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CHANT: Bravo! Bravo! | 0:00:37 | 0:00:40 | |
LAUGHTER | 0:01:50 | 0:01:53 | |
The idea in France is to eat the best, | 0:02:37 | 0:02:40 | |
the best possible on a daily basis, but just in small quantities, | 0:02:40 | 0:02:45 | |
so your brain is happy every day. | 0:02:45 | 0:02:48 | |
You know? You don't starve yourself and then you eat like a pig | 0:02:48 | 0:02:53 | |
at the all-you-can-eat on Saturday night. That doesn't exist. | 0:02:53 | 0:02:57 | |
They don't exist, all-you-can-eat, in France. | 0:02:57 | 0:02:59 | |
I'm in the final, so, I pass, you see? | 0:04:14 | 0:04:17 | |
I, sort of, out of 60... there was even 70 candidates. | 0:04:17 | 0:04:23 | |
16... 16 out of 70 chefs got to go to the final. OK? | 0:04:23 | 0:04:32 | |
It's a competition and, at the same time, it's an exam, because more than one person can get the title. | 0:04:32 | 0:04:38 | |
Everybody could get it. But it's not going to happen. | 0:04:40 | 0:04:43 | |
I'm working on two puffs today. | 0:04:43 | 0:04:45 | |
The orange hazelnut and...the exotic one. | 0:04:45 | 0:04:51 | |
And you don't want to do that, because you want to see the jam. | 0:04:54 | 0:04:57 | |
You just want something that complements everything else. | 0:04:57 | 0:05:00 | |
Not to take over. I have to decide which one I want to win. | 0:05:00 | 0:05:05 | |
A cream puff is something very basic, | 0:05:05 | 0:05:08 | |
so you got to keep it basic, but you've got to dress it up, | 0:05:08 | 0:05:12 | |
so it's beautiful without doing too much fou-fou stuff around, OK? | 0:05:12 | 0:05:19 | |
Let a cream puff be what it's supposed to be, OK? | 0:05:19 | 0:05:23 | |
HE SPEAKS TO THE INTERVIEWER IN FRENCH | 0:05:23 | 0:05:27 | |
I'm looking for the right look. | 0:05:29 | 0:05:31 | |
Let me show you around, huh? | 0:05:33 | 0:05:35 | |
This is the only school in the country that only teaches pastry. | 0:05:35 | 0:05:40 | |
'When Sebastien and I started the school 12 years ago, | 0:05:40 | 0:05:43 | |
'we were the only teachers. | 0:05:43 | 0:05:45 | |
'So we had all the classes.' | 0:05:45 | 0:05:47 | |
Smell is easy, OK? | 0:05:47 | 0:05:51 | |
To explain. A lot easier than sight. | 0:05:51 | 0:05:53 | |
Smell is... | 0:05:53 | 0:05:55 | |
smells good, or smells bad. Right? Obviously. | 0:05:55 | 0:05:59 | |
But with people that do crappy food, | 0:05:59 | 0:06:03 | |
they create smell you'll never believe, | 0:06:03 | 0:06:06 | |
to put in things where it doesn't belong to please you. OK? | 0:06:06 | 0:06:11 | |
-We got to get rid of those people. -LAUGHTER | 0:06:11 | 0:06:13 | |
'Stephane Glacier, an MOF, is teaching a three-day class. | 0:06:16 | 0:06:20 | |
But look. Look, look. | 0:06:23 | 0:06:27 | |
Organise. Or...gan...ise. | 0:06:27 | 0:06:29 | |
Look. The chiffon is like this, there's sugar everywhere. | 0:06:29 | 0:06:33 | |
Your table is a mess. OK? | 0:06:33 | 0:06:35 | |
OK, make your clean bag and I'm going to show you again. | 0:06:41 | 0:06:44 | |
It's a mess everywhere. | 0:06:44 | 0:06:46 | |
'The Meilleurs Ouvriers de France is about showing every day' | 0:06:46 | 0:06:50 | |
what you believe the best that can be done, | 0:06:50 | 0:06:54 | |
in teaching or in producing a product. Every day. | 0:06:54 | 0:06:57 | |
Every day, you put back your title. | 0:06:57 | 0:07:00 | |
Because, the collar we wear, we are the only chef allowed to wear these collars. | 0:07:00 | 0:07:06 | |
If you wear those collars and you're not, you can go to jail. | 0:07:06 | 0:07:09 | |
LAUGHTER | 0:07:09 | 0:07:11 | |
Anybody ready for macaron here? | 0:07:13 | 0:07:16 | |
Anybody ready for macaron? | 0:07:16 | 0:07:20 | |
