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|---|---|---|---|
Welcome to Russia... | 0:00:02 | 0:00:04 | |
That's how cold it is, look. | 0:00:04 | 0:00:06 | |
..the largest country on Earth, | 0:00:07 | 0:00:09 | |
and home to nearly 150 million people. | 0:00:09 | 0:00:13 | |
Growing up as a kid in the '80s in London, | 0:00:13 | 0:00:15 | |
Russia was painted as this weird big baddie. | 0:00:15 | 0:00:18 | |
Now with Vladimir Putin well into his third term as president, | 0:00:21 | 0:00:25 | |
it's starting to feel like that again. | 0:00:25 | 0:00:27 | |
NEWSREADER: Pro-Russian rebels in eastern Ukraine... | 0:00:27 | 0:00:29 | |
-Vladimir Putin has ignored the dark warnings from the West. -There's going to have to be | 0:00:29 | 0:00:33 | |
a very different relationship between Britain and Russia. | 0:00:33 | 0:00:36 | |
The West has imposed tough sanctions against Russia. | 0:00:36 | 0:00:39 | |
Russia is responsible for the violence... | 0:00:39 | 0:00:42 | |
And relations are the frostiest since the cold war. | 0:00:42 | 0:00:45 | |
But this hasn't stopped an army of young Siberian models | 0:00:46 | 0:00:50 | |
invading the West. | 0:00:50 | 0:00:52 | |
And while the catwalk and magazine demand for these girls grows, | 0:00:52 | 0:00:56 | |
I'm here where it all starts - at the castings. | 0:00:56 | 0:00:59 | |
My name is Liza. I'm 13 years old. I'm from Siberia. | 0:00:59 | 0:01:03 | |
The dream starts young... | 0:01:03 | 0:01:05 | |
Some of these girls are as young as 13! | 0:01:05 | 0:01:07 | |
..very young. | 0:01:07 | 0:01:09 | |
With thousands of Russian children starting model training | 0:01:12 | 0:01:15 | |
almost as soon as they can walk. | 0:01:15 | 0:01:17 | |
But there's a darker side to the dream. | 0:01:20 | 0:01:22 | |
If I were a parent, I don't know what I would do. | 0:01:31 | 0:01:34 | |
The right and the wrong is just so blurred. | 0:01:37 | 0:01:39 | |
So I'm going to find out just what it takes to make it in the West | 0:01:39 | 0:01:44 | |
and leave Siberia behind. | 0:01:44 | 0:01:46 | |
At over 9,000km long and crossing eight time zones, | 0:01:58 | 0:02:03 | |
the Trans-Siberian railway is the longest in the world. | 0:02:03 | 0:02:07 | |
And the coldest - | 0:02:13 | 0:02:15 | |
temperatures here can drop as low as minus 60. | 0:02:15 | 0:02:19 | |
That's how cold it is, look. | 0:02:19 | 0:02:21 | |
You feel that? | 0:02:21 | 0:02:22 | |
Siberia is so huge that if it were a country, | 0:02:22 | 0:02:26 | |
it would be the biggest in the world. | 0:02:26 | 0:02:29 | |
50 times the size of the UK but with around half of the population, | 0:02:31 | 0:02:35 | |
most Siberians live along this rail route. | 0:02:35 | 0:02:38 | |
So this is the train that model scouts from all over the world | 0:02:41 | 0:02:45 | |
must take in search of fresh new Siberian faces. | 0:02:45 | 0:02:48 | |
Hey, how you doing? I'm Reggie, what's your name? | 0:02:48 | 0:02:52 | |
-Tako. -Tako? -Tako. -Nice to meet you. -Nice to meet you. | 0:02:52 | 0:02:55 | |
-So where exactly are you from? -Tokyo. -Tokyo? -Yeah. | 0:02:55 | 0:02:58 | |
And how many girls are you expected to find | 0:02:58 | 0:03:00 | |
in the time that you're here? | 0:03:00 | 0:03:01 | |
-Yeah. -Yeah. -So what is it you're specifically looking for? | 0:03:09 | 0:03:12 | |
I haven't introduced myself to you either. Sorry, I'm Reggie. | 0:03:22 | 0:03:24 | |
-Hi, I'm Kate. Nice to meet you. -Hello, Kate. Nice to meet you. | 0:03:24 | 0:03:27 | |
So why here? I mean, this is so far away from home for you. | 0:03:27 | 0:03:32 | |
-Girls. -No, what specifically? What type of girls? | 0:03:32 | 0:03:36 | |
So you're looking for someone who feels and looks younger? | 0:03:45 | 0:03:49 | |
In Britain, children aren't allowed on the catwalk until they're 16. | 0:03:55 | 0:03:59 | |
And although girls younger than that do model for magazines, | 0:03:59 | 0:04:03 | |
the Asian market specifically looks for the youngest faces. | 0:04:03 | 0:04:06 | |
The first stop on the model tour is the industrial mining city of | 0:04:11 | 0:04:15 | |
Krasnoyarsk, 3,000 miles from Moscow and a world away from the UK. | 0:04:15 | 0:04:21 | |
In Soviet times, Siberia was where political prisoners | 0:04:21 | 0:04:24 | |
were sent to die. | 0:04:24 | 0:04:26 | |
A few decades later, and it's not how I imagined it. | 0:04:26 | 0:04:29 | |
As a kid growing up in North London, | 0:04:31 | 0:04:33 | |
when you think of somewhere like Siberia, you just imagine this huge, | 0:04:33 | 0:04:36 | |
vast, sort of massive land with mountains and snow and nothingness. | 0:04:36 | 0:04:41 | |
But the bit that I'm in right now, | 0:04:41 | 0:04:43 | |
it could very easily be somewhere in the UK. | 0:04:43 | 0:04:45 | |
You know, there's literally tower blocks everywhere. | 0:04:45 | 0:04:48 | |
We very easily could be in Peckham. | 0:04:48 | 0:04:51 | |
And this is where the glamorous life of a Siberian supermodel begins - | 0:04:54 | 0:04:58 | |
at a casting organised by local agencies | 0:04:58 | 0:05:01 | |
for the visiting talent scouts. | 0:05:01 | 0:05:03 | |
And coming to a casting like this really can pay off. | 0:05:05 | 0:05:09 | |
Natalia Vodianova was discovered | 0:05:09 | 0:05:11 | |
selling fruit by the side of the road in Russia. | 0:05:11 | 0:05:14 | |
Now she's a millionaire supermodel. | 0:05:14 | 0:05:18 | |
But this is the first step - | 0:05:18 | 0:05:20 | |
standing next to naked in front of strangers. | 0:05:20 | 0:05:23 | |
I don't remember the last time I felt this awkward. | 0:05:25 | 0:05:27 | |
I think it might have been the time when I stayed at my mum's | 0:05:27 | 0:05:30 | |
and I found my little sister - who I'm convinced is still | 0:05:30 | 0:05:33 | |
nine years old, even though she keeps telling me she's 19 - | 0:05:33 | 0:05:36 | |
when I found her bra. | 0:05:36 | 0:05:37 | |
It was the weirdest feeling I think I've ever had, | 0:05:37 | 0:05:41 | |
and that is now being sort of gazumped | 0:05:41 | 0:05:44 | |
by what I'm feeling right now, because just over my right shoulder, | 0:05:44 | 0:05:48 | |
there's a whole heap of kids, | 0:05:48 | 0:05:51 | |
and they're in pants and bras. | 0:05:51 | 0:05:55 | |
But then I see something that really takes me aback. | 0:05:55 | 0:05:59 | |
Whoa. | 0:05:59 | 0:06:00 | |
Whoa. | 0:06:02 | 0:06:04 | |
They're all so young. | 0:06:16 | 0:06:18 | |
I didn't expect there to be this many people, | 0:06:27 | 0:06:29 | |
and I didn't expect them to be this young. | 0:06:29 | 0:06:32 | |
It looks like everyone here is about the age of, I don't know, | 0:06:33 | 0:06:36 | |
