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Whatever your passion, to be the best in the world is special. As | :00:06. | :00:09. | |
the 2011 pipe band season begins, Terry Tully's band, St Laurence | :00:09. | :00:16. | |
O'Toole, is the best in the piping world. To retain his world title, | :00:16. | :00:19. | |
Terry will have to hold off all challengers, including his friend, | :00:19. | :00:27. | |
Richard Parkes. Richard is the Pipe Major of the Field Marshal | :00:27. | :00:30. | |
Montgomery band, and as the year progresses he is cleaning up all | :00:30. | :00:32. | |
before them, including the Ireland, British and European pipe band | :00:32. | :00:39. | |
competitions. By the second weekend in August, only one title eludes | :00:39. | :00:47. | |
him - World Champion. Terry Tully all season has been second to | :00:47. | :00:51. | |
Richard Parkes. But past performance counts for nothing, as | :00:51. | :00:58. | |
they approach the Worlds'. A band can come from nowhere and win. | :00:58. | :01:01. | |
Terry and Richard are friends and rivals who dream of winning the | :01:01. | :01:11. | |
:01:11. | :01:14. | ||
world title. The World Pipe Band Championships, held each August in | :01:14. | :01:17. | |
Glasgow, are the grand finale of a season of competitions stretching | :01:17. | :01:23. | |
back to April. The two leading bands in Ireland, St Laurence from | :01:23. | :01:26. | |
Dublin and Field Marshal from Lisburn, are strong contenders to | :01:26. | :01:33. | |
lift the major prize and be top dogs of the piping world. But who | :01:33. | :01:38. | |
that top dog will be is no foregone conclusion. Out of 14 bands that | :01:38. | :01:42. | |
will qualify for the final round, half a dozen could take the title. | :01:42. | :01:48. | |
One mistake and the chance has gone for another 12 months. Glasgow is | :01:48. | :01:55. | |
buzzing with a week-long festival of piping. Terry and Richard and | :01:55. | :01:58. | |
their bands have arrived early in the week to get used to local | :01:58. | :02:08. | |
:02:08. | :02:10. | ||
conditions. Shame about the weather. Faced with a week of Glasgow storms, | :02:10. | :02:16. | |
Richard Parkes has turned to the Church. The plan for today was to | :02:16. | :02:20. | |
be outside today and tomorrow, but with the weather the way it is, | :02:20. | :02:25. | |
there is no way you could do that. Or you could, but it wouldn't be | :02:25. | :02:29. | |
good for you. If the pipes get wet, it could ruin them for a couple of | :02:29. | :02:34. | |
days. It is a matter of keeping the pipes dry and on Saturday we'll do | :02:34. | :02:38. | |
what we can do to try to get a good sound, and go from there. Right, | :02:38. | :02:41. | |
let's try a couple of introductions. We're not going to play... Will you | :02:41. | :02:44. | |
have a wee listen, please, guys? It's difficult enough. There are | :02:44. | :02:54. | |
too many people in here. You all need to listen. I think the | :02:54. | :02:57. | |
important thing for the band to get to Glasgow for a few days before | :02:57. | :03:01. | |
the Worlds' is is to ensure that we're together for that time and we | :03:01. | :03:06. | |
can fine tune our performances. Two full days of practise before the | :03:06. | :03:09. | |
Worlds' you can really get the band closer together, better tuned and | :03:09. | :03:13. | |
everybody feeling as a team going there to win the competition. Who | :03:13. | :03:23. | |
:03:23. | :03:33. | ||
made a mistake over there? Come on, wise up. Affectionately known in | :03:33. | :03:36. | |
Glasgow as The Armadillo, this is the venue for the piping festival | :03:36. | :03:41. | |
showcase concert. As current champions, St Laurence O'Toole have | :03:41. | :03:51. | |
:03:51. | :03:56. | ||
agreed to take part. It's good for the cash flow. Get your pipes up. | :03:56. | :03:59. | |
Drums as well. So, instead of practising their competition | :03:59. | :04:02. | |
repertoire, on Thursday afternoon the band is gathering on stage for | :04:02. | :04:07. | |
