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This is our home. | 0:00:05 | 0:00:07 | |
From up here, it looks the same as it has done for thousands of years. | 0:00:11 | 0:00:15 | |
But get a bit closer and you can see we've made a few changes. | 0:00:17 | 0:00:22 | |
'We're redesigning our world.' | 0:00:22 | 0:00:26 | |
Three, two, one... | 0:00:26 | 0:00:28 | |
Whoa! | 0:00:28 | 0:00:29 | |
'Wherever you look...' | 0:00:29 | 0:00:31 | |
Just don't, whatever you do, look down. | 0:00:31 | 0:00:34 | |
'..you'll see the scale of this supersized transformation.' | 0:00:34 | 0:00:37 | |
Our generation is changing the face of the planet as never before. | 0:00:39 | 0:00:44 | |
I'm Dallas Campbell, | 0:00:44 | 0:00:46 | |
and in this series I'll show you how we're shaping the modern world. | 0:00:46 | 0:00:50 | |
We're building faster than ever, | 0:00:51 | 0:00:54 | |
transforming whole landscapes in the blink of an eye. | 0:00:54 | 0:00:58 | |
I've got DIY projects in my house that have taken longer than | 0:01:01 | 0:01:05 | |
it's taken Shanghai to build an entire city. | 0:01:05 | 0:01:07 | |
We're opening up the earth... | 0:01:09 | 0:01:10 | |
..and conquering the sky, making it a place we can call home. | 0:01:11 | 0:01:17 | |
BUSTLING VOICES | 0:01:17 | 0:01:19 | |
-Do you get nervous at all? -Yes. -Get a little bit scared? -Yeah. | 0:01:19 | 0:01:22 | |
I'll join the people who'll make the impossible, possible. | 0:01:22 | 0:01:27 | |
This is clearly one of the most dangerous jobs in the world. | 0:01:27 | 0:01:30 | |
I can't believe someone's actually thrown away a horse! | 0:01:31 | 0:01:34 | |
That's the kind of stuff you find in the sewage. | 0:01:34 | 0:01:37 | |
-Thank you very much. -You're my hero! | 0:01:37 | 0:01:39 | |
Our world is becoming a man-made world. | 0:01:39 | 0:01:43 | |
HE EXHALES DEEPLY | 0:02:11 | 0:02:12 | |
This is it. | 0:02:15 | 0:02:17 | |
This is as high as it's possible to climb | 0:02:28 | 0:02:31 | |
on any man-made structure on the planet. | 0:02:31 | 0:02:35 | |
I'm over 800 metres high. That's more than half a mile above Dubai. | 0:02:36 | 0:02:41 | |
And this is the world's tallest building. | 0:02:41 | 0:02:44 | |
A building like this would have been inconceivable a generation ago. | 0:02:48 | 0:02:53 | |
But it's testament to what we can do now. | 0:02:53 | 0:02:56 | |
Today, we build man-made mountain ranges | 0:03:00 | 0:03:04 | |
stretching as far as the eye can see. | 0:03:04 | 0:03:06 | |
But the story of how we scaled these heights started a long time ago... | 0:03:12 | 0:03:16 | |
-CAT MEOWS -..and right on our doorstep. | 0:03:16 | 0:03:19 | |
-MAN RINGS BICYCLE BELL -Morning, vicar! | 0:03:19 | 0:03:21 | |
For thousands of years we've had a passion to build high. | 0:03:23 | 0:03:27 | |
In fact, Britain itself was once home to the tallest building in the world. | 0:03:27 | 0:03:32 | |
In the Middle Ages, | 0:03:35 | 0:03:37 | |
Lincoln Cathedral became the tallest building the world had ever seen, | 0:03:37 | 0:03:41 | |
breaking the record that Egypt's Great Pyramid had held | 0:03:41 | 0:03:44 | |
for almost 4,000 years. | 0:03:44 | 0:03:46 | |
But if you think about it, the pyramid is almost solid stone. | 0:03:47 | 0:03:51 | |
It was designed as a mausoleum for one person. | 0:03:51 | 0:03:55 | |
This place, on the other hand, | 0:03:55 | 0:03:57 | |
was designed for thousands of people to congregate. | 0:03:57 | 0:04:00 | |
To build so high, the architects of Lincoln had to make | 0:04:02 | 0:04:05 | |
a major construction breakthrough. | 0:04:05 | 0:04:08 | |
If you want to build a building that's high | 0:04:10 | 0:04:13 | |
and has a huge internal space, a space that people can use, | 0:04:13 | 0:04:16 | |
a space that people can actually come together, | 0:04:16 | 0:04:19 | |
then you really need to rethink your engineering techniques. | 0:04:19 | 0:04:24 | |
The medieval builders had to come to terms with the forces of gravity. | 0:04:27 | 0:04:31 | |
HE PANTS | 0:04:31 | 0:04:32 | |
And to see how they did it, so do I. | 0:04:32 | 0:04:34 | |
Oh, it's beautiful. Wow. | 0:04:53 | 0:04:56 | |
The architects stripped as much stone from the structure | 0:04:58 | 0:05:01 | |
as they dared, leaving just enough to keep it standing. | 0:05:01 | 0:05:04 | |
If you just think about the physical forces | 0:05:06 | 0:05:10 | |
that are at play on this building, | 0:05:10 | 0:05:13 | |
all these huge bits of structure leaning against each other, | 0:05:13 | 0:05:15 | |
creating this perfect balance. | 0:05:15 | 0:05:18 | |
And you can see from here how it all fits together. | 0:05:20 | 0:05:23 | |
A network of hundreds of arches, ribbed vaults and columns keep this building standing. | 0:05:25 | 0:05:31 | |
They're like the cathedral's stone skeleton. | 0:05:34 | 0:05:38 | |
The ribbed vaults help spread the immense weight of all the stone. | 0:05:40 | 0:05:44 | |
The pointed arches channel the load down through the columns. | 0:05:44 | 0:05:49 | |
To give the cathedral its height, | 0:05:55 | 0:05:57 | |
