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I'm in Brazil. | 0:00:04 | 0:00:05 | |
Sex is everywhere. | 0:00:05 | 0:00:08 | |
But are people as open-minded as they make out? | 0:00:08 | 0:00:11 | |
Oh, my God...! | 0:00:13 | 0:00:14 | |
Brilliant! | 0:00:14 | 0:00:16 | |
In a surprisingly prejudiced nation, | 0:00:16 | 0:00:18 | |
there is a light side we know about and a dark side we don't... | 0:00:18 | 0:00:21 | |
So there have been times | 0:00:21 | 0:00:22 | |
when you've had to have sex with 30 men a night? | 0:00:22 | 0:00:26 | |
..where selling sex is the only way to survive. | 0:00:26 | 0:00:29 | |
Welcome to a dangerous world, | 0:00:34 | 0:00:37 | |
where nothing is quite as it seems. | 0:00:37 | 0:00:40 | |
So you've still got your penis, right? | 0:00:40 | 0:00:42 | |
-Yeah. -Where? | 0:00:42 | 0:00:43 | |
Brazilians are famous for being uninhabited and sexually open. | 0:00:56 | 0:01:00 | |
Oscar Maroni is one of the biggest stars | 0:01:00 | 0:01:03 | |
in Brazil's outlandish sex scene. | 0:01:03 | 0:01:05 | |
If this explicit video is anything to go by, | 0:01:05 | 0:01:08 | |
his club would appear to be heaven on earth | 0:01:08 | 0:01:12 | |
for the macho Brazilian male - if he can afford it. | 0:01:12 | 0:01:14 | |
I've been trying to meet up with Oscar for a couple of days now. | 0:01:30 | 0:01:33 | |
But he's been playing hard to get. | 0:01:33 | 0:01:36 | |
-Hello! -Hello! -Oscar! | 0:01:38 | 0:01:41 | |
Oscar, you were supposed to meet me here the other night. | 0:01:47 | 0:01:50 | |
I came and you'd stood me up. | 0:01:50 | 0:01:52 | |
Oh, my God...! | 0:02:01 | 0:02:03 | |
Brilliant! | 0:02:04 | 0:02:06 | |
Did you have fun? | 0:02:18 | 0:02:19 | |
I'm so pleased. | 0:02:23 | 0:02:24 | |
I can promise you that I won't be standing next to you | 0:02:30 | 0:02:34 | |
in a G-string any time soon. | 0:02:34 | 0:02:36 | |
-Sorry to disappoint you. -OK. | 0:02:36 | 0:02:38 | |
-Can I have a look? -Please. -Thanks. | 0:02:38 | 0:02:40 | |
So this is, essentially, | 0:02:49 | 0:02:51 | |
a posh brothel, no? | 0:02:51 | 0:02:53 | |
How many times have you had sex in these rooms? | 0:03:24 | 0:03:26 | |
Do you always pay for it? | 0:03:30 | 0:03:32 | |
Is that something a lot of men feel here in Brazil? | 0:03:40 | 0:03:43 | |
I mean, some people, some women, | 0:03:56 | 0:03:58 | |
don't like to be referred to as "a conquest". | 0:03:58 | 0:04:01 | |
Some of us are independent. Some of us are bright. | 0:04:01 | 0:04:04 | |
Some of us are charismatic without having to have sex with everyone. | 0:04:04 | 0:04:09 | |
According to Oscar, anything goes in Brazil. | 0:04:19 | 0:04:22 | |
But his club is focused on the top-end straight sex market. | 0:04:22 | 0:04:26 | |
Rio has been voted sexiest place on earth on an LGBT travel site. | 0:04:26 | 0:04:31 | |
It's estimated there are over a million trans women in Brazil | 0:04:31 | 0:04:34 | |
and the vast majority are sex workers. | 0:04:34 | 0:04:37 | |
With more than a quarter of the tourists | 0:04:37 | 0:04:39 | |
who flood here every year LGBT, | 0:04:39 | 0:04:42 | |
Rio is trans central. | 0:04:42 | 0:04:44 | |
So I've found this VIP trans girl online | 0:04:44 | 0:04:49 | |
and this is her website. | 0:04:49 | 0:04:51 | |
So I just want to have a quick nose before I go and meet her. | 0:04:51 | 0:04:54 | |
OK, so I don't know how much of this you guys will be able to see... | 0:04:55 | 0:04:58 | |
..but it's like a...sort of amateur porn video. | 0:05:00 | 0:05:04 | |
But she looks the part. She looks... | 0:05:04 | 0:05:06 | |
..beautiful. | 0:05:08 | 0:05:09 | |
It is confusing when you first look at her, | 0:05:09 | 0:05:12 | |
because she is so obviously feminine. | 0:05:12 | 0:05:15 | |
You know, from the waist up. | 0:05:16 | 0:05:19 | |
And then, from the waist down, it's like, "Whoa! | 0:05:19 | 0:05:21 | |
"Your penis is massive!" | 0:05:22 | 0:05:24 | |
But... | 0:05:25 | 0:05:27 | |
there you go. That's what she looks like. | 0:05:27 | 0:05:30 | |
I can't wait to meet this girl. | 0:05:30 | 0:05:33 | |
Hello! Aninya? | 0:05:42 | 0:05:43 | |
Hey, how do you do? I'm Stacey. | 0:05:43 | 0:05:46 | |
Aninya is 21 and one of Rio's most popular trans sex workers. | 0:05:46 | 0:05:51 | |
Before we even start talking, she has a client on the phone. | 0:05:51 | 0:05:55 | |
-No, you can take it. -OK. | 0:05:55 | 0:05:57 | |
