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CAR HORNS AND TRAFFIC | 0:00:02 | 0:00:05 | |
WHISTLES FROM CROWD | 0:00:20 | 0:00:23 | |
HORNS BLARE | 0:00:54 | 0:00:56 | |
David! | 0:00:56 | 0:00:57 | |
I've got a telex here for Tony from Jerry. I don't know if you've seen it at all. | 0:01:31 | 0:01:36 | |
I'd like to see it. | 0:01:36 | 0:01:37 | |
-It's a very long involved one. -All right. OK. | 0:01:39 | 0:01:41 | |
I'll read it... | 0:01:41 | 0:01:44 | |
It's all in code. | 0:01:54 | 0:01:56 | |
I didn't know we did business in code. | 0:02:00 | 0:02:03 | |
Can't understand a word of this. | 0:02:03 | 0:02:05 | |
TUNES PIANO | 0:02:08 | 0:02:11 | |
CAR HORNS TOOT | 0:02:39 | 0:02:41 | |
ANNOUNCER: Ladies and gentlemen - straight from his fantastically successful world tour, | 0:02:56 | 0:03:01 | |
including the United States of America, Japan. Now, his home country. | 0:03:01 | 0:03:07 | |
For the last time - David Bowie! | 0:03:07 | 0:03:11 | |
CHEERING | 0:03:11 | 0:03:13 | |
AUDIENCE CLAPS ALONG TO ORGAN MUSIC | 0:03:17 | 0:03:20 | |
My mother saw her first spaceship in that. | 0:04:07 | 0:04:10 | |
-What did you say to me? -My mother saw her first spaceship. -Really? -She says, yeah. | 0:04:10 | 0:04:17 | |
-Angie! -Darling, I came to say good luck. | 0:04:18 | 0:04:20 | |
-Oh, you look beautiful, darling. I love that. -Merci. | 0:04:20 | 0:04:23 | |
-So anyway, are you all right? -Yeah. | 0:04:23 | 0:04:26 | |
-There's an awful lot of Rolls-Royces out there, darling. -Really? | 0:04:26 | 0:04:29 | |
-Limousines. Incidents occurring. -Oh! | 0:04:29 | 0:04:34 | |
Tony loved it, he made the driver go by slowly. | 0:04:34 | 0:04:37 | |
-Just people... Being surrounded and recognised and fans going nuts. -What people? | 0:04:37 | 0:04:41 | |
I don't know. I just saw the Rolls-Royces lined up. It's fabulous! | 0:04:41 | 0:04:44 | |
Ah, you guys, you look very nice and I just came to say hello. | 0:04:44 | 0:04:48 | |
-Bon, je reviendrai. -Who did your make-up? | 0:04:48 | 0:04:50 | |
-I did. -Did you? -Why? -Interesting. -It is interesting. | 0:04:50 | 0:04:54 | |
-It's the best one you've done if I may say so. -It's cos I'm watching you, you see. I'm learning from you. | 0:04:54 | 0:05:00 | |
Do you like the lines around the lips? | 0:05:00 | 0:05:02 | |
No, I don't like and she knows that. | 0:05:02 | 0:05:04 | |
But I like the idea of the blue lines with the pink lipstick. That's quite good. | 0:05:04 | 0:05:09 | |
-You see how they pick on me and make me feel terrible? -You're a girl. What do you know about make-up? | 0:05:09 | 0:05:14 | |
Exactly! That's what I say all the time(!) | 0:05:14 | 0:05:16 | |
Make-up for a night out on the town, with the boys. | 0:05:16 | 0:05:19 | |
Go on, star! Go on. | 0:05:19 | 0:05:21 | |
All right. I'll see you later. Bye-bye. | 0:05:21 | 0:05:23 | |
MUSIC: "Beethoven Ninth Symphony" | 0:05:23 | 0:05:25 | |
CHATTER IN BACKGROUND | 0:05:38 | 0:05:41 | |
Huh. | 0:05:45 | 0:05:46 | |
CHATTER IN BACKGROUND GROWS | 0:05:46 | 0:05:49 | |
BOWIE WHISTLES | 0:06:00 | 0:06:02 | |
HE WHISTLES ALONG TO ORGAN MUSIC | 0:06:14 | 0:06:17 | |
No, I haven't. Oh, what happened to it then? | 0:06:31 | 0:06:34 | |
WHISTLING AND APPLAUSE | 0:06:43 | 0:06:46 | |
INTRO: "Hang Onto Yourself" | 0:07:01 | 0:07:04 | |
# Well she's a tongue twisting storm, she will come to the show tonight praying to the light machine | 0:07:06 | 0:07:11 | |
# She wants my honey not my money she's a funky-thigh collector layin' on 'lectric dreams | 0:07:13 | 0:07:18 | |
# So come on, come on, we've really got a good thing going | 0:07:20 | 0:07:25 | |
# Well come on, well come on, if you think we're gonna make it You better hang on to yourself | 0:07:25 | 0:07:31 | |
# Ooh, come on | 0:07:33 | 0:07:35 | |
# Now we don't dance much we just wanna play | 0:07:36 | 0:07:38 | |
# Then we move around like tigers on Vaseline | 0:07:38 | 0:07:42 | |
# You know the bitter comes out better on a stolen guitar | 0:07:43 | 0:07:46 | |
# You're the blessed we're The Spiders from Mars | 0:07:46 | 0:07:49 | |
# So come on, come on we've really got a good thing going on | 0:07:49 | 0:07:55 | |
# Well come on, come on if you think you're gonna make it You better hang on to yourself | 0:07:55 | 0:08:01 | |
# Come on | 0:08:06 | 0:08:07 | |
# Come on | 0:08:11 | 0:08:12 | |
# So come on, come on, we've really got a good thing going on Come on, come on | 0:08:15 | 0:08:22 | |
# If you think we're gonna make it You better hang on to yourself | 0:08:22 | 0:08:27 | |
# So come on, we've really got a good thing going on | 0:08:32 | 0:08:36 | |
# Come on, come on, if you think we're gonna make it You better hang on to yourself | 0:08:36 | 0:08:42 | |
# Come on, come on, baby | 0:08:44 | 0:08:47 | |
# Don't mean maybe. # | 0:08:49 | 0:08:51 | |
GUITAR SOLO | 0:08:51 | 0:08:54 | |
GUITAR SOLO | 0:09:34 | 0:09:36 | |
CHEERING AND APPLAUSE | 0:09:44 | 0:09:47 | |
INTRO: "Ziggy Stardust" | 0:09:54 | 0:09:57 | |
