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It's World Cup year and the whole of South America will be celebrating. | 0:00:03 | 0:00:06 | |
I'm Billie JD Porter and in this series I'm going to three | 0:00:08 | 0:00:13 | |
countries across this spectacular and rapidly changing continent, | 0:00:13 | 0:00:17 | |
lifting the lid on young people's passions, dreams and frustrations. | 0:00:17 | 0:00:21 | |
With both the World Cup and the Olympics coming to Brazil, | 0:00:24 | 0:00:28 | |
money has been pouring into an already booming economy. | 0:00:28 | 0:00:31 | |
I'm here to find out how it's changing life here for both | 0:00:31 | 0:00:34 | |
the rich and the poor. | 0:00:34 | 0:00:36 | |
Welcome to Rio de Janeiro, famed for its gorgeous beaches | 0:00:46 | 0:00:50 | |
and carnival spirit. | 0:00:50 | 0:00:52 | |
Now the financial boom has allowed many Brazilians to live | 0:00:52 | 0:00:56 | |
a life of luxury. | 0:00:56 | 0:00:57 | |
Are you a VIP? | 0:00:57 | 0:00:58 | |
Yes, I am! | 0:00:58 | 0:01:00 | |
Brazil is now the seventh richest economy in the world. | 0:01:00 | 0:01:03 | |
I'm here to find out about one of their biggest party traditions - | 0:01:03 | 0:01:07 | |
the 15th birthday, or debutante ball. | 0:01:07 | 0:01:11 | |
Wow! | 0:01:11 | 0:01:12 | |
This is her photoshoot from Vegas. | 0:01:12 | 0:01:14 | |
Since the boom, the parties have become huge, | 0:01:16 | 0:01:19 | |
and I'll be celebrating at some of the most lavish. | 0:01:19 | 0:01:22 | |
-You saw the prince? -Yeah! | 0:01:22 | 0:01:24 | |
But in Brazil's slums, or favelas, it's a different story. | 0:01:24 | 0:01:30 | |
Here many live in extreme poverty | 0:01:30 | 0:01:33 | |
and battle with relentless crime and violence. | 0:01:33 | 0:01:35 | |
They're literally struggling to survive. | 0:01:35 | 0:01:39 | |
'I'll be meeting the girls who dream of a party.' | 0:01:39 | 0:01:42 | |
TRANSLATION: | 0:01:42 | 0:01:46 | |
For them, 15th birthday debutante balls are like something from a fairy tale. | 0:01:50 | 0:01:55 | |
I follow these girls as they get the chance to be real-life Cinderellas. | 0:01:59 | 0:02:03 | |
Rio is said to be one of the most beautiful places on Earth. | 0:02:09 | 0:02:13 | |
Sitting on its stunning beaches, | 0:02:13 | 0:02:15 | |
it's hard to believe that this city is also notorious for crime and violence. | 0:02:15 | 0:02:19 | |
One in five of Rio's residents live in slums or favelas - shanty towns built | 0:02:21 | 0:02:26 | |
into the mountains, just a stone's throw from the richer areas. | 0:02:26 | 0:02:31 | |
In Babilonia, a small favela in the centre of Rio, police officer | 0:02:36 | 0:02:41 | |
Paula Apulchro is on duty. | 0:02:41 | 0:02:43 | |
She's come to talk to 15-year-old Beatriz Prata. | 0:02:45 | 0:02:49 | |
Beatriz has been invited to a debutante ball being | 0:03:30 | 0:03:33 | |
thrown by the UPP, a community policing unit in the favelas. | 0:03:33 | 0:03:38 | |
I want to find out more about it. | 0:03:38 | 0:03:41 | |
Wow, 15th, that's soon. Are you really excited? | 0:03:41 | 0:03:45 | |
Have you ever been to a debutante ball before? | 0:03:51 | 0:03:53 | |
What do you imagine them to be like? | 0:03:55 | 0:03:58 | |
Who's the prince? | 0:04:13 | 0:04:14 | |
Are you nervous, then, cos you have to get involved? | 0:04:20 | 0:04:22 | |
Debutante balls are traditional in Brazil | 0:04:37 | 0:04:40 | |
but the big celebrations are usually just for the rich. | 0:04:40 | 0:04:43 | |
It's such a huge industry here that there are even magazines | 0:04:43 | 0:04:46 | |
dedicated to covering them. | 0:04:46 | 0:04:48 | |
The girls look stunning. | 0:04:50 | 0:04:52 | |
They're wearing some of the most incredible dresses I think I've ever seen. | 0:04:52 | 0:04:56 | |
It looks really, really lavish. | 0:04:56 | 0:04:59 | |
The parties began centuries ago. | 0:04:59 | 0:05:02 | |
Historically, when a girl reached her 15th birthday, | 0:05:02 | 0:05:05 | |
her parents held a party to introduce her to society. | 0:05:05 | 0:05:08 | |
They have these themes and really, really go to town with it. | 0:05:08 | 0:05:12 | |
What's this theme, actually? | 0:05:12 | 0:05:14 | |
They've got a Charlie Chaplin one. And Alice In Wonderland. | 0:05:14 | 0:05:18 | |
It must be so amazing to have something like that | 0:05:18 | 0:05:21 | |
when you're that age. | 0:05:21 | 0:05:22 | |
I mean, at any age, really. | 0:05:22 | 0:05:24 | |
It's incredible to see how extravagant 15th birthday balls | 0:05:27 | 0:05:30 | |
can be here. | 0:05:30 | 0:05:32 | |
I'm on my way to the house of Stella Fischer, | 0:05:32 | 0:05:34 | |
one of the go-to designers for debutante ball gowns. | 0:05:34 | 0:05:38 | |
I'm gate-crashing a girl called Andressa's dress-fitting today, | 0:05:38 | 0:05:40 | |
and this building's really, really swish | 0:05:40 | 0:05:44 | |
so I'm guessing it's going to be quite a nice pad. | 0:05:44 | 0:05:48 | |
'Andressa, the only daughter of millionaire businesswoman Raquel | 0:05:50 | 0:05:53 | |
'is having the final fitting of her gown.' | 0:05:53 | 0:05:56 | |
Wow! I'm Billie. | 0:05:56 | 0:05:57 | |
Hi, I'm Andressa. | 0:05:57 | 0:05:59 | |
-You look amazing. -Thanks. | 0:05:59 | 0:06:01 | |
It's a proper ball gown. | 0:06:03 | 0:06:04 | |
No way! Magic! | 0:06:10 | 0:06:13 | |
'Girls in Brazil go all out | 0:06:13 | 0:06:15 | |
'when it comes to dressing up for the big night.' | 0:06:15 | 0:06:18 | |
These are amazing. | 0:06:32 | 0:06:34 | |
'The balls are considered to be the mark of a girl reaching womanhood. | 0:06:34 | 0:06:37 | |
'Andressa's mother has spent almost £5,000 on her | 0:06:37 | 0:06:40 | |
'dresses for the occasion.' | 0:06:40 | 0:06:42 | |
It sounds like you've properly gone all out... | 0:06:42 | 0:06:44 | |