-Is that a customer? -Yes. -They want you now? | 0:06:16 | 0:06:20 | |
So how many clients have you had today so far? | 0:06:22 | 0:06:25 | |
So many of them are married men? | 0:06:34 | 0:06:37 | |
Really? | 0:06:38 | 0:06:39 | |
Wow. | 0:06:59 | 0:07:00 | |
This is Lapa, where Aninya started out three years ago. | 0:07:12 | 0:07:15 | |
It's the go-to place in the city for trans sex workers. | 0:07:15 | 0:07:19 | |
One of the reasons I've been given access | 0:07:22 | 0:07:24 | |
is because my star of a driver Antonio is a cabbie | 0:07:24 | 0:07:27 | |
and he's been taxiing in Lapa for about 15 years. | 0:07:27 | 0:07:31 | |
So he's got a really good relationship with the girls. | 0:07:31 | 0:07:33 | |
Hello! | 0:07:34 | 0:07:35 | |
How are you? | 0:07:35 | 0:07:37 | |
You're friends? | 0:07:37 | 0:07:39 | |
I'm Stacey. | 0:07:39 | 0:07:40 | |
-What's your name? -My name is John. | 0:07:40 | 0:07:43 | |
-John? -Yes. -John? | 0:07:43 | 0:07:45 | |
-John. -Ah! | 0:07:45 | 0:07:47 | |
Antonio is your friend? | 0:07:50 | 0:07:52 | |
Yes. I know him a long time. | 0:07:52 | 0:07:55 | |
-Ten years. -Oooh! -Yes. | 0:07:55 | 0:07:57 | |
And you've been working this strip for a decade selling sweets. | 0:07:57 | 0:08:02 | |
You must have seen some sights. | 0:08:02 | 0:08:03 | |
Ciao! | 0:08:20 | 0:08:21 | |
Ciao! | 0:08:22 | 0:08:24 | |
-Would you speak to us? Would you mind talking to us? -Yeah. | 0:08:30 | 0:08:34 | |
Where are you working? Up the road? | 0:08:34 | 0:08:36 | |
-Ah. Do you like it? -Si. | 0:08:40 | 0:08:42 | |
Are you passive or active? How...? | 0:08:48 | 0:08:51 | |
-So you just take it, right? -Yes. | 0:08:53 | 0:08:56 | |
Yes. | 0:08:56 | 0:08:57 | |
-Why don't you give it? -Oh, no! | 0:08:57 | 0:08:59 | |
What do you get paid more for, being active or being passive? | 0:09:11 | 0:09:15 | |
Yeah. So you're earning slightly less than some of the girls. | 0:09:20 | 0:09:24 | |
Oh. OK. | 0:09:48 | 0:09:49 | |
Ciao. | 0:09:49 | 0:09:51 | |
Do you know the girls? | 0:09:55 | 0:09:57 | |
Yeah? Have you ever...? | 0:09:57 | 0:10:00 | |
No? | 0:10:03 | 0:10:04 | |
-No. -No. | 0:10:04 | 0:10:06 | |
MAN SHOUTS | 0:10:06 | 0:10:07 | |
He's laughing at you. | 0:10:07 | 0:10:08 | |
He's saying that you are. | 0:10:08 | 0:10:10 | |
Are you two friends? Amigos? | 0:10:18 | 0:10:20 | |
Your relationship with the girls, | 0:10:27 | 0:10:30 | |
is it strictly professional | 0:10:30 | 0:10:32 | |
or have you had sex with them all, like your pal says? | 0:10:32 | 0:10:35 | |
What is it about the transgender girls that you love so much? | 0:10:49 | 0:10:53 | |
So are their blow jobs better than straight biological women's? | 0:10:57 | 0:11:01 | |
Yes? | 0:11:01 | 0:11:02 | |
And he said, "Si," as well. You've had a blow job off the girls? | 0:11:06 | 0:11:10 | |
Yes, he has. | 0:11:10 | 0:11:12 | |
Yes. | 0:11:12 | 0:11:13 | |
Better than straight biological women? | 0:11:13 | 0:11:16 | |
Why? What's the difference? | 0:11:19 | 0:11:20 | |
And you've said that you've slept with loads of the girls. | 0:11:33 | 0:11:36 | |
Do you...? | 0:11:36 | 0:11:37 | |
Do you shag them up the arse or do they have sex with you up your arse? | 0:11:40 | 0:11:45 | |
In your mind, when you're having sex with these girls, | 0:11:50 | 0:11:53 | |
these trans girls, what are you thinking? | 0:11:53 | 0:11:56 | |
Are you convincing yourself that you're having sex with a female | 0:11:56 | 0:12:00 | |
or do you not mind that they have a penis? | 0:12:00 | 0:12:02 | |
What's the train of thought? | 0:12:02 | 0:12:04 | |
And how would you boys describe yourselves? | 0:12:28 | 0:12:30 | |
Are you gay? Are you straight? Are you bi? | 0:12:30 | 0:12:33 | |
I've had a call from Aninya. | 0:13:09 | 0:13:11 | |
Are you OK? | 0:13:11 | 0:13:12 | |
She's got a client coming later, but says we can talk before he arrives. | 0:13:12 | 0:13:16 | |
Hey... | 0:13:18 | 0:13:19 | |
Thank you. | 0:13:20 | 0:13:22 | |
-Ciao. -Ciao. | 0:13:25 | 0:13:26 | |
Is that your boyfriend? | 0:13:27 | 0:13:30 | |
How long have you been together? | 0:13:32 | 0:13:34 | |
So can I have a quick look around? Is that OK? | 0:13:35 | 0:13:38 | |
Ah, OK. | 0:13:51 | 0:13:52 | |
Can you explain to me a little bit about how you work personally? | 0:13:52 | 0:13:57 | |
How many customers, typically, do you have a day? | 0:13:57 | 0:13:59 | |
