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'As the world ushered in the 21st century, | 0:00:44 | 0:00:48 | |
'the demands of a modern, top-class sporting event | 0:00:48 | 0:00:51 | |
'kept the eyes of the Wimbledon organisers fixed firmly on the horizon. | 0:00:51 | 0:00:55 | |
'Physical changes were afoot, most notably the handsome new Millennium Building | 0:00:56 | 0:01:00 | |
'which, although state of the art, fitted seamlessly into its elegant surroundings. | 0:01:00 | 0:01:06 | |
'Wimbledon was still unmistakably Wimbledon, | 0:01:06 | 0:01:09 | |
'as innovation and tradition | 0:01:09 | 0:01:11 | |
'continued to stroll companionably hand in hand at the All England Club. | 0:01:11 | 0:01:15 | |
'But, as always at Wimbledon, there was a respectful nod to the past. | 0:01:17 | 0:01:21 | |
'The Millennium Championships' parade of past champions on the middle Saturday | 0:01:21 | 0:01:26 | |
'proved that, for a few, time can stand still. | 0:01:26 | 0:01:29 | |
'The Centre Court crowd rose as one to welcome back the players | 0:01:32 | 0:01:36 | |
'that had immortalised the tournament, | 0:01:36 | 0:01:39 | |
'and there was a long-overdue welcome for one of its favourite sons.' | 0:01:39 | 0:01:42 | |
He's back on Centre Court today for the first time since 1981. | 0:01:44 | 0:01:48 | |
Show him how much we miss him - it's Bjorn Borg. | 0:01:48 | 0:01:52 | |
CHEERING | 0:01:52 | 0:01:54 | |
'Perhaps only then did Borg understand how much he had truly missed the game | 0:01:54 | 0:01:59 | |
'and how much the game had missed him. | 0:01:59 | 0:02:02 | |
'But the first decade of the new millennium | 0:02:02 | 0:02:05 | |
'would be synonymous with an entirely new generation, | 0:02:05 | 0:02:08 | |
'each of whom had yet to inscribe their names on the Wimbledon roll of honour.' | 0:02:08 | 0:02:13 | |
CHEERING | 0:02:13 | 0:02:15 | |
'In this, the final part of our series, | 0:02:22 | 0:02:25 | |
'we take a look at the first decade of a brand new century | 0:02:25 | 0:02:28 | |
'which would showcase dominance in both the men's and women's games | 0:02:28 | 0:02:32 | |
'in a way never witnessed before. | 0:02:32 | 0:02:34 | |
'But, as always, Wimbledon will also provide a fitting backdrop for the stuff that dreams are made of, | 0:02:34 | 0:02:40 | |
'often from a most unexpected source. | 0:02:40 | 0:02:43 | |
'But, initially at least, there was one story still to reach its natural conclusion. | 0:02:43 | 0:02:49 | |
'Not since the halcyon days of Borg himself had one man been so utterly dominant of Centre Court.' | 0:02:49 | 0:02:55 | |
'Pete Sampras came into the new century | 0:03:04 | 0:03:06 | |
'bidding to win his seventh singles title, | 0:03:06 | 0:03:09 | |
'a record and marker of such enormity | 0:03:09 | 0:03:11 | |
'that even the American had difficulty putting it to the back of his mind.' | 0:03:11 | 0:03:15 | |
I'd be lying to you if I said I didn't think about it. | 0:03:18 | 0:03:20 | |
Sure, I thought about it constantly, about if it was going to happen here. | 0:03:20 | 0:03:25 | |
Just, kind of, the drama and the build-up for the match. | 0:03:25 | 0:03:28 | |
'The occasion demanded drama and the greatest stage in the sport complied | 0:03:29 | 0:03:35 | |
'as the usually nerveless Sampras made uncharacteristic errors early on.' | 0:03:35 | 0:03:40 | |
Well, who would've believed it? Successive double faults from Sampras. | 0:03:41 | 0:03:46 | |
And Rafter wins the first set. | 0:03:46 | 0:03:48 | |
'But Sampras wasn't about to let the situation get away from him. | 0:03:49 | 0:03:53 | |
'There was simply too much at stake. | 0:03:53 | 0:03:55 | |
'Having levelled, he then assumed command.' | 0:03:55 | 0:03:58 | |
