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It's the most famous shopping street in the world, | 0:00:02 | 0:00:04 | |
in the heart of Britain's capital city. | 0:00:04 | 0:00:06 | |
A mile and a half long with 30 million visitors each year. | 0:00:06 | 0:00:12 | |
-With some of the world's most famous shops, biggest stars... -Kate Moss! | 0:00:12 | 0:00:17 | |
..and busiest stations. | 0:00:17 | 0:00:19 | |
Sorry, guys. Stand back for me. | 0:00:19 | 0:00:21 | |
What does it take to keep it running 24 hours a day... | 0:00:21 | 0:00:24 | |
'It's the busiest street in the world,' | 0:00:24 | 0:00:26 | |
so it needs constant attention. | 0:00:26 | 0:00:27 | |
-..seven days a week? -Oi, clear off! | 0:00:27 | 0:00:30 | |
You're going to be arrested on suspicion of attempted theft. | 0:00:30 | 0:00:33 | |
'Are you ready, London?!' | 0:00:33 | 0:00:35 | |
A street that never sleeps. | 0:00:35 | 0:00:38 | |
This sort of thing wouldn't happen anywhere else. | 0:00:38 | 0:00:41 | |
Oxford Street. | 0:00:42 | 0:00:43 | |
Coming up... | 0:00:46 | 0:00:47 | |
I think she's spooked. | 0:00:47 | 0:00:48 | |
On the trail of the pickpockets... | 0:00:48 | 0:00:50 | |
Hi, Acting Sgt Bond. | 0:00:50 | 0:00:52 | |
..police crack down. | 0:00:52 | 0:00:54 | |
Cuffs. | 0:00:54 | 0:00:55 | |
There's a flagship store opening... | 0:00:56 | 0:00:58 | |
if they can get it ready on time. | 0:00:58 | 0:01:01 | |
We're all upset about it. | 0:01:01 | 0:01:02 | |
It's going to be open and this guy's not really working. | 0:01:02 | 0:01:04 | |
It's not good enough, Mike. Not good enough at all. | 0:01:04 | 0:01:07 | |
The streets' drains spring a surprise. | 0:01:07 | 0:01:09 | |
-Ooh! -It really, really, really reeks. | 0:01:09 | 0:01:12 | |
And there's a wedding proposal afoot if the groom can overcome his nerves. | 0:01:12 | 0:01:18 | |
Hopefully, she can say yes! | 0:01:18 | 0:01:21 | |
To make sure Oxford Street stays as one of the safest major | 0:01:29 | 0:01:33 | |
shopping destinations in the world, | 0:01:33 | 0:01:35 | |
the Metropolitan Police have set up a dedicated team just to police it | 0:01:35 | 0:01:39 | |
known as ORB. | 0:01:39 | 0:01:41 | |
Today, two plainclothes members of the team, Acting Sgt Darren Bond | 0:01:45 | 0:01:49 | |
and PC Alex, are out on patrol in an unmarked car | 0:01:49 | 0:01:53 | |
when a call comes through that snaps them into action. | 0:01:53 | 0:01:56 | |
A security guard at a nearby shop has called to say | 0:02:07 | 0:02:10 | |
he's spotted a suspected dipper, | 0:02:10 | 0:02:12 | |
someone who surreptitiously fishes in bags to steal valuables. | 0:02:12 | 0:02:16 | |
He believes he's seen her trying her luck in a customer's handbag | 0:02:16 | 0:02:20 | |
and he's begun to follow her. | 0:02:20 | 0:02:21 | |
The officers are only minutes away but moving far too slowly. | 0:02:27 | 0:02:31 | |
Darren won't let the midday traffic come between him and a thief. | 0:02:31 | 0:02:35 | |
Still on the wrong side of the road, | 0:02:42 | 0:02:43 | |
Alex tries to get to the bottom of what's going on. | 0:02:43 | 0:02:46 | |
Leaving the car on the pavement, | 0:02:53 | 0:02:54 | |
they race towards the last sighting of the suspect. | 0:02:54 | 0:02:57 | |
The officers have to catch up with her without being noticed. | 0:03:02 | 0:03:05 | |
Although they have the security guard's report, they want to see | 0:03:05 | 0:03:08 | |
if she'll try and steal again, so they can catch her in the act. | 0:03:08 | 0:03:12 | |
She's walking up Regent Street, towards Oxford Street. | 0:03:12 | 0:03:15 | |
They begin what they call the follow. | 0:03:15 | 0:03:18 | |
So you really need this to play out, yeah? OK. | 0:03:18 | 0:03:21 | |
The officers don't want her to see them and take every precaution. | 0:03:21 | 0:03:26 | |
Just mix up the appearance a little bit. | 0:03:26 | 0:03:28 | |
They follow for 300 metres, | 0:03:28 | 0:03:30 | |
doing their best to stay at a safe distance. | 0:03:30 | 0:03:33 | |
But the woman is no longer lingering in shops. | 0:03:33 | 0:03:36 | |
She's walking a direct route to the Oxford Circus underground entrance, | 0:03:36 | 0:03:40 | |
and Darren thinks he might be in trouble. | 0:03:40 | 0:03:43 | |
I think she's spooked. | 0:03:43 | 0:03:44 | |
Darren's sure the woman has now worked out she's being followed. | 0:03:44 | 0:03:48 | |
She heads down the steps to the station. | 0:03:48 | 0:03:50 | |
He can't risk losing her, | 0:03:50 | 0:03:52 | |
so Darren makes the call for his colleague to move in. | 0:03:52 | 0:03:55 | |
Cuffs. | 0:03:57 | 0:03:58 | |
The search doesn't turn up anything of interest, | 0:04:02 | 0:04:04 | |
but Darren wasn't expecting her to have any of the victim's property. | 0:04:04 | 0:04:08 | |
In England, if you try to steal and put your hand in somebody's bag, | 0:04:08 | 0:04:12 | |
you try to unzip somebody's handbag, that's an offence. | 0:04:12 | 0:04:16 | |
PC Alex speaks to the security guard who first alerted them | 0:04:16 | 0:04:19 | |
and is now back in his own shop retrieving the CCTV. | 0:04:19 | 0:04:22 | |
And their investigations throw up something else totally unexpected. | 0:04:27 | 0:04:32 | |
Despite being dressed like a wealthy Arab shopper in a headscarf, | 0:04:32 | 0:04:36 | |
the woman is Bulgarian and, police believe, not a Muslim. | 0:04:36 | 0:04:40 | |
She's not dangerous, so they take her back to the station in the same car. | 0:04:42 | 0:04:46 | |
Darren thinks the headscarf is a disguise. | 0:04:46 | 0:04:49 | |
It's very easy for them to dress up with a headscarf | 0:04:49 | 0:04:51 | |
to look like another Arab female. | 0:04:51 | 0:04:54 | |
Allows them to get close to their victims and not be noticed. | 0:04:54 | 0:04:58 | |
Stand against here and look. | 0:04:58 | 0:05:00 | |
It's an aggravating factor to the offence. | 0:05:00 | 0:05:03 | |
Almost like going equipped to steal | 0:05:03 | 0:05:05 | |
from somebody with a foil-lined bag, etc. | 0:05:05 | 0:05:07 | |
She's using that as a disguise | 0:05:07 | 0:05:09 | |
to allow her to facilitate her stealing. | 0:05:09 | 0:05:12 | |
Running her details through the system has thrown up | 0:05:12 | 0:05:15 | |
some interesting results. | 0:05:15 | 0:05:16 | |
She is apparently known in Germany as a member of an organised crime gang | 0:05:16 | 0:05:21 | |
and the address she's given doesn't feel right. | 0:05:21 | 0:05:24 | |
We're going to try and see if that is a good address. | 0:05:33 | 0:05:36 | |
If we're not happy, we're going to ask the custody sergeant | 0:05:36 | 0:05:39 | |
to consider not giving her bail, put her straight in front of the court. | 0:05:39 | 0:05:42 | |
Over 300 notes in the police database for one address rings alarm bells. | 0:05:44 | 0:05:49 | |
They think she might be giving out a common holding address | 0:05:49 | 0:05:51 | |
that's nothing to do with her. | 0:05:51 | 0:05:54 | |