an enormous stone tower is supported on just four great pillars. | 0:05:57 | 0:06:02 | |
Nearly 700 years later, this vast building remains rock solid. | 0:06:07 | 0:06:11 | |
But to be the world's tallest building, | 0:06:15 | 0:06:19 | |
the medieval cathedral was once even higher. | 0:06:19 | 0:06:22 | |
The current height of the cathedral is 80 metres, and it is magnificent. | 0:06:23 | 0:06:30 | |
But what's even more spectacular is what you can't see, | 0:06:30 | 0:06:32 | |
because actually, back in the day, it used to be a lot taller. | 0:06:32 | 0:06:36 | |
Building high back then was about making a connection with | 0:06:36 | 0:06:39 | |
the heavens, getting closer to God, so they just kept on going. | 0:06:39 | 0:06:43 | |
Three enormous spires were built on top of the cathedral's towers. | 0:06:48 | 0:06:53 | |
The largest, standing at 80 metres high, | 0:06:54 | 0:06:57 | |
doubled the height of the building. | 0:06:57 | 0:07:00 | |
The spires stood over two centuries before collapsing in a storm. | 0:07:04 | 0:07:09 | |
But with them, Lincoln Cathedral was 14 metres taller than the Great Pyramid. | 0:07:09 | 0:07:15 | |
To build higher than that | 0:07:17 | 0:07:19 | |
required a revolutionary new building material - steel. | 0:07:19 | 0:07:24 | |
Inspired by the engineering of the Industrial Revolution, | 0:07:26 | 0:07:29 | |
the Eiffel Tower is almost twice the height of Lincoln Cathedral. | 0:07:29 | 0:07:33 | |
In 1930, New York's Chrysler Building was the first "world's tallest" to use a steel skeleton. | 0:07:38 | 0:07:44 | |
And just one year later, the mighty Empire State Building | 0:07:47 | 0:07:51 | |
used the new construction method to go even higher. | 0:07:51 | 0:07:54 | |
The next major breakthrough came in 1972 | 0:08:02 | 0:08:05 | |
with New York's sleek and very tall World Trade Centre. | 0:08:05 | 0:08:09 | |
And soon after, Chicago's even taller Sears Tower. | 0:08:11 | 0:08:16 | |
Glass walls fixed to a completely steel structure made this building much lighter. | 0:08:17 | 0:08:23 | |
Later, the Petronas Towers in Kuala Lumpur used steel and glass over an outside frame of concrete | 0:08:26 | 0:08:32 | |
which was built around a reinforced central concrete core. | 0:08:32 | 0:08:36 | |
This provided the strength and the shape. | 0:08:36 | 0:08:40 | |
Skyscrapers no longer needed to be box-like. | 0:08:40 | 0:08:44 | |
They had become works of art. | 0:08:45 | 0:08:47 | |
Taipei 101 was the first building to reach half a kilometre high. | 0:08:50 | 0:08:54 | |
It was hard to imagine going any higher. | 0:09:01 | 0:09:04 | |
These are the deserts of Dubai. | 0:09:25 | 0:09:27 | |
It's in this dry and windy landscape that the world's first mega-tower has risen. | 0:09:29 | 0:09:33 | |
And it's rewritten the record books. | 0:09:36 | 0:09:38 | |
I'm standing in a shadow that's being cast by a structure | 0:09:41 | 0:09:45 | |
with a unique claim to fame. | 0:09:45 | 0:09:47 | |
It's about a mile-and-a-half or so in that direction | 0:09:47 | 0:09:50 | |
and over half a mile in that direction. | 0:09:50 | 0:09:53 | |
And at 829 metres, it dwarfs every other building on the planet. | 0:09:53 | 0:10:00 | |
Look at it. | 0:10:14 | 0:10:16 | |
It is ridiculous! That is off the chart. | 0:10:16 | 0:10:20 | |
The engineers had no blueprint to copy | 0:10:21 | 0:10:24 | |
when building the world's first mega-tower. | 0:10:24 | 0:10:28 | |
What they came up with wasn't always as hi-tech as you might imagine. | 0:10:29 | 0:10:34 | |
It looks so fragile and elegant, but if you take away all the glass, | 0:10:37 | 0:10:40 | |
you can see it's actually held up by good, old-fashioned brute force. | 0:10:40 | 0:10:43 | |
330,000 cubic metres of concrete. | 0:10:43 | 0:10:48 | |
The Burj Khalifa has a frame made entirely of reinforced concrete. | 0:10:56 | 0:11:01 | |
During its construction, liquid concrete was packed in ice | 0:11:03 | 0:11:06 | |
to stop it setting in the desert heat, | 0:11:06 | 0:11:08 | |
and then pumped 600 metres up. | 0:11:08 | 0:11:12 | |
That took a pressure of a massive 200 atmospheres. | 0:11:14 | 0:11:17 | |
Its final height advanced the "world's tallest" record | 0:11:21 | 0:11:24 | |
by a staggering 320 metres. | 0:11:24 | 0:11:27 | |
That's equivalent to an extra Eiffel Tower. | 0:11:27 | 0:11:30 | |
Brute force raised the tower, | 0:11:36 | 0:11:38 | |
but keeping it standing isn't about strength alone. | 0:11:38 | 0:11:41 | |
It's also about clever aerodynamics. | 0:11:41 | 0:11:43 | |
-Welcome to the Burj Khalifa. -Pleasure, thank you for having me. -Please follow me. -Thank you. | 0:11:43 | 0:11:47 | |
To understand this for myself, | 0:11:50 | 0:11:53 | |
I'm heading to a place few people are ever allowed to go. | 0:11:53 | 0:11:56 | |
-Dallas, floor 160. -Thank you very much. | 0:12:01 | 0:12:05 | |
I'm really nervous. | 0:12:21 | 0:12:22 | |
-Dallas, do you want to come over? -Yeah, I'm coming. | 0:12:23 | 0:12:27 | |
-OK, Dallas. -Yep. | 0:12:27 | 0:12:29 | |
Just step in and I'll check you out. | 0:12:29 | 0:12:32 | |
I was secretly hoping that it was going to be too windy today | 0:12:32 | 0:12:35 | |