And he's taken it! | 0:03:59 | 0:04:02 | |
And Sampras takes a giant leap towards a seventh Wimbledon title. | 0:04:02 | 0:04:07 | |
I knew it was getting darker. I looked at the clock, it was nine o'clock | 0:04:07 | 0:04:11 | |
and they usually stop about 8:30. Who would want to come out the next day and finish it? | 0:04:11 | 0:04:16 | |
Game, set and match Sampras! | 0:04:19 | 0:04:23 | |
CHEERING | 0:04:23 | 0:04:25 | |
Fortunately, things just kind of worked out well for me there. | 0:04:25 | 0:04:29 | |
It was kind of a perfect ending to the record, the way it ended that night, | 0:04:29 | 0:04:33 | |
and then it was just kind of one of those surreal moments | 0:04:33 | 0:04:37 | |
that I'd witnessed many times, but to be a part of it was very cool. | 0:04:37 | 0:04:42 | |
'The sight of the usually impassive Sampras in near darkness | 0:04:43 | 0:04:47 | |
'climbing into the stands to embrace his parents as flash bulbs pierced the gathering gloom | 0:04:47 | 0:04:52 | |
'provided a suitably theatrical ending to the millennium fortnight. | 0:04:52 | 0:04:56 | |
'But in any sport, a champion's invincibility is fleeting, | 0:05:00 | 0:05:04 | |
'a snapshot of an era. | 0:05:04 | 0:05:06 | |
'It takes a brave man to walk away when his powers are at their greatest. | 0:05:06 | 0:05:10 | |
'All too often, the king is humbled by a pretender to the throne. | 0:05:10 | 0:05:14 | |
'Roger Federer was 11 years old when Sampras won his first Wimbledon title. | 0:05:18 | 0:05:22 | |
'But the talented teenager with a tantalising array of shots | 0:05:22 | 0:05:26 | |
'showed composure beyond his years in his very first match on Centre Court.' | 0:05:26 | 0:05:31 | |
He's done it! The champion is out! | 0:05:37 | 0:05:40 | |
I heard so many people watched it on TV, so many people were happy for me, | 0:05:40 | 0:05:44 | |
even though they were sad for Sampras. | 0:05:44 | 0:05:46 | |
But maybe they felt like somebody new was arriving | 0:05:46 | 0:05:49 | |
and that I could then also live up to the expectations a couple of years later was unbelievable. | 0:05:49 | 0:05:56 | |
'The Centre Court is a place where dreams are made and shattered. | 0:05:57 | 0:06:01 | |
'And in 2001, there was a fairytale in the making. | 0:06:01 | 0:06:05 | |
'But the heroic knight at its centre was a battle-scarred Croatian | 0:06:05 | 0:06:08 | |
'who had failed to lift the trophy on each of his three previous final appearances.' | 0:06:08 | 0:06:13 | |
So many guys took the first chance or second chance. | 0:06:16 | 0:06:19 | |
I got three chances and I couldn't take it. | 0:06:19 | 0:06:22 | |
So I thought there might be something wrong with me | 0:06:22 | 0:06:25 | |
and I'm probably never going to get another chance. | 0:06:25 | 0:06:28 | |
'His appearance in the last 16 was deemed a bit of a fluke. | 0:06:28 | 0:06:32 | |
'The final gallant twitch of Goran's topsy-turvy career. | 0:06:32 | 0:06:36 | |
'But the aces kept flowing. | 0:06:36 | 0:06:38 | |
'The tide kept rising and it seemed only one outcome was possible. | 0:06:38 | 0:06:42 | |
'That year, the world of Wimbledon was slightly out of kilter. | 0:06:42 | 0:06:46 | |
'When Goran walked out to Centre Court for his fourth final, | 0:06:46 | 0:06:50 | |
'it was on the third Monday of the championship, christened People's Monday, | 0:06:50 | 0:06:54 | |
'in front of a 10,000-strong crowd who had queued for tickets on a first-come, first-served basis.' | 0:06:54 | 0:07:00 | |
I didn't think it was ever going to be that kind of atmosphere because it was Monday. | 0:07:02 | 0:07:06 | |
They let so many tickets for the normal people. | 0:07:06 | 0:07:10 | |
The atmosphere was not like in tennis, like in a football game. | 0:07:10 | 0:07:15 | |