a sound check. And they are a key player down for the moment. Terry's | :04:07. | :04:10. | |
son, Alan, the Pipe Sergeant, is still in Dublin awaiting the birth | :04:10. | :04:20. | |
:04:20. | :04:25. | ||
of his first child. He's a great asset within the band itself and a | :04:25. | :04:35. | |
:04:35. | :04:37. | ||
big help to me to be able to set the band up. So, if Thursday | :04:37. | :04:39. | |
brought bad weather and overdue babies, what surprises does the | :04:39. | :04:47. | |
next day hold? Friday morning, the day before the World Championships | :04:47. | :04:53. | |
and it is a late start at the St Laurence O'Toole hotel. Last | :04:53. | :04:56. | |
night's concert didn't end until nearly midnight, so it it was wee | :04:56. | :05:00. | |
small hours before the band got back from the city. The news over | :05:00. | :05:04. | |
lunch isn't good. The band's Pipe Sergeant, Alan, is still in Dublin | :05:04. | :05:10. | |
and a difficult decision has been taken. The plan was that he was | :05:10. | :05:13. | |
going to fly in on the Saturday morning and fly back on Saturday | :05:13. | :05:16. | |
evening after the competition, but at this stage he's not going to | :05:16. | :05:24. | |
make it at all. We will miss Alan's experience and his cool head as | :05:24. | :05:34. | |
:05:34. | :05:35. | ||
well on the day. But we'll just have to get on with the job. When | :05:35. | :05:38. | |
Lady Luck deals a bad card, she often deals your opponent a good | :05:39. | :05:43. | |
one. As Terry comes to terms with Alan's absence, an hour later and | :05:43. | :05:46. | |
only four or five miles away, Richard comes across a rare thing - | :05:46. | :05:52. | |
a break in the clouds. The Field Marshal Montgomery head for the | :05:52. | :06:02. | |
:06:02. | :06:13. | ||
park. That was wrong. Get it right. We are getting better. It's | :06:13. | :06:19. | |
absolutely superb. Brilliant. OK guys, come on. Right. Come on. | :06:19. | :06:29. | |
Let's get going here. Come on. knock-on effect of St Laurence's | :06:29. | :06:32. | |
O'Toole's late concert is the band doesn't gather until well into the | :06:32. | :06:36. | |
afternoon. The break in the clouds that favoured Field Marshal | :06:36. | :06:43. | |
Montgomery hasn't travelled as far as Terry Tully's hotel. We'll go up | :06:43. | :06:50. | |
to the boardroom. Normally the boardroom would have been an option, | :06:50. | :06:53. | |
but the hotel is bung to the gills and there's the small matter of a | :06:53. | :07:03. | |
wedding. A wedding ceremony is going on directly under us. They're | :07:03. | :07:08. | |
going to try and see if we can go into the carvery. On top of | :07:08. | :07:12. | |
everything else, Terry now appears to be at the mercy of the Scottish | :07:12. | :07:19. | |
weather. And it's very fickle. could nearly go outside now. It's | :07:19. | :07:24. | |
stopped raining again. Inside and out, the search for practise space | :07:24. | :07:34. | |
:07:34. | :07:37. | ||
continues. Here we go again. Come out here a wee bit. We are not | :07:37. | :07:45. | |
going to be perfect, right? What we need is to be very good. We're not | :07:45. | :07:49. | |
going to get much more playing than this today. To me it sounds really | :07:49. | :07:52. | |
good. There's wee bits here and there, but we're going to get | :07:52. | :07:56. | |
better than that. Just get it good. The other thing, have a look at | :07:56. | :08:00. | |
your kilt when you get home and see if it needs a wee press, because | :08:00. | :08:03. | |
some of them aren't really good. There is an iron in everybody's | :08:03. | :08:06. | |
room, so have a look at it. I'm wound up today. It's just me, | :08:07. | :08:11. | |
that's just the way I am. Wound up? 24 hours before the Piping World | :08:11. | :08:15. | |
Cup, who wouldn't be? Certainly not Terry, in a hotel car park, where | :08:15. | :08:22. | |
it's stopped raining, at last. we're not with it here, guys. We | :08:22. | :08:25. | |
didn't get a good break into the jig, and we're not playing together | :08:25. | :08:29. | |