# Ooh, yeah-ah | 0:10:06 | 0:10:09 | |
# Ah | 0:10:10 | 0:10:12 | |
# Now Ziggy played guitar jamming good with Weird and Gilly | 0:10:15 | 0:10:21 | |
# And The Spiders from Mars He played it left hand | 0:10:21 | 0:10:27 | |
# But he made it too far Became the special man then we were Ziggy's band | 0:10:27 | 0:10:35 | |
# Ziggy really sang, screwed-up eyes and screwed-down hairdo like some cat from Japan | 0:10:38 | 0:10:45 | |
# He could kill 'em by smiling He could leave 'em to hang | 0:10:46 | 0:10:50 | |
# Came on so loaded man, white skin and snow white tan | 0:10:51 | 0:10:56 | |
# So where were the Spiders? | 0:10:59 | 0:11:04 | |
# While the fly tried to break our balls | 0:11:04 | 0:11:08 | |
# Just the beer light to guide us | 0:11:09 | 0:11:13 | |
# So we bitched about his fans and should we crush his sweet hands? | 0:11:13 | 0:11:19 | |
# Oh yeah | 0:11:25 | 0:11:27 | |
# Ziggy played for time jiving us that we were voodoo | 0:11:32 | 0:11:37 | |
# The kids were just crass he was the nazz | 0:11:37 | 0:11:42 | |
# With God-given ass | 0:11:42 | 0:11:45 | |
# But he took it all too far but boy could he play guitar | 0:11:45 | 0:11:51 | |
# Making love with his ego, oh yeah | 0:11:53 | 0:11:58 | |
# Ziggy sucked up into his mind Ah! | 0:11:58 | 0:12:03 | |
# Like a leper messiah When the kids had killed the man | 0:12:04 | 0:12:10 | |
# I had to break up the band | 0:12:10 | 0:12:13 | |
# Oh yeah | 0:12:19 | 0:12:21 | |
# Ooooooo | 0:12:25 | 0:12:27 | |
# Ooooooo | 0:12:30 | 0:12:32 | |
# Now Ziggy played... | 0:12:35 | 0:12:37 | |
# ..guita-a-r-r-r! # | 0:12:39 | 0:12:45 | |
SCREAMING | 0:12:51 | 0:12:53 | |
INTRO: "Watch That Man" | 0:13:01 | 0:13:04 | |
# Shakey threw a party that lasted all night | 0:13:17 | 0:13:21 | |
# Everybody drank a lot of something nice | 0:13:21 | 0:13:24 | |
# There was an old-fashioned band of married men | 0:13:24 | 0:13:27 | |
# Looking up to me for encouragement it was so-so | 0:13:27 | 0:13:32 | |
# The ladies looked bad but the music was sad | 0:13:33 | 0:13:36 | |
# No-one took their eyes off Lorraine She shimmered and the strolled like a Chicago moll | 0:13:36 | 0:13:42 | |
# Her feathers looked better and better - it was so-so | 0:13:42 | 0:13:47 | |
# Yeah! I began to unfreeze When the Reverend Alabaster danced on his knees | 0:13:48 | 0:13:55 | |
# Yeah! Slam! So it wasn't a game Cracking all the mirrors in shame | 0:13:55 | 0:14:00 | |
# Watch that man! Oh honey watch that man | 0:14:00 | 0:14:05 | |
# He talks like a jerk but he could eat you with a fork and spoon | 0:14:08 | 0:14:12 | |
# Watch that man! Oh honey watch that man | 0:14:14 | 0:14:20 | |
# Walks like a jerk But he's only taking care of the room | 0:14:22 | 0:14:26 | |
# Though he must be in tune | 0:14:28 | 0:14:30 | |
# Yeah | 0:14:38 | 0:14:40 | |
# A Benny Goodman fan painted holes in his hands | 0:14:46 | 0:14:49 | |
# So Shakey hung him up to dry The pundits were jokin' the manholes were smokin' | 0:14:49 | 0:14:55 | |
# And every bottle battled with the reason why | 0:14:55 | 0:14:59 | |
# The girl on the phone wouldn't leave me alone | 0:15:01 | 0:15:04 | |
# A throwback from someone's LP A lemon in a bag played the Tiger Rag | 0:15:04 | 0:15:11 | |
# And the bodies on the screen stopped bleeding | 0:15:11 | 0:15:14 | |
# Yeah! I was shakin' like a leaf because I couldn't understand the conversation | 0:15:17 | 0:15:22 | |
# Yeah! So I ran through the street looking for information | 0:15:23 | 0:15:29 | |
# Watch that man Oh honey watch that man | 0:15:29 | 0:15:34 | |
# He talks like a jerk but he could eat you with a fork and spoon | 0:15:36 | 0:15:41 | |
# Watch that man! Oh honey watch that man | 0:15:42 | 0:15:48 | |
# He walks like a jerk but he's only taking care of the room | 0:15:50 | 0:15:54 | |
# Well he must be in tune | 0:15:56 | 0:15:59 | |
# Oh yeah! | 0:16:00 | 0:16:01 | |
# Watch that man | 0:16:04 | 0:16:06 | |
# Ha! | 0:16:07 | 0:16:08 | |
# Watch that man Ha! | 0:16:11 | 0:16:13 | |
# Oooooh! Watch that man | 0:16:17 | 0:16:21 | |
# Ooooh-hoo-hoo! Watch that man | 0:16:23 | 0:16:28 | |
# Ooooh-hoo-hoo! Watch that man | 0:16:30 | 0:16:35 | |
# Oh yeah! Ooooh-hoo-hoo! Watch that man | 0:16:35 | 0:16:41 | |
-# Do-do-do yeah, do-do-do yeah Do-do-do yeah -Watch that man | 0:16:42 | 0:16:48 | |
# Watch that man | 0:16:48 | 0:16:49 | |
# Ooooh-hoo-hoo! Watch that...man. # | 0:16:50 | 0:16:57 | |
INTRO: "Wild Eyed Boy From Freecloud" | 0:17:06 | 0:17:11 | |
# Solemn faced the village settles down | 0:17:26 | 0:17:30 | |
# Undetected by the stars | 0:17:30 | 0:17:34 | |
# And the hangman plays the mandolin before he goes to sleep | 0:17:36 | 0:17:42 | |
# And the last thing on his mind | 0:17:45 | 0:17:47 | |
# Is the Wild Eyed Boy imprisoned 'neath the covered wooden shaft | 0:17:50 | 0:17:56 | |
# Folds the rope into its bag | 0:17:59 | 0:18:02 | |
# Blows his pipe of smoulders | 0:18:05 | 0:18:08 | |
# Blankets smoke into the room | 0:18:08 | 0:18:10 | |
# And the day will end for some | 0:18:13 | 0:18:17 | |
# As the night begins for one | 0:18:20 | 0:18:24 | |
# Staring through the message in his eyes | 0:18:30 | 0:18:35 | |
# Lies the solitary son | 0:18:35 | 0:18:38 | |
# From the mountain called Freecloud Where the eagle dare not fly | 0:18:41 | 0:18:47 | |
# And the patience in his sigh | 0:18:50 | 0:18:53 | |
# Gives no indication For the townsmen to decide | 0:18:57 | 0:19:02 | |
# So the village dreadful yawns | 0:19:05 | 0:19:08 | |
# Pronouncing gross diversion | 0:19:11 | 0:19:14 | |
# As the label for the dog | 0:19:14 | 0:19:16 | |
# Oh "It's the madness in his eyes" | 0:19:18 | 0:19:23 | |
# As he breaks the night to cry | 0:19:25 | 0:19:28 | |
# "It's really me | 0:19:28 | 0:19:33 | |
# "Really you and really me | 0:19:34 | 0:19:38 | |
# "It's so hard for us to really be | 0:19:40 | 0:19:45 | |
# "Really you and really me | 0:19:49 | 0:19:52 | |
# "You'll lose me though I'm always really... | 0:19:54 | 0:20:00 | |
# "free-e-e" | 0:20:00 | 0:20:04 | |
# Yea-ea-ea-h! # | 0:20:04 | 0:20:06 | |
INTRO: "All The Young Dudes" | 0:20:16 | 0:20:20 | |