By that time I said, listen, this is another chance | 0:07:15 | 0:07:19 | |
and this time if I don't make it, I don't know, probably I kill myself there. | 0:07:19 | 0:07:23 | |
-CHEERING -Game, set, match, Ivanisevic. | 0:07:29 | 0:07:32 | |
To see what it meant to him, | 0:07:34 | 0:07:37 | |
to just see his whole body shuddering with emotion on that day, | 0:07:37 | 0:07:41 | |
that here was a guy who really felt, | 0:07:41 | 0:07:44 | |
probably when he walked out the year before in the Champions' Parade, | 0:07:44 | 0:07:48 | |
he felt as though he didn't belong, and a year on from that, | 0:07:48 | 0:07:51 | |
there he is lifting the men's singles title. | 0:07:51 | 0:07:55 | |
I was the committee member who was given the responsibility | 0:07:55 | 0:07:58 | |
of taking Goran for his post-match interview. | 0:07:58 | 0:08:00 | |
If everyone would like to raise their glasses to Goran | 0:08:00 | 0:08:03 | |
-and a fantastic game. -APPLAUSE | 0:08:03 | 0:08:06 | |
I remember one of the reporters asking Goran the question, | 0:08:06 | 0:08:11 | |
"What happens next? You've now fulfilled your dream, you've won Wimbledon." | 0:08:11 | 0:08:15 | |
And he came out with this now quite famous saying of... | 0:08:15 | 0:08:19 | |
My dreams came true and whatever I do in my life, | 0:08:19 | 0:08:23 | |
wherever I go, I will always be Wimbledon champion. | 0:08:23 | 0:08:27 | |
'The first decade of the new century proved a productive one for the women's game, as well. | 0:08:30 | 0:08:36 | |
'Or, at least, for one family. The Williams sisters, Venus and Serena, | 0:08:36 | 0:08:41 | |
'emerged from the city of Compton on the South Side of Los Angeles to dominate the women's game. | 0:08:41 | 0:08:46 | |
'They changed perceptions about who could play the game | 0:08:48 | 0:08:52 | |
'and how it could be played. | 0:08:52 | 0:08:55 | |
'When Venus won the first of her singles titles in 2000, beating her younger sister in the semi-final, | 0:08:55 | 0:09:00 | |
'the first of many encounters at Wimbledon, | 0:09:00 | 0:09:02 | |
'it signified the start of a stranglehold on the Venus Rosewater Dish that would run and run.' | 0:09:02 | 0:09:08 | |
It's so cool to be part of Wimbledon history. | 0:09:08 | 0:09:11 | |
It's just... If there's going to be a slam that you do well at, | 0:09:11 | 0:09:15 | |
you got to choose Wimbledon. That's been my choice | 0:09:15 | 0:09:19 | |
and immediately I get more pep in my step | 0:09:19 | 0:09:22 | |
and hitting better and running faster and serving bigger. | 0:09:22 | 0:09:26 | |
My dad told us to pick a slam we wanted to win more than anyone else. I picked Wimbledon. | 0:09:26 | 0:09:30 | |
'At the end of the 2010 championships, | 0:09:31 | 0:09:34 | |
'the sisters had held the trophy aloft an amazing nine times | 0:09:34 | 0:09:38 | |
'and only one final had failed to feature a Williams.' | 0:09:38 | 0:09:41 | |
You think of Wimbledon, you think of classic, you think of history | 0:09:42 | 0:09:47 | |
and it's always a buzz, every time I walk in there. | 0:09:47 | 0:09:50 | |
There's a whole new spirit. I feel that spirit at every grand slam. | 0:09:50 | 0:09:53 | |
I just really enjoy playing it and I enjoy getting there | 0:09:53 | 0:09:57 | |
and just being part of something super special. | 0:09:57 | 0:10:00 | |
'Sibling rivalry reached a whole new level, the Williams family the ultimate winners. | 0:10:00 | 0:10:05 | |
'And the women's game was changed forever.' | 0:10:05 | 0:10:09 | |
The first time I saw Venus in France, | 0:10:09 | 0:10:13 | |
you know, like you are admiring ballet dancers. | 0:10:13 | 0:10:18 | |
When I saw a few shots that she was hitting, I knew she was special. | 0:10:18 | 0:10:23 | |