15, 16 tops. | 0:06:36 | 0:06:38 | |
Then the director of Noah Models arrives. | 0:06:39 | 0:06:42 | |
Tigran Khachatrian has been running casting sessions | 0:06:42 | 0:06:44 | |
like this for 20 years. | 0:06:44 | 0:06:46 | |
As if these girls weren't standing up straight enough already, | 0:06:48 | 0:06:51 | |
there's suddenly been a bit of an atmosphere change in here, | 0:06:51 | 0:06:54 | |
because there's a guy that everybody is shaking hands with. | 0:06:54 | 0:06:59 | |
-Hello. Hello, Reggie. -I'm Tigran. -Nice to meet you, Tigran. | 0:06:59 | 0:07:03 | |
Could you explain your role today? | 0:07:03 | 0:07:05 | |
Well, the role is to select girls, primarily for ourselves, | 0:07:05 | 0:07:10 | |
to send all across the world for them to work. | 0:07:10 | 0:07:14 | |
There are many young girls here. | 0:07:14 | 0:07:16 | |
And what sort of numbers are you expecting today? | 0:07:16 | 0:07:18 | |
Uh, I expect to find about ten to 15 girls here. | 0:07:18 | 0:07:22 | |
Out of how many turning up? How many are you expecting to arrive? | 0:07:22 | 0:07:26 | |
Probably 100. A lot of them have great potential. | 0:07:26 | 0:07:29 | |
The critical part is the character. | 0:07:29 | 0:07:32 | |
Most Russian girls, OK, they're like Ferraris without engines. | 0:07:32 | 0:07:36 | |
But when we start working with them, | 0:07:36 | 0:07:39 | |
we put those engines in, | 0:07:39 | 0:07:41 | |
try to make that an awesome car. HE LAUGHS | 0:07:41 | 0:07:45 | |
I'm going to start calling you the mechanic | 0:07:45 | 0:07:47 | |
-for the rest of the day. -We're the mechanics for these girls. | 0:07:47 | 0:07:50 | |
Tigran's right-hand woman, Anna Yuzhakova, is running today's event. | 0:07:50 | 0:07:54 | |
She personally manages over 100 girls, working all over the world. | 0:07:54 | 0:07:59 | |
Bless them, on their cards they've got their name and their age. | 0:08:07 | 0:08:11 | |
My name is Liza. I'm 13 years old. | 0:08:17 | 0:08:19 | |
My height is 1.76. I'm from Siberia. | 0:08:19 | 0:08:23 | |
I like modelling, travelling, and swimming. | 0:08:23 | 0:08:25 | |
Some of these girls are as young as 13! | 0:08:27 | 0:08:30 | |
If any of the scouts like a girl, a code letter is added to their card. | 0:08:36 | 0:08:40 | |
Some of them may have worked before, and some will be newbies. | 0:08:43 | 0:08:46 | |
And in the Asian market they can start as young as 12. | 0:08:46 | 0:08:50 | |
Asia is like the kindergarten, then... | 0:08:52 | 0:08:55 | |
-That's the first market that you'd send them to? -Usually that's where they start, yeah. -OK. | 0:08:55 | 0:08:59 | |
Then they go to Europe. Europe you can consider as the high school. | 0:08:59 | 0:09:02 | |
-Yeah. -Then they go to the US, and that's the university. -Right. | 0:09:02 | 0:09:06 | |
So what are you looking for? What can you tell already? | 0:09:06 | 0:09:09 | |
The photogenic qualities. | 0:09:09 | 0:09:12 | |
Certain geometry of the face | 0:09:12 | 0:09:15 | |
and the proportions of the body. | 0:09:15 | 0:09:19 | |
If you take the distance between the eyes, | 0:09:19 | 0:09:21 | |
you take the distance between the nose and the eyes. | 0:09:21 | 0:09:25 | |
-You've got this down to a science. -Yeah, it is a science. | 0:09:25 | 0:09:28 | |
Seems like a really strange thing to say, | 0:09:33 | 0:09:35 | |
but these young women are trying to get a job, you know? | 0:09:35 | 0:09:38 | |
And in any other environment they'd be holding up their CV, | 0:09:38 | 0:09:41 | |
whereas here, their CV is their body. | 0:09:41 | 0:09:44 | |
It's the way they look, it's the way they walk, it's how they smile, | 0:09:44 | 0:09:48 | |
how confident they are. | 0:09:48 | 0:09:50 | |
And when you see the people who are the right way, quote unquote, | 0:09:50 | 0:09:54 | |
you can really tell the difference. | 0:09:54 | 0:09:56 | |
Are you Mum? Hello, pleasure to meet you. How you doing? I'm Reggie. | 0:10:01 | 0:10:05 | |
-What's your name? -Inna. -Hello, Inna, Lovely to meet you. | 0:10:05 | 0:10:08 | |
She's got every single agency on there. | 0:10:08 | 0:10:10 | |
So did you ever come to something like this? Did you ever try? | 0:10:12 | 0:10:16 | |
Do you think that you would have coped as well, | 0:10:29 | 0:10:31 | |
being that young and wearing so little in public? | 0:10:31 | 0:10:34 | |
Hello. My name is Anna. I'm from Siberia. | 0:10:47 | 0:10:50 | |
Quite a lot of the girls were getting letters, | 0:10:50 | 0:10:53 | |
and this marks them out for the next step. | 0:10:53 | 0:10:55 | |
Hello. | 0:10:56 | 0:10:57 | |
All right, so what have we got on this piece of paper? | 0:10:57 | 0:11:00 | |
There's two letters on here, what does that mean? | 0:11:00 | 0:11:02 | |
I see that you've put your jumper back on now. | 0:11:15 | 0:11:18 | |
Is it a bit weird being in a bra and underwear for so long? | 0:11:18 | 0:11:23 | |
If I was in my underwear, stood up there, I'd be crying. | 0:11:30 | 0:11:33 | |
So have you officially made it, | 0:11:37 | 0:11:39 | |
or is this sort of a step towards finding out? | 0:11:39 | 0:11:42 | |
The journey from Siberia to supermodel is a long one, | 0:11:50 | 0:11:54 | |
and Tigran likes to start them young. | 0:11:54 | 0:11:56 | |
I feel great when I help these young girls, | 0:12:08 | 0:12:11 | |
because over here, they don't have big opportunities. | 0:12:11 | 0:12:15 | |
-Is that why you got into this, then? To help young women? -Yes. | 0:12:15 | 0:12:20 | |
Yes, I do. | 0:12:20 | 0:12:21 | |
I want to really help these young women, | 0:12:23 | 0:12:25 | |
and it gives me great joy spiritually | 0:12:25 | 0:12:28 | |
when somebody becomes very successful. | 0:12:28 | 0:12:31 | |
I take great pride in it, so... | 0:12:31 | 0:12:33 | |
-We'll see. -OK. All right. | 0:12:35 | 0:12:37 | |
-I'm sure I'll catch up with you again in a little bit. -Yeah. | 0:12:37 | 0:12:40 | |
-Thank you. -Thank you. | 0:12:40 | 0:12:41 | |
Something tells me, though, it's not just about spiritual reward - | 0:12:41 | 0:12:45 | |
this is business. | 0:12:45 | 0:12:47 | |
Each teenage model that Tigran signs | 0:12:47 | 0:12:49 | |
could make him thousands in commission. | 0:12:49 | 0:12:52 | |
But was he right about the lack of opportunity? | 0:12:52 | 0:12:55 | |
Anya's been trying to be a model for three years. | 0:12:55 | 0:12:58 | |
I'm going back to her village to see what life is like for her there. | 0:13:00 | 0:13:04 | |
Now this is what I imagined Siberia would be like. | 0:13:15 | 0:13:19 | |
It's only an hour outside of Krasnoyarsk, | 0:13:20 | 0:13:23 | |
but it feels a million miles away. | 0:13:23 | 0:13:25 | |