This is something they want to check out. | 0:05:54 | 0:05:57 | |
Sgt Carling decides to take a small team to go and have a look. | 0:05:57 | 0:06:01 | |
Later, the team reach the address, | 0:06:02 | 0:06:05 | |
but it looks like someone's been here before them. | 0:06:05 | 0:06:08 | |
This door has been put in by the police. | 0:06:08 | 0:06:10 | |
Opening a new flagship store on Oxford Street is a big deal. | 0:06:18 | 0:06:22 | |
Soaring rents in such a prime shopping location | 0:06:22 | 0:06:25 | |
mean it's expensive and any new arrival has to be profitable. | 0:06:25 | 0:06:30 | |
And the best way to ensure your new place is a smash hit | 0:06:30 | 0:06:33 | |
is to make as big a splash as possible with the opening. | 0:06:33 | 0:06:37 | |
Which is what trainer chain JD is planning to do | 0:06:37 | 0:06:40 | |
with its brand-new flagship Oxford Street store. | 0:06:40 | 0:06:43 | |
It's a massive undertaking for the chain. | 0:06:44 | 0:06:47 | |
It's the biggest shop that we've ever opened. | 0:06:47 | 0:06:49 | |
At the moment, we've got an empty shell, and in under a week, | 0:06:49 | 0:06:52 | |
we'll have a brand-new megastore to open for everyone. | 0:06:52 | 0:06:55 | |
So today, we've got 12 18-tonne trucks coming | 0:06:55 | 0:06:58 | |
with all the stock on them. | 0:06:58 | 0:07:00 | |
Shop manager James is in charge of getting | 0:07:00 | 0:07:02 | |
all 216 tonnes of stock into the store. | 0:07:02 | 0:07:06 | |
All right, guys! | 0:07:06 | 0:07:07 | |
Get everyone spread out and then we'll start loading it off. | 0:07:07 | 0:07:10 | |
To cope with such a massive new store, | 0:07:11 | 0:07:13 | |
the company has invested in some cutting-edge tech wizardry. | 0:07:13 | 0:07:17 | |
They've got a brand-new bespoke trainer lift. | 0:07:18 | 0:07:21 | |
It's been designed to get trainers from the stock room shelf | 0:07:21 | 0:07:24 | |
to customers' feet in no more than 30 seconds. | 0:07:24 | 0:07:27 | |
It should be running constantly, | 0:07:29 | 0:07:31 | |
but the experimental technology is having teething problems. | 0:07:31 | 0:07:36 | |
You can see here that somebody has actually | 0:07:36 | 0:07:38 | |
pushed the boxes forward too much. | 0:07:38 | 0:07:40 | |
"Do not push the boxes forward." | 0:07:40 | 0:07:42 | |
And now we have to restart the system. | 0:07:42 | 0:07:44 | |
This should be idiot proof. | 0:07:45 | 0:07:47 | |
No doubt some idiot will find a way of causing a problem | 0:07:47 | 0:07:50 | |
that I'll have to come back and address. | 0:07:50 | 0:07:52 | |
The shop have only got a week to get the lift up and running properly | 0:07:52 | 0:07:56 | |
before they open. | 0:07:56 | 0:07:58 | |
While the shop team work on getting that right, across town, | 0:07:58 | 0:08:01 | |
JD are working on something else | 0:08:01 | 0:08:03 | |
to make sure the opening goes with a bang. | 0:08:03 | 0:08:05 | |
JD's marketing team have set up a nationwide competition | 0:08:07 | 0:08:10 | |
to find a new face for the Oxford Street store. | 0:08:10 | 0:08:13 | |
Thousands of youngsters have attended photo shoots | 0:08:16 | 0:08:19 | |
up and down the UK to try and get chosen. | 0:08:19 | 0:08:23 | |
The winners will be plastered on advertising across the new shop. | 0:08:23 | 0:08:27 | |
It's the brainchild of marketing director Steve White. | 0:08:27 | 0:08:31 | |
It gives a reality to the people that we photograph and use | 0:08:31 | 0:08:34 | |
cos they come from an everyday stable. | 0:08:34 | 0:08:36 | |
The main thing is, I would say, close to the consumer. | 0:08:36 | 0:08:39 | |
Every time I take a photo, I want to see something a bit different, OK? | 0:08:39 | 0:08:42 | |
-A bit different? -That's great. | 0:08:42 | 0:08:43 | |
And a week later in Manchester, Steve's overseeing the final audition | 0:08:45 | 0:08:49 | |
with the winners of the regional heats. | 0:08:49 | 0:08:52 | |
-Come on, smile. That's it! Cool. -That's great. | 0:08:52 | 0:08:55 | |
Brooke was selected in London and is one of the first on set. | 0:08:55 | 0:08:59 | |
She's good but needs some coaching. | 0:08:59 | 0:09:01 | |
Just take the tension out of your legs. | 0:09:01 | 0:09:03 | |
So just slightly bring them forward, your knees. Slightly relax them. | 0:09:03 | 0:09:06 | |
It's quite a change for Charlie, | 0:09:06 | 0:09:08 | |
who was preparing to join the Royal Marines. | 0:09:08 | 0:09:12 | |
Getting used to people just jumping in and fixing things. | 0:09:12 | 0:09:15 | |
It's all part of the job, I suppose. | 0:09:15 | 0:09:17 | |
-Just been demonstrating how to model. -You have? How brilliant. | 0:09:17 | 0:09:21 | |
HE LAUGHS | 0:09:21 | 0:09:22 | |
Have you seen my legs? | 0:09:22 | 0:09:24 | |
Steve's legs might not impress but Ramone, | 0:09:24 | 0:09:26 | |
who came through the Manchester casting, certainly does. | 0:09:26 | 0:09:30 | |
He's got that dead masculine structure to the top of his body, | 0:09:30 | 0:09:33 | |
-hasn't he? -Fantastic. | 0:09:33 | 0:09:34 | |
It's still early but the photographers | 0:09:34 | 0:09:37 | |
already have some favourites. | 0:09:37 | 0:09:38 | |
-It's really good. I love that. -Yeah, she's brilliant. | 0:09:38 | 0:09:41 | |
-Good. A good find, then. -Yeah. -Great. | 0:09:41 | 0:09:44 | |
If I could be the face of JD Oxford Street, that would just be amazing. | 0:09:44 | 0:09:48 | |
Absolutely loved it, can't wait to come back. | 0:09:48 | 0:09:50 | |
Fingers crossed I will be a winner. | 0:09:50 | 0:09:52 | |
Both Charlie and Brooke, as well as fellow finalist Ramone, | 0:09:54 | 0:09:58 | |
were selected to be the faces of the new Oxford Street store. | 0:09:58 | 0:10:02 | |
-This is mental! -HE LAUGHS | 0:10:02 | 0:10:05 | |
Later, it's the day before the opening and the boss is in town. | 0:10:05 | 0:10:08 | |
Here he comes. | 0:10:08 | 0:10:10 | |
And the store's teething problems continue. | 0:10:10 | 0:10:13 | |
I haven't got a clue at the moment. | 0:10:13 | 0:10:14 | |
Visitors come to Oxford Street to soak up | 0:10:22 | 0:10:25 | |
the glamour of its high-end stores and luxury products. | 0:10:25 | 0:10:28 | |
What they don't see is the work | 0:10:28 | 0:10:30 | |
that goes on behind the scenes to keep it running. | 0:10:30 | 0:10:34 | |
There's a small army of tradesmen and engineers that operate unseen. | 0:10:34 | 0:10:38 | |
And one of those is Dave Taylor. | 0:10:38 | 0:10:42 | |
He's been a plumber for over 20 years. | 0:10:42 | 0:10:44 | |
Today, he's covering the West End of London. | 0:10:44 | 0:10:47 | |
And at the centre of that patch is Oxford Street. | 0:10:47 | 0:10:50 | |
The West End ain't my favourite place. | 0:10:52 | 0:10:53 | |
I'd rather much be out in the suburbs | 0:10:53 | 0:10:55 | |
on a lovely little cul-de-sac somewhere | 0:10:55 | 0:10:57 | |
having a nice cup of tea and unblocking an old lady's drain. | 0:10:57 | 0:11:00 | |
But it's not always like that. | 0:11:00 | 0:11:02 | |
