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BBC Four Collections - | 0:00:02 | 0:00:04 | |
archive programmes chosen by experts. | 0:00:04 | 0:00:06 | |
For this collection, Gary Boyd-Hope | 0:00:06 | 0:00:09 | |
has selected programmes celebrating Britain's steam railway legacy. | 0:00:09 | 0:00:13 | |
More programmes on this theme, and other BBC Four Collections | 0:00:13 | 0:00:16 | |
are available on BBC iPlayer. | 0:00:16 | 0:00:18 | |
ENGINE ROARS | 0:00:21 | 0:00:23 | |
WHISTLE BLOWS | 0:00:23 | 0:00:25 | |
TANNOY: The train now approaching platform 11 | 0:00:58 | 0:01:01 | |
is the Flying Scotsman from London King's Cross. | 0:01:01 | 0:01:04 | |
'There are very few things that will get the station master at Waverley | 0:01:06 | 0:01:09 | |
'out of his bowler hat, but the Flying Scotsman is one of them. | 0:01:09 | 0:01:13 | |
'The famous express that leaves London | 0:01:13 | 0:01:15 | |
'when he has barely finished breakfast | 0:01:15 | 0:01:18 | |
'and gets to Edinburgh not long after his lunchtime.' | 0:01:18 | 0:01:20 | |
There are other trains which get here just as fast but when I'm on the one | 0:01:22 | 0:01:25 | |
called Flying Scotsman, I feel I've actually got here quicker, | 0:01:25 | 0:01:28 | |
which is one of the reasons, of course, | 0:01:28 | 0:01:30 | |
that hard-headed railways companies | 0:01:30 | 0:01:32 | |
give their trains romantic names. | 0:01:32 | 0:01:35 | |
But to many people, | 0:01:35 | 0:01:37 | |
the name Flying Scotsman means something quite different. | 0:01:37 | 0:01:40 | |
A famous locomotive which was born in 1923 | 0:01:40 | 0:01:42 | |
and has been to many other places beside Edinburgh. | 0:01:42 | 0:01:46 | |
Up and down North America, for a start. | 0:01:46 | 0:01:49 | |
Is the Flying Scotsman a train or is it an engine | 0:01:49 | 0:01:51 | |
or is it a white elephant? | 0:01:51 | 0:01:53 | |
It's one of the most famous names in the world | 0:01:53 | 0:01:55 | |
but where did the name come from? | 0:01:55 | 0:01:56 | |
To find all this out, | 0:01:56 | 0:01:58 | |
we have to go back even before railways were invented. | 0:01:58 | 0:02:00 | |
Up to about 1850, if you'd wanted to get to Scotland in a hurry | 0:02:12 | 0:02:16 | |
you'd have gone by flying coach. | 0:02:16 | 0:02:18 | |
It flew up the Great North Road at an average speed of ten miles an hour, | 0:02:18 | 0:02:22 | |
stopping every ten miles or so just to change horses. | 0:02:22 | 0:02:26 | |
Apart from that, it went non-stop, hence flying, | 0:02:28 | 0:02:30 | |
through the day and the night, | 0:02:30 | 0:02:33 | |
taking nearly 48 hours to do the 400 miles from London to Edinburgh. | 0:02:33 | 0:02:36 | |
It wasn't much fun at the best of times | 0:02:42 | 0:02:44 | |
and was worst if you had an outside seat on top | 0:02:44 | 0:02:46 | |
where you had to keep awake the whole time. | 0:02:46 | 0:02:49 | |
That's where we get the expression "dropping off to sleep". | 0:02:49 | 0:02:52 | |
Then came the railway, and the average speed | 0:02:57 | 0:02:59 | |
of the journey to Edinburgh magically quadrupled. | 0:02:59 | 0:03:03 | |
The through-route was open by 1850. | 0:03:04 | 0:03:08 | |
In 1852, King's Cross station in London was completed | 0:03:08 | 0:03:11 | |
and in 1862, the first named express appeared - the Scotch Express, | 0:03:11 | 0:03:16 | |
which was what they first called the Flying Scotsman. | 0:03:16 | 0:03:19 | |
It left King's Cross station every morning at 10am on the dot | 0:03:19 | 0:03:23 | |
and started to fly north. | 0:03:23 | 0:03:25 | |
The speed may have been a lot better | 0:03:29 | 0:03:31 | |
but the facilities were the same as on the stage coach. | 0:03:31 | 0:03:34 | |
No toilets, no food, no moving from your seat, | 0:03:34 | 0:03:37 | |
so they must have been longing to get to that 20-minute stop | 0:03:37 | 0:03:40 | |
at York for lunch and everything else. | 0:03:40 | 0:03:44 | |
As the passengers piled into the restaurant at 2.35, | 0:03:46 | 0:03:49 | |
the soup was put in front of them, and from then | 0:03:49 | 0:03:51 | |
on the restaurant resounded with the crash of crockery, | 0:03:51 | 0:03:54 | |