in it. Somebody is pulling us back. We're not getting G, Ds and Es | :08:29. | :08:36. | |
together. We're not getting strikes together. Focus, alright? It was | :08:36. | :08:38. | |
actually better the time before, until I mentioned making sure that | :08:38. | :08:44. | |
the embellishments are 100% accurate. They weren't after that. | :08:44. | :08:54. | |
:08:54. | :08:57. | ||
You know what I mean? OK. Let's do it again. Once more. Same again. | :08:57. | :09:02. | |
Same again. Same again. Practise makes perfect. Will it pay off for | :09:02. | :09:06. | |
one of these two Pipe Majors? Tomorrow will tell. Between now and | :09:06. | :09:10. | |
then all they can do is dry out the pipes, try and get a good night's | :09:10. | :09:20. | |
:09:20. | :09:21. | ||
sleep and make sure the kilts are ironed. At the heart of the city, | :09:21. | :09:24. | |
Glasgow Green is the venue for the 2011 World Pipe Band Championships | :09:24. | :09:28. | |
and they do come from all over the World - France, Canada, the United | :09:28. | :09:36. | |
States, New Zealand, Australia. Cross Bar and Cullybackey share the | :09:36. | :09:40. | |
Green with New York and Los Angeles. Names such as Rob Roy, the Black | :09:40. | :09:42. | |
Ravens, and the Grandfather Mountain Highlanders roll off the | :09:42. | :09:48. | |
tongue. Field Marshal and St Laurence are past champions but not | :09:48. | :09:52. | |
the only ones. So too are established names like Simon Fraser | :09:52. | :09:58. | |
and Shotts and Dykehead, firmly in contention. 6,000 pipers and | :09:58. | :10:02. | |
drummers, 50,000 followers. Terry and Richard have been working | :10:02. | :10:05. | |
towards this day since, well this day last year, when St Laurence | :10:05. | :10:12. | |
O'Toole took the title and Field Marshal were runners-up. The | :10:12. | :10:14. | |
competition they've been working towards all year, the biggest day | :10:14. | :10:21. | |
in the piping calendar, as seasoned commentator Bob Worrall, confirms. | :10:21. | :10:24. | |
This is the ultimate for any band, whatever grade, whether it is | :10:24. | :10:27. | |
novice straight through to grade 1, to win here, this proves what | :10:27. | :10:35. | |
you've been working for. Saturday starts fair but more rain is | :10:35. | :10:43. | |
forecast, so Terry's first priority is to get the tent up. Richard has | :10:43. | :10:45. | |
managed to secure the boathouse. It's dry, but more importantly it's | :10:45. | :10:48. | |
relatively quiet, away from the noise and press of the thousands on | :10:48. | :10:58. | |
:10:58. | :10:59. | ||
the Green. Even though I am quite an old hand at this it never gets | :10:59. | :11:02. | |
any easier. I'm just as nervous today as the first day we ever | :11:02. | :11:05. | |
played the World Championships. It's an uneasy feeling, but you | :11:05. | :11:10. | |
just really want to get started. It's the hanging about waiting to | :11:10. | :11:16. | |
get started that's the difficult bit. I think to myself, I've done | :11:16. | :11:20. | |
500 starts this week. I've done 3,000 starts this year, so I'm | :11:20. | :11:25. | |
thinking of things logically to try to calm the nerves. I've practised | :11:25. | :11:29. | |
this 100 times. We've done this 100 times. This is just another day. | :11:29. | :11:32. | |
You have to ignore the fact that there's cameras around you, that | :11:32. | :11:36. | |
there are spectators. It is silent. Everybody is waiting for you either | :11:36. | :11:46. | |
:11:46. | :11:51. | ||
to do well or to mess up. At the minute, I feel a little nervous. | :11:51. | :11:54. | |
It's always the same. Hanging about and waiting is always the nerve- | :11:54. | :11:57. | |
racking bit. Once you get the pipes out and start going and things | :11:57. | :12:01. | |
start coming together, you seem to settle down. People say, "It | :12:01. | :12:04. | |
doesn't get me, I don't get nervous". But I think they're | :12:04. | :12:10. | |
