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UPBEAT MUSIC | 0:00:02 | 0:00:04 | |
It's World Cup year | 0:00:04 | 0:00:05 | |
and the whole of South America will be celebrating. | 0:00:05 | 0:00:08 | |
Salud! | 0:00:09 | 0:00:11 | |
-'I'm Billie JD Porter...' -ALL: Hi! | 0:00:11 | 0:00:13 | |
'..and in this series, I'm going to three countries across this spectacular | 0:00:13 | 0:00:17 | |
'and rapidly changing continent, | 0:00:17 | 0:00:19 | |
'lifting the lid on young people's passions, dreams and obstacles.' | 0:00:19 | 0:00:24 | |
GUNSHOTS RING OUT | 0:00:24 | 0:00:25 | |
And tonight, a nation where beauty is even more important than football. | 0:00:25 | 0:00:29 | |
I'm dressed up... but my eyelashes are falling off! | 0:00:29 | 0:00:32 | |
DRUMS BEAT | 0:00:39 | 0:00:42 | |
Welcome to Venezuela and in a country obsessed with beauty, | 0:00:42 | 0:00:45 | |
tonight is the night where dreams are made. | 0:00:45 | 0:00:49 | |
Buenos noches, Venezuela! | 0:00:49 | 0:00:51 | |
CHEERING | 0:00:51 | 0:00:52 | |
There is no greater prize for a woman here | 0:00:53 | 0:00:56 | |
than the Miss Venezuela crown. | 0:00:56 | 0:00:58 | |
I came here with nothing. A little bag and my dream, that's it. | 0:00:59 | 0:01:03 | |
Wow! | 0:01:03 | 0:01:05 | |
# I live for the applause applause, applause. | 0:01:09 | 0:01:12 | |
# I live for the applause-plause Live for the applause-plause... # | 0:01:12 | 0:01:16 | |
15 million people watch the Miss Venezuela contest | 0:01:16 | 0:01:19 | |
live across Latin America. | 0:01:19 | 0:01:20 | |
Beauty here is part of the country's identity | 0:01:22 | 0:01:25 | |
and heritage, and it has been for as long as anyone can remember. | 0:01:25 | 0:01:30 | |
APPLAUSE AND CHEERING | 0:01:30 | 0:01:33 | |
To succeed, the girls must undergo a transformation | 0:01:36 | 0:01:40 | |
designed by the nation's king of beauty, Osmel Sousa. | 0:01:40 | 0:01:43 | |
'For the first time in 30 years, | 0:01:45 | 0:01:47 | |
'Sousa is opening his beauty factory to the world.' | 0:01:47 | 0:01:51 | |
Hey, it's Billie. Thank you. | 0:01:51 | 0:01:52 | |
'Giving me behind the scenes access along with the reality TV show.' | 0:01:52 | 0:01:56 | |
'I follow contestant number 22... | 0:01:58 | 0:02:00 | |
'..who will attempt to go from slum to celebrity in just six months.' | 0:02:01 | 0:02:05 | |
Oh, hi, nice to meet you. I'm Billie. | 0:02:05 | 0:02:07 | |
SHE SPEAKS SPANISH | 0:02:07 | 0:02:09 | |
She must survive, not just the contest, | 0:02:13 | 0:02:15 | |
but Caracas itself - the most dangerous capital in the world... | 0:02:15 | 0:02:20 | |
..where armed robbery, kidnap and murder are a constant reality. | 0:02:20 | 0:02:25 | |
'And I meet a cowgirl from the Amazon determined to find a way to | 0:02:26 | 0:02:30 | |
'Osmel and the big city.' | 0:02:30 | 0:02:31 | |
SHE SHOUTS | 0:02:31 | 0:02:34 | |
'Finally, I attempt to track down Osmel Sousa himself.' | 0:02:36 | 0:02:40 | |
My name's Billie. I 'm from the BBC. | 0:02:40 | 0:02:42 | |
I got completely starstruck then. I don't even know... | 0:02:45 | 0:02:48 | |
I was burning up. | 0:02:50 | 0:02:51 | |
Caracas, a tropical city close to the Caribbean Sea. | 0:02:54 | 0:02:58 | |
I arrived six months before the Miss Venezuela final, | 0:03:00 | 0:03:03 | |
and already hundreds of girls are competing to become candidates. | 0:03:03 | 0:03:08 | |
I was watching clips of all the girls. I was like, "Oh, my God!" | 0:03:08 | 0:03:13 | |
I can't stand next to these people without just looking like... | 0:03:13 | 0:03:16 | |
..a goblin, basically. | 0:03:17 | 0:03:18 | |
The President, Hugo Chavez, has just passed away | 0:03:23 | 0:03:26 | |
and his image is everywhere. | 0:03:26 | 0:03:28 | |
This self-styled Robin Hood took from the rich | 0:03:29 | 0:03:32 | |
and gave to the poor, calling it a socialist revolution. | 0:03:32 | 0:03:36 | |
He had many enemies, but to his supporters he's a saint. | 0:03:41 | 0:03:45 | |
HE SPEAKS IN SPANISH | 0:03:45 | 0:03:47 | |
But the truth is I've come to meet another leader. | 0:03:49 | 0:03:52 | |
That's Osmel Sousa - president of Miss Venezuela. | 0:03:52 | 0:03:55 | |
I'm dying to meet Osmel, but I've heard he's an elusive character, | 0:03:57 | 0:04:00 | |
so I'm ready to suck up to him big time. | 0:04:00 | 0:04:02 | |
'And today he's at the Miss Venezuela house, | 0:04:06 | 0:04:09 | |
'his beauty factory where ordinary girls are transformed.' | 0:04:09 | 0:04:13 | |
I've already seen someone with a post-op cotton pad on their face. | 0:04:23 | 0:04:27 | |
55 kilos. | 0:04:31 | 0:04:32 | |
Mal. Says I'm fat. | 0:04:34 | 0:04:36 | |
Do you think that all of the girls here are kind of in awe of Osmel? | 0:04:45 | 0:04:48 | |
SHE REPLIES IN SPANISH | 0:04:48 | 0:04:49 | |
Next door, a casting is taking place. | 0:05:22 | 0:05:25 | |
From his throne, King Osmel Sousa is choosing which girls can go | 0:05:25 | 0:05:29 | |
through to the next round. | 0:05:29 | 0:05:30 | |
