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IN ITALIAN: | 0:00:05 | 0:00:07 | |
Maurizio's farm in the southern Tuscan hills is up for sale. | 0:00:38 | 0:00:42 | |
Before he sells, | 0:00:46 | 0:00:47 | |
he's handing over the running of his business to ten strangers. | 0:00:47 | 0:00:51 | |
-Hello! -Oh, hello. -Bottom's up! | 0:00:51 | 0:00:54 | |
They all share the same dream... | 0:00:54 | 0:00:56 | |
I am too young to go in my rocking chair quite yet. | 0:00:56 | 0:00:59 | |
..of starting a new life in Italy. | 0:01:01 | 0:01:04 | |
Being a farmer, living in Tuscany is what I should be doing. | 0:01:04 | 0:01:08 | |
But this once-in-a-lifetime opportunity | 0:01:08 | 0:01:11 | |
comes with responsibility. | 0:01:11 | 0:01:12 | |
What have you done all morning? | 0:01:12 | 0:01:14 | |
You will not get an answer from me. | 0:01:14 | 0:01:16 | |
By taking over the whole farm, | 0:01:16 | 0:01:19 | |
they must tend the 13-acre vineyard... | 0:01:19 | 0:01:21 | |
It's just really, really hard work. | 0:01:21 | 0:01:25 | |
..and five acres of olive trees... | 0:01:25 | 0:01:28 | |
The little babies are starting to be made into oil. | 0:01:28 | 0:01:31 | |
..as well as breathe new life into the bed and breakfast... | 0:01:31 | 0:01:34 | |
I can't quite believe this is happening. | 0:01:34 | 0:01:36 | |
..and serve food to paying customers. | 0:01:36 | 0:01:38 | |
Come with us to our...ristorante. | 0:01:38 | 0:01:42 | |
This is their chance to put their dreams to the test. | 0:01:44 | 0:01:47 | |
COUNTS IN ITALIAN | 0:01:47 | 0:01:49 | |
Right, we perhaps need someone who speaks Italian to know | 0:01:49 | 0:01:52 | |
what that's saying. | 0:01:52 | 0:01:54 | |
After two months, will any of the group | 0:01:54 | 0:01:56 | |
decide to buy the farm together? | 0:01:56 | 0:01:59 | |
I'd never be able to afford to do this sort of thing on my own. | 0:01:59 | 0:02:03 | |
Or will they find other ways to make Tuscany their new home? | 0:02:03 | 0:02:07 | |
What could possibly go wrong? | 0:02:07 | 0:02:09 | |
It's summer in Italy, | 0:02:15 | 0:02:17 | |
and these ten strangers are moving into the La Banditaccia. | 0:02:17 | 0:02:21 | |
90 miles from Florence, | 0:02:22 | 0:02:23 | |
the farm nestles in the hills of rural southern Tuscany. | 0:02:23 | 0:02:27 | |
Thank you. | 0:02:28 | 0:02:29 | |
'I'd always expected to have done something for me | 0:02:29 | 0:02:33 | |
'by the time I was 50.' | 0:02:33 | 0:02:35 | |
And all of the sudden, 50 appeared, | 0:02:35 | 0:02:38 | |
and that hasn't happened. | 0:02:38 | 0:02:40 | |
I can't believe how big this is. | 0:02:40 | 0:02:42 | |
Arriving at their new home, | 0:02:42 | 0:02:43 | |
where they will live for the next two months, | 0:02:43 | 0:02:46 | |
they meet each other... | 0:02:46 | 0:02:48 | |
-Hello. -Hi! | 0:02:48 | 0:02:49 | |
..for the first time. | 0:02:49 | 0:02:51 | |
-Tracy. -Rob. Nice to meet you. | 0:02:51 | 0:02:54 | |
What I'd love to get out of moving to Italy is being able | 0:02:54 | 0:02:56 | |
to say I did this, | 0:02:56 | 0:02:58 | |
I took a chance, a massive chance, and then I made it happen. | 0:02:58 | 0:03:01 | |
-I'm Karen, hi. -Tracy. -Hi, nice to meet you. -Pleased to meet you. | 0:03:01 | 0:03:04 | |
-The view, this is just... -Come and have a look. -..beautiful. | 0:03:04 | 0:03:07 | |
I always thought I'd like to run a B&B. | 0:03:07 | 0:03:09 | |
I hope the reality will live up to the dream. | 0:03:09 | 0:03:12 | |
I think it's going to be amazing. | 0:03:12 | 0:03:14 | |
The 18th-century farmhouse lies at the centre of a 250-acre estate. | 0:03:18 | 0:03:24 | |
Olive groves line the driveway | 0:03:25 | 0:03:28 | |
and a vineyard looks out over the valley. | 0:03:28 | 0:03:31 | |
It's been run as a business by Maurizio and his wife | 0:03:33 | 0:03:36 | |
for the last 20 years. | 0:03:36 | 0:03:39 | |
Absolutely perfect. | 0:03:39 | 0:03:41 | |
Basically, I just want a different life, away from... | 0:03:41 | 0:03:44 | |
what I've got used to for the last 36 years. | 0:03:44 | 0:03:47 | |
These new arrivals are united by a desire to change their lives, | 0:03:48 | 0:03:53 | |
but have come for very different reasons. | 0:03:53 | 0:03:56 | |
I think I've died and gone to heaven. | 0:03:56 | 0:03:58 | |
I do. | 0:03:58 | 0:03:59 | |
'I'm looking to rediscover the Lesley | 0:03:59 | 0:04:02 | |
'that I use to know many years ago,' | 0:04:02 | 0:04:04 | |
the one that had hopes, the dreams, the aspirations, | 0:04:04 | 0:04:07 | |
before life slapped me in the face a few times | 0:04:07 | 0:04:09 | |
and made me disillusioned. | 0:04:09 | 0:04:11 | |
I'm Andy. | 0:04:11 | 0:04:12 | |
-Karen, hi. -Karen. -Hi. | 0:04:12 | 0:04:14 | |
I'm Lesley. | 0:04:14 | 0:04:15 | |
Wow, wonderful place. | 0:04:19 | 0:04:20 | |
It's incredible. Absolutely incredible. | 0:04:20 | 0:04:23 | |
Living with nine other people, | 0:04:23 | 0:04:25 | |
it's always going to create some challenges, | 0:04:25 | 0:04:27 | |
but I think we'll all get on. I hope we all get on. | 0:04:27 | 0:04:29 | |
Hello. | 0:04:29 | 0:04:30 | |
I'm Altaf. | 0:04:30 | 0:04:31 | |
Hi, I'm Andy. | 0:04:31 | 0:04:33 | |
-Andy, pleased to meet you. And you are? -Hello, I'm Lesley. | 0:04:33 | 0:04:36 | |
-Lesley, pleased to meet you. -Three. -Oh, three! | 0:04:36 | 0:04:39 | |
THEY LAUGH | 0:04:39 | 0:04:41 | |
-Hello! -Oh, hello! | 0:04:41 | 0:04:42 | |
-Another one. I'm Gavin. -I'm Andy. | 0:04:42 | 0:04:45 | |
Pleased to meet you, Andy, how are you? | 0:04:45 | 0:04:46 | |
'One of the things I'm particularly interested in is wine, | 0:04:46 | 0:04:49 | |
'grapes and olive oil.' | 0:04:49 | 0:04:51 | |
That's where my main interest is lying. | 0:04:51 | 0:04:53 | |
-Bottoms up. -Salute. | 0:04:53 | 0:04:55 | |
Tin-tin. | 0:04:55 | 0:04:56 | |
Salute! | 0:04:58 | 0:04:59 | |
-Hi, I'm Robert. Good to meet you. -Oh, my God, this is heavy. | 0:05:02 | 0:05:06 | |
With introductions out of the way... | 0:05:06 | 0:05:08 | |
-I'm Chi. -Hi. -Pleasure to meet you. | 0:05:08 | 0:05:10 | |
Sorry, I'm a bit of a hugger. | 0:05:10 | 0:05:12 | |
..the group settle into their new surroundings. | 0:05:12 | 0:05:15 | |
-Beautiful view, isn't it? -Gorgeous. | 0:05:15 | 0:05:18 | |
So, can anybody speak Italian? | 0:05:18 | 0:05:20 | |
-No. -Non parlo italiano. | 0:05:20 | 0:05:23 | |
-English, definitely. -Which one's Scottish? -That. | 0:05:41 | 0:05:45 | |
'The first impression of the group | 0:05:45 | 0:05:46 | |
'is they all seem lovely at the moment.' | 0:05:46 | 0:05:48 | |
But I suppose, if you ask me in a week's time, | 0:05:48 | 0:05:50 | |
I'll let you know a different answer. | 0:05:50 | 0:05:52 | |
I have kind of warmed to Altaf. He seems really cool. | 0:05:52 | 0:05:55 | |
I was feeling a bit scared, I guess, in a way. | 0:05:55 | 0:05:57 | |
He came up and gave me a hug and was like, "I'll look after you." | 0:05:57 | 0:05:59 | |
THUNDER ROLLS SOFTLY | 0:05:59 | 0:06:01 | |
As a summer storm hits the farm and the new arrivals get | 0:06:04 | 0:06:08 | |
their first taste of the temperamental Tuscan weather... | 0:06:08 | 0:06:11 | |
-Ours was this one, I think. -Is that the bathroom? -Oops. | 0:06:11 | 0:06:15 | |
It seems that not everyone has been seduced by the rustic charm | 0:06:15 | 0:06:19 | |
of La Banditaccia. | 0:06:19 | 0:06:21 | |
This room is dirty. Even on the ground. | 0:06:21 | 0:06:23 | |
This is like animal stuff. | 0:06:23 | 0:06:24 | |
Look at this. This can't be real. | 0:06:26 | 0:06:28 | |
So much time and effort with the decor. | 0:06:28 | 0:06:30 | |
Where is the bed? | 0:06:30 | 0:06:31 | |
HE LAUGHS | 0:06:31 | 0:06:33 | |
Tuscany is famed for its storms. | 0:06:35 | 0:06:37 | |
I just thought that this is meant to be | 0:06:37 | 0:06:39 | |
one of the best times of the year. | 0:06:39 | 0:06:41 | |
Yeah, for rains. | 0:06:41 | 0:06:43 | |
I'm well aware that people would probably, on first impressions, | 0:06:43 | 0:06:47 | |
look at me and be like, "How's she going to survive | 0:06:47 | 0:06:49 | |
"in the country?" | 0:06:49 | 0:06:51 | |
But I think I'll be all right. | 0:06:52 | 0:06:54 | |
Everything is about adapting, and I'm good at that. | 0:06:54 | 0:06:56 | |
So, Mr Chef, what are you making? | 0:06:59 | 0:07:02 | |
Gavin, a trained chef with hospitality experience, | 0:07:03 | 0:07:07 | |
makes a start on an Italian classic. | 0:07:07 | 0:07:10 | |
-So, what do you reckon, spaghetti bolognese? -Yep. | 0:07:10 | 0:07:13 | |
-Do you need butter, Gav? -Yes, I do. | 0:07:13 | 0:07:15 | |
How many people do you cook for? | 0:07:17 | 0:07:18 | |
I don't like cooking for one, that's just a pointless exercise. | 0:07:18 | 0:07:23 | |
