | |
He's seen a few bits and pieces but he hasn't had a proper good | 0:31:21 | 0:31:25 | |
patrol up in Oxford Street, which is a totally different ball game. | 0:31:25 | 0:31:29 | |
Now numbering 120 horses, | 0:31:31 | 0:31:33 | |
the Mounted Branch is the oldest part of the Metropolitan Police. | 0:31:33 | 0:31:37 | |
Riders and horses have seen their roles change, | 0:31:37 | 0:31:40 | |
from chasing down highwaymen in the past | 0:31:40 | 0:31:43 | |
to policing football matches today. | 0:31:43 | 0:31:46 | |
Apart from keeping them calm, one of the biggest challenges is | 0:31:47 | 0:31:51 | |
manoeuvring the animals through the street. | 0:31:51 | 0:31:54 | |
Ladies and gents, if you can just excuse us. | 0:31:54 | 0:31:56 | |
If you just wait there for us, sir, thank you very much. | 0:31:56 | 0:31:58 | |
Sir, if you can just wait to the side for us, thank you. | 0:31:58 | 0:32:01 | |
Just move over to the side, please. Thank you very much. | 0:32:01 | 0:32:04 | |
Side roads negotiated, Raleigh can finally get his first taste | 0:32:05 | 0:32:09 | |
of Europe's busiest shopping street. | 0:32:09 | 0:32:12 | |
He needs to stay calm and composed. | 0:32:12 | 0:32:15 | |
Can you just hold still for me a second? | 0:32:15 | 0:32:17 | |
-Sorry, I've just got a young horse. Thank you very much. -Thank you. | 0:32:17 | 0:32:22 | |
Thank you. | 0:32:22 | 0:32:23 | |
The mounted division might be an impressive sight, | 0:32:25 | 0:32:28 | |
but their job goes far beyond that. | 0:32:28 | 0:32:32 | |
Such a big, visible presence, | 0:32:32 | 0:32:34 | |
and therefore a deterrent to anyone looking to... | 0:32:34 | 0:32:39 | |
Stand still, stand still. Good boy, good lad. | 0:32:39 | 0:32:42 | |
..anyone looking to commit crime. | 0:32:43 | 0:32:45 | |
It's not just potential thieves who can spot the horses. | 0:32:46 | 0:32:50 | |
-Hello. -Hello. | 0:32:50 | 0:32:52 | |
Hello. | 0:32:52 | 0:32:53 | |
Hello. | 0:32:53 | 0:32:55 | |
Do you want to know his name? | 0:32:55 | 0:32:57 | |
Tourists love them and, amid the street's hubbub, | 0:32:57 | 0:33:00 | |
the animals provide a reassuring presence. | 0:33:00 | 0:33:02 | |
I'm six foot three and they're bigger than me, and it's sort of... | 0:33:02 | 0:33:06 | |
Not that I'm a crazy person at all | 0:33:06 | 0:33:08 | |
but it sort of calms you down, I think. Yeah. | 0:33:08 | 0:33:10 | |
So far, Raleigh's coping well with the myriad distractions of Oxford Street. | 0:33:10 | 0:33:15 | |
One big part of their training is that they have to be able to | 0:33:15 | 0:33:18 | |
stand still, with lots of people around them, football, | 0:33:18 | 0:33:21 | |
with traffic going past, | 0:33:21 | 0:33:23 | |
and, for a horse, that's one of the hardest things to do. | 0:33:23 | 0:33:26 | |
Standing outside John Lewis, | 0:33:26 | 0:33:28 | |
the horses soon attract a small crowd of admirers. | 0:33:28 | 0:33:32 | |
Hello. | 0:33:32 | 0:33:33 | |
One of the advantages of the horses | 0:33:33 | 0:33:36 | |
is this kind of community interaction. | 0:33:36 | 0:33:38 | |
And with an attentive audience Helen doesn't waste the opportunity | 0:33:38 | 0:33:42 | |
to dispense some crime-prevention advice. | 0:33:42 | 0:33:45 | |
Folks, when you're walking up and down, just be careful | 0:33:45 | 0:33:48 | |
with your phones and your bags, OK, girls? | 0:33:48 | 0:33:50 | |
Raleigh isn't being so helpful. | 0:33:50 | 0:33:53 | |
He's just eaten someone's poppy. | 0:33:53 | 0:33:55 | |
Well, he's ripped it off and spat it out. | 0:33:55 | 0:33:58 | |
But it's not just photographs and petting. | 0:33:58 | 0:34:01 | |
A tourist has spotted Helen and wants to report the theft of his wallet. | 0:34:01 | 0:34:05 | |
-So how much is missing? -No document but just cash. -Right, OK. | 0:34:06 | 0:34:10 | |