Hnnn, stop. | 0:07:20 | 0:07:21 | |
Hnnnn, stop! | 0:07:21 | 0:07:24 | |
Hnnnn, stop! | 0:07:25 | 0:07:28 | |
OK? | 0:07:28 | 0:07:29 | |
See? I'm making some room for you. | 0:07:29 | 0:07:32 | |
I go home, I do that for my daughter. | 0:07:32 | 0:07:34 | |
I come here, I do that for you guys. | 0:07:34 | 0:07:37 | |
Your daughter gives you practise for us. We'll try not to... | 0:07:37 | 0:07:40 | |
No, she's good at cluttering her workspace. | 0:07:40 | 0:07:43 | |
So, Daddy, what did you make today? | 0:07:47 | 0:07:49 | |
Right now, I'm packing. Packing my stuff, my luggage. | 0:07:49 | 0:07:55 | |
I try to not forget anything. | 0:07:56 | 0:07:59 | |
And then, um...I have to get ready for the big day. | 0:07:59 | 0:08:05 | |
-The big day's coming up? -Mm-hm. -Time goes really by. -Mm-hm. | 0:08:05 | 0:08:11 | |
Then, when I leave for France, I'm not going to see her for six weeks, you know, so that's very hard. | 0:08:16 | 0:08:22 | |
Very hard. My girlfriend Rachel, we have a ritual. | 0:08:22 | 0:08:27 | |
Before I go to sleep she tells me - | 0:08:27 | 0:08:32 | |
and I told her to do that, because it does work - | 0:08:32 | 0:08:35 | |
I said to her, you have to tell me that | 0:08:35 | 0:08:38 | |
Sebastien called and there's something going to happen and the MOF is actually cancelled. | 0:08:38 | 0:08:44 | |
Cancelled. And if she does this, but she has to do it for real, | 0:08:45 | 0:08:50 | |
you know, not just like, "By the way, it's cancelled," then it doesn't grab on. | 0:08:50 | 0:08:55 | |
But if she tells me, really something happens, | 0:08:55 | 0:08:58 | |
the MOF is cancelled, then I do not dream about the MOF at night, because that's my, er... | 0:08:58 | 0:09:04 | |
Like, my nightmare is... | 0:09:04 | 0:09:09 | |
I am at the MOF and I am competing, right, | 0:09:09 | 0:09:12 | |
and always something goes wrong. | 0:09:12 | 0:09:16 | |
The sugar showpieces, the cream puff, the brioche we have to make, | 0:09:16 | 0:09:21 | |
the jam, the wedding cake, there's a wedding cake, plated dessert, | 0:09:21 | 0:09:27 | |
there's some tea pastries, chocolate candies, lollipops, chocolate sculpture, OK? | 0:09:27 | 0:09:34 | |
It's about 40 different recipes. | 0:09:34 | 0:09:37 | |
I had mixed feelings, because we have known each other for so many years, you know, | 0:09:37 | 0:09:41 | |
we've known each other and worked together for...for 15 years. | 0:09:41 | 0:09:47 | |
You know, so at one point, we sat down and I said, "But who is your coach?" | 0:09:47 | 0:09:52 | |
And he said, "Well, it's you." | 0:09:52 | 0:09:54 | |
I said, "But it doesn't work like that." You know... | 0:09:54 | 0:09:57 | |
"I don't know if I want to be your coach." | 0:09:57 | 0:10:00 | |
It's much easier for me, because I know Jacquy less than he does, | 0:10:00 | 0:10:05 | |
to say something, something not too nice sometimes. | 0:10:05 | 0:10:08 | |
THEY LAUGH | 0:10:08 | 0:10:10 | |
You saw that, that's abuse. You saw it, right? | 0:10:37 | 0:10:40 | |
If a person doesn't perceive your advice the right way, | 0:10:40 | 0:10:45 | |
you know, you can just lose them, | 0:10:45 | 0:10:49 | |
because they bring you something and what you do is just... | 0:10:49 | 0:10:53 | |
confuse them even more. | 0:10:53 | 0:10:56 | |
Stephane, he like them, but then, he made me change them, | 0:10:56 | 0:11:00 | |
And when they were changed, Sebastien didn't like the changes | 0:11:00 | 0:11:04 | |
and then I showed him the picture of the first presentation and he's like, "Oh, this is much better." OK. | 0:11:04 | 0:11:10 | |
The theme is marriage. | 0:11:10 | 0:11:12 | |
This is the wedding cake. We want it to be refreshing, | 0:11:12 | 0:11:15 | |