How long have you been planning all of this? | 0:06:44 | 0:06:47 | |
-Since I was 13. -No! -Yeah! | 0:06:47 | 0:06:49 | |
-So, you've been planning it for two years. -Almost two years. | 0:06:49 | 0:06:52 | |
How many people are going? | 0:06:52 | 0:06:55 | |
It's 400? Yeah. | 0:06:55 | 0:06:58 | |
That's a massive party. I don't know if I know 400 people. | 0:06:58 | 0:07:02 | |
And does yours have a theme? | 0:07:02 | 0:07:04 | |
Yes, it's Las Vegas. | 0:07:04 | 0:07:06 | |
Las Vegas? That's going to be quite opulent, isn't it? | 0:07:06 | 0:07:09 | |
'This party sounds like it's going to be all about glamour.' | 0:07:09 | 0:07:14 | |
That's amazing! | 0:07:14 | 0:07:16 | |
I love it. It's perfect. | 0:07:16 | 0:07:19 | |
It fits like a glove. | 0:07:20 | 0:07:21 | |
'Andressa's parents have made a fortune in the boom | 0:07:23 | 0:07:26 | |
'and this ball is sure to show off their success.' | 0:07:26 | 0:07:29 | |
How do you think the party that you had | 0:07:29 | 0:07:31 | |
when you were 15 is going to compare to Andressa's? | 0:07:31 | 0:07:34 | |
-Lucky girl. 15 seems like the best age in Brazil, doesn't it? -Yeah. | 0:07:46 | 0:07:51 | |
I can't wait for Andressa's big night. | 0:07:51 | 0:07:56 | |
15th birthday parties are so important in Brazil that some | 0:07:56 | 0:08:00 | |
girls even hire a set designer to transform the venue into their party theme. | 0:08:00 | 0:08:04 | |
'Walmir Peixoto and his business partner | 0:08:05 | 0:08:08 | |
'Paula Martins are industrial printers by trade and two | 0:08:08 | 0:08:11 | |
'years ago, they began offering services for debutante balls. | 0:08:11 | 0:08:14 | |
'Today they're helping Nathalia Calaca and her mother, | 0:08:16 | 0:08:19 | |
'Luciana, plan their event. | 0:08:19 | 0:08:21 | |
'Their theme is crowns.' | 0:08:21 | 0:08:22 | |
Have you done many 15th birthday parties before? | 0:08:39 | 0:08:42 | |
Nathalia's parents are from Brazil's growing middle class and they're | 0:08:57 | 0:09:00 | |
dipping into their savings to spend £50,000 on her big day. | 0:09:00 | 0:09:04 | |
A third of Walmir's business is now devoted to debutante balls. | 0:09:24 | 0:09:28 | |
It's certainly lucrative work. | 0:09:28 | 0:09:30 | |
That must have cost so much. | 0:09:30 | 0:09:32 | |
Wow! That's like 30 grand. Is that right? | 0:09:38 | 0:09:43 | |
I underestimated the debutante ball thing. | 0:09:48 | 0:09:51 | |
I didn't think I'd be seeing a 15-year-old girl who had | 0:09:51 | 0:09:54 | |
a themed party with 400 guests. | 0:09:54 | 0:09:58 | |
It's really full on. | 0:09:58 | 0:10:01 | |
But obviously not everyone can afford to do | 0:10:01 | 0:10:04 | |
anything near that scale. | 0:10:04 | 0:10:06 | |
It must be so difficult. | 0:10:06 | 0:10:08 | |
The chance to have a debutante ball is a dream come | 0:10:10 | 0:10:13 | |
true for the girls in Rio's favelas, where life can be extremely | 0:10:13 | 0:10:17 | |
difficult and many struggle to put food on the table. | 0:10:17 | 0:10:20 | |
One of the lucky ones, | 0:10:22 | 0:10:24 | |
Beatriz, lives in Babilonia in a house her family built themselves. | 0:10:24 | 0:10:28 | |
And is it just you guys here, just you two? | 0:10:36 | 0:10:38 | |
Beatriz's mother is a maid and her father works at a petrol station. | 0:10:44 | 0:10:48 | |
Together, they bring in just £100 a week. | 0:10:48 | 0:10:52 | |
Beatriz competed with other girls in the favela to get the | 0:10:52 | 0:10:55 | |
ball her parents couldn't afford. | 0:10:55 | 0:10:57 | |
Why do you think the UPP chose you? | 0:11:00 | 0:11:02 | |
What is life like as a young person here? | 0:11:08 | 0:11:11 | |
Most of Rio's favelas are violent, lawless areas | 0:11:34 | 0:11:37 | |
run by drug-traffickers and criminal gangs. | 0:11:37 | 0:11:40 | |
There are regular shoot-outs between rival factions and the police. | 0:11:40 | 0:11:45 | |
In 2008, the government started what they called a pacification process | 0:11:47 | 0:11:52 | |
to try and take back control. | 0:11:52 | 0:11:54 | |
Heavily armed military police invade the favela to try and | 0:11:56 | 0:11:59 | |
re-establish law and order. | 0:11:59 | 0:12:01 | |
Then the UPP, a community police force, | 0:12:01 | 0:12:04 | |
set up base there to patrol the area and keep it calm. | 0:12:04 | 0:12:08 | |
So far, just 36 out of 1,000 favelas have been pacified, | 0:12:08 | 0:12:13 | |
and Babilonia was one of the first. | 0:12:13 | 0:12:16 | |
Lieutenant Paula Apulchro is now in charge here. | 0:12:20 | 0:12:24 | |
Nice to meet you. | 0:12:24 | 0:12:25 | |
The UPP has a tough job on its hands to win the people's support. | 0:12:29 | 0:12:32 | |
In the past, the police did little to stop the gangs | 0:12:52 | 0:12:55 | |
and drug-traffickers. There have also been instances of corruption, | 0:12:55 | 0:12:59 | |
where officers took a cut from the criminal activities. | 0:12:59 | 0:13:02 | |
Now the UPP are trying their best to gain trust from the local people. | 0:13:02 | 0:13:07 | |
Yeah. | 0:13:10 | 0:13:11 | |
How long have you been working here in Babilonia? | 0:13:20 | 0:13:22 | |
And what brought you here? | 0:13:24 | 0:13:27 | |
Do you think that you're going to be able to maintain the peace | 0:13:32 | 0:13:37 | |
that you've brought to Babilonia? | 0:13:37 | 0:13:39 | |
Are you ever scared in the job you do? | 0:13:55 | 0:13:58 | |
The UPP ball is all about promoting this vision. | 0:14:16 | 0:14:21 | |
But at the moment, the lives of the kids here are still drastically | 0:14:21 | 0:14:24 | |
different to those living just a few hundred metres below in the city. | 0:14:24 | 0:14:28 | |
15th birthday balls are normally a privilege only the better off | 0:14:31 | 0:14:35 | |