Who was it, what did they look like? | 0:34:10 | 0:34:11 | |
It's the first day, I am really bad luck, | 0:34:11 | 0:34:14 | |
and when I come here I have some money been stolen. | 0:34:14 | 0:34:17 | |
The theft only happened half an hour ago. | 0:34:17 | 0:34:20 | |
Helen circulates his description. | 0:34:20 | 0:34:22 | |
Thank you. | 0:34:22 | 0:34:23 | |
It's a male of Middle Eastern appearance in his 50s, | 0:34:23 | 0:34:27 | |
large to fat build. | 0:34:27 | 0:34:28 | |
Thank you very much. | 0:34:28 | 0:34:30 | |
Report made, | 0:34:30 | 0:34:31 | |
and after ten minutes of standing still Raleigh is getting restless. | 0:34:31 | 0:34:35 | |
Time to move on. | 0:34:35 | 0:34:37 | |
Ladies and gents, if you can just make us a gap, thank you, | 0:34:37 | 0:34:39 | |
we're just coming through here. Thank you so much. | 0:34:39 | 0:34:43 | |
As well as Oxford Street, | 0:34:43 | 0:34:45 | |
the patrol covers many of the West End's other tourist hot spots. | 0:34:45 | 0:34:49 | |
At Trafalgar Square the officers are stopped again by a man, | 0:34:49 | 0:34:52 | |
who wants to report someone behaving suspiciously with a lamppost. | 0:34:52 | 0:34:56 | |
-Down on the pavement, right, it's a lamppost on the pavement. -Right, OK. | 0:34:56 | 0:35:01 | |
Member of the public's just come up and stated that they've seen a male | 0:35:01 | 0:35:05 | |
open one of the lampposts outside the Canadian Embassy, | 0:35:05 | 0:35:09 | |
appear to insert something electronic and then walk off. | 0:35:09 | 0:35:14 | |
Other officers later followed up the report | 0:35:14 | 0:35:16 | |
but found nothing threatening. | 0:35:16 | 0:35:18 | |
It's been a long day for the horses, particularly new boy Raleigh. | 0:35:21 | 0:35:25 | |
But there's one final challenge for him | 0:35:25 | 0:35:28 | |
before he can go back to the stables. | 0:35:28 | 0:35:30 | |
He's got to cross the busy Oxford Circus junction | 0:35:30 | 0:35:33 | |
at the centre of Oxford Street. | 0:35:33 | 0:35:35 | |
It's probably the ultimate test, lots of buses. | 0:35:35 | 0:35:37 | |
I can see an ambulance coming towards us on blues and twos. | 0:35:37 | 0:35:40 | |
Both horses need reassurance but they cross safely. | 0:35:44 | 0:35:48 | |
Ladies and gents, quick as you can across the road, thank you. | 0:35:48 | 0:35:52 | |
Outstanding for a horse his age and the amount of times he's been out on the street. | 0:35:52 | 0:35:56 | |
I'm really pleased with him. Absolutely fantastic. | 0:35:56 | 0:35:59 | |
The patrol is finished for the day, so they make their way back to base. | 0:36:01 | 0:36:05 | |
Horses are still critical to London's policing | 0:36:05 | 0:36:08 | |
and Raleigh's development is coming on apace. | 0:36:08 | 0:36:11 | |
He'll spend the next decade supporting officers | 0:36:11 | 0:36:14 | |
and patrolling Oxford Street. | 0:36:14 | 0:36:16 | |
We've seen already that rough sleeping | 0:36:25 | 0:36:27 | |
and homelessness is a problem on and around Oxford Street. | 0:36:27 | 0:36:31 | |
Westminster borough has the highest number of rough sleepers | 0:36:32 | 0:36:36 | |
anywhere in the country. | 0:36:36 | 0:36:37 | |
And dozens of people spend the nights in the streets' doorways or alleys. | 0:36:39 | 0:36:43 | |
Many are reliant on charity. | 0:36:44 | 0:36:46 | |
It might seem a far cry from the restaurants | 0:36:47 | 0:36:50 | |
and cafes of Oxford Street | 0:36:50 | 0:36:51 | |
but one sandwich chain is doing its bit to help address the issue. | 0:36:51 | 0:36:56 | |
Since 2006, Pret A Manger has collected unsold food | 0:36:59 | 0:37:02 | |
that would otherwise be wasted and donated it to feed the homeless. | 0:37:02 | 0:37:07 | |
Tonight, their driver, David Rogers, | 0:37:10 | 0:37:12 | |
