Browse content similar to Cutie and the Boxer. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
GENTLE SCRAPING | 0:00:03 | 0:00:05 | |
BLENDER WHIRRS | 0:00:31 | 0:00:33 | |
MUSIC: "108 Desires" by Yasuaki Shimizu | 0:02:09 | 0:02:13 | |
# Food, sex, sleep | 0:03:04 | 0:03:07 | |
# Money, health, flow | 0:03:07 | 0:03:09 | |
# Speed, love, nurse | 0:03:09 | 0:03:11 | |
# Peace, hair, clothes | 0:03:11 | 0:03:14 | |
# Dreams, space, fate | 0:03:14 | 0:03:16 | |
# Trouble, home, flower | 0:03:16 | 0:03:19 | |
# Push, murder, breeze | 0:03:19 | 0:03:21 | |
# Water, curves, tan | 0:03:21 | 0:03:24 | |
# Alone, mirror, truth | 0:03:24 | 0:03:26 | |
# Mother, risk, fall | 0:03:26 | 0:03:29 | |
# Shock, colour, caress | 0:03:29 | 0:03:31 | |
# Hands | 0:03:31 | 0:03:33 | |
# Good | 0:03:33 | 0:03:34 | |
# Nasty, heat, please | 0:03:34 | 0:03:37 | |
# Wit, whims, sperm... # | 0:03:37 | 0:03:40 | |
HE COUGHS | 0:03:40 | 0:03:41 | |
# Just, you, fool | 0:03:41 | 0:03:42 | |
# Empty, laughs, skin | 0:03:42 | 0:03:45 | |
# Different, smell, third eye | 0:03:45 | 0:03:50 | |
# Hunt, time, fight | 0:03:50 | 0:03:52 | |
# Sacrifice, nicotine, youth | 0:04:06 | 0:04:11 | |
# Sane, lies, blue | 0:04:11 | 0:04:13 | |
# Info, clear, noise | 0:04:13 | 0:04:16 | |
# Reason, teasing, honesty | 0:04:16 | 0:04:20 | |
# Hard, soft, beauty | 0:04:20 | 0:04:24 | |
# Danger | 0:04:24 | 0:04:26 | |
# Curves, curves, alone | 0:04:26 | 0:04:28 | |
# Mirror, truth, mother, risk, fall | 0:04:28 | 0:04:32 | |
# Shock, pain, body, fame | 0:04:32 | 0:04:36 | |
# Hear me, free me, eat me | 0:04:37 | 0:04:42 | |
# Kill me, give me, form me | 0:04:42 | 0:04:47 | |
# Game me | 0:04:47 | 0:04:49 | |
# Heaven, cold | 0:04:51 | 0:04:52 | |
# Jealous, release, subtle | 0:04:52 | 0:04:57 | |
# Nature, shelter, energy | 0:04:57 | 0:05:02 | |
# Flavour, control, dirt | 0:05:02 | 0:05:07 | |
# Street, scream, ideas | 0:05:07 | 0:05:11 | |
# True hell. # | 0:05:11 | 0:05:14 | |
BEEPING | 0:07:10 | 0:07:12 | |
Open Sesame! | 0:07:19 | 0:07:21 | |
HE COUGHS | 0:08:32 | 0:08:33 | |
HORN HONKS | 0:10:47 | 0:10:48 | |
GUNFIRE | 0:10:54 | 0:10:56 | |
SCREAMING | 0:10:56 | 0:10:58 | |
ENGINE REVS | 0:11:06 | 0:11:08 | |
HE GRUNTS AND COUGHS | 0:11:13 | 0:11:15 | |
CAT MEOWS | 0:11:15 | 0:11:17 | |
WATER RUNS | 0:12:00 | 0:12:02 | |
FOOTBALL COMMENTARY ON TV | 0:12:07 | 0:12:09 | |
Right, right, right. Little more, little more. | 0:15:52 | 0:15:55 | |
This show in New York, which we call | 0:15:58 | 0:16:00 | |
Shinohara: WHAM! POW! VROOOM! | 0:16:00 | 0:16:03 | |
Um...is the idea of action, and also, | 0:16:03 | 0:16:08 | |
vroom for his motorcycle, because Shinohara has been making sculpture, | 0:16:08 | 0:16:13 | |