# Jimmy rapped all night about a suicide | 0:20:30 | 0:20:33 | |
# How he'd kick it in the head when he was 25 | 0:20:33 | 0:20:37 | |
# Oh, the speed-jive Don't wanna stay alive when you're 25 | 0:20:37 | 0:20:43 | |
# Lucy's stealing clothes from unlocked cars | 0:20:43 | 0:20:46 | |
# And Freddy's got spots from ripping off the stars from his face | 0:20:46 | 0:20:50 | |
# Funky little boat race | 0:20:52 | 0:20:54 | |
# The television man is crazy | 0:20:56 | 0:20:59 | |
# Saying we're juvenile delinquent wrecks | 0:20:59 | 0:21:02 | |
# Oh, man, I need a TV when I've got T Rex | 0:21:02 | 0:21:07 | |
# Brother, you guessed | 0:21:08 | 0:21:10 | |
# I'm a dude | 0:21:11 | 0:21:13 | |
# All the young dudes yeah | 0:21:14 | 0:21:17 | |
# Carry the news | 0:21:18 | 0:21:21 | |
# Boogaloo dudes yeah | 0:21:21 | 0:21:24 | |
# Carry the news | 0:21:24 | 0:21:27 | |
# All the young dudes yeah | 0:21:30 | 0:21:33 | |
# Carry the news | 0:21:33 | 0:21:37 | |
# Boogaloo dudes yeah | 0:21:37 | 0:21:40 | |
# Carry the news. # | 0:21:40 | 0:21:43 | |
INTRO: "Oh! You Pretty Things" | 0:21:43 | 0:21:47 | |
# Wake up, you sleepy head | 0:21:47 | 0:21:49 | |
# Put on some clothes shake up your bed | 0:21:49 | 0:21:52 | |
# Put another log on the fire for me | 0:21:52 | 0:21:55 | |
# I've made some breakfast and coffee | 0:21:55 | 0:21:58 | |
# Look out my window and what do I see | 0:21:58 | 0:22:00 | |
# A crack in the sky and a hand reaching down... | 0:22:00 | 0:22:08 | |
#..To me | 0:22:11 | 0:22:13 | |
# All the nightmares came today | 0:22:15 | 0:22:18 | |
# And it looks as though they're here to stay | 0:22:20 | 0:22:23 | |
-# Oh, you pretty things -Oh, you pretty things | 0:22:25 | 0:22:28 | |
# Don't you know you're driving your mamas and papas insane | 0:22:28 | 0:22:33 | |
-# Oh, you pretty things -Oh, you pretty things | 0:22:35 | 0:22:38 | |
# Don't you know you're driving your mamas and papas insane? | 0:22:38 | 0:22:43 | |
# Let me make it plain | 0:22:43 | 0:22:45 | |
# You gotta make way for the Homo Superior | 0:22:45 | 0:22:49 | |
# One...two | 0:22:51 | 0:22:53 | |
-# Oh, you pretty things -Oh, you pretty things | 0:22:54 | 0:22:57 | |
# Don't you know you're driving your mamas and papas insane | 0:22:57 | 0:23:02 | |
-# Oh, you pretty things -Oh, you pretty things | 0:23:04 | 0:23:07 | |
# Don't you know you're driving your mamas and papas insane? | 0:23:07 | 0:23:12 | |
# Let me make it plain | 0:23:12 | 0:23:14 | |
# You gotta make way for the Homo Superior. # | 0:23:14 | 0:23:17 | |
CHEERING | 0:23:21 | 0:23:23 | |
INTRO: "Moonage Daydream" | 0:23:29 | 0:23:33 | |
# Aah | 0:23:39 | 0:23:40 | |
# Mmmm | 0:23:42 | 0:23:43 | |
# Ooh | 0:23:44 | 0:23:46 | |
# I'm an alligator I'm a mama-papa calling for you | 0:23:48 | 0:23:53 | |
# I'm the space invader I'll be a rock 'n' rollin' bitch for you | 0:23:54 | 0:23:59 | |
# Keep your mouth shut, you're squawking like a big monkey bird | 0:24:00 | 0:24:06 | |
# And I'm busting up my brains for the words | 0:24:06 | 0:24:09 | |
# You know I am | 0:24:10 | 0:24:11 | |
# Keep your 'lectric eye on me, babe | 0:24:14 | 0:24:19 | |
# Put your ray gun to my head | 0:24:20 | 0:24:24 | |
# Press your space face close to mine, love | 0:24:27 | 0:24:30 | |
# Freak out in a moonage daydream, oh yeah | 0:24:32 | 0:24:36 | |
# Don't fake it, baby lay the real thing on me | 0:24:40 | 0:24:45 | |
# You know the church of man love is such a holy place to be | 0:24:45 | 0:24:51 | |
# Don't fake it, baby make me know you really care? | 0:24:51 | 0:24:58 | |
# Make me jump into the air | 0:24:58 | 0:25:01 | |
# If you dare | 0:25:03 | 0:25:04 | |
# Keep your 'lectric eye on me, babe | 0:25:06 | 0:25:09 | |
# Put your ray gun to my head | 0:25:12 | 0:25:16 | |
# Press your space face close to mine, love | 0:25:18 | 0:25:22 | |
# Freak out in a moonage daydream, oh yeah | 0:25:24 | 0:25:28 | |
# Ooooo! Oooooo! Ooooooo! | 0:25:32 | 0:25:37 | |
# Ooooo! Oooooo! Ooooooo! | 0:25:37 | 0:25:42 | |
# Ooooo! Oooooo! Ooooooo! | 0:25:42 | 0:25:49 | |
# Ooooo! Oooooo! Ooooooo! | 0:25:49 | 0:25:55 | |
BOTH: # Keep your 'lectric eye on me, babe | 0:25:55 | 0:25:59 | |
# Put your ray gun to my head | 0:26:01 | 0:26:05 | |
# Press your space face close to mine, love | 0:26:08 | 0:26:11 | |
# Freak out in a moonage daydream, oh yeah | 0:26:13 | 0:26:18 | |
# Keep your 'lectric eye on me, babe | 0:26:20 | 0:26:23 | |
# Put your ray gun to my head | 0:26:26 | 0:26:30 | |
# Press your space face close to mine, love | 0:26:32 | 0:26:35 | |
# Freak out in a moonage daydream, oh yeah | 0:26:38 | 0:26:43 | |
# Freak out! | 0:26:46 | 0:26:49 | |
# Far out | 0:26:49 | 0:26:51 | |
# In out. # | 0:26:52 | 0:26:54 | |
DROWNED OUT BY MUSIC | 0:28:21 | 0:28:24 | |
# Aaah-aaah-aaah | 0:28:50 | 0:28:58 | |
# Aaah-aaah-aaah. # | 0:28:58 | 0:29:03 | |
APPLAUSE | 0:29:29 | 0:29:31 | |
< GUITAR SOLO CONTINUES ON STAGE | 0:29:39 | 0:29:43 | |
-It's going well, Dave. Aren't the audience lovely? -Marvellous. -Beautiful audience! | 0:30:05 | 0:30:09 | |
There is not one single person tonight who's not, you know... | 0:30:12 | 0:30:17 | |
-I should wipe your hands cos their deathly-white with that powder. -It's all right. Looks nice. | 0:30:20 | 0:30:25 | |
APPLAUSE | 0:30:52 | 0:30:54 | |
OLD-TIME PIANO MUSIC PLAYS | 0:30:59 | 0:31:02 | |
INTRO: "Changes" | 0:31:06 | 0:31:10 | |