and courses being rushed to and fro. | 0:03:54 | 0:03:56 | |
Outside, the passengers could hear the shunting and crashing | 0:03:56 | 0:03:59 | |
of the new engine being put on. | 0:03:59 | 0:04:00 | |
The sound they were really listening for was the station bell. | 0:04:00 | 0:04:05 | |
Once you heard that, you left your apple pie where it was | 0:04:05 | 0:04:08 | |
and rushed back to the train. | 0:04:08 | 0:04:09 | |
It was the Victorian equivalent almost | 0:04:09 | 0:04:11 | |
of making a hasty plane change at Heathrow. | 0:04:11 | 0:04:14 | |
In fact, after York they were leaving Great Northern territory | 0:04:14 | 0:04:17 | |
and flying up the North Eastern line. | 0:04:17 | 0:04:19 | |
The new engine, full of coal and water again, | 0:04:19 | 0:04:21 | |
pulled them over the high-level bridge into Newcastle | 0:04:21 | 0:04:24 | |
where they had another chance to resort to the lavatories at 4.55, | 0:04:24 | 0:04:27 | |
then, with hardly a pause, on, on up to Berwick, | 0:04:27 | 0:04:29 | |
and another change of engines, this time to a North British machine. | 0:04:29 | 0:04:33 | |
They finally arrived at Edinburgh at 8.35, | 0:04:33 | 0:04:37 | |
ten-and-a-half hours after leaving London. | 0:04:37 | 0:04:40 | |
It may seem slow to us, but to them it was a miracle. | 0:04:40 | 0:04:43 | |
A miracle only to the well-heeled, of course, for it wasn't until 1887 | 0:04:43 | 0:04:48 | |
that third-class passengers were catered for at all. | 0:04:48 | 0:04:51 | |
After that, things rapidly improved for everyone. | 0:04:51 | 0:04:54 | |
Restaurant cars were introduced, | 0:04:54 | 0:04:55 | |
which meant of course that corridors had to be introduced as well. | 0:04:55 | 0:04:59 | |
The first lavatories appeared on trains | 0:04:59 | 0:05:01 | |
and as early as 1875, | 0:05:01 | 0:05:02 | |
the North British Railway had pioneered sleeper compartments. | 0:05:02 | 0:05:06 | |
All this meant the trains were getting heavier, | 0:05:06 | 0:05:09 | |
and that meant that engines had to get more and more powerful. | 0:05:09 | 0:05:12 | |
Then suddenly, the Scotch Express hit the headlines in 1888. | 0:05:12 | 0:05:16 | |
It got caught up in a series of races to the north | 0:05:16 | 0:05:18 | |
against rival companies | 0:05:18 | 0:05:21 | |
and the record time to Scotland was lowered suddenly | 0:05:21 | 0:05:23 | |
from nine hours to seven-and-a-half hours. | 0:05:23 | 0:05:25 | |
The race became part of British railway history, | 0:05:28 | 0:05:31 | |
shortly to be followed by another now-familiar sight | 0:05:31 | 0:05:34 | |
in British stations, the railway enthusiast. | 0:05:34 | 0:05:37 | |
I've been on here at three o'clock in the morning. | 0:05:39 | 0:05:42 | |
Was it here that they always changed engines? | 0:05:42 | 0:05:45 | |
Oh, yes, always. They changed engines here, Grantham, Newcastle. | 0:05:45 | 0:05:49 | |
That's good, although it was one company taking off its engine, | 0:05:49 | 0:05:52 | |
and another company putting it on. | 0:05:52 | 0:05:54 | |
'I met Arthur Dewar in York Station in 1985. | 0:05:54 | 0:05:58 | |
'He had first been here to watch trains as a boy in 1916.' | 0:05:58 | 0:06:02 | |
It must have been quite a sight, York station in those days? | 0:06:02 | 0:06:05 | |
Oh, yes, it was marvellous. | 0:06:05 | 0:06:07 | |
Beautiful, gleaming green engines, brass. | 0:06:07 | 0:06:09 | |
Not dirty and smoke stained? | 0:06:09 | 0:06:11 | |
No, brass columns and brass round the wheel hall, shining. | 0:06:11 | 0:06:16 | |
I'm afraid we have to go to the museum to see them nowadays. | 0:06:16 | 0:06:19 | |
Yes. That's how they were. All like that. | 0:06:19 | 0:06:24 | |
So you must have seen the Flying Scotsman come through many a time. | 0:06:24 | 0:06:27 | |
Well, it wasn't called that then. Not till about 1938. | 0:06:27 | 0:06:30 | |
It was known to the railway people as the Special Scotch Express. | 0:06:30 | 0:06:34 | |
But in the timetable, it wasn't differentiated from any other train. | 0:06:34 | 0:06:39 | |
It was already known as...? | 0:06:39 | 0:06:41 | |