MUSIC: "Daddy Cool" by Boney M | 0:05:30 | 0:05:32 | |
# She's crazy like a fool | 0:05:32 | 0:05:35 | |
# What about it Daddy Cool...? # | 0:05:35 | 0:05:37 | |
No flaw, however small, escapes this 67-year-old perfectionist. | 0:05:37 | 0:05:42 | |
HE SPEAKS IN SPANISH | 0:05:42 | 0:05:44 | |
# ..She's crazy like a fool | 0:05:48 | 0:05:51 | |
# What about it Daddy Cool...? # | 0:05:53 | 0:05:55 | |
OK. | 0:05:58 | 0:06:00 | |
# Daddy, Daddy Cool... # | 0:06:00 | 0:06:02 | |
Osmel has never hidden the surgery. | 0:06:02 | 0:06:05 | |
This pageant isn't based on natural beauty alone, | 0:06:05 | 0:06:07 | |
it's all about your potential. | 0:06:07 | 0:06:09 | |
# ..Daddy, Daddy Cool! # | 0:06:09 | 0:06:13 | |
They're remarkably brave, | 0:06:14 | 0:06:16 | |
compared to a lot of the reality shows we have in England. | 0:06:16 | 0:06:20 | |
No-one was crying, at least on the outside. | 0:06:20 | 0:06:22 | |
But they were just there, you know, like pointing | 0:06:22 | 0:06:25 | |
at the nonexistent cellulite and the girls were just fine with that. | 0:06:25 | 0:06:28 | |
I was like, "Oh, my God." | 0:06:28 | 0:06:31 | |
I was sort of rearranging my dress to cover my knees | 0:06:31 | 0:06:33 | |
so Osmel didn't spy on them. | 0:06:33 | 0:06:37 | |
Maria Alicia... | 0:06:38 | 0:06:40 | |
'Time for the eliminations.' | 0:06:40 | 0:06:44 | |
Are you shocked by that decision? | 0:06:48 | 0:06:50 | |
Hah! | 0:06:50 | 0:06:52 | |
Obviously, to you | 0:07:06 | 0:07:07 | |
Miss Venezuela is way more than just a beauty pageant. | 0:07:07 | 0:07:10 | |
'Girls battle for months just to win a place here. | 0:07:29 | 0:07:32 | |
'But for those with no money, it can be especially difficult.' | 0:07:32 | 0:07:36 | |
Just a few miles from the beauty factory are the slums. | 0:07:40 | 0:07:43 | |
Known as the barrios, they are home to 1.5 million people. | 0:07:45 | 0:07:48 | |
Many have been lifted out of extreme poverty, | 0:07:50 | 0:07:53 | |
but these areas remain extremely violent. | 0:07:53 | 0:07:55 | |
Somebody is murdered every 40 minutes in Venezuela. | 0:07:57 | 0:08:00 | |
I visit 18-year-old contestant Meyer, who helps her parents | 0:08:04 | 0:08:07 | |
run their tiny shop in the heart of the Santa Cruz barrio. | 0:08:07 | 0:08:10 | |
Hi, I'm Billie. Nice to meet you. Thanks for having me. | 0:08:13 | 0:08:16 | |
Hello. | 0:08:16 | 0:08:19 | |
-Mi madre. -Oh, hi. Nice to meet you. I'm Billie. | 0:08:19 | 0:08:22 | |
So, you're like a local celebrity now? | 0:08:22 | 0:08:24 | |
SHE SPEAKS SPANISH | 0:08:24 | 0:08:26 | |
Is a kind of like a taste of what might be to come? | 0:08:26 | 0:08:29 | |
Would you like that sort of attention in the future? | 0:08:29 | 0:08:31 | |
Do you think that being involved in Miss Venezuela could help you | 0:08:40 | 0:08:43 | |
and your family on a financial level? | 0:08:43 | 0:08:44 | |
Is it difficult for young people in the barrios to | 0:08:58 | 0:09:00 | |
land opportunities like this? | 0:09:00 | 0:09:02 | |
'Nobody from this barrio has ever made it to the Miss Venezuela final, | 0:09:16 | 0:09:19 | |
'let alone win it.' | 0:09:19 | 0:09:21 | |
It seems like it's difficult to get out of this neighbourhood, | 0:09:22 | 0:09:26 | |
but they're making the best of it. | 0:09:26 | 0:09:30 | |
This house is... | 0:09:30 | 0:09:32 | |
probably a lot nicer than the one I grew up in, to be honest with you. | 0:09:32 | 0:09:36 | |
But the family hasn't escaped the violence. | 0:09:36 | 0:09:39 | |
Meyer's brother and cousin were shot dead in the area | 0:09:40 | 0:09:43 | |
and now they all want a better future. | 0:09:43 | 0:09:45 | |
So, do you share this with your sister then? | 0:09:45 | 0:09:47 | |
TRANSLATION | 0:09:47 | 0:09:49 | |
Does she want to be a Miss as well? | 0:09:49 | 0:09:51 | |
So what was the grand total, then, when you added everything up? | 0:10:02 | 0:10:06 | |
That's a lot! | 0:10:09 | 0:10:10 | |
I can't imagine how much you had to work to put up that money. | 0:10:10 | 0:10:13 | |
Does the fact that they've spent | 0:10:23 | 0:10:24 | |
so much money on you make you feel | 0:10:24 | 0:10:27 | |
nervous or more pressured to succeed? | 0:10:27 | 0:10:30 | |
So, what surgeries have you had? | 0:10:36 | 0:10:38 | |
Who told you that you needed to get all that stuff done? | 0:10:50 | 0:10:53 | |
Oh, is that your...? | 0:11:10 | 0:11:12 | |
So you're just having soup? | 0:11:12 | 0:11:13 | |
What is that? I don't understand. | 0:11:19 | 0:11:22 | |
'Meyer tells me the plastic patch is sewn onto the tongue, | 0:11:22 | 0:11:25 | |
'making it too painful to eat solids.' | 0:11:25 | 0:11:28 | |
I have never heard of anything like that in my life! | 0:11:34 | 0:11:36 | |
How can...? Can't kiss anyone then? | 0:11:36 | 0:11:38 | |
It was crazy to hear how much money Meyer's family have | 0:11:46 | 0:11:49 | |
spent on her surgery and her clothes | 0:11:49 | 0:11:53 | |
and everything involved with the competition. | 0:11:53 | 0:11:55 | |