and it would all be cancelled and we could all just go home. | 0:12:35 | 0:12:38 | |
Somehow the windows would just clean themselves. | 0:12:38 | 0:12:40 | |
Unfortunately for you, no. | 0:12:40 | 0:12:42 | |
-I'm absolutely terrified. I've never been this scared in my life. -Really? | 0:12:42 | 0:12:45 | |
Well, you know, it's pretty high up here. | 0:12:45 | 0:12:48 | |
DALLAS EXHALES DEEPLY | 0:12:48 | 0:12:51 | |
-Good. It'll be fine. -Yeah, that's good. | 0:12:53 | 0:12:56 | |
The leg ones - don't want to be too tight? | 0:12:56 | 0:12:58 | |
Not too tight, so you're comfortable. Right, one more, round here. OK. | 0:12:58 | 0:13:01 | |
-And you are ready to rock. Good to go. -Let's go to work. -OK. | 0:13:01 | 0:13:06 | |
After you. | 0:13:06 | 0:13:07 | |
-This is Xiao Lau. -Hello. | 0:13:08 | 0:13:11 | |
-Good to meet you. -Barry Hannah. -Nice to meet you. | 0:13:11 | 0:13:14 | |
-This is Davie. -Davie, how do you do? Nice to meet you. | 0:13:14 | 0:13:17 | |
-This is Shri Krishna. -Good to meet you. | 0:13:17 | 0:13:19 | |
I'm going to try and not let you down. | 0:13:19 | 0:13:21 | |
Today, I'm going to join the team whose job it is | 0:13:29 | 0:13:31 | |
to clean the outside of the world's highest windows. | 0:13:31 | 0:13:36 | |
Just pull a little slack through. | 0:13:51 | 0:13:54 | |
Just pull up on this one. | 0:13:54 | 0:13:57 | |
A little bit more. OK, now lock the handle off. | 0:14:00 | 0:14:04 | |
Yeah, yeah. > | 0:14:04 | 0:14:06 | |
OK. OK, just lean back, just lean back. | 0:14:06 | 0:14:09 | |
You're OK, you can't go nowhere. | 0:14:09 | 0:14:12 | |
-I need the bucket. -Yeah, hang on a second. Take this... | 0:14:15 | 0:14:19 | |
Dry mouth. | 0:14:21 | 0:14:23 | |
Do you get nervous at all? | 0:14:23 | 0:14:25 | |
-Yes. -Get a little bit scared? -Yeah. -I haven't looked down yet. | 0:14:25 | 0:14:29 | |
Now I've looked down! | 0:14:30 | 0:14:33 | |
It's almost inconceivable how high these windows are. | 0:14:34 | 0:14:39 | |
I'm 60 metres above the next platform below, | 0:14:39 | 0:14:42 | |
which is, in itself, 600 metres above the ground - | 0:14:42 | 0:14:46 | |
higher than the previous world's tallest building. | 0:14:46 | 0:14:49 | |
At this height, if I dropped anything, | 0:14:57 | 0:14:59 | |
it could do serious damage. | 0:14:59 | 0:15:01 | |
Building high, there's a load of factors you've got to take into consideration. | 0:15:11 | 0:15:15 | |
One of them is gravity, which I'm feeling right now. | 0:15:15 | 0:15:18 | |
But the thing about gravity is it's very predictable. | 0:15:18 | 0:15:21 | |
It's a force that's going one way. | 0:15:21 | 0:15:23 | |
The thing you've really got to worry about is wind, | 0:15:23 | 0:15:25 | |
because by its very nature it's unpredictable, it swirls around | 0:15:25 | 0:15:29 | |
and it can affect the building - as well as window cleaners. | 0:15:29 | 0:15:33 | |
Surprisingly, very tall buildings aren't in danger of | 0:15:36 | 0:15:39 | |
being blown over, but of being sucked over. | 0:15:39 | 0:15:42 | |
As wind hits them, it can form small whirlwinds, called vortices. | 0:15:44 | 0:15:49 | |
This swirling air can create low-pressure areas that tug at the building. | 0:15:49 | 0:15:54 | |
And if enough of them combine up the tall straight sides, | 0:15:54 | 0:15:57 | |
they could make the tower rock from side to side. | 0:15:57 | 0:16:01 | |
So why doesn't this happen to the Burj Khalifa? | 0:16:02 | 0:16:05 | |
Well, it's taken some careful aerodynamic design. | 0:16:05 | 0:16:09 | |
By stepping the building in as it rises | 0:16:10 | 0:16:13 | |
and introducing angles and curves, the Burj Khalifa breaks up | 0:16:13 | 0:16:17 | |
the desert wind, preventing the vortices from combining dangerously. | 0:16:17 | 0:16:21 | |
The designers call it "confusing the wind", | 0:16:24 | 0:16:27 | |
and they reckon it's the only way to build this high. | 0:16:27 | 0:16:30 | |
It strikes me, being out here, that even though we are in such | 0:16:33 | 0:16:36 | |
a technically advanced building, in order to keep it nice and clean, | 0:16:36 | 0:16:42 | |
you still can't beat a man with a squeegee and a bucket. | 0:16:42 | 0:16:47 | |
It takes three months to clean all 24,000 windows, | 0:16:55 | 0:16:58 | |
and when they've finished, the team has to start all over again. | 0:16:58 | 0:17:04 | |
If you are going to build a building that's truly iconic, | 0:17:04 | 0:17:07 | |
you've got to make it look nice. | 0:17:07 | 0:17:08 | |
-And keep it looking nice! -And keep it looking nice, exactly, yeah. | 0:17:08 | 0:17:12 | |
Keep going, you're all right. Keep going. Lovely. | 0:17:28 | 0:17:32 | |
Wow, that was intense! I don't know how those guys do it every day. | 0:17:35 | 0:17:39 | |
EXHALES DEEPLY | 0:17:39 | 0:17:41 | |
That was intense. But good. | 0:17:41 | 0:17:44 | |
The tallest structure on the planet shows the extent of our ambition. | 0:17:48 | 0:17:53 | |
The small fishing village of Dubai has been transformed | 0:17:55 | 0:17:58 | |
into a metropolis of over two million people. | 0:17:58 | 0:18:02 | |