Seven days a week? | 0:14:13 | 0:14:15 | |
Yes. Si. | 0:14:15 | 0:14:16 | |
You must be exhausted! | 0:14:16 | 0:14:18 | |
Can I see some more of your uniform? | 0:14:19 | 0:14:22 | |
And can I ask you, I know you still have your penis. | 0:14:34 | 0:14:37 | |
Where do you put it in this? | 0:14:37 | 0:14:39 | |
Oh, I can see what you're saying. Yeah. | 0:14:51 | 0:14:53 | |
I leave the room to let Aninya get ready for her client. | 0:14:53 | 0:14:57 | |
Whoo-hooo! | 0:14:59 | 0:15:01 | |
Wow! What a vision! | 0:15:01 | 0:15:03 | |
You look amazing. | 0:15:03 | 0:15:05 | |
Really lovely. | 0:15:05 | 0:15:06 | |
And can I ask, where is your penis? | 0:15:07 | 0:15:09 | |
-Have you tucked it up? -Yeah. | 0:15:09 | 0:15:12 | |
Wow. | 0:15:15 | 0:15:16 | |
Because even, like, this close, | 0:15:16 | 0:15:18 | |
I would never know that you've still got a penis. | 0:15:18 | 0:15:21 | |
OK, so, when a client arrives, what exactly will happen? | 0:15:23 | 0:15:27 | |
What was he like? Was he nice? | 0:15:40 | 0:15:41 | |
I'll bet your boyfriend's not so keen | 0:15:46 | 0:15:48 | |
on you having loads of customers like that. | 0:15:48 | 0:15:50 | |
And when you two first met, did he realise that you were transgender? | 0:15:52 | 0:15:57 | |
I guess honesty is always the best policy | 0:16:23 | 0:16:26 | |
when you're trying to start a relationship. | 0:16:26 | 0:16:28 | |
Aninya's client has just arrived. So I leave her to it. | 0:16:37 | 0:16:41 | |
Aninya's just texted. | 0:16:43 | 0:16:45 | |
So, 15, 20 minutes max after I'd left her, | 0:16:45 | 0:16:48 | |
a picture of the lad getting dressed | 0:16:48 | 0:16:52 | |
and underneath she's put, "Finished!". | 0:16:52 | 0:16:54 | |
And I guess, for her, it will then be on to the next one. | 0:16:55 | 0:16:58 | |
I think she's really fascinating, | 0:16:59 | 0:17:01 | |
because there doesn't seem to be a great emotional attachment, | 0:17:01 | 0:17:05 | |
in terms of her work. | 0:17:05 | 0:17:07 | |
I think she's very business orientated. | 0:17:07 | 0:17:09 | |
Which is totally fair enough, you know? | 0:17:09 | 0:17:12 | |
She's worked hard to get where she is now. | 0:17:12 | 0:17:15 | |
SAMBA MUSIC PLAYS | 0:17:20 | 0:17:23 | |
I'm in the north of Rio to meet another trans woman. | 0:17:42 | 0:17:44 | |
She's a samba dancer and tonight it's her birthday. | 0:17:44 | 0:17:48 | |
Hello! Barbara! | 0:17:50 | 0:17:52 | |
How are you? | 0:17:52 | 0:17:54 | |
Happy birthday! | 0:17:56 | 0:17:58 | |
I know. | 0:17:59 | 0:18:00 | |
Hello! | 0:18:01 | 0:18:03 | |
Nice to meet you. | 0:18:04 | 0:18:06 | |
Barbara is one of the first trans women | 0:18:13 | 0:18:15 | |
to become a lead dancer at Rio's most famous event - the carnival. | 0:18:15 | 0:18:20 | |
And her samba mates have shown up for her party tonight. | 0:18:20 | 0:18:22 | |
It makes talking to her pretty difficult. | 0:18:22 | 0:18:25 | |
I feel slightly underdressed. | 0:18:33 | 0:18:36 | |
I've had an amazing time. | 0:18:36 | 0:18:37 | |
And Barbara is an utter gem. | 0:18:37 | 0:18:40 | |
She is so, so lovely. | 0:18:40 | 0:18:41 | |
And all her pals have been amazing. | 0:18:41 | 0:18:44 | |
But I would like to have a chat with her away from all the chaos, | 0:18:44 | 0:18:47 | |
because I bet she's a really fascinating character. | 0:18:47 | 0:18:49 | |
Barbara lives with her grandmother in a working-class neighbourhood | 0:18:52 | 0:18:56 | |
on the outskirts of Rio. | 0:18:56 | 0:18:57 | |
Hi. How are you doing? | 0:18:59 | 0:19:01 | |
Lovely to meet you. | 0:19:01 | 0:19:02 | |
Oh, wow! | 0:19:02 | 0:19:05 | |
Look at this! | 0:19:05 | 0:19:06 | |
My mother doesn't have a picture of me like this in her living room. | 0:19:06 | 0:19:10 | |
These are all from samba? | 0:19:10 | 0:19:12 | |
So this was last year's carnival? | 0:19:21 | 0:19:23 | |
Uh-huh. | 0:19:23 | 0:19:24 | |
Despite being one of the lead dancers at the carnival, | 0:19:26 | 0:19:29 | |
Barbara only gets paid during the samba season in the spring. | 0:19:29 | 0:19:33 | |
It's the off-season now | 0:19:33 | 0:19:34 | |
and she feels her only option is to make money doing sex work. | 0:19:34 | 0:19:38 | |
Barbara is not alone. | 0:19:38 | 0:19:39 | |
90% of trans women in Brazil | 0:19:39 | 0:19:42 | |
find they can't make a living any other way. | 0:19:42 | 0:19:44 | |
So you're still having to prostitute yourself. | 0:19:44 | 0:19:48 | |