because the judges are going to eat 16 cakes. | 0:11:15 | 0:11:19 | |
You serve something really heavy with chocolate, | 0:11:19 | 0:11:23 | |
it's pretty much suicide. | 0:11:23 | 0:11:25 | |
You serve something fruity... | 0:11:25 | 0:11:27 | |
..the judge is like, "Thank you." | 0:11:29 | 0:11:32 | |
But it's going to be shaped like a dome. | 0:11:32 | 0:11:34 | |
They like when candidates, they have to do a little something. | 0:11:34 | 0:11:38 | |
We'll have to do it like this. | 0:11:39 | 0:11:41 | |
We're going to put some vanilla mousse. | 0:11:43 | 0:11:46 | |
100 grams. Then we're going to press this guy in there. | 0:11:48 | 0:11:52 | |
So the mousse will go... | 0:11:52 | 0:11:54 | |
Half-an-hour to 40 minutes for those guys to be hard like a rock. | 0:11:54 | 0:12:00 | |
This is the raspberry layer, | 0:12:00 | 0:12:03 | |
the thin layer, so the raspberry is right here. | 0:12:03 | 0:12:06 | |
This guy warms up the bowl, pops this out. | 0:12:06 | 0:12:10 | |
Then you put 100 grams of that raspberry puree. | 0:12:10 | 0:12:15 | |
If it's too soft, if that raspberry thing is not cooked enough, | 0:12:15 | 0:12:19 | |
it will just, like, fall off. | 0:12:19 | 0:12:21 | |
Then, here, a little bit of mousse. | 0:12:21 | 0:12:24 | |
Here we have a sponge. | 0:12:25 | 0:12:27 | |
And the difference is, we're going to put the caramel right here. | 0:12:30 | 0:12:35 | |
Before I had it down here. | 0:12:36 | 0:12:38 | |
So this is not just a regular caramel, it's a raspberry caramel. | 0:12:38 | 0:12:41 | |
It's like a spread, like raspberry Nutella. | 0:12:41 | 0:12:44 | |
Then here, there's mousse. | 0:12:44 | 0:12:46 | |
Then here, there's another sponge. | 0:12:47 | 0:12:50 | |
Here's the dacquoise. | 0:12:53 | 0:12:55 | |
Egg white, sugar, hazelnut flour, a little flour, powdered sugar. | 0:12:55 | 0:13:01 | |
It's called a dacquoise. | 0:13:01 | 0:13:04 | |
It's between a sponge and a meringue. Meringue. | 0:13:04 | 0:13:08 | |
More mousse, and then more mousse. | 0:13:08 | 0:13:11 | |
And then, here the crunchy... | 0:13:13 | 0:13:18 | |
Et voila. I'm going to put it directly in the blast freezer. | 0:13:32 | 0:13:36 | |
So, once those two are frozen, just warm up the bowl a bit, | 0:13:36 | 0:13:40 | |
pop this guy out of here... | 0:13:40 | 0:13:42 | |
..and you force this guy in there, | 0:13:44 | 0:13:47 | |
and the puree will go... HE WHISTLES | 0:13:47 | 0:13:50 | |
If you whistle, it works better. | 0:13:50 | 0:13:52 | |
And in order to glaze it, you have to freeze it. | 0:13:52 | 0:13:56 | |
There we go. | 0:13:56 | 0:13:57 | |
Now we have to glaze it twice. | 0:13:57 | 0:13:59 | |
Voila. | 0:14:02 | 0:14:03 | |
Believe it or not, where the things are is affecting the taste. | 0:14:07 | 0:14:11 | |
I would put a bit more gelatine, so you see it's not sliding off. | 0:14:13 | 0:14:18 | |
-But it's, um... it's a good step, huh? -Mm-hm. | 0:14:30 | 0:14:34 | |
-Hello! -Hi, Daddy! -How are you? | 0:14:41 | 0:14:44 | |
-Hi, Jacquy! -How are you? -How was your day? | 0:14:45 | 0:14:47 | |
-Now you're getting a bone? -Do you think he knows he's getting a bone? | 0:14:47 | 0:14:51 | |
SHE LAUGHS | 0:14:51 | 0:14:53 | |
-Daddy, what did you do today? -Want a bone? Are you a good boy? | 0:14:53 | 0:14:56 | |
-What did I do today? -Yeah. -I worked on a wedding cake and brought a present for you. -Really? | 0:14:56 | 0:15:01 | |
-I brought the first wedding cake. -Wedding cake? | 0:15:01 | 0:15:04 | |
-'It's in the car.' -That's cool. | 0:15:04 | 0:15:06 | |
Can you close that door, please? | 0:15:08 | 0:15:11 | |
Oh, that's really pretty. Very simple. | 0:15:11 | 0:15:15 | |