-And very sad. -And very sad. | 0:07:23 | 0:07:25 | |
So I wouldn't do that. | 0:07:25 | 0:07:27 | |
'I think the thing I'm looking to achieve from now on is | 0:07:27 | 0:07:29 | |
'to have a nice relationship with somebody. | 0:07:29 | 0:07:31 | |
'I've been single for quite some time now,' | 0:07:31 | 0:07:33 | |
and it is difficult, I suppose, you know, on a personal level. | 0:07:33 | 0:07:36 | |
The older you get, the harder it is to find somebody. | 0:07:36 | 0:07:39 | |
-Is that your wine, Chef? -Yes. | 0:07:39 | 0:07:41 | |
Call me Keith Floyd. | 0:07:41 | 0:07:43 | |
I think I'm ready for that. | 0:07:43 | 0:07:45 | |
Here's to our first night, | 0:07:46 | 0:07:48 | |
our first meal and hopefully the start of something that is | 0:07:48 | 0:07:53 | |
going to be the most amazing adventure we've ever been on | 0:07:53 | 0:07:56 | |
in our lives. | 0:07:56 | 0:07:57 | |
-I'll drink to that. -Cheers, cheers. -Chin-chin. | 0:07:57 | 0:08:01 | |
I really want to learn about making wine. | 0:08:14 | 0:08:16 | |
It's one of the greatest wine-producing countries | 0:08:16 | 0:08:18 | |
in the world, why would you not want to learn from these guys? | 0:08:18 | 0:08:21 | |
You know, for me, because I've done... | 0:08:21 | 0:08:22 | |
I've studied wine and I'm really passionate about it, | 0:08:22 | 0:08:24 | |
while I'm here, I'd like to embrace that, if that's OK with everyone. | 0:08:24 | 0:08:28 | |
I'm just really passionate about food. | 0:08:28 | 0:08:30 | |
And my career has always been in IT. | 0:08:30 | 0:08:33 | |
It's given me great financial return, | 0:08:33 | 0:08:35 | |
but it doesn't give me anything stimulating. | 0:08:35 | 0:08:37 | |
I'm here to learn about farming. | 0:08:37 | 0:08:39 | |
I want to get food from the field to the fork. | 0:08:39 | 0:08:41 | |
And that's what I'm here for. | 0:08:41 | 0:08:43 | |
-Didn't see you in the kitchen earlier, love. -Ooh! | 0:08:43 | 0:08:46 | |
There wasn't a lot of space. | 0:08:48 | 0:08:49 | |
There's loads of space in that kitchen. | 0:08:49 | 0:08:53 | |
What I hope we'll do, Gill, while we are here, | 0:08:53 | 0:08:54 | |
is support one another rather than attack one another. | 0:08:54 | 0:08:57 | |
I'm only joking. | 0:08:57 | 0:08:59 | |
I just thought I'd get that in there. | 0:08:59 | 0:09:01 | |
-Brilliant. Do you want to go next, Gill? -No. | 0:09:01 | 0:09:04 | |
I'm all good. I'm all good. | 0:09:04 | 0:09:07 | |
Well, what do you want to do? | 0:09:07 | 0:09:10 | |
-What were you hoping to do while you are here? -Just... | 0:09:10 | 0:09:13 | |
I just want a different life, one that I didn't have before. | 0:09:13 | 0:09:17 | |
Hm. What does that look like? | 0:09:17 | 0:09:19 | |
I don't know, I haven't seen it yet, | 0:09:19 | 0:09:21 | |
but, yeah, I'm really happy to learn. | 0:09:21 | 0:09:23 | |
As dawn breaks, | 0:09:56 | 0:09:58 | |
the group begin their second day on the farm together. | 0:09:58 | 0:10:01 | |
Eggs on toast. | 0:10:01 | 0:10:02 | |
Yeah, works for me. | 0:10:02 | 0:10:04 | |
-How's it going? -All right, buddy. | 0:10:06 | 0:10:08 | |
They have a busy week ahead, | 0:10:08 | 0:10:09 | |
getting to grips with learning to run the estate. | 0:10:09 | 0:10:12 | |
But first, they need Maurizio, the owner of the farm, | 0:10:14 | 0:10:18 | |
to show them around. | 0:10:18 | 0:10:19 | |
HE SPEAKS ITALIAN | 0:10:21 | 0:10:22 | |
He's brought his friend Christine to help translate. | 0:10:22 | 0:10:26 | |
I think we can go down here. Yeah, this looks good. | 0:10:26 | 0:10:30 | |
The beginning of autumn is a time when Tuscan farmers | 0:10:30 | 0:10:33 | |
have to work the hardest to make the most money. | 0:10:33 | 0:10:36 | |
Throughout this time, | 0:10:36 | 0:10:38 | |
the group will be totally responsible for running the farm. | 0:10:38 | 0:10:42 | |
It's a unique opportunity to see if the dream of a new life, | 0:10:42 | 0:10:46 | |
living off the land, lives up to reality. | 0:10:46 | 0:10:50 | |
The olive trees that you see here, in this field, | 0:10:50 | 0:10:52 | |
that's what you'll be picking. | 0:10:52 | 0:10:54 | |
What type of health and safety equipment is required | 0:11:05 | 0:11:07 | |
and what type of training is required | 0:11:07 | 0:11:09 | |
to pluck the olives from the trees? | 0:11:09 | 0:11:11 | |
LAUGHTER | 0:11:13 | 0:11:14 | |
It's very nice pick olives. | 0:11:14 | 0:11:17 | |
It's really very nice, because this is a tree that is so old. | 0:11:17 | 0:11:22 | |
When you pick it, they have a lot to tell us. | 0:11:22 | 0:11:24 | |
But it is a very important part of the income to the farms, yeah. | 0:11:24 | 0:11:30 | |
Oh, look here. Bella. | 0:11:30 | 0:11:33 | |
The vineyard, Maurizio's pride and joy, covers 5-and-a-half hectares | 0:11:33 | 0:11:38 | |
and thrives on the fertile soil of these ancient volcanic slopes. | 0:11:38 | 0:11:43 | |
It's an electric fence. | 0:11:43 | 0:11:45 | |
It's here because of the wild boars, | 0:11:45 | 0:11:47 | |
because if not, they would jump in and eat the grapes. | 0:11:47 | 0:11:49 | |
Tempted by the scent of ripe grapes, | 0:11:49 | 0:11:52 | |
wild boar can devour the vines, causing devastating damage. | 0:11:52 | 0:11:57 | |
In Italian, cinghiale means wild boar. | 0:11:57 | 0:12:01 | |
And it's delicious. | 0:12:04 | 0:12:05 | |
Checking and maintaining the fence will be crucial. | 0:12:07 | 0:12:11 | |
It's a 2km to walk around, every day, | 0:12:11 | 0:12:15 | |
to control if the fence is OK. | 0:12:15 | 0:12:19 | |
-It's not broken and, yeah. -So when do you want to us to start the walk? | 0:12:19 | 0:12:22 | |
-Tomorrow. -OK. -Yeah. | 0:12:22 | 0:12:24 | |
-Si. -This is a wild boars. -This is new. | 0:12:24 | 0:12:27 | |
They are fresh. | 0:12:27 | 0:12:28 | |
She's got piglets. | 0:12:30 | 0:12:32 | |
-Yeah, the small ones. -So that's when she's dangerous? -Yes. | 0:12:32 | 0:12:35 | |
-You'll be fine, you've got this. -I've been to the Forest of Dean. | 0:12:39 | 0:12:43 | |
-And you want us to pick all these? -Of course, Maurizio. | 0:12:52 | 0:12:56 | |
THEY SPEAK ITALIAN | 0:12:56 | 0:12:58 | |
Si, yes, of course. | 0:12:58 | 0:13:00 | |
How long does it take to harvest the entire crop? | 0:13:00 | 0:13:04 | |
What?! | 0:13:08 | 0:13:09 | |
Yeah, yeah. If you really pick from morning to evening, yeah. | 0:13:09 | 0:13:13 | |
..and my life. | 0:13:18 | 0:13:20 | |
So it's a pretty big responsibility for us to do this, and get it right. | 0:13:20 | 0:13:24 | |
-Yes. -A whole year's work, yeah. | 0:13:24 | 0:13:26 | |
-Yeah, I know. -Yeah. -Let's crack on, then. | 0:13:26 | 0:13:28 | |
-Andiamo? -Si. | 0:13:31 | 0:13:32 | |
I still find it very unbelievable | 0:13:38 | 0:13:40 | |
that he expects us to actually pick all those grapes. | 0:13:40 | 0:13:43 | |
And I can't believe, in a way, how hilly it is. | 0:13:44 | 0:13:47 | |
The sheer scale of this has blown me away. | 0:13:48 | 0:13:50 | |
We're just not used to that sort of intensive labour. | 0:13:50 | 0:13:54 | |
Inspired by the possibilities the farm offers them, | 0:14:16 | 0:14:19 | |
the group are eager to decide who is in charge of what, | 0:14:19 | 0:14:23 | |
starting with the crucial job | 0:14:23 | 0:14:25 | |
of keeping the wild boar out of the vineyard. | 0:14:25 | 0:14:29 | |
-And you're OK with walking the line? -Yeah, I'll walk the line. | 0:14:29 | 0:14:31 | |
I need one other person, just for health and safety, | 0:14:31 | 0:14:34 | |
because there are boar with piglets out there, one person on his own, | 0:14:34 | 0:14:37 | |
in case anything does happen, it needs two people. | 0:14:37 | 0:14:40 | |
In case you get eaten? | 0:14:40 | 0:14:42 | |
Just saying... | 0:14:42 | 0:14:44 | |
All right. OK. I'm a wimp, but I'll do it. | 0:14:44 | 0:14:47 | |
With the role of checking the perimeter fence filled by Andy, | 0:14:48 | 0:14:52 | |
talk turns to who should manage the impending grape harvest. | 0:14:52 | 0:14:56 | |
The number one priority, the biggest income for this farm is the vine. | 0:14:57 | 0:15:02 | |
-This is your domain. -Yeah. | 0:15:02 | 0:15:04 | |
I, for one, am more than happy to go along with whatever you're saying | 0:15:04 | 0:15:08 | |
-because it's something you know. -I agree. | 0:15:08 | 0:15:10 | |
-100%. -I don't mind doing that at all. | 0:15:10 | 0:15:13 | |
It might piss us off a bit, really, that you're telling us what | 0:15:13 | 0:15:16 | |
to do, but out of all the novices, | 0:15:16 | 0:15:19 | |
you're the one who knows the most. | 0:15:19 | 0:15:21 | |
Harvest manager. | 0:15:21 | 0:15:23 | |
I think kind of the position I was given was a bit of | 0:15:23 | 0:15:26 | |
a get-out-of-jail-free card for a lot of people. | 0:15:26 | 0:15:29 | |