Anya's lived all of her life in a village | 0:13:26 | 0:13:28 | |
in the middle of a forest called Ovsyanka. | 0:13:28 | 0:13:31 | |
Anya, this couldn't be any more different to where I grew up. | 0:13:33 | 0:13:37 | |
I mean, what's it like living here? | 0:13:37 | 0:13:38 | |
Being a guy who grew up in a big city like London, | 0:13:46 | 0:13:49 | |
there are opportunities literally everywhere I look. | 0:13:49 | 0:13:51 | |
I mean, what sort of opportunities do you have growing up here? | 0:13:51 | 0:13:54 | |
The Russian education system is good - | 0:14:15 | 0:14:18 | |
more than half of Russian girls go to university. | 0:14:18 | 0:14:21 | |
But in a country where even doctors make just over £400 a month, | 0:14:21 | 0:14:25 | |
I can see the temptation to work abroad. | 0:14:25 | 0:14:28 | |
Hello, how you doing? | 0:14:30 | 0:14:31 | |
Nice to meet you. | 0:14:34 | 0:14:35 | |
Anya lives in a one-bedroom flat with her mum, Tatyana. | 0:14:35 | 0:14:38 | |
Her father died when she was four, so Anya's mum | 0:14:38 | 0:14:41 | |
brought her and her brother up on her own. | 0:14:41 | 0:14:44 | |
-And is that one of your paintings? -Yeah. -That's beautiful. | 0:14:44 | 0:14:47 | |
Oh, wow, so this is your art as well. Look at this! | 0:14:49 | 0:14:52 | |
-That's me. -Very nice. | 0:14:52 | 0:14:54 | |
Anya dreams of being an artist, | 0:14:54 | 0:14:56 | |
but finding a way of making money out of that | 0:14:56 | 0:14:58 | |
feels like a pipe dream. | 0:14:58 | 0:15:01 | |
How realistic is it to have a career as an artist here? | 0:15:01 | 0:15:04 | |
Do you know what, being totally honest with you, | 0:15:18 | 0:15:20 | |
it seems as though this is where your heart is, | 0:15:20 | 0:15:23 | |
and modelling is definitely where the money is and where a career is. | 0:15:23 | 0:15:28 | |
But how soon will it be before you get that big break, do you think? | 0:15:49 | 0:15:52 | |
Anya has to rush off to rehearsals for Siberia's Next Top Model, | 0:16:01 | 0:16:05 | |
a reality show shooting in Krasnoyarsk. | 0:16:05 | 0:16:07 | |
-See you soon, Anya. Good luck, OK? -Thank you. | 0:16:07 | 0:16:11 | |
Which leaves time for a chat with her mum. | 0:16:11 | 0:16:14 | |
Yes, please! | 0:16:17 | 0:16:19 | |
And my first taste of Siberian hospitality. | 0:16:19 | 0:16:22 | |
I was just looking at this while you were in the kitchen | 0:16:25 | 0:16:27 | |
making the tea, and I can't believe that it's the same girl, | 0:16:27 | 0:16:30 | |
cos she looks like just a normal teenager here with you and your son, | 0:16:30 | 0:16:34 | |
and then here, she just looks like | 0:16:34 | 0:16:37 | |
a completely different person in these model shots. | 0:16:37 | 0:16:39 | |
Wow, I want to have one of these. Do you think, then, | 0:17:03 | 0:17:05 | |
that your daughter will actually make it? | 0:17:05 | 0:17:08 | |
Can Anya become a professional model? | 0:17:08 | 0:17:10 | |
OK. So if Anya actually makes it as a model | 0:17:27 | 0:17:29 | |
and is successful, will she have to send money home? | 0:17:29 | 0:17:32 | |
Will she have to look after her family? | 0:17:32 | 0:17:34 | |
So is the modelling career currently bringing any money into the house? | 0:17:39 | 0:17:42 | |
SHE LAUGHS | 0:17:44 | 0:17:46 | |
Wow, that must be tough. | 0:17:51 | 0:17:53 | |
Now, when I got here, Anya was really, really welcoming | 0:17:53 | 0:17:56 | |
and showed me her room and showed me all of her pictures on her wall, | 0:17:56 | 0:17:59 | |
but one thing she didn't show me was where you sleep. | 0:17:59 | 0:18:02 | |
So where's your room and where do you lay your head in the flat? | 0:18:02 | 0:18:05 | |
So you sleep here? | 0:18:12 | 0:18:14 | |
Oh, wow. | 0:18:15 | 0:18:17 | |
When you see just how humble home is, | 0:18:29 | 0:18:32 | |
you can understand why Anya is so focused. | 0:18:32 | 0:18:35 | |
It sort of stirred up a lot of stuff in me, | 0:18:36 | 0:18:41 | |
cos I remember growing up in not the nicest council estate in the world | 0:18:41 | 0:18:46 | |
with not very much, and I also grew up with a mum | 0:18:46 | 0:18:50 | |
who made the best of what she had, | 0:18:50 | 0:18:52 | |
and when you've got someone like that looking after you, | 0:18:52 | 0:18:57 | |
all you want to do is look after them. | 0:18:57 | 0:18:59 | |
I'm back on the Trans-Siberian express, | 0:19:05 | 0:19:08 | |
on the next leg of the model tour. | 0:19:08 | 0:19:10 | |
And it's another 800km to Siberia's capital, Novosibirsk. | 0:19:12 | 0:19:18 | |
There's not a lot of room! | 0:19:18 | 0:19:21 | |
So I guess this is home for the next 12 hours. | 0:19:21 | 0:19:26 | |
Anna, the scout from Noah Models, is in the next carriage. | 0:19:27 | 0:19:31 | |
She's been running these Siberian model tours for six years. | 0:19:31 | 0:19:34 | |
-Hello, Anna. -Hello. -Hey! | 0:19:34 | 0:19:38 | |
So what is it about Siberian girls that draws people from everywhere? | 0:19:38 | 0:19:43 | |
What is really special about Siberians is their roots. | 0:19:43 | 0:19:47 | |
So a lot of people were imprisoned during Soviet times, | 0:19:47 | 0:19:50 | |
so from Ukraine, from Baltic republics, | 0:19:50 | 0:19:53 | |
also a lot of people are coming from Asian parts to Siberia. | 0:19:53 | 0:19:57 | |
It's a mixture of ethnic roots, | 0:19:57 | 0:20:00 | |
so the faces are really interesting. | 0:20:00 | 0:20:02 | |
And also, Siberian girls have better skin and hair conditions, | 0:20:02 | 0:20:09 | |
because I think you noticed that there were a lot of girls | 0:20:09 | 0:20:12 | |
-with hair up to their waists. -Yeah. -So it's really unique. | 0:20:12 | 0:20:18 | |
I had absolutely no idea until today that girls under the age of 16 | 0:20:18 | 0:20:23 | |
were going around the world on their own for modelling trips. | 0:20:23 | 0:20:26 | |
How do you look after them when they leave here? | 0:20:26 | 0:20:30 | |
It's not only me who looks after them. | 0:20:30 | 0:20:32 | |
We are making the big team all together. | 0:20:32 | 0:20:34 | |
So it's the local agency in Krasnoyarsk | 0:20:34 | 0:20:37 | |
or in Novosibirsk, where we're going, | 0:20:37 | 0:20:39 | |
and also the agencies we are working with. | 0:20:39 | 0:20:41 | |
How does it get split, whatever's earned? | 0:20:41 | 0:20:45 | |
Tickets, then transportation, accommodation, | 0:20:45 | 0:20:49 | |
allowances, all advanced by the agency. | 0:20:49 | 0:20:53 | |
If the girl doesn't cover this expense by her jobs, | 0:20:53 | 0:20:58 | |
she doesn't have to return the money. | 0:20:58 | 0:21:01 | |
So a successful girl, a girl who does well | 0:21:01 | 0:21:03 | |