And I wonder if that's Osmel's influence. | 0:11:55 | 0:11:58 | |
MUSIC: "Young Hearts Run Free" by Candi Stanton | 0:12:02 | 0:12:05 | |
Excited to learn from the pros! | 0:12:11 | 0:12:13 | |
'It's Saturday morning at beauty school in Caracas. | 0:12:14 | 0:12:17 | |
'A city where every little girl is considered a potential beauty queen of the future.' | 0:12:19 | 0:12:23 | |
HE SPEAKS SPANISH | 0:12:26 | 0:12:27 | |
Ooh! You're so sweet. | 0:12:29 | 0:12:31 | |
-# ..When you just can't break away -You can't just break away | 0:12:33 | 0:12:38 | |
# Oh, young hearts... # | 0:12:38 | 0:12:40 | |
'There are over 35 of these academies in Caracas. | 0:12:40 | 0:12:44 | |
'And from here, Osmel Sousa is a constant reminder of the Miss Venezuela fairy tale.' | 0:12:44 | 0:12:50 | |
# ..My man and me | 0:12:50 | 0:12:53 | |
# Ooh, young hearts to yourself be true | 0:12:54 | 0:12:59 | |
# Don't be no fool when love really don't love you... # | 0:12:59 | 0:13:03 | |
Do you girls all want to enter Miss Venezuela | 0:13:03 | 0:13:06 | |
-when you're older? -ALL: Si! | 0:13:06 | 0:13:09 | |
What's your favourite class? | 0:13:09 | 0:13:10 | |
Why is it important to learn how to do your make-up now? | 0:13:11 | 0:13:14 | |
-Do you like Osmel? -ALL: Si. | 0:13:19 | 0:13:23 | |
-Are you going to watch the final on telly? -ALL: Si. | 0:13:23 | 0:13:26 | |
Stephanie, you're not eating your food like a lady! | 0:13:31 | 0:13:34 | |
Why do you come here every Saturday? | 0:13:37 | 0:13:39 | |
SHE SPEAKS SPANISH | 0:13:39 | 0:13:40 | |
Do you think that even doctors need to know how to put make-up on | 0:13:55 | 0:13:59 | |
and how to do a catwalk? | 0:13:59 | 0:14:00 | |
Why do you want to enter Miss Venezuela? | 0:14:05 | 0:14:07 | |
SHE ANSWERS IN SPANISH | 0:14:07 | 0:14:09 | |
In the evenings, | 0:14:19 | 0:14:20 | |
the nation now gets to watch Osmel Sousa at work. | 0:14:20 | 0:14:23 | |
This is the first time that the whole process has been televised, | 0:14:24 | 0:14:28 | |
and they've got their own camera crew in the Miss Venezuela house | 0:14:28 | 0:14:32 | |
tracking everything that happens, like a proper reality show. | 0:14:32 | 0:14:36 | |
Osmel looks so cute! | 0:14:40 | 0:14:42 | |
What's that guy got on his nose? | 0:14:45 | 0:14:47 | |
One of the judges has got, like, loads of bandages on his face, | 0:14:47 | 0:14:51 | |
from a nose job. | 0:14:51 | 0:14:54 | |
Casual. Look! | 0:14:54 | 0:14:55 | |
Oh! | 0:15:06 | 0:15:08 | |
'For the first time, | 0:15:09 | 0:15:11 | |
'the show reveals the extreme diets the girls put themselves on.' | 0:15:11 | 0:15:14 | |
What... Fainting? | 0:15:14 | 0:15:16 | |
'And the consequences.' | 0:15:18 | 0:15:20 | |
Oh, my God. | 0:15:20 | 0:15:21 | |
I love trashy TV. That's my new favourite show. | 0:15:48 | 0:15:51 | |
Tonight, Osmel is due on the red carpet as a judge | 0:16:01 | 0:16:05 | |
at a Miss Venezuela regional heat. | 0:16:05 | 0:16:07 | |
I decide if I'm ever going to make contact with the man, | 0:16:10 | 0:16:13 | |
I'm going to have to ambush him myself. | 0:16:13 | 0:16:17 | |
Hello. My name's Billie. I'm from the BBC. You look amazing. | 0:16:22 | 0:16:27 | |
Why is Miss Venezuela such an important contest to this country? | 0:16:27 | 0:16:30 | |
Why do you think the country is so fascinated by watching | 0:16:34 | 0:16:38 | |
the journey that these girls go on every single year? | 0:16:38 | 0:16:40 | |
Is it harder than it looks, the stuff that they have to go through? | 0:16:48 | 0:16:53 | |
I'm going to be your crazy fan for the next six months. | 0:16:53 | 0:16:55 | |
This isn't the last you're going to see of me. | 0:16:55 | 0:16:58 | |
It's weird because even though I've got nothing to do with | 0:17:02 | 0:17:05 | |
this competition at all, I found myself really, | 0:17:05 | 0:17:08 | |
really seeking his approval then, and I really wanted him | 0:17:08 | 0:17:11 | |
to like me, and that's the way a lot of women are around him. | 0:17:11 | 0:17:14 | |
They're all falling around over him and they want him | 0:17:14 | 0:17:18 | |
to think that they're nice or fabulous or something. | 0:17:18 | 0:17:21 | |
It's just a weird effect to have on people around you, | 0:17:21 | 0:17:24 | |
and I think that for someone of his age, | 0:17:24 | 0:17:26 | |
to dress the way he does and to be so sort of openly flamboyant | 0:17:26 | 0:17:30 | |
and dedicated to his trade is really fascinating. | 0:17:30 | 0:17:33 | |
Osmel has acknowledged my presence at least. | 0:17:41 | 0:17:44 | |
But will the king grant me a proper audience? | 0:17:47 | 0:17:50 | |
When I next see Osmel, it's on TV. | 0:17:56 | 0:17:59 | |
Under the knife, to improve his smile. | 0:17:59 | 0:18:02 | |
Later in the episode, Meyer, the girl from the slums, | 0:18:10 | 0:18:13 | |
struggles to survive in the competition. | 0:18:13 | 0:18:16 | |
Vanessa. | 0:18:41 | 0:18:42 | |
I've been told that Miss Venezuela mania consumes | 0:19:07 | 0:19:10 | |