In just 30 years, | 0:18:04 | 0:18:06 | |
over 150 skyscrapers have risen from the sands. | 0:18:06 | 0:18:10 | |
And the mighty Burj Khalifa acts like a beacon, | 0:18:15 | 0:18:18 | |
drawing the world's attention to this city in the desert. | 0:18:18 | 0:18:23 | |
It would have been impossible to achieve a generation ago. | 0:18:23 | 0:18:26 | |
Hey, come on! | 0:18:47 | 0:18:48 | |
Get outta here! | 0:18:48 | 0:18:50 | |
The epic scale of our redesign of the Earth | 0:18:51 | 0:18:55 | |
is most obvious in the world's cities. | 0:18:55 | 0:18:58 | |
Almost as many people live in urban areas today | 0:19:03 | 0:19:06 | |
as existed on the entire planet in 1970. | 0:19:06 | 0:19:10 | |
And in 2008, we reached an important tipping point. | 0:19:14 | 0:19:18 | |
For the first time in human history, | 0:19:18 | 0:19:21 | |
more than half of us live in towns and cities. | 0:19:21 | 0:19:25 | |
We've paved over a million-and-a-half square miles of the Earth's surface. | 0:19:25 | 0:19:29 | |
Now, to really understand what that means, | 0:19:29 | 0:19:32 | |
try and imagine all the cities brought together in one place. | 0:19:32 | 0:19:37 | |
A bristling forest of skyscrapers would stretch further than the eye could see. | 0:19:46 | 0:19:51 | |
London, neighbours with New York. | 0:19:56 | 0:19:58 | |
Paris alongside Tokyo. | 0:20:02 | 0:20:04 | |
One vast, sprawling super-city. | 0:20:08 | 0:20:11 | |
But the most amazing thing is if you were to pull together | 0:20:23 | 0:20:26 | |
all of the world's urban areas side by side, then that monster | 0:20:26 | 0:20:30 | |
metropolis would only cover about 1% of the surface of the planet. | 0:20:30 | 0:20:35 | |
In other words, over half of us live together in a space that would | 0:20:37 | 0:20:40 | |
fit comfortably onto an island just half the size of Australia, | 0:20:40 | 0:20:45 | |
or 187 times the size of Wales. That's the country, not the mammal. | 0:20:45 | 0:20:50 | |
When so many of us choose to live in cities, | 0:20:58 | 0:21:01 | |
the challenge is to cram everyone in. | 0:21:01 | 0:21:04 | |
Hong Kong is now one of the most densely populated cities | 0:21:05 | 0:21:08 | |
in the world. | 0:21:08 | 0:21:10 | |
But though it looks like a city of the future, | 0:21:19 | 0:21:22 | |
much of Hong Kong has actually been built | 0:21:22 | 0:21:25 | |
using a scaffolding method from the past. | 0:21:25 | 0:21:29 | |
And this is the wonder material, just good old bamboo. | 0:21:33 | 0:21:36 | |
They've been using this for thousands of years. | 0:21:36 | 0:21:39 | |
As a scaffolding technique, if it ain't broke, why fix it? | 0:21:39 | 0:21:44 | |
Hi, Clement, how are you today? | 0:21:44 | 0:21:45 | |
Good, how are you? | 0:21:45 | 0:21:47 | |
Will you be able to get all this up in a day? | 0:21:47 | 0:21:49 | |
-Yeah. -Seriously? -Yeah, yeah, yeah. | 0:21:49 | 0:21:51 | |
It's pretty high, how many floors is that? | 0:21:51 | 0:21:53 | |
It's 13 floors. | 0:21:53 | 0:21:55 | |
So why bamboo, why not steel? What's good about bamboo? | 0:21:55 | 0:21:58 | |
Compared with the metal scaffolding it's much cheaper, | 0:21:58 | 0:22:01 | |
and it's easy to install. | 0:22:01 | 0:22:02 | |
And presumably, as well, I mean, we were watching them, | 0:22:02 | 0:22:05 | |
-you can cut it to size, you just chop a bit off? -Right, yeah. | 0:22:05 | 0:22:07 | |
If it's very windy, | 0:22:07 | 0:22:09 | |
if there's, like, a typhoon, do you leave the scaffolding up? | 0:22:09 | 0:22:13 | |
-We still leave it. -It's fine in high winds? -It's fine. | 0:22:13 | 0:22:17 | |
Does it take a lot of training? | 0:22:17 | 0:22:19 | |
-Over ten years. -Over ten years! | 0:22:19 | 0:22:21 | |
I'd quite like to have a go and just see how difficult it is. | 0:22:21 | 0:22:24 | |
Bamboo's hollow stem and tough fibres make it light and strong, | 0:22:34 | 0:22:38 | |
and the joints in each pole give it the flexibility it needs | 0:22:38 | 0:22:41 | |
to cope with extreme weather. | 0:22:41 | 0:22:44 | |
The professionals can construct over 100 metres in a day. | 0:22:47 | 0:22:51 | |
I like to think I've contributed my little bit. | 0:22:53 | 0:22:56 | |
-Look at that! -Yeah. good. | 0:22:59 | 0:23:01 | |
Every year, the demand for living space in Hong Kong increases. | 0:23:05 | 0:23:10 | |
And as more homes are squeezed in, buildings keep getting higher. | 0:23:10 | 0:23:13 | |
Ap Lei Chau is one of the densest residential areas of the city. | 0:23:19 | 0:23:22 | |
Yin Yin Tong's family lives over 70 metres up. | 0:23:25 | 0:23:29 | |
Her children only know a life in the sky. | 0:23:31 | 0:23:33 | |
-In you go. -OK. | 0:23:37 | 0:23:39 | |
-Right, what floor are we going to? -The 25th floor. | 0:23:39 | 0:23:42 | |
-25. -25. -It's all about elevators, Hong Kong. | 0:23:42 | 0:23:45 | |
Yes, up and down, up and down, down and up. | 0:23:45 | 0:23:48 | |
Yin Yin moved here from England, in 2004. | 0:23:50 | 0:23:53 | |
-So you've left Brighton for your new life in Hong Kong. -Yes. | 0:23:53 | 0:23:57 | |
And you arrive at your front door in your brand new flat. | 0:23:57 | 0:24:01 | |