in maybe the Asian market or European market, | 0:21:03 | 0:21:06 | |
how much is she likely to earn in a year, just round about? | 0:21:06 | 0:21:09 | |
So if we don't talk about, like, top, top, top models like Kate Moss | 0:21:09 | 0:21:14 | |
or Claudia Schiffer, if we are talking about just normal models... | 0:21:14 | 0:21:18 | |
-Yeah, successful working models. -..successful models, | 0:21:18 | 0:21:21 | |
it can be, like, 20,000 per month. | 0:21:21 | 0:21:25 | |
-US dollars? Pounds? -30, yeah, like that. -US dollars? -Yeah, USD. | 0:21:25 | 0:21:30 | |
20 grand net a month, for a 15-year-old girl from Siberia? That's a hell of a... | 0:21:30 | 0:21:34 | |
For a 15-year-old girl from London that's a hell of a lot of money! | 0:21:34 | 0:21:37 | |
-But we say about highest rate, I mean... -Yeah. | 0:21:37 | 0:21:40 | |
So it can be sometimes the girl comes back home with zero, | 0:21:40 | 0:21:43 | |
because their expenses were more than their earnings, | 0:21:43 | 0:21:47 | |
-so next trip could be more successful. -Yeah. | 0:21:47 | 0:21:50 | |
All right, well, I'll let you get on. Good talking to you. | 0:21:50 | 0:21:53 | |
-And I'll see you in the morning. -Sure. -OK. | 0:21:53 | 0:21:55 | |
-And I hope you will enjoy my home city! -Your home city, yes. | 0:21:55 | 0:21:59 | |
I'm looking forward to it. | 0:21:59 | 0:22:01 | |
It's still ten long hours till Novosibirsk, | 0:22:03 | 0:22:07 | |
but at least I'm in business class. | 0:22:07 | 0:22:09 | |
It's been a very long first day in Siberia, | 0:22:10 | 0:22:14 | |
and a bit of a culture shock. | 0:22:14 | 0:22:16 | |
To begin with I just felt really, erm... | 0:22:17 | 0:22:21 | |
for want of a better word, and not to sound like a complete sap, | 0:22:21 | 0:22:24 | |
I felt quite sad at the beginning of the day, | 0:22:24 | 0:22:27 | |
cos I just saw so many kids | 0:22:27 | 0:22:30 | |
stood there in their underwear, | 0:22:30 | 0:22:32 | |
desperately clutching at a chance for a better life. | 0:22:32 | 0:22:35 | |
Desperately clutching at a chance to do something, to make it. | 0:22:35 | 0:22:39 | |
But you know, the more the day went on, the more I understood | 0:22:39 | 0:22:42 | |
that these teenagers aren't being forced to do anything. | 0:22:42 | 0:22:45 | |
They've put themselves there because that's where they want to be, | 0:22:45 | 0:22:48 | |
and they see it as an opportunity to do something else. | 0:22:48 | 0:22:52 | |
A really strange day. | 0:22:53 | 0:22:55 | |
Novosibirsk is thousands of miles | 0:23:04 | 0:23:06 | |
from the catwalks of London, Paris and New York. | 0:23:06 | 0:23:09 | |
But in this city alone, | 0:23:09 | 0:23:11 | |
there are 24 different model agencies and schools. | 0:23:11 | 0:23:14 | |
So I want to see what they're actually teaching them. | 0:23:14 | 0:23:18 | |
-Hello. -Hello. Hey, how you doing? I'm Reggie, nice to meet you. | 0:23:18 | 0:23:22 | |
-My name is Olga. -Hello, Olga. | 0:23:22 | 0:23:24 | |
Girls start these classes as young as four... | 0:23:33 | 0:23:35 | |
..learning to walk, pose, apply make-up and diet. | 0:23:40 | 0:23:44 | |
Today there's a fashion shoot for their portfolios. | 0:23:47 | 0:23:50 | |
It's like behind the scenes at the Paris catwalks, | 0:23:50 | 0:23:53 | |
but with young kids instead. | 0:23:53 | 0:23:55 | |
She's a little pro. Look, she's hitting the poses straight away. | 0:24:15 | 0:24:19 | |
-Excuse me. Hello. -Hello. -Hi. Is this your daughter? -Yes. -Yes. | 0:24:22 | 0:24:26 | |
Ah, nice to meet you. | 0:24:26 | 0:24:28 | |
Hello, Mum. Mum and dad, right? Hello, lovely to meet you. | 0:24:28 | 0:24:31 | |
Lovely to meet you. How old is she? | 0:24:31 | 0:24:33 | |
-Six. -Six years old? | 0:24:33 | 0:24:36 | |
Wow, so she's really young. | 0:24:38 | 0:24:41 | |
Just a generation ago, during Soviet times, | 0:24:41 | 0:24:44 | |
there was virtually no modelling industry in Russia. | 0:24:44 | 0:24:48 | |
How do you look at models here in Russia? | 0:24:48 | 0:24:50 | |
Cos there are so many girls that want to do it. | 0:24:50 | 0:24:52 | |
-Mm... -HE MURMURS INAUDIBLY | 0:24:52 | 0:24:55 | |
Why do you think that there are so many negative connotations when it comes to modelling? | 0:25:27 | 0:25:30 | |
-Hello, what's your name? -Zlata. | 0:25:44 | 0:25:47 | |
-Zlata. How old are you, Zlata? -12. -You're 12?! -Yes. | 0:25:47 | 0:25:50 | |
Wow, she's amazing at modelling, | 0:25:56 | 0:25:58 | |
and this is what models are supposed to do. | 0:25:58 | 0:26:00 | |
They're supposed to "Make love to the camera." | 0:26:00 | 0:26:03 | |
But she's a child, and she's delivering quite mature | 0:26:06 | 0:26:09 | |
and slightly sexual poses. | 0:26:09 | 0:26:13 | |
And that's the right thing to do in this context, | 0:26:15 | 0:26:17 | |
but for it to be a child delivering that... | 0:26:17 | 0:26:20 | |
..that's where I struggle. | 0:26:22 | 0:26:25 | |
The final girl of the day, Sophia, comes in, | 0:26:26 | 0:26:29 | |
and she's got her eyes firmly on the prize. | 0:26:29 | 0:26:32 | |
So how old is your daughter? | 0:26:32 | 0:26:34 | |
Right. She seems very practised. | 0:26:36 | 0:26:38 | |
Like, she knows all of her poses and her angles already. | 0:26:38 | 0:26:42 | |
I mean, did you used to model? You could have done, if not. | 0:26:42 | 0:26:45 | |
-SHE LAUGHS -You did? | 0:26:46 | 0:26:48 | |
So how successful were you? Were you able to get to the top tier? | 0:26:52 | 0:26:56 | |
SHE LAUGHS | 0:27:16 | 0:27:18 | |
It's amazing how quickly these kids have bought into | 0:27:20 | 0:27:23 | |
the dream of riches and stardom. | 0:27:23 | 0:27:26 | |
After all, only one generation ago, Russia was a communist country. | 0:27:26 | 0:27:31 | |
-How's it going, man? -Not bad, you? | 0:27:33 | 0:27:35 | |
Tigran, the model agency boss, | 0:27:35 | 0:27:37 | |
has seen huge change over the last 20 years. | 0:27:37 | 0:27:41 | |
During the Soviet Union, you know, once you got your... | 0:27:41 | 0:27:44 | |
everything was planned. You get your degree, then you do this job, | 0:27:44 | 0:27:49 | |
you get this standard salary, so hardly anybody challenged that. | 0:27:49 | 0:27:52 | |
-It was a very stable, boring lifestyle. -Right. | 0:27:52 | 0:27:56 | |
But these younger girls, they don't want that. | 0:27:56 | 0:27:58 | |
What sort of young women are being produced | 0:27:58 | 0:28:00 | |
by having these opportunities | 0:28:00 | 0:28:02 | |
and by being alive and being young in this time? | 0:28:02 | 0:28:05 | |
They're far more creative. | 0:28:05 | 0:28:07 | |
They want to be someone in life, unlike their mothers. | 0:28:07 | 0:28:10 | |