every corner of the country. | 0:19:10 | 0:19:12 | |
So I head 300 miles south to a city at the edge of the Amazon. | 0:19:12 | 0:19:17 | |
Right about now, | 0:19:19 | 0:19:20 | |
we're flying over the Orinoco Belt area, which is home | 0:19:20 | 0:19:24 | |
to the second largest oil reserve in the whole world, | 0:19:24 | 0:19:27 | |
so there's a lot of money underneath us right now, | 0:19:27 | 0:19:30 | |
which is kind of weird after seeing all these barrios | 0:19:30 | 0:19:34 | |
and slums back in Caracas, but Venezuela's actually... | 0:19:34 | 0:19:38 | |
There's a lot of money flying around both in oil | 0:19:38 | 0:19:40 | |
and in the beauty industry. | 0:19:40 | 0:19:42 | |
Oh, my God. Mega gym. | 0:19:56 | 0:19:58 | |
I tracked down a group of regional Miss Venezuela wannabes, | 0:20:02 | 0:20:05 | |
who are training long into the night. | 0:20:05 | 0:20:07 | |
I want to know what sacrifices the girls are prepared to make | 0:20:18 | 0:20:21 | |
to get ahead in the competition. | 0:20:21 | 0:20:22 | |
It's here I meet 20-year-old farm girl Lara. | 0:20:22 | 0:20:26 | |
What's your life like now? What do you do for a job? | 0:20:26 | 0:20:29 | |
Wow. That must be a really big deal for you, then. | 0:20:35 | 0:20:39 | |
I guess you've thrown a whole other life away for this. | 0:20:39 | 0:20:43 | |
Oh, don't worry. | 0:20:45 | 0:20:47 | |
Bloody Osmel, making the girls cry. | 0:20:52 | 0:20:55 | |
Do you ever think this whole culture of beauty | 0:20:55 | 0:20:58 | |
and making young girls want to go to pageants and making their dream | 0:20:58 | 0:21:03 | |
to look like Barbie dolls, essentially, is making people sad? | 0:21:03 | 0:21:08 | |
It's a lot of pressure on girls. | 0:21:08 | 0:21:10 | |
Do you think it would be possible for you to show us where you live at some point? | 0:21:24 | 0:21:28 | |
It's so nice to meet you. Stop crying. | 0:21:31 | 0:21:34 | |
Is it extensions, like mine? | 0:21:40 | 0:21:42 | |
DO you have anything else on that's, like, false? | 0:21:44 | 0:21:47 | |
Botox? | 0:21:50 | 0:21:51 | |
Was your Botox just to lift your eyebrows, then? | 0:21:53 | 0:21:57 | |
Have you watched the show on TV? | 0:22:22 | 0:22:26 | |
Lots of the girls we've met who are even at the same stage as Lara | 0:22:38 | 0:22:42 | |
in the competition have had work done, like a boob job. | 0:22:42 | 0:22:48 | |
Does that concern you slightly, that she | 0:22:48 | 0:22:50 | |
might be under pressure to do the same? | 0:22:50 | 0:22:51 | |
How does that feel to have Lara as a cover girl? | 0:23:08 | 0:23:11 | |
So Lara is a bit of a local celeb now, but I think that | 0:23:33 | 0:23:37 | |
the family just see her as the same old farm girl, which is nice. | 0:23:37 | 0:23:42 | |
Did you foresee Lara following in your footsteps | 0:23:46 | 0:23:50 | |
and working the farm and becoming a cowgirl? | 0:23:50 | 0:23:54 | |
I've heard that the government has been seizing land | 0:24:11 | 0:24:14 | |
and taking over some of the local farms. | 0:24:14 | 0:24:15 | |
The government's control of food production has squeezed | 0:24:31 | 0:24:34 | |
this independent farm out of the market. | 0:24:34 | 0:24:37 | |
The family can't sell the milk, and there are no prospects for Lara. | 0:24:37 | 0:24:41 | |
At the same time, people in the cities are experiencing | 0:24:41 | 0:24:44 | |
serious food shortages. | 0:24:44 | 0:24:46 | |
Hi. Nice to meet you. I'm Billie. | 0:24:50 | 0:24:52 | |
What are you queueing for specifically today? | 0:24:52 | 0:24:55 | |
Why do you think all of this is happening? | 0:25:14 | 0:25:16 | |
This woman is trying to defend the government's reputation. | 0:25:29 | 0:25:33 | |
But others disagree. | 0:25:33 | 0:25:35 | |
Everyone's getting really, really angry and shouting, | 0:25:41 | 0:25:43 | |
trying to have their say. | 0:25:43 | 0:25:45 | |
Somebody else steps in to accuse the queuers of failing to support | 0:25:57 | 0:26:01 | |
the socialist revolution. | 0:26:01 | 0:26:02 | |
What's happening? | 0:26:13 | 0:26:15 | |
Everyone's screaming, about loving their country | 0:26:15 | 0:26:18 | |
and not being able to find the food they need. But it's weird. | 0:26:18 | 0:26:22 | |
All the kids are off school, | 0:26:22 | 0:26:24 | |
so there's loads of young children here, and babies. | 0:26:24 | 0:26:28 | |
I'm sure they don't know what the hell is going on. | 0:26:28 | 0:26:31 | |
Sad. | 0:26:31 | 0:26:32 | |
Tonight, Lara is hoping to win the regional heat | 0:26:43 | 0:26:46 | |
and collect the coveted prize, a place at Osmel Sousa's beauty factory in Caracas. | 0:26:46 | 0:26:52 | |
How's it going? | 0:27:01 | 0:27:02 | |
You seem remarkably composed, | 0:27:09 | 0:27:12 | |
considering that this could change your entire life. | 0:27:12 | 0:27:16 | |
Lara hasn't got any of her family here, | 0:27:30 | 0:27:32 | |
so we're going to have to be whooping for her. | 0:27:32 | 0:27:34 | |