This is going to be my sugar showpiece. | 0:15:29 | 0:15:32 | |
So we will show up with this over there | 0:15:32 | 0:15:34 | |
and then we have to put 50% of pulled and blown sugar on there. | 0:15:34 | 0:15:39 | |
So, you have to be careful, because the bigger this guy is, the more I have to put on, right? | 0:15:39 | 0:15:46 | |
So, this is carved chocolate. | 0:15:46 | 0:15:49 | |
This egg is made with the sugar crystals. | 0:15:49 | 0:15:53 | |
I just need one. | 0:15:53 | 0:15:55 | |
But I am going to make nine, just in case I break eight. | 0:15:55 | 0:15:59 | |
So this is blown sugar. | 0:15:59 | 0:16:01 | |
This is going to be kind of like a modern couple type thing | 0:16:01 | 0:16:05 | |
that will be put in there. | 0:16:05 | 0:16:08 | |
And then, on top, I want to put this...this diamond, OK? | 0:16:08 | 0:16:15 | |
Most of the showpieces, they break whenever you are... | 0:16:15 | 0:16:18 | |
When you carry it like this, they never break | 0:16:18 | 0:16:22 | |
but when you put them down, usually you get tired, you put them down and, boom. | 0:16:22 | 0:16:27 | |
So here, I have shock absorbers. | 0:16:27 | 0:16:30 | |
See those guys? They will absorb the shock here and then the thing will slowly go down. | 0:16:31 | 0:16:38 | |
This is a technique that we learn in glass blowing. It's going to be beautiful. | 0:16:38 | 0:16:43 | |
They call it a bijou. The candidate has to bring it. | 0:16:43 | 0:16:46 | |
So, here, hundreds of sugar-pulled flowers. | 0:16:46 | 0:16:50 | |
After eight hours of doing this, you're completely drained, you know? | 0:17:04 | 0:17:08 | |
The MOF is every four years. So when... | 0:17:09 | 0:17:13 | |
So I started thinking about this already | 0:17:13 | 0:17:16 | |
when I was helping Sebastien doing his MOF, | 0:17:16 | 0:17:20 | |
so I get, um...I got excited, | 0:17:20 | 0:17:24 | |
and, for four years, I sacrificed pretty much everything, | 0:17:24 | 0:17:27 | |
not everything everything, but it is going to be my moment | 0:17:27 | 0:17:31 | |
and it's up to me to grab it or not, you know? | 0:17:31 | 0:17:34 | |
After this is all done, this will be a different kitchen here. | 0:17:38 | 0:17:42 | |
-We'll have a granite table that matches the counter tops. -Oh, wow! | 0:17:42 | 0:17:46 | |
Like a long one here, and then the cabinet-maker is making legs, so... | 0:17:46 | 0:17:50 | |
So I'd better perform. Otherwise, I will not come back to Chicago. | 0:17:50 | 0:17:54 | |
I'll just, er... become a monk in Thailand. | 0:17:54 | 0:17:57 | |
I told Kurt no pressure, no pressure, | 0:17:57 | 0:18:00 | |
I told Kurt no pressure, | 0:18:00 | 0:18:02 | |
but if we don't get this, I will never get over it. | 0:18:02 | 0:18:05 | |
He's like, "Oh, thanks a lot(!)" LAUGHTER | 0:18:05 | 0:18:08 | |
OK, this way. | 0:18:09 | 0:18:11 | |
-SHE LAUGHS -OK. -Bye. -Bye, sweets, bye. | 0:18:11 | 0:18:15 | |
Love you. | 0:18:15 | 0:18:17 | |
-I am going to miss you very much. -Me too, Daddy. | 0:18:19 | 0:18:22 | |
-Bye. -Bye. | 0:18:24 | 0:18:27 | |
Hi and bye. | 0:18:32 | 0:18:34 | |
-ALL: Good luck. -Take care. Have a safe trip. | 0:18:34 | 0:18:38 | |
-Good luck, Chef. -Thank you. -Knock 'em dead. -Make me proud. | 0:18:38 | 0:18:43 | |
-Bonne chance. -Bonne chance. | 0:18:43 | 0:18:46 | |
-I call you? -Yeah. | 0:18:48 | 0:18:50 | |
'You know, I even told Jacquy, you have to be selfish at some point. | 0:18:50 | 0:18:55 | |
'You want that thing and nothing is going to stop you.' | 0:18:55 | 0:18:58 | |
-They're going to miss you, huh? -It looks like it. | 0:18:58 | 0:19:01 | |
Look, I'm wearing high heels so I could get higher. | 0:19:01 | 0:19:04 | |
Pierre Zimmermann is a childhood friend. | 0:19:26 | 0:19:29 | |