I knew she was something which was incredible. | 0:10:23 | 0:10:26 | |
And every time they're in a tournament, the tournament has a different level. | 0:10:26 | 0:10:30 | |
But you still have to have this kind of stamina inside of you | 0:10:30 | 0:10:34 | |
which will allow you not to be afraid to be number one. | 0:10:34 | 0:10:39 | |
And I think both of the sisters are like that. They're not afraid | 0:10:39 | 0:10:43 | |
to be on the top of the whole game. | 0:10:43 | 0:10:46 | |
'But, at the same time, a new power was emerging in the wings. | 0:10:46 | 0:10:51 | |
'Eastern Europe produced a stream of top-class players through the first decade of the century, | 0:10:51 | 0:10:56 | |
'many of them products of the tennis academies of Florida. | 0:10:56 | 0:10:59 | |
'By 2009, five of the top ten seeds in the women's singles draw were Russian. | 0:10:59 | 0:11:05 | |
'The Cold War in tennis dresses? | 0:11:05 | 0:11:07 | |
'At times, the Williams sisters must have felt overwhelmed by the sheer weight of numbers.' | 0:11:07 | 0:11:13 | |
I think when the Soviet Union broke up into its various satellite countries, | 0:11:13 | 0:11:19 | |
a freedom overcame lots of these nations | 0:11:19 | 0:11:23 | |
and sport is a way to express your desire for freedom | 0:11:23 | 0:11:28 | |
and I think a lot of parents in those countries | 0:11:28 | 0:11:30 | |
saw sport as a means that their kids could blossom. | 0:11:30 | 0:11:34 | |
When I was national coach, I was selecting from 15 countries. | 0:11:34 | 0:11:40 | |
It was good. It was difficult, it was tough, it was pressure. | 0:11:40 | 0:11:43 | |
I mean, I had a great opportunity to choose all of these good girls, | 0:11:43 | 0:11:48 | |
to put them together and prepare them the way I thought they had to do. | 0:11:48 | 0:11:53 | |
And the money. It was a way out. A way out to a better life. | 0:11:53 | 0:12:00 | |
'Born in Siberia, coached in America, | 0:12:00 | 0:12:03 | |
'Maria Sharapova came to Wimbledon as a promising starlet. | 0:12:03 | 0:12:07 | |
'She hit the ball like a missile and with almost as many decibels. | 0:12:07 | 0:12:11 | |
'But the general consensus was the 17-year-old's time was yet to come. | 0:12:11 | 0:12:16 | |
'Who knew that beneath the almost fragile-looking exterior | 0:12:16 | 0:12:19 | |
'was a core of pure steel?' | 0:12:19 | 0:12:22 | |
Nick Bollettieri came to me and was saying, "You're supposed to look at this great girl". | 0:12:23 | 0:12:28 | |
I saw that fighting spirit which she had. Incredible. | 0:12:28 | 0:12:32 | |
But, of course, when Maria came here and won Wimbledon, | 0:12:32 | 0:12:36 | |
I think it was a little bit of a shock for everybody | 0:12:36 | 0:12:38 | |
because we all knew about Dementieva, Myskina | 0:12:38 | 0:12:42 | |
and we knew much is coming up. | 0:12:42 | 0:12:44 | |
We knew she was talented but we didn't know that she would do it so quick. | 0:12:44 | 0:12:48 | |
It was incredible. | 0:12:48 | 0:12:51 | |
I mean, even though I had so much attention from the quarterfinals on, | 0:12:51 | 0:12:55 | |
to me, whenever I stepped on that court, everything was blocked. | 0:12:55 | 0:13:01 | |
I didn't hear anything. I didn't hear any voices, | 0:13:01 | 0:13:04 | |
I don't remember what people said. I was just concentrating on myself | 0:13:04 | 0:13:08 | |
and the ball and that's it | 0:13:08 | 0:13:11 | |
and it's really amazing. | 0:13:11 | 0:13:14 | |
'The Russian teenager produced the performance of a lifetime to win the title, | 0:13:14 | 0:13:18 | |
'the trophy and the hearts of the millions watching at home. | 0:13:18 | 0:13:22 | |
'The very first television broadcast from Wimbledon was in 1937 | 0:13:27 | 0:13:31 | |