Where are you working now? | 0:19:48 | 0:19:50 | |
I mean, for me, it's just been a pleasure | 0:20:51 | 0:20:53 | |
to get to know Barbara a little bit more. | 0:20:53 | 0:20:56 | |
You know what I mean? | 0:20:56 | 0:20:57 | |
Like, I mean, on the one hand, she's this extravagant, | 0:20:57 | 0:21:00 | |
larger-than-life, confident character. | 0:21:00 | 0:21:02 | |
Especially when she's with her pals | 0:21:02 | 0:21:04 | |
and she's dancing and it's samba time. | 0:21:04 | 0:21:06 | |
She's in her element. | 0:21:06 | 0:21:08 | |
But there is a completely different side to her, | 0:21:11 | 0:21:14 | |
where she's very vulnerable and she seems quite frightened | 0:21:14 | 0:21:17 | |
and she feels like she doesn't belong to society... | 0:21:17 | 0:21:21 | |
..you know, as a trans woman. | 0:21:23 | 0:21:24 | |
Life is just so much harder from the get-go here. | 0:21:26 | 0:21:28 | |
And if you're a sex worker, it's even harder still. | 0:21:28 | 0:21:32 | |
Although Brazil has more trans sex workers than anywhere in the world, | 0:21:35 | 0:21:39 | |
there are plenty of non-trans sex workers here, too. | 0:21:39 | 0:21:43 | |
The largest red light district in Rio is Villa Mimosa, | 0:21:43 | 0:21:46 | |
where up to 1,000 girls work every night. | 0:21:46 | 0:21:49 | |
This area is controlled by a local armed militia, | 0:21:49 | 0:21:52 | |
who operate above the law. | 0:21:52 | 0:21:54 | |
I do not want to piss anyone off around here. | 0:21:54 | 0:21:57 | |
Brazil has the highest number of murders anywhere in the world. | 0:21:57 | 0:22:01 | |
So it's not a place to push your luck. | 0:22:01 | 0:22:03 | |
Off I go. Thank you. | 0:22:03 | 0:22:05 | |
We've been told no-one has ever openly filmed here before. | 0:22:05 | 0:22:09 | |
And it's not long before we attract attention. | 0:22:09 | 0:22:12 | |
There's a warning out against us? | 0:22:12 | 0:22:14 | |
-Erm, yeah. -How serious is the warning? | 0:22:14 | 0:22:16 | |
-Well, that's what we've got to figure out now. -OK. | 0:22:16 | 0:22:18 | |
So shall we just not do anything for the moment? | 0:22:18 | 0:22:20 | |
We should wait in the car for the moment. | 0:22:20 | 0:22:22 | |
A first warning is verbal. | 0:22:22 | 0:22:25 | |
A second means they'll break your legs. | 0:22:25 | 0:22:27 | |
And the third is final. They'll kill you. | 0:22:27 | 0:22:29 | |
These are the two security guys. | 0:22:29 | 0:22:31 | |
After some negotiation, the militia give us two men who will take us in. | 0:22:31 | 0:22:36 | |
One of the bar owners lets us in. | 0:23:17 | 0:23:19 | |
She has ten rooms upstairs | 0:23:20 | 0:23:22 | |
that she rents out in 20-minute slots to the girls. | 0:23:22 | 0:23:25 | |
She introduces us to Viviane, a regular in her bar. | 0:23:27 | 0:23:31 | |
Viviane is 25 and a mum of two young boys. | 0:23:33 | 0:23:36 | |
She works here over the weekend | 0:23:36 | 0:23:38 | |
and looks after her kids during the week. | 0:23:38 | 0:23:40 | |
So this is one of the rooms where the guys come to have sex. | 0:23:44 | 0:23:48 | |
Oh, you've got a fan at least. | 0:23:48 | 0:23:50 | |
Yeah, because it gets hot in here. | 0:23:50 | 0:23:52 | |
So, look, this is one of the beds... | 0:23:52 | 0:23:54 | |
This is tiny, Viv. | 0:23:54 | 0:23:56 | |
I couldn't even lie down in here. | 0:23:56 | 0:23:58 | |
This is the whole thing? | 0:24:02 | 0:24:04 | |
Whoa... | 0:24:04 | 0:24:06 | |
And two of you... It gets a bit cramped. | 0:24:06 | 0:24:08 | |
Shit. | 0:24:09 | 0:24:10 | |
I probably just got pregnant lying on that, lying on that bed. | 0:24:13 | 0:24:17 | |
Thank you. Thank you. | 0:24:17 | 0:24:18 | |
How many men can you sleep with a night, roughly? | 0:24:18 | 0:24:24 | |
So there have been times | 0:24:37 | 0:24:39 | |
when you've had to have sex with 30 men a night? | 0:24:39 | 0:24:41 | |
Is that not sore? | 0:24:42 | 0:24:44 | |
And explain to me, how does it work? | 0:24:53 | 0:24:55 | |
Like, is Carla your pimp? | 0:24:55 | 0:24:57 | |
Do you work for the bar? Explain to me. | 0:24:57 | 0:25:00 | |
Viviane's like a perfect example of so many girls here in Villa Mimosa. | 0:25:20 | 0:25:26 | |
You know, it's circumstantial. | 0:25:26 | 0:25:28 | |
She's got two kids to feed. | 0:25:28 | 0:25:30 | |
And there's no other way | 0:25:30 | 0:25:32 | |
she can make this type of money this quickly. | 0:25:32 | 0:25:34 | |