kids can dream of, and tonight I've been invited to Nathalia Calaca's. | 0:14:35 | 0:14:39 | |
Wow! | 0:14:43 | 0:14:44 | |
No expense has been spared to get every detail right. | 0:14:45 | 0:14:49 | |
You look amazing. | 0:14:52 | 0:14:53 | |
Is this all as you imagined it would be? | 0:14:53 | 0:14:56 | |
According to Brazilian tradition, this is the moment | 0:15:06 | 0:15:09 | |
when Nathalia comes of age. | 0:15:09 | 0:15:10 | |
And it's symbolised by the giving of a ring. | 0:15:16 | 0:15:19 | |
And a dance with a prince. | 0:15:27 | 0:15:29 | |
Nathalia's is a school friend she's known for years. | 0:15:31 | 0:15:35 | |
MUSIC PLAYS | 0:15:35 | 0:15:37 | |
Have you had fun? | 0:15:45 | 0:15:46 | |
'In a nearby favela, | 0:16:01 | 0:16:04 | |
'the UPP have selected all the girls for their ball.' | 0:16:04 | 0:16:06 | |
-Hi. -Hi. | 0:16:06 | 0:16:08 | |
'There's a week to go and the venue has just been confirmed.' | 0:16:08 | 0:16:12 | |
The ball is a celebration | 0:16:25 | 0:16:27 | |
of the first five years of pacification. | 0:16:27 | 0:16:30 | |
One girl has been selected from each of the 36 pacified favelas. | 0:16:30 | 0:16:34 | |
The girls have high hopes for their prince. | 0:16:35 | 0:16:38 | |
I guess that's the UPP's answer to a Prince Charming. | 0:16:54 | 0:16:57 | |
One of the soon-to-be debutantes is 14-year-old Ana Luiza Costa, | 0:17:00 | 0:17:04 | |
who is here with her two older sisters, Carol and Maria. | 0:17:04 | 0:17:07 | |
She lives in Barreira do Vasco, one of the poorest favelas in Rio. | 0:17:10 | 0:17:14 | |
It was pacified less than a year ago and some parts of it still lack | 0:17:14 | 0:17:19 | |
sanitation and electricity. | 0:17:19 | 0:17:21 | |
Hi, how are you? | 0:17:24 | 0:17:27 | |
'One of the reasons Ana Luiza was chosen by the UPP was | 0:17:29 | 0:17:32 | |
'because of her difficult family situation.' | 0:17:32 | 0:17:35 | |
So, you don't live with your parents. | 0:17:36 | 0:17:38 | |
'It's a familiar story in the favelas where, on average, people | 0:17:59 | 0:18:03 | |
'die 20 years younger than those in the rest of Rio.' | 0:18:03 | 0:18:06 | |
Hello. | 0:18:06 | 0:18:08 | |
'The family still live in their parents' two-bedroom house.' | 0:18:08 | 0:18:11 | |
And what's your name? | 0:18:11 | 0:18:12 | |
Pedro. | 0:18:14 | 0:18:15 | |
How old are you, Samuel? | 0:18:15 | 0:18:19 | |
'Ana Luiza's sister Maria isn't home.' | 0:18:19 | 0:18:22 | |
Do you work as well? | 0:18:30 | 0:18:31 | |
I'm guessing you and your sister have to work a lot to earn enough to raise your younger siblings. | 0:18:34 | 0:18:39 | |
So, whose bedroom is this? | 0:18:41 | 0:18:44 | |
'I'm given a quick tour of the house.' | 0:18:44 | 0:18:46 | |
Are you a good cook? | 0:19:04 | 0:19:05 | |
You are. What about you, Ana Luiza? Do you have to, sort of, | 0:19:05 | 0:19:10 | |
chip in and help look after your little brothers as well? | 0:19:10 | 0:19:13 | |
That's very responsible of you. | 0:19:22 | 0:19:24 | |
'I want to find out how excited Ana Luiza is about her big night at the ball.' | 0:19:35 | 0:19:39 | |
What do you think your sisters are going to say | 0:19:39 | 0:19:42 | |
when they see you dressed like a princess? | 0:19:42 | 0:19:43 | |
And what about the waltz, are you excited about doing that? | 0:19:57 | 0:20:00 | |
Shall we have a rehearse together? | 0:20:03 | 0:20:06 | |
What do I do? Like this? | 0:20:06 | 0:20:09 | |
Yeah? | 0:20:09 | 0:20:10 | |
How am I doing? Am I OK? Are there any spins? Any spins? | 0:20:14 | 0:20:19 | |
Let me do one. | 0:20:22 | 0:20:23 | |
Ta-da! | 0:20:23 | 0:20:25 | |
It's quite shocking to see how cramped they are here. | 0:20:27 | 0:20:31 | |
Ana Luiza's older sister, Carol, earns 25 reais a day, which is | 0:20:31 | 0:20:36 | |
equivalent to about £8. | 0:20:36 | 0:20:39 | |
And, you know, when people talk about the boom in Brazil, it's very | 0:20:39 | 0:20:46 | |
difficult to see that it's affecting this family in any positive way. | 0:20:46 | 0:20:51 | |
But things used to be even worse for Ana Luiza and her family. | 0:20:53 | 0:20:57 | |
Before the UPP arrived, Barreira do Vasco was under | 0:20:57 | 0:21:00 | |
the control of a notorious drug gang called the Red Command. | 0:21:00 | 0:21:03 | |
What were the biggest dangers living here back then? | 0:21:03 | 0:21:07 | |
'Pacification hasn't sorted out the electricity supply here.' | 0:21:18 | 0:21:22 | |
There are so many wires tangled everywhere. | 0:21:22 | 0:21:26 | |
That doesn't seem fair that some people pay and other people don't. | 0:21:43 | 0:21:46 | |
There's still a long way to go where Ana Luiza lives, | 0:22:05 | 0:22:09 | |
but I've heard of another pacified favela that has undergone quite a transformation. | 0:22:09 | 0:22:14 | |
From here on Ipanema beach, you can see a favela over there, | 0:22:15 | 0:22:19 | |
creeping up that mountain. It's called Vidigal and I've heard that since pacification, | 0:22:19 | 0:22:25 | |
it's become really trendy. It's like the place to be now. | 0:22:25 | 0:22:29 | |
Vidigal was pacified two years ago and changed from a violent | 0:22:32 | 0:22:36 | |
no-go zone to a peaceful, desirable neighbourhood. | 0:22:36 | 0:22:39 | |
I've come to meet Geronimo, a local resident turned estate agent | 0:22:39 | 0:22:43 | |
and property developer. | 0:22:43 | 0:22:46 | |
Hello. | 0:22:47 | 0:22:48 | |
Nice to meet you. Can I sit? | 0:22:49 | 0:22:52 | |
Yeah, good. How's business? | 0:22:56 | 0:22:57 | |
It's quite unexpected to find an estate agent in here, | 0:23:03 | 0:23:08 | |
because I thought people built their own houses to live in in favelas. | 0:23:08 | 0:23:12 | |
'Geronimo is keen to show me his latest sale.' | 0:23:24 | 0:23:26 | |