'and it still remains the principal way that most people enjoy the tournament. | 0:13:31 | 0:13:36 | |
'But the huge leaps forward in technology | 0:13:36 | 0:13:38 | |
'have meant that the nature of the broadcast is rapidly changing.' | 0:13:38 | 0:13:42 | |
Radio first started here way back, almost at the turn of the century, | 0:13:43 | 0:13:47 | |
which was the first broadcast of Wimbledon. | 0:13:47 | 0:13:51 | |
We were probably most notably the first live colour broadcast in the United Kingdom. | 0:13:51 | 0:13:57 | |
The notion that what you'd been watching originally | 0:13:57 | 0:14:01 | |
was black and white, no chance of the vivid green of the grass and so on, | 0:14:01 | 0:14:05 | |
suddenly being converted into colour was fantastic. | 0:14:05 | 0:14:08 | |
In many ways, that's what kick-started the developments. | 0:14:08 | 0:14:11 | |
And two or three years ago, we became a fully high-definition tournament, | 0:14:11 | 0:14:16 | |
one of the first to do that. | 0:14:16 | 0:14:18 | |
And this year, on our 125th, | 0:14:18 | 0:14:21 | |
we'll be doing 3D coverage from Centre Court of the final stages of the tournament for the first time. | 0:14:21 | 0:14:27 | |
We have got a number of broadcasters fighting over our rights | 0:14:27 | 0:14:30 | |
and what we seek is to try and find the best financial deal | 0:14:30 | 0:14:36 | |
but also the deal that gives us the best coverage in terms of reaching the most people | 0:14:36 | 0:14:41 | |
within that territory that we possibly can. | 0:14:41 | 0:14:44 | |
I think the whole intention is to make sure that we reach all audiences | 0:14:44 | 0:14:48 | |
wherever they are and how they can view us. | 0:14:48 | 0:14:50 | |
The net clearly is where it's at. It's a very difficult beast. | 0:14:51 | 0:14:55 | |
It's a different beast for those of us from a particular background and those of us of my age. | 0:14:55 | 0:15:00 | |
We're learning new techniques and we're learning how it should be done. | 0:15:00 | 0:15:04 | |
But actually, it's where significantly more people every year are getting their Wimbledon coverage | 0:15:04 | 0:15:10 | |
and Wimbledon information from and we really have to be alongside that if not leading it. | 0:15:10 | 0:15:18 | |
'Wimbledon's official supplier of information technology is IBM, | 0:15:18 | 0:15:22 | |
'a relationship that began modestly with graphics for the BBC in 1990 | 0:15:22 | 0:15:26 | |
'before evolving into the state-of-the-art system it is today.' | 0:15:26 | 0:15:30 | |
The first year that the public were involved | 0:15:30 | 0:15:33 | |
outside of the BBC graphic statistics was 1996 | 0:15:33 | 0:15:37 | |
when IBM created the official website. | 0:15:37 | 0:15:41 | |
1999 was the first year that we did an on-site system for the public, players and press | 0:15:41 | 0:15:47 | |
which gave detailed and real-time statistics | 0:15:47 | 0:15:50 | |
as each match was progressing on the show courts. | 0:15:50 | 0:15:53 | |
And over the years since then, we've expanded that out to not just show courts | 0:15:53 | 0:15:57 | |
but every single court that's in play at Wimbledon. | 0:15:57 | 0:16:01 | |
So for every score that's played on court, | 0:16:01 | 0:16:04 | |
the chair umpire records what's happened. | 0:16:04 | 0:16:07 | |
That data flows back to the IBM scoring system | 0:16:07 | 0:16:10 | |
and is sent out over an internet link to our three data centres | 0:16:10 | 0:16:14 | |
where it's then pushed out to the millions of people who are watching the website live in real time. | 0:16:14 | 0:16:19 | |
And for that chain of events to happen is actually sub-seconds. | 0:16:19 | 0:16:23 | |
So very often you'll be watching on the website, you'll see the score updated | 0:16:23 | 0:16:27 | |