They were like, "He knows about wine, give it to him." | 0:15:29 | 0:15:31 | |
And if you think about it, right, they're like, | 0:15:31 | 0:15:33 | |
"Oh, you know about this stuff," I'm like, "Hang on a second, | 0:15:33 | 0:15:36 | |
"I worked in a wine shop." | 0:15:36 | 0:15:37 | |
-Do you want a badge? -I think he does. | 0:15:37 | 0:15:41 | |
'I've managed projects.' | 0:15:41 | 0:15:43 | |
I've managed people. I'm passionate about wine. | 0:15:43 | 0:15:45 | |
So it kind of does make sense, but it was a bit of a... | 0:15:45 | 0:15:48 | |
"Give it to him!" | 0:15:48 | 0:15:49 | |
-Good morning. -Morning. | 0:15:55 | 0:15:58 | |
As the sun rises over the Amiata valley, | 0:15:58 | 0:16:02 | |
Andy starts on the first of his daily battles to stop | 0:16:02 | 0:16:06 | |
the wild boar destroying the ripening grapes. | 0:16:06 | 0:16:09 | |
You can see the tunnel through the woods, that's the pathway, | 0:16:13 | 0:16:17 | |
that's the track of where the boars come in. | 0:16:17 | 0:16:21 | |
And they'd obviously come up last night and pushed this up | 0:16:21 | 0:16:24 | |
against...pushed this up against the fence, which insulates it, | 0:16:24 | 0:16:29 | |
which allows them to get through and into the vine. | 0:16:29 | 0:16:32 | |
It's good exercise. | 0:16:32 | 0:16:34 | |
I want to get fitter cos, in my previous life, | 0:16:34 | 0:16:36 | |
I was sat in front of a computer. | 0:16:36 | 0:16:38 | |
What is better than having to do a 3km walk every morning? | 0:16:40 | 0:16:46 | |
In the last few years, it was getting less and less, | 0:16:51 | 0:16:54 | |
my physical activity, and that's what led to my heart attack | 0:16:54 | 0:16:59 | |
about 18 weeks ago, so this is, I think, | 0:16:59 | 0:17:05 | |
the best remedy, to be honest. | 0:17:05 | 0:17:07 | |
I'm a retired detective, | 0:17:12 | 0:17:14 | |
served with the Metropolitan Police | 0:17:14 | 0:17:16 | |
and Hertfordshire Constabulary for 31 years. | 0:17:16 | 0:17:19 | |
I ended up being a Specialist Firearms Officer | 0:17:23 | 0:17:26 | |
on Scotland Yard's Anti-Human Trafficking Unit. | 0:17:26 | 0:17:29 | |
Stun grenades, distraction devices, | 0:17:30 | 0:17:32 | |
rescuing hostages, basically saving people's lives. | 0:17:32 | 0:17:36 | |
I guess I'm possibly an adrenaline junkie. | 0:17:36 | 0:17:39 | |
And adrenaline is not good for the heart. | 0:17:40 | 0:17:43 | |
The heart attack was the wake-up call that I needed | 0:17:43 | 0:17:47 | |
to start cleansing myself of all those horrors I've seen. | 0:17:47 | 0:17:52 | |
Being here now is the best thing for me at this time. | 0:17:53 | 0:17:57 | |
It's a challenge, | 0:17:59 | 0:18:00 | |
but I just need to be a little less action man and a bit more gardener. | 0:18:00 | 0:18:04 | |
And I'm loving it. | 0:18:06 | 0:18:08 | |
This is...heaven! To me. | 0:18:08 | 0:18:12 | |
The rest of the group prepare for their third day | 0:18:16 | 0:18:18 | |
on the farm together. | 0:18:18 | 0:18:21 | |
They are eager to start bringing their plans to life. | 0:18:21 | 0:18:25 | |
I've just come to check out the vegetables. | 0:18:25 | 0:18:27 | |
'Living off the land | 0:18:27 | 0:18:29 | |
'has been my dream for so long' | 0:18:29 | 0:18:31 | |
that I want to see if it really is | 0:18:31 | 0:18:33 | |
what I want. | 0:18:33 | 0:18:36 | |
And Karen and Gavin want to provide fresh eggs to B&B guests | 0:18:36 | 0:18:40 | |
that come to stay. | 0:18:40 | 0:18:42 | |
All right, so what we need to get over is we want chickens that | 0:18:44 | 0:18:47 | |
are going to lay eggs immediately, so how do we break that down? | 0:18:47 | 0:18:50 | |
OK. Gosh. This is like a real chicken farm. | 0:18:50 | 0:18:54 | |
-Right, do you remember the phrase? -Oh, God. | 0:18:57 | 0:18:59 | |
That's 20 chickens. | 0:19:09 | 0:19:10 | |
I've just translated something by mistake. | 0:19:10 | 0:19:12 | |
I've got something about donkeys here now. | 0:19:12 | 0:19:15 | |
Oh, OK, right. | 0:19:23 | 0:19:24 | |
Easy. Let's go and find someone who can do it. | 0:19:24 | 0:19:26 | |
-Buongiorno. -Buongiorno. -Buongiorno. | 0:19:26 | 0:19:28 | |
-HE SPEAKS ITALIAN -Do you understand English? | 0:19:28 | 0:19:31 | |
-A little. -We'll work together. | 0:19:31 | 0:19:34 | |
-Venti pollo. -Ah, una ventina di polli. | 0:19:34 | 0:19:36 | |
THEY SPEAK ITALIAN | 0:19:36 | 0:19:39 | |
Possible? | 0:19:39 | 0:19:40 | |
Possible, it's possible. | 0:19:40 | 0:19:41 | |
-C'est possible, venti? -Yeah. | 0:19:41 | 0:19:43 | |
-Ah! -Oh, yes! | 0:19:44 | 0:19:47 | |
The farmer invites them to hand pick their chickens... | 0:19:47 | 0:19:50 | |
That one just winked at me, so we're going to get that one. | 0:19:50 | 0:19:53 | |
..with varying degrees of success. | 0:19:56 | 0:19:59 | |
-Ah! This is the professional. -OK. | 0:19:59 | 0:20:02 | |
Perfetto. | 0:20:03 | 0:20:05 | |
-Una. -Lovely. | 0:20:10 | 0:20:12 | |
That's nice. OK. | 0:20:12 | 0:20:13 | |
-Due. -Due. | 0:20:16 | 0:20:17 | |
They pay 200 euros for their 20 chickens... | 0:20:17 | 0:20:21 | |
-Grazie mille. -Thank you. | 0:20:21 | 0:20:22 | |
OK, we're finished. Full 20. | 0:20:22 | 0:20:25 | |
..and head back to the farm. | 0:20:25 | 0:20:27 | |
-Bye-bye. -Come on, let's take our family home. | 0:20:27 | 0:20:30 | |
-I haven't smelled this bad in years. -Oh, my God. | 0:20:30 | 0:20:33 | |
OK. | 0:20:35 | 0:20:37 | |
God. Oh, we've even brought flies with us. | 0:20:37 | 0:20:40 | |
The flies from the chickens. | 0:20:40 | 0:20:42 | |
Hey, kids, we're home. | 0:21:01 | 0:21:02 | |
-So, did you get 20? 20 little beasts? -Yeah, 20. | 0:21:05 | 0:21:07 | |
Any particular breed, any...? | 0:21:07 | 0:21:10 | |
They're black. | 0:21:10 | 0:21:11 | |
Hello, baby girl. | 0:21:11 | 0:21:13 | |
Come on, ladies. | 0:21:13 | 0:21:14 | |
All you single ladies! | 0:21:14 | 0:21:15 | |
They are delighted to have breathed new life into the farm. | 0:21:15 | 0:21:19 | |
-20 chickens. Two each. -Cute, aren't they? -Well done. | 0:21:19 | 0:21:23 | |
But it appears there is a slight problem. | 0:21:23 | 0:21:26 | |
One, two, three, four, five, six, seven, eight, nine, ten, | 0:21:26 | 0:21:30 | |
11, 12... | 0:21:30 | 0:21:31 | |
-15, 18. There are 18. -There are 18. -There are 18. | 0:21:31 | 0:21:33 | |
-We still have lost two. -We are missing two! | 0:21:33 | 0:21:36 | |
-You've picked the two...? -20. | 0:21:36 | 0:21:38 | |
We paid for 20 chickens, but when we got back, there were 16. | 0:21:41 | 0:21:44 | |
So we counted them again and there was 15. | 0:21:44 | 0:21:46 | |
We counted them again, a third time, and then there was 17. | 0:21:46 | 0:21:48 | |
And then somebody else counted them and, apparently, there were 18. | 0:21:48 | 0:21:51 | |
So we're hoping, if we leave them overnight, in the morning, | 0:21:51 | 0:21:54 | |
there will be 20. But right now, there's 18. | 0:21:54 | 0:21:56 | |
18 chickens are just the beginning. | 0:21:59 | 0:22:02 | |
The group have far more ambitious ideas | 0:22:02 | 0:22:04 | |
for their new life on the farm. | 0:22:04 | 0:22:06 | |
Keen to provide home-cooked food to their B&B guests, | 0:22:08 | 0:22:11 | |
Tracy and Chi clean the portico, | 0:22:11 | 0:22:14 | |
the perfect space for alfresco dining. | 0:22:14 | 0:22:17 | |
If we're going to try and be different, | 0:22:17 | 0:22:19 | |
-we've got to bring something different to the table. -Yeah. | 0:22:19 | 0:22:21 | |
It's already linked up to be able to have music and things, | 0:22:21 | 0:22:24 | |
so if we have some African music or something? | 0:22:24 | 0:22:26 | |
It's kind of like African Tuscan, you know what I mean? | 0:22:26 | 0:22:29 | |
It's sort of like, you know, got a bit of Africa, | 0:22:29 | 0:22:31 | |
got a bit of Italy. | 0:22:31 | 0:22:32 | |
It might be a bit strange and out there, | 0:22:32 | 0:22:34 | |
but someone's got to start somewhere. | 0:22:34 | 0:22:36 | |
I'll be in the bar. | 0:22:53 | 0:22:55 | |
Like La Banditaccia, many farms in the region have agriturismo status. | 0:22:55 | 0:23:00 | |
They offer accommodation and home-cooked food | 0:23:00 | 0:23:03 | |
to paying customers. | 0:23:03 | 0:23:04 | |
With their first set of B&B guests booked to stay next week, | 0:23:04 | 0:23:09 | |
Tracy, Chi and Gavin are visiting the nearest hotel for inspiration. | 0:23:09 | 0:23:14 | |
Wow. | 0:23:14 | 0:23:15 | |
Castel Porrona was built in the 12th century... | 0:23:20 | 0:23:24 | |
That's pretty special, isn't it? | 0:23:24 | 0:23:25 | |
..and originally belonged to Sienese nobility. | 0:23:25 | 0:23:29 | |
'The time is right for me to do something for myself. | 0:23:29 | 0:23:33 | |
'I would be disappointed if the only thing I'd ever been was a mum. | 0:23:33 | 0:23:37 | |