He's a baker in a small village. | 0:19:29 | 0:19:31 | |
He lets me use the whole first-floor above the bakery to practise for the MOF. | 0:19:33 | 0:19:38 | |
Nice and quiet. I love it like this. | 0:19:40 | 0:19:42 | |
PIERRE SPEAKS FRENCH He said that's not very appetising. | 0:20:03 | 0:20:06 | |
INAUDIBLE SPEECH, THEN THEY SPEAK FRENCH | 0:20:06 | 0:20:10 | |
Don't even get me going. | 0:20:14 | 0:20:17 | |
-Huh? -They look like fish. -What are you talking about? | 0:20:26 | 0:20:30 | |
Does it go like this? Now I have room for this... | 0:20:30 | 0:20:34 | |
That would be really, really clever if we, if we spread this guy more. | 0:20:37 | 0:20:42 | |
-And make room for something, half a dome or something. -Yes. | 0:20:42 | 0:20:46 | |
So the cakes are not even resting on this, because... | 0:20:46 | 0:20:50 | |
If the cakes rest on this guy, | 0:20:50 | 0:20:53 | |
-that's where it'll come down. -Yeah. | 0:20:53 | 0:20:55 | |
So Frank is a MOF chocolatier, and he was in the team last year when we won the World Championship. | 0:25:44 | 0:25:51 | |
I would go, so, for more movement. You know, the stuff... | 0:26:36 | 0:26:41 | |
Two or three more, and maybe higher than that. | 0:26:41 | 0:26:44 | |
And two or three more here, to keep the movement. | 0:26:44 | 0:26:47 | |
Everything we glue must be very clean. | 0:26:47 | 0:26:50 | |
We cannot see those marks everywhere. It is kind of dirty. | 0:26:50 | 0:26:54 | |
You can see this one here. | 0:26:54 | 0:26:56 | |
I mean, there is no point to have marks like this here. | 0:26:56 | 0:27:01 | |
I am concerned about the time he spent on those flowers. | 0:27:01 | 0:27:05 | |
Because he have to do at least the same one for the sugar showpiece, | 0:27:07 | 0:27:12 | |
so I think it's a lot of sugar to pull during the competition. | 0:27:12 | 0:27:16 | |
-Crystallised eggs are out. -OK. -I'm done with those. Out. | 0:27:19 | 0:27:23 | |
We made, er...11, I think. | 0:27:25 | 0:27:28 | |
-So... -50 gallons of syrup. -50 gallons of syrup, yeah. | 0:27:28 | 0:27:31 | |
Down the drain. | 0:27:31 | 0:27:33 | |
Let's, er... attend to our sugar showpiece. | 0:27:39 | 0:27:43 | |
And then, the test is to lift it. | 0:27:43 | 0:27:46 | |
-You see those things I was talking to you about on the bottom? -Yes. | 0:27:52 | 0:27:55 | |
Those shock absorbers? | 0:27:55 | 0:27:58 | |
I have to redesign the couples a little bit. | 0:28:03 | 0:28:06 | |
And then, maybe rebuild it. | 0:28:06 | 0:28:09 | |
Time is running out, so I have got to pick and choose | 0:28:10 | 0:28:14 | |
what I can do and what I cannot do. | 0:28:14 | 0:28:16 | |
I'm anticipating him to be behind at the dry run, you know? | 0:31:05 | 0:31:11 | |
So I'm going to start looking during these three days, when he is doing it, where I can cut everywhere. | 0:31:11 | 0:31:17 | |
But that's the difficulty of this competition. Those guys are all good. | 0:31:19 | 0:31:23 | |
They're not there | 0:31:23 | 0:31:25 | |
by chance. | 0:31:25 | 0:31:27 | |
BELL TOLLS | 0:31:27 | 0:31:31 | |
Straight from the oven. It's still hot. | 0:31:42 | 0:31:45 | |
Trying to make a kitchen in a garage. | 0:32:24 | 0:32:28 | |
Trying to anticipate where I can actually cut some times. | 0:32:35 | 0:32:39 | |
-Pecan, butter, flour... -Mm-hm. | 0:32:43 | 0:32:46 | |
-Salt... -Mm-hm. -..brown sugar. -Mm-hm. -Pecans. | 0:32:46 | 0:32:49 | |
..quatre, cinq, six, sept, huit, neuf, dix. We should have nine, ten. | 0:32:49 | 0:32:55 | |
OK, you ready? | 0:32:57 | 0:32:59 | |
Nothing on the table at all. | 0:32:59 | 0:33:01 | |
OK, bon. | 0:33:01 | 0:33:03 | |
'He started terrible. I mean, he was already late. | 0:33:15 | 0:33:18 | |