For me, what I find fascinating is that she's saying | 0:25:35 | 0:25:38 | |
she hasn't got a pimp. | 0:25:38 | 0:25:39 | |
So she doesn't have to answer to anyone. | 0:25:39 | 0:25:41 | |
She's completely self-employed. | 0:25:41 | 0:25:43 | |
And back home, all the prostitutes, all the sex workers | 0:25:44 | 0:25:47 | |
that I've spoken to always have, like, an authoritative figure. | 0:25:47 | 0:25:51 | |
Carla, the bar manager, agrees to talk to me upstairs | 0:25:53 | 0:25:56 | |
about how her place operates. | 0:25:56 | 0:25:58 | |
So this is it, the office. | 0:26:00 | 0:26:02 | |
Cor, it's clever, isn't it? Wow! | 0:26:26 | 0:26:29 | |
Can you explain to me exactly how it works? | 0:26:29 | 0:26:32 | |
How do you run your bar? | 0:26:32 | 0:26:35 | |
My understanding is that brothels here in Brazil | 0:26:53 | 0:26:56 | |
are completely illegal. | 0:26:56 | 0:26:58 | |
So how are the police allowing you to continue to run? | 0:26:58 | 0:27:02 | |
You know, are you living an extravagant life | 0:27:28 | 0:27:31 | |
off the back of these girls? | 0:27:31 | 0:27:33 | |
Or are you struggling just as much as some of them? | 0:27:33 | 0:27:36 | |
Straight sex workers in Rio mostly work in bars like Carla's. | 0:28:21 | 0:28:26 | |
But the prejudice against gay and transsexual prostitutes | 0:28:26 | 0:28:30 | |
means they are banned by the macho militia. | 0:28:30 | 0:28:32 | |
So most of them have to work on the streets. | 0:28:32 | 0:28:36 | |
Barbara, the carnival dancer, | 0:28:36 | 0:28:37 | |
has rung to say she's got to go streetwalking tonight. | 0:28:37 | 0:28:40 | |
Where's your grandma, asleep? | 0:28:41 | 0:28:43 | |
Is it possible for me to come? | 0:28:49 | 0:28:51 | |
Do you think there will be many clients out this evening? | 0:29:02 | 0:29:05 | |
And, Barbara, I know you don't love | 0:29:12 | 0:29:15 | |
having to go out and work on the streets. | 0:29:15 | 0:29:17 | |
Why do you have to go out this evening? | 0:29:17 | 0:29:19 | |
How much, ideally, do you need to make this evening? | 0:29:53 | 0:29:56 | |
Oh, my sister. | 0:30:06 | 0:30:08 | |
Come on, then. | 0:30:09 | 0:30:10 | |
Barbara's been at a samba event this evening | 0:30:13 | 0:30:15 | |
and has left it late to go to work. | 0:30:15 | 0:30:17 | |
It's gone two, so she'll only have a few hours | 0:30:23 | 0:30:25 | |
to find the clients she needs. | 0:30:25 | 0:30:27 | |
Lovely to meet you. I'm Stacey. | 0:30:30 | 0:30:32 | |
-Nice to meet. -Have you been busy, yeah? | 0:30:32 | 0:30:34 | |
How much have you made? | 0:30:39 | 0:30:41 | |
OK. So 450 this evening in total. | 0:30:46 | 0:30:50 | |
Well, Babs was saying she's in a rush | 0:30:51 | 0:30:54 | |
because she needs to make some dough tonight before the sun comes up. | 0:30:54 | 0:30:57 | |
Hi! | 0:31:12 | 0:31:13 | |
Are you Monique? | 0:31:13 | 0:31:15 | |
Barbara says Monique protects the girls who work on the street. | 0:31:16 | 0:31:20 | |
Hello. How are you? | 0:31:20 | 0:31:22 | |
Yeah? | 0:31:22 | 0:31:23 | |
Here she is in all her glory. | 0:31:23 | 0:31:25 | |
I feel like the Spice Girls have been reunited! | 0:31:25 | 0:31:29 | |
How long have you been working on the streets? | 0:31:32 | 0:31:35 | |
Brazil has the highest murder rate of trans women in the world. | 0:32:30 | 0:32:34 | |
Their average life expectancy here is just 30. | 0:32:34 | 0:32:38 | |
But without going on the streets, | 0:32:39 | 0:32:40 | |
Barbara won't be able to pay her bills. | 0:32:40 | 0:32:43 | |
They're going off. | 0:32:48 | 0:32:50 | |
Babs has just taken that guy around the corner. | 0:33:00 | 0:33:02 | |
I think he wants a blow job, but I don't want to go too close | 0:33:02 | 0:33:05 | |
because I don't want him getting the hump and then not paying her. | 0:33:05 | 0:33:08 | |
I'm pleased for her that she's got someone. | 0:33:11 | 0:33:13 | |
I can't believe how quick it was. | 0:33:15 | 0:33:17 | |
-Finished? -No. | 0:33:20 | 0:33:22 | |
What's wrong? | 0:33:24 | 0:33:26 | |
What's wrong? | 0:33:29 | 0:33:30 | |
Barbara, I feel like I can be honest with you. | 0:34:00 | 0:34:03 | |
Sometimes it seems like the girls put on this performance, | 0:34:03 | 0:34:06 | |
it's like a sort of theatrical show. | 0:34:06 | 0:34:09 | |
"Everything's fine, this is great, we're so glam." | 0:34:09 | 0:34:12 | |
But the reality is, | 0:34:12 | 0:34:15 | |