Most people knew it by, yes. | 0:06:41 | 0:06:44 | |
In 1923, Flying Scotsman the engine was born, | 0:06:44 | 0:06:47 | |
one of a new class, the A1 Pacifics, | 0:06:47 | 0:06:50 | |
which could run non-stop from London to Edinburgh, | 0:06:50 | 0:06:52 | |
and also had rather glamorous film-star looks. | 0:06:52 | 0:06:55 | |
Just as well, as they were about to become film stars, | 0:06:55 | 0:06:58 | |
as I discovered from railway film collector John Huntley. | 0:06:58 | 0:07:02 | |
John, this must be about the first film | 0:07:02 | 0:07:04 | |
of the non-stop Flying Scotsman that exists? | 0:07:04 | 0:07:06 | |
Yes, it is. It's a bit of a mystery film, | 0:07:06 | 0:07:08 | |
we don't really know who made it, but it is a most valuable record | 0:07:08 | 0:07:13 | |
of the old London North Eastern Railway, | 0:07:13 | 0:07:15 | |
and of course certainly there's no doubt about the film was made | 0:07:15 | 0:07:19 | |
to celebrate this idea that started on 1st May, 1928, | 0:07:19 | 0:07:22 | |
when they began the non-stop run, | 0:07:22 | 0:07:23 | |
even including things like a cocktail bar on the train. | 0:07:23 | 0:07:26 | |
This train was extraordinary. It had at different times, it had a cinema, | 0:07:26 | 0:07:30 | |
in-flight movies, Flying Scotsman-style, in the '30s. | 0:07:30 | 0:07:35 | |
It had a hairdressing salon on the train at one time. | 0:07:35 | 0:07:38 | |
For women originally, | 0:07:38 | 0:07:39 | |
it was so successful that they introduced it for men. | 0:07:39 | 0:07:42 | |
In the early 1930s, there was a sort of disco | 0:07:42 | 0:07:44 | |
where they had an all-horn radio which piped in dance music | 0:07:44 | 0:07:48 | |
and people danced as you went on your way to Scotland, | 0:07:48 | 0:07:51 | |
so it was quite a train, the Flying Scotsman, in those days. | 0:07:51 | 0:07:54 | |
It was a pretty magical thing, you know, in 1928, | 0:08:00 | 0:08:03 | |
when you think how long ago that actually is. | 0:08:03 | 0:08:06 | |
To run a train all this distance. | 0:08:06 | 0:08:08 | |
There seems to be more than a whiff of advertising about this. | 0:08:08 | 0:08:11 | |
The feeling that it's not just a documentary, | 0:08:11 | 0:08:14 | |
it's saying "Come travel with us." | 0:08:14 | 0:08:16 | |
That probably was the price of all facilities | 0:08:16 | 0:08:19 | |
and a free ticket on the train, I suspect, in those days. | 0:08:19 | 0:08:22 | |
How long did the train take in those days? | 0:08:25 | 0:08:28 | |
How long was it back then? | 0:08:28 | 0:08:29 | |
It was all slowed up because of the stupid business... | 0:08:29 | 0:08:33 | |
..Of the agreement. It didn't have to arrive in Edinburgh | 0:08:33 | 0:08:36 | |
before the Midland train arrived in Glasgow. | 0:08:36 | 0:08:40 | |
'Frank Mays, our other expert, | 0:08:40 | 0:08:41 | |
'was actually a fireman on the Flying Scotsman in its heyday, | 0:08:41 | 0:08:45 | |
'though this was the first time he'd seen any of these films.' | 0:08:45 | 0:08:48 | |
They purposely slowed it down? | 0:08:48 | 0:08:49 | |
They did, and they kept it outside of Edinburgh for a little while | 0:08:49 | 0:08:53 | |
until the time approached and it was allowed in. | 0:08:53 | 0:08:56 | |
A lovely name. Such a grand name. | 0:08:56 | 0:08:58 | |
I think it's because they're both full of unfinished buildings. | 0:08:58 | 0:09:02 | |
Those trams, I always associate those | 0:09:02 | 0:09:04 | |
with the early days of the Edinburgh Festival. | 0:09:04 | 0:09:07 | |
Very much, Princes Street never was quite the same without the trams. | 0:09:07 | 0:09:11 | |
Before the 1920s were out, | 0:09:15 | 0:09:16 | |
the engine itself had become an established film star. | 0:09:16 | 0:09:19 | |
Not in a documentary or a commercial, but in a fully-fledged thriller. | 0:09:19 | 0:09:24 | |
This looks a very different sort of film. I detect a story here. | 0:09:24 | 0:09:28 | |
Yes, this was 1929. | 0:09:28 | 0:09:30 | |
Most of the textbooks say that Alfred Hitchcock's film Blackmail | 0:09:30 | 0:09:33 | |
is the first sound film, but I don't think it's right. | 0:09:33 | 0:09:36 | |