'I want to get the bed-and-breakfast up and running.' | 0:23:37 | 0:23:40 | |
My only regret would be that I didn't try. | 0:23:40 | 0:23:44 | |
I want to know, this is where I start, but in ten years' time, | 0:23:44 | 0:23:48 | |
this is where I'm going to be at. | 0:23:48 | 0:23:49 | |
I have a feeling it might be more than ten years. | 0:23:49 | 0:23:51 | |
-Might be more than ten years. -You never know. | 0:23:51 | 0:23:53 | |
All right, so we go this way. | 0:23:53 | 0:23:54 | |
General manager Signor Mazzoni... | 0:23:54 | 0:23:56 | |
..shows them a deluxe double room. | 0:23:58 | 0:24:01 | |
400? It's a lot, isn't it? | 0:24:01 | 0:24:03 | |
-You think it's a lot? -Yeah. | 0:24:03 | 0:24:05 | |
We're not trying to compete in any way with even the cheapest room | 0:24:05 | 0:24:09 | |
in this hotel. We are a million miles away from that. | 0:24:09 | 0:24:11 | |
Would we do sort of a British room or | 0:24:11 | 0:24:14 | |
a Chinese room or an African room, | 0:24:14 | 0:24:17 | |
-or would we keep it all Tuscan Italian? -Italian. | 0:24:17 | 0:24:20 | |
-I would suggest you, this way. -Keep it Tuscan Italian? -Tuscan Italian. | 0:24:20 | 0:24:24 | |
-Tuscan, but different style of Tuscan. -The old with the new. | 0:24:24 | 0:24:28 | |
Different style of bed, different size of bed - twin bed, double bed. | 0:24:28 | 0:24:30 | |
-That makes sense. -Oh, it's lovely. | 0:24:30 | 0:24:33 | |
You've done such a great job. I love it. | 0:24:33 | 0:24:35 | |
-MAZZONI: -Grazie. | 0:24:35 | 0:24:36 | |
Next, they head to the hotel's kitchen to find out what | 0:24:36 | 0:24:39 | |
home-cooked fare they offer. | 0:24:39 | 0:24:41 | |
-Oh, this is beautiful. -Wow. Whoa, I love it. | 0:24:41 | 0:24:45 | |
-Just like ours. -Look. | 0:24:45 | 0:24:47 | |
It is something very simple. | 0:24:47 | 0:24:49 | |
The hotel uses only the finest locally sourced ingredients | 0:24:49 | 0:24:55 | |
to create dishes that have been perfected by generations of Tuscans. | 0:24:55 | 0:24:59 | |
Nobody is Italian amongst us. | 0:24:59 | 0:25:01 | |
Would we need to have an Italian chef? | 0:25:01 | 0:25:04 | |
-Just check the experience of the person. -Right. | 0:25:04 | 0:25:06 | |
He has to know how to cook Tuscany food. That's it. | 0:25:06 | 0:25:11 | |
We will not have the budget to have a chef. | 0:25:11 | 0:25:14 | |
-No, we can learn how to do it. -I also don't think that would work. | 0:25:14 | 0:25:17 | |
You can't expect to provide a Tuscan experience | 0:25:17 | 0:25:20 | |
with an English housewife having a few cooking lessons. | 0:25:20 | 0:25:24 | |
Despite their concerns about a chef for their own restaurant, | 0:25:24 | 0:25:27 | |
Castel Porrona has certainly made an impression on Tracy. | 0:25:27 | 0:25:32 | |
-Thank you so much. -Grazie. -And if you can do... | 0:25:32 | 0:25:35 | |
No, I'm sorry, but here we do differently. | 0:25:35 | 0:25:37 | |
-Oh! I love this. -I'm so sorry, but we do better. | 0:25:37 | 0:25:41 | |
Just with the ladies. | 0:25:41 | 0:25:43 | |
I'm sorry. | 0:25:43 | 0:25:44 | |
-It's OK. -See you soon. Bye-bye. | 0:25:44 | 0:25:46 | |
Oh, that man is bloody lovely. | 0:25:46 | 0:25:49 | |
So kind. | 0:25:49 | 0:25:51 | |
'I mean, this feels to me like what I expected Tuscany to be like, | 0:25:53 | 0:25:57 | |
'and I somehow want to be able to take that' | 0:25:57 | 0:26:00 | |
and infuse it into our B&B project. | 0:26:00 | 0:26:04 | |
This undiscovered pocket of Tuscany is situated in the province | 0:26:20 | 0:26:25 | |
of Grosseto, 50 miles from the ancient city of Siena. | 0:26:25 | 0:26:29 | |
It is dominated by Monte Amiata, an extinct volcano | 0:26:33 | 0:26:37 | |
whose fertile lands have been cultivated for centuries. | 0:26:37 | 0:26:41 | |
It is in the foothills of this majestic mountain that the | 0:26:43 | 0:26:47 | |
group are hoping to create their own rural idyll | 0:26:47 | 0:26:50 | |
by living and working on a typical Tuscan farm. | 0:26:50 | 0:26:54 | |
-SOBS: -I just want to go home. I do, I just... | 0:26:54 | 0:26:58 | |
I don't know if I can do this any more. | 0:26:58 | 0:27:00 | |
But Gill is missing the life she left behind in the UK. | 0:27:00 | 0:27:03 | |
Are you all right? What's the matter? | 0:27:03 | 0:27:06 | |
I don't know, I just had a bit of a meltdown. | 0:27:06 | 0:27:08 | |
Why, what's up? | 0:27:10 | 0:27:11 | |
Oh, I don't know, just I really thought I could handle it, | 0:27:11 | 0:27:14 | |
but I don't know if I can. | 0:27:14 | 0:27:16 | |
-Yes, you can. -God. | 0:27:16 | 0:27:17 | |
I honestly thought I was stronger than this. | 0:27:17 | 0:27:20 | |
-I thought this was the answer for me, but it's not. -Mm-hm. | 0:27:20 | 0:27:23 | |
-I'm actually homesick. I miss everyone. -Mm-hm. | 0:27:26 | 0:27:29 | |
-I really do. I really want to go home, to be honest. -No. No. | 0:27:31 | 0:27:35 | |
Cos if you go home, what will happen when you get home? | 0:27:35 | 0:27:38 | |
-I'll have failed. -Mm-hm. -And how will that make you feel? | 0:27:38 | 0:27:42 | |
-Like crap. -Exactly. | 0:27:42 | 0:27:43 | |
We are ten strangers, everybody was going to come here | 0:27:46 | 0:27:49 | |
with their own baggage | 0:27:49 | 0:27:51 | |
and people are dealing with things in different ways. | 0:27:51 | 0:27:54 | |
-Are you all right? -Mm-hm. | 0:28:07 | 0:28:08 | |
In an attempt to revive Gill's spirits, Karen and Lesley | 0:28:15 | 0:28:19 | |
take her to the historic city of Siena, | 0:28:19 | 0:28:21 | |
45 miles north of La Banditaccia. | 0:28:21 | 0:28:25 | |
-When you look up, there are little balconies and things. -I know. | 0:28:25 | 0:28:27 | |
-It's so pretty. -It is really pretty. | 0:28:27 | 0:28:29 | |
And the bell towers. | 0:28:29 | 0:28:30 | |
-Hey, down here. -Oh, my God. | 0:28:30 | 0:28:32 | |
-Oh, my God. -Shall we go down? Yeah, let's go down. | 0:28:32 | 0:28:35 | |
Let's go see. | 0:28:35 | 0:28:37 | |
Mind your step. | 0:28:37 | 0:28:38 | |
They head for the cathedral, | 0:28:39 | 0:28:41 | |
a masterpiece in Romanesque Gothic architecture, | 0:28:41 | 0:28:45 | |
which lies in the Piazza del Duomo. | 0:28:45 | 0:28:48 | |
I am surprised that I am a bit more homesick than I thought. | 0:28:48 | 0:28:52 | |
I think someone said to me, "Are you going to miss anything?" | 0:28:52 | 0:28:55 | |
I was like, "No, no." | 0:28:55 | 0:28:57 | |
When I got to the airport, I looked out the window and I thought, | 0:28:57 | 0:29:01 | |
-"Oh, my God." -"What have I done?" | 0:29:01 | 0:29:03 | |
"What have I done?" I know. | 0:29:03 | 0:29:05 | |
It's when the reality kicks in, | 0:29:05 | 0:29:07 | |
and the fact is you are away from home and you miss your family. | 0:29:07 | 0:29:11 | |
It is a bit overwhelming sometimes. | 0:29:11 | 0:29:13 | |
Yeah, this time... | 0:29:13 | 0:29:14 | |
..this time last year, Graham and I were going, weren't we? So... | 0:29:15 | 0:29:19 | |
My partner, Graham, died of cancer | 0:29:27 | 0:29:29 | |
in March of this year, | 0:29:29 | 0:29:31 | |
and that really did hit me. | 0:29:31 | 0:29:34 | |
We went down the chemotherapy route | 0:29:36 | 0:29:38 | |
and by January we knew it wasn't going to work. | 0:29:38 | 0:29:43 | |
So... | 0:29:43 | 0:29:44 | |
It's almost like you can prepare for it, but you can't. | 0:29:45 | 0:29:49 | |
You know it's going to happen, but you can't prepare for that. | 0:29:49 | 0:29:52 | |
Graham and I had made plans to move abroad. | 0:29:55 | 0:29:58 | |
We just thought we'd spend the rest of our lives together. | 0:29:58 | 0:30:00 | |
Graham would often say, "Will you still go?" | 0:30:03 | 0:30:06 | |
And I said, "I don't know if I can without you." | 0:30:06 | 0:30:09 | |
Everything that we'd dreamed about, | 0:30:09 | 0:30:11 | |
everything that we thought about is just gone. Poof! | 0:30:11 | 0:30:16 | |
So, coming to Italy feels like starting a new life, | 0:30:18 | 0:30:21 | |
which is absolutely what I need. | 0:30:21 | 0:30:24 | |
There's got to be something more. | 0:30:24 | 0:30:26 | |
There is something more. | 0:30:27 | 0:30:29 | |
It's been four days since the group moved in together. | 0:30:37 | 0:30:41 | |
I didn't think how difficult it would be to end up with people | 0:30:41 | 0:30:45 | |
that I don't know. Trying to muck in and get along with them all, | 0:30:45 | 0:30:49 | |
I think that's the bit that's actually been | 0:30:49 | 0:30:51 | |
the most daunting of the whole process. | 0:30:51 | 0:30:53 | |
Learning to live with each other | 0:30:53 | 0:30:55 | |
has presented some unexpected challenges. | 0:30:55 | 0:30:58 | |
Unfortunately, my room is right below the kitchen. | 0:30:58 | 0:31:01 | |
And I understand that people want to stay up sometimes | 0:31:01 | 0:31:04 | |
and chat and drink, | 0:31:04 | 0:31:05 | |