Lara becomes a finalist, | 0:28:05 | 0:28:08 | |
but then only two girls are selected to go to Caracas. | 0:28:08 | 0:28:11 | |
Her dreams have been smashed. | 0:28:17 | 0:28:19 | |
You did really, really well throughout all of it. | 0:28:22 | 0:28:30 | |
I think you should be really pleased. | 0:28:30 | 0:28:36 | |
Well, um...well done, you did so good. | 0:28:36 | 0:28:39 | |
Laura's putting on a brave face, | 0:28:41 | 0:28:44 | |
but we both know her sacrifices haven't paid off. | 0:28:44 | 0:28:46 | |
After having seen the reality of all the stuff | 0:28:53 | 0:28:55 | |
that's going on in the country now with all the shortages | 0:28:55 | 0:28:58 | |
and meeting first-hand the people who have to queue for hours | 0:28:58 | 0:29:01 | |
to get basic supplies, | 0:29:01 | 0:29:03 | |
it's really interesting that beauty's such a big priority here, | 0:29:03 | 0:29:07 | |
despite the economic climate. | 0:29:07 | 0:29:09 | |
Hey, it's Billie. | 0:29:15 | 0:29:16 | |
'I arrive back at the beauty factory. | 0:29:17 | 0:29:19 | |
'I've been pencilled into the King of Beauty's diary.' | 0:29:19 | 0:29:22 | |
-Hi. -ALL: Hi! | 0:29:22 | 0:29:24 | |
# You're undiscovered | 0:29:25 | 0:29:28 | |
# Want to see the rest of you... # | 0:29:28 | 0:29:30 | |
Despite my best efforts, | 0:29:30 | 0:29:32 | |
the girls tell me I'm not "Osmel-ready". | 0:29:32 | 0:29:35 | |
Noted. | 0:29:41 | 0:29:42 | |
And as if by magic... | 0:29:45 | 0:29:46 | |
..Osmel suddenly appears. | 0:29:47 | 0:29:49 | |
Thanks so much! | 0:29:49 | 0:29:50 | |
Did you think I was really scruffy when you first met me? | 0:29:50 | 0:29:53 | |
That's kind of true, I guess. | 0:29:56 | 0:29:57 | |
Before you were in this industry, did you always think like that? | 0:30:01 | 0:30:05 | |
When you looked at a girl, were you like, | 0:30:05 | 0:30:07 | |
"Oh, that could be better"? | 0:30:07 | 0:30:08 | |
What do I need to fix?! | 0:30:13 | 0:30:15 | |
My teeth? | 0:30:15 | 0:30:17 | |
British people have bad teeth. | 0:30:17 | 0:30:19 | |
No, I can't smile. | 0:30:21 | 0:30:23 | |
So, my teeth - what else? | 0:30:23 | 0:30:25 | |
Oh, what, the moles? | 0:30:27 | 0:30:29 | |
HE SPEAKS IN SPANISH | 0:30:29 | 0:30:31 | |
Yeah... | 0:30:31 | 0:30:32 | |
Were there women in your life when you were younger, very beautiful? | 0:30:54 | 0:30:57 | |
Do you think that inspired you? | 0:30:57 | 0:30:59 | |
So that was it - you were angry! | 0:31:03 | 0:31:05 | |
Wow... | 0:31:39 | 0:31:40 | |
During Osmel's reign, | 0:31:41 | 0:31:43 | |
Venezuela has won more international beauty competitions | 0:31:43 | 0:31:46 | |
than any other nation. | 0:31:46 | 0:31:47 | |
But not everyone's a fan, | 0:31:49 | 0:31:51 | |
like these anti-pageant protesters in London, 2011. | 0:31:51 | 0:31:55 | |
There was some backlash a while ago, wasn't there? | 0:31:58 | 0:32:00 | |
After a Miss World competition, | 0:32:00 | 0:32:02 | |
there were feminist protesters who had a problem with the competition. | 0:32:02 | 0:32:06 | |
What do you think about that? | 0:32:06 | 0:32:08 | |
-I'm a feminist. -Yeah? -Yeah. | 0:32:17 | 0:32:20 | |
I don't look like one? | 0:32:22 | 0:32:24 | |
I don't think feminists are against beauty, necessarily. | 0:32:27 | 0:32:31 | |
It's the implication that women have to be beautiful | 0:32:31 | 0:32:33 | |
in order to be respected. | 0:32:33 | 0:32:34 | |
The Miss Venezuela final is now just two months away. | 0:32:53 | 0:32:57 | |
I'm told people watch for two reasons - | 0:32:58 | 0:33:01 | |
it's a chance to see the nation's most beautiful women... | 0:33:01 | 0:33:04 | |
..and there's the possibility | 0:33:09 | 0:33:10 | |
they'll say something spectacularly stupid when they open their mouths. | 0:33:10 | 0:33:14 | |
Ay, no! | 0:33:22 | 0:33:23 | |
Meyer is nominated as one of the top three worst speakers. | 0:33:39 | 0:33:43 | |
Meyer suffers another blow while training - | 0:33:59 | 0:34:01 | |
she loses her confidence and sinks on national TV. | 0:34:01 | 0:34:05 | |
No wonder the girls are scared of looking like fools. | 0:34:10 | 0:34:15 | |
They now furiously revise | 0:34:15 | 0:34:16 | |
for the question and answer section of the pageant. | 0:34:16 | 0:34:19 | |
Does it, like, really bother you, then, | 0:34:19 | 0:34:22 | |
that people assume you're thick? | 0:34:22 | 0:34:24 | |
-Let me practise one with you. -Yeah, yeah. | 0:34:38 | 0:34:40 | |
What's your favourite book? | 0:34:40 | 0:34:42 | |
You must have a favourite book, at least a fake one | 0:34:42 | 0:34:45 | |
that you've lined up - War And Peace? | 0:34:45 | 0:34:48 | |
Fifty Shades Of Grey? | 0:34:48 | 0:34:49 | |
LAUGHTER | 0:34:49 | 0:34:51 | |
Please say that, please! | 0:34:51 | 0:34:54 | |
OK. | 0:34:54 | 0:34:55 | |
I bet that if a girl was really outspoken, | 0:34:55 | 0:34:58 | |
then they'd respect for that, no? | 0:34:58 | 0:35:00 | |
I think so, yeah. | 0:35:00 | 0:35:01 | |
Just outgoing, spontaneous, something that... | 0:35:01 | 0:35:04 | |