'40, 45 minutes after maybe 1.5 hours of work.' | 0:33:18 | 0:33:23 | |
And that's the result of, like, not having done any practice | 0:33:23 | 0:33:28 | |
and being in, like, "OK, now we got to practise before we go." | 0:33:28 | 0:33:32 | |
And he never, like, run those three days in his head. | 0:33:32 | 0:33:37 | |
He never run the race in his head. | 0:33:37 | 0:33:39 | |
So he started, and went right into the wall. | 0:33:39 | 0:33:44 | |
I've got nothing left in my arm. | 0:36:30 | 0:36:33 | |
I have to make a lot of changes before Monday. | 0:39:32 | 0:39:37 | |
WOMEN CONVERSE AND LAUGH | 0:40:41 | 0:40:44 | |
All the tasting is pretty good. | 0:42:04 | 0:42:07 | |
You know, I mean, except today, we had a couple of bad ones. | 0:42:07 | 0:42:12 | |
Which really offsets how good it was with the taste. | 0:42:12 | 0:42:16 | |
But the work, obviously, you know, not being on time, | 0:42:18 | 0:42:22 | |
it's going to be a big challenge. | 0:42:22 | 0:42:24 | |
And we have some changes to do on artistic, I mean... | 0:42:24 | 0:42:28 | |
If you break anything, it's over. | 0:42:28 | 0:42:30 | |
Anything. | 0:42:30 | 0:42:32 | |
Like Sebastien says, it is very difficult to say, as a coach, | 0:42:46 | 0:42:50 | |
"This is the right way, this is the wrong way." It's like the Olympics. | 0:42:50 | 0:42:53 | |
You have to be good that day. | 0:42:53 | 0:42:55 | |
I just got here. | 0:43:35 | 0:43:37 | |
Missed my flight, etc, etc. | 0:43:37 | 0:43:41 | |
You know what, I still can't believe that, tomorrow... | 0:43:41 | 0:43:46 | |
you know, when we were talking about this three years ago... | 0:43:46 | 0:43:50 | |
-Tomorrow's the day. -Yeah. -Yeah, it's crazy. | 0:43:50 | 0:43:52 | |
-You want me to take the heavy stuff out of that? Because it will be easier to carry that. -Yeah. | 0:43:52 | 0:43:58 | |
Go. They are waiting for you. | 0:44:07 | 0:44:10 | |
-Right now? -Yeah. | 0:44:10 | 0:44:11 | |
-OK. Bye, you guys. -Bye. Can you go any higher than that? | 0:44:11 | 0:44:15 | |
-Can I go any higher? -Oui. | 0:44:15 | 0:44:18 | |
Oh, my God! It's beautiful! | 0:44:19 | 0:44:22 | |
He sent a picture to me, though. He showed us a picture of the gite. | 0:44:22 | 0:44:27 | |
Oh, Rachel, look how beautiful it is, isn't it? | 0:44:27 | 0:44:29 | |
It's so romantic. We're going to have such a nice time. | 0:44:29 | 0:44:33 | |
With Kurt? Donald? And Laurent? | 0:44:33 | 0:44:36 | |
And Johnnie? | 0:44:36 | 0:44:38 | |
Yeah! | 0:44:38 | 0:44:41 | |
-The bijou. -This is the bijou. | 0:44:47 | 0:44:49 | |
Oh, God, they're all covered. | 0:44:51 | 0:44:54 | |
I want to see them. | 0:44:54 | 0:44:56 | |
SHE GASPS | 0:44:58 | 0:45:00 | |
-It's beautiful, isn't it? Is going to be the nicest one. -Wow! | 0:45:00 | 0:45:04 | |
This Lyon is so pretty. | 0:46:24 | 0:46:26 | |
What time are you going to get up at? | 0:46:28 | 0:46:32 | |
I would say...5. | 0:46:32 | 0:46:36 | |
-Because I need time to wake up, you know? -Yeah. | 0:46:36 | 0:46:40 | |
-And it's going to get worse, because every day the competition starts earlier. -It does? -Yes. | 0:46:40 | 0:46:47 | |
I missed you. | 0:46:51 | 0:46:53 | |
Of course, that's my secret hat that I knitted for him. | 0:46:55 | 0:46:59 | |
But look what Alex made. | 0:46:59 | 0:47:01 | |
You can't see it, but it says good luck and good night, I love you. | 0:47:01 | 0:47:05 | |
-Isn't that sweet? I'll give it to him, so he can have a good luck card in his pocket. -That's sweet! | 0:47:05 | 0:47:11 | |
Isn't that sweet? | 0:47:11 | 0:47:12 | |
BELL TOLLS | 0:47:16 | 0:47:18 | |
'Both judges are here at all times, and they ask questions and look. | 0:47:56 | 0:48:00 | |