but seriously, the noise is incredible. | 0:31:05 | 0:31:08 | |
The way the floor is set-up, it's about that thick. | 0:31:08 | 0:31:11 | |
Please, please find somewhere else to congregate | 0:31:11 | 0:31:14 | |
if you are staying up late. | 0:31:14 | 0:31:15 | |
I understand that, but where are the other places? | 0:31:15 | 0:31:18 | |
I think we might need to decide what that is. | 0:31:18 | 0:31:20 | |
-I don't care where they are, frankly. -But... | 0:31:20 | 0:31:22 | |
Just make sure it's somewhere else! | 0:31:22 | 0:31:24 | |
No, Gavin, that's true, but the first two nights we were here, | 0:31:24 | 0:31:27 | |
you all kept me up. | 0:31:27 | 0:31:29 | |
We are sharing. Right? Please, keep the noise down. That's all. OK? | 0:31:29 | 0:31:33 | |
If you want to stay up late, it's cool, but find somewhere outside. | 0:31:33 | 0:31:36 | |
Anywhere. But don't be disrespectful to other people. | 0:31:36 | 0:31:38 | |
Yeah, but... | 0:31:38 | 0:31:39 | |
Before we descend into getting upset with one another, you know, | 0:31:39 | 0:31:42 | |
-we are all respecting one another reasonably well. -Yeah. | 0:31:42 | 0:31:45 | |
I agree with that, and I think that's my point, | 0:31:45 | 0:31:47 | |
is that sort of the thing of just throwing out | 0:31:47 | 0:31:49 | |
"Just try and be respectful," | 0:31:49 | 0:31:51 | |
already to me indicates that people | 0:31:51 | 0:31:53 | |
are intentionally trying to be disrespectful, | 0:31:53 | 0:31:55 | |
and the truth of the matter is the whole house echoes. | 0:31:55 | 0:31:58 | |
Gavin's comment and the issue with Chi is symptomatic of | 0:32:00 | 0:32:04 | |
ten people who are strong-minded sharing a house. | 0:32:04 | 0:32:06 | |
Sometimes there are going to be frustrations, you know. | 0:32:06 | 0:32:08 | |
Our ability as a group to work together with those frustrations | 0:32:08 | 0:32:12 | |
is going to be the making or the undoing of us. | 0:32:12 | 0:32:15 | |
Let's just let it go. | 0:32:17 | 0:32:19 | |
Because, actually, it could then develop into some massive row, | 0:32:19 | 0:32:24 | |
and that clearly... | 0:32:24 | 0:32:25 | |
The group don't just have to learn to live with each other, | 0:32:46 | 0:32:50 | |
they also need to learn how to integrate with the locals. | 0:32:50 | 0:32:53 | |
-Sei, sei, sei. -Ten. Ten. | 0:32:55 | 0:32:59 | |
-Sei, sei, sei. -Oh, OK, six. | 0:32:59 | 0:33:01 | |
'People are actually very welcoming, | 0:33:01 | 0:33:03 | |
'and they will try and chat to you,' | 0:33:03 | 0:33:05 | |
but that's one issue I feel | 0:33:05 | 0:33:07 | |
really bad about cos I need to do something about my Italian. | 0:33:07 | 0:33:10 | |
Bene? Bene? Good price? | 0:33:10 | 0:33:13 | |
Bene? Quanto costa? | 0:33:13 | 0:33:15 | |
So some of the group have invited a neighbouring olive farmer | 0:33:15 | 0:33:19 | |
to help them learn Italian. | 0:33:19 | 0:33:21 | |
-Bene, e te? -Oh. -Tutto bene, yes. | 0:33:21 | 0:33:24 | |
Moving from France 15 years ago, | 0:33:24 | 0:33:27 | |
Romain followed his own dreams of a new life in Tuscany. | 0:33:27 | 0:33:32 | |
I had a job in Paris before, like a boring corporate job. | 0:33:32 | 0:33:37 | |
It was OK, it was well-paid, | 0:33:38 | 0:33:41 | |
but it was not really fulfilling. | 0:33:41 | 0:33:43 | |
For me, it was very important to find what is the meaning of life | 0:33:43 | 0:33:47 | |
and to go in this direction. | 0:33:47 | 0:33:49 | |
I personally chose to stay here because of the simplicity | 0:33:49 | 0:33:52 | |
of the life. | 0:33:52 | 0:33:54 | |
Yeah, I was thinking, we should start maybe today | 0:33:54 | 0:33:56 | |
with all the sentences you need to know | 0:33:56 | 0:33:59 | |
for, like, meeting people. | 0:33:59 | 0:34:01 | |
So you have the universal, fabulous "ciao". | 0:34:01 | 0:34:04 | |
ALL: Ciao. | 0:34:04 | 0:34:05 | |
-This is really good. -We know that. | 0:34:05 | 0:34:07 | |
-We know that. -That's the only one we know. -It works night and day. | 0:34:07 | 0:34:11 | |
'Learning Italian was the first thing for me to do.' | 0:34:11 | 0:34:15 | |
You can't do anything otherwise. | 0:34:15 | 0:34:16 | |
You can't buy anything, | 0:34:16 | 0:34:18 | |
you can't enjoy a dinner at the bar, | 0:34:18 | 0:34:21 | |
all the conversations. | 0:34:21 | 0:34:23 | |
So, a major thing, | 0:34:23 | 0:34:25 | |
learning the language. | 0:34:25 | 0:34:27 | |
-Aio? Eo? -Io. | 0:34:35 | 0:34:38 | |
Pronounce all the letters. Lavorare. | 0:34:57 | 0:35:00 | |
That's its sounds. | 0:35:00 | 0:35:01 | |
-Del Nigeria. -Del Nigeria. | 0:35:22 | 0:35:24 | |
Grazie. | 0:35:28 | 0:35:29 | |
Wow. | 0:35:32 | 0:35:34 | |
A clap for Chi. | 0:35:34 | 0:35:35 | |
She did well. She did well. She's easy. | 0:35:35 | 0:35:38 | |
Che cosa stai facendo qua? | 0:35:46 | 0:35:48 | |
Che cosa stai facendo qua? | 0:35:48 | 0:35:50 | |
"Che cosa" - what...thing? "Che cosa" - what thing? | 0:35:50 | 0:35:52 | |
Che cosa... | 0:35:52 | 0:35:54 | |
"Stai facendo" - are you doing? | 0:35:54 | 0:35:55 | |
OK. Che cosa stay... | 0:35:55 | 0:35:56 | |
-Stai. -Stai. | 0:35:56 | 0:35:58 | |
You pronounce all the letters. | 0:35:58 | 0:36:00 | |
Che cosa stai facendo? | 0:36:00 | 0:36:02 | |
Stai facendo qua. | 0:36:02 | 0:36:03 | |
-Qua. Qua. -Qua. | 0:36:03 | 0:36:05 | |
Grazie. | 0:36:07 | 0:36:09 | |
SHE MUTTERS | 0:36:09 | 0:36:10 | |
Prego. Prego. | 0:36:10 | 0:36:11 | |
Prego. | 0:36:11 | 0:36:12 | |
Oh, you're welcome. Yeah. Prego. | 0:36:12 | 0:36:14 | |
Prego. | 0:36:14 | 0:36:15 | |
HE SPEAKS ITALIAN | 0:36:15 | 0:36:17 | |
By ear, the Italian accent is not that alien to me. | 0:36:17 | 0:36:20 | |
I recognise particular sounds | 0:36:20 | 0:36:23 | |
from Nigerian languages, | 0:36:23 | 0:36:25 | |
especially the Igbo language, | 0:36:25 | 0:36:27 | |
which my father's family speak. | 0:36:27 | 0:36:31 | |
Yeah. | 0:36:31 | 0:36:33 | |
Whilst Chi ponders the similarities | 0:36:36 | 0:36:38 | |
between Igbo and Italian, | 0:36:38 | 0:36:40 | |
Gavin awaits an important arrival. | 0:36:40 | 0:36:43 | |
I'm just trying to get hold of my friend John. | 0:36:46 | 0:36:48 | |
He's driving my car down with my dog. | 0:36:48 | 0:36:51 | |
So, he's due to arrive | 0:36:51 | 0:36:52 | |
at about seven o'clock. | 0:36:52 | 0:36:54 | |
I'm just trying to get hold of him, make sure he's on... | 0:36:54 | 0:36:56 | |
'I got Ted about four years ago. | 0:36:56 | 0:36:58 | |
'We've been best friends ever since.' | 0:36:58 | 0:37:00 | |
He's a companion, he just makes me smile. | 0:37:00 | 0:37:03 | |
The story behind why I got Ted was... | 0:37:05 | 0:37:07 | |
I'll be honest with you, I was a little bit lonely, I think. | 0:37:07 | 0:37:10 | |
It's the thing of having some... | 0:37:10 | 0:37:12 | |
body to come home to. | 0:37:12 | 0:37:14 | |
I had Ted through my mum's illness | 0:37:14 | 0:37:16 | |
and with her passing, and... | 0:37:16 | 0:37:18 | |
to be honest, it might sound a bit weak, I don't know, | 0:37:18 | 0:37:20 | |
I don't really care, | 0:37:20 | 0:37:21 | |
but he made it a lot easier for me to get through it. | 0:37:21 | 0:37:26 | |
-How we doing? -Yeah, tickety-boo, how are you? | 0:37:26 | 0:37:28 | |
He knows immediately if I'm in a bad mood or I'm upset about something. | 0:37:28 | 0:37:32 | |
He's straight up there beside me, | 0:37:32 | 0:37:34 | |
head on the lap and, you know, that kind of interaction. | 0:37:34 | 0:37:36 | |
You can't put a price on that. | 0:37:36 | 0:37:38 | |
-INTERVIEWER: -How much did it cost you to bring Ted down? | 0:37:38 | 0:37:40 | |
1,500 plus. | 0:37:40 | 0:37:42 | |
Gavin's friend is driving Ted to Italy, | 0:37:42 | 0:37:45 | |
which means Gavin will also be reunited | 0:37:45 | 0:37:48 | |
with the second love of his life... | 0:37:48 | 0:37:51 | |
My car. | 0:37:51 | 0:37:52 | |
It's what they call a midlife crisis - | 0:37:52 | 0:37:54 | |
which, currently, I am on my... | 0:37:54 | 0:37:56 | |
..sixth midlife crisis. | 0:37:57 | 0:37:59 | |
I think they're great. | 0:37:59 | 0:38:00 | |
I think you should start having them when you're younger, to be honest. | 0:38:00 | 0:38:03 | |
It gives you a good excuse to do some really crazy stuff. | 0:38:03 | 0:38:06 | |
DOG BARKS | 0:38:06 | 0:38:09 | |
Oh! Here's my little fella! | 0:38:16 | 0:38:18 | |
Did you miss me? | 0:38:18 | 0:38:20 | |
Did you miss me? Aww! | 0:38:20 | 0:38:23 | |
Where's them kisses? Have you missed me? | 0:38:23 | 0:38:25 | |
TED PANTS | 0:38:25 | 0:38:26 | |
Oh, great he's weeing on me. Wonderful. | 0:38:26 | 0:38:29 | |
I guess that's a yes then. | 0:38:29 | 0:38:30 | |
Very manly-looking dog you've got there, boy. | 0:38:32 | 0:38:36 | |
I am confident in my masculinity. | 0:38:36 | 0:38:38 | |