you know, there's extreme violence out on the streets. | 0:34:15 | 0:34:17 | |
Some of the girls have been killed. | 0:34:17 | 0:34:19 | |
You don't know whether you're going to make it home sometimes. | 0:34:19 | 0:34:23 | |
It's hard. | 0:34:23 | 0:34:24 | |
Aninya, the trans worker I first met on Copacabana, | 0:34:40 | 0:34:43 | |
has invited me to meet her family back home in Sao Paulo. | 0:34:43 | 0:34:47 | |
With a population of 27 million people, | 0:34:47 | 0:34:50 | |
it's the biggest city in Latin America. | 0:34:50 | 0:34:53 | |
Just 400 kilometres from Rio, | 0:34:53 | 0:34:55 | |
it feels a million miles from the strip | 0:34:55 | 0:34:58 | |
where Babs is plying her trade. | 0:34:58 | 0:35:00 | |
While the rest of Brazil | 0:35:00 | 0:35:01 | |
is heading into the worst recession for over 100 years | 0:35:01 | 0:35:04 | |
here, in the financial capital, there is still money to be made. | 0:35:04 | 0:35:08 | |
If you're in the right place, | 0:35:08 | 0:35:10 | |
a sex worker here can earn up to £6,000 a month - more than a judge. | 0:35:10 | 0:35:15 | |
Oscar Maroni has called to say I can visit the Bahamas Club | 0:35:20 | 0:35:23 | |
during opening hours. | 0:35:23 | 0:35:25 | |
Hello. | 0:35:25 | 0:35:26 | |
His son lets me in and takes me up the back stairs | 0:35:26 | 0:35:29 | |
so the customers don't see me. | 0:35:29 | 0:35:31 | |
-I'm Stacey. -Nice to meet you. -Likewise. | 0:35:31 | 0:35:33 | |
-Very nice to meet you. You're Oscar's son, right? -Yeah. | 0:35:33 | 0:35:35 | |
I've heard a lot about you. | 0:35:35 | 0:35:38 | |
-Thank you. -Go upstairs. | 0:35:38 | 0:35:40 | |
It's really just a posh version of life at Carla's bar in Villa Mimosa. | 0:35:42 | 0:35:47 | |
Oscar simply rents the rooms to the girls | 0:35:47 | 0:35:50 | |
to use for sex with their clients. | 0:35:50 | 0:35:53 | |
I'm told I'll have to wait here | 0:35:55 | 0:35:56 | |
until one of the girls is willing to come and speak with me. | 0:35:56 | 0:35:59 | |
-Hi! -Hi! | 0:36:02 | 0:36:04 | |
Wow, look at you! You look amazing. | 0:36:04 | 0:36:07 | |
A girl called Lara agrees to have a chat. | 0:36:07 | 0:36:09 | |
She's only been working here three months. | 0:36:09 | 0:36:12 | |
So tonight wasn't really a huge success for you financially? | 0:36:12 | 0:36:16 | |
No, no. | 0:36:16 | 0:36:17 | |
-But last night was good. -OK. | 0:36:17 | 0:36:19 | |
How many did you have last night? | 0:36:20 | 0:36:22 | |
Two. Two guys. | 0:36:22 | 0:36:23 | |
I got about 1,500. | 0:36:23 | 0:36:27 | |
-Just last night? -Yeah. | 0:36:29 | 0:36:31 | |
-From two people? -Two people. | 0:36:31 | 0:36:34 | |
So you've been here for three months. | 0:36:34 | 0:36:36 | |
Where were you working before here? | 0:36:36 | 0:36:38 | |
I had a stationery store. | 0:36:38 | 0:36:41 | |
-Really? -Yeah. | 0:36:41 | 0:36:43 | |
Yeah. And I didn't get the money to pay the rental. | 0:36:43 | 0:36:47 | |
-So you thought, "I have to find fast money"? -Yeah. | 0:36:48 | 0:36:52 | |
I just called here and asked, "Do you need some girls today?" | 0:36:52 | 0:36:56 | |
"Come here. We can talk." | 0:36:56 | 0:36:59 | |
So I came here and, "Oh, you're good. | 0:36:59 | 0:37:03 | |
"Why don't you try to meet some guys here?" | 0:37:03 | 0:37:06 | |
And it was good for me. | 0:37:06 | 0:37:07 | |
I have my plans. I don't want to be here all my life. | 0:37:07 | 0:37:11 | |
I have a kid. | 0:37:11 | 0:37:12 | |
I have a daughter. | 0:37:12 | 0:37:14 | |
-Wow. How old is she? -Nine. | 0:37:16 | 0:37:18 | |
Nine years old. | 0:37:18 | 0:37:19 | |
-Does she know what you do? -No. | 0:37:19 | 0:37:21 | |
Anyone in my personal life know what I'm doing. | 0:37:21 | 0:37:25 | |
Just one guy. | 0:37:25 | 0:37:27 | |
Just my best friend knows. | 0:37:27 | 0:37:29 | |
But I have a boyfriend. | 0:37:29 | 0:37:31 | |
-No? -Yeah. | 0:37:31 | 0:37:33 | |
-And he doesn't know? -No. | 0:37:33 | 0:37:35 | |
-Lara, really? -Yeah. | 0:37:35 | 0:37:37 | |
That's difficult for you. | 0:37:37 | 0:37:39 | |
Oh, a lot. | 0:37:39 | 0:37:41 | |
Too much. Too much. | 0:37:41 | 0:37:43 | |
It's too hard for me thinking things about this. | 0:37:43 | 0:37:46 | |
But I have to do this. | 0:37:46 | 0:37:48 | |
It's not too long is my plan. | 0:37:48 | 0:37:51 | |
Don't be for too many times here. | 0:37:51 | 0:37:55 | |
You're here really because you needed the money. | 0:37:55 | 0:37:59 | |