before the umpire calls it on court because he's waiting for the applause to die down. | 0:16:27 | 0:16:32 | |
'Wimbledon is a tournament that has thrived on rivalries. | 0:16:34 | 0:16:37 | |
'Incredible finals that have staked a claim for the title Best Match Ever. | 0:16:37 | 0:16:41 | |
'Borg-McEnroe. Navratilova-Evert. Becker-Edberg. | 0:16:41 | 0:16:46 | |
'But the class of 2008 was extra-special. | 0:16:46 | 0:16:49 | |
'When Roger Federer walked from the dressing room on the final Sunday, | 0:16:50 | 0:16:54 | |
'he was aiming for a record-breaking sixth consecutive title. | 0:16:54 | 0:16:58 | |
'But it was by no means a foregone conclusion. | 0:16:58 | 0:17:01 | |
'Rafael Nadal, the dynamic Spaniard, | 0:17:01 | 0:17:04 | |
'had honed his grass-court game to near perfection | 0:17:04 | 0:17:07 | |
'and a mouth-watering clash awaited the Centre Court crowd. | 0:17:07 | 0:17:10 | |
'Finally, here was a player deemed a worthy opponent to the mercurial Swiss. | 0:17:10 | 0:17:15 | |
'His five previous titles were an achievement of almost mythical proportions | 0:17:15 | 0:17:20 | |
'but had rarely seemed in doubt such was Federer's utter dominance on the grass.' | 0:17:20 | 0:17:25 | |
Having won five in a row, for me, it's an absolute dream come true. | 0:17:29 | 0:17:33 | |
It's almost disbelief, still, to some degree. People see me in a different way. | 0:17:33 | 0:17:37 | |
Now when they see me play, they feel they're seeing history at work. | 0:17:37 | 0:17:43 | |
It's different now than before. Times have definitely changed. | 0:17:43 | 0:17:47 | |
There was a sense at that match, right from the word go, | 0:17:49 | 0:17:53 | |
it was going to be a very special occasion. | 0:17:53 | 0:17:58 | |
If you were going to map out, you know, when is tennis at its peak, | 0:17:58 | 0:18:01 | |
it's when the two best players who have this rivalry face each other | 0:18:01 | 0:18:05 | |
in the final match of the great tournament, Wimbledon. | 0:18:05 | 0:18:08 | |
'Just 12 months earlier, Federer had equalled Borg's record of five titles on the bounce. | 0:18:08 | 0:18:14 | |
'In 1981, McEnroe, a flash left-hander, | 0:18:14 | 0:18:17 | |
'had finally prevailed against the cool Swede | 0:18:17 | 0:18:20 | |
'and the comparisons with this match were the stuff journalists' dreams were made of.' | 0:18:20 | 0:18:25 | |
CHEERING AND APPLAUSE | 0:18:29 | 0:18:33 | |
'Nadal's fire power had found its range and the reigning champion appeared shell-shocked. | 0:18:34 | 0:18:39 | |
'90 minutes into the match and Federer was staring down the barrel of a two-set deficit.' | 0:18:39 | 0:18:45 | |
Federer comes out in the second set, gets an early lead, and Nadal storms back, | 0:18:50 | 0:18:55 | |
and you really thought that the way that second set went, | 0:18:55 | 0:18:58 | |
Federer had it and blew it. | 0:18:58 | 0:19:01 | |
What does this guy really have left for the rest of the day? | 0:19:01 | 0:19:04 | |
You put yourself in Nadal's shoes. You're playing the player | 0:19:04 | 0:19:07 | |
who is the king of Wimbledon at that stage, | 0:19:07 | 0:19:10 | |
you're two sets to love up in the final. | 0:19:10 | 0:19:12 | |
Now, try and imagine how, mentally, he must be feeling. | 0:19:12 | 0:19:16 | |
"Obviously, if I win the next set, I'm the champion | 0:19:16 | 0:19:19 | |
"but can I possibly keep up this standard of play that I've had for sets one and two? | 0:19:19 | 0:19:25 | |
"Maybe I can, but somehow, Roger's got to be Roger in a minute." | 0:19:25 | 0:19:29 | |
-Fault! -Federer is challenging on the left baseline. The ball was called out. | 0:19:35 | 0:19:41 | |
'To the relief of the crowd, Federer's pinpoint accuracy had returned, | 0:19:41 | 0:19:45 | |