-I don't need a big dog, do you know what I mean? -OK. | 0:38:38 | 0:38:41 | |
However, not everyone is quite so excited that Ted has moved in. | 0:38:43 | 0:38:50 | |
Ted, the super dog. | 0:38:50 | 0:38:51 | |
A couple of things on Ted - | 0:38:51 | 0:38:53 | |
great dog... | 0:38:53 | 0:38:54 | |
Clearly a very successful dog, | 0:38:54 | 0:38:56 | |
drives a nice car, nice lad... | 0:38:56 | 0:38:59 | |
After he arrived, he was a little bit overexcited | 0:38:59 | 0:39:02 | |
and pissed all over the room I was in. | 0:39:02 | 0:39:04 | |
I don't know, call me sensitive, OCD maybe, | 0:39:06 | 0:39:08 | |
but dog piss just isn't my thing. | 0:39:08 | 0:39:11 | |
Morning, handsome. | 0:39:19 | 0:39:21 | |
It's Saturday, | 0:39:21 | 0:39:23 | |
and Rob is waiting for crucial news. | 0:39:23 | 0:39:25 | |
I feel a bit stressed out today, | 0:39:26 | 0:39:29 | |
cos I just want everyone to get on board with this | 0:39:29 | 0:39:31 | |
and it's a bit like, "It's all right, Rob's dealing with it." | 0:39:31 | 0:39:34 | |
An expert from a local winery | 0:39:34 | 0:39:36 | |
is coming to check the grapes | 0:39:36 | 0:39:37 | |
to reveal if they are ripe for picking, | 0:39:37 | 0:39:40 | |
and harvest manager Rob is keen to be as prepared as possible. | 0:39:40 | 0:39:45 | |
Worst-case scenario is we get told today | 0:39:45 | 0:39:47 | |
that we've got to start on Monday. | 0:39:47 | 0:39:49 | |
It's just the organisation | 0:39:49 | 0:39:51 | |
of doing that on my tod. | 0:39:51 | 0:39:52 | |
But, hey, that's the role I took on and I'll get it done. | 0:39:52 | 0:39:55 | |
I've always been passionate about wine. | 0:39:57 | 0:39:59 | |
I find it fascinating, | 0:39:59 | 0:40:01 | |
so I quit my corporate job and I went to work in a wine shop. | 0:40:01 | 0:40:03 | |
All my friends say to me they've never seen me so happy | 0:40:03 | 0:40:06 | |
as when I was earning minimum wage and working in a wine shop. | 0:40:06 | 0:40:10 | |
-Hi, good morning. -Good morning. | 0:40:10 | 0:40:11 | |
Buongiorno. I'm Dr Seitini, | 0:40:11 | 0:40:13 | |
nice to meet you. | 0:40:13 | 0:40:14 | |
Rob isn't the only one anxious | 0:40:14 | 0:40:16 | |
to know when to start picking. | 0:40:16 | 0:40:18 | |
With vines ripening across the valley, | 0:40:18 | 0:40:21 | |
Dr Seitini is in great demand. | 0:40:21 | 0:40:24 | |
OK, so, let's go and check it. | 0:40:24 | 0:40:26 | |
There are several steps to pinpointing the perfect moment | 0:40:26 | 0:40:30 | |
when the grapes should be harvested. | 0:40:30 | 0:40:33 | |
This is a perfect grape of Sangiovese. Very nice. | 0:40:33 | 0:40:37 | |
Open the berry... | 0:40:37 | 0:40:39 | |
and you have to see how... | 0:40:39 | 0:40:42 | |
the seeds can be separated from the pulp. | 0:40:42 | 0:40:46 | |
If you can easily separate it, we are ripened, | 0:40:46 | 0:40:49 | |
we are perfectly matured. | 0:40:49 | 0:40:50 | |
-In this case, as you can see, it's not perfect. -Yeah. | 0:40:50 | 0:40:53 | |
Next thing, the skins - that's the most important part of the process. | 0:40:53 | 0:40:59 | |
You must see if it gives colour... | 0:40:59 | 0:41:01 | |
-You mean, the colour goes to the fingers? -Yeah. | 0:41:01 | 0:41:04 | |
-Yeah. -Right. -It doesn't give colour yet, you see? | 0:41:04 | 0:41:07 | |
-Let's go on and let's... -Come on, pal. | 0:41:07 | 0:41:09 | |
..and you can tell me what you feel while we walk. | 0:41:09 | 0:41:12 | |
Unbeknownst to the group, | 0:41:13 | 0:41:15 | |
not all the grapes are Sangiovese. | 0:41:15 | 0:41:18 | |
So, this is another variety and this is Merlot. | 0:41:18 | 0:41:22 | |
There are also 20 rows of Merlot | 0:41:22 | 0:41:25 | |
which Dr Seitini thinks might be ripening at a faster rate. | 0:41:25 | 0:41:29 | |
Try the berries. | 0:41:29 | 0:41:31 | |
Finally. | 0:41:31 | 0:41:33 | |
The berries are good. | 0:41:33 | 0:41:34 | |
More colour, almost ripened, | 0:41:34 | 0:41:36 | |
but we have a problem. | 0:41:36 | 0:41:38 | |
We have a problem. | 0:41:39 | 0:41:41 | |
The wild boar are eating a lot. | 0:41:41 | 0:41:44 | |
Yes. | 0:41:44 | 0:41:45 | |
So, I suggest you to make a sample right now | 0:41:45 | 0:41:48 | |
and we have to make an analysis | 0:41:48 | 0:41:50 | |
in order to understand | 0:41:50 | 0:41:51 | |
if we can harvest as soon as possible. | 0:41:51 | 0:41:54 | |
To save as many grapes...? | 0:41:54 | 0:41:55 | |
To save as many grapes. Yeah. | 0:41:55 | 0:41:57 | |
It's not great. | 0:42:01 | 0:42:02 | |
If we analyse these grapes | 0:42:02 | 0:42:03 | |
and they say, "Go, we've got to do it right away," | 0:42:03 | 0:42:05 | |
we just have to do the best we can | 0:42:05 | 0:42:07 | |
and pick as many grapes as possible. | 0:42:07 | 0:42:09 | |
Predicting when is the best time to harvest grapes | 0:42:11 | 0:42:14 | |
is not an exact science. | 0:42:14 | 0:42:18 | |
But science certainly plays a part. | 0:42:18 | 0:42:20 | |
By extracting the juice from the grapes, | 0:42:21 | 0:42:24 | |
Dr Seitini can measure the acidity | 0:42:24 | 0:42:27 | |
and sugar levels which indicate | 0:42:27 | 0:42:29 | |
the strength of alcohol. | 0:42:29 | 0:42:30 | |
OK. We have a high alcohol content. | 0:42:34 | 0:42:37 | |
I suggest you to harvest. | 0:42:37 | 0:42:39 | |
-Go for it straightaway? -Yeah, as soon as possible. | 0:42:39 | 0:42:42 | |
Prepare everything tomorrow | 0:42:42 | 0:42:43 | |
and then to harvest the day after. | 0:42:43 | 0:42:46 | |
-Grazie. -Thank you. It was a pleasure. | 0:42:46 | 0:42:49 | |
-Thank you very much for your time today. -Grazie. | 0:42:49 | 0:42:51 | |
-Bye-bye. -Ciao. -Ciao. | 0:42:51 | 0:42:53 | |
If you harvest for the first time, it's not easy. | 0:42:56 | 0:42:59 | |
It will be harder than they realise today for sure | 0:42:59 | 0:43:04 | |
because, when you harvest, | 0:43:04 | 0:43:06 | |
there is always something that happens. | 0:43:06 | 0:43:08 | |
Every vintage, every harvesting time has a surprise. | 0:43:08 | 0:43:12 | |
Despite the fact that it's only the Merlot grapes | 0:43:15 | 0:43:18 | |
that are ready to harvest, | 0:43:18 | 0:43:20 | |
Rob still has some concerns. | 0:43:20 | 0:43:22 | |
I'm not worried about getting the harvest in. | 0:43:22 | 0:43:26 | |
I'm worried about nine other people | 0:43:26 | 0:43:28 | |
pulling their weight and making it happen. | 0:43:28 | 0:43:30 | |
So, tomorrow morning, we're going to clean all the crates, | 0:43:30 | 0:43:33 | |
and Monday morning, we start picking. | 0:43:33 | 0:43:35 | |
Ahh! | 0:43:35 | 0:43:36 | |
That's what worries me, | 0:43:36 | 0:43:37 | |
making sure they all, like, put as much into it as I will. | 0:43:37 | 0:43:41 | |
The grape harvest isn't the only venture | 0:43:41 | 0:43:44 | |
about to start at La Banditaccia. | 0:43:44 | 0:43:47 | |
The reason I was really interested in coming here | 0:43:47 | 0:43:50 | |
was because I thought I would like to run a B&B | 0:43:50 | 0:43:53 | |
with a small, little... | 0:43:53 | 0:43:54 | |
Not necessarily a restaurant | 0:43:54 | 0:43:55 | |
but just somewhere where you can offer dinner to your B&B guests. | 0:43:55 | 0:43:58 | |
So, I just wanted to see how that could work. | 0:43:58 | 0:44:00 | |
Yeah, it's not going to take much, is it? | 0:44:00 | 0:44:02 | |
The group's first B&B guests | 0:44:02 | 0:44:04 | |
are booked to stay at the farm in four days' time. | 0:44:04 | 0:44:08 | |
With limited space in the main house, | 0:44:08 | 0:44:10 | |
they've decided to use the annexe | 0:44:10 | 0:44:12 | |
for their guests' accommodation. | 0:44:12 | 0:44:14 | |
It's looking good already, isn't it, eh? Cheers. | 0:44:14 | 0:44:18 | |
-You're going to walk in to the ladder... -Yup. | 0:44:18 | 0:44:21 | |
-When you get to the ladder, stop. -Stop. | 0:44:21 | 0:44:23 | |
By that time hopefully, I'll be level with the door. | 0:44:23 | 0:44:25 | |
-Yup. -OK? | 0:44:25 | 0:44:27 | |
-Insects. -Insects. -Mm-hmm. | 0:44:27 | 0:44:29 | |
-And then I will lift the door up... -OK. -..you come towards me, | 0:44:29 | 0:44:32 | |
so the door is now horizontal, | 0:44:32 | 0:44:34 | |
and then lower it slowly. | 0:44:34 | 0:44:36 | |
THEY LAUGH | 0:44:36 | 0:44:37 | |
Oops, something's falling. My glasses, OK. | 0:44:37 | 0:44:40 | |
Yeah, no, I'm good. | 0:44:40 | 0:44:43 | |
OK. | 0:44:43 | 0:44:45 | |
-Oh! -Hold it. | 0:44:45 | 0:44:47 | |
Hold up, I'm holding. | 0:44:47 | 0:44:48 | |
-Yeah. -Ready? | 0:44:48 | 0:44:50 | |
-Yup! -Ha! | 0:44:50 | 0:44:52 | |
There we go. Simple when you know how. | 0:44:52 | 0:44:54 | |
Oh, fantastic. Oh! | 0:44:54 | 0:44:56 | |
Oh! | 0:44:56 | 0:44:58 | |
Does it feel worse or better than it was before? | 0:44:58 | 0:45:01 | |
It feels worse, actually. | 0:45:01 | 0:45:03 | |