is doing the charity food collection from their Oxford Street shops. | 0:37:12 | 0:37:17 | |
The homeless people in London, it's just rising and rising and rising. | 0:37:17 | 0:37:21 | |
When I first started, we were only collecting...12 shops | 0:37:21 | 0:37:25 | |
and probably doing four charities, where now 90% of the Pret shops | 0:37:25 | 0:37:29 | |
get collected either by us or by volunteers from charities. | 0:37:29 | 0:37:33 | |
It's 11pm and the ten Pret shops along Oxford Street | 0:37:34 | 0:37:38 | |
have closed for the day. | 0:37:38 | 0:37:40 | |
It's David's job to pay them all a visit, | 0:37:40 | 0:37:43 | |
collect the un-purchased food and deliver it to local charities. | 0:37:43 | 0:37:47 | |
We're already in the straight to the end of Oxford Street here now. | 0:37:47 | 0:37:50 | |
At the beginning... Ah, it's shut. | 0:37:50 | 0:37:52 | |
HE LAUGHS | 0:37:52 | 0:37:55 | |
They've shut the road | 0:37:55 | 0:37:56 | |
because they want to put the Christmas decorations up, so... | 0:37:56 | 0:38:00 | |
diversions. | 0:38:00 | 0:38:02 | |
David's already behind schedule. | 0:38:03 | 0:38:06 | |
Oxford Street's no easier to negotiate at night than in the day. | 0:38:06 | 0:38:10 | |
Very busy tonight, very, very busy. | 0:38:10 | 0:38:13 | |
David makes his way to the first shop. | 0:38:13 | 0:38:15 | |
He never knows what will be left over for him. | 0:38:15 | 0:38:18 | |
Few nice salads. | 0:38:18 | 0:38:19 | |
You've got salad, sandwich, today actually a full selection for you. | 0:38:19 | 0:38:23 | |
Yeah, yeah, there's a full selection today. | 0:38:23 | 0:38:25 | |
David collects 70 items from this shop. | 0:38:25 | 0:38:28 | |
Last year the company donated over three million in total. | 0:38:28 | 0:38:32 | |
Are they freebies? | 0:38:33 | 0:38:34 | |
No. | 0:38:34 | 0:38:36 | |
It doesn't take David long to get in and out of the next few shops | 0:38:36 | 0:38:40 | |
but, as he parks up for the fifth, | 0:38:40 | 0:38:42 | |
he's confronted by the reality of homelessness in the area. | 0:38:42 | 0:38:46 | |
There's probably about... six, seven over there. | 0:38:47 | 0:38:51 | |
I couldn't imagine it being very comfortable out there, you know? | 0:38:51 | 0:38:56 | |
Back on the road, and by 2am David's nearly finished. | 0:39:00 | 0:39:03 | |
Right, this one's the last shop of the night. | 0:39:04 | 0:39:07 | |
We could hit the record for the night. | 0:39:10 | 0:39:12 | |
We've definitely gone past the last couple of shops. | 0:39:12 | 0:39:15 | |
91. | 0:39:15 | 0:39:17 | |
That is a lot. | 0:39:18 | 0:39:20 | |
As he loads the van, two men introduce themselves. | 0:39:22 | 0:39:25 | |
They say they've both been homeless in the past | 0:39:25 | 0:39:27 | |
and have benefited from the programme. | 0:39:27 | 0:39:30 | |
But Bernard thinks that the homeless aren't treated with enough dignity. | 0:39:30 | 0:39:34 | |
You're giving them sandwiches that you can't sell. | 0:39:34 | 0:39:37 | |
You see? And you're getting praise for it, yeah, | 0:39:37 | 0:39:39 | |
that you're helping the homeless, but you're not really. | 0:39:39 | 0:39:41 | |
You're just giving them what you're going to throw in the dustbin. | 0:39:41 | 0:39:44 | |
-His friend Edward sees it a little differently. -When we were... | 0:39:44 | 0:39:48 | |
-It's better coming into my belly than it's going into the bin. -Yeah. | 0:39:48 | 0:39:52 | |
On behalf of all people like me, I'll say a big thank you. | 0:39:52 | 0:39:55 | |
-It fills the gap. -It does, it fills the gap all through the night. | 0:39:55 | 0:39:59 | |
Thanks to Pret, yeah? | 0:39:59 | 0:40:01 | |
You generally think, like, we're all lucky | 0:40:01 | 0:40:03 | |
cos we sleep in a bed, you know, | 0:40:03 | 0:40:04 | |
but these guys sleep on the pavement in the freezing cold, | 0:40:04 | 0:40:07 | |