You know what it takes. And what happens | 0:28:10 | 0:28:13 | |
when you send a 14-year-old girl from a poor or average family | 0:28:13 | 0:28:17 | |
to Japan, let's say, and she comes home with 20,000 | 0:28:17 | 0:28:21 | |
that she earned in two months. Now, that's amazing. | 0:28:21 | 0:28:25 | |
Their mothers didn't have that chance. They do. | 0:28:25 | 0:28:28 | |
With so much money on offer and the girls being so young, | 0:28:28 | 0:28:32 | |
I can't help but wonder if people ever take advantage of them. | 0:28:32 | 0:28:35 | |
You know, there are agencies all over, | 0:28:35 | 0:28:38 | |
but most are not really doing jobs to send girls to the West | 0:28:38 | 0:28:43 | |
where they work professionally as models. | 0:28:43 | 0:28:46 | |
So these other agencies, then, | 0:28:46 | 0:28:48 | |
are they essentially setting these girls up to be escorts? | 0:28:48 | 0:28:51 | |
No, no, no. What they do is they find wealthy boyfriends for these girls, | 0:28:51 | 0:28:57 | |
and that's a far more profitable business, unfortunately. | 0:28:57 | 0:29:01 | |
And many of the parents knowingly give their girls to them. | 0:29:01 | 0:29:05 | |
-Why would any parent do that? -Because it's in the Russian culture. | 0:29:05 | 0:29:09 | |
It's in the Russian dream to have... | 0:29:09 | 0:29:11 | |
To get married, to have a wealthy boyfriend, | 0:29:11 | 0:29:14 | |
to have a beautiful apartment, to have a beautiful car. | 0:29:14 | 0:29:17 | |
And so that's what happens. | 0:29:17 | 0:29:20 | |
That's mind-blowing to me, that a parent would want their daughter | 0:29:20 | 0:29:23 | |
to live that sort of half life. That doesn't make any sense. | 0:29:23 | 0:29:26 | |
That's the reality of it. That's the reality of it. | 0:29:26 | 0:29:29 | |
Tigran's holding the second model casting tomorrow, | 0:29:31 | 0:29:34 | |
and I'm starting to see how this could be a life-changing event | 0:29:34 | 0:29:38 | |
for the girls who show up. | 0:29:38 | 0:29:39 | |
Elite Stars is one of the top agencies in town, | 0:29:42 | 0:29:45 | |
and there's just time for one last practice | 0:29:45 | 0:29:48 | |
before they meet the international scouts. | 0:29:48 | 0:29:51 | |
Former model Irina has to teach her students everything she's learned. | 0:29:55 | 0:29:59 | |
Scouted at 15, she's lived in London and New York | 0:30:07 | 0:30:10 | |
and worked for Vogue magazine and brands like Chanel and Dior. | 0:30:10 | 0:30:15 | |
She knows what these girls need to learn. | 0:30:15 | 0:30:17 | |
if they're going to stand a chance. | 0:30:17 | 0:30:20 | |
THEY LAUGH | 0:30:20 | 0:30:22 | |
-Yes. -Reggie. | 0:30:28 | 0:30:29 | |
-I want you to help me with English class. -Oh, wow. | 0:30:29 | 0:30:32 | |
Yeah, because the girls are going to go to work | 0:30:32 | 0:30:36 | |
in a modelling agency in Paris, London, Tokyo, everywhere, | 0:30:36 | 0:30:40 | |
so they need practice. | 0:30:40 | 0:30:42 | |
So let's play a little game, like a casting. | 0:30:42 | 0:30:45 | |
Like, you're a client and the girls, they're coming to you, | 0:30:45 | 0:30:48 | |
-they're looking for a job. -OK. | 0:30:48 | 0:30:52 | |
I need a beret and a cigarette, don't I? | 0:30:52 | 0:30:54 | |
-Hello. -Hello. -Hey. | 0:30:54 | 0:30:57 | |
Hey. My name is Epania. I'm from Russia. | 0:30:57 | 0:31:00 | |
I'm 15 years old. | 0:31:00 | 0:31:02 | |
OK. | 0:31:02 | 0:31:03 | |
That's a good walk. Hello. Hey, what's your name? | 0:31:03 | 0:31:06 | |
-My name is Zana and I'm 14 years old. -14?! -Yeah. -Wow. | 0:31:06 | 0:31:09 | |
-And how old are you? -I am 14 years old. | 0:31:09 | 0:31:12 | |
-14? You're very tall. How tall are you now? -1.73. | 0:31:12 | 0:31:16 | |
They have to learn English, because it's very important. | 0:31:16 | 0:31:20 | |
-Hello. -Hello, my name is Vika. I'm 16 years old. | 0:31:20 | 0:31:23 | |
I am from Siberia. | 0:31:23 | 0:31:25 | |
-My height, 73. -Yeah. | 0:31:25 | 0:31:30 | |
Um, what else? SHE LAUGHS | 0:31:30 | 0:31:31 | |
-OK, what's your favourite flavour of ice cream? -Um... | 0:31:31 | 0:31:35 | |
-I love all. -All of them? -Yeah. -That's a good answer. | 0:31:35 | 0:31:39 | |
-Thank you very much. Nice to meet you. -Nice to meet you too. | 0:31:39 | 0:31:43 | |
What makes a good model in your opinion, then? | 0:31:43 | 0:31:45 | |
First you have to be a businesswoman. | 0:31:45 | 0:31:48 | |
You have to be energetic, | 0:31:48 | 0:31:52 | |
with good attitude, because without this | 0:31:52 | 0:31:54 | |
you cannot make a great career. | 0:31:54 | 0:31:57 | |
Because you can have a beautiful face and great body, | 0:31:57 | 0:32:01 | |
but if you have nothing in your head, forget it. | 0:32:01 | 0:32:05 | |
They want to take a picture with you. | 0:32:06 | 0:32:09 | |
-HE LAUGHS -Oh, right! | 0:32:09 | 0:32:11 | |
My modelling days are over, | 0:32:11 | 0:32:13 | |
but it's amazing how quickly it all comes rushing back. | 0:32:13 | 0:32:17 | |
Everyone look at this camera. | 0:32:17 | 0:32:20 | |
I've worked it, girl, I've worked it! | 0:32:21 | 0:32:23 | |
I've worked it, girl. Thank you very much. | 0:32:23 | 0:32:26 | |
I've admittedly regressed a little, | 0:32:26 | 0:32:28 | |
and I suddenly feel like I'm one of the girls. | 0:32:28 | 0:32:31 | |
HE LAUGHS | 0:32:31 | 0:32:33 | |
And pose. | 0:32:33 | 0:32:34 | |
These girls are really investing in the dream - | 0:32:38 | 0:32:40 | |
six months of classes with all the expenses | 0:32:40 | 0:32:43 | |
can cost more than two months' local wages. | 0:32:43 | 0:32:46 | |
Not to be really sort of out of order about it, | 0:32:47 | 0:32:50 | |
but you can see that there are some girls that probably won't make it | 0:32:50 | 0:32:54 | |
just based on their height and their weight and their look. | 0:32:54 | 0:32:57 | |
And the people that really have potential really do stand out. | 0:32:57 | 0:33:01 | |
And of the 5,000 models on Elite Stars' books, | 0:33:01 | 0:33:05 | |
only 70 are working abroad. | 0:33:05 | 0:33:07 | |
So realistically, out of all these girls here, | 0:33:09 | 0:33:12 | |
who all really want this, really want a career, | 0:33:12 | 0:33:15 | |
how many of them will be as fortunate as you | 0:33:15 | 0:33:17 | |
to go abroad and have a career? | 0:33:17 | 0:33:19 | |
To be honest, they have all good chance. | 0:33:19 | 0:33:23 | |
The casting is being held later this afternoon. | 0:33:31 | 0:33:34 | |
-Hey, Vika, hello! -Hey! | 0:33:34 | 0:33:35 | |
I met Vika yesterday, but all I really know about her | 0:33:35 | 0:33:39 | |
is that she likes ice cream. Hello, I'm Reggie. | 0:33:39 | 0:33:41 | |