-What do you think? -Blimey, this is small. | 0:24:01 | 0:24:05 | |
It's small, but is this a sort of normal... | 0:24:08 | 0:24:10 | |
I mean, would this be considered small in Hong Kong standards? | 0:24:10 | 0:24:13 | |
No, this would be considered quite big. | 0:24:13 | 0:24:15 | |
-It's a pretty spectacular view, isn't it? -Yeah, it is. | 0:24:15 | 0:24:18 | |
What about playing, I mean for kids, obviously, they need to run around? | 0:24:18 | 0:24:22 | |
There's a park downstairs. | 0:24:22 | 0:24:25 | |
-Even that's actually raised up, as well. -Yeah, it is raised. | 0:24:25 | 0:24:28 | |
Everything's slightly raised up. | 0:24:28 | 0:24:30 | |
Yeah, even the netball court is, like, raised up from the ground, | 0:24:30 | 0:24:33 | |
-so nothing is completely on ground level. -Yeah. | 0:24:33 | 0:24:37 | |
This is worlds away from what Yin Yin grew up with back in the UK. | 0:24:37 | 0:24:42 | |
How is it different, living in a high-rise area? | 0:24:42 | 0:24:45 | |
Well, just everything is geared upwards, basically. You adapt to it. | 0:24:45 | 0:24:51 | |
Most people here live like this, so you have to get used to it. | 0:24:51 | 0:24:55 | |
What kind of mushrooms are these? | 0:24:56 | 0:24:58 | |
These are Korean mushrooms, Korean mushrooms. | 0:24:58 | 0:25:01 | |
You're not supposed to eat them. | 0:25:01 | 0:25:05 | |
You can eat a raw mushroom! | 0:25:05 | 0:25:06 | |
Not Korean ones! | 0:25:08 | 0:25:10 | |
Over 1,000 people live in each of these blocks, | 0:25:16 | 0:25:18 | |
and there are at least 20 of them in this one estate. | 0:25:18 | 0:25:22 | |
So more than 20,000 people live within a half mile radius, | 0:25:22 | 0:25:26 | |
stacked one on top of the other. | 0:25:26 | 0:25:29 | |
Hong Kong has embraced high-rise living so successfully, nearly | 0:25:33 | 0:25:36 | |
three million people make their home above the 14th floor. | 0:25:36 | 0:25:40 | |
That's more than the population of Chicago, | 0:25:42 | 0:25:45 | |
America's third-largest city. | 0:25:45 | 0:25:47 | |
The modern city is extraordinary. | 0:25:55 | 0:25:57 | |
It might just be our greatest invention. | 0:25:57 | 0:25:59 | |
I mean just look around here for example, try and imagine, | 0:25:59 | 0:26:02 | |
try and visualize what all those people living together | 0:26:02 | 0:26:05 | |
actually looks like. | 0:26:05 | 0:26:07 | |
MUSIC: "Warm In The Winter by Glass Candy | 0:26:08 | 0:26:11 | |
# Love is in the air, oh | 0:26:11 | 0:26:15 | |
# Love is in the air, yeah | 0:26:17 | 0:26:23 | |
# We're warm in the winter | 0:26:25 | 0:26:28 | |
# Sunny on the inside | 0:26:29 | 0:26:31 | |
# More warm in the winter | 0:26:33 | 0:26:35 | |
# Sunny on the inside | 0:26:37 | 0:26:38 | |
# Woo! # | 0:26:40 | 0:26:42 | |
It's not just Hong Kong. | 0:26:56 | 0:26:59 | |
Across the planet, hundreds of millions of us | 0:26:59 | 0:27:03 | |
are squeezing into cities that have risen into the sky. | 0:27:03 | 0:27:06 | |
In a single generation, the urban world has exploded in size. | 0:27:15 | 0:27:19 | |
In 1970, just two cities on the planet | 0:27:21 | 0:27:24 | |
had a population of more than ten million. | 0:27:24 | 0:27:26 | |
Now there are 21. | 0:27:29 | 0:27:30 | |
Our future is staked on the success of these vast urban areas. | 0:27:33 | 0:27:37 | |
And to keep a mega-metropolis running smoothly | 0:27:39 | 0:27:42 | |
demands some mega engineering. | 0:27:42 | 0:27:44 | |
This city has a major problem staying healthy. | 0:28:01 | 0:28:07 | |
The reason? It's been built in entirely the wrong place. | 0:28:10 | 0:28:14 | |
So over there, in that direction, just through the smog, | 0:28:19 | 0:28:22 | |
you've got a chain of active volcanoes. | 0:28:22 | 0:28:24 | |
That way, you're right by one of the world's earthquake hotspots. | 0:28:24 | 0:28:28 | |
So, all in all, you'd think it's not really an ideal location | 0:28:28 | 0:28:31 | |
for a city of over 20 million people. | 0:28:31 | 0:28:34 | |
And if that wasn't bad enough, there's something else. | 0:28:34 | 0:28:37 | |
Mexico City is built in the crater of an enormous volcano. | 0:28:40 | 0:28:44 | |
And it's on the move. Downwards. | 0:28:44 | 0:28:47 | |
Just to give you an idea of the extent of the problem, Venice, | 0:28:50 | 0:28:54 | |
which I suppose is the city we most associate with sinking, | 0:28:54 | 0:28:57 | |
is dropping around about seven inches over the last century, | 0:28:57 | 0:29:01 | |
so, you know, the height of a kerb. | 0:29:01 | 0:29:02 | |
Mexico City, by contrast, has dropped around 30 feet, | 0:29:02 | 0:29:08 | |
so about the height of this entire building. | 0:29:08 | 0:29:10 | |
And you can kind of see it everywhere you go in Mexico City. | 0:29:10 | 0:29:12 | |
The whole place is, sort of, undulating. | 0:29:12 | 0:29:15 | |
Nowhere is really level. | 0:29:15 | 0:29:16 | |
In fact, you might be able to see just over there, | 0:29:16 | 0:29:19 | |
where that car's coming, the road is kind of bent and buckled. | 0:29:19 | 0:29:21 | |
The entire city is just slowly sinking downwards. | 0:29:21 | 0:29:24 | |