-Mm-hm. -Not because you enjoy this. -Yeah. | 0:37:59 | 0:38:03 | |
But your boyfriend has no clue. | 0:38:03 | 0:38:05 | |
So he's thinking, "Oh, we're going along as normal. | 0:38:05 | 0:38:09 | |
-"She's not seeing anyone else. We're in love." -Mm-hm. | 0:38:09 | 0:38:12 | |
And all the while, | 0:38:13 | 0:38:15 | |
-you've got this whole secret life going on, essentially. -Yeah, yeah. | 0:38:15 | 0:38:19 | |
We have to have secret lives here. | 0:38:19 | 0:38:23 | |
Do you feel bad on your boyfriend? | 0:38:24 | 0:38:26 | |
There are many nights when I lay down with a guy | 0:38:27 | 0:38:32 | |
and I just think, "Oh, my God, what am I doing here?" | 0:38:32 | 0:38:35 | |
I just don't want this for my daughter. | 0:38:36 | 0:38:39 | |
I just want to stay with my boyfriend. | 0:38:39 | 0:38:43 | |
I don't want to stay here all the nights, | 0:38:43 | 0:38:45 | |
thinking about making money | 0:38:45 | 0:38:49 | |
and lay down with the old guys, ugly guys | 0:38:49 | 0:38:53 | |
and things like this. | 0:38:53 | 0:38:55 | |
My head is just a mess. | 0:38:56 | 0:38:58 | |
Uh-huh. | 0:38:58 | 0:38:59 | |
Don't make me cry! | 0:38:59 | 0:39:01 | |
Oh, don't cry. | 0:39:01 | 0:39:03 | |
Oh, thank you. | 0:39:04 | 0:39:05 | |
I need this sometimes. | 0:39:05 | 0:39:08 | |
-Oh, I bet. -Thank you. | 0:39:08 | 0:39:10 | |
When you cover controversial subjects, | 0:39:13 | 0:39:16 | |
there's always the same spiel that you hear time and time again. | 0:39:16 | 0:39:20 | |
And I think she just spoke directly from the heart. | 0:39:20 | 0:39:23 | |
Like, "Of course it's a struggle. | 0:39:24 | 0:39:26 | |
"Of course it's sending me loopy. | 0:39:26 | 0:39:29 | |
"Of course it's, you know, having a huge impact on my personal life." | 0:39:29 | 0:39:34 | |
And I think sometimes you can get carried away... | 0:39:37 | 0:39:40 | |
..when you hear the huge amounts of money that can be made. | 0:39:41 | 0:39:46 | |
But it's like dancing with the devil, because... | 0:39:49 | 0:39:51 | |
..you know, it comes at a price. | 0:39:53 | 0:39:55 | |
And it's whether or not you think you can deal with that. | 0:39:57 | 0:40:00 | |
I don't think I could. | 0:40:00 | 0:40:02 | |
I'm not sure Lara's macho boss Oscar | 0:40:05 | 0:40:08 | |
understands the emotional turmoil | 0:40:08 | 0:40:10 | |
that some of the girls are going through. | 0:40:10 | 0:40:13 | |
I'm meeting him for another chat at his penthouse. | 0:40:13 | 0:40:16 | |
Why have you got Paris in your living room? | 0:40:16 | 0:40:18 | |
From our previous conversation, | 0:40:36 | 0:40:38 | |
Oscar has some bizarre ideas about women. | 0:40:38 | 0:40:41 | |
I wonder if he has any clue what goes on in the heads | 0:40:41 | 0:40:45 | |
of some of the girls who work in his club. | 0:40:45 | 0:40:47 | |
There's no doubt that you are a very liberal, very free, | 0:40:47 | 0:40:52 | |
very inquisitive sexual being. | 0:40:52 | 0:40:56 | |
But you also seem fairly bright. | 0:40:57 | 0:40:59 | |
Surely you recognise that some of them are there... | 0:40:59 | 0:41:01 | |
..because they have to. | 0:41:02 | 0:41:04 | |
Financially, they've been forced to. | 0:41:04 | 0:41:06 | |
You say the girls are really happy when they come to work, | 0:41:24 | 0:41:27 | |
but obviously, they're going to act happy because it's a show. | 0:41:27 | 0:41:30 | |
You know, it's a parade. | 0:41:30 | 0:41:32 | |
They need to look like they're raring to go, | 0:41:32 | 0:41:35 | |
so that, you know, they get the customers. | 0:41:35 | 0:41:38 | |
Do you think that there are certain women | 0:41:38 | 0:41:41 | |
who don't love sex | 0:41:41 | 0:41:44 | |
and they don't want to be there | 0:41:44 | 0:41:45 | |
and they're only there because they have to | 0:41:45 | 0:41:49 | |
and not everybody experiences the Bahamas | 0:41:49 | 0:41:54 | |
in the same way in which you do? | 0:41:54 | 0:41:57 | |
For Oscar, it's simple. | 0:42:32 | 0:42:35 | |
The money the girls earn must make them happy. | 0:42:35 | 0:42:37 | |
I know this isn't always the case. | 0:42:37 | 0:42:40 | |
Aninya has invited me to Sunday lunch with her mum and sister. | 0:42:44 | 0:42:48 | |
She makes plenty of money from sex, no doubt about that. | 0:42:48 | 0:42:52 | |
But does it make her happy? | 0:42:52 | 0:42:54 | |
So I'm en route to Aninya's mum's house. | 0:42:54 | 0:42:57 | |