-Natalya. -Nice to meet you. | 0:33:41 | 0:33:43 | |
She lives with her single mum Natalya. | 0:33:43 | 0:33:46 | |
God, you need so many layers. It's so cold! OK. | 0:33:46 | 0:33:48 | |
-Cold, really?! -Yes! This is cold! | 0:33:48 | 0:33:51 | |
-Are you telling me this isn't cold? -For me, it's not cold. It's OK. THEY LAUGH | 0:33:51 | 0:33:56 | |
-So this is your place. -Yes. -This is really cute. | 0:33:56 | 0:33:58 | |
-Where are we headed? In here? -Yeah. -OK. | 0:33:58 | 0:34:00 | |
-So you love a flower, don't you? -Yeah. | 0:34:00 | 0:34:03 | |
It's a one-bedroom flat, so Vika sleeps in the living room. | 0:34:03 | 0:34:06 | |
This is my favourite flower. | 0:34:06 | 0:34:09 | |
There's loads here. Look at all of these pictures. | 0:34:09 | 0:34:11 | |
-What's this? Elite Stars? -Yeah, it's my diploma. | 0:34:11 | 0:34:15 | |
And I have a title, Miss Elite Stars. | 0:34:15 | 0:34:18 | |
-Miss Elite Stars? -Yeah. -Oh, so you won the crown? | 0:34:18 | 0:34:21 | |
Whoa, look at you! Nice. | 0:34:27 | 0:34:29 | |
That's my first photoshoot. | 0:34:34 | 0:34:36 | |
-Were you nervous? -Of course. | 0:34:36 | 0:34:39 | |
When I see a camera, I'm scared. | 0:34:39 | 0:34:41 | |
THEY LAUGH | 0:34:41 | 0:34:43 | |
This isn't her first international casting, | 0:34:50 | 0:34:53 | |
but she's never been picked, so everything is riding on this one. | 0:34:53 | 0:34:58 | |
How do you go about that, then? | 0:35:07 | 0:35:09 | |
Buckwheat was a staple of Soviet cuisine, | 0:35:15 | 0:35:17 | |
so I'm a little bit nervous. | 0:35:17 | 0:35:20 | |
HE LAUGHS | 0:35:20 | 0:35:22 | |
So this is where I can't say no, isn't it? | 0:35:22 | 0:35:25 | |
Smells like hot Weetabix. | 0:35:25 | 0:35:27 | |
And you wouldn't have this with anything? | 0:35:31 | 0:35:33 | |
THEY LAUGH | 0:35:40 | 0:35:41 | |
It is not tasty! | 0:35:41 | 0:35:43 | |
Were you happy for her to try and make modelling her thing? | 0:35:45 | 0:35:49 | |
THEY LAUGH | 0:35:49 | 0:35:51 | |
I mean, hearing all of that come from your daughter, | 0:36:05 | 0:36:08 | |
does that not scare you or worry you at all? | 0:36:08 | 0:36:10 | |
How likely to succeed are you? What are your chances? | 0:36:26 | 0:36:29 | |
I like that attitude. That's the only attitude to have. That's good. | 0:36:36 | 0:36:39 | |
Is failure even an option for you, then? | 0:36:39 | 0:36:42 | |
The casting that could make or break Vika's dream | 0:36:53 | 0:36:56 | |
is being held on the 22nd floor of a shopping mall. | 0:36:56 | 0:37:00 | |
I ought to be getting used to this by now, | 0:37:05 | 0:37:07 | |
but it's still surprising how young they are. | 0:37:07 | 0:37:09 | |
Anna's running the casting again, and there's a new foreign scout | 0:37:15 | 0:37:19 | |
I haven't spoken to before. | 0:37:19 | 0:37:21 | |
-I'm Reggie. -Yes, nice to meet you. -What was your name, sorry? | 0:37:25 | 0:37:27 | |
-Lionel. -And where are you from, Lionel? -Paris. | 0:37:27 | 0:37:30 | |
-You're from Paris? -Yep. -Right, so are you casting specifically for Paris today? -Yes. | 0:37:30 | 0:37:33 | |
So you're saying that one of the girls or some of the girls | 0:37:43 | 0:37:46 | |
in this room could walk at Fashion Week? | 0:37:46 | 0:37:48 | |
So what is the ideal for you today? | 0:37:49 | 0:37:52 | |
I mean, the Asian market was specifically looking for | 0:37:52 | 0:37:54 | |
someone with a smaller frame, and height didn't matter as much. | 0:37:54 | 0:37:58 | |
What's your criteria? | 0:37:58 | 0:38:00 | |
In fact, Lionel's already found a girl he's interested in. | 0:38:15 | 0:38:19 | |
Those pictures are incredible. They're really impressive, right? | 0:38:23 | 0:38:27 | |
She started to work at 14. | 0:38:31 | 0:38:33 | |
Now she's 15. | 0:38:33 | 0:38:36 | |
-You'd never know that from these images. -Yes. -It's unbelievable. | 0:38:36 | 0:38:38 | |
And it's the model face, when you can transform her | 0:38:38 | 0:38:41 | |
to any age, any style. | 0:38:41 | 0:38:42 | |
-Excuse me, what's your name? -Apollinariya. | 0:38:47 | 0:38:49 | |
Hello, nice to meet you. Do you speak English? | 0:38:49 | 0:38:52 | |
A little bit. A little bit. | 0:38:52 | 0:38:53 | |
So on your first trip abroad, did you work much, | 0:38:53 | 0:38:56 | |
or did you not get much work when you were there? | 0:38:56 | 0:38:58 | |
So you made good money then? | 0:39:06 | 0:39:08 | |
Yeah? | 0:39:08 | 0:39:10 | |
But with things going so well for you in the East, | 0:39:10 | 0:39:12 | |
are you trying to set your sights on the West now? | 0:39:12 | 0:39:15 | |
Is that why you've come today, to try and get picked up | 0:39:15 | 0:39:17 | |
-by our man from Paris? -Yeah. | 0:39:17 | 0:39:20 | |
So do you look at days like today as a competition, | 0:39:30 | 0:39:33 | |
or you're not even bothered about other people being here? | 0:39:33 | 0:39:36 | |
The competition's tough, and I'm worried for Vika. | 0:39:50 | 0:39:53 | |
It's her big moment, and she looks so nervous. | 0:39:55 | 0:39:59 | |
She's brand-new. yes. | 0:40:01 | 0:40:04 | |
The other girls seem to be getting a positive reaction. | 0:40:04 | 0:40:07 | |
But what about Vika? | 0:40:07 | 0:40:09 | |
Vika's casting seems to be over in a matter of minutes | 0:40:22 | 0:40:26 | |
and it's time for a new batch of girls to step up. | 0:40:26 | 0:40:29 | |
And how did it go? | 0:40:34 | 0:40:35 | |
-One centimetre, they said? -Yes. | 0:40:46 | 0:40:48 | |
That's a pretty harsh criticism about just the one centimetre. | 0:40:48 | 0:40:51 | |
And why were you in hospital? | 0:41:04 | 0:41:05 | |
Surely having a spinal problem isn't made easier | 0:41:11 | 0:41:14 | |
by being in heels all day? | 0:41:14 | 0:41:15 | |
Well, I'm not casting you. Take them off. | 0:41:26 | 0:41:28 | |
-Get them off, come on. Get them off. -SHE LAUGHS | 0:41:28 | 0:41:31 | |
You know, it's really funny, the minute you take your heels off, | 0:41:34 | 0:41:37 | |
suddenly you look like a 16-year-old girl again. | 0:41:37 | 0:41:40 | |
Suddenly your hair falls in front of your face and you look younger. | 0:41:40 | 0:41:43 | |
SHE LAUGHS OK. | 0:41:43 | 0:41:47 | |
Vika seems really upset and in a hurry to get home. | 0:41:56 | 0:42:00 | |
I feel bad for her - I know how hard she's tried. | 0:42:00 | 0:42:04 | |
The truth is, around 90% of these girls won't get picked. | 0:42:06 | 0:42:11 | |
But that doesn't stop them trying. | 0:42:11 | 0:42:13 | |
Reality show Siberia's Next Top Model is just one | 0:42:23 | 0:42:27 | |
of hundreds of competitions held across Russia. | 0:42:27 | 0:42:30 | |
It has a prize of 1,000 US dollars, | 0:42:30 | 0:42:33 | |