Today, he's primed for emergency callouts, | 0:11:02 | 0:11:04 | |
and that could mean anything and everything. | 0:11:04 | 0:11:07 | |
Out in the van, it's not long before he gets his first call of the day. | 0:11:07 | 0:11:12 | |
Hello? Yeah, I'll be as quick as I can. I'm in the area. | 0:11:12 | 0:11:16 | |
Place just off the back of Oxford Street. | 0:11:16 | 0:11:18 | |
Old lady seems to be in a bit of a panic. Very bad smells. | 0:11:18 | 0:11:21 | |
Moments later, Dave's at the address. | 0:11:23 | 0:11:25 | |
Nina runs a beauty PR company from the ground floor of her home. | 0:11:25 | 0:11:30 | |
-Nina? -Yes, hi. -Dave Taylor. -Hi, Dave. -How are you doing? | 0:11:30 | 0:11:32 | |
She's got some kind of plumbing problem in her boardroom, | 0:11:32 | 0:11:36 | |
and it's not very nice. | 0:11:36 | 0:11:37 | |
Yes, this is where all my clients come and it stinks. | 0:11:37 | 0:11:41 | |
-OK. -Keep getting a really horrible smell in here. -OK. | 0:11:41 | 0:11:45 | |
Nina needs the problem sorted. | 0:11:45 | 0:11:48 | |
She has to be able to meet with clients here. | 0:11:48 | 0:11:51 | |
Everything here is about beautiful smells and lovely products. | 0:11:51 | 0:11:55 | |
It's slightly embarrassing, to say the least, | 0:11:55 | 0:11:57 | |
that they come to this prestigious PR consultancy | 0:11:57 | 0:12:00 | |
to just smell this rank smell of drains, actually. | 0:12:00 | 0:12:05 | |
Drains, sewage. | 0:12:05 | 0:12:06 | |
Dave moves outside to have a look under the manhole by the front door. | 0:12:07 | 0:12:11 | |
Ooh, there's your problem! | 0:12:12 | 0:12:14 | |
Ooh! Wow! | 0:12:15 | 0:12:18 | |
HE COUGHS | 0:12:18 | 0:12:20 | |
That is pretty straightforward, | 0:12:20 | 0:12:22 | |
to tell you where the smell's coming from. | 0:12:22 | 0:12:24 | |
I would say that's been blocked for quite a while because... | 0:12:24 | 0:12:26 | |
..that is extra thick compacted sewage. | 0:12:26 | 0:12:31 | |
You shouldn't be able to stand screwdrivers up | 0:12:31 | 0:12:34 | |
in the middle of the chamber. | 0:12:34 | 0:12:36 | |
That... | 0:12:36 | 0:12:37 | |
is not good. | 0:12:37 | 0:12:38 | |
Dave's seen a lot of drains, and it takes a lot of sewage to impress him. | 0:12:38 | 0:12:43 | |
But he can't resist sharing the experience. | 0:12:43 | 0:12:45 | |
-Hi, Nina? -Coming down. | 0:12:45 | 0:12:48 | |
-Have you got a second, sweetheart? -Yeah, yeah, yeah. | 0:12:48 | 0:12:50 | |
Oh, no! | 0:12:50 | 0:12:51 | |
-Look. -Oh, I can't bear it. That... | 0:12:51 | 0:12:54 | |
It shouldn't be there, it should be down below the ground. | 0:12:54 | 0:12:56 | |
-It should be gone. -Grace? Gracie! | 0:12:56 | 0:13:00 | |
Nina can hardly believe it. | 0:13:00 | 0:13:03 | |
-That's the whole street's. -No, that's you. | 0:13:03 | 0:13:06 | |
SHE LAUGHS | 0:13:06 | 0:13:07 | |
It's disgusting. | 0:13:07 | 0:13:09 | |
I've never seen anything like that. | 0:13:09 | 0:13:11 | |
Yeah, not very nice. Not very nice. | 0:13:12 | 0:13:15 | |
Dave's found the problem, | 0:13:15 | 0:13:16 | |
but now he has to work out how to deal with it. | 0:13:16 | 0:13:19 | |
I need to get it clear to see if there could be something | 0:13:19 | 0:13:21 | |
stuck in the trap at the bottom. | 0:13:21 | 0:13:23 | |
It could be collapsed. | 0:13:23 | 0:13:24 | |
He's got a high-pressure hose in his van | 0:13:24 | 0:13:26 | |
and he taps into the mains water supply down the street. | 0:13:26 | 0:13:30 | |
Until he can clean out the drain, he won't know if it's a simple fix. | 0:13:30 | 0:13:34 | |
If he can't get it running, | 0:13:34 | 0:13:36 | |
Nina might have to put up with the smell for a while. | 0:13:36 | 0:13:38 | |
What I'm trying to do here - | 0:13:41 | 0:13:42 | |
it's probably going to smell a bit worse now - | 0:13:42 | 0:13:44 | |
I'm going to try and break this up a bit on the top, | 0:13:44 | 0:13:46 | |
this crust. | 0:13:46 | 0:13:47 | |
Later, we'll see if Dave can get Nina's pipes flowing again. | 0:13:48 | 0:13:53 | |
It's pretty nasty. | 0:13:53 | 0:13:54 | |
Back at the new JD store on Oxford Street, | 0:14:02 | 0:14:05 | |
it's 24 hours until opening, and there's still much to do. | 0:14:05 | 0:14:09 | |
Oh, no, not like that! | 0:14:09 | 0:14:11 | |
No! | 0:14:12 | 0:14:13 | |
The last-minute preparations continue. | 0:14:13 | 0:14:15 | |
Downstairs, Steve is waiting for chairman Peter Cowgill | 0:14:15 | 0:14:19 | |
to show off his team's work. | 0:14:19 | 0:14:21 | |
Where is he now? I'm getting anxious. | 0:14:21 | 0:14:22 | |
Has he got lost? Here he comes! | 0:14:22 | 0:14:24 | |
-Welcome to the new store, chairman. -Thank you. | 0:14:25 | 0:14:28 | |
Immediately, Peter spots something he doesn't like. | 0:14:28 | 0:14:31 | |
We don't need the G. | 0:14:31 | 0:14:32 | |
The problem with the G is, obviously, | 0:14:32 | 0:14:34 | |
I think there are very few people who don't understand | 0:14:34 | 0:14:36 | |
that they're on the ground floor | 0:14:36 | 0:14:38 | |
when they've just walked in off the pavement, | 0:14:38 | 0:14:40 | |
so I don't really think we need to tell 'em that, G for ground. | 0:14:40 | 0:14:43 | |
Steve here will have that done for Monday. | 0:14:43 | 0:14:45 | |
Certainly, chairman. Certainly. | 0:14:45 | 0:14:47 | |
Aside from some minor design quibbles, | 0:14:47 | 0:14:49 | |
Peter's pleased with the shop. | 0:14:49 | 0:14:51 | |
I mean, it's on the prime street in Europe, top of the tree. | 0:14:51 | 0:14:55 | |
Um, and I've not seen anything that competes with it. | 0:14:55 | 0:14:57 | |
The marketing team are also in town. | 0:14:57 | 0:15:00 | |
Last time, we saw them pick three faces of JD - | 0:15:00 | 0:15:04 | |
Brooke, Charlie and Ramone. | 0:15:04 | 0:15:08 | |
And it's Ramone they've brought with them to film a special video | 0:15:08 | 0:15:12 | |
to showcase some more of the store's new technology. | 0:15:12 | 0:15:15 | |
And he's been working on a new look for the occasion. | 0:15:15 | 0:15:19 | |
I think they quite like it when I look stern. | 0:15:19 | 0:15:21 | |
Um, so I've nicknamed that one Black Steel, | 0:15:21 | 0:15:23 | |
because I use it quite regularly now. | 0:15:23 | 0:15:25 | |
Then give us the Black Steel. | 0:15:25 | 0:15:27 | |
Looking cool. Cool as you like, innit? | 0:15:29 | 0:15:31 | |
HE LAUGHS | 0:15:31 | 0:15:33 | |
He nails it every time! | 0:15:33 | 0:15:35 | |
After months of planning, the new store is ready. | 0:15:36 | 0:15:39 | |
The doors will open at 9am tomorrow morning. | 0:15:39 | 0:15:42 | |
Regional manager Kevin is a happy man. | 0:15:42 | 0:15:44 | |
Just wanted to thank everyone, it's been fantastic. | 0:15:44 | 0:15:47 | |
Thanks very much and well done. | 0:15:47 | 0:15:48 | |
But the store has one final challenge to throw at them, | 0:15:51 | 0:15:55 | |
the escalator to the first floor has broken. | 0:15:55 | 0:15:57 | |
Manager Moz has tried turning it off and on again, but that hasn't worked. | 0:15:57 | 0:16:02 | |