But it's hard to be in this setting where you have to be a Miss, | 0:35:04 | 0:35:07 | |
like, "Oh, no, I don't read those type..." | 0:35:07 | 0:35:09 | |
You know? You have to be very neutral. | 0:35:09 | 0:35:10 | |
So Fifty Shades Of Grey is a no-no? | 0:35:10 | 0:35:12 | |
Technically, no... | 0:35:12 | 0:35:14 | |
Do you feel like, to a certain extent, | 0:35:15 | 0:35:18 | |
you can't fully be yourself in this competition? | 0:35:18 | 0:35:20 | |
Em...in a certain way, you can say that, | 0:35:20 | 0:35:23 | |
because there are some things that a Miss should be and should not be. | 0:35:23 | 0:35:27 | |
Like, when they ask you about abortion and gays, everything, | 0:35:27 | 0:35:31 | |
you have to be very neutral - you can't be "that, that, that". | 0:35:31 | 0:35:33 | |
It's very hard. | 0:35:33 | 0:35:35 | |
What, what, what? | 0:35:35 | 0:35:36 | |
-Are you reading...? -Yeah! | 0:35:36 | 0:35:38 | |
Favourite book - sorry, sorry. | 0:35:44 | 0:35:46 | |
HE SPEAKS IN SPANISH | 0:35:46 | 0:35:48 | |
Helping the girls deal with life in the spotlight | 0:35:48 | 0:35:50 | |
is The Professor - an academic and a comedian. | 0:35:50 | 0:35:54 | |
Nice to meet you. | 0:35:54 | 0:35:55 | |
Is it a very tough job, | 0:35:55 | 0:35:57 | |
or are many of the girls already quite articulate? | 0:35:57 | 0:36:00 | |
Well, people are always expecting to laugh at a beauty queen. | 0:36:00 | 0:36:04 | |
One of the rules is very simple. | 0:36:04 | 0:36:07 | |
You NEED her to be stupid, | 0:36:07 | 0:36:09 | |
because if she's smart, beautiful and successful at the same time, | 0:36:09 | 0:36:14 | |
there is no divine justice. | 0:36:14 | 0:36:16 | |
This is all free - God just chose some girl, randomly, | 0:36:16 | 0:36:20 | |
and decided, "You know what? | 0:36:20 | 0:36:21 | |
"She's not going to have to work a lot in her life. | 0:36:21 | 0:36:24 | |
"Having drinks in the pool and hanging out in the best places..." | 0:36:24 | 0:36:28 | |
There's this mythology about the beauty queens. | 0:36:28 | 0:36:31 | |
The Professor's main task is to help the girls side-step all controversy. | 0:36:32 | 0:36:37 | |
A tricky question from journalists or on stage | 0:36:37 | 0:36:40 | |
could be something that brings you to politics, | 0:36:40 | 0:36:42 | |
which is very sensitive in this country. | 0:36:42 | 0:36:44 | |
Why do you think it's not a good idea to be detailing problems? | 0:36:44 | 0:36:47 | |
Is it, kind of, pretend that they're not there...? | 0:36:47 | 0:36:49 | |
No - everybody knows they're there. | 0:36:49 | 0:36:52 | |
It is important to show | 0:36:52 | 0:36:53 | |
that you're living in the country you're living in, | 0:36:53 | 0:36:55 | |
and that's why I ask them, "Read the newspaper, for God's sake. | 0:36:55 | 0:36:59 | |
"Listen to the news." | 0:36:59 | 0:37:01 | |
But they cannot show any political inclination. | 0:37:01 | 0:37:04 | |
They have to be centre, no matter if, in their heads, | 0:37:04 | 0:37:07 | |
they're leftist or right-wing or whatever. | 0:37:07 | 0:37:10 | |
They have to be centre, | 0:37:10 | 0:37:11 | |
because we live in a very polarised country, when it comes to that. | 0:37:11 | 0:37:15 | |
MUSIC: "Lovumba" by Daddy Yankee | 0:37:15 | 0:37:18 | |
At the same time, when it comes to beauty, | 0:37:20 | 0:37:23 | |
the girls are never free from Osmel's gaze. | 0:37:23 | 0:37:25 | |
How are you? | 0:37:30 | 0:37:31 | |
Have you always got your eyes on the girls, then, | 0:37:38 | 0:37:40 | |
even in rehearsals, | 0:37:40 | 0:37:41 | |
when they're...I don't know, more relaxed? | 0:37:41 | 0:37:43 | |
Which ones? | 0:37:53 | 0:37:54 | |
COWS LOW | 0:38:08 | 0:38:09 | |
Meanwhile, Laura is living back on the farm. | 0:38:09 | 0:38:13 | |
THUNDER RUMBLES | 0:38:15 | 0:38:17 | |
But she now travels for modelling jobs | 0:38:17 | 0:38:19 | |
and agrees to meet me here in Caracas. | 0:38:19 | 0:38:22 | |
-Hi! -Como estas? -How are you? | 0:38:22 | 0:38:25 | |
It's been ages. | 0:38:25 | 0:38:26 | |
-You cut your hair. -Si, si, me lo corte. | 0:38:26 | 0:38:29 | |
I prefer it. | 0:38:29 | 0:38:30 | |
How did you feel when you found out that you had lost the competition? | 0:38:33 | 0:38:36 | |
Do you sometimes wonder what you'd be doing right now, if you had won? | 0:38:50 | 0:38:54 | |
Like...would you have maybe got a boob job or something, | 0:38:54 | 0:38:58 | |
cos Osmel had told you to, | 0:38:58 | 0:39:00 | |
and you'd be on a mad diet? | 0:39:00 | 0:39:02 | |
The final is fast approaching | 0:39:44 | 0:39:46 | |
and I'm happy to see that Meyer, the shy girl from the slums, | 0:39:46 | 0:39:49 | |
has survived in the face of tough competition. | 0:39:49 | 0:39:52 | |
How have you managed to stay so, so positive throughout this process? | 0:39:52 | 0:39:56 | |
Because I can imagine it's quite easy | 0:39:56 | 0:39:58 | |
to just focus on the negatives and get really stressed out. | 0:39:58 | 0:40:02 | |