and Anya, the wannabe model I met a few days ago, is in the final. | 0:42:33 | 0:42:37 | |
The final's being held in a restaurant | 0:42:45 | 0:42:48 | |
at the back of yet another shopping centre, | 0:42:48 | 0:42:51 | |
and Tigran, the boss of Noah Models, has invited me to be a judge. | 0:42:51 | 0:42:55 | |
How's it going, guys? | 0:42:55 | 0:42:57 | |
How we doing? You all right? Looking good. | 0:42:57 | 0:42:59 | |
Like the other 28 finalists, | 0:43:06 | 0:43:08 | |
Anya's made it through 12 knockout rounds to get here. | 0:43:08 | 0:43:12 | |
But this evening's about more than just winning this local contest. | 0:43:25 | 0:43:28 | |
The international scouts are here as well. | 0:43:28 | 0:43:31 | |
CHEERING AND APPLAUSE | 0:43:56 | 0:43:58 | |
Number 18 seems to be cleaning up. | 0:43:58 | 0:44:00 | |
I picked her. I'm getting good at this model scouting. | 0:44:00 | 0:44:04 | |
CHEERING AND APPLAUSE | 0:44:08 | 0:44:10 | |
Contracts are being handed out for work in Europe and Asia, | 0:44:12 | 0:44:15 | |
but there's nothing yet for Anya. | 0:44:15 | 0:44:17 | |
It's really interesting seeing it from this perspective | 0:44:19 | 0:44:22 | |
and hearing what they think. | 0:44:22 | 0:44:23 | |
They really know what they're looking for, and it's tough. | 0:44:23 | 0:44:26 | |
And they have to be, because, you know, | 0:44:26 | 0:44:28 | |
it's massive competition with a worldwide market. | 0:44:28 | 0:44:32 | |
They've saved the best for last. | 0:44:32 | 0:44:34 | |
Tigran is looking for girls to go to America. | 0:44:34 | 0:44:37 | |
This could be Anya's big break - a better life for her and her mum. | 0:44:48 | 0:44:53 | |
CHEERING AND APPLAUSE | 0:45:00 | 0:45:02 | |
Just seeing the golden girl. | 0:45:09 | 0:45:11 | |
Hey! Well done. Congratulations! | 0:45:12 | 0:45:15 | |
-Oh, thank you. -So you're going to Los Angeles. You're going to California. | 0:45:15 | 0:45:20 | |
Oh, yeeeaaah! THEY LAUGH | 0:45:20 | 0:45:22 | |
Anya hasn't just won a contract in America - | 0:45:24 | 0:45:27 | |
first she's going to Asia. | 0:45:27 | 0:45:29 | |
So it's not just California, it's India as well. | 0:45:29 | 0:45:31 | |
You're going to be going to two corners of the world off the back of an evening's competition. | 0:45:31 | 0:45:35 | |
I mean, how are you feeling about all of this, Mum? | 0:45:35 | 0:45:38 | |
Anya, you've taken your shoes off. Is it that point in the night? | 0:45:46 | 0:45:50 | |
Is it time to finally let your hair down? | 0:45:50 | 0:45:51 | |
-Well done. Congratulations. -Thank you. | 0:45:57 | 0:45:59 | |
Well done, and congratulations to you too, Mum. | 0:45:59 | 0:46:01 | |
-And thank you. -Thank you. | 0:46:01 | 0:46:03 | |
Anya's not the only winner. | 0:46:03 | 0:46:06 | |
Excuse me. Sorry, excuse me. Sorry to interrupt. | 0:46:06 | 0:46:09 | |
I see you've got flowers. Did you win this evening? | 0:46:09 | 0:46:11 | |
-Yes. -You have? -I have. -Congratulations. | 0:46:11 | 0:46:14 | |
What's the contract for? Where are you going? | 0:46:14 | 0:46:16 | |
-China. Shanghai. -China? | 0:46:16 | 0:46:19 | |
-Wow. Have you ever been to China before? -No. | 0:46:19 | 0:46:23 | |
-And how old are you? -15. -15? | 0:46:23 | 0:46:25 | |
But there's a catch - Katya needs to persuade her mum and dad. | 0:46:27 | 0:46:31 | |
Does the decision have to be made now? | 0:46:32 | 0:46:34 | |
Do you have to decide literally this evening | 0:46:34 | 0:46:37 | |
if she's going to China or not? | 0:46:37 | 0:46:39 | |
How would you feel about her being out there | 0:46:44 | 0:46:46 | |
without you there to look after her? | 0:46:46 | 0:46:48 | |
Are you worried? I mean, what is it that's making you so emotional? | 0:46:53 | 0:46:56 | |
Being faced with this crossroad, I mean, | 0:47:05 | 0:47:08 | |
how big a decision is it for you? | 0:47:08 | 0:47:09 | |
Do you think Mum and Dad are going to say yes? | 0:47:24 | 0:47:26 | |
Maybe. HE LAUGHS | 0:47:26 | 0:47:29 | |
Ah, one word in English. That's a good English word to use. | 0:47:29 | 0:47:31 | |
That's the perfect word for this moment. | 0:47:31 | 0:47:34 | |
The right and the wrong is just so blurred, | 0:47:38 | 0:47:40 | |
because both avenues are the right one. | 0:47:40 | 0:47:45 | |
Letting your daughter start this career is the right thing to do, | 0:47:45 | 0:47:48 | |
but also not letting your child - your 15-year-old child - | 0:47:48 | 0:47:51 | |
go to China on their own is also the right thing to do. | 0:47:51 | 0:47:55 | |
I don't envy their decision. | 0:47:55 | 0:47:58 | |
And if it was my kid, I might say no as well. | 0:47:58 | 0:48:01 | |
I want to talk to someone who's been there, done it | 0:48:08 | 0:48:11 | |
and modelled the T-shirt. | 0:48:11 | 0:48:13 | |
Valeria was scouted when she was just 14, | 0:48:13 | 0:48:16 | |
and travelled the world modelling for 12 years. | 0:48:16 | 0:48:20 | |
I was young, you know. I just wanted to be like every girl. | 0:48:20 | 0:48:24 | |
Try new clothes, wear all... Like, you know, the Cinderella story. | 0:48:24 | 0:48:29 | |
Maybe you have this opportunity to be a princess. | 0:48:29 | 0:48:32 | |
Do you have pictures of you at that age? Can I see? | 0:48:32 | 0:48:34 | |
-This... -Is this you? -Yeah. | 0:48:34 | 0:48:36 | |
-This is Vivienne Westwood. -Oh, yeah, so it is. | 0:48:36 | 0:48:39 | |
-How old are you here? -14. | 0:48:39 | 0:48:42 | |
Wow. | 0:48:42 | 0:48:44 | |
God, you are so young. | 0:48:44 | 0:48:46 | |
-Wow. -And this was in Japan as well. | 0:48:46 | 0:48:49 | |
And you were like 14 or 15 here. | 0:48:49 | 0:48:51 | |
Did you have anyone looking after you? | 0:48:52 | 0:48:54 | |
No, that's the thing. You're alone | 0:48:54 | 0:48:56 | |
in another mentality, in another world, | 0:48:56 | 0:49:00 | |
-with no friends, no parents, and... -And you're a child. | 0:49:00 | 0:49:04 | |
And you're a child. If you go one centimetre more | 0:49:04 | 0:49:07 | |
then your contract is finished, right? | 0:49:07 | 0:49:11 | |
So I was paranoid that I am fat, but I was not fat. | 0:49:11 | 0:49:15 | |
How much money were you making at that age? | 0:49:15 | 0:49:18 | |
From 20 to 50,000 US per month. | 0:49:18 | 0:49:22 | |
That's a lot of money. You say it so flippantly, but that's a lot. | 0:49:22 | 0:49:25 | |
Yeah, but you have tickets then flights per month, | 0:49:25 | 0:49:27 | |
you don't understand what is the contract, you don't have a lawyer. | 0:49:27 | 0:49:31 | |
All you have is 10%. So you're making a lot of money, but you never get it. | 0:49:31 | 0:49:36 | |
Some girls, they don't know what to do, | 0:49:38 | 0:49:40 | |