# Still don't know what I was waiting for - time was running wild | 0:31:16 | 0:31:22 | |
# A million dead-end streets Every time I thought I'd got it made It seemed the taste was not so sweet | 0:31:22 | 0:31:30 | |
# Then I turned myself to face me | 0:31:31 | 0:31:34 | |
# But I've never caught a glimpse | 0:31:36 | 0:31:38 | |
# Of how the others must see the faker | 0:31:39 | 0:31:43 | |
# I'm much too fast to take that test | 0:31:44 | 0:31:47 | |
-# Ch-Ch-Ch-Ch-Changes -Turn and face the strain | 0:31:47 | 0:31:50 | |
# Ch-Ch-Changes Didn't wanna have to be a richer man | 0:31:50 | 0:31:55 | |
-# Ch-Ch-Ch-Ch-Changes -Turn and face the strain | 0:31:55 | 0:31:59 | |
# Ch-Ch-Changes Just wanted to be a better man | 0:31:59 | 0:32:03 | |
# Time may change me | 0:32:03 | 0:32:05 | |
# I can't trace time | 0:32:06 | 0:32:09 | |
# Ah | 0:32:11 | 0:32:12 | |
# Ooh yeah | 0:32:14 | 0:32:16 | |
# I watch the ripples change their size but never leave the stream of warm impermanence | 0:32:19 | 0:32:27 | |
# And so the days float through my eyes | 0:32:27 | 0:32:31 | |
# But still the days seem the same just the same, quite the same | 0:32:31 | 0:32:35 | |
# And these children that you spit on | 0:32:35 | 0:32:39 | |
# As they try to change their worlds | 0:32:39 | 0:32:42 | |
# Ah they're immune to your consultations | 0:32:43 | 0:32:46 | |
# They're quite aware of what they're going through | 0:32:46 | 0:32:50 | |
-# Ch-Ch-Ch-Ch-Changes -Turn and face the strain | 0:32:50 | 0:32:54 | |
# Ch-Ch-Changes | 0:32:54 | 0:32:56 | |
# Don't tell us to grow up and out of it | 0:32:56 | 0:32:59 | |
-# Ch-Ch-Ch-Ch-Changes -Turn and face the strain | 0:32:59 | 0:33:02 | |
# Oh Changes You've left us up to our necks in it | 0:33:02 | 0:33:07 | |
# Time may change me | 0:33:07 | 0:33:09 | |
# I can't trace time | 0:33:10 | 0:33:12 | |
# Strange fascination, fascinating me | 0:33:13 | 0:33:18 | |
# Oh changes are taking the pace I'm going through | 0:33:20 | 0:33:26 | |
-# Ch-Ch-Ch-Ch-Changes -Turn and face the strain | 0:33:26 | 0:33:30 | |
# Ch-ch-ch-ch-Changes Look out you rock 'n' rollers | 0:33:30 | 0:33:34 | |
-# Ch-Ch-Ch-Ch-Changes -Turn and face the strain | 0:33:35 | 0:33:39 | |
# Ch-Ch-Ch-Ch-Changes | 0:33:39 | 0:33:40 | |
# Pretty soon now you're gonna get older | 0:33:40 | 0:33:43 | |
# Time may change me | 0:33:43 | 0:33:45 | |
# But I can't trace time | 0:33:46 | 0:33:48 | |
# I said that time may change me | 0:33:48 | 0:33:52 | |
# I can't trace time. # | 0:33:52 | 0:33:54 | |
SAXOPHONE SOLO | 0:33:57 | 0:34:00 | |
INTRO: "Space Oddity" | 0:34:26 | 0:34:29 | |
# Ground Control to Major Tom | 0:34:56 | 0:34:59 | |
# Ground Control to Major Tom | 0:35:03 | 0:35:07 | |
# Take your protein pills and put your helmet on | 0:35:10 | 0:35:16 | |
# Ground Control to Major Tom | 0:35:18 | 0:35:21 | |
# Commencing countdown, engines on | 0:35:25 | 0:35:29 | |
# Check ignition and may God's love be with you | 0:35:32 | 0:35:38 | |
# This is Ground Control to Major Tom | 0:35:51 | 0:35:55 | |
# You've really made the grade | 0:35:55 | 0:36:00 | |
# And the papers want to know whose shirts you wear | 0:36:00 | 0:36:05 | |
# Now it's time to leave the capsule if you dare | 0:36:07 | 0:36:12 | |
# This is Major Tom to Ground Control | 0:36:14 | 0:36:18 | |
# I'm stepping through the door | 0:36:19 | 0:36:22 | |
# And I'm floating in a most peculiar way | 0:36:23 | 0:36:28 | |
# Oh the stars look very different today | 0:36:30 | 0:36:35 | |
# For here am I sitting in my tin can | 0:36:37 | 0:36:43 | |
# Far above the world | 0:36:44 | 0:36:49 | |
# Planet Earth is blue and there's nothing I can do. # | 0:36:51 | 0:36:57 | |
# Though I'm past 100,000 miles I'm feeling very still | 0:37:27 | 0:37:34 | |
# And I think my spaceship knows which way to go | 0:37:36 | 0:37:41 | |
# Tell my wife I love her very much she knows | 0:37:42 | 0:37:48 | |
# Ground Control to Major Tom | 0:37:50 | 0:37:52 | |
# Your circuit's dead there's something wrong | 0:37:52 | 0:37:56 | |
# Can you hear me, Major Tom? | 0:37:56 | 0:37:59 | |
# Can you hear me, Major Tom? | 0:37:59 | 0:38:02 | |
# Can you hear me, Major Tom? | 0:38:02 | 0:38:06 | |
# Can you...? | 0:38:06 | 0:38:07 | |
# Here am I floating round my tin can | 0:38:07 | 0:38:12 | |
# Far above the Moon | 0:38:13 | 0:38:18 | |
# Planet Earth is blue | 0:38:20 | 0:38:22 | |
# And there's nothing I can do. # | 0:38:22 | 0:38:26 | |
CHEERS AND APPLAUSE | 0:39:00 | 0:39:03 | |
INTRO: "My Death" | 0:39:06 | 0:39:10 | |
# My death waits like an old roue | 0:39:23 | 0:39:29 | |
# So confident I'll go his way | 0:39:31 | 0:39:36 | |
# Whistle to him | 0:39:38 | 0:39:40 | |
# And the passing time... | 0:39:42 | 0:39:44 | |
# My death waits like a Bible truth | 0:39:47 | 0:39:55 | |
# At the funeral of my youth | 0:39:56 | 0:40:01 | |
# We ploughed for that... | 0:40:03 | 0:40:05 | |
# ..and the passing time | 0:40:07 | 0:40:09 | |
# My death waits like a witch at night | 0:40:12 | 0:40:19 | |
# As surely as our love is right | 0:40:21 | 0:40:26 | |
# Let's not think about the passing time | 0:40:28 | 0:40:35 | |
# But whatever lies behind the door | 0:40:37 | 0:40:42 | |
# There is nothing much to do | 0:40:45 | 0:40:48 | |
# Angel or devil, I don't care | 0:40:52 | 0:40:57 | |
# For in front of that door | 0:40:59 | 0:41:02 | |
# There is you | 0:41:04 | 0:41:06 | |
# My death waits like a beggar blind | 0:41:15 | 0:41:21 | |
# Who sees the world through an unlit mind | 0:41:23 | 0:41:28 | |
# Throw him a dime for the passing time | 0:41:30 | 0:41:35 | |
# My death waits there between your thighs | 0:41:38 | 0:41:45 | |
# Your cool fingers will close my eyes | 0:41:47 | 0:41:52 | |
# Let's think of that and the passing time | 0:41:54 | 0:42:00 | |
# My death waits to