You've already come on, like, a really, really long, hard journey, | 0:40:17 | 0:40:23 | |
physically and mentally. | 0:40:23 | 0:40:25 | |
But is there anything about yourself you're still self-conscious about | 0:40:25 | 0:40:28 | |
or you feel is a weakness? | 0:40:28 | 0:40:30 | |
While Meyer's busy in rehearsals, I come to catch up with her mother. | 0:40:51 | 0:40:55 | |
Hola... | 0:40:55 | 0:40:56 | |
-ALL: Hola! -Hola! | 0:40:56 | 0:40:58 | |
-Como estas? -Muy bien! Y tu? | 0:40:59 | 0:41:01 | |
SHE SPEAKS RAPIDLY IN SPANISH | 0:41:01 | 0:41:03 | |
Em... | 0:41:03 | 0:41:04 | |
Is she going to be a Miss, when she grows up? | 0:41:09 | 0:41:11 | |
Ay, si! | 0:41:11 | 0:41:13 | |
Mum wants to show me just how challenging it's been for Meyer. | 0:41:17 | 0:41:21 | |
Oh, my God! How old is she there? | 0:41:21 | 0:41:22 | |
Who's that? | 0:41:28 | 0:41:29 | |
I'm sorry. | 0:41:36 | 0:41:38 | |
Gracias. | 0:41:38 | 0:41:39 | |
One time, I was talking to Meyer, | 0:41:47 | 0:41:49 | |
and she said that whenever she goes to the quinta, | 0:41:49 | 0:41:51 | |
she has to leave all of her problems behind. | 0:41:51 | 0:41:54 | |
Do you think she was referring to the violence within the barrio | 0:41:54 | 0:41:57 | |
and talking about what happened to her brother? | 0:41:57 | 0:42:00 | |
The streets remain violent. | 0:42:22 | 0:42:24 | |
Just three days before my visit, a group of boys was killed here. | 0:42:24 | 0:42:28 | |
DANCE MUSIC | 0:42:47 | 0:42:49 | |
'A British person watching the competition might find it | 0:42:51 | 0:42:54 | |
'completely crazy, the crazy diets and all of the operations' | 0:42:54 | 0:42:59 | |
the girls are undergoing just seem such an impossible feat to us, | 0:42:59 | 0:43:03 | |
but compared to some of the girls' home lives, it's nothing. | 0:43:03 | 0:43:07 | |
Meyer's younger brother was shot dead at 18. | 0:43:07 | 0:43:10 | |
To fight crime, the government has moved the army onto the streets, | 0:43:14 | 0:43:17 | |
but during my visit the shootings continued. | 0:43:17 | 0:43:21 | |
16,000 people are murdered every year in Venezuela. | 0:43:21 | 0:43:24 | |
'The hospital staff here direct me to the men's ward to meet | 0:43:26 | 0:43:29 | |
'a survivor and his sister.' | 0:43:29 | 0:43:31 | |
Do you feel lucky to have survived this? | 0:43:31 | 0:43:34 | |
What's the big wound? | 0:43:39 | 0:43:41 | |
Have the police here made any effort to find out who did this? | 0:43:45 | 0:43:49 | |
In this hospital, are there many victims of gunshot wounds, then? | 0:43:59 | 0:44:03 | |
What are the main reasons for this violence | 0:44:07 | 0:44:10 | |
that occurs in the barrios? | 0:44:10 | 0:44:12 | |
'This family are from the Petare district. | 0:44:32 | 0:44:35 | |
'Home to 1,000,000 people, it's South America's biggest slum.' | 0:44:35 | 0:44:39 | |
-Hello. -This is Carmen. -Nice to meet you. | 0:44:42 | 0:44:45 | |
'Here, the authorities escort me | 0:44:46 | 0:44:48 | |
'through their new crime-busting initiative. | 0:44:48 | 0:44:51 | |
'Football pitches, swimming pools and free universities. | 0:44:52 | 0:44:57 | |
'And they have a new police scheme. | 0:44:57 | 0:44:59 | |
'Family liaison officers who live among the community.' | 0:44:59 | 0:45:03 | |
Have you guys been watching the Miss Venezuela show? | 0:45:27 | 0:45:30 | |
What do you guys make of Osmel? | 0:45:33 | 0:45:35 | |
Maximo. | 0:45:37 | 0:45:39 | |
-You like him? -He's the best. | 0:45:40 | 0:45:42 | |
Top marks. | 0:45:45 | 0:45:46 | |
Do you think that when life is as hard as it is | 0:45:46 | 0:45:49 | |
living in a barrio or a dangerous place | 0:45:49 | 0:45:52 | |
that things like Miss Venezuela provide a bit of escapism from that? | 0:45:52 | 0:45:57 | |
Miss Venezuela's fighting crime! | 0:46:14 | 0:46:16 | |
LAUGHTER | 0:46:16 | 0:46:18 | |
'After six months' preparation, | 0:46:30 | 0:46:33 | |
'it's the night everybody's been waiting for. | 0:46:33 | 0:46:35 | |
'The Miss Venezuela final. | 0:46:35 | 0:46:37 | |
'With three hours to go, the arena is filling up. | 0:46:39 | 0:46:42 | |
'I find Meyer's family up at the top.' | 0:46:43 | 0:46:45 | |
So loud! | 0:46:45 | 0:46:46 | |
DRUMMING, CHATTER | 0:46:46 | 0:46:48 | |
'But it's too noisy to do anything other than smile.' | 0:46:50 | 0:46:54 | |
'Earlier in the day, I caught up with the girls for the last time.' | 0:46:57 | 0:47:02 | |
You've worked so hard | 0:47:02 | 0:47:03 | |
and I feel like you personally have been through so, so much. | 0:47:03 | 0:47:07 | |
How would it feel to you if you actually won tonight? | 0:47:07 | 0:47:10 | |
Do you think that you participating in this competition has made | 0:47:28 | 0:47:31 | |
you all stronger again? | 0:47:31 | 0:47:33 | |
Good luck. | 0:47:51 | 0:47:52 | |
Unlike Meyer, most of the girls are from outside Caracas, | 0:47:55 | 0:47:59 | |
and haven't seen their families for months. | 0:47:59 | 0:48:02 | |
Like the youngest contestant. | 0:48:02 | 0:48:04 | |