and they put themselves in troubles. | 0:49:40 | 0:49:44 | |
What sort of troubles? | 0:49:44 | 0:49:46 | |
They're actually selling the girls for guys. You know, | 0:49:46 | 0:49:49 | |
just to hang out with these guys, and they pay to the bookers. | 0:49:49 | 0:49:53 | |
So random men would pay money to have young models | 0:49:53 | 0:49:57 | |
-just to hang out with them? -Yeah, of course. | 0:49:57 | 0:49:59 | |
A lot of girls, they are coming and they think that they are models, | 0:49:59 | 0:50:02 | |
but then they become prostitutes, you know? | 0:50:02 | 0:50:04 | |
How often does that sort of thing happen? | 0:50:04 | 0:50:06 | |
Well, some girls, because they are scared, because people say, | 0:50:06 | 0:50:10 | |
"I will not give you a passport, you will not go to your motherland, | 0:50:10 | 0:50:14 | |
"you have to make money and you have to find a way to make money." | 0:50:14 | 0:50:18 | |
And it's the reality, real reality, of this fashion industry. | 0:50:18 | 0:50:22 | |
St Petersburg - | 0:50:26 | 0:50:27 | |
Russia's second biggest city, and the home of Noah Models. | 0:50:27 | 0:50:31 | |
It's 6am and I'm at the airport to meet Anya. | 0:50:33 | 0:50:37 | |
She's flying in to shoot the portfolio she'll need | 0:50:37 | 0:50:40 | |
for her first contract abroad. | 0:50:40 | 0:50:41 | |
Hey! | 0:50:44 | 0:50:45 | |
And surprise, surprise - Katya's made it too. | 0:50:45 | 0:50:49 | |
Good to see you. How you doing? | 0:50:49 | 0:50:52 | |
Hello, hello, hello. Where are your bags? Is that all you've come with? | 0:50:52 | 0:50:55 | |
-THEY LAUGH -Come on. | 0:50:55 | 0:50:58 | |
They've got a busy day in front of them, | 0:51:02 | 0:51:04 | |
so we're heading straight to the studio. | 0:51:04 | 0:51:07 | |
Well, for both of you, this really could be the beginning of a career. | 0:51:07 | 0:51:11 | |
What do you expect to come from this? | 0:51:11 | 0:51:13 | |
-Hey! -Hey! -THEY LAUGH | 0:51:34 | 0:51:37 | |
Up to ten teenage models at a time can sleep here | 0:51:38 | 0:51:42 | |
when they're starting their careers. | 0:51:42 | 0:51:44 | |
This is the biggest photoshoot of their lives | 0:51:48 | 0:51:51 | |
and the work they get when they start abroad | 0:51:51 | 0:51:54 | |
will depend on how good these shots are. | 0:51:54 | 0:51:57 | |
And so it begins! | 0:51:57 | 0:51:59 | |
Anya doesn't look the most excited I've seen her, that's for sure. | 0:52:15 | 0:52:18 | |
Next up is Katya... | 0:52:18 | 0:52:21 | |
..and she looks incredibly nervous. | 0:52:25 | 0:52:28 | |
I think reality is suddenly starting to set in. | 0:52:29 | 0:52:32 | |
HE LAUGHS | 0:52:40 | 0:52:42 | |
It's hard work for the girls. | 0:52:42 | 0:52:44 | |
This is their first proper taste of the modelling business. | 0:52:44 | 0:52:48 | |
But I want to know if Tigran honestly thinks | 0:52:49 | 0:52:52 | |
either of these girls can make it big overseas. | 0:52:52 | 0:52:55 | |
Based on how much you know about these girls at this stage, | 0:52:55 | 0:52:58 | |
how realistic is it for them to make it? | 0:52:58 | 0:53:01 | |
They can make it to certain markets. Not to every market. | 0:53:01 | 0:53:05 | |
Just how fair do you think it is that, you know, so many girls | 0:53:08 | 0:53:11 | |
get taken on that don't necessarily have everything that it takes? | 0:53:11 | 0:53:15 | |
We're giving them an opportunity in life | 0:53:15 | 0:53:19 | |
to become someone. To do something more important. | 0:53:19 | 0:53:23 | |
-So would you do this... -I mean, what would the girls do in Krasnoyarsk? | 0:53:23 | 0:53:27 | |
At best, I mean, think of it. | 0:53:27 | 0:53:29 | |
Or in Novosibirsk. You know, | 0:53:29 | 0:53:32 | |
finish high school, go to college, have a diploma, and then do what? | 0:53:32 | 0:53:36 | |
Go get a job for 500 a month? | 0:53:36 | 0:53:40 | |
Marry someone at a very young age, have a baby, | 0:53:40 | 0:53:43 | |
most likely get divorced? This is what they're facing. | 0:53:43 | 0:53:48 | |
That's the reality of what they're facing. | 0:53:48 | 0:53:50 | |
What do you think the parents think about the role | 0:53:50 | 0:53:53 | |
that the agency plays in their daughter's career? | 0:53:53 | 0:53:55 | |
The parents, of course they want their children | 0:53:55 | 0:53:58 | |
to be more successful in life than they have been. | 0:53:58 | 0:54:01 | |
So they allow the girls to go to the West and, you know, become models. | 0:54:01 | 0:54:06 | |
But you have to understand one thing - | 0:54:06 | 0:54:09 | |
that for a Russian to go abroad in general, even as a tourist, | 0:54:09 | 0:54:14 | |
is a huge advantage, because they need visas literally to go anywhere. | 0:54:14 | 0:54:18 | |
So it's a great opportunity for their daughters. | 0:54:18 | 0:54:22 | |
And a great basis for a business like Tigran's. | 0:54:24 | 0:54:28 | |
But one thing's for sure - the girls seem absolutely determined | 0:54:28 | 0:54:32 | |
to grab this opportunity with both hands. | 0:54:32 | 0:54:36 | |
-Model room! -THEY LAUGH | 0:54:36 | 0:54:38 | |
-How we doing girls? You OK? -OK. -You all right? | 0:54:38 | 0:54:41 | |
How did you find today, then? | 0:54:41 | 0:54:43 | |
Has a day like today made you more excited | 0:54:55 | 0:54:58 | |
or made you realise just how much work you're about to get into? | 0:54:58 | 0:55:01 | |
Good luck, girls. | 0:55:09 | 0:55:10 | |
Best of luck, all right? Be good! Good luck. | 0:55:12 | 0:55:15 | |
All the girls need now are their visas, | 0:55:15 | 0:55:18 | |
so they can start their contracts and new lives abroad. | 0:55:18 | 0:55:21 | |
I can't say for certain whether they'll be one of the lucky ones | 0:55:30 | 0:55:33 | |
who'll actually make decent money. | 0:55:33 | 0:55:36 | |
But at least they will experience a life outside of Siberia | 0:55:36 | 0:55:40 | |
that they might not have otherwise. | 0:55:40 | 0:55:42 | |
I come from a place where there are so many opportunities. | 0:55:42 | 0:55:45 | |
I come from a place where I can be anything I want to be. | 0:55:45 | 0:55:48 | |
And I'm told that every day. Whereas here, | 0:55:48 | 0:55:51 | |
if you're a young girl, | 0:55:51 | 0:55:53 | |
this is one opportunity that takes you all over the world, potentially, | 0:55:53 | 0:55:56 | |
and could make you very, very wealthy and very successful. | 0:55:56 | 0:56:00 | |
And yes, it doesn't happen for everyone. | 0:56:00 | 0:56:03 | |
Anya and Katya might not end up getting careers. | 0:56:03 | 0:56:06 | |
But from what I've seen in my time in Siberia, | 0:56:06 | 0:56:09 | |
I can see why so many girls queue up to chase that modelling dream. | 0:56:09 | 0:56:15 |