allow my friends | 0:42:03 | 0:42:10 | |
# A few good times before it ends | 0:42:12 | 0:42:17 | |
# So let's drink to that and the passing time | 0:42:19 | 0:42:26 | |
# But whatever lies behind the door | 0:42:29 | 0:42:33 | |
# There is nothing much to do | 0:42:35 | 0:42:38 | |
# Angel or devil, I don't care | 0:42:43 | 0:42:48 | |
# For in front of that door | 0:42:50 | 0:42:52 | |
# There is you | 0:42:54 | 0:42:57 | |
# My death waits there among the leaves | 0:43:01 | 0:43:08 | |
# In magician's mysterious sleeves | 0:43:09 | 0:43:15 | |
# Rabbits and dogs and the passing time | 0:43:16 | 0:43:20 | |
# My death waits there among the flowers | 0:43:23 | 0:43:31 | |
# Where the blackest shadow blackest shadow cowers | 0:43:33 | 0:43:38 | |
# Let's pick lilacs for the passing time | 0:43:40 | 0:43:46 | |
# My death waits there in a double bed | 0:43:48 | 0:43:56 | |
# Sails of oblivion at my head | 0:43:57 | 0:44:03 | |
# So pull up the sheets against the passing time | 0:44:04 | 0:44:12 | |
# But whatever lies behind the door | 0:44:15 | 0:44:19 | |
# There is nothing much to do | 0:44:21 | 0:44:24 | |
# Angel or devil, I don't care | 0:44:28 | 0:44:33 | |
# For in front of that door | 0:44:35 | 0:44:39 | |
# There is... # | 0:44:39 | 0:44:41 | |
-MAN: -Me! -MORE FANS SHOUT: "Me!" | 0:44:41 | 0:44:44 | |
-GIRLS: -David, me! | 0:44:44 | 0:44:47 | |
Thank you. | 0:44:47 | 0:44:48 | |
LOUD CHEERS | 0:44:48 | 0:44:50 | |
PIANO NOTES STRUCK | 0:44:56 | 0:44:59 | |
How long have we got? | 0:45:06 | 0:45:07 | |
-Anyone in the stalls has got no chance. -Eh? | 0:45:14 | 0:45:17 | |
-Anyone sitting in the stalls has got no chance. -Can't they see anything? | 0:45:17 | 0:45:21 | |
-No, not really. Not unless you stand on somebody. Doesn't matter. -Too bad. | 0:45:21 | 0:45:25 | |
When the end, at the end of that thing... "There is..." And they said, "Me, me, me, me!" | 0:45:25 | 0:45:32 | |
CHATTER AND LAUGHTER | 0:45:34 | 0:45:36 | |
< CLAPPING ALONG TO GUITAR MUSIC | 0:45:41 | 0:45:44 | |
OK, the boys are ready... | 0:45:52 | 0:45:54 | |
INTRO: "Cracked Actor" | 0:45:59 | 0:46:04 | |
# I've come on a few years from my Hollywood highs | 0:46:04 | 0:46:08 | |
# The best of the last, the meanest star they ever had | 0:46:08 | 0:46:11 | |
# Stiff on my legend, the films that I made | 0:46:11 | 0:46:15 | |
# Forget that I'm 50 cause you just got paid | 0:46:15 | 0:46:18 | |
# Crack, baby, crack show me you're real | 0:46:18 | 0:46:21 | |
# Smack, baby, smack is that all that you feel | 0:46:21 | 0:46:25 | |
# Suck, baby, suck give me your head | 0:46:25 | 0:46:29 | |
# Before you start professing that you're knocking me dead. # | 0:46:29 | 0:46:32 | |
# Found yourself a trick down on Sunset and Vine | 0:46:47 | 0:46:50 | |
# But since he pinned you, baby you're a porcupine | 0:46:50 | 0:46:53 | |
# He sold you illusions for a bagful of cheques | 0:46:53 | 0:46:57 | |
# You've made a bad connection cos I just want your sex | 0:46:57 | 0:47:00 | |
-BOTH: -# Crack, baby, crack show me you're real | 0:47:00 | 0:47:04 | |
# Smack, baby, smack is that all that you feel | 0:47:04 | 0:47:07 | |
# Suck baby suck give me your head | 0:47:07 | 0:47:11 | |
# Before you start professing that you're knocking me dead. # | 0:47:11 | 0:47:15 | |
CROWD CHEERS | 0:48:23 | 0:48:25 | |
GIRLS SCREAM | 0:48:35 | 0:48:37 | |
VAUDEVILLIAN PIANO | 0:48:37 | 0:48:41 | |
INTRO: "Time" | 0:48:43 | 0:48:46 | |
# Time - he's waiting in the wings | 0:48:49 | 0:48:53 | |
# He speaks of senseless things | 0:48:54 | 0:48:57 | |
# His script is you and me - boy | 0:48:58 | 0:49:03 | |
# Time - he flexes like a whore | 0:49:04 | 0:49:08 | |
# Falls wanking to the floor | 0:49:08 | 0:49:11 | |
# His script is you and me - boy | 0:49:12 | 0:49:17 | |
# Time - in Quaaludes and red wine | 0:49:18 | 0:49:22 | |
# Demanding Billy Dolls | 0:49:22 | 0:49:25 | |
# And other friends of mine Take your time | 0:49:25 | 0:49:29 | |
# The sniper in the brain regurgitating drain | 0:49:31 | 0:49:37 | |
# Incestuous and vain, and many other last names | 0:49:37 | 0:49:45 | |
# You know I look at my watch it says 9:25 and I think "Oh God I'm still alive" | 0:49:45 | 0:49:51 | |
# We should be on by now | 0:49:53 | 0:49:55 | |
# We should be on by now | 0:49:59 | 0:50:02 | |
# La-la-la-la-la | 0:50:04 | 0:50:08 | |
# La-la-la-la-la | 0:50:08 | 0:50:12 | |
# La-la-la-la-la | 0:50:12 | 0:50:16 | |
# La-la-la-la-la-la-la | 0:50:16 | 0:50:23 | |
# La-la-la-la-la-la-la-la-la-la-la | 0:50:23 | 0:50:30 | |
# You...are not a victim | 0:50:32 | 0:50:35 | |
# You...just scream with boredom | 0:50:35 | 0:50:39 | |
# You...are not evicting time. # | 0:50:39 | 0:50:43 | |
HE PANTS | 0:50:44 | 0:50:47 | |
# Chimes - God damn, you're looking old | 0:51:05 | 0:51:09 | |
# You'll freeze and catch a cold | 0:51:09 | 0:51:12 | |
# Cos you've left your coat behind Take your time | 0:51:12 | 0:51:16 | |
# Breaking up is hard but keeping dark is hateful | 0:51:18 | 0:51:24 | |
# I had so many dreams I made so many breakthroughs | 0:51:24 | 0:51:30 | |
# But you, my love, were kind your love was real but dreamless | 0:51:30 | 0:51:36 | |
# And the door to dreams was closed | 0:51:36 | 0:51:39 | |
# Your park was real dreamless | 0:51:39 | 0:51:42 | |
# Perhaps you're smiling now smiling through this darkness | 0:51:42 | 0:51:48 | |
# But all I had to give was the guilt for dreaming | 0:51:48 | 0:51:53 | |
# We should be on by now | 0:51:58 | 0:51:59 | |
# We should be on by now | 0:52:04 | 0:52:06 | |
# We should be on by now | 0:52:10 | 0:52:12 | |
# La-la-la-la-la-la-la-la | 0:52:14 | 0:52:20 | |
# La-la-la-la-la-la-la-la | 0:52:20 | 0:52:25 | |
# La-la-la-la-la-la-la-la | 0:52:25 | 0:52:32 | |
# La-la-la-la-la-la-la-la-la-la-la-la | 0:52:32 | 0:52:39 | |
# La-la-la-la-la-la-la-la-la-la-la | 0:52:39 | 0:52:45 | |
# La-la-la-la-la-la-la-la-la-la-la | 0:52:45 | 0:52:51 | |
# La-la-la-la-la-la-la-la-la-la-la | 0:52:51 | 0:52:57 | |
# La-la-la-la-la-la-la-la-la-la-la | 0:52:57 | 0:53:01 | |
# La-la-la-la-la-la-la-la-la-la-la | 0:53:01 | 0:53:07 | |
# La-la-la-la-la-la-la-la-la-la-la | 0:53:07 | 0:53:12 | |
# La-la-la-la-la-la-la-la-la-la-la | 0:53:12 | 0:53:19 | |
# La-la-la-la-la-la-la-la-la-la-la | 0:53:19 | 0:53:26 | |
# La-la-la yeah - time! # | 0:53:26 | 0:53:30 | |
INTRO: "The Width Of A Circle" | 0:53:49 | 0:53:53 | |