'although it took the electronic brain of Hawk-Eye to confirm it. | 0:19:45 | 0:19:49 | |
'Ironic, since the world number one had made no secret | 0:19:49 | 0:19:53 | |
'of his distaste for an innovation he deemed an affront to sport's moral code | 0:19:53 | 0:19:57 | |
'but which was now a fixture on tennis courts the world over.' | 0:19:57 | 0:20:00 | |
I think any technology that can improve the game | 0:20:00 | 0:20:04 | |
I think is welcome. I think it's very good. | 0:20:04 | 0:20:07 | |
Because it's micro-millimetres we're talking about, the decision in or out. | 0:20:07 | 0:20:12 | |
Essentially, we set up five cameras for each end. | 0:20:12 | 0:20:15 | |
These cameras are set up, focused on that half of the court | 0:20:15 | 0:20:19 | |
and then they work individually with a PC | 0:20:19 | 0:20:23 | |
to track the ball in relation to the line in two dimensions. | 0:20:23 | 0:20:27 | |
And then all that information is then fed to a control machine | 0:20:27 | 0:20:31 | |
which acts as the brain of the operation | 0:20:31 | 0:20:34 | |
where it just puts everything together. | 0:20:34 | 0:20:37 | |
Then once everything's mapped together, | 0:20:37 | 0:20:39 | |
it's put into a small file with just a simple track of the ball and where the player's gone, | 0:20:39 | 0:20:44 | |
and then that forwards to the virtual reality side of it, | 0:20:44 | 0:20:47 | |
which is what everyone sees at home, the pretty end of the system | 0:20:47 | 0:20:51 | |
which lets you see whether the ball's in or out. | 0:20:51 | 0:20:54 | |
The level of error of a line call does roughly equate to about 3.6mm | 0:20:54 | 0:20:59 | |
which is roughly the size of the fluff on the ball. | 0:20:59 | 0:21:02 | |
Hawk-Eye shows how good the linesmen are. | 0:21:02 | 0:21:05 | |
If you see, the players are only 30 percent right and the rest... | 0:21:05 | 0:21:12 | |
They are 25-30 percent right. I think Hawk-Eye shows how good the officials are. | 0:21:12 | 0:21:17 | |
'The titanic struggle continued, | 0:21:18 | 0:21:20 | |
'the spectators spellbound and the play sublime. | 0:21:20 | 0:21:24 | |
'As the Federer comeback continued in the fourth set, | 0:21:24 | 0:21:27 | |
'this match promised to be the equivalent of Borg-McEnroe for the digital generation.' | 0:21:27 | 0:21:31 | |
CHEERING | 0:21:31 | 0:21:34 | |
It wasn't until really, for me, the fourth set | 0:21:35 | 0:21:38 | |
that people said, "Wait a second, this is a special match." | 0:21:38 | 0:21:41 | |
It's the final match on Centre Court before the roof comes up, | 0:21:41 | 0:21:45 | |
it's one versus two, it's Federer proudly trying to keep his territory | 0:21:45 | 0:21:51 | |
versus Nadal, the attacker, trying to really make his mark. | 0:21:51 | 0:21:54 | |
They played a great final the previous year. Nadal had never won Wimbledon. So much going on. | 0:21:54 | 0:21:59 | |
The fourth set was just tremendous tennis again. | 0:21:59 | 0:22:04 | |
Spellbinding. I mean, tiebreaks in it, as well, | 0:22:05 | 0:22:08 | |
and just the levels that Roger found. | 0:22:08 | 0:22:11 | |
'The momentum appeared to be with the five-time champion | 0:22:11 | 0:22:15 | |
'but Nadal was never going to lie down. | 0:22:15 | 0:22:17 | |
'His break in the 15th game of the final set proved decisive.' | 0:22:17 | 0:22:21 | |
-CHEERING -Game, set and match Nadal, three sets to two. | 0:22:22 | 0:22:27 | |
That celebration, I think alongside Ivanisevic in 2001, | 0:22:28 | 0:22:34 | |
those are the two that stand out | 0:22:34 | 0:22:37 | |
through the sheer joy and the sheer emotion | 0:22:37 | 0:22:41 | |
and it coursing through their entire body. | 0:22:41 | 0:22:44 | |
Amazing feeling for me to win here at Wimbledon on grass. | 0:22:44 | 0:22:48 | |