It's not happening, mate. | 0:16:02 | 0:16:03 | |
An engineer is called. | 0:16:05 | 0:16:06 | |
If it can't be fixed, staff will have to direct customers | 0:16:06 | 0:16:10 | |
to the upper floors through the shop via the stairs or lift. | 0:16:10 | 0:16:14 | |
All right. So, boys, I'll see you in the morning, yeah? | 0:16:14 | 0:16:16 | |
HE LAUGHS | 0:16:16 | 0:16:18 | |
Finally, at 11.30pm, the engineer arrives. | 0:16:23 | 0:16:27 | |
But it's immediately apparent this might not be a simple fix. | 0:16:27 | 0:16:31 | |
I haven't got a clue at the moment. | 0:16:31 | 0:16:32 | |
Is it a case of one of the belts going? | 0:16:33 | 0:16:35 | |
I just don't know, there's something not right there. | 0:16:35 | 0:16:37 | |
The reset button feels a bit moody and all. | 0:16:37 | 0:16:39 | |
The engineer isn't the escalator's original installer. | 0:16:39 | 0:16:42 | |
They couldn't be reached. | 0:16:42 | 0:16:44 | |
In a bid to try and fix it, he's woken up his boss. | 0:16:44 | 0:16:47 | |
There's a reset button. Doing that, that ain't doing nothing either. | 0:16:47 | 0:16:50 | |
I'm pushing it, I'm holding it down, I've pushed it a few times. | 0:16:50 | 0:16:52 | |
-Doing nothing. -But he can't help either. -Fingers crossed. | 0:16:52 | 0:16:56 | |
I don't want to just abandon ship, mate. | 0:16:56 | 0:16:58 | |
This is their flagship store and all that. | 0:16:58 | 0:17:00 | |
The store opens at nine o'clock tomorrow morning. | 0:17:00 | 0:17:03 | |
We have up until then to get this sorted, | 0:17:03 | 0:17:06 | |
so we're working on the next nine hours. | 0:17:06 | 0:17:09 | |
Later, the success of opening day hangs by a shoelace. | 0:17:09 | 0:17:13 | |
-Sweetie, you got a scanner? -They're all dead. -They're all dead? -Yes! | 0:17:13 | 0:17:16 | |
At a property just off Oxford Street, plumber Dave Taylor is battling | 0:17:27 | 0:17:31 | |
a huge back-up of sewage at PR consultant Nina's house. | 0:17:31 | 0:17:35 | |
It's disgusting. I've never seen anything like that. | 0:17:35 | 0:17:39 | |
He thinks the drain's been blocked up for a while. | 0:17:39 | 0:17:42 | |
So you wouldn't drive your car, would you, for three years | 0:17:42 | 0:17:44 | |
without servicing it? | 0:17:44 | 0:17:46 | |
It's a bit like a drain. | 0:17:46 | 0:17:47 | |
People think they can chuck everything down the drain | 0:17:47 | 0:17:49 | |
and it's just all going to go away. Well, actually, it don't. | 0:17:49 | 0:17:52 | |
So they need a bit of service every now and again. | 0:17:52 | 0:17:54 | |
Dave's used to the smell, but Nina is struggling to cope. | 0:17:56 | 0:17:59 | |
It really, really, really, really reeks. | 0:17:59 | 0:18:02 | |
But thank God we've got some candles. | 0:18:03 | 0:18:05 | |
It's probably going to smell worse now | 0:18:05 | 0:18:07 | |
because I've just disturbed it all. | 0:18:07 | 0:18:09 | |
Candles? | 0:18:09 | 0:18:10 | |
Probably won't make any difference at all, but you know... | 0:18:10 | 0:18:12 | |
Luckily as a beauty PR, Nina has a number of different products | 0:18:12 | 0:18:16 | |
to try and cover up the odour. | 0:18:16 | 0:18:18 | |
I've got to say, the smell is so, so bad. | 0:18:18 | 0:18:21 | |
Oh, that nothing is going to do it, nothing's going to do it. | 0:18:22 | 0:18:26 | |
Outside, Dave is still trying to get to the bottom of the sewage problem. | 0:18:26 | 0:18:30 | |
Keeps you fit! | 0:18:30 | 0:18:31 | |
You see, that's what happens, it gets caught in there. | 0:18:32 | 0:18:34 | |
There's a big U-bend there. | 0:18:34 | 0:18:36 | |
Finally, with the blockage removed, it's clear. | 0:18:37 | 0:18:40 | |
After a hose down and some disinfectant, it's all good as new. | 0:18:40 | 0:18:44 | |
-Thank you so much. -It was my pleasure, you're more than welcome. | 0:18:44 | 0:18:47 | |
Thank you. OK, I'm going to go and do the big flush. | 0:18:47 | 0:18:49 | |
-Yeah, on both toilets, yeah? -Yeah, OK. | 0:18:49 | 0:18:51 | |
Perfect, that's how they're supposed to work. | 0:18:53 | 0:18:55 | |
It's taken an hour and a half, | 0:18:55 | 0:18:57 | |
but Dave's got everything working again. | 0:18:57 | 0:18:59 | |
Nina, however, has another problem. | 0:18:59 | 0:19:02 | |
Since you've done that, I'm now hearing in my wall by my desk | 0:19:02 | 0:19:05 | |
this scratching. I absolutely promise you, three times. | 0:19:05 | 0:19:08 | |
Scratching on the wall. | 0:19:10 | 0:19:11 | |
If you've got rats, they've come in from somewhere else | 0:19:11 | 0:19:14 | |
and they've got in behind the cavity. | 0:19:14 | 0:19:15 | |
That scratching continues, | 0:19:15 | 0:19:17 | |
-you're probably better off to get pest control in, all right? -OK. | 0:19:17 | 0:19:21 | |
-Sorry about that. -No, don't you worry. | 0:19:21 | 0:19:23 | |
-I can sort your drain out but... -No, no! | 0:19:23 | 0:19:24 | |
HE LAUGHS | 0:19:24 | 0:19:26 | |
And with that, Dave's done. | 0:19:26 | 0:19:28 | |
Another happy customer. And he can get back on the road, | 0:19:28 | 0:19:32 | |
ready for the next Oxford Street flood or blockage. | 0:19:32 | 0:19:35 | |
Oh, God, it's going again, Grace! | 0:19:39 | 0:19:42 | |
Oh, Grace. Please come and listen. | 0:19:42 | 0:19:44 | |
Whether it's the world-famous landmarks, | 0:19:54 | 0:19:56 | |
river views or luxury outlets, every year, | 0:19:56 | 0:19:58 | |
millions of foreign visitors come to London, | 0:19:58 | 0:20:01 | |
hoping to capture a little bit of its romance. | 0:20:01 | 0:20:04 | |
And later this week, one Chinese businessman is hoping | 0:20:06 | 0:20:09 | |
a bit of the capital's magic will rub off on him | 0:20:09 | 0:20:12 | |
and his girlfriend, Natalie. | 0:20:12 | 0:20:13 | |
-Hi! -OTHERS: -Hi! | 0:20:15 | 0:20:16 | |
Hello, hi, hi, hi! | 0:20:16 | 0:20:18 | |
Ben first met the love of his life over afternoon tea at a hotel | 0:20:18 | 0:20:22 | |
just off Oxford Street when they were students. | 0:20:22 | 0:20:25 | |
They fell in love and now he plans to propose to her. | 0:20:25 | 0:20:29 | |
But to do it right, | 0:20:29 | 0:20:30 | |
he's hoping to wow her with a bit of old-world British charm. | 0:20:30 | 0:20:34 | |
So he's planning on surprising her on an Oxford Street bus tour | 0:20:34 | 0:20:38 | |
while taking afternoon tea. | 0:20:38 | 0:20:40 | |
I want to have a big surprise in her life, | 0:20:42 | 0:20:45 | |
so I think if we can have an afternoon tea here | 0:20:45 | 0:20:48 | |
and I propose to her, it will be a great, great surprise. | 0:20:48 | 0:20:51 | |
The pressure of making sure it all goes to plan | 0:20:53 | 0:20:56 | |
has fallen on the shoulders of the wedding planner Maggie Lun | 0:20:56 | 0:20:59 | |
and her team. | 0:20:59 | 0:21:01 | |
Nice to meet you. | 0:21:01 | 0:21:03 | |
It's a challenge to get all the things sorted with the videographer, | 0:21:03 | 0:21:07 | |
photographer, us, the wedding planning company. | 0:21:07 | 0:21:12 | |
Um, it's all about teamwork, how we can make it right. | 0:21:12 | 0:21:15 | |