AUDIENCE CLAPS IN TIME | 0:53:53 | 0:53:57 | |
# In the corner of the morning in the past | 0:54:20 | 0:54:23 | |
# I would sit and blame the master first and last | 0:54:25 | 0:54:28 | |
# All the roads were straight and narrow | 0:54:29 | 0:54:32 | |
# And the prayers were small and yellow | 0:54:32 | 0:54:34 | |
# And the rumour spread that I was aging fast | 0:54:34 | 0:54:37 | |
# Then I ran across a monster who was sleeping by a tree | 0:54:39 | 0:54:43 | |
# Well I looked and frowned cos the monster was...me | 0:54:43 | 0:54:48 | |
# Ha | 0:54:50 | 0:54:51 | |
# Well, I said "Hello" and I said "Hello" | 0:54:54 | 0:54:57 | |
# And I asked "Why not?" and I replied "Dunno" | 0:54:59 | 0:55:02 | |
# So we asked a simple blackbird who was happy as can be | 0:55:04 | 0:55:08 | |
# Well, he laughed insane and quipped "Kahlil Gibran" | 0:55:08 | 0:55:11 | |
# And I cried for all the others till the day was nearly through | 0:55:13 | 0:55:17 | |
# Cos I realised that God's a young...man...too | 0:55:18 | 0:55:25 | |
# Ah just like you | 0:55:26 | 0:55:28 | |
# Just like you | 0:55:29 | 0:55:30 | |
# Oh just like you. # | 0:55:37 | 0:55:39 | |
ROCKING GUITAR | 0:58:18 | 0:58:22 | |
RHYTHMIC DRUM SOLO | 1:01:35 | 1:01:39 | |
WAILING GUITARS AND DRUMS | 1:02:21 | 1:02:25 | |
# Well I said "So long" and I waved bye-bye | 1:02:44 | 1:02:49 | |
# And I smashed my soul and traded my mind | 1:02:49 | 1:02:54 | |
# I got laid by a young bordello | 1:02:54 | 1:02:56 | |
# I was vaguely half asleep | 1:02:56 | 1:02:58 | |
# For which my reputation swept back home in drag | 1:02:58 | 1:03:02 | |
# And the morals of this magic spell | 1:03:03 | 1:03:05 | |
# Negotiates my hide | 1:03:05 | 1:03:08 | |
# When God did take my logic for a ride | 1:03:08 | 1:03:12 | |
# Riding along | 1:03:14 | 1:03:17 | |
# Turn around. # | 1:03:18 | 1:03:20 | |
SOARING GUITAR MELODY | 1:04:29 | 1:04:32 | |
# Oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh | 1:04:49 | 1:04:57 | |
# Oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh | 1:04:57 | 1:05:01 | |
# Oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh | 1:05:05 | 1:05:12 | |
# Oh-oh-oh-oh-oh-oh | 1:05:12 | 1:05:16 | |
# He swallowed his pride and puckered his lips | 1:05:19 | 1:05:23 | |
# He showed me the leather belt round his hips | 1:05:23 | 1:05:26 | |
# You know my knees were shaking my cheeks aflame | 1:05:26 | 1:05:28 | |
# He said "You'll never go down to the Gods again" | 1:05:29 | 1:05:32 | |
# Turn around, go back | 1:05:32 | 1:05:33 | |
# He struck the ground a cavern appeared | 1:05:33 | 1:05:36 | |
# And I smelt the burning pit of fear | 1:05:36 | 1:05:38 | |
# We crashed a thousand yards below | 1:05:39 | 1:05:42 | |
# I said "Do it again, do it again." | 1:05:42 | 1:05:45 | |
# Turn around, go back | 1:05:45 | 1:05:47 | |
# His nebulous body swayed above | 1:05:47 | 1:05:49 | |
# His tongue swollen with devil's love | 1:05:50 | 1:05:52 | |
# The snake and I a venom high | 1:05:53 | 1:05:55 | |
# I said "Do it again, do it again." | 1:05:56 | 1:05:58 | |
# Turn around go back | 1:05:58 | 1:06:00 | |
# Breathe, breathe, breathe deeply | 1:06:00 | 1:06:03 | |
# And I was seething breathing deeply | 1:06:03 | 1:06:05 | |
# Spitting sentry horned and tailed | 1:06:07 | 1:06:11 | |
# Waiting for you...ah you | 1:06:11 | 1:06:15 | |
# Oh-oh-oh-oh-oh-oh-oh-oh-oh-oh | 1:07:04 | 1:07:11 | |
# Oh-oh-oh-oh-oh-oh-oh-oh-oh-oh | 1:07:11 | 1:07:17 | |
# Oh-oh-oh-oh-oh-oh-oh-oh-oh-oh | 1:07:20 | 1:07:27 | |
# Oh-oh-oh-oh-oh | 1:07:27 | 1:07:30 | |
# Oh-oh-oh-oh-oh-oh. # | 1:07:31 | 1:07:35 | |
I'd like to introduce you to The Spiders From Mars. | 1:07:49 | 1:07:53 | |
On bass guitar we've got Trevor Bolder. | 1:07:56 | 1:07:58 | |
CHEERS AND APPLAUSE | 1:07:58 | 1:08:01 | |
And on percussive instruments and drums - Woody Woodmansey. | 1:08:03 | 1:08:07 | |
CHEERS | 1:08:07 | 1:08:10 | |
No, it's not Suzi Quatro on lead guitar - we've got Mick Ronson! | 1:08:11 | 1:08:14 | |
LOUD CHEERS | 1:08:14 | 1:08:16 | |
This is for Mick. | 1:08:21 | 1:08:22 | |
INTRO: "Let's Spend The Night Together" | 1:08:23 | 1:08:28 | |