Wow, so you've more than ten times'd the value of it. | 0:23:37 | 0:23:42 | |
Yes. | 0:23:42 | 0:23:44 | |
'Selling their homes is helping some local residents out of poverty | 0:23:48 | 0:23:53 | |
'but it's also changing the face of the favela. | 0:23:53 | 0:23:55 | |
'Properties are being bought and rebuilt by people from the city below.' | 0:23:55 | 0:24:01 | |
That was fun. | 0:24:04 | 0:24:06 | |
'At the top of the favela, prices are even higher, | 0:24:06 | 0:24:08 | |
'and it's easy to see why.' | 0:24:08 | 0:24:10 | |
Perhaps one of Vidigal's most ambitious new projects is | 0:24:12 | 0:24:16 | |
a boutique hotel. | 0:24:16 | 0:24:17 | |
-Hello. -Hello, come on up. -Thank you. | 0:24:17 | 0:24:20 | |
'I've been offered a tour by the manager, Graziela.' | 0:24:20 | 0:24:24 | |
So "Bem-Vindo" - welcome. | 0:24:24 | 0:24:27 | |
'The hotel's been bankrolled by a consortium of Rio's top | 0:24:27 | 0:24:31 | |
'entrepreneurs, with an investment of half a million pounds.' | 0:24:31 | 0:24:35 | |
That's amazing. | 0:24:35 | 0:24:37 | |
In every bathroom you get to see the view when you're showering. | 0:24:39 | 0:24:43 | |
That's so cool. And how much does a room like this cost? | 0:24:43 | 0:24:47 | |
-300. -So that's about £100 a night? -Yeah. | 0:24:47 | 0:24:52 | |
'24-year-old Conrado Denton is one of the investors. | 0:24:52 | 0:24:56 | |
'He made his money trading stocks and shares in the boom, | 0:24:56 | 0:24:59 | |
'and this hotel in the heart of the favela is his latest business venture.' | 0:24:59 | 0:25:03 | |
Did you ever think it was a gamble to settle on this place? | 0:25:03 | 0:25:08 | |
We don't see that as a gamble, we saw it as the beginning of a big | 0:25:08 | 0:25:13 | |
change that is starting to take place here in Rio. | 0:25:13 | 0:25:19 | |
-You're a pioneer. -Yeah, in Rio we think we are. | 0:25:19 | 0:25:22 | |
We're bringing a lot of people that we know to start to invest here. | 0:25:22 | 0:25:27 | |
But do you not think that the poorer people here should see | 0:25:27 | 0:25:30 | |
the benefits of the boom as well? | 0:25:30 | 0:25:33 | |
Of course, of course. | 0:25:33 | 0:25:35 | |
The community here of Vidigal, they really see us as a change in | 0:25:35 | 0:25:39 | |
their lives, because the jobs will increase, will benefit them too. | 0:25:39 | 0:25:46 | |
'I imagine the ones who'll benefit the most are Conrado | 0:25:46 | 0:25:50 | |
'and his friends who are buying up the neighbourhood.' | 0:25:50 | 0:25:53 | |
The boom has created a new group of uber-rich. | 0:25:58 | 0:26:01 | |
Last year, the number of billionaires in Brazil went up by a quarter. | 0:26:01 | 0:26:05 | |
More than half of them live in Sao Paulo, Brazil's wealthiest city. | 0:26:05 | 0:26:11 | |
Here, many people travel by air. | 0:26:11 | 0:26:15 | |
Bar New York, there are more helicopters than any other city in the world. | 0:26:15 | 0:26:18 | |
The city centre seems a playground for the rich. | 0:26:20 | 0:26:23 | |
I'm just scoping out the area | 0:26:23 | 0:26:25 | |
and it's just wall-to-wall designer shops - Dior, Armani. | 0:26:25 | 0:26:31 | |
Louis Vuitton's here, this is their most profitable store worldwide, | 0:26:31 | 0:26:36 | |
so that just goes to show how many rich Brazilians are shopping here. | 0:26:36 | 0:26:40 | |
A high-society online magazine called Glamurama covers | 0:26:41 | 0:26:46 | |
the VIP events here in Sao Paulo. | 0:26:46 | 0:26:48 | |
'I'm meeting its owner, Joyce Pascowitch, to see | 0:26:48 | 0:26:52 | |
'if I can get myself on the guest list for a party tonight.' | 0:26:52 | 0:26:55 | |
-Welcome to Sao Paulo, to Brazil and to Glamurama, to Casa Glamurama. -Thank you. | 0:26:55 | 0:26:59 | |
Do you think the Brazilians know how to throw a party? | 0:26:59 | 0:27:03 | |
Oh, of course! Brazilians are the ones. | 0:27:03 | 0:27:06 | |
We are a tropical country and with an open mind and a growing economy. | 0:27:06 | 0:27:13 | |
So a lot of things that help. | 0:27:13 | 0:27:16 | |
How has it translated into the parties that you're going to? | 0:27:16 | 0:27:21 | |
Have you noticed that they're becoming more extravagant, more lavish? | 0:27:21 | 0:27:24 | |
More extravagant, mainly. | 0:27:24 | 0:27:26 | |
Our economy, and our country, everything is very fast | 0:27:26 | 0:27:30 | |
and everything is new, so a lot of new money. | 0:27:30 | 0:27:34 | |
And I think Brazilians, they love to show off. | 0:27:34 | 0:27:39 | |
-Hi. -Hi, how are you? -I'm good. | 0:27:39 | 0:27:42 | |
'With the help of Joyce, I'm about to go to the launch of a new | 0:27:42 | 0:27:45 | |
'fashion store in the centre of Sao Paulo.' | 0:27:45 | 0:27:48 | |
Let me tell you, upstairs are the famous people. Let's go there? | 0:27:49 | 0:27:55 | |
OK. Come on. | 0:27:55 | 0:27:56 | |
This is the owner. | 0:28:02 | 0:28:03 | |
'The store is owned by Flavio Rocha, one of the richest men in Brazil. | 0:28:03 | 0:28:07 | |
'It certainly seems like the hot ticket in town tonight.' | 0:28:07 | 0:28:10 | |
It's a way bigger party than I was expecting. | 0:28:10 | 0:28:13 | |
I don't know. This seems, like, really big. | 0:28:13 | 0:28:15 | |
-The VIPs are all sitting here. -Are you a VIP? | 0:28:15 | 0:28:19 | |
Yes, I am. | 0:28:19 | 0:28:21 | |
'I've been clocking all the designer labels.' | 0:28:22 | 0:28:25 | |
Do you think that in order to be considered fashionable | 0:28:25 | 0:28:27 | |
-you have to be wearing, like, high-end brands? -Yeah. | 0:28:27 | 0:28:31 | |
-You do? -In Brazil, yeah. | 0:28:31 | 0:28:33 | |
And everyone here knows if the brand is expensive or not. | 0:28:33 | 0:28:37 | |
So if you're wearing, like, something like... | 0:28:37 | 0:28:41 | |
"Oh, no, she's not wearing..." - I'm not talking to her. | 0:28:41 | 0:28:45 | |