telling lies. Everybody is nervous. It's the World Championships. It's | :12:10. | :12:13. | |
what you practise all year for, to come here today. Nobody wants to | :12:13. | :12:21. | |
make a hames of it, you know? So we've got about an hour before we | :12:21. | :12:25. | |
go on and compete. Everything is relaxed. We've had a wee tune-up, | :12:25. | :12:31. | |
to make sure the chanters are OK. We're feeling pretty confident. An | :12:31. | :12:34. | |
hour to go and we're looking forward to getting in that Arena | :12:34. | :12:41. | |
and hopefully retaining our title today. That's the main aim. We'll | :12:41. | :12:45. | |
be heading to the line for ten minutes to one and I'm still not a | :12:45. | :12:50. | |
grandfather yet. Terry's wife, Eileen, is known as the mammy of | :12:50. | :12:53. | |
the band. But as the first performance approaches, being a | :12:53. | :12:58. | |
mammy today is difficult. Sitting here, they've just got news they're | :12:58. | :13:07. | |
on third. I don't know what to think. I'm waiting on my first | :13:07. | :13:10. | |
grandchild and I'm full of emotions now. I don't know whether I'm happy | :13:10. | :13:16. | |
for them going in or sad that Alan hasn't made it here today. He has | :13:16. | :13:19. | |
mixed emotions. He's just back from the hospital and they say that | :13:19. | :13:22. | |
nothing will happen now until Monday. So that's a comfort, | :13:22. | :13:27. | |
knowing that nothing's going to happen now today while we are here. | :13:27. | :13:34. | |
I'm still sad that he hasn't made it over. With 14 bands competing in | :13:34. | :13:37. | |
this top grade, there's a lot of hanging about before the Field | :13:37. | :13:41. | |
Marshal's first appearance in the ring. Just listen to those nerves | :13:41. | :13:48. | |
jangling. Time for a steady hand. Get the sound of the tune in your | :13:48. | :13:57. | |
head. When they draw the set, get that melody in your head, OK? One, | :13:57. | :14:07. | |
:14:07. | :14:39. | ||
Richard has spotted a suitable place among the crowds. I was going | :14:39. | :14:43. | |
to me is that earlier, but the plan is to leave there. Somebody has | :14:43. | :14:52. | |
already made it? Whatever. They are Terry Tully leads his band to the | :14:52. | :14:57. | |
final tuning area beside the main arena. At this point, any member of | :14:57. | :15:00. | |
the band who feels his or her instrument is not properly in tune | :15:00. | :15:10. | |
:15:10. | :15:11. | ||
Each band will play twice during the course of the afternoon, the | :15:11. | :15:14. | |
first performance being a march, strathspey and reel, known as the | :15:14. | :15:22. | |
MSR. Over the next six or seven minutes, the judges listen for | :15:22. | :15:27. | |
selection, tuning and musicality. They listen in particular for the | :15:27. | :15:30. | |
pipes sounding as a single instrument, and the degree to which | :15:30. | :15:37. | |
the entire ensemble, pipe and drum The defending world champions | :15:37. | :15:47. | |
:15:47. | :15:47. | ||
Apology for the loss of subtitles for 53 seconds | :15:47. | :16:41. | |
Ready? Well done, guys. Well done. How did | :16:41. | :16:46. | |
that go? Good, good. I wouldn't say it was our greatest | :16:46. | :16:55. | |
one ever, but it's well up there in terms of what we do as a band. Very | :16:55. | :16:59. | |
pleased with it. I need to speak to the lads in the band at this stage | :16:59. | :17:02. | |
to see what it was like, you know, in sections, especially the drum | :17:02. | :17:07. | |
corps. But they seem to have had a very good performance. I'm happy | :17:07. | :17:09. | |
with the piping performance at this stage. | :17:09. | :17:12. | |
But as he strolls back with drum major Stephen Creighton, Terry | :17:12. | :17:21. | |
seems to have a slight concern. was OK, it just... It didn't hit | :17:21. | :17:26. | |
the strathspey sound as we did last year. I'd say if you listen back to | :17:26. | :17:30. | |
it... Back at base camp, spirits are high. | :17:30. | :17:33. | |