The early Merlot harvest | 0:45:04 | 0:45:06 | |
and the imminent arrival of the B&B guests | 0:45:06 | 0:45:09 | |
have added extra pressure to the group. | 0:45:09 | 0:45:12 | |
Over dinner that evening, | 0:45:12 | 0:45:14 | |
they discuss which venture should take priority. | 0:45:14 | 0:45:18 | |
We're talking about the annexe at the moment, | 0:45:18 | 0:45:20 | |
whether we can put the guests in the room or not, | 0:45:20 | 0:45:23 | |
and it's not going to be finished. | 0:45:23 | 0:45:24 | |
Oh, gosh, why are you being so negative? | 0:45:24 | 0:45:26 | |
We're the ones that did the work. | 0:45:26 | 0:45:28 | |
Once it's finished, it will be beautiful, but at this moment, | 0:45:28 | 0:45:30 | |
I think we're going to put far too much pressure on ourselves. | 0:45:30 | 0:45:33 | |
We have the harvest on Monday... | 0:45:33 | 0:45:34 | |
We've got people coming to stay here on Wednesday | 0:45:34 | 0:45:36 | |
and the girls are painting the annexe. | 0:45:36 | 0:45:38 | |
They've been painting it all day, | 0:45:38 | 0:45:40 | |
we've got to do the harvest tomorrow morning, | 0:45:40 | 0:45:42 | |
or start it tomorrow morning. Then we're going out tomorrow afternoon. | 0:45:42 | 0:45:45 | |
Then Monday, we're harvesting. | 0:45:45 | 0:45:46 | |
Monday afternoon, they'll have to finish. | 0:45:46 | 0:45:49 | |
These guests are checking in on Wednesday... | 0:45:49 | 0:45:51 | |
and it's all that kind of stuff, you're just like, "Oh, man." | 0:45:51 | 0:45:54 | |
We have to go up to the vineyard tomorrow morning. | 0:45:54 | 0:45:56 | |
We've got X amount of boxes | 0:45:56 | 0:45:58 | |
that need washing before we put the grapes in. | 0:45:58 | 0:46:00 | |
Why didn't you then drop everything today and come and help us, then? | 0:46:00 | 0:46:04 | |
Rather than do sweet FA, | 0:46:04 | 0:46:07 | |
we could have all gone in and done it... | 0:46:07 | 0:46:09 | |
We haven't been doing sweet FA, love, I was up in the fields. | 0:46:09 | 0:46:12 | |
-I've been up since five o'clock, what time did you get up? -Seven. | 0:46:12 | 0:46:14 | |
Right, let's get realistic. | 0:46:14 | 0:46:16 | |
Come on, that's ridiculous. Sorry. | 0:46:16 | 0:46:17 | |
'The harvest is such a huge responsibility | 0:46:17 | 0:46:20 | |
'and we don't want to mess it up,' | 0:46:20 | 0:46:21 | |
but I think the problem is that everybody, in some way, | 0:46:21 | 0:46:24 | |
is self-centred. | 0:46:24 | 0:46:25 | |
She actually said, "What have you been doing all day?" | 0:46:25 | 0:46:27 | |
And it's a very hurtful thing. | 0:46:27 | 0:46:29 | |
You know, I was up at five o'clock this morning. I haven't stopped. | 0:46:29 | 0:46:31 | |
I'm back at her, | 0:46:31 | 0:46:33 | |
which I don't feel good about it. | 0:46:33 | 0:46:34 | |
I can be a bit short-tempered, I know I can. | 0:46:34 | 0:46:36 | |
You know, I can be a bit grumpy. | 0:46:36 | 0:46:38 | |
I know that. | 0:46:38 | 0:46:40 | |
But it doesn't make you feel good when you bite. | 0:46:40 | 0:46:42 | |
ROOSTER CROWS | 0:46:48 | 0:46:50 | |
It's the day before the Merlot harvest... | 0:46:52 | 0:46:55 | |
I'll just grab some boxes. Give me two seconds. | 0:46:55 | 0:46:58 | |
..so Rob, Gavin and Andy | 0:46:58 | 0:46:59 | |
prepare the crates they need to collect the grapes. | 0:46:59 | 0:47:03 | |
Even this is making me emotional. | 0:47:03 | 0:47:04 | |
HE LAUGHS AND SNIFFLES | 0:47:04 | 0:47:07 | |
Oh! | 0:47:07 | 0:47:08 | |
There's things you take for granted, like Mother's Day and Father's Day. | 0:47:08 | 0:47:11 | |
Mother's, Father's Day. | 0:47:11 | 0:47:13 | |
It affects me if I'm walking down the street | 0:47:13 | 0:47:15 | |
and I see somebody with their parents. | 0:47:15 | 0:47:16 | |
It's like, "They've got the parents and I haven't," you know? | 0:47:16 | 0:47:18 | |
-Yeah, yeah. -I know, it's weird. | 0:47:18 | 0:47:21 | |
It'll be last January my mum passed | 0:47:21 | 0:47:23 | |
and I'll be driving down the road and, all of a sudden, | 0:47:23 | 0:47:25 | |
it just hits you with the a hammer that, yeah, she's not here any more. | 0:47:25 | 0:47:28 | |
-Yeah. -Ahh! And you start thinking about, | 0:47:28 | 0:47:30 | |
"Oh, what was the last thing I said to them? | 0:47:30 | 0:47:32 | |
"Was I mean? Was I rude?" | 0:47:32 | 0:47:34 | |
Mate, especially with my dad, | 0:47:34 | 0:47:35 | |
cos my dad was just... like that and he was gone. | 0:47:35 | 0:47:37 | |
With Mum I said to my sister, like, | 0:47:37 | 0:47:39 | |
"Just sit with Mum and ask her loads of questions. | 0:47:39 | 0:47:41 | |
She was like, "What kind of questions?" | 0:47:41 | 0:47:42 | |
I was like, "Ask her favourite colour, her favourite flower." | 0:47:42 | 0:47:45 | |
We've got it all written down. We always wear red on her birthday. | 0:47:45 | 0:47:48 | |
It was her favourite colour, so we always wear red. | 0:47:48 | 0:47:51 | |
HE SNIFFS | 0:47:51 | 0:47:52 | |
I'd say losing Mum was pretty life-changing. | 0:47:54 | 0:47:56 | |
I was 30 years old. | 0:47:56 | 0:47:58 | |
I still, to this day, say it's the worst year of my life. | 0:47:58 | 0:48:01 | |
We watched her die, | 0:48:01 | 0:48:02 | |
as horrific as that sounds. | 0:48:02 | 0:48:04 | |
It's pretty hard to deal with. | 0:48:04 | 0:48:06 | |
It's affected me massively and it is... | 0:48:06 | 0:48:09 | |
Part of the decision to leave the UK is that. | 0:48:10 | 0:48:13 | |
It just shows you how brief life is | 0:48:13 | 0:48:17 | |
and how important it is to kind of make the most of it. | 0:48:17 | 0:48:21 | |
-Cos you always think you've got more time. -Yeah. | 0:48:21 | 0:48:24 | |
And you haven't. | 0:48:24 | 0:48:26 | |
Summer in Tuscany is a time when communities come together | 0:48:38 | 0:48:42 | |
to host festivals that celebrate the fruits of the land. | 0:48:42 | 0:48:46 | |
It's so nice, isn't it? | 0:48:46 | 0:48:47 | |
-Gorgeous. -You could have it with a glass of wine. -I know. | 0:48:47 | 0:48:49 | |
La Sagra della Bruschetta, in the village of Montegiovi, | 0:48:49 | 0:48:53 | |
is the group's first opportunity | 0:48:53 | 0:48:55 | |
to mix with the locals and meet their fellow farmers. | 0:48:55 | 0:48:58 | |
SHE SPEAKS ITALIAN | 0:49:14 | 0:49:17 | |
Welcome to Montegiovi. Nice to meet you. | 0:49:20 | 0:49:22 | |
-Pleased to meet you. -Buonasera. | 0:49:22 | 0:49:24 | |
You see, there is a problem. | 0:49:24 | 0:49:26 | |
The small mosquito that attack | 0:49:26 | 0:49:29 | |
the olives and put some eggs in the olives. | 0:49:29 | 0:49:33 | |
The risk is that, | 0:49:33 | 0:49:34 | |
if these eggs are growing, | 0:49:34 | 0:49:36 | |
-the olives will be completely... -Destroyed. | 0:49:36 | 0:49:39 | |
..corrupted and destroyed, very fast. | 0:49:39 | 0:49:42 | |
So you should harvest early? | 0:49:42 | 0:49:44 | |
Yeah. | 0:49:44 | 0:49:45 | |
It's kind of freaked us out a little bit, we went into panic mode, | 0:49:46 | 0:49:49 | |
because he said he's already harvested his olives. | 0:49:49 | 0:49:51 | |
So, we're panicking about the grapes and he's like, | 0:49:51 | 0:49:53 | |
"You have to do your olives as well," | 0:49:53 | 0:49:55 | |
and we're going, "Oh, God!" | 0:49:55 | 0:49:56 | |
-Come on then, girlies. -All right. | 0:49:56 | 0:49:58 | |
Will you look after my bag? Grazie. | 0:49:58 | 0:50:02 | |
Whilst Rob worries about the olive harvest, | 0:50:02 | 0:50:05 | |
the women get stuck into a traditional tug-of-war. | 0:50:05 | 0:50:10 | |
-You have to pull it... -From there. -..from over there. -OK. | 0:50:10 | 0:50:14 | |
-Uno, due... -HE WHISTLES | 0:50:14 | 0:50:17 | |
CHEERING | 0:50:32 | 0:50:36 | |
-Oh, my heart. -We done well. | 0:50:36 | 0:50:38 | |
I don't know if I can speak. | 0:50:38 | 0:50:41 | |
I haven't done tug-of-war since I was at school. It's just so funny. | 0:50:41 | 0:50:45 | |
-Still up? -Yeah, yeah. | 0:51:06 | 0:51:08 | |
It's the morning of the grape harvest. | 0:51:12 | 0:51:15 | |
Of the 13 acres, | 0:51:17 | 0:51:18 | |
just 20 rows of grapes are Merlot, | 0:51:18 | 0:51:21 | |
which provides the group with the chance | 0:51:21 | 0:51:23 | |
to test their harvesting abilities | 0:51:23 | 0:51:25 | |
before the main event. | 0:51:25 | 0:51:28 | |
I'm kind of hoping we can all kind of work together | 0:51:28 | 0:51:30 | |
and we can all move in the same direction. | 0:51:30 | 0:51:33 | |
It's trying to make sure that | 0:51:33 | 0:51:35 | |
no-one feels ostracised and everyone can work together. | 0:51:35 | 0:51:37 | |
It's only nine o'clock in the morning and you're sweating already. | 0:51:37 | 0:51:40 | |
'We all have the same final goal, right?' | 0:51:40 | 0:51:42 | |
We're all here to start over, | 0:51:42 | 0:51:43 | |