# Don't you worry 'bout what's been on my mind | 1:08:45 | 1:08:48 | |
# I'm in no hurry I can take my time, oh yeah | 1:08:50 | 1:08:55 | |
# My tongue's going red and my mouth's getting dry oh-oh | 1:08:56 | 1:09:01 | |
# I'm out of my head | 1:09:01 | 1:09:03 | |
# I'm h-h-h-high | 1:09:05 | 1:09:06 | |
# Let's spend the night together Now I need you more than ever | 1:09:06 | 1:09:11 | |
# Let's spend the night together now | 1:09:11 | 1:09:15 | |
# I feel so strong that I can't disguise, oh my | 1:09:20 | 1:09:22 | |
# Well, I just won't apologize no | 1:09:25 | 1:09:27 | |
# Don't put me down | 1:09:30 | 1:09:33 | |
# We could have fun just by fooling around and around and around | 1:09:36 | 1:09:40 | |
# Let's spend the night together Now I need you more than ever | 1:09:40 | 1:09:46 | |
# Let's spend the night together now | 1:09:46 | 1:09:49 | |
# You see I'm smiling, baby You need some guiding, baby | 1:09:52 | 1:09:57 | |
# I'm just deciding, baby | 1:09:57 | 1:09:59 | |
# Let's spend the night together Now I need you more than ever | 1:09:59 | 1:10:05 | |
# Let's spend the night together now | 1:10:05 | 1:10:07 | |
# This doesn't happen to me every day oh no no no | 1:10:12 | 1:10:17 | |
# No excuses I've got anyway, oh my my-my-my-my-my | 1:10:18 | 1:10:23 | |
# I'll satisfy your every need You know I will | 1:10:24 | 1:10:27 | |
# And I'll know you'll satisfy me, oh-my-my-my my-my | 1:10:29 | 1:10:34 | |
# Let's spend the night together Now I need you more than ever | 1:10:34 | 1:10:39 | |
# Let's spend the night together Now I need you more than ever | 1:10:39 | 1:10:45 | |
# Let's spend the night together Now I need you more than ever | 1:10:45 | 1:10:50 | |
# Oh they said our love was too young | 1:10:50 | 1:10:54 | |
# That our kind of love was no fun | 1:10:54 | 1:10:57 | |
# But our love comes from above | 1:10:57 | 1:11:00 | |
# Let's do it | 1:11:01 | 1:11:03 | |
# Let's make love | 1:11:04 | 1:11:06 | |
# Ah! | 1:11:08 | 1:11:09 | |
# Oh yeah! | 1:11:12 | 1:11:13 | |
# Let's spend the night together Now I need you more than ever | 1:11:14 | 1:11:19 | |
# Let's spend the night together now. # | 1:11:19 | 1:11:22 | |
MUSIC: "Suffragette City" | 1:11:25 | 1:11:29 | |
-# Hey man! -Oh leave me alone I said, -hey man! -Oh Henry, get off the phone | 1:11:34 | 1:11:39 | |
-# I said, -hey man! -I gotta straighten my face | 1:11:39 | 1:11:43 | |
-# This mellow thighed chick just put my spine out of place I said, -hey man! | 1:11:43 | 1:11:47 | |
# My schooldays insane | 1:11:47 | 1:11:48 | |
-# I said, -hey man, -well my work's down the drain | 1:11:48 | 1:11:51 | |
-# I said, -hey man! -Well she's a total blam-blam | 1:11:51 | 1:11:54 | |
# She said she had to squeeze it but she... and then she... Oh don't lean on me, man | 1:11:54 | 1:11:58 | |
# Cos you can't afford the ticket I'm back on Suffragette City | 1:11:58 | 1:12:02 | |
# Oh don't lean on me, man Cos you can't afford the ticket | 1:12:02 | 1:12:06 | |
# I'm back on Suffragette City She's outta sight...she's all right | 1:12:06 | 1:12:12 | |
-# Hey, man! -Henry don't be unkind | 1:12:17 | 1:12:20 | |
-# Hey, man! -I can't take you this time no way | 1:12:20 | 1:12:23 | |
-# Hey, man! -Droogie don't crash here There's only room for one and here she comes and she comes | 1:12:23 | 1:12:28 | |
# Oh don't lean on me, man Cos you can't afford the ticket | 1:12:28 | 1:12:31 | |
# I'm back on Suffragette City | 1:12:31 | 1:12:33 | |
# Oh don't lean on me, man Cos you can't afford the ticket | 1:12:33 | 1:12:36 | |
# I'm back on Suffragette City She's outta sight... | 1:12:36 | 1:12:40 | |
# ..she's all right yeah | 1:12:42 | 1:12:43 | |
# Suffragette babe | 1:12:44 | 1:12:46 | |
# Oh Ziggy | 1:12:47 | 1:12:48 | |
# Whoo! | 1:12:50 | 1:12:51 | |
# Oh don't lean on me, man Cos you can't afford the ticket | 1:12:53 | 1:12:56 | |
# I'm back on Suffragette City | 1:12:56 | 1:12:58 | |
# Oh don't lean on me, man Cos you can't afford the ticket | 1:12:58 | 1:13:02 | |
# I'm back on Suffragette City | 1:13:02 | 1:13:04 | |
# Oh don't lean on me, man Cos you can't afford the ticket | 1:13:04 | 1:13:07 | |
# I'm back on Suffragette City | 1:13:07 | 1:13:10 | |
# Oh don't lean on me, man Cos you can't afford the ticket | 1:13:10 | 1:13:13 | |
# I'm back on Suffragette City | 1:13:13 | 1:13:15 | |
# She's outta sight...she's all right yeah | 1:13:16 | 1:13:19 | |
# Suffragette City, Suffragette City | 1:13:20 | 1:13:25 | |
# Oh my! Suffragette City She's all mine | 1:13:25 | 1:13:29 | |
-# Suffragette city! -Oh I wish you were mine! -Suffragette City | 1:13:29 | 1:13:33 | |
-# Oooh-hoo! -Suffragette City! -Oooh-hoo! -Suffragette City! -Oooh-hoo! | 1:13:33 | 1:13:39 | |
# Ohhh! Wham bam thank you, ma'am! | 1:13:45 | 1:13:49 | |
# We're Suffragette City | 1:13:51 | 1:13:52 | |
# Wooo! We're Suffragette City | 1:13:53 | 1:13:55 | |
-# She's all fine. -Suffragette City. | 1:13:55 | 1:13:57 | |
# Oh now I wish you were mine | 1:13:57 | 1:14:00 | |
-# Suffragette City! -Wey-ooo -Suffragette City! -Wey-ooo | 1:14:00 | 1:14:05 | |
-# Suffragette City! -Wey-ooo -Suffragette City! -Wey-ooo | 1:14:05 | 1:14:10 | |
# Suffragette | 1:14:10 | 1:14:12 | |
# Suffragette! # | 1:14:15 | 1:14:17 | |
Thank you! Good night. | 1:14:17 | 1:14:19 | |
Thank you. | 1:14:22 | 1:14:23 | |
-Where's my torch gone? There it is. -> | 1:14:29 | 1:14:32 | |
What's happening now is I've got indigestion. | 1:14:32 | 1:14:34 | |
-..Big belts. -Which is where? -On top of the wardrobe. | 1:14:36 | 1:14:39 | |
OK! Are we ready! | 1:14:45 | 1:14:46 | |
Thank you, very much | 1:14:49 | 1:14:50 | |
I'd like to do a... | 1:14:50 | 1:14:51 | |
..a number by a guy who tonight is in London somewhere making an album. | 1:14:53 | 1:14:57 | |
And I think he's a friend of mine. | 1:14:57 | 1:14:59 | |
Well, anyway, he's one of the best songwriters around today. His name's Lou Reed! | 1:14:59 | 1:15:03 | |
And this is one of his early things. It's called White Light White Heat. | 1:15:03 | 1:15:08 | |
-# White light - -white light gonna drive me out of my brain | 1:15:27 | 1:15:31 | |
-# White light - -white light gonna make me feel so insane | 1:15:31 | 1:15:34 | |