Maggie's planned the proposal with military precision. | 0:21:17 | 0:21:20 | |
We'll try to put decorations on that window. | 0:21:20 | 0:21:23 | |
She's block-booked a double-decker bus tour | 0:21:23 | 0:21:25 | |
run by a Covent Garden bakery which gives you a cream tea as you travel. | 0:21:25 | 0:21:30 | |
And this morning, she's come with Ben and her team | 0:21:30 | 0:21:33 | |
to check on the preparations. | 0:21:33 | 0:21:35 | |
How is it going to be? | 0:21:35 | 0:21:36 | |
The groom is going to take some friends with him | 0:21:36 | 0:21:38 | |
to just pretend it's going to be... | 0:21:38 | 0:21:41 | |
-Tourist. -A tour, like a sightseeing tour. | 0:21:41 | 0:21:44 | |
And then the proposal will be happening on the upper deck. | 0:21:44 | 0:21:47 | |
-Hello. Pleased to meet you. -Hi. | 0:21:47 | 0:21:50 | |
The success or failure of the surprise proposal | 0:21:50 | 0:21:53 | |
is reliant on groom-to-be Ben getting his lines right. | 0:21:53 | 0:21:57 | |
Ben's here now to get in some practice. | 0:21:57 | 0:21:59 | |
On the day, he's got to sit in the right place | 0:21:59 | 0:22:01 | |
so the proposal can be captured on camera. | 0:22:01 | 0:22:04 | |
So, this is the point. | 0:22:04 | 0:22:05 | |
There will be the camera. | 0:22:05 | 0:22:07 | |
So try not to face your back at me or any other cameras on the day. | 0:22:07 | 0:22:11 | |
-We are the friends, is that right? -I will be the waitress. | 0:22:12 | 0:22:16 | |
Maggie is not just concerned with where Ben sits. | 0:22:16 | 0:22:19 | |
Proposing on bended knee is a relatively recent phenomena in China. | 0:22:19 | 0:22:23 | |
And Maggie is concerned Ben might not get it quite right. | 0:22:23 | 0:22:27 | |
She thinks he needs a rehearsal. | 0:22:27 | 0:22:28 | |
Let me demonstrate. You stand back, you can take a look, yeah? | 0:22:30 | 0:22:33 | |
When you walk in, yeah? Obviously, you're going to hold her hand. | 0:22:33 | 0:22:36 | |
Please, sit down. Then you can start to do your proposal. | 0:22:36 | 0:22:39 | |
You have your... | 0:22:39 | 0:22:40 | |
And now, open your ring, "Will you marry me?" | 0:22:40 | 0:22:42 | |
I don't know what you're going to say but... | 0:22:42 | 0:22:45 | |
OK, um... | 0:22:45 | 0:22:47 | |
Maggie is not convinced Ben's fully grasped her vision. | 0:22:47 | 0:22:51 | |
-Um, right...yes... -Don't be shy. | 0:22:51 | 0:22:54 | |
-SHE LAUGHS -So you just... You can... | 0:22:54 | 0:22:57 | |
-Knees down? -Yes. -Probably just here. | 0:22:57 | 0:23:00 | |
Oh, my God! I'm going to cry! | 0:23:00 | 0:23:03 | |
-And then what's going to happen? So... -What are you going to say? | 0:23:03 | 0:23:08 | |
-Please say yes. -Um, OK! -"Please say yes!" | 0:23:08 | 0:23:13 | |
So you need to... | 0:23:13 | 0:23:14 | |
think about your speech. | 0:23:14 | 0:23:15 | |
For the wedding planners, the speech Ben must make before revealing | 0:23:15 | 0:23:19 | |
the ring is of utmost importance. | 0:23:19 | 0:23:21 | |
You have to make her special. | 0:23:21 | 0:23:24 | |
You have to let her know that you really love her. | 0:23:24 | 0:23:26 | |
-You want her to cry, basically. -OK. | 0:23:26 | 0:23:29 | |
You have to go home and think about your speech. | 0:23:29 | 0:23:32 | |
I will do that, I will do that. | 0:23:32 | 0:23:34 | |
The enormity of the task has dawned on Maggie. | 0:23:36 | 0:23:39 | |
I'm nervous for the groom, really. | 0:23:39 | 0:23:41 | |
He hasn't done anything like this before | 0:23:41 | 0:23:44 | |
and, you know, | 0:23:44 | 0:23:46 | |
we have to push him a little bit to get things right. | 0:23:46 | 0:23:50 | |
Uh... | 0:23:50 | 0:23:52 | |
Um, I'm a little bit nervous. | 0:23:53 | 0:23:56 | |
Very excited. | 0:23:56 | 0:23:58 | |
Uh, hopefully she can say yes. | 0:23:58 | 0:24:01 | |
Later... SHE LAUGHS | 0:24:04 | 0:24:06 | |
Ben's on one knee. | 0:24:06 | 0:24:07 | |
But will Natalie say yes? | 0:24:11 | 0:24:13 | |
The Oxford Street police team have arrested a suspected pickpocket | 0:24:22 | 0:24:26 | |
who was posing as a wealthy Arab shopper. | 0:24:26 | 0:24:28 | |
Stand against here and look. | 0:24:28 | 0:24:31 | |
She's provided them with an address, | 0:24:31 | 0:24:33 | |
and now they're on their way to check it out. | 0:24:33 | 0:24:36 | |
But they have their suspicions about it. | 0:24:36 | 0:24:38 | |
They think it might be a fake holding address. | 0:24:38 | 0:24:41 | |
If they have reason to believe she doesn't live there, | 0:24:41 | 0:24:43 | |
then they won't need to bail her | 0:24:43 | 0:24:46 | |
and can keep her overnight to charge her the next day. | 0:24:46 | 0:24:49 | |
They arrive at the building. | 0:24:49 | 0:24:51 | |
They are looking for someone to corroborate the woman lives here. | 0:24:51 | 0:24:54 | |
But already, her story is beginning to fall apart. | 0:24:54 | 0:24:57 | |
She put 1/4, we've got 8. So we shall try each one in turn. | 0:24:58 | 0:25:04 | |
They're in. | 0:25:07 | 0:25:08 | |
And although they still don't know which door is their target, | 0:25:08 | 0:25:12 | |
one stands out. | 0:25:12 | 0:25:13 | |
My first impression is, at some point, | 0:25:13 | 0:25:15 | |
this door has been put in by the police. | 0:25:15 | 0:25:17 | |
Because that damage and that damage has been caused by a door enforcer. | 0:25:17 | 0:25:21 | |
OK, so this looks a good place to start. | 0:25:21 | 0:25:23 | |
Without confirmation she lives there, they can't enter without a warrant. | 0:25:26 | 0:25:30 | |
There's no sound from inside, so they move on. | 0:25:32 | 0:25:35 | |
-Hello? Sgt Carling, Met Police. -Yeah? -We are looking for a... | 0:25:37 | 0:25:42 | |
-Natalia Simionova. -Do you know who she is? You don't know? -No. | 0:25:42 | 0:25:46 | |
-No luck here. -All right, let's keep trying flats. | 0:25:46 | 0:25:49 | |
-Nor here. -We're looking for... | 0:25:52 | 0:25:54 | |
-This lady. -I don't know her. -You don't know, yeah? | 0:25:55 | 0:25:58 | |
I'm still working here. | 0:25:58 | 0:25:59 | |
The neighbours either don't know her or don't want to help the police. | 0:25:59 | 0:26:03 | |
The officer checks the roof | 0:26:03 | 0:26:04 | |
while his colleagues go through the communal post. | 0:26:04 | 0:26:07 | |
Their target's name isn't on anything. | 0:26:07 | 0:26:09 | |
Obviously, because we can't get access into her property, | 0:26:09 | 0:26:12 | |
she didn't have any keys with her for us to access, | 0:26:12 | 0:26:15 | |
no-one else is in the property. | 0:26:15 | 0:26:16 | |
So we're going to have to give up on searching the property. | 0:26:16 | 0:26:20 | |
The police can find nothing to indicate that the woman lives here. | 0:26:21 | 0:26:24 | |
Their suspicion remains that the address is a fake. | 0:26:24 | 0:26:27 | |
The lack of proof that this is her residence means the police | 0:26:27 | 0:26:31 | |
don't have to grant her bail | 0:26:31 | 0:26:33 | |
as there's too much risk she could evade court. | 0:26:33 | 0:26:36 | |