so, yeah, it is really nice when they thank you. | 0:40:07 | 0:40:10 | |
It's time to take what he's collected | 0:40:10 | 0:40:13 | |
to the people who've been waiting for it. | 0:40:13 | 0:40:15 | |
First up, David makes his way to a Salvation Army hostel | 0:40:15 | 0:40:19 | |
in south London. | 0:40:19 | 0:40:20 | |
-Hello, sir. -You all right? | 0:40:22 | 0:40:24 | |
And then on to the Cardinal Hume hostel for young people in Victoria. | 0:40:24 | 0:40:28 | |
-You all right? -Hello. | 0:40:30 | 0:40:31 | |
Sorry we're late. Are they all in bed now? | 0:40:31 | 0:40:34 | |
Many of the youngsters here have waited | 0:40:34 | 0:40:36 | |
until after 2am for their evening meal. | 0:40:36 | 0:40:38 | |
The residents depend on this, really. It mean a lot to them. | 0:40:38 | 0:40:43 | |
It's a similar story at the Passage hostel, | 0:40:44 | 0:40:47 | |
many of whose residents have in the past slept rough on Oxford Street. | 0:40:47 | 0:40:52 | |
Here, John and Wojciech | 0:40:52 | 0:40:54 | |
have been waiting patiently for some sustenance. | 0:40:54 | 0:40:57 | |
I was in the Army and, erm... I'm just... | 0:40:57 | 0:41:02 | |
Now I'm waiting to move on into some sort of accommodation. | 0:41:02 | 0:41:05 | |
I live in this hostel from June this year. | 0:41:05 | 0:41:10 | |
I'm fighting with my dependency, | 0:41:10 | 0:41:12 | |
I'm sober for five months, | 0:41:12 | 0:41:15 | |
with one lapse, one-day lapse, | 0:41:15 | 0:41:17 | |
and...I'm doing well. | 0:41:17 | 0:41:19 | |
Let's go through to the dining room. | 0:41:19 | 0:41:21 | |
Everyone does need to eat and that, and, like you say, | 0:41:21 | 0:41:23 | |
some of the people in this hostel and that, | 0:41:23 | 0:41:26 | |
they don't have their main meals and that | 0:41:26 | 0:41:28 | |
and the only free meal they do get are the Pret sandwiches, so... | 0:41:28 | 0:41:32 | |
I mean, it is a godsend. | 0:41:32 | 0:41:33 | |
You all right? How you doing? | 0:41:33 | 0:41:35 | |
John and Wojciech both have their favourites. | 0:41:37 | 0:41:40 | |
Er... | 0:41:40 | 0:41:41 | |
I like the duck wraps. | 0:41:41 | 0:41:43 | |
Erm... | 0:41:43 | 0:41:44 | |
Why don't you have enough ham and pickle? | 0:41:44 | 0:41:48 | |
Erm... | 0:41:48 | 0:41:50 | |
I don't know if it's in there. | 0:41:50 | 0:41:51 | |
-They are the best. -Yeah. | 0:41:51 | 0:41:53 | |
Yeah, I like... I like the duck wrap. | 0:41:53 | 0:41:56 | |
I'll have this one. | 0:41:56 | 0:41:58 | |
New one. | 0:41:58 | 0:42:00 | |
We certainly couldn't afford to make those things ourself, | 0:42:00 | 0:42:03 | |
so it's something people look forward to, | 0:42:03 | 0:42:06 | |
rely on, it's fresh, good food that's available to people | 0:42:06 | 0:42:10 | |
who don't have to go rummaging in bins, you know, | 0:42:10 | 0:42:13 | |
and they keep their dignity, and that's very important. | 0:42:13 | 0:42:16 | |
Since I moved into the hostel I've put a lot of weight on! | 0:42:18 | 0:42:21 | |
For David it's the end of the night and a job well done. | 0:42:21 | 0:42:25 | |
I just hope on our side of things | 0:42:25 | 0:42:27 | |
that we get bigger and bigger and bigger | 0:42:27 | 0:42:30 | |
and that we can help more people. | 0:42:30 | 0:42:32 | |
I'm just happy that there is someone doing it, | 0:42:32 | 0:42:35 | |
because homeless people need some kind of help to get in charities | 0:42:35 | 0:42:39 | |
and, you know, get a bit of food. | 0:42:39 | 0:42:41 | |
Pret aren't the only ones doing something about surplus food. | 0:42:43 | 0:42:47 | |
Major UK supermarkets and other food chains now donate at least | 0:42:47 | 0:42:50 | |
some of what they used to throw away. | 0:42:50 | 0:42:54 | |
For the homeless of Oxford Street and around London, it's a life-saver. | 0:42:54 | 0:42:58 |