The subsidence is bad enough at street level. | 0:29:29 | 0:29:32 | |
But Mexico City's problems are even worse under the ground. | 0:29:32 | 0:29:36 | |
The plumbing that keeps the city healthy is failing fast. | 0:29:36 | 0:29:40 | |
120/80. | 0:29:48 | 0:29:49 | |
Esta muy bien. | 0:29:49 | 0:29:51 | |
As the ground sinks, | 0:29:52 | 0:29:53 | |
it reverses the downward gradient of the sewage system, | 0:29:53 | 0:29:57 | |
so instead of all the raw sewage flowing away from the city, | 0:29:57 | 0:30:00 | |
as is customary, it actually starts to flow back towards the city. | 0:30:00 | 0:30:04 | |
And obviously, you know, if nothing's done about that, | 0:30:04 | 0:30:06 | |
it means Mexico City will end up drowning in its own filth. | 0:30:06 | 0:30:09 | |
Engineers have begun work on a new super-sewer. | 0:30:11 | 0:30:15 | |
But until it's ready, professional diver Julio | 0:30:15 | 0:30:20 | |
has Mexico's most unenviable job. | 0:30:20 | 0:30:22 | |
And today, the most nervous apprentice. | 0:30:26 | 0:30:29 | |
Mexico City's sewers get blocked up so regularly, | 0:30:31 | 0:30:35 | |
Julio and his team are forced to dive into the raw sewage | 0:30:35 | 0:30:39 | |
to unblock the pipes by hand. | 0:30:39 | 0:30:42 | |
If you came into contact with raw sewage, how dangerous is that? | 0:30:45 | 0:30:48 | |
What kinds of diseases could you get? | 0:30:48 | 0:30:50 | |
OK, well, that doesn't sound too bad. That sounds all right. | 0:31:06 | 0:31:09 | |
Hey! | 0:31:14 | 0:31:15 | |
'My job today is to help Julio maintain one of the massive pumps | 0:31:15 | 0:31:19 | |
'that keeps the sewage moving.' | 0:31:19 | 0:31:22 | |
When you look at the surface of it, I'd just assumed that was the floor. | 0:31:23 | 0:31:27 | |
I'd assumed people had just dropped rubbish there. | 0:31:27 | 0:31:30 | |
And then I realized that's actually the surface of the water. | 0:31:30 | 0:31:32 | |
It's truly disgusting. And the smell is so bad. It's indescribable! | 0:31:32 | 0:31:37 | |
Several pumping stations, like this one, | 0:31:39 | 0:31:42 | |
force Mexico City's sewage uphill and out of the city. | 0:31:42 | 0:31:46 | |
But the huge underwater pumps regularly become blocked with | 0:31:47 | 0:31:51 | |
rubbish dumped into the sewers. | 0:31:51 | 0:31:53 | |
What exactly are we going to be diving into today? | 0:31:55 | 0:31:57 | |
-Aguas negras? -Aguas negras. | 0:32:03 | 0:32:05 | |
-Black water. -Yes. -Why? | 0:32:05 | 0:32:07 | |
As if I need to ask why it's called black water! | 0:32:07 | 0:32:10 | |
Mexico City, unlike, say, London, | 0:32:22 | 0:32:25 | |
dumps all of its liquid waste into a single sewer, | 0:32:25 | 0:32:29 | |
making this some of the most toxic sewage on the entire planet. | 0:32:29 | 0:32:33 | |
I mean, this is clearly one of the most dangerous jobs in the world. | 0:32:35 | 0:32:38 | |
-How many divers in your team? -Dos, dos buzos. | 0:32:38 | 0:32:42 | |
-There's two divers for the whole of Mexico? -Yes. | 0:32:42 | 0:32:45 | |
-That's it? -Yes. | 0:32:45 | 0:32:46 | |
I shouldn't be surprised that few people want a job this perilous. | 0:32:49 | 0:32:53 | |
One of Julio's colleagues was drowned when he was swept away | 0:32:55 | 0:32:58 | |
by an unexpected surge of wastewater. | 0:32:58 | 0:33:01 | |
-And this is definitely closed? -Si. | 0:33:03 | 0:33:05 | |
It's closed? Let's just keep it closed, we'll keep it closed? | 0:33:05 | 0:33:08 | |
-Esta cerrado. -It's closed? It's done? OK, cool. | 0:33:08 | 0:33:11 | |
All right, I'm ... scared now. | 0:33:11 | 0:33:13 | |
-Thank you. -OK? | 0:33:16 | 0:33:18 | |
This gaffer tape, this is OK on the suit? | 0:33:18 | 0:33:21 | |
-No problem. -No problem? -OK. -OK. | 0:33:21 | 0:33:23 | |
Dallas, are you OK? | 0:33:31 | 0:33:33 | |
I'm good, I'm fine. | 0:33:33 | 0:33:34 | |
'You are ready to go.' | 0:33:34 | 0:33:36 | |
Oh, my God, this is scary. | 0:33:48 | 0:33:51 | |
Good luck! | 0:33:58 | 0:33:59 | |
OK, we're just about at the surface of the water. | 0:34:09 | 0:34:11 | |
OK, here we go! | 0:34:15 | 0:34:17 | |
My God, it's completely black. | 0:34:23 | 0:34:25 | |
Pitch black, but hopefully, with a torch you can see | 0:34:28 | 0:34:31 | |
the horrors that are beneath here. | 0:34:31 | 0:34:33 | |
Just bits of food floating about, God knows what. | 0:34:36 | 0:34:40 | |
You know, when you pull the chain | 0:34:42 | 0:34:44 | |
you're not really expecting to see it again. | 0:34:44 | 0:34:46 | |
Ah, look at that, it's just disgusting. | 0:34:49 | 0:34:52 | |
OK, so Julio's going to go and fix the pump. | 0:34:54 | 0:34:56 | |
And we're going to be his side-buddy. | 0:34:58 | 0:35:00 | |
I've got the other end of the rope, and I'm going to hold the rope. | 0:35:00 | 0:35:03 | |
I can just feel, just poo beneath my feet. | 0:35:04 | 0:35:09 | |
20 million people's worth of poo beneath me. | 0:35:09 | 0:35:15 | |
What is that? | 0:35:17 | 0:35:19 | |
Oh, my God, look at this, look at this. | 0:35:20 | 0:35:24 | |
This is the kind of stuff you find in the sewage. | 0:35:26 | 0:35:28 | |
I can't believe someone's actually thrown away a horse. | 0:35:28 | 0:35:32 | |