-A fake-designer bag from Japan, for example. -Yeah. | 0:28:45 | 0:28:48 | |
It's not a bad life, though, is it? | 0:28:48 | 0:28:50 | |
It is, because you have to spend all your salary on it. | 0:28:50 | 0:28:54 | |
Yeah, I guess. | 0:28:54 | 0:28:55 | |
Yeah. Yeah. | 0:28:55 | 0:28:57 | |
Thank you. | 0:29:05 | 0:29:07 | |
I've just made it in Sao Paulo. | 0:29:07 | 0:29:09 | |
I'm going to be on Glamurama tomorrow with any luck. | 0:29:09 | 0:29:13 | |
But this display of wealth makes people into targets. | 0:29:13 | 0:29:17 | |
Last year, while crime rates fell overall, | 0:29:19 | 0:29:21 | |
robbery and kidnappings were on the increase. | 0:29:21 | 0:29:24 | |
Rio is also experiencing a crime wave against the wealthy. | 0:29:26 | 0:29:30 | |
In Andressa's neighbourhood, security is tight. | 0:29:30 | 0:29:33 | |
So it seems Andressa lives in a bit of a gated community. | 0:29:34 | 0:29:38 | |
We've had to go through two security gates | 0:29:38 | 0:29:41 | |
and speak to people before we're let into where she lives. | 0:29:41 | 0:29:46 | |
Andressa lives in a rich estate in the south of the city. | 0:29:46 | 0:29:49 | |
PIANO MUSIC PLAYS | 0:29:49 | 0:29:52 | |
-Wey-hey! Budge up. -Thanks. | 0:30:01 | 0:30:03 | |
-That was so good. -Thanks. | 0:30:03 | 0:30:05 | |
-How long have you been doing piano? -Since nine. | 0:30:05 | 0:30:08 | |
-Since you were nine? So a while, then. -Yes. | 0:30:08 | 0:30:12 | |
Your English is perfect. Do you just learn English at school? | 0:30:12 | 0:30:16 | |
All the subjects are in English. | 0:30:16 | 0:30:19 | |
-So, is it a pretty, like, exclusive school? -Yes, yes. | 0:30:19 | 0:30:24 | |
What do both of your parents do? If you don't mind me asking. | 0:30:24 | 0:30:28 | |
And can you see Andressa following your footsteps? | 0:30:42 | 0:30:45 | |
SHE LAUGHS | 0:30:45 | 0:30:47 | |
No? | 0:30:47 | 0:30:48 | |
There's no rush for Andressa to start thinking about work | 0:30:48 | 0:30:51 | |
while her parents are taking full advantage of | 0:30:51 | 0:30:54 | |
the upturn in Brazil's economy. | 0:30:54 | 0:30:56 | |
-I want the grand tour. -The living room. | 0:30:57 | 0:31:00 | |
-That telly is quite big. -Yeah. | 0:31:00 | 0:31:02 | |
'They've built a business empire worth millions.' | 0:31:02 | 0:31:04 | |
-Is this living room number two? -Yes. | 0:31:04 | 0:31:06 | |
-Living room number three? -Yes. | 0:31:06 | 0:31:07 | |
That telly is even bigger! | 0:31:07 | 0:31:09 | |
'And it shows.' | 0:31:09 | 0:31:10 | |
-So, who's this? -She's the kitchen lady. | 0:31:10 | 0:31:12 | |
Kitchen lady. What's her name? | 0:31:12 | 0:31:14 | |
-Lu. -Lu? Hi, Lu. | 0:31:14 | 0:31:16 | |
We have one for cleaning and one for cooking. | 0:31:16 | 0:31:19 | |
-Really? -Yeah. | 0:31:19 | 0:31:21 | |
'Andressa lives like a princess.' | 0:31:21 | 0:31:24 | |
Wow! This is huge, this walk-in closet. | 0:31:24 | 0:31:28 | |
-Jimmy Choo. -Louis Vuitton and Tom Ford. | 0:31:28 | 0:31:31 | |
Over here is the dress for the party. | 0:31:31 | 0:31:33 | |
'Her parents have spent more than £100,000 on her debutante ball.' | 0:31:33 | 0:31:38 | |
Are you really excited? | 0:31:38 | 0:31:39 | |
A little bit nervous, but yeah, I'm really excited. | 0:31:39 | 0:31:42 | |
It's huge. | 0:31:42 | 0:31:45 | |
There are five days to go till the UPP ball, | 0:31:47 | 0:31:50 | |
and in a very different dress shop to Andressa's, | 0:31:50 | 0:31:53 | |
the girls are choosing their gowns. | 0:31:53 | 0:31:55 | |
I like this one. There is just so much here. | 0:31:56 | 0:32:00 | |
I'm sure the girls are quite overwhelmed by | 0:32:00 | 0:32:02 | |
how many sparkly ball gowns there are. | 0:32:02 | 0:32:05 | |
I want all of them. | 0:32:05 | 0:32:07 | |
There are second-hand dresses in every shape, size and colour. | 0:32:07 | 0:32:10 | |
Beatriz and her mum are here rooting around to find the perfect one. | 0:32:10 | 0:32:15 | |
Hi. How are you? | 0:32:15 | 0:32:17 | |
Have you chosen your dress already? | 0:32:17 | 0:32:19 | |
Wow! | 0:32:19 | 0:32:21 | |
I can't wait to see you in it. | 0:32:21 | 0:32:23 | |
'Ana Luiza is here alone. Her sisters are working.' | 0:32:23 | 0:32:26 | |
Wow! It's so pretty. | 0:32:26 | 0:32:30 | |
'In the fitting room, suspense is building.' | 0:32:30 | 0:32:33 | |
I've got you. Come out. I'll do you up. | 0:32:33 | 0:32:38 | |
Do you like it? | 0:32:38 | 0:32:39 | |
'Many of the girls have never seen a dress like this close up.' | 0:32:41 | 0:32:44 | |
Are you crying? No? | 0:32:46 | 0:32:49 | |
You are. | 0:32:49 | 0:32:50 | |
Aw... | 0:32:52 | 0:32:53 | |
Fits perfectly. | 0:32:57 | 0:32:58 | |
'Now it's Beatriz's turn.' | 0:32:59 | 0:33:02 | |
Wow! | 0:33:02 | 0:33:04 | |
It's a Barbie dress, isn't it? | 0:33:04 | 0:33:06 | |
What do you think? | 0:33:13 | 0:33:15 | |
How much does a dress like this cost? | 0:33:17 | 0:33:19 | |
Aw... | 0:33:31 | 0:33:32 | |
It felt like a lot more than just a dress-fitting in there. | 0:33:34 | 0:33:37 | |
Emotions were running high. | 0:33:37 | 0:33:39 | |
Back at home, Ana Luiza's day-to-day life is taken up with | 0:34:03 | 0:34:06 | |
looking after the younger family members. | 0:34:06 | 0:34:09 | |
I guess quite soon | 0:34:13 | 0:34:15 | |
Ana Luiza is going to have to find a job, isn't she? | 0:34:15 | 0:34:18 | |
Ana Luiza and the two boys attend local state schools, | 0:34:32 | 0:34:36 | |
and she herself wants go on to become a maths teacher. | 0:34:36 | 0:34:39 | |
Her chances of a happy ending depend on her education. | 0:34:39 | 0:34:43 | |
Bye, Samuel! | 0:34:44 | 0:34:46 | |
What's it like at school? Does it tend to be good there? | 0:34:46 | 0:34:49 | |
What difficulties? | 0:34:57 | 0:34:59 | |
And what are the teachers like? | 0:35:08 | 0:35:11 | |