Oh, OK. | 0:26:36 | 0:26:37 | |
As they prepare to return to the station, | 0:26:37 | 0:26:40 | |
Sgt Carling gets a call with more good news. | 0:26:40 | 0:26:43 | |
PC Alex has been talking to the manager of another shop | 0:26:43 | 0:26:46 | |
who thinks the suspect paid them a recent visit, too. | 0:26:46 | 0:26:50 | |
The manager's just looked at the CCTV, seen her face and he says | 0:26:50 | 0:26:54 | |
that she matches the description of someone who did a pickpocket there. | 0:26:54 | 0:26:59 | |
Same venue on the 16th of August. | 0:26:59 | 0:27:00 | |
Footage clearly shows the woman entering the shop | 0:27:02 | 0:27:04 | |
and finding a likely victim. | 0:27:04 | 0:27:07 | |
She takes a shirt from a rack to use as a cover | 0:27:07 | 0:27:10 | |
to try and get her hand in the victim's bag. | 0:27:10 | 0:27:13 | |
On the basis of this evidence and that of their earlier security guard, | 0:27:17 | 0:27:21 | |
the custody sergeant agrees with the team. | 0:27:21 | 0:27:24 | |
With no confidence the woman has given her real address, | 0:27:24 | 0:27:27 | |
she isn't bailed. | 0:27:27 | 0:27:28 | |
Instead, she'll be kept in the station cells overnight. | 0:27:28 | 0:27:31 | |
Now we're going to the Crown Prosecution Service | 0:27:33 | 0:27:35 | |
with the evidence that we've got, | 0:27:35 | 0:27:37 | |
and we'll put her through to courts tomorrow, hopefully. | 0:27:37 | 0:27:40 | |
And after we filmed, the woman pleaded guilty | 0:27:42 | 0:27:44 | |
to one count of theft from person and one count of attempted theft. | 0:27:44 | 0:27:48 | |
She was given a 12-week sentence in total for both offences, | 0:27:50 | 0:27:53 | |
a result the team are delighted with. | 0:27:53 | 0:27:55 | |
The lifeblood of London is its buses. | 0:28:05 | 0:28:08 | |
Every year, they carry almost 2.4 billion passengers | 0:28:08 | 0:28:12 | |
into and out of the city. | 0:28:12 | 0:28:14 | |
And Oxford Street is its most important east-west artery. | 0:28:14 | 0:28:18 | |
It means more than 250 buses an hour pass down it at the busiest times. | 0:28:18 | 0:28:23 | |
It makes keeping the buses moving vital. | 0:28:24 | 0:28:27 | |
And in the centre of London, that job falls to Pierre Briscoe. | 0:28:29 | 0:28:33 | |
At the minute, we're just roaming down Oxford Street, | 0:28:33 | 0:28:35 | |
just monitoring the road. | 0:28:35 | 0:28:37 | |
He's a network traffic control officer, known as NTC. | 0:28:37 | 0:28:41 | |
It's his job to deal with any incidents, big or small, | 0:28:41 | 0:28:44 | |
which might disrupt the buses. | 0:28:44 | 0:28:46 | |
We keep the buses moving, we keep the traffic moving. You know? | 0:28:46 | 0:28:50 | |
People take these little things for granted. | 0:28:50 | 0:28:53 | |
But there's always things happening behind the scenes | 0:28:53 | 0:28:56 | |
that you don't see. | 0:28:56 | 0:28:57 | |
I'm behind the scene. | 0:28:57 | 0:28:59 | |
Incidents are phoned in to Pierre | 0:28:59 | 0:29:01 | |
from Transport For London's control centre, CentreCom. | 0:29:01 | 0:29:04 | |
Hi, good morning. Pierre speaking. | 0:29:04 | 0:29:06 | |
He's only been on the road for a few minutes | 0:29:06 | 0:29:08 | |
when he gets called to what could be a major incident. | 0:29:08 | 0:29:11 | |
A call from CentreCom, they believe, from their vantage point, | 0:29:11 | 0:29:15 | |
that there is a building fire of some sort down there. | 0:29:15 | 0:29:18 | |
A fire in nearby Paddington | 0:29:19 | 0:29:21 | |
could snarl up Oxford Street buses for hours. | 0:29:21 | 0:29:24 | |
And on arrival, it's clear to Pierre that fire trucks in the road | 0:29:24 | 0:29:27 | |
are disrupting his bus routes and he may have to deal with a closed road. | 0:29:27 | 0:29:32 | |
He opens negotiations with the fire service. | 0:29:33 | 0:29:36 | |
-My fear was closing the road. -No, no, that's not going to happen. | 0:29:36 | 0:29:39 | |
-OK, OK. -We'll just wait for an electrician so about ten minutes... | 0:29:39 | 0:29:42 | |
OK, OK. All right. | 0:29:42 | 0:29:44 | |
There was a fire which was set off behind one of the seats | 0:29:44 | 0:29:49 | |
in the steak house. | 0:29:49 | 0:29:50 | |
They've put the fire out and no-one got injured in the process. | 0:29:50 | 0:29:53 | |
There's no need to close the road. Thank God for that. | 0:29:53 | 0:29:56 | |
This time it all seems OK. | 0:29:58 | 0:30:00 | |
The fire brigade have dealt with the incident, | 0:30:00 | 0:30:02 | |
and thankfully, no-one's been hurt. | 0:30:02 | 0:30:04 | |
The buses are now back moving again and Pierre can get on with his work. | 0:30:04 | 0:30:08 | |
Top of his list today is to get ready for a major diversion. | 0:30:09 | 0:30:13 | |
Thames Water's going to be carrying out essential maintenance overnight. | 0:30:13 | 0:30:17 | |
And nearly half of Oxford Street is going to be closed | 0:30:17 | 0:30:20 | |
until 5am the next morning. | 0:30:20 | 0:30:22 | |
Pierre checks everything's in place for the planned diversion. | 0:30:23 | 0:30:27 | |
Doing a little recce on the diversion routes. | 0:30:27 | 0:30:29 | |
It's a bit congested. | 0:30:29 | 0:30:30 | |
But luckily, the closure of Oxford Street | 0:30:31 | 0:30:34 | |
is going to be night-time works. | 0:30:34 | 0:30:36 | |
But as dawn breaks the next morning, | 0:30:38 | 0:30:41 | |
the work's been started but not finished. | 0:30:41 | 0:30:44 | |
It means Europe's busiest shopping street is facing | 0:30:44 | 0:30:47 | |
a prolonged and unplanned traffic closure. | 0:30:47 | 0:30:50 | |
There's no-one on-site, as we can see. | 0:30:50 | 0:30:52 | |
Uh...there's still a crater in the middle of the road here. | 0:30:52 | 0:30:57 | |
Having an unplanned closure on a street of Oxford Street's importance | 0:30:57 | 0:31:01 | |
is unthinkable. | 0:31:01 | 0:31:03 | |
For Pierre, it means hundreds of his buses | 0:31:03 | 0:31:05 | |
having to be re-routed into smaller, overcrowded roads nearby. | 0:31:05 | 0:31:09 | |
Worse still, no-one from Thames Water is on-site | 0:31:09 | 0:31:13 | |
to discuss what's going on. | 0:31:13 | 0:31:14 | |
Watch out, mate. Go back, go back. | 0:31:14 | 0:31:16 | |
Heavy-goods traffic is turning up and having to be turned away. | 0:31:16 | 0:31:20 | |
Watch out, get back. Go back, go back. | 0:31:20 | 0:31:22 | |
Pierre does his best to help marshal the confused drivers. | 0:31:22 | 0:31:26 | |
But as he waits for Thames Water to return, | 0:31:27 | 0:31:29 | |
other tasks call him away from the crater. | 0:31:29 | 0:31:32 | |
Morning, buddy. | 0:31:32 | 0:31:34 | |
There are other people clogging up his bus lanes. | 0:31:34 | 0:31:36 | |
-Yeah, it's just the parking situation here. -Yeah? | 0:31:36 | 0:31:39 | |
It's a bit precarious. You're in the cage. | 0:31:39 | 0:31:41 | |
-I don't know how long you're going to be or... -No, five minutes. | 0:31:41 | 0:31:44 | |
-I'm just from Boots. -All right, thanks for understanding, yeah? | 0:31:44 | 0:31:47 | |