you know, since the beginning of his artistic career. | 0:16:13 | 0:16:15 | |
He's been famous for years, but now is maybe one of his key moments. | 0:16:15 | 0:16:19 | |
ARCHIVE NARRATOR: 'In the 1960s, a Japanese painter came to New York | 0:16:36 | 0:16:40 | |
'seeking to create art that would reflect | 0:16:40 | 0:16:43 | |
'the city's prosperity and chaos. | 0:16:43 | 0:16:45 | |
'This artist is Ushio Shinohara. | 0:16:46 | 0:16:49 | |
'Early morning in Soho. | 0:16:52 | 0:16:55 | |
'Cardboard has been discarded in the streets. | 0:16:55 | 0:16:58 | |
'And by walking a couple of blocks from his loft, | 0:16:58 | 0:17:01 | |
'Shinohara can collect all he needs for his day's work. | 0:17:01 | 0:17:04 | |
'At the moment, he is preparing a new sculpture | 0:17:10 | 0:17:12 | |
'using great amounts of cardboard, | 0:17:12 | 0:17:14 | |
'while his wife Noriko works on her own paintings. | 0:17:14 | 0:17:18 | |
'As a young man in Tokyo, | 0:17:28 | 0:17:31 | |
'he emerged as a leader in Japan's avant-garde art movement, | 0:17:31 | 0:17:34 | |
'with his imitation of American Pop Art. | 0:17:34 | 0:17:37 | |
'And action painting.' | 0:17:37 | 0:17:39 | |
The quality of Ushio Shinohara's art is, to say the least, in some doubt. | 0:17:48 | 0:17:52 | |
But it does illustrate the rather frenetic spirit of rebellion | 0:17:52 | 0:17:56 | |
among some young people, | 0:17:56 | 0:17:58 | |
and not only in Japan, throughout the world. | 0:17:58 | 0:18:00 | |
'When he arrived in the United States, | 0:18:09 | 0:18:11 | |
'he was at once in the limelight of the mass media. | 0:18:11 | 0:18:14 | |
'It is said Shinohara is the most famous | 0:18:22 | 0:18:24 | |
'of the poor and struggling artists in New York. | 0:18:24 | 0:18:27 | |
'While his works are exhibited across Japan, | 0:18:28 | 0:18:31 | |
'American collectors often say, "That's a wonderful image, | 0:18:31 | 0:18:34 | |
'"but not my taste." | 0:18:34 | 0:18:36 | |
'So most of Shinohara's pieces have never sold.' | 0:18:36 | 0:18:41 | |
What's most important is that moment when he created the painting. | 0:19:23 | 0:19:26 | |
This is a result, | 0:19:26 | 0:19:29 | |
but...a beautiful result, | 0:19:29 | 0:19:31 | |
but also the actions. The energy's in there. | 0:19:31 | 0:19:34 | |
Have you met Shinohara? | 0:19:34 | 0:19:36 | |
-Nice to see you. -Yeah, nice to meet you again. -It's wonderful. | 0:19:36 | 0:19:39 | |
And he also made this extraordinary sculpture. | 0:19:39 | 0:19:42 | |
It gets very good mileage! | 0:19:44 | 0:19:45 | |
Yeah, I'm sure! | 0:19:45 | 0:19:48 | |
-So you could put some foam on the top. -Yeah. | 0:20:02 | 0:20:05 | |
CAT PURRS | 0:21:14 | 0:21:16 | |
CAT YOWLS Ha! | 0:21:16 | 0:21:17 | |