to start fresh and do something for ourselves. | 0:51:43 | 0:51:46 | |
As long as we work towards that, you know, | 0:51:46 | 0:51:49 | |
there's nothing to stop us kind of getting there, really. | 0:51:49 | 0:51:51 | |
We work together, | 0:51:51 | 0:51:52 | |
we all aim for that final goal. It's... | 0:51:52 | 0:51:55 | |
It should be easy. | 0:51:55 | 0:51:57 | |
Anything you can get your hands on, | 0:52:02 | 0:52:03 | |
get your hands on it, cut it. | 0:52:03 | 0:52:05 | |
Don't put any crap in, though. | 0:52:05 | 0:52:07 | |
Can you show us what "crap" is, please, that we don't take? | 0:52:07 | 0:52:10 | |
You don't want to be picking that. | 0:52:10 | 0:52:12 | |
The majority are dried, so just bin it. | 0:52:12 | 0:52:15 | |
Whereas, if it's the other way around, | 0:52:15 | 0:52:16 | |
if the majority are OK and you have a couple of dried ones, | 0:52:16 | 0:52:19 | |
cut it, pick the dry ones off and then put them in your basket. Yeah? | 0:52:19 | 0:52:22 | |
OK. | 0:52:22 | 0:52:23 | |
There's not a lot. | 0:52:23 | 0:52:24 | |
Looking at these grapes, like, there's nothing to pick. | 0:52:24 | 0:52:27 | |
The boar have eaten most of it. | 0:52:27 | 0:52:29 | |
It won't take long. | 0:52:29 | 0:52:31 | |
As harvest manager, | 0:52:31 | 0:52:33 | |
Rob has devised a system | 0:52:33 | 0:52:35 | |
for the group to work in pairs. | 0:52:35 | 0:52:37 | |
Jill and Karen, if you take this row. | 0:52:37 | 0:52:39 | |
-So, you go up that side... -And down? | 0:52:39 | 0:52:41 | |
-..and down this side. -OK. | 0:52:41 | 0:52:42 | |
I reckon it'll become a bit of a competition as well. | 0:52:42 | 0:52:45 | |
They'll be like, "I picked more grapes than you." It's great. | 0:52:45 | 0:52:47 | |
You love that. You love that little bit of motivation within a team. | 0:52:47 | 0:52:51 | |
You stay there. | 0:52:51 | 0:52:53 | |
Well away from the tractor. | 0:52:53 | 0:52:55 | |
It's a bit like the National | 0:52:55 | 0:52:56 | |
and all the horses are all jittering, | 0:52:56 | 0:52:58 | |
and then the gates go and they're off. | 0:52:58 | 0:53:00 | |
You be a good boy. | 0:53:00 | 0:53:02 | |
Two, three. So, you want one in the middle, yeah. | 0:53:07 | 0:53:10 | |
That's it. | 0:53:10 | 0:53:11 | |
It's really nice, actually. | 0:53:16 | 0:53:18 | |
Good to be picking some grapes, | 0:53:18 | 0:53:19 | |
dealing with the harvest. | 0:53:19 | 0:53:21 | |
I think it's... Yeah, working nicely. | 0:53:21 | 0:53:24 | |
It's a bit hunt the bunch. | 0:53:24 | 0:53:26 | |
It's really hard, this, | 0:53:38 | 0:53:39 | |
because they're all a bit knackered, aren't they? | 0:53:39 | 0:53:41 | |
Oh, God. | 0:53:41 | 0:53:43 | |
I know. These naughty pigs, they've done a good job right here, | 0:53:43 | 0:53:46 | |
-haven't they? -Yeah. | 0:53:46 | 0:53:47 | |
-Actually, have we done this one already? -No. | 0:53:54 | 0:53:57 | |
We can't have done. | 0:53:57 | 0:53:58 | |
I mean, look at that pathetic little thing. Whoops. | 0:54:02 | 0:54:05 | |
People don't listen, do they? | 0:54:05 | 0:54:06 | |
I said this morning, "Don't cut the other side of the vine." | 0:54:06 | 0:54:09 | |
What's Chi doing? Cutting the other side as Tracy. | 0:54:09 | 0:54:11 | |
Chi! Chi! | 0:54:11 | 0:54:13 | |
Can you work with Tracy on going down that side, | 0:54:13 | 0:54:16 | |
like we discussed originally, please? | 0:54:16 | 0:54:17 | |
It's a bit of a breakdown in communication, that's all. | 0:54:17 | 0:54:20 | |
Can I not come up the other side? | 0:54:20 | 0:54:22 | |
No, no, no, that's been done. | 0:54:22 | 0:54:24 | |
-No, it hasn't. -Robert's gone down that side. | 0:54:24 | 0:54:26 | |
He hasn't. There's loads of grapes. I've just been looking. | 0:54:26 | 0:54:29 | |
I was going to pick them all. | 0:54:29 | 0:54:30 | |
So, what are you...? | 0:54:30 | 0:54:32 | |
Robert has not passed me. | 0:54:32 | 0:54:33 | |
Can I flip to the other side with and come up? | 0:54:33 | 0:54:35 | |
-Flip to the other side. So, you boys... -Come back up that one? | 0:54:35 | 0:54:37 | |
Come back up that one, yeah. | 0:54:37 | 0:54:38 | |
But what happens, Rob, | 0:54:38 | 0:54:40 | |
when they've done that and come up there, where do they go then? | 0:54:40 | 0:54:42 | |
We go over to that one. | 0:54:42 | 0:54:43 | |
They use their common sense and look down and see | 0:54:43 | 0:54:45 | |
-where people are working. -We've done that as well, but somehow... | 0:54:45 | 0:54:48 | |
You common sense isn't working! | 0:54:48 | 0:54:51 | |
It's just really, really hard work. | 0:54:51 | 0:54:54 | |
-OK? -OK. | 0:54:54 | 0:54:55 | |
There's certain kinds of people who, | 0:54:55 | 0:54:57 | |
"I'll sit down on a crate, someone might bring me some Pimm's!" | 0:54:57 | 0:55:00 | |
That's frustrating. | 0:55:00 | 0:55:01 | |
After three hours of picking, | 0:55:01 | 0:55:03 | |
Rob calls the group together for a break. | 0:55:03 | 0:55:06 | |
How did everybody find that? | 0:55:06 | 0:55:08 | |
Really hard. | 0:55:08 | 0:55:09 | |
Mixed. Very mixed. | 0:55:09 | 0:55:11 | |
Some of the grapes were easy because, | 0:55:11 | 0:55:13 | |
if they're in a bunch, you can just snip them, put them in the thing. | 0:55:13 | 0:55:16 | |
Some of them were in such a mess... | 0:55:16 | 0:55:18 | |
We're past halfway, | 0:55:18 | 0:55:20 | |
so if anybody wants to skedaddle, they can. | 0:55:20 | 0:55:22 | |
If you've got other jobs you want to go and do. | 0:55:22 | 0:55:24 | |
There's only about five rows left. | 0:55:24 | 0:55:26 | |
Whilst the rest of the group head back to the farm... | 0:55:26 | 0:55:29 | |
Rob and Altaf load the crates. | 0:55:29 | 0:55:31 | |
It's almost like we've missed that entire row. | 0:55:45 | 0:55:46 | |
How poorly these have been picked is a joke. | 0:55:46 | 0:55:49 | |
The issue is that there are still grapes on the vines | 0:55:49 | 0:55:52 | |
that are good grapes, that could be harvested. | 0:55:52 | 0:55:55 | |
In an attempt to bolster their meagre pickings, | 0:55:55 | 0:55:58 | |
they harvest all the vines again. | 0:55:58 | 0:56:03 | |
It's just disheartening because we're all here | 0:56:03 | 0:56:05 | |
working towards a common goal, | 0:56:05 | 0:56:07 | |
we know this is the biggest part of this farm, | 0:56:07 | 0:56:10 | |
is the vineyard. | 0:56:10 | 0:56:12 | |
Look at that, that took us four hours, | 0:56:12 | 0:56:14 | |
and we've got that to do. | 0:56:14 | 0:56:15 | |
It's going to take us four weeks. | 0:56:17 | 0:56:19 | |
We've got to congratulate ourselves, we've done the harvest, | 0:56:24 | 0:56:27 | |
albeit it causes a bit of frustration | 0:56:27 | 0:56:29 | |
when you think you're finished and you've been told, | 0:56:29 | 0:56:31 | |
"No, you've got to go back and do the whole lot," | 0:56:31 | 0:56:33 | |
-and we've spent another three or four hours doing it again. -Yeah. | 0:56:33 | 0:56:36 | |
It's a learning thing and we've learned from it, | 0:56:36 | 0:56:38 | |
-so we just move on. -Move forward. That's it. Done. Good. | 0:56:38 | 0:56:42 | |
The hardest part has been people, | 0:56:46 | 0:56:49 | |
because there's such a... | 0:56:49 | 0:56:51 | |
And we do bat this phrase around, | 0:56:51 | 0:56:53 | |
but it is a bit of a motley crew. | 0:56:53 | 0:56:55 | |
It's like The Raggy Dolls - | 0:56:55 | 0:56:56 | |
hey, everyone's a broken toy. | 0:56:56 | 0:56:58 | |
We all are. | 0:56:58 | 0:57:00 | |
My biggest achievement this week... | 0:57:01 | 0:57:05 | |
Can I think about it? I can't even think. | 0:57:05 | 0:57:07 | |
You did say something. | 0:57:07 | 0:57:08 | |
I was going to say not punching somebody in the teeth, | 0:57:08 | 0:57:11 | |
but I better not say that. | 0:57:11 | 0:57:12 | |
I knew it wasn't going to be easy... | 0:57:16 | 0:57:19 | |
but I didn't think it would be this hard. | 0:57:19 | 0:57:21 | |
The dream is living up to reality. | 0:57:23 | 0:57:26 | |
I'm really enjoying this adventure. | 0:57:26 | 0:57:28 | |
I'm loving every minute of it. | 0:57:29 | 0:57:32 | |
Best time of my life. | 0:57:32 | 0:57:33 | |
I don't want it to stop. | 0:57:34 | 0:57:36 | |
I can't believe this is happening. | 0:57:52 | 0:57:54 | |
The imminent arrival of the first B&B guests | 0:57:54 | 0:57:57 | |
creates panic at La Banditaccia. | 0:57:57 | 0:57:59 | |
Shit the bed. The guests are here | 0:57:59 | 0:58:01 | |
and we've got stuff scattered all over the table. | 0:58:01 | 0:58:03 | |
And it's a race against time | 0:58:03 | 0:58:05 | |
to bring in the farm's largest crop. | 0:58:05 | 0:58:07 | |
Can you just work your way along to the very end and then head that way? | 0:58:07 | 0:58:10 | |
If the storm hits and we haven't finished the harvest, | 0:58:10 | 0:58:13 | |
the wine's knackered. | 0:58:13 | 0:58:14 |