One problem dealt with. | 0:31:47 | 0:31:48 | |
But he's still got half of the most important street in London | 0:31:48 | 0:31:51 | |
closed to buses. | 0:31:51 | 0:31:53 | |
He heads back to the crater | 0:31:53 | 0:31:55 | |
and the good news is Thames Water workmen have reappeared. | 0:31:55 | 0:31:58 | |
-Right, morning, gents. How are you doing? -All right, thanks. | 0:31:58 | 0:32:01 | |
I never expected to see you guys. I thought it was a night-time work. | 0:32:01 | 0:32:04 | |
-You know? -Yeah, mate. -I'm glad you guys have turned up. | 0:32:04 | 0:32:06 | |
We'll be finished now in the next five, ten minutes, mate. | 0:32:06 | 0:32:09 | |
Itching to reopen Oxford Street to buses, | 0:32:12 | 0:32:14 | |
Pierre waits for the work to finish so he can end the diversion. | 0:32:14 | 0:32:18 | |
By two o'clock, the road will be reopened. | 0:32:19 | 0:32:21 | |
And Oxford Street will be reopened for buses and all traffic so... | 0:32:21 | 0:32:25 | |
Win-win for everybody. Excellent stuff. | 0:32:25 | 0:32:28 | |
And as 2pm comes around, Pierre's buses can return to normal, | 0:32:28 | 0:32:32 | |
taking people to Oxford Street. | 0:32:32 | 0:32:35 | |
As dawn breaks on Oxford Street, | 0:32:44 | 0:32:46 | |
it's all hands on deck at trainer store JD. | 0:32:46 | 0:32:49 | |
It's opening day for their brand-new world flagship store. | 0:32:50 | 0:32:53 | |
Manager James is working hard. | 0:32:55 | 0:32:57 | |
-Unfortunately, his main escalator is not. -It's broken. | 0:32:57 | 0:33:01 | |
My team were here till midnight last night trying to resolve the issue | 0:33:03 | 0:33:06 | |
and the engineer was meant to be in again at 8.15 this morning but... | 0:33:06 | 0:33:10 | |
It's now 8.30 and it's not been resolved, so we'll see what happens. | 0:33:10 | 0:33:14 | |
In a competitive market and paying prime rents, | 0:33:14 | 0:33:17 | |
the shop's got to do well. | 0:33:17 | 0:33:19 | |
And a successful launch is critical. | 0:33:19 | 0:33:21 | |
Regional manager Kevin Dalston | 0:33:21 | 0:33:24 | |
is another whose put months of planning into getting it right. | 0:33:24 | 0:33:27 | |
We got a shop that's going to be open. | 0:33:27 | 0:33:29 | |
And this guy's not going to be working. | 0:33:29 | 0:33:31 | |
-We're all upset about it, Kevin. -It's not good enough. | 0:33:31 | 0:33:33 | |
Not good enough at all. | 0:33:33 | 0:33:34 | |
While they wait, James has no option but to continue as planned | 0:33:34 | 0:33:38 | |
and give his staff one last encouraging word. | 0:33:38 | 0:33:41 | |
Well, I think what we've achieved over the last | 0:33:41 | 0:33:44 | |
couple of weeks has been amazing. | 0:33:44 | 0:33:45 | |
Obviously, you're all here because you deserve to be, all right? | 0:33:45 | 0:33:49 | |
All right, guys. Good luck today and just enjoy it. | 0:33:49 | 0:33:52 | |
Finally, the engineer has arrived, | 0:33:54 | 0:33:57 | |
20 minutes after they were expecting him | 0:33:57 | 0:33:59 | |
and less than half an hour before they wanted to start trading. | 0:33:59 | 0:34:03 | |
-Is it... Is it sortable? -It should be, yeah. | 0:34:03 | 0:34:07 | |
While the engineers battle to get the escalator working, | 0:34:09 | 0:34:12 | |
preparations continue around it. | 0:34:12 | 0:34:14 | |
-OTHERS LAUGH -I love that! Excellent. Wicked. | 0:34:15 | 0:34:20 | |
But as the nine o'clock opening draws near, | 0:34:20 | 0:34:22 | |
Steve and the team are forced to make a big call. | 0:34:22 | 0:34:26 | |
Nine o'clock, couple of minutes now, about 9.07. | 0:34:26 | 0:34:29 | |
We're going to put the opening back to 9.30. | 0:34:29 | 0:34:32 | |
So the shutters will be coming up at 9.30. | 0:34:32 | 0:34:34 | |
All in a day's work. | 0:34:34 | 0:34:36 | |
Ten minutes later, the engineer's job is done | 0:34:36 | 0:34:39 | |
and the escalator finally starts. | 0:34:39 | 0:34:41 | |
You can't explain how happy I am that this is working. | 0:34:41 | 0:34:44 | |
How proud are we now? | 0:34:44 | 0:34:46 | |
We're up and running and in fact, ten minutes earlier than 9.30. | 0:34:46 | 0:34:50 | |
The store bursts into life. | 0:34:50 | 0:34:51 | |
Before long, however, | 0:34:58 | 0:34:59 | |
there are problems with getting shoes to the customers to try on. | 0:34:59 | 0:35:03 | |
Yeah, I've been waiting for about 15 minutes. | 0:35:03 | 0:35:05 | |
It's obviously opening-day, so I'm not expecting it to be quick. | 0:35:05 | 0:35:08 | |
It's not just them waiting. The trainer lift has stopped. | 0:35:08 | 0:35:12 | |
It's just tripping out. It's going to slow us down. | 0:35:12 | 0:35:15 | |
Without the technology the store relies on, it's impossible | 0:35:17 | 0:35:20 | |
for the stock room staff to meet the 30-second trainer delivery target. | 0:35:20 | 0:35:24 | |
You on it? You need to be a little bit quicker. Yeah? | 0:35:24 | 0:35:27 | |
Maybe get two people... | 0:35:27 | 0:35:28 | |
Stock room - Ben to the lift, Ben to the lift. | 0:35:28 | 0:35:30 | |
With the main lift still out of action, | 0:35:30 | 0:35:32 | |
problems emerge with more of the store's new tech. | 0:35:32 | 0:35:36 | |
Floor staff have scanners to read barcodes on the display shoes | 0:35:36 | 0:35:40 | |
to order them from the stock room. | 0:35:40 | 0:35:42 | |
It's only mid-afternoon and all of the scanners have got flat batteries. | 0:35:42 | 0:35:46 | |
-Sweetie, you got a scanner? -They're all dead. -They're all dead? -Yes! | 0:35:46 | 0:35:50 | |
We're trying to order trainers, but all the scanners are dead, | 0:35:50 | 0:35:53 | |
so we're going to use the radios now. | 0:35:53 | 0:35:55 | |
Which no-one has prepared for. | 0:35:55 | 0:35:57 | |
Stock room, stock room, stock room, stock room. | 0:35:57 | 0:36:00 | |
No-one answers. | 0:36:00 | 0:36:02 | |
Sales Assistant Anthony can't get anything for customers to try on. | 0:36:02 | 0:36:06 | |
This is not how JD saw opening-day going. | 0:36:06 | 0:36:10 | |
-That means I can't order trainers. -Clear your orders. | 0:36:10 | 0:36:13 | |
Clear your orders, please. | 0:36:13 | 0:36:14 | |
Downstairs, with neither the lift | 0:36:14 | 0:36:16 | |
nor the electronic ordering system working, staff are feeling the heat. | 0:36:16 | 0:36:20 | |
You see everyone's having a little party, festival? | 0:36:20 | 0:36:23 | |
We got a little carnival atmosphere up there. | 0:36:23 | 0:36:25 | |
Down here, everyone's sweating. It's all a bit stressed. | 0:36:25 | 0:36:28 | |
Technology is letting us down today. Let's just say that. | 0:36:28 | 0:36:31 | |
But cometh the hour, cometh the man. | 0:36:31 | 0:36:33 | |
Floor manager Moz takes things into his own hands. | 0:36:33 | 0:36:36 | |
First, he finds replacement batteries upstairs, | 0:36:36 | 0:36:39 | |
so his floor staff can get back to full functionality, | 0:36:39 | 0:36:43 | |
before heading downstairs | 0:36:43 | 0:36:45 | |
to single-handedly get things moving again. | 0:36:45 | 0:36:48 | |