CAT PURRS | 0:21:29 | 0:21:31 | |
TELEPHONE RINGS | 0:23:06 | 0:23:08 | |
Hold on, please. She's coming soon. | 0:23:27 | 0:23:29 | |
Hi, good morning. | 0:23:31 | 0:23:33 | |
Mm-hmm, hi. | 0:23:33 | 0:23:35 | |
Mm-hmm. | 0:23:36 | 0:23:38 | |
OK. Bye. | 0:23:38 | 0:23:40 | |
-How are you? -Nice to see you. | 0:25:25 | 0:25:27 | |
Nice to see you! Nice to see you. | 0:25:27 | 0:25:30 | |
Congratulations on your show. | 0:25:30 | 0:25:32 | |
OK, and we'd like to talk also | 0:25:40 | 0:25:44 | |
about the one we're going to buy for the Guggenheim Museum, | 0:25:44 | 0:25:47 | |
which one it will be. | 0:25:47 | 0:25:48 | |
Yes, also there's a piece that he created that's larger... | 0:25:48 | 0:25:52 | |
-Yeah. -..and, in fact, this is the detail. | 0:25:52 | 0:25:54 | |
I...I...I'm interested in one that has, like, a real historical... | 0:25:54 | 0:25:58 | |
No, no, yeah, exactly, um... | 0:25:58 | 0:26:01 | |
-Yeah. -And they're interested in... | 0:26:01 | 0:26:03 | |
We're just trying to get him...you know, he needs support, | 0:26:03 | 0:26:06 | |
he needs to be...you know, and he's getting it now, | 0:26:06 | 0:26:08 | |
-and you're also very key... -Great. | 0:26:08 | 0:26:11 | |
-..which is really wonderful. -That's great, fantastic. | 0:26:11 | 0:26:14 | |
That's good, that's good. | 0:26:20 | 0:26:22 | |
That is good. | 0:26:22 | 0:26:23 | |
HE SHOUTS IN JAPANESE | 0:26:48 | 0:26:50 | |
Whoo! | 0:27:08 | 0:27:11 | |
Yes! | 0:27:14 | 0:27:16 | |
Nice. | 0:27:17 | 0:27:18 | |
Fantastic, fantastic. | 0:27:18 | 0:27:20 | |
Fantastic! | 0:27:20 | 0:27:23 | |
Whoo! That is fabulous! | 0:27:23 | 0:27:25 | |
It looks like a poppy field. | 0:27:25 | 0:27:28 | |
Poppy field... Oh, yes! Afghan poppy field. | 0:27:28 | 0:27:30 | |
It looks like an Afghan poppy field. | 0:27:30 | 0:27:32 | |
Yeah, Poppy Field, it's definitely Poppy Field, yeah. | 0:27:34 | 0:27:37 | |
-It's so important he's not thinking. -Right. -He's doing. -Yeah. | 0:27:37 | 0:27:41 | |
It's visceral, so different from Pollock. | 0:27:41 | 0:27:43 | |
Pollock was actually consciously...you know, | 0:27:43 | 0:27:45 | |
it's very, very powerful. | 0:27:45 | 0:27:47 | |
You know, I want to work to try and find funders | 0:27:47 | 0:27:50 | |
who can help us acquire the work. | 0:27:50 | 0:27:54 | |
We want one that has some historical...resonance. | 0:27:54 | 0:27:58 | |
What other ones exist? | 0:28:03 | 0:28:05 | |
-The Kamakura one was photographed in the... -Ah, Art In America. | 0:28:05 | 0:28:08 | |
-..Art In America. -It showed in Art In America. | 0:28:08 | 0:28:10 | |
-OK, so that's the kind of thing that they like. -Yeah. | 0:28:10 | 0:28:12 | |
That's the kind of thing I need. Can you show me a picture of that? | 0:28:12 | 0:28:15 | |