This was the first one. It's directed by Castleton Knight, | 0:09:36 | 0:09:38 | |
and as you'll see, it's mainly shot as a silent film. | 0:09:38 | 0:09:41 | |
It uses mainly silent shots. | 0:09:41 | 0:09:42 | |
That's Pauline Johnson, the heroine of the film, | 0:09:52 | 0:09:55 | |
and this they did for real. | 0:09:55 | 0:09:56 | |
They were allowed to shoot using 4472 Flying Scotsman. | 0:09:56 | 0:10:01 | |
She really did this. | 0:10:01 | 0:10:02 | |
They're certainly not going less than 40-45 miles an hour | 0:10:02 | 0:10:06 | |
in relatively high-heeled 1920s shoes, | 0:10:06 | 0:10:08 | |
battling her way forward to the loco, in pursuit, in fact, of the villain. | 0:10:08 | 0:10:13 | |
Now, the fireman in the film is Ray Milland, it's his first movie. | 0:10:16 | 0:10:23 | |
The storyline is that he's a young fireman | 0:10:23 | 0:10:26 | |
and this is his girlfriend, but in fact, although he doesn't know it, | 0:10:26 | 0:10:30 | |
the engine driver is her father. | 0:10:30 | 0:10:32 | |
A near thing last night. Her old man came on, nearly caught me. | 0:10:36 | 0:10:39 | |
Just managed to dodge him with the skin of my teeth. | 0:10:42 | 0:10:46 | |
Silent acting. | 0:10:50 | 0:10:51 | |
So you're the one! | 0:10:53 | 0:10:54 | |
Then a fight on the footplate. What's so incredible about this film | 0:10:54 | 0:10:58 | |
is that's the sort of thing you'd normally shoot at the studio. | 0:10:58 | 0:11:01 | |
Here she goes. She's got to cross over from the loco to the tender. | 0:11:01 | 0:11:05 | |
Not much to hold onto. | 0:11:05 | 0:11:06 | |
She finds the rhythm of the two is totally different. | 0:11:06 | 0:11:09 | |
Even that's for real. | 0:11:09 | 0:11:10 | |
The sort of thing you'd always do in a studio today. | 0:11:10 | 0:11:13 | |
She's in pursuit of the villain played by Alec Hurley. | 0:11:17 | 0:11:20 | |
What's his interest, the villain? | 0:11:20 | 0:11:23 | |
He's out to get the engine driver who ratted on him and lost him his job. | 0:11:23 | 0:11:27 | |
Ray Milland... You see even that's shot for real. | 0:11:27 | 0:11:30 | |
It's extraordinary the way they set him up. | 0:11:30 | 0:11:33 | |
THEY LAUGH | 0:11:40 | 0:11:41 | |
The story is a little on the melodramatic side. | 0:11:42 | 0:11:45 | |
She sees her old dad knocked for six by the villain. | 0:11:45 | 0:11:48 | |
Here's a rather interesting bit | 0:11:48 | 0:11:50 | |
because the villain makes sure that the loco is running, | 0:11:50 | 0:11:53 | |
and he goes back using the passageway in the tender. There it is, | 0:11:53 | 0:11:57 | |
which was how you got from the footplate of the locomotive | 0:11:57 | 0:12:00 | |
back into the train itself, through this little narrow passageway | 0:12:00 | 0:12:04 | |
running through the tender, | 0:12:04 | 0:12:05 | |
with the water tank and the coal and everything. | 0:12:05 | 0:12:08 | |
There's Alec Hurley doing some grimaces. | 0:12:08 | 0:12:10 | |
This is the bit that Sir Nigel Gresley hated. | 0:12:10 | 0:12:13 | |
Puts his hand out, pulls a little plug | 0:12:13 | 0:12:15 | |
and the loco separates out from the stock | 0:12:15 | 0:12:17 | |
and they both go on racing away. | 0:12:17 | 0:12:19 | |
Sir Nigel said very indignantly afterwards, | 0:12:19 | 0:12:21 | |
"When I saw this wretched film, they suggested | 0:12:21 | 0:12:24 | |
"that London North Eastern Railway had not yet discovered | 0:12:24 | 0:12:26 | |
"the vacuum brake!" | 0:12:26 | 0:12:28 | |
'Well, the film had a happy ending for everyone, except the villain. | 0:12:29 | 0:12:33 | |
'Ray Milland went on to become a Hollywood star on the strength of it | 0:12:33 | 0:12:36 | |
'and Sir Nigel Gresley never let any filming take place on the NER again. | 0:12:36 | 0:12:40 | |
'In fact, it wasn't until after his death, and well after the war, | 0:12:40 | 0:12:44 | |
'that our third film was made.' | 0:12:44 | 0:12:47 | |
The Elizabethan Express was really the last great flowering of steam. | 0:12:47 | 0:12:51 | |
These marvellous Gresley A4 locomotives, | 0:12:51 | 0:12:53 | |
and really I think what they decided | 0:12:53 | 0:12:56 | |
was as they knew that steam's days were numbered, they thought | 0:12:56 | 0:13:00 | |