Terry talks with his son, Alan, who has been watching the performance | :17:33. | :17:38. | |
online. He thought it was very good. He said it was a very good | :17:38. | :17:41. | |
performance. He didn't notice that we had lost two pipers just before | :17:41. | :17:45. | |
we went on. He thought it came across really well over the | :17:45. | :17:55. | |
internet. Very good sound, good Field Marshal Montgomery emerge for | :17:55. | :17:59. | |
the first time. As they move through the crowds on Glasgow Green, | :17:59. | :18:02. | |
they will know that St Laurence have turned in a decent performance. | :18:02. | :18:10. | |
But concentration on the job in hand is all that matters. | :18:10. | :18:15. | |
Go straight there, no hanging about. Get in there as quickly as possible. | :18:15. | :18:20. | |
In fact, maybe we should go a bit closer now. | :18:20. | :18:23. | |
As they move to the final tuning area, the threat of rain is still | :18:23. | :18:29. | |
in the air. Nothing Richard can do but keep the band focused. It's not | :18:29. | :18:33. | |
a long walk to the circle, so just be careful of that, be aware of | :18:33. | :18:37. | |
that. Don't be caught out by it, Please welcome the Field Marshal | :18:37. | :18:44. | |
Montgomery band. Band, attention. Get ready. Up. OK, lads, Royal | :18:44. | :18:54. | |
:18:54. | :18:54. | ||
Highlanders. OK, get the tune in your head. Quick, march. | :18:54. | :19:04. | |
:19:04. | :19:04. | ||
Apology for the loss of subtitles for 53 seconds | :19:04. | :19:52. | |
Very good. About right, quick, Good. Everything all right? | :19:52. | :19:58. | |
Everyone all right? All right? Everything all right, yeah? | :19:58. | :20:03. | |
Excellent, really good. Guys, get back to the boathouse and get the | :20:03. | :20:07. | |
pipes dried out, whatever you need to do. | :20:07. | :20:10. | |
Richard came off, he's really, really pleased. Execution, sound, | :20:10. | :20:12. | |
the ensemble, drum corps, everything was exactly as he wanted | :20:13. | :20:17. | |
it, really. So halfway there, so we're hoping for the same sort of a | :20:17. | :20:24. | |
lift. Today was the first time I played with Field Marshal in the | :20:24. | :20:29. | |
Grade One final. It was exciting and nerve-wracking at the same time. | :20:29. | :20:34. | |
I actually did find myself enjoying it. I think by the time I got to | :20:34. | :20:37. | |
the reel I was starting to relax, and I actually did end up enjoying | :20:37. | :20:41. | |
the last few seconds, anyway. Although both bands appear happy | :20:41. | :20:43. | |
with the first round, pundits at ringside reckon that St Laurence | :20:43. | :20:49. | |
are probably lying second to Field Marshal at this stage. Throughout | :20:49. | :20:52. | |
the season, St Laurence have usually done better in the second | :20:52. | :21:02. | |
:21:02. | :21:05. | ||
Terry Tully, too, believes that the medley is their strength, yet as | :21:05. | :21:08. | |
they enter the final tuning area for the second time, tension turns | :21:08. | :21:17. | |
to anxiety. Come on, come on, move it! If it's not right after the | :21:17. | :21:27. | |
:21:27. | :21:28. | ||
final tune-up, scoot, right? Right, guys? Ready? Ready?! Four minutes! | :21:28. | :21:31. | |
As in the first round, the band is bedevilled by tuning problems, and | :21:31. | :21:34. | |
three pipers have to drop out just before going to the line for the | :21:34. | :21:38. | |
band's most important performance of the year. | :21:38. | :21:44. | |
Same again. HE HUMS TUNE. | :21:44. | :21:54. | |
:21:54. | :22:31. | ||
Yeah? Sound good, yeah? Good. Good. Pleased with that. Really, really | :22:31. | :22:35. | |
good. Really good. The sound of the pipes, the sound of the drums, | :22:35. | :22:40. | |
playing, everything. The day you want it right, and we got it right, | :22:40. | :22:47. | |
hopefully. Well done, guys. Well done. | :22:47. | :22:50. | |
Believing that he is just ahead of the field, Richard knows that he | :22:50. | :22:56. | |
needs a strong performance if he is to clinch his seventh world title. | :22:56. | :23:02. | |