For any Spanish, it's very tough, but for me, it is a dream. | 0:22:48 | 0:22:53 | |
I always dream it, to win here, | 0:22:53 | 0:22:57 | |
and now I have the title, so it was very emotional for me. | 0:22:57 | 0:23:01 | |
I think if you look at all the components of this match, | 0:23:03 | 0:23:07 | |
the quality of play, the swinging momentum, one versus two, | 0:23:07 | 0:23:10 | |
everything on the line, I think it's going to be hard to replicate | 0:23:10 | 0:23:13 | |
Federer-Nadal of 2008. | 0:23:13 | 0:23:16 | |
'The following year, Federer contested another epic match. | 0:23:16 | 0:23:20 | |
'But this time, the valiant Andy Roddick providing the opposition. | 0:23:20 | 0:23:24 | |
'It was the third time the two men had contested a Wimbledon final | 0:23:24 | 0:23:27 | |
'and it seemed as though the luck might this time be on the American's side. | 0:23:27 | 0:23:31 | |
'But in the longest fifth set of a men's final in the history of the championships, | 0:23:31 | 0:23:35 | |
'Federer clung on to win 16-14, securing his sixth Wimbledon crown | 0:23:35 | 0:23:41 | |
'and a record 15th grand slam singles title.' | 0:23:41 | 0:23:45 | |
I had my first win here in 2003, | 0:23:47 | 0:23:51 | |
I had a win here as a junior, | 0:23:51 | 0:23:54 | |
I beat Sampras here in 2001 and the rest is history. | 0:23:54 | 0:23:57 | |
I've had so much success here and it's the tournament I love most. | 0:23:57 | 0:24:00 | |
I love coming here. It's such an honour to be a member of the club and I hope I can do it again. | 0:24:00 | 0:24:05 | |
'But the duration of that final set would pale into insignificance just the following year | 0:24:05 | 0:24:11 | |
'when a first-round match between Nicolas Mahut and John Isner broke every record in the book. | 0:24:11 | 0:24:17 | |
'The two combatants spent 11 hours and 5 minutes over three days, | 0:24:17 | 0:24:22 | |
'slugging it out on court 18. | 0:24:22 | 0:24:25 | |
'Even the scoreboard struggled to cope with the ever-rising numbers. | 0:24:25 | 0:24:28 | |
'But eventually it was the young American who prevailed, | 0:24:28 | 0:24:31 | |
'70 games to 68. | 0:24:31 | 0:24:34 | |
'Isner and Mahut - some names are destined to be forever entwined. | 0:24:34 | 0:24:39 | |
'Rafael Nadal, along with Serena Williams, | 0:24:40 | 0:24:43 | |
'will defend his title in the 125th championships. | 0:24:43 | 0:24:47 | |
'The first organisers of the tournament would marvel now at the rich heritage they created, | 0:24:48 | 0:24:52 | |
'at the size, scope and luxury of the modern championships. | 0:24:52 | 0:24:56 | |
'But the beauty of the game, the aesthetic quality of the surroundings | 0:24:56 | 0:25:00 | |
'and the athleticism of the players would be easily recognisable | 0:25:00 | 0:25:04 | |
'a century and a quarter after Wimbledon's tentative beginnings. | 0:25:04 | 0:25:08 | |
"It is the want of variety that will prevent lawn tennis | 0:25:12 | 0:25:15 | |
"from taking rank among our great games," wrote Spencer Gore. | 0:25:15 | 0:25:19 | |
'125 years on, Wimbledon's first champion might be forced to revise his opinion. | 0:25:19 | 0:25:25 | |
'This is a tournament that means so much to so many.' | 0:25:25 | 0:25:29 | |
Wimbledon is very different to any other tournament on this planet. | 0:25:35 | 0:25:39 | |
Wimbledon, it's like a peak. We are trying to get in, you know? | 0:25:39 | 0:25:44 | |
It's like a star in the sky. | 0:25:44 | 0:25:49 | |
-Unique. -Magic. | 0:25:49 | 0:25:51 | |
-Pure. -Green. -Amazing. | 0:25:51 | 0:25:55 | |
-Special. -Tradition. | 0:25:55 | 0:25:57 | |
Subtitles by Red Bee Media Ltd | 0:26:01 | 0:26:05 | |
E-mail [email protected] | 0:26:05 | 0:26:09 | |
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