they'd have this run non-stop from King's Cross to Edinburgh | 0:13:00 | 0:13:04 | |
as it had been done in the old days. They didn't actually strangely do it | 0:13:04 | 0:13:08 | |
with the 10am Flying Scotsman. They did it as a summer service only, | 0:13:08 | 0:13:12 | |
at 9.30, and this ran in front of the Flying Scotsman but the idea | 0:13:12 | 0:13:15 | |
was to keep alive this tradition of non-stop running on steam. | 0:13:15 | 0:13:19 | |
It's very much of the '50s, the whole thing. It has a funny old commentary. | 0:13:19 | 0:13:24 | |
COMMENTARY: 'The passengers sitting at buffet tables - | 0:13:24 | 0:13:26 | |
'the Howards, the Berts, the Cynthias, the Mables - | 0:13:26 | 0:13:29 | |
'enjoying the comfort and ease in their seats. | 0:13:29 | 0:13:32 | |
'Careless of crumbs in turn-ups or pleats, | 0:13:32 | 0:13:34 | |
'admire the gleam on the chromium plate, | 0:13:34 | 0:13:37 | |
'The polish on tables, the unfaded state of curtains and fabrics, | 0:13:37 | 0:13:41 | |
'but rarely give thought to the long years of training.' | 0:13:41 | 0:13:45 | |
'Now beyond York, the Scots crew prepare to relieve the strain | 0:13:53 | 0:13:57 | |
'on the English pair.' | 0:13:57 | 0:13:59 | |
They had a reserve compartment, and the Edinburgh men, | 0:13:59 | 0:14:02 | |
they worked from Edinburgh to York the day previous, | 0:14:02 | 0:14:05 | |
stayed overnight in London in a hostel | 0:14:05 | 0:14:11 | |
and then they signed on duty in the morning at King's Cross, | 0:14:11 | 0:14:15 | |
rode passenger in the train in a reserve compartment, | 0:14:15 | 0:14:19 | |
had a meal on the train before they actually relieved, | 0:14:19 | 0:14:22 | |
and then went through the corridor tender which we can see now | 0:14:22 | 0:14:26 | |
onto the footplate and relieved while the train was going at 50-60 mph. | 0:14:26 | 0:14:31 | |
There you see Tony MacLeod, the Haymarket driver, | 0:14:35 | 0:14:38 | |
relieving Bob Marroble. | 0:14:38 | 0:14:40 | |
Bob Marroble's taking his case and walking back and through, | 0:14:45 | 0:14:49 | |
and there's Mungo Scott. | 0:14:49 | 0:14:50 | |
Mungo's looking at the fire | 0:14:56 | 0:14:57 | |
to see the state of the fire before he starts firing up. | 0:14:57 | 0:15:00 | |
'Sir Nigel Gresley designed his A4 with the speed of a greyhound, | 0:15:03 | 0:15:07 | |
'the strength of a boar, but when he put fire in her stomach, | 0:15:07 | 0:15:10 | |
'he taught her to burn with a furious thirst for water, | 0:15:10 | 0:15:13 | |
'so when she approaches a water trough, | 0:15:13 | 0:15:16 | |
'watch fireman Mungo doing his stuff.' | 0:15:16 | 0:15:19 | |
There's the water troughs. He's dropping the scoop in. | 0:15:22 | 0:15:26 | |
There you can see the water overflowing. | 0:15:29 | 0:15:32 | |
I should imagine they'll get somewhere in the region | 0:15:32 | 0:15:35 | |
of about 4,000 gallons if they're lucky. | 0:15:35 | 0:15:38 | |
MILES: These guys are the kings of the track, aren't they? | 0:15:38 | 0:15:41 | |
Oh, yes. They're top link men. Probably Tony MacLeod, he's worked | 0:15:41 | 0:15:44 | |
on the railway 40 years before he started doing this type of work. | 0:15:44 | 0:15:49 | |
They're all quite old, the drivers? | 0:15:49 | 0:15:52 | |
On those jobs, yes. Tony MacLeod would be 60, 61. | 0:15:52 | 0:15:58 | |
He'd been on those jobs for five or six years when that film was taken. | 0:15:58 | 0:16:03 | |
Mungo Scott was in his middle-20s. | 0:16:03 | 0:16:06 | |
'As they come down from Groundshouse, the peak of the climb, | 0:16:11 | 0:16:14 | |
'they're over the worst. | 0:16:14 | 0:16:16 | |
'And she's running on time.' | 0:16:16 | 0:16:18 | |
There was great rivalry between the different crews | 0:16:23 | 0:16:26 | |
and you'd swear by your driver. | 0:16:26 | 0:16:29 | |
The consumption worked out at about a ton per 60 miles. | 0:16:34 | 0:16:37 | |
You actually physically lifted, on a little shovel.... | 0:16:37 | 0:16:42 | |
Oh, yes. Yeah. | 0:16:42 | 0:16:44 | |
'Mr Arnott at Waverley Station has a very high sense of occasion. | 0:17:04 | 0:17:10 | |