Then, the brollies go up. The wind freshens. The covers go on, and the | :23:02. | :23:12. | |
:23:12. | :23:12. | ||
Stand straight. There are no sympathy marks for playing in the | :23:12. | :23:16. | |
rain. The judges ignore cold fingers. | :23:16. | :23:26. | |
:23:26. | :23:26. | ||
Apology for the loss of subtitles for 53 seconds | :23:26. | :24:06. | |
Get us in, quick. OK with that? | :24:06. | :24:10. | |
Before we went on to the medley, that's as good as the band's ever | :24:10. | :24:14. | |
sounded. It wasn't as good as that inside, it was still very good. So | :24:14. | :24:17. | |
that was a bit disappointing, because you can't do anything about | :24:17. | :24:22. | |
the weather. It sort of eased off a bit, but it was still... It sort of | :24:22. | :24:26. | |
affected people, you know. They got cold. And it affects the pipes as | :24:26. | :24:31. | |
well. But we did the best we could with the conditions. It was good, | :24:31. | :24:35. | |
very good. Cold fingers or not, it's up to the | :24:35. | :24:38. | |
judges now. Commentator Bob Worrall is a champion piper, and he places | :24:38. | :24:41. | |
Richard Parkes and Terry Tully in the very top echelon of world | :24:41. | :24:47. | |
piping. You have a band that, over the | :24:47. | :24:49. | |
years, Field Marshal Montgomery, that has demonstrated that kind of | :24:49. | :24:55. | |
musical, tonal and technical perfection. That forces everyone | :24:55. | :24:58. | |
else to rise to that standard, so it's catch-up for them, and that's | :24:58. | :25:04. | |
how it was for a couple of years. Simon Fraser's done the same thing | :25:04. | :25:07. | |
in Canada, and now with St Laurence O'Toole doing the same thing from | :25:07. | :25:12. | |
Dublin, the whole thing just spirals. I said today when I was | :25:12. | :25:15. | |
making my comments, just when you think a band can't play any better | :25:15. | :25:21. | |
in a specific year... Any better than that, one, two, three years | :25:21. | :25:23. | |
later, along comes another performance which raises the bar | :25:23. | :25:28. | |
even further. And as soon as that bar is raised, everyone reaches for | :25:28. | :25:33. | |
that bar. So who is setting that bar, Bob? Come on. I've got my | :25:33. | :25:37. | |
speculation, but I'm keeping my thoughts to myself! Sitting on the | :25:37. | :25:42. | |
fence, or what? Meanwhile, the spectacle, as the pipers and | :25:42. | :25:45. | |
drummers from every class and grade, all ages and abilities, parade into | :25:45. | :25:48. | |
the ring and stand side-by-side to salute the chief, the Lord Provost | :25:48. | :25:58. | |
:25:58. | :25:58. | ||
of Glasgow. And as they wait to see who will be world champion, almost | :25:58. | :26:02. | |
unnoticed, the man who holds the world title and the man who wants | :26:02. | :26:09. | |
to take it from him meet amidst a cast of thousands. How's it going, | :26:09. | :26:14. | |
Terry? How are you doing? It's going good. What about Alan's...? | :26:14. | :26:19. | |
No sign yet. No sign yet? No joy. He's been watching it all day, | :26:19. | :26:25. | |
though. The whole thing. The two of them, sitting at home. Did you play | :26:25. | :26:31. | |
well? We played well, yeah. We played well both times. I was very | :26:31. | :26:36. | |
happy with it, both times, but... How did you play, are you happy? | :26:36. | :26:42. | |
was happy with both of them. Very good. Both times, very good. Well, | :26:42. | :26:52. | |
:26:52. | :27:00. | ||
Grade One World Champions, 2011... In first place, winning the RSPBA | :27:00. | :27:07. | |
Jubilee Trophy and Banner... Field Marshal Montgomery, number 19. | :27:07. | :27:17. | |
:27:17. | :27:22. | ||
So, 30 years after he became pipe major of Field Marshal Montgomery, | :27:22. | :27:27. | |
Richard Parkes wins his seventh world title. Field Marshal | :27:27. | :27:32. | |
Montgomery! APPLAUSE. | :27:32. | :27:36. | |
This time, Terry is placed fifth. But as the two friends shake hands, | :27:36. | :27:40. |