-We have the copy of Art In America here. -Yeah, yeah, let's take a look. | 0:28:15 | 0:28:19 | |
-Noriko, I like this one. -Mm-hmm. -I prefer this one. | 0:28:30 | 0:28:33 | |
Oh. | 0:28:39 | 0:28:40 | |
But the way we can work it out... | 0:28:48 | 0:28:50 | |
We have to be sure that Ushio and Noriko benefit. | 0:28:50 | 0:28:53 | |
No, no, that's... | 0:28:53 | 0:28:54 | |
-OK, OK. -We can work this out, we can negotiate this. | 0:28:58 | 0:29:02 | |
No, no, no, arigato, arigato. No, I appreciate that. | 0:29:03 | 0:29:06 | |
No, I appreciate that. Wakaru, wakaru. | 0:29:06 | 0:29:08 | |
OK, so I need to do something. It's going to take some time. | 0:29:08 | 0:29:11 | |
I mean, I'm sorry, you have already been so patient with me. | 0:29:11 | 0:29:14 | |
It's just, you know, we're just... I'm doing a start-up. | 0:29:14 | 0:29:18 | |
-Yeah, terrible. -Worse, very sick. | 0:29:18 | 0:29:22 | |
-Two, three... -Arigato. | 0:29:22 | 0:29:24 | |
CAT MEOWS | 0:31:10 | 0:31:11 | |
BABY CRIES | 0:32:23 | 0:32:26 | |
THUNDERCLAP | 0:32:45 | 0:32:46 | |
BABY CRIES | 0:32:46 | 0:32:48 | |
I...I...I'm OK. | 0:33:35 | 0:33:37 | |
CAT PURRS | 0:34:13 | 0:34:16 | |
Uh... Oh, could I have a little bit? | 0:34:33 | 0:34:35 | |
DRUNKEN CHATTER | 0:37:21 | 0:37:25 | |
HE SINGS DRUNKENLY | 0:37:40 | 0:37:44 | |
SHE SINGS SOFTLY | 0:38:08 | 0:38:11 | |
CAT MEOWS | 0:38:28 | 0:38:30 | |
SHE WHISTLES SOOTHINGLY | 0:38:35 | 0:38:37 | |
CAT PURRS | 0:38:37 | 0:38:39 | |
AIR BLOWS | 0:39:45 | 0:39:49 | |
THEY LAUGH | 0:44:30 | 0:44:31 | |
I like this very much. | 0:45:51 | 0:45:53 | |
Even from far, I could see something strong here. | 0:45:53 | 0:45:57 | |
Something strong is here. | 0:45:58 | 0:46:00 | |
Very nice. | 0:46:17 | 0:46:18 | |
DOORBELL RINGS | 0:46:35 | 0:46:37 | |
Thank you. | 0:47:28 | 0:47:29 | |
HE GRUNTS | 0:47:59 | 0:48:00 | |
RINGING | 0:48:41 | 0:48:43 | |
HE INHALES Oh, good smell! | 0:49:00 | 0:49:02 | |
OK, 35. | 0:49:16 | 0:49:17 | |
HE LAUGHS | 0:49:22 | 0:49:23 | |
HE LAUGHS | 0:50:45 | 0:50:46 | |
TELEPHONE RINGS | 0:52:14 | 0:52:16 | |
TELEPHONE RINGS | 0:55:00 | 0:55:02 | |
Hello. | 0:55:02 | 0:55:03 | |
How are you? | 0:55:03 | 0:55:05 | |
I bought 50 pound of white pigment... | 0:55:08 | 0:55:13 | |
-'50 pound?' -Yeah. | 0:55:13 | 0:55:16 | |
-It is... -'Why?' -Why? | 0:55:16 | 0:55:18 | |
I'm going to have exhibition and now I'm painting at a gallery. | 0:55:18 | 0:55:23 | |
And using a big brush and a small brush | 0:55:28 | 0:55:32 | |
and big Cuties. | 0:55:32 | 0:55:35 | |
HE SINGS TO HIMSELF | 1:06:56 | 1:07:00 | |
Celery hamburger... | 1:07:27 | 1:07:29 | |
BOTH: Quick, quick, slow. Quick, quick, slow. | 1:12:37 | 1:12:42 |