That's why Julio's job is so important. | 0:35:34 | 0:35:36 | |
Things like this clogging up the pump. | 0:35:36 | 0:35:39 | |
-A trophy! -OK. -I'll put this on my wall! | 0:35:40 | 0:35:43 | |
Que sus impresiones? | 0:35:48 | 0:35:49 | |
Oh, my God, the stink! | 0:35:54 | 0:35:55 | |
'Unblocking a mega-city's sewer by hand isn't just disgusting, | 0:35:56 | 0:36:01 | |
'it's also impractical.' | 0:36:01 | 0:36:03 | |
There's about 110 miles of sewer system here in Mexico City | 0:36:05 | 0:36:09 | |
and only two guys... | 0:36:09 | 0:36:10 | |
..to keep the whole thing unblocked. | 0:36:14 | 0:36:16 | |
It really is just a sticking plaster solution. | 0:36:16 | 0:36:19 | |
This is tequila? | 0:36:20 | 0:36:22 | |
Salute. | 0:36:25 | 0:36:26 | |
Salud. | 0:36:26 | 0:36:28 | |
Buena leche! | 0:36:28 | 0:36:30 | |
-Ah, that's good. -Hmm? | 0:36:30 | 0:36:32 | |
-That is good! -Thank you very much! -You're my hero. | 0:36:32 | 0:36:34 | |
Mexico City's problem is growing worse as it continues to expand. | 0:36:43 | 0:36:47 | |
Julio and his dive team are the old-world solution. | 0:36:47 | 0:36:51 | |
Mexico City is entering a new age. | 0:36:55 | 0:36:59 | |
Whether you're fixing up your house | 0:37:07 | 0:37:10 | |
or you are in charge of an entire mega-city, | 0:37:10 | 0:37:12 | |
as every builder will tell you, | 0:37:12 | 0:37:14 | |
eventually, you have to get your drains sorted out properly. | 0:37:14 | 0:37:18 | |
And this is something Mexico City is coming to terms with. | 0:37:19 | 0:37:23 | |
This is the world's biggest sewer and wastewater pipe. | 0:37:32 | 0:37:35 | |
It's seven metres in diameter, and when it's finished, it's going | 0:37:35 | 0:37:39 | |
to be 39 miles long and capable of being able to get rid of | 0:37:39 | 0:37:43 | |
150 cubic metres of water per second. | 0:37:43 | 0:37:46 | |
That's the equivalent of 150,000 people flushing their loo, | 0:37:46 | 0:37:50 | |
all at the same time. | 0:37:50 | 0:37:52 | |
Six tunnel-boring machines are digging, day and night. | 0:38:01 | 0:38:06 | |
It's a carefully choreographed process that leaves behind | 0:38:09 | 0:38:13 | |
75 metres of brand new pipe every day. | 0:38:13 | 0:38:16 | |
This machine is much more than just a digger. | 0:38:24 | 0:38:27 | |
It's a tunnel-making factory. | 0:38:27 | 0:38:29 | |
As it moves through the earth, | 0:38:51 | 0:38:53 | |
concrete sections are bolted into place, sealing the walls. | 0:38:53 | 0:38:56 | |
Leaving behind a finished, watertight tunnel. | 0:39:02 | 0:39:05 | |
The ironic thing about this tunnel | 0:39:14 | 0:39:15 | |
is that it's actually rather beautiful, you know. | 0:39:15 | 0:39:19 | |
It's dramatic, it's aesthetically satisfying, | 0:39:19 | 0:39:22 | |
it's meticulously constructed. | 0:39:22 | 0:39:24 | |
But no-one's ever, ever going to see it, apart from you guys, obviously. | 0:39:25 | 0:39:29 | |
You know, they're going to have an opening ceremony, | 0:39:29 | 0:39:31 | |
and they're going to cut the red ribbon, | 0:39:31 | 0:39:33 | |
and the only thing that's going to come through here is you-know-what! | 0:39:33 | 0:39:36 | |
Right across the globe, over 300 huge machines are tunnelling | 0:39:59 | 0:40:03 | |
beneath our feet, transforming the world we live in. | 0:40:03 | 0:40:06 | |
Under the Swiss Alps, the world's longest tunnel | 0:40:08 | 0:40:11 | |
will create a new artery to keep Europe on the move. | 0:40:11 | 0:40:14 | |
In London, the vast Crossrail project is tunnelling | 0:40:16 | 0:40:19 | |
from east to west, to move millions of people across the capital. | 0:40:19 | 0:40:22 | |
And beneath New York, the largest construction project | 0:40:25 | 0:40:28 | |
in the city's history is modernizing its water supply. | 0:40:28 | 0:40:31 | |
From the inside out, we're redesigning our planet | 0:40:33 | 0:40:36 | |
to cope with its ever-expanding population. | 0:40:36 | 0:40:39 | |
This is Cleo, and she came into the world on June 6th at 10:08. | 0:40:51 | 0:40:56 | |
This is Ellis Louis Marie, | 0:40:56 | 0:40:58 | |
and he was born early hours of Monday the 4th of June. | 0:40:58 | 0:41:03 | |
This is Jaden Grusset, and he was born on the 3rd of June. | 0:41:04 | 0:41:07 | |
He doesn't have a name yet, but he was born at 3:30 this morning. | 0:41:07 | 0:41:12 | |
Can't even begin to fathom what she's going to be. | 0:41:15 | 0:41:17 | |
Maybe an astronaut. | 0:41:17 | 0:41:19 | |
I hope he takes after me, like, into drama and music and dancing. | 0:41:19 | 0:41:23 | |
Save the world, maybe. | 0:41:23 | 0:41:25 | |
Go and be a Greenpeace conservationist, | 0:41:25 | 0:41:28 | |
that would be quite cool. | 0:41:28 | 0:41:29 | |
Oh, my God! Well, if his dad and his brother are anything to go by, | 0:41:29 | 0:41:32 | |
probably a racing-car driver. | 0:41:32 | 0:41:34 | |
Or his brother wants to be a ninja. | 0:41:34 | 0:41:35 | |
All babies are special, but one new arrival | 0:41:44 | 0:41:47 | |
could be very, very special indeed. | 0:41:47 | 0:41:49 | |
This little fellow was actually born yesterday, | 0:41:52 | 0:41:55 | |