Next one, now it's coming. | 0:36:48 | 0:36:50 | |
Superstar childrens. | 0:36:50 | 0:36:52 | |
Got to go 727, size two, please. | 0:36:52 | 0:36:56 | |
Come on, guys! It's 20 seconds now. | 0:36:56 | 0:36:58 | |
Trainers should be out in 30 seconds. You got it? | 0:36:58 | 0:37:02 | |
It's not going to get done if you start looking at it. | 0:37:02 | 0:37:04 | |
Grab the same size for the customer, customer ringing upstairs. | 0:37:04 | 0:37:07 | |
He even finds time to reset the lift. | 0:37:08 | 0:37:12 | |
For the third time today. | 0:37:12 | 0:37:14 | |
I wasn't expecting there to be breakdowns, to be honest. | 0:37:14 | 0:37:16 | |
We've all been told that it's not going to happen. | 0:37:16 | 0:37:18 | |
Boss said it's not going to drop. But actually, it does happen. | 0:37:18 | 0:37:21 | |
But it's fine. | 0:37:21 | 0:37:22 | |
Starting again? Setting up and all. | 0:37:23 | 0:37:25 | |
It's working now, it's going to work. | 0:37:25 | 0:37:27 | |
With the machine back in action and the party still going, | 0:37:28 | 0:37:32 | |
it's down to the staff to try and reach that sales target | 0:37:32 | 0:37:35 | |
in the time left. | 0:37:35 | 0:37:36 | |
You want these, huh? I'll put these at the till. | 0:37:38 | 0:37:40 | |
Connor, Connor! | 0:37:40 | 0:37:42 | |
Now two of the new faces of JD, Charlie and Brooke, | 0:37:46 | 0:37:50 | |
make their appearance and see their pictures for the first time. | 0:37:50 | 0:37:54 | |
-Oh, my God! -SHE GIGGLES | 0:37:54 | 0:37:56 | |
-That's so crazy. -We are everywhere. | 0:37:56 | 0:37:59 | |
-This is a mental! Two of me. -Three, three! | 0:38:00 | 0:38:04 | |
You can't speak, can you? | 0:38:04 | 0:38:05 | |
-Not yet, it's cool. -Speechless. -It's so cool. | 0:38:05 | 0:38:07 | |
I think we're all speechless, really. | 0:38:07 | 0:38:10 | |
A new store opening is always a step into the unknown. | 0:38:10 | 0:38:13 | |
Moz has had to do some firefighting. | 0:38:13 | 0:38:16 | |
Everyone's struggling, but you learn from your mistakes, innit? | 0:38:16 | 0:38:19 | |
You learn every single day, that's how I learn. | 0:38:19 | 0:38:21 | |
At 9pm, finally the shutters come down. | 0:38:22 | 0:38:26 | |
All right, listen. I've said it all week. | 0:38:26 | 0:38:28 | |
I want to say thank you and I want to say well done. All right? | 0:38:28 | 0:38:31 | |
OTHERS CLAP | 0:38:31 | 0:38:33 | |
It's been a difficult day, | 0:38:33 | 0:38:34 | |
but the team still manage to beat their sale targets. | 0:38:34 | 0:38:38 | |
It just goes to show the power of a flagship store on Oxford Street. | 0:38:38 | 0:38:42 | |
At a bus garage in South London, wedding planner Maggie Lun | 0:38:53 | 0:38:57 | |
is getting things ready for student Ben's proposal to girlfriend Natalie. | 0:38:57 | 0:39:02 | |
Maggie and her team have got just one hour to decorate | 0:39:02 | 0:39:05 | |
before the bus leaves for the main event. | 0:39:05 | 0:39:07 | |
She's feeling the pressure. | 0:39:07 | 0:39:09 | |
Last week, it's been a lot of work for us. I worry a lot. | 0:39:09 | 0:39:14 | |
Like, every night I've been thinking of, you know, | 0:39:14 | 0:39:16 | |
"Oh, will things go wrong?" | 0:39:16 | 0:39:18 | |
Not least that speech. | 0:39:18 | 0:39:20 | |
Maggie's continued to coach Ben on what to say. | 0:39:20 | 0:39:23 | |
I think the groom is still nervous. We talked to him about the speech. | 0:39:23 | 0:39:28 | |
Make the proposal more touching. That's what we want. | 0:39:28 | 0:39:33 | |
It's an unusual gig for videographer Caitlin, who has to try | 0:39:33 | 0:39:37 | |
and film while staying undercover. | 0:39:37 | 0:39:39 | |
We will be, like, the secret agents. | 0:39:39 | 0:39:42 | |
So, you can't tell them where to stand. | 0:39:42 | 0:39:44 | |
So, that's why today we've put up a lot of cameras. | 0:39:44 | 0:39:47 | |
The bus will pick up Ben and Natalie by the Thames | 0:39:48 | 0:39:51 | |
before heading to Oxford Street for the big moment. | 0:39:51 | 0:39:54 | |
To keep the proposal a secret, Ben has told Natalie that the tour | 0:39:54 | 0:39:57 | |
is being filmed as a promotional video for the tour company. | 0:39:57 | 0:40:01 | |
He's also invited a group of their friends along | 0:40:01 | 0:40:04 | |
to make it look like a normal party. | 0:40:04 | 0:40:06 | |
This is where they met, where they fall in love | 0:40:06 | 0:40:10 | |
and where they live in the future. | 0:40:10 | 0:40:12 | |
So, I think it's going to be a really special moment for them. | 0:40:12 | 0:40:15 | |
So excited. | 0:40:15 | 0:40:16 | |
Ben and girlfriend Natalie arrive, and the tour leaves. | 0:40:20 | 0:40:24 | |
As they tuck into tea and cakes downstairs, | 0:40:27 | 0:40:29 | |
upstairs, Maggie puts the finishing touches to the decorations. | 0:40:29 | 0:40:33 | |
-Hold it. -Ten minutes left! -OK. | 0:40:34 | 0:40:37 | |
After a whistle-stop tour of London landmarks, | 0:40:40 | 0:40:43 | |
the bus parks up just off Oxford Street for the big moment. | 0:40:43 | 0:40:47 | |
Ben gets his cue. | 0:40:47 | 0:40:48 | |
Big surprise for the second part of the tour. | 0:40:50 | 0:40:53 | |
If you can go upstairs for a moment. | 0:40:53 | 0:40:54 | |
If that's all right? You can follow me? | 0:40:54 | 0:40:57 | |
-Um, OK. -Thank you very much. Come over here. This way. -OK. | 0:40:57 | 0:41:00 | |
Ben and Natalie go upstairs and Caitlin's cameras capture everything. | 0:41:04 | 0:41:08 | |
SHE LAUGHS | 0:41:08 | 0:41:10 | |
What?! | 0:41:13 | 0:41:15 | |
Ben seems to have taken Maggie's advice, as he sits Natalie down | 0:41:15 | 0:41:19 | |
and launches into his speech. | 0:41:19 | 0:41:21 | |
Three minutes later, he's still going. | 0:41:29 | 0:41:32 | |
Downstairs, their friends are nervous. Has something gone wrong? | 0:41:45 | 0:41:49 | |
Maybe she's just a bit shocked. | 0:41:50 | 0:41:53 | |
But upstairs, things are looking good. | 0:41:53 | 0:41:55 | |
OTHERS CHEER | 0:42:03 | 0:42:07 | |
Show us the ring! | 0:42:12 | 0:42:13 | |
Don't tell her, but Ben's put the ring on the wrong finger. | 0:42:14 | 0:42:18 | |
OTHERS WHOOP | 0:42:19 | 0:42:21 | |
It's been a long couple of weeks and Maggie is exhausted | 0:42:21 | 0:42:25 | |
but pleased they pulled it off for Ben. | 0:42:25 | 0:42:27 | |
God, it really is a relief now. | 0:42:28 | 0:42:31 | |
The most important thing is the bride said yes. | 0:42:31 | 0:42:33 | |
That's the most important thing I want to hear. | 0:42:33 | 0:42:35 | |
And I think I did all right, not too bad. | 0:42:35 | 0:42:39 | |
For the newly betrothed, it couldn't have gone better. | 0:42:39 | 0:42:43 | |
-I've planned here for nearly two months for that. -Really? -Yeah. | 0:42:43 | 0:42:47 | |
I didn't expect anything and it was just like a dream. | 0:42:47 | 0:42:52 | |
She's still shaking. | 0:42:52 | 0:42:55 | |
So sweet. That's the... Yeah, the best day I've ever had in my life. | 0:42:55 | 0:43:00 | |
I guess, yeah. | 0:43:00 | 0:43:01 |