-# White heat - -white shapin' them down to my toes | 1:15:34 | 1:15:37 | |
-# White light - -white light's got it now, goodness knows | 1:15:37 | 1:15:40 | |
-# White light - -white light gonna drive me out of my mind | 1:15:40 | 1:15:44 | |
-# White light - -white light's surely gonna make me blind | 1:15:44 | 1:15:48 | |
-# White heat - -white shaping way down to my toes | 1:15:48 | 1:15:51 | |
-# White light - -white light could kill me now, goodness knows | 1:15:51 | 1:15:54 | |
# Oh, oh, white light | 1:15:54 | 1:15:58 | |
# Oh, oh, white light | 1:16:01 | 1:16:05 | |
# Oh, oh, oh, white heat | 1:16:07 | 1:16:11 | |
# Oh, oh, white heat | 1:16:14 | 1:16:18 | |
-# White light - -white light gonna drive me out of my brain | 1:16:20 | 1:16:23 | |
-# White light - -white light gonna make me feel so insane | 1:16:23 | 1:16:27 | |
-# White heat - -white shapin' them down to my toes | 1:16:27 | 1:16:30 | |
-# White light - -white light's got it now, goodness knows | 1:16:30 | 1:16:34 | |
-# White light - -white light gonna drive me out of my mind | 1:16:34 | 1:16:37 | |
-# White light - -white light's surely gonna make me blind | 1:16:37 | 1:16:41 | |
-# White heat - -white shaping way down to my toes | 1:16:41 | 1:16:44 | |
-# White light - -white light could kill me now, goodness knows | 1:16:44 | 1:16:47 | |
# Oh, oh, white light | 1:16:47 | 1:16:51 | |
# Oh, oh, white light | 1:16:54 | 1:16:58 | |
# Oh, oh, white heat | 1:17:00 | 1:17:04 | |
# Oh, oh, white heat | 1:17:07 | 1:17:11 | |
# Oh, oh, white light | 1:17:39 | 1:17:43 | |
# Oh, oh, white light | 1:17:46 | 1:17:49 | |
# Oh, Oh, oh, oh, white heat | 1:17:52 | 1:17:56 | |
# Oh, oh, oh, oh, white heat | 1:17:59 | 1:18:03 | |
# White light's a-flashing | 1:18:04 | 1:18:05 | |
# White light | 1:18:08 | 1:18:09 | |
# Still feels right | 1:18:10 | 1:18:12 | |
# What's that sound? What's that sound? Don't turn on, be dead or alive | 1:18:15 | 1:18:19 | |
# No feeling | 1:18:21 | 1:18:22 | |
# Here she comes | 1:18:22 | 1:18:24 | |
# Oooh yeah | 1:18:24 | 1:18:26 | |
# Here she comes. # | 1:18:27 | 1:18:28 | |
Thank you! Good night! | 1:18:51 | 1:18:55 | |
RAPTUROUS APPLAUSE | 1:18:55 | 1:18:57 | |
APPLAUSE BUILDS | 1:19:23 | 1:19:26 | |
WHISTLING AND CHEERING | 1:19:39 | 1:19:42 | |
Everybody...this has been...one of the greatest tours of our life, we really... | 1:19:50 | 1:19:57 | |
Ah, of all the shows on this tour, this particular show will remain with us the longest because... | 1:20:00 | 1:20:07 | |
CROWD SCREAMS | 1:20:07 | 1:20:09 | |
not only is it...not only is it the last show of the tour | 1:20:10 | 1:20:14 | |
but it's the last show that we'll ever do. Thank you. | 1:20:14 | 1:20:19 | |
AUDIENCE SCREAMS | 1:20:19 | 1:20:21 | |
INTRO: "Rock 'n' Roll Suicide" | 1:20:23 | 1:20:27 | |
# Time takes a cigarette, puts it in your mouth | 1:20:34 | 1:20:39 | |
# Pull on your finger, then another finger, then your cigarette | 1:20:40 | 1:20:46 | |
# The wall-to-wall is calling, it lingers but still you forget | 1:20:47 | 1:20:53 | |
# Ohhh, you're a rock 'n' roll suicide | 1:20:54 | 1:20:59 | |
# You're too young to lose it | 1:21:01 | 1:21:03 | |
# But you're too old to lose it | 1:21:05 | 1:21:07 | |
# And the clock waits so patiently on your song | 1:21:09 | 1:21:14 | |
# Well you walk past the cafe but you can't eat when you've lived too long | 1:21:15 | 1:21:21 | |
# Oh no no no, you're a rock 'n' roll suicide | 1:21:21 | 1:21:27 | |
# Now the Chev brakes are snarling as you stumble across the road | 1:21:29 | 1:21:35 | |
# But the day breaks instead so you hurry home | 1:21:37 | 1:21:41 | |
# Don't let the sunlight blast your shadow | 1:21:44 | 1:21:47 | |
# Don't let the milk float ride your mind | 1:21:47 | 1:21:51 | |
# You're so natural - religiously unkind | 1:21:51 | 1:21:56 | |
# Oh no, love, you're not alone | 1:21:56 | 1:22:00 | |
# You're watching yourself but you're too unfair | 1:22:01 | 1:22:04 | |
# You got your head all tangled up but if I can only make you care | 1:22:04 | 1:22:12 | |
# Oh no, love, you're not alone | 1:22:12 | 1:22:15 | |
# No matter what or who you've been | 1:22:15 | 1:22:19 | |
# No matter when or where you've seen | 1:22:19 | 1:22:21 | |
# All the knives seem to lacerate your brain | 1:22:22 | 1:22:25 | |
# I've had my share, now I'll help you with the pain | 1:22:25 | 1:22:30 | |
# You're not alone | 1:22:30 | 1:22:32 | |
# Just turn on with me and you're not alone | 1:22:36 | 1:22:40 | |
# Just turn on with me and you're not alone | 1:22:42 | 1:22:46 | |
# Just gimme your hands cos you're wonderful | 1:22:49 | 1:22:54 | |
# I said - gimme your hands cos you're wonderful | 1:22:55 | 1:23:00 | |
# Gimme your hands cos you're wonderful | 1:23:02 | 1:23:07 | |
# It's you | 1:23:08 | 1:23:09 | |
# Gimme your hands cos you're wonderful | 1:23:10 | 1:23:14 | |
-# Gimme your hands - -you're wonderful | 1:23:16 | 1:23:21 | |
-# Gimme your hands - -oh oh oh you're wonderful | 1:23:21 | 1:23:27 | |
# Oh oh oh you're wonderful... | 1:23:29 | 1:23:35 | |
# Cos you're wonderful | 1:23:46 | 1:23:48 | |
# Gimme your ha-a-and | 1:23:49 | 1:23:50 | |
# Cos you're wonderful baby | 1:23:52 | 1:23:53 | |
# Yeah! # | 1:23:55 | 1:23:56 | |
Thank you very much. Bye-bye. We love you. | 1:24:12 | 1:24:14 | |
CHEERS AND APPLAUSE | 1:24:18 | 1:24:21 | |
MUSIC: "Pomp And Circumstance March No 1" by Edward Elgar | 1:24:28 | 1:24:33 | |
MUSIC: "Beethoven Ninth Symphony" | 1:25:29 | 1:25:32 | |
Subtitles by Iain Black Red Bee Media Ltd | 1:25:55 | 1:25:58 | |
E-mail [email protected] | 1:25:58 | 1:26:02 |