Education and public services in general | 0:35:22 | 0:35:24 | |
have a bad reputation in Brazil. | 0:35:24 | 0:35:27 | |
Hundreds of thousands of people have been taking to the streets | 0:35:28 | 0:35:32 | |
to protest at the huge sums being spent on the upcoming World Cup | 0:35:32 | 0:35:36 | |
and Olympics, which they believe should be spent elsewhere. | 0:35:36 | 0:35:39 | |
On top of that, there's real concern that the World Cup venues | 0:35:41 | 0:35:44 | |
won't be finished in time, as almost half are still under construction. | 0:35:44 | 0:35:49 | |
Now there's controversy about the Olympic Stadium, too. | 0:35:49 | 0:35:52 | |
Here we are, at the Rio Olympic Stadium. | 0:35:52 | 0:35:55 | |
It really doesn't feel like that long since we had the Games at home. | 0:35:55 | 0:35:59 | |
And whether you loved them or hated them, | 0:35:59 | 0:36:01 | |
it was certainly a massive moment for Britain. | 0:36:01 | 0:36:04 | |
But close by in the community of Vila Autodromo, | 0:36:06 | 0:36:10 | |
the games are not welcome. | 0:36:10 | 0:36:12 | |
I've come there to meet activist and urban planner Renato Cosentino. | 0:36:13 | 0:36:17 | |
I drove past the Olympic Stadium on the way here, it's literally a stone's throw away. | 0:36:17 | 0:36:21 | |
So, all of this is set to be destroyed? | 0:36:31 | 0:36:34 | |
Here in this favela, | 0:36:49 | 0:36:51 | |
more than 400 families are threatened with eviction. | 0:36:51 | 0:36:55 | |
Hello. That's your goat, isn't it? | 0:36:57 | 0:37:00 | |
What's his name? | 0:37:00 | 0:37:01 | |
The government says it's offering them | 0:37:03 | 0:37:05 | |
better accommodation with more facilities. | 0:37:05 | 0:37:08 | |
Will you be sad to leave this area? | 0:37:08 | 0:37:11 | |
11 kids?! Are they all your kids? | 0:37:14 | 0:37:17 | |
You seem like you've given up hope. | 0:37:30 | 0:37:32 | |
It's such a happy community here. | 0:37:44 | 0:37:47 | |
I've been really touched by how close knit it all is. | 0:37:47 | 0:37:51 | |
-Hello. -Hello. There's just kids everywhere, playing. | 0:37:51 | 0:37:55 | |
But all this could disappear, | 0:37:57 | 0:37:59 | |
making way for the benefit of wealthier people. | 0:37:59 | 0:38:02 | |
As Rio gets richer, | 0:38:03 | 0:38:05 | |
more and more land is needed for development, | 0:38:05 | 0:38:08 | |
and the favelas are prime targets. | 0:38:08 | 0:38:10 | |
Andressa's house has been built in an area where there were once slums. | 0:38:13 | 0:38:17 | |
She and her friends have views on how Rio should be changing. | 0:38:19 | 0:38:23 | |
What about the Games, then? The Olympics and the World Cup? | 0:38:23 | 0:38:26 | |
-Are you guys all excited about that? -Yes. -Yes. | 0:38:26 | 0:38:30 | |
We had many debates in school, and some people say, | 0:38:30 | 0:38:33 | |
"Why are they building all these expensive facilities? | 0:38:33 | 0:38:37 | |
"Shouldn't the money be going elsewhere?" | 0:38:37 | 0:38:40 | |
Where do you think the money should be going? | 0:38:40 | 0:38:43 | |
-Hospitals. -Hospitals. -And education. | 0:38:43 | 0:38:46 | |
And the favelas. | 0:38:46 | 0:38:48 | |
Getting the favelas to a point where they are better, | 0:38:48 | 0:38:51 | |
so that those people can have the same opportunities. | 0:38:51 | 0:38:54 | |
So, I mean, have you visited the favelas? | 0:38:54 | 0:38:58 | |
-Do you ever hang out there? -No. -No. | 0:38:58 | 0:39:01 | |
We don't have friends that hang out there. | 0:39:02 | 0:39:05 | |
That's very dangerous. | 0:39:05 | 0:39:06 | |
We see in the news all the huge problems that happen. | 0:39:06 | 0:39:09 | |
We had a huge shooting in some of the favelas, | 0:39:09 | 0:39:12 | |
and everyone watching the TV was so afraid. | 0:39:12 | 0:39:15 | |
It's too divided. | 0:39:15 | 0:39:16 | |
In the past few months, | 0:39:16 | 0:39:18 | |
there have been increasing numbers of confrontations | 0:39:18 | 0:39:21 | |
in pacified favelas between police | 0:39:21 | 0:39:24 | |
and drug gangs trying to make a comeback. | 0:39:24 | 0:39:26 | |
The dream of pacification has started to fade. | 0:39:29 | 0:39:32 | |
This is CORE - a police unit whose task it is | 0:39:34 | 0:39:38 | |
to get rid of the drug-traffickers and gangs from all the favelas. | 0:39:38 | 0:39:42 | |
In their training centre, | 0:39:44 | 0:39:45 | |
they've built a fake favela where they can practise their tactics. | 0:39:45 | 0:39:48 | |
As a British person, | 0:40:06 | 0:40:08 | |
it's quite shocking to see a policeman with a gun like that. | 0:40:08 | 0:40:11 | |
It's quite intimidating, because you've got that gun, that gun. | 0:40:11 | 0:40:16 | |
-Is that a knife? -Yeah. | 0:40:16 | 0:40:19 | |
You look like you're about to go to war. | 0:40:19 | 0:40:21 | |
At the shooting range, | 0:40:35 | 0:40:37 | |
they learn how to handle the heavy weaponry they use in the favelas. | 0:40:37 | 0:40:41 | |
I'm scared. | 0:40:52 | 0:40:54 | |
Have you ever come under criticism for this approach? | 0:40:54 | 0:40:57 | |
And are these similar to the guns that the drug-traffickers use? | 0:41:11 | 0:41:16 | |
It's just so difficult to imagine a place being so lawless, | 0:41:25 | 0:41:30 | |
and people who aren't the police | 0:41:30 | 0:41:33 | |
are carrying the same weapons as these guys. | 0:41:33 | 0:41:36 | |
That's really a scary thought. | 0:41:36 | 0:41:38 | |
And what I've been told is brought to life one night | 0:41:40 | 0:41:43 | |
when I hear a number of loud bangs coming from a favela | 0:41:43 | 0:41:46 | |
nearby to where I'm staying. | 0:41:46 | 0:41:48 | |
After all I've heard, I suspect that it's gunfire. | 0:41:48 | 0:41:51 | |
What's that? There's smoke up there now. | 0:41:51 | 0:41:54 | |