'If a train's a non-stopper, his topper is proper, | 0:17:10 | 0:17:12 | |
'his homburg's for trains of low station.' | 0:17:12 | 0:17:15 | |
When that film was made, | 0:17:17 | 0:17:19 | |
you could feel they thought nothing would change. | 0:17:19 | 0:17:21 | |
Steam engines would go on forever, Britain would always have an empire | 0:17:21 | 0:17:24 | |
and Blackpool and Newcastle United would always be in the cup final. | 0:17:24 | 0:17:27 | |
But overnight almost, British Rail's modernisation programme | 0:17:27 | 0:17:31 | |
announced the end of steam. Four years later, the first Deltic diesels | 0:17:31 | 0:17:35 | |
were being ordered for the Edinburgh run. | 0:17:35 | 0:17:37 | |
Soon after that, steam engines were being replaced not by steam engines | 0:17:37 | 0:17:40 | |
but by other kinds of engines, for the first time in history. | 0:17:40 | 0:17:43 | |
The steam loco really was becoming a threatened species. | 0:17:43 | 0:17:46 | |
Now, British Rail were going to look after the future | 0:17:46 | 0:17:49 | |
but who was going to look after the past? | 0:17:49 | 0:17:51 | |
In the nick of time, a new breed of man arrived - the private collector. | 0:17:51 | 0:17:55 | |
'40 years old, only done three million miles. | 0:17:59 | 0:18:02 | |
'What a sniff at £3,000. | 0:18:02 | 0:18:04 | |
'That's what a businessman paid for this grand veteran of the iron road. | 0:18:04 | 0:18:08 | |
'All dressed up for the part, the proud man from Nottinghamshire, | 0:18:08 | 0:18:12 | |
'Alan Pegler, was with the engine he saved from the break-up yard. | 0:18:12 | 0:18:15 | |
'The Flying Scotsman has years of work in her still, but progress, | 0:18:15 | 0:18:17 | |
'in the shape of diesel locomotives, has pushed her aside. | 0:18:17 | 0:18:20 | |
'That's a sad thought for everybody who's ever thrilled | 0:18:20 | 0:18:23 | |
'at the sight of an express steam engine.' | 0:18:23 | 0:18:25 | |
WHISTLE BLOWS | 0:18:33 | 0:18:35 | |
Alan Pegler was realising a dream | 0:18:35 | 0:18:38 | |
that most men only play with in their attic - | 0:18:38 | 0:18:41 | |
running a real life-size train set. | 0:18:41 | 0:18:43 | |
In 1968, 40 years on, he recreated the first non-stop run to Edinburgh. | 0:18:45 | 0:18:49 | |
There is in fact no real advantage | 0:18:49 | 0:18:51 | |
in going from London to Edinburgh non-stop, and British Rail | 0:18:51 | 0:18:54 | |
don't bother to do it even today, and when you have to take two tenders | 0:18:54 | 0:18:58 | |
to carry all that coal and water, there are disadvantages, | 0:18:58 | 0:19:01 | |
but when you are on your very own engine, | 0:19:01 | 0:19:03 | |
you don't think about things like that, you just do it. | 0:19:03 | 0:19:06 | |
Today, Edinburgh, tomorrow the world, and the next year, | 0:19:12 | 0:19:14 | |
Alan Pegler took the engine to America. | 0:19:14 | 0:19:18 | |
The Flying Scotsman was trying to make money | 0:19:32 | 0:19:35 | |
out of hauling a business exhibition train across America. | 0:19:35 | 0:19:38 | |
The man who ended up in charge of the operation was George Hinchcliffe. | 0:19:38 | 0:19:43 | |
After the first trip, which from the exhibitors' point of view | 0:19:43 | 0:19:46 | |
was very successful, from Boston to Houston, Texas, | 0:19:46 | 0:19:50 | |
the train was put into store and eventually, the following year, 1970, | 0:19:50 | 0:19:56 | |
we took it out of store in Slaton, Texas, | 0:19:56 | 0:19:59 | |
and worked it right up to Green Bay. | 0:19:59 | 0:20:02 | |
That was fairly successful and I was in charge of the operation then, | 0:20:02 | 0:20:06 | |
and we were actually making money hand over fist. | 0:20:06 | 0:20:09 | |
The great thing in 1970 was that we visited very small places, | 0:20:09 | 0:20:15 | |
where we were a very big event in a comparatively small town. | 0:20:15 | 0:20:20 | |
20,000 inhabitants, and probably a third of them would turn out. | 0:20:20 | 0:20:24 | |
It was marvellous. | 0:20:24 | 0:20:26 | |
But the expense of running an engine so far from home | 0:20:32 | 0:20:34 | |
turned into difficulties, and difficulties turned | 0:20:34 | 0:20:36 | |