'You can't cheat. They'll see what you do. Even if something goes wrong, you can't hide. | 0:48:00 | 0:48:04 | |
'We check your coolers, we check your freezers. | 0:48:04 | 0:48:07 | |
'We check your equipment, we check your garbage. | 0:48:07 | 0:48:11 | |
'We check everything. | 0:48:11 | 0:48:14 | |
'And when you are in the right spirit, | 0:48:14 | 0:48:17 | |
'and when you're ready, you don't even think about hiding. | 0:48:17 | 0:48:21 | |
'It will work how it's supposed to work. | 0:48:21 | 0:48:23 | |
'But at some point, what's difficult is, within the judges, | 0:48:23 | 0:48:26 | |
'everybody has strengths and weaknesses within the whole field, | 0:48:26 | 0:48:30 | |
'because it's different from chocolate to sugar and so forth. | 0:48:30 | 0:48:33 | |
'What's amazing is, when you start something like ribbon, | 0:48:33 | 0:48:37 | |
'and you're going to have two or three guys that are known for ribbon. | 0:48:37 | 0:48:42 | |
'And then, you see two or three of those that are probably your mentor. They were your example forever. | 0:48:42 | 0:48:49 | |
'You will look at a book when you were young, and you were like, God, this is the best. | 0:48:49 | 0:48:54 | |
'And then that day you're there, making it, and they're there and they stay. | 0:48:54 | 0:48:58 | |
'All they want is you to make it, and if you do it good, | 0:48:58 | 0:49:01 | |
'they'll go around, like, "This guy is good. This guy is good." ' | 0:49:01 | 0:49:05 | |
'The chocolate showpiece, I lost at least half-an-hour to 40 minutes, | 0:54:15 | 0:54:19 | |
'because yesterday, the chocolate was so thick, I couldn't pipe cleanly, | 0:54:19 | 0:54:25 | |
'so I had to do a lot of fixing, a lot of cleaning. | 0:54:25 | 0:54:28 | |
'Oh, my God, it was a disaster.' | 0:54:28 | 0:54:30 | |
'Very cold. The chocolate, the dipping of the candy, | 0:54:33 | 0:54:37 | |
'you had to be so fast. | 0:54:37 | 0:54:39 | |
'Once you get it out in the air, | 0:54:39 | 0:54:41 | |
'if you kept the candy one second longer, it would stick to the fork.' | 0:54:41 | 0:54:46 | |
'Good. I was waiting for it, because you have to take care of the taste. | 0:56:52 | 0:56:56 | |
'The rose petals, beautiful little rose petals. | 0:56:56 | 0:56:58 | |
'I was like waiting with the oil, to make the little beignets, | 0:56:58 | 0:57:03 | |
'and then, when they said, five minutes, then I started... | 0:57:03 | 0:57:06 | |
'Made the beignets, and then, added a little decoration. | 0:57:06 | 0:57:13 | |
'A little sour cream action. | 0:57:15 | 0:57:18 | |
'When they told me 60 seconds, then I started to make my quenelle. | 0:57:18 | 0:57:23 | |
'Oh, yeah.' | 0:57:23 | 0:57:25 | |
-Hey, sweetie. -How are you? | 1:00:41 | 1:00:44 | |
-OK? -Yeah, here, you've got to carry this, I can't do it. | 1:00:44 | 1:00:47 | |
-How was it? -It was... -Yeah. | 1:00:47 | 1:00:51 | |
It was bad ass, you know? | 1:00:51 | 1:00:53 | |
I like how you said it was bad ass, so that I can understand if it was good or not. | 1:00:53 | 1:00:58 | |
The candies, lollipops, everything is fine. | 1:00:58 | 1:01:02 | |
-You didn't stop and eat or drink or anything all day? -No. | 1:01:02 | 1:01:06 | |
I had two granola bars. | 1:01:06 | 1:01:09 | |
So, er, tomorrow is a very, very short day. | 1:01:09 | 1:01:15 | |
I need at least... | 1:01:15 | 1:01:17 | |
I want to say two hours to pull sugar. | 1:01:19 | 1:01:21 | |
I have to have two hours. | 1:01:21 | 1:01:23 | |
How did your couple come out? | 1:01:23 | 1:01:25 | |
-I haven't done it. -Oh, you haven't? -No. | 1:01:25 | 1:01:27 | |
Do you see? Everything should be empty here, because we might not go to bed very early. | 1:01:32 | 1:01:38 | |
Hopefully, we'll last. | 1:01:39 | 1:01:42 | |