How difficult has this been for you on an emotional level? | 0:48:04 | 0:48:08 | |
-Good luck. -Thank you. -See you later. | 0:48:24 | 0:48:28 | |
-How is everyone doing, nerves-wise? -They're all right, they're all right. | 0:48:31 | 0:48:34 | |
They're tense. | 0:48:34 | 0:48:35 | |
You can become a YouTube sensation tonight very easily | 0:48:35 | 0:48:38 | |
if you slip, and nobody wants that. | 0:48:38 | 0:48:41 | |
I think that's one of the funniest things about the age we live in. | 0:48:41 | 0:48:46 | |
People are more afraid of being laughed at than of dying. | 0:48:46 | 0:48:50 | |
'Meyer and the other girls will be watched by an estimated | 0:48:56 | 0:49:00 | |
'50 million people live across Latin America. | 0:49:00 | 0:49:03 | |
'But the show can't start without the man behind the magic.' | 0:49:04 | 0:49:08 | |
CHEERING | 0:49:15 | 0:49:17 | |
There will be five winners chosen by a panel of independent judges. | 0:49:26 | 0:49:30 | |
With a win comes money, | 0:49:33 | 0:49:35 | |
fame and a chance to travel the world representing Venezuela. | 0:49:35 | 0:49:39 | |
MUSIC AND CHEERING | 0:49:42 | 0:49:44 | |
Meyer's first opportunity to gain votes is in the swimsuit round. | 0:49:45 | 0:49:51 | |
Meyer's 90-60-90 body is mathematical perfection, apparently. | 0:50:00 | 0:50:04 | |
Next is the part every little girl loves. The dress. | 0:50:09 | 0:50:13 | |
Meyer's is worth £30,000. | 0:50:19 | 0:50:21 | |
It has 5,000 vintage Swiss crystals sewn on by hand. | 0:50:24 | 0:50:28 | |
But Meyer's biggest challenge is still to come. | 0:50:35 | 0:50:39 | |
The dreaded question and answer round. | 0:50:39 | 0:50:41 | |
Meyer stumbles over a tiny phrase and is booed. | 0:51:11 | 0:51:14 | |
But then she recovers herself. | 0:51:20 | 0:51:22 | |
Now, the five winners are announced. | 0:51:31 | 0:51:35 | |
Meyer is not a favourite, | 0:51:35 | 0:51:37 | |
something of which her family are only too aware. | 0:51:37 | 0:51:40 | |
Miss Guarico! | 0:51:42 | 0:51:44 | |
Miss Costa Oriental! | 0:51:50 | 0:51:52 | |
No girl from Meyer's barrio has ever won this competition. | 0:51:54 | 0:51:58 | |
Miss Cojedes! | 0:52:16 | 0:52:18 | |
SCREAMING AND CHEERING | 0:52:18 | 0:52:20 | |
Meyer, a shy girl from the barrio, has been transformed by Osmel. | 0:52:49 | 0:52:54 | |
Despite the loss of her brother, she has, with the support of her | 0:52:58 | 0:53:01 | |
family, overcome every obstacle to win success. | 0:53:01 | 0:53:05 | |
Meyer is given a title of first finalist, | 0:53:07 | 0:53:10 | |
while the youngest contestant, Migbelis Castellanos, | 0:53:10 | 0:53:13 | |
gets the Miss Venezuela crown. | 0:53:13 | 0:53:15 | |
It's not a straight win, but being a finalist opens | 0:53:22 | 0:53:25 | |
doors for girls in Venezuela who want big careers. | 0:53:25 | 0:53:29 | |
In its 60-year history, Miss Venezuela has survived every | 0:53:34 | 0:53:38 | |
crisis, every threat, even the feminist revolution that | 0:53:38 | 0:53:41 | |
forced national beauty pageants off British television. | 0:53:41 | 0:53:45 | |
It's incredible to think that this competition has stood | 0:53:45 | 0:53:48 | |
the test of time and politics. | 0:53:48 | 0:53:50 | |
Look, there is Chavez, the commander of the socialist revolution, | 0:53:50 | 0:53:53 | |
fist pumping outside Miss Venezuela! | 0:53:53 | 0:53:56 | |
'The next day, it's time to say goodbye to the man behind it all.' | 0:54:05 | 0:54:10 | |
How are you? Good. Thank you. | 0:54:10 | 0:54:12 | |
This is going to be the last time I see you, | 0:54:12 | 0:54:15 | |
so I just wanted to say thanks so much for having me. | 0:54:15 | 0:54:17 | |
One of the most amazing things I found on this trip | 0:54:17 | 0:54:20 | |
is your power over the people that you have around you. | 0:54:20 | 0:54:25 | |
They say that with great power comes great responsibility, | 0:54:25 | 0:54:28 | |
and I just wondered if you ever feel pressured by the influence | 0:54:28 | 0:54:31 | |
that you have over this country? | 0:54:31 | 0:54:33 | |
Gracias. | 0:55:04 | 0:55:07 | |
I'll be back! I'll be back. | 0:55:10 | 0:55:11 | |
'Three days later, Meyer's triumph is honoured by the barrio.' | 0:55:13 | 0:55:17 | |
CHEERING | 0:55:19 | 0:55:21 | |
CHANTING AND CLAPPING | 0:55:33 | 0:55:35 | |
'Next time, I'm in Argentina, where sex takes centre stage, | 0:56:07 | 0:56:10 | |
'even on national television.' | 0:56:10 | 0:56:13 | |
They seem pretty young to be listening to music that is about | 0:56:13 | 0:56:16 | |
anal sex and crack. | 0:56:16 | 0:56:18 | |
'But in a country where abortion is strictly illegal, girls | 0:56:18 | 0:56:21 | |
'and boys have to be very careful about how they play.' | 0:56:21 | 0:56:24 | |
I'm really hoping it's not rental. | 0:56:24 | 0:56:26 | |
# Mm, dream, baby, dream | 0:56:29 | 0:56:31 | |
# Dream, baby, dream | 0:56:32 | 0:56:34 | |
# Dream, baby, dream | 0:56:36 | 0:56:37 | |
# Dream, baby, dream | 0:56:39 | 0:56:40 | |
# Forever. # | 0:56:42 | 0:56:44 |