into enormous debts, until another rescuer was needed desperately. | 0:20:36 | 0:20:40 | |
He turned up in the nick of time | 0:20:40 | 0:20:42 | |
in the shape of one of the McAlpine family. | 0:20:42 | 0:20:44 | |
Well, Bill rang me one night and said, | 0:20:44 | 0:20:48 | |
"I've heard terrible things about the Flying Scotsman. | 0:20:48 | 0:20:51 | |
"Could you go over to America and find out what's happened?" | 0:20:51 | 0:20:54 | |
The day I actually saw the lawyer who was responsible for | 0:20:55 | 0:20:59 | |
Flying Scotsman while it was in America | 0:20:59 | 0:21:01 | |
was the day that the girl typist | 0:21:01 | 0:21:04 | |
in San Francisco was about to type the writ to impound the locomotive, | 0:21:04 | 0:21:11 | |
but with a time factor of about four hours between Washington time | 0:21:11 | 0:21:16 | |
and San Francisco time, I had chance to phone Bill McAlpine and say, | 0:21:16 | 0:21:21 | |
"Look, if you can pay so many thousand dollars, | 0:21:21 | 0:21:25 | |
"the engine's yours." | 0:21:25 | 0:21:28 | |
HORN BLARES | 0:21:29 | 0:21:31 | |
And so, on what might nearly have been a funeral barge, | 0:21:32 | 0:21:35 | |
Flying Scotsman set off home again. | 0:21:35 | 0:21:38 | |
WIND WHISTLES | 0:21:41 | 0:21:44 | |
They say that all the cells in the human body are replaced every | 0:21:51 | 0:21:55 | |
seven years, and something of the same sort happens to a steam engine. | 0:21:55 | 0:21:59 | |
There isn't much here that dates back to 1923. | 0:21:59 | 0:22:02 | |
But the spirit lives on, and as much as anything, that's what they're | 0:22:02 | 0:22:06 | |
restoring today at Steamtown, here at Carnforth in Lancashire. | 0:22:06 | 0:22:10 | |
The work is done by a mixture of dedicated volunteers | 0:22:12 | 0:22:15 | |
and permanently employed specialists. | 0:22:15 | 0:22:17 | |
Welding new tubes for the super heater is definitely | 0:22:22 | 0:22:24 | |
specialist work, but it takes more than expertise | 0:22:24 | 0:22:27 | |
to get 100 tons of metal steaming again. | 0:22:27 | 0:22:30 | |
It takes a lot of devotion, a lot of money, | 0:22:30 | 0:22:32 | |
and backaching hard work. | 0:22:32 | 0:22:34 | |
Well, we try to do bits and pieces of what we can. | 0:22:36 | 0:22:40 | |
We're not all skilled. | 0:22:40 | 0:22:42 | |
I used to be a fireman on this type of engine at Doncaster, | 0:22:42 | 0:22:46 | |
and that's where my interest stems from. | 0:22:46 | 0:22:49 | |
I think once you've been on that job, | 0:22:49 | 0:22:51 | |
there's something bred into you that never leaves you. | 0:22:51 | 0:22:54 | |
It's inside you. It's probably always there. | 0:22:56 | 0:23:00 | |
I'm at work here five days a week for pay | 0:23:04 | 0:23:07 | |
and the other two I'm usually here doing the volunteers' work as well. | 0:23:07 | 0:23:10 | |
That's how I originally started. | 0:23:10 | 0:23:12 | |
It's all right going by the textbook but it isn't... | 0:23:13 | 0:23:16 | |
You know, when you get your hands dirty, you know why it works | 0:23:16 | 0:23:19 | |
and how it performs. | 0:23:19 | 0:23:21 | |
We do it for the love of it and not only that - | 0:23:21 | 0:23:25 | |
we're preserving part of the Railway Heritage of the country. | 0:23:25 | 0:23:28 | |
'I mean, you can go to a five-year-old child | 0:23:28 | 0:23:31 | |
'and they've heard of the Flying Scotsman.' | 0:23:31 | 0:23:34 | |
This crown looks in poor condition, Pat. | 0:23:34 | 0:23:38 | |
Looks as though the white metal has moved slightly. | 0:23:38 | 0:23:41 | |
Dirt and grit gets into the white metal. | 0:23:44 | 0:23:46 | |
It gets so much dirt into it it won't absorb oil, | 0:23:46 | 0:23:49 | |
and it eventually it'll start to wear. | 0:23:49 | 0:23:51 | |
It's just like your car big end, exactly. | 0:23:51 | 0:23:55 | |
White metal, well, it's 65% tin and the rest is lead and antimony. | 0:24:00 | 0:24:07 | |
It's quite expensive. | 0:24:09 | 0:24:11 | |
It takes me a day to re-metal one, a full day, | 0:24:16 | 0:24:20 | |
and then probably another day to machine it and fit it on. | 0:24:20 | 0:24:24 | |
I first started in 1942, straight from school at 14. | 0:24:26 | 0:24:30 | |