But these fireworks aren't for celebration, | 0:41:58 | 0:42:00 | |
as Andreas Morales, an activist from the favelas, explains. | 0:42:00 | 0:42:05 | |
Is that normal? | 0:42:05 | 0:42:07 | |
What actually happened the other night? | 0:42:12 | 0:42:14 | |
Because I'm still confused about what exactly I heard. | 0:42:14 | 0:42:17 | |
So, has pacification not made you feel safer? | 0:42:25 | 0:42:30 | |
Do you not think it's a step in the right direction, | 0:42:42 | 0:42:44 | |
to have an increased police presence? | 0:42:44 | 0:42:46 | |
Because people didn't feel safe before, did they? | 0:42:46 | 0:42:49 | |
It seems that people in the favelas face danger from all directions, | 0:43:06 | 0:43:09 | |
not just from the criminal gangs | 0:43:09 | 0:43:11 | |
but also from the police response. | 0:43:11 | 0:43:14 | |
The warmth and the sense of community there | 0:43:15 | 0:43:18 | |
has been so overwhelming that it's been really difficult for me | 0:43:18 | 0:43:22 | |
to properly comprehend the dangers. | 0:43:22 | 0:43:25 | |
In the favelas, they don't have the benefit of guards | 0:43:25 | 0:43:28 | |
and security gates. | 0:43:28 | 0:43:29 | |
It's really depressing | 0:43:29 | 0:43:31 | |
because only a select few are able to buy their safety here. | 0:43:31 | 0:43:36 | |
That's what it is, essentially, isn't it? | 0:43:36 | 0:43:38 | |
The day of Andressa's ball has finally arrived. | 0:43:44 | 0:43:47 | |
And the pressure's on to look the part. | 0:43:49 | 0:43:52 | |
I'm going to a debutante ball tonight. | 0:43:57 | 0:44:00 | |
Do you get lots of girls in here, like, wanting to get | 0:44:00 | 0:44:04 | |
preened before they go to those parties? | 0:44:04 | 0:44:06 | |
Ready to go. | 0:44:13 | 0:44:14 | |
Andressa's parents have splashed out on the bridal package | 0:44:14 | 0:44:17 | |
at the Sheraton hotel so she can get ready in style for the big night. | 0:44:17 | 0:44:21 | |
Hello! | 0:44:21 | 0:44:23 | |
Makeup is in full flow. | 0:44:23 | 0:44:25 | |
And my outfit for the night has arrived. | 0:44:27 | 0:44:29 | |
Perfecto! | 0:44:29 | 0:44:31 | |
Ciao! Ciao, ciao! | 0:44:33 | 0:44:35 | |
I'm dolling myself up DIY style... | 0:44:37 | 0:44:39 | |
..in the loo. | 0:44:40 | 0:44:42 | |
I don't have the luxury of having a makeup artist follow me | 0:44:42 | 0:44:45 | |
around all night, so I figured I'm just going to cake it on. | 0:44:45 | 0:44:47 | |
Andressa's already busy being snapped. | 0:44:49 | 0:44:51 | |
Upstairs, her mother is preparing a surprise, | 0:44:54 | 0:44:57 | |
and a very expensive one at that. | 0:44:57 | 0:44:59 | |
When are you going to give it? | 0:45:05 | 0:45:07 | |
It's a gold Cartier bracelet worth thousands. | 0:45:11 | 0:45:15 | |
-Are they diamonds? -Yes. -Wow. | 0:45:19 | 0:45:22 | |
# Here come the girls... # | 0:45:23 | 0:45:26 | |
CHEERING | 0:45:26 | 0:45:29 | |
-Hello! You all look amazing. -Thank you. | 0:45:34 | 0:45:37 | |
I'll see you at the party. | 0:45:37 | 0:45:38 | |
One-and-a-half years in the planning, | 0:45:47 | 0:45:50 | |
I can't wait to see how it's all turned out. | 0:45:50 | 0:45:52 | |
Wow! | 0:45:54 | 0:45:56 | |
This is her photoshoot from Vegas. | 0:45:56 | 0:45:59 | |
'It's incredible to see the results of all the spending...' | 0:46:02 | 0:46:06 | |
I've just never seen anything like this before. | 0:46:06 | 0:46:08 | |
'..all to make one evening like a fairy tale.' | 0:46:08 | 0:46:11 | |
Cheers! | 0:46:12 | 0:46:13 | |
Hmm. So nice | 0:46:13 | 0:46:15 | |
Have you ever seen a 15th birthday party that's this big? | 0:46:17 | 0:46:21 | |
-Yes. -You have? | 0:46:21 | 0:46:23 | |
-Yes. -It's normal? -Yes, it's really normal. | 0:46:23 | 0:46:25 | |
But a Brazilian debutante ball isn't complete without | 0:46:30 | 0:46:33 | |
a prince for the princess. | 0:46:33 | 0:46:35 | |
CHEERING | 0:46:35 | 0:46:37 | |
And this one is a TV star and teen idol | 0:46:37 | 0:46:40 | |
who's been paid handsomely to make Andressa's dreams come true... | 0:46:40 | 0:46:44 | |
..much to the delight of her mother. | 0:46:47 | 0:46:49 | |
As part of the ceremony, | 0:46:55 | 0:46:57 | |
Andressa's friends are paying a glowing tribute to her. | 0:46:57 | 0:46:59 | |
It really does feel like a wedding. There's so much love in the air. | 0:47:06 | 0:47:12 | |
I felt really touched to be invited into something that's so personal. | 0:47:12 | 0:47:15 | |
-Hi. -Hi. | 0:47:15 | 0:47:18 | |
-You saw the prince? -Yeah! | 0:47:18 | 0:47:21 | |
He was really hot. Did he leave already? | 0:47:21 | 0:47:23 | |
-Yes. -He's gone? -Yes, he's gone. | 0:47:23 | 0:47:26 | |
Time to party through the night. | 0:47:28 | 0:47:30 | |
I came to Brazil to find out about | 0:47:31 | 0:47:34 | |
the tradition and glamour of a debutante ball | 0:47:34 | 0:47:36 | |
and here, I've experienced it at its most magnificent. | 0:47:36 | 0:47:40 | |
I'm hoping that the UPP ball is going to be | 0:47:48 | 0:47:51 | |
just as special an experience for the favela Cinderellas. | 0:47:51 | 0:47:54 | |
Hello! | 0:47:58 | 0:47:59 | |
How are you? | 0:47:59 | 0:48:01 | |
The big day has finally arrived. | 0:48:03 | 0:48:06 | |
I'm so excited. | 0:48:06 | 0:48:07 | |
Does everyone in the neighbourhood know that you're going tonight? | 0:48:15 | 0:48:20 | |
Our carriage awaits. We're off to hair and makeup... | 0:48:25 | 0:48:28 | |
..picking up Beatriz along the way. | 0:48:30 | 0:48:34 | |
The UPP have turned their base in one of the favelas | 0:48:37 | 0:48:40 | |
into a makeshift salon. | 0:48:40 | 0:48:41 | |
It's not quite the Sheraton. | 0:48:43 | 0:48:45 | |
How do you know when it's your turn? | 0:48:45 | 0:48:47 | |
It all seems a bit disorganised... | 0:48:50 | 0:48:52 | |
HAIRDRYER STOPS | 0:48:56 | 0:48:58 | |