She's on the surrounding areas of Sao Paulo | 0:42:57 | 0:43:00 | |
and her favela is one of the poorest around. | 0:43:00 | 0:43:03 | |
Hello! | 0:43:09 | 0:43:10 | |
How are you? | 0:43:12 | 0:43:13 | |
Are you OK? | 0:43:13 | 0:43:14 | |
You look lovely. | 0:43:14 | 0:43:16 | |
Aninya left for Rio two years ago. | 0:43:16 | 0:43:18 | |
And only gets to see her family every six months. | 0:43:18 | 0:43:21 | |
When she was growing up, she was known as Felipe. | 0:43:21 | 0:43:25 | |
Her mum lives in a favela run by drug gangs, | 0:43:25 | 0:43:28 | |
not the easiest place to come out as a trans woman. | 0:43:28 | 0:43:31 | |
So, Mum, I wanted to try and understand | 0:43:31 | 0:43:36 | |
how you reacted to the news | 0:43:36 | 0:43:38 | |
when you found out that Aninya was going to transition. | 0:43:38 | 0:43:42 | |
And was there ever a period | 0:44:15 | 0:44:17 | |
when you had to hide what you were doing? | 0:44:17 | 0:44:21 | |
Was it a secret for a while? | 0:44:21 | 0:44:23 | |
Although Aninya has left her home town behind, | 0:44:56 | 0:44:59 | |
her family weighs heavily on her mind. | 0:44:59 | 0:45:01 | |
Aninya was telling me that you've been a bit poorly recently. | 0:45:03 | 0:45:08 | |
How are you doing now? | 0:45:08 | 0:45:10 | |
Have you been able to work since you were diagnosed with depression? | 0:45:28 | 0:45:34 | |
Aninya has told me she doesn't want to talk about her work | 0:45:55 | 0:45:58 | |
in front of her family. | 0:45:58 | 0:46:00 | |
She wants to explain why away from the house. | 0:46:00 | 0:46:02 | |
I know you didn't feel that comfortable | 0:46:04 | 0:46:06 | |
talking about what you do for a living around your mum's house. | 0:46:06 | 0:46:10 | |
But she does know? | 0:46:10 | 0:46:12 | |
You just prefer not to discuss it so openly? | 0:46:12 | 0:46:15 | |
In your profession, | 0:46:44 | 0:46:46 | |
you are really outlandish and really outgoing | 0:46:46 | 0:46:49 | |
and you talk so explicitly about what you do. | 0:46:49 | 0:46:53 | |
Around your mother, you're very conservative and very respectful. | 0:46:53 | 0:46:58 | |
Two different characters. | 0:46:58 | 0:47:00 | |
It's so interesting seeing this different side to Aninya. | 0:47:08 | 0:47:10 | |
Her life here couldn't be further from glamorous Copacabana. | 0:47:10 | 0:47:15 | |
And it's clear now the main reason she needs to earn the money she does | 0:47:15 | 0:47:19 | |
is to support her mum. | 0:47:19 | 0:47:21 | |
SAMBA MUSIC PLAYS | 0:47:26 | 0:47:29 | |
It's my last day in Brazil and I'm back in Rio. | 0:47:32 | 0:47:36 | |
Before I leave, I'm catching up with Barbara at samba practice. | 0:47:36 | 0:47:40 | |
This is the first full rehearsal of the season. | 0:47:41 | 0:47:45 | |
And Barbara's just been given the news | 0:47:45 | 0:47:47 | |
that she'll again be one of the lead dancers at next year's carnival. | 0:47:47 | 0:47:50 | |
I'm so pleased I saw you tonight. | 0:47:50 | 0:47:52 | |
How was practice? | 0:47:52 | 0:47:54 | |
And your pals here, | 0:48:20 | 0:48:22 | |
do they have any idea that sometimes you have to work on the street? | 0:48:22 | 0:48:26 | |
Oh, Barbara I hope, I think so, too. | 0:48:39 | 0:48:41 | |
I hope so. | 0:48:41 | 0:48:43 | |
I don't know anyone who deserves it more than you. | 0:48:43 | 0:48:45 | |
Uh-huh. | 0:48:50 | 0:48:51 | |
Don't get upset, OK? No tears. | 0:48:51 | 0:48:55 | |
Well, you're my mate. | 0:49:01 | 0:49:03 | |
You're my Brazilian BFF. | 0:49:03 | 0:49:05 | |
And I think you're amazing. | 0:49:08 | 0:49:10 | |
And I really rate you for still staying so positive | 0:49:10 | 0:49:13 | |
and so optimistic, | 0:49:13 | 0:49:16 | |
even though I know sometimes your life is hard. | 0:49:16 | 0:49:19 | |
SAMBA MUSIC PLAYS | 0:49:30 | 0:49:33 | |
When I first arrived in Brazil, it felt like a breath of fresh air. | 0:49:35 | 0:49:39 | |
People here are uninhibited and sexually open. | 0:49:39 | 0:49:42 | |
Being a sex worker is legal and some have safe places to work. | 0:49:42 | 0:49:46 | |
But even in a seemingly liberal society like Brazil, | 0:49:46 | 0:49:50 | |
I've discovered that there's such a taboo around selling sex | 0:49:50 | 0:49:53 | |
that it doesn't matter how much money you earn | 0:49:53 | 0:49:56 | |
or how safe you can feel, | 0:49:56 | 0:49:58 | |
the double life you have to lead as a sex worker is incredibly tough. | 0:49:58 | 0:50:03 |