At one time, if you lived in Carnforth | 0:24:30 | 0:24:32 | |
and you were in a railway family, you automatically went onto the railway. | 0:24:32 | 0:24:36 | |
And so Flying Scotsman is ready for the road again. | 0:24:40 | 0:24:42 | |
Well, almost ready. | 0:24:45 | 0:24:46 | |
Before it can go out on British Rail track, | 0:24:48 | 0:24:50 | |
there have to be last-minute checks | 0:24:50 | 0:24:52 | |
and an intimate inspection by British Rail's surgeons and specialists. | 0:24:52 | 0:24:56 | |
A match-fitness test on all those hamstrings and cartilages. | 0:24:56 | 0:25:01 | |
After that, a proper road test, a 30-mile run up to the Yorkshire Dales | 0:25:04 | 0:25:07 | |
and back, and that's how I came to have the magic chance to go down | 0:25:07 | 0:25:11 | |
the same tender corridor along which Alec Hurley, the villain, went, | 0:25:11 | 0:25:14 | |
in 1929, and through which so many drivers and firemen have passed | 0:25:14 | 0:25:18 | |
on the non-stop run. | 0:25:18 | 0:25:19 | |
'At the end of the tunnel, I found British Rail Inspector | 0:25:22 | 0:25:25 | |
'Reg Lawrence.' | 0:25:25 | 0:25:26 | |
All right if I come? | 0:25:26 | 0:25:28 | |
Yes, come on. Do what do you want, yes. | 0:25:28 | 0:25:30 | |
It would be quite safe? | 0:25:30 | 0:25:32 | |
WHISTLE BLOWS LOUDLY Oh, yeah, yeah. | 0:25:32 | 0:25:35 | |
60mph is very safe. | 0:25:35 | 0:25:38 | |
Above that, you've got to think of the age of them. | 0:25:38 | 0:25:41 | |
They are, after all... This one is actually as old as me. | 0:25:41 | 0:25:45 | |
- It was built the year I was born. - Really? | 0:25:45 | 0:25:47 | |
Yeah. 1923, yeah. | 0:25:47 | 0:25:48 | |
Somebody was telling me... Is this really your last day? | 0:25:48 | 0:25:51 | |
Definitely, yeah. I retire on Friday, | 0:25:51 | 0:25:54 | |
but I've got two little parties, tomorrow and the day after. | 0:25:54 | 0:25:58 | |
So your last job is actually testing the Flying Scotsman? | 0:25:58 | 0:26:01 | |
My last job, yes. | 0:26:01 | 0:26:03 | |
- That's a good way to go out. - It is, indeed. | 0:26:03 | 0:26:05 | |
Well, come in with a puff of smoke, go out with one, eh? | 0:26:05 | 0:26:09 | |
- You wouldn't fail her today? - What? | 0:26:09 | 0:26:11 | |
You wouldn't like to fail her today? | 0:26:11 | 0:26:13 | |
Oh, no, no way, no. | 0:26:13 | 0:26:15 | |
No, she's in good order now. They've made a good job of it. | 0:26:15 | 0:26:18 | |
So, what's it like riding on the footplate of the Flying Scotsman? | 0:26:23 | 0:26:26 | |
Well, it shakes around a lot like a bucking horse, it's dirty, | 0:26:26 | 0:26:30 | |
you can hardly hear yourself speak, things blow in your eyes, | 0:26:30 | 0:26:32 | |
your legs get hot from the firebox and your top half freezes | 0:26:32 | 0:26:36 | |
in the 60mph draught. | 0:26:36 | 0:26:37 | |
In other words, it's fantastic. | 0:26:37 | 0:26:39 | |
I'm not surprised that people want to give up their weekends | 0:26:53 | 0:26:57 | |
and their holidays and their fortunes to keep an engine like this going. | 0:26:57 | 0:27:00 | |
It would never get a train from London to Edinburgh in today's | 0:27:00 | 0:27:02 | |
four-and-a-half hours, but when you see it charging | 0:27:02 | 0:27:05 | |
through the English countryside, you just forget that any other | 0:27:05 | 0:27:08 | |
kind of engine has ever existed. | 0:27:08 | 0:27:09 | |
You also forget that for the last 20 years, the Flying Scotsman | 0:27:23 | 0:27:26 | |
has been living on borrowed time, and it may be that one day the only | 0:27:26 | 0:27:30 | |
relic we'll have of engines like that is films like this, | 0:27:30 | 0:27:33 | |
but then again, the fast diesels which now do the Flying Scotsman run | 0:27:33 | 0:27:37 | |
are also living on borrowed time, as electrification | 0:27:37 | 0:27:40 | |
marches up the east coast, and diesels have their own | 0:27:40 | 0:27:43 | |
devoted fans, and one day, perhaps, history will repeat itself | 0:27:43 | 0:27:46 | |
and steam nostalgia films will be replaced by diesel nostalgia films. | 0:27:46 | 0:27:50 | |
But until then, what a way to go. | 0:27:58 | 0:28:00 |