..and the power keeps cutting out. | 0:48:58 | 0:48:59 | |
Oh, we're back on, we're back on. Phew. | 0:49:03 | 0:49:05 | |
But the chaos isn't dampening the excitement. | 0:49:05 | 0:49:09 | |
Yeah, yeah. | 0:49:11 | 0:49:12 | |
'The party starts at seven, | 0:49:16 | 0:49:19 | |
'and the pressure's mounting. | 0:49:19 | 0:49:21 | |
'They need to get into their ball gowns.' | 0:49:22 | 0:49:25 | |
It's really hard. | 0:49:25 | 0:49:27 | |
'But that's proving a challenge.' | 0:49:27 | 0:49:29 | |
Won't go on? | 0:49:29 | 0:49:31 | |
'Everything is either a little too tight... | 0:49:32 | 0:49:35 | |
'..or a little too loose. | 0:49:36 | 0:49:39 | |
'But by the end of the afternoon, all the girls are ready.' | 0:49:41 | 0:49:45 | |
THEY ALL CHEER | 0:49:45 | 0:49:47 | |
Our limo is late and we're starting to wonder | 0:49:51 | 0:49:54 | |
if we'll ever make it to the ball. | 0:49:54 | 0:49:56 | |
We're running approximately an hour late | 0:49:56 | 0:49:58 | |
and we've just been told that a secretary of state | 0:49:58 | 0:50:01 | |
has to arrive at the venue before the girls do, | 0:50:01 | 0:50:03 | |
so they're all waiting impatiently for their carriage to arrive. | 0:50:03 | 0:50:07 | |
LOUD BANG | 0:50:07 | 0:50:09 | |
What was that bang? | 0:50:09 | 0:50:11 | |
Stop laughing at me! | 0:50:12 | 0:50:14 | |
Yeah! | 0:50:17 | 0:50:18 | |
Last time I heard loud bangs, it turned out to be gunfire. | 0:50:18 | 0:50:22 | |
LOUD BANG | 0:50:22 | 0:50:23 | |
Oh, my God. | 0:50:23 | 0:50:25 | |
This is so weird. | 0:50:25 | 0:50:27 | |
There's smoke coming from a few metres away | 0:50:27 | 0:50:30 | |
but Ana Luiza thinks it's hilarious. | 0:50:30 | 0:50:32 | |
LOUD WHIZZ AND BANG | 0:50:32 | 0:50:35 | |
Our transport arrives in the nick of time. | 0:50:38 | 0:50:41 | |
What's happening? | 0:50:44 | 0:50:46 | |
BANGS CONTINUE | 0:50:46 | 0:50:50 | |
Oh, God! | 0:51:02 | 0:51:03 | |
And, at last, the 36 Cinderellas are off to the ball. | 0:51:06 | 0:51:10 | |
Outside, the girls are waiting in line | 0:51:14 | 0:51:18 | |
with the UPP commanders from their respective favelas. | 0:51:18 | 0:51:21 | |
Their princes, the UPP officers, are waiting in the wing. | 0:51:22 | 0:51:26 | |
Inside, the relatives wait with anticipation, | 0:51:28 | 0:51:31 | |
including Beatriz's mother. | 0:51:31 | 0:51:33 | |
How are you? | 0:51:35 | 0:51:37 | |
Ana Luiza's sisters are also waiting anxiously. | 0:51:42 | 0:51:46 | |
Oh, they're coming, they're coming! | 0:51:46 | 0:51:48 | |
The moment the girls have been waiting for has arrived. | 0:51:52 | 0:51:55 | |
First the princes... | 0:51:55 | 0:51:59 | |
She's next, she's next. | 0:51:59 | 0:52:00 | |
CHEERING AND APPLAUSE | 0:52:05 | 0:52:06 | |
# I used to rule the world | 0:52:06 | 0:52:08 | |
# Seas would rise when I gave the word | 0:52:08 | 0:52:10 | |
# Now in the morning I sleep alone | 0:52:10 | 0:52:13 | |
# Sweep the streets I used to own | 0:52:13 | 0:52:16 | |
# Oh oh oh oh-oh | 0:52:27 | 0:52:30 | |
# For some reason I can't explain | 0:52:30 | 0:52:34 | |
# I know St Peter will call my name | 0:52:34 | 0:52:38 | |
# And for all it's worth | 0:52:38 | 0:52:41 | |
# But that was when I ruled the world... # | 0:52:41 | 0:52:45 | |
WALTZ MUSIC PLAYS | 0:52:50 | 0:52:52 | |
Maybe UPP officers aren't everyone's idea of a prince | 0:53:00 | 0:53:04 | |
but right now, they're making dreams come true. | 0:53:04 | 0:53:07 | |
The message of the ball is underlined by a dance | 0:53:11 | 0:53:14 | |
with the Security Minister. | 0:53:14 | 0:53:16 | |
A quick slice of cake and midnight strikes early. | 0:53:37 | 0:53:41 | |
It's been a very brief taste of a fairy tale. | 0:53:41 | 0:53:43 | |
Beatriz! | 0:53:43 | 0:53:44 | |
OK. All right. | 0:53:51 | 0:53:52 | |
It really is the Cinderella story come to life. | 0:53:56 | 0:53:59 | |
They've got to go back into their old clothes now. | 0:53:59 | 0:54:02 | |
All of these girls have spent the best part of their lives | 0:54:24 | 0:54:28 | |
dreaming about this night, and it's just over now. | 0:54:28 | 0:54:33 | |
It was sweet, it was really, really sweet, | 0:54:33 | 0:54:36 | |
but they're both on their way back to their respective favelas | 0:54:36 | 0:54:41 | |
and life's going to go back to normal now. | 0:54:41 | 0:54:43 | |
As hosts of the World Cup and the Olympics, | 0:54:52 | 0:54:55 | |
Rio and Brazil will be in the world's spotlight for years to come. | 0:54:55 | 0:54:59 | |
For people with money, | 0:54:59 | 0:55:01 | |
it's a really, really exciting time to be in Brazil. | 0:55:01 | 0:55:04 | |
The economy is booming, and there's a real confidence that people | 0:55:04 | 0:55:09 | |
are going to make a return on all of the money that they're investing. | 0:55:09 | 0:55:13 | |
I've seen fairy tales come to life. | 0:55:13 | 0:55:16 | |
What was the highlight for you? | 0:55:18 | 0:55:20 | |
I think dancing with the prince. Yeah. | 0:55:20 | 0:55:23 | |
-That was pretty good. -He was perfect. | 0:55:24 | 0:55:28 | |
With initiatives like pacification, things are slowly starting to change | 0:55:29 | 0:55:33 | |
for many people who live in poverty and danger. | 0:55:33 | 0:55:36 | |
But even though life in some of the favelas is improving, | 0:55:51 | 0:55:54 | |
many people there still live in fear of violence. | 0:55:54 | 0:55:58 | |
There's this uncertainty about whether the UPP are going to | 0:55:58 | 0:56:03 | |
be able to sustain the peace | 0:56:03 | 0:56:06 | |
that they've established within the favela. | 0:56:06 | 0:56:08 | |
But now a few Cinderellas have had a taste of a better life. | 0:56:08 | 0:56:12 | |
How does it feel that you've actually had | 0:56:12 | 0:56:16 | |
one of your biggest dreams come true? | 0:56:16 | 0:56:19 |