Then we'll have something to celebrate. | 1:01:42 | 1:01:44 | |
-Are you OK on time? Are you feeling comfortable? -No. | 1:02:14 | 1:02:18 | |
I mean, I was really struggling. | 1:02:18 | 1:02:21 | |
The last four hours, I was making three recipes at the same time, you know? | 1:02:21 | 1:02:26 | |
The brioche is going, and I'm doing another thing, another's on the stove... | 1:02:26 | 1:02:30 | |
Usually, you don't do that, you do one recipe at a time, so you can really... | 1:02:30 | 1:02:34 | |
But here, I had to multi-task. | 1:02:34 | 1:02:37 | |
Otherwise, I would still be cooking right now. | 1:02:37 | 1:02:40 | |
Don't get used to eating like this, OK? | 1:02:42 | 1:02:44 | |
SHE LAUGHS | 1:02:44 | 1:02:46 | |
The guy across from me, it's his fourth time. | 1:02:46 | 1:02:50 | |
-A lot of people, it's that. -You have to admire that, you know? | 1:02:50 | 1:02:53 | |
Not giving up. Knowing you want something and just going for it. | 1:02:53 | 1:02:57 | |
That's...16 years. | 1:02:57 | 1:03:00 | |
-He's a nice guy. Yeah. -Yeah, yeah, yeah. Very nice. | 1:03:00 | 1:03:04 | |
INAUDIBLE SPEECH | 1:09:54 | 1:09:58 | |
MUSIC: "J'Attendrais" | 1:12:39 | 1:12:43 | |
I finished five seconds before the end. | 1:14:23 | 1:14:27 | |
Just throwing... not throwing, but like... | 1:14:27 | 1:14:31 | |
How did your couple come out? | 1:14:31 | 1:14:32 | |
-I didn't make it. -Did you make the flowers and that was it? | 1:14:32 | 1:14:36 | |
I made two flowers for the big showpiece, and, in bubble sugar, a ribbon, and then big curls. | 1:14:36 | 1:14:42 | |
-Can you believe it's over? -Now life starts. | 1:14:43 | 1:14:46 | |
This poor guy broke his showpiece. | 1:14:49 | 1:14:51 | |
-He did? -Yeah. | 1:14:51 | 1:14:53 | |
He's completely devastated. | 1:14:53 | 1:14:55 | |
-Poor guy. -That's so sad. | 1:14:57 | 1:14:59 | |
Here comes the boss. Everybody act normal. Act busy. | 1:15:01 | 1:15:06 | |
Ca va? C'est fini. Over. | 1:15:10 | 1:15:14 | |
Oh, there's your mom. | 1:16:12 | 1:16:14 | |
-How are you? Ca va? -Ca va? | 1:16:17 | 1:16:20 | |
Content? | 1:16:20 | 1:16:23 | |
Yeah, content. | 1:16:23 | 1:16:25 | |
Um... | 1:16:25 | 1:16:27 | |
How do you say exhausted? | 1:16:27 | 1:16:29 | |
-Fatiguee. -Tres fatiguee. -Tres fatiguee? -Oui. -Oui, oui. | 1:16:29 | 1:16:33 | |
APPLAUSE AND CHEERING | 1:17:25 | 1:17:28 | |
CHEERING | 1:18:15 | 1:18:18 | |
CHEERING | 1:18:30 | 1:18:32 | |
CHEERING | 1:18:39 | 1:18:42 | |
CHEERING | 1:18:51 | 1:18:54 | |
HUGE CHEER | 1:19:06 | 1:19:09 | |
In life, sometimes, things are painful, but you have to go through it so it brings new and good things. | 1:21:23 | 1:21:28 | |
I believe I'm here to challenge myself, | 1:21:30 | 1:21:33 | |
to teach, to convince people to do the best that can be done. | 1:21:33 | 1:21:39 | |
That's what the MOF is all about. | 1:21:39 | 1:21:41 | |
I would do it again in a heartbeat, and Rachel said, "Well, if you really want to do it, then go for it." | 1:21:42 | 1:21:49 | |
I don't know if it was destiny that the theme of the MOF was marriage and then it ended up with a marriage. | 1:21:51 | 1:21:58 | |
So you make the cake one last time, but it's actually for a good thing. | 1:21:58 | 1:22:03 | |
Daddy, can I have one? | 1:22:05 | 1:22:08 | |
-What do you want? A slice of cake? -Yeah. | 1:22:08 | 1:22:11 | |
APPLAUSE AND WHISTLING | 1:22:19 | 1:22:22 | |
A quick toast to, er... my soul mate, Rachel. | 1:22:25 | 1:22:31 | |
ALL: Aw! | 1:22:31 | 1:22:34 | |
And to my great friends, thank you for coming. | 1:22:34 | 1:22:37 | |
GUESTS CHEER | 1:22:37 | 1:22:39 | |
Subtitles for the deaf and hard-of-hearing by Red Bee Media Ltd | 1:23:11 | 1:23:14 | |
E-mail [email protected] | 1:23:14 | 1:23:17 |