which was also the day that the United Nations declared | 0:41:55 | 0:41:58 | |
that the human population has hit seven billion. | 0:41:58 | 0:42:02 | |
So I suppose this little guy has got as much claim | 0:42:02 | 0:42:05 | |
as any other baby anywhere else in the world who was born yesterday | 0:42:05 | 0:42:09 | |
to be number seven billion. | 0:42:09 | 0:42:10 | |
But what I find amazing is that since my birth, | 0:42:10 | 0:42:13 | |
the population has doubled. | 0:42:13 | 0:42:16 | |
We've never seen such a dramatic population explosion in our history. | 0:42:16 | 0:42:21 | |
Let me try and put a population of seven billion into perspective. | 0:42:28 | 0:42:31 | |
If you wanted to count to seven billion out loud | 0:42:31 | 0:42:35 | |
it would take you more than 200 years. | 0:42:35 | 0:42:38 | |
It's been an estimated that one in 20 of all the people ever born | 0:42:41 | 0:42:46 | |
are alive right now. | 0:42:46 | 0:42:48 | |
Engineering a world that's fit for so many of us | 0:42:52 | 0:42:55 | |
has called for some pretty quick changes. | 0:42:55 | 0:42:57 | |
One country's speed of transformation | 0:43:00 | 0:43:02 | |
leaves everywhere else standing. | 0:43:02 | 0:43:05 | |
Hello, ni hao! How are you? Thank you, thank you. | 0:43:05 | 0:43:08 | |
If you were going to count which of the world's skylines | 0:43:15 | 0:43:17 | |
had the most cranes, or where the bulk of the world's concrete | 0:43:17 | 0:43:21 | |
was being poured, or follow one of the biggest, fastest | 0:43:21 | 0:43:24 | |
human migrations in history, all roads lead to China. | 0:43:24 | 0:43:28 | |
Welcome to Shanghai, one of China's largest cities. | 0:43:30 | 0:43:35 | |
Its skyline is vast, dramatic, futuristic, | 0:43:35 | 0:43:39 | |
and it's been built almost from scratch over the last 20 years. | 0:43:39 | 0:43:43 | |
China's mass migration from the countryside to the city | 0:43:47 | 0:43:50 | |
began 30 years ago. | 0:43:50 | 0:43:52 | |
Now, every week, 10,000 people make Shanghai their new home. | 0:43:52 | 0:43:57 | |
To accommodate all those new arrivals, | 0:43:59 | 0:44:02 | |
the city has been building at breakneck pace. | 0:44:02 | 0:44:04 | |
One man has a very special record of the changes to his home town. | 0:44:07 | 0:44:11 | |
'When Yao Jianliang started taking photographs, | 0:44:13 | 0:44:16 | |
'he had no idea he was producing a unique document.' | 0:44:16 | 0:44:20 | |
Wow, what a view. How often do you come up here to take photographs? | 0:44:20 | 0:44:24 | |
Can I have a look? At your photos. | 0:44:26 | 0:44:28 | |
-Can I see them? -OK. | 0:44:28 | 0:44:29 | |
So this is this exact area, this is right here. OK. | 0:44:32 | 0:44:36 | |
There we go. 1990, nothing there at all. | 0:44:36 | 0:44:39 | |
That's just completely flat. From 1990 to now, | 0:44:39 | 0:44:41 | |
I mean, you can see, it's just extraordinary, isn't it? | 0:44:41 | 0:44:45 | |
You know, the terrifying thing that I've just realized is that | 0:45:00 | 0:45:04 | |
I've got DIY projects in my house that have taken longer | 0:45:04 | 0:45:07 | |
than it's taken Shanghai to build an entire city. | 0:45:07 | 0:45:10 | |
These photos are a unique record of just how fast human beings | 0:45:13 | 0:45:17 | |
can change the world if they put their minds to it. | 0:45:17 | 0:45:21 | |
Their minds, and a couple of 100,000 builders, obviously. | 0:45:21 | 0:45:24 | |
This accelerated change is now happening all over China. | 0:45:30 | 0:45:34 | |
In the next ten years, around 350 million people | 0:45:35 | 0:45:39 | |
are expected to head into its cities. | 0:45:39 | 0:45:41 | |
That's almost six times the population of the UK | 0:45:41 | 0:45:45 | |
looking for a new home. | 0:45:45 | 0:45:46 | |
To accommodate everyone they'll need to build at lightning speed. | 0:45:48 | 0:45:52 | |
One company in Southern China says it can build a 30-storey building | 0:45:57 | 0:46:01 | |
from start to finish in less than three weeks. | 0:46:01 | 0:46:05 | |
This is like doing flat-packed furniture at home, | 0:46:05 | 0:46:08 | |
but this is just much larger scale. | 0:46:08 | 0:46:11 | |
This building will be finished in 15 days. That's all we need. | 0:46:13 | 0:46:16 | |
Their secret is to prefabricate as much as possible | 0:46:29 | 0:46:32 | |
in their factory beforehand. | 0:46:32 | 0:46:34 | |
So this is the floor unit. | 0:46:37 | 0:46:39 | |
It contains the wiring, the air conditioning, the water supply, | 0:46:39 | 0:46:45 | |
and the fire protection. | 0:46:45 | 0:46:47 | |
So everything is fitted here to save time. | 0:46:47 | 0:46:49 | |
Once delivered to the site, it's a race against time | 0:46:55 | 0:46:59 | |
to link all the flat-pack sections together. | 0:46:59 | 0:47:01 | |
200 engineers work day and night in rolling shifts. | 0:47:02 | 0:47:05 | |
Another night, another floor! | 0:47:08 | 0:47:11 | |
After seven days, the Chinese team have completed 18 storeys, | 0:47:13 | 0:47:17 | |
about 60 metres of finished building. | 0:47:17 | 0:47:20 | |
As well as being built at incredible speed, | 0:47:25 | 0:47:28 | |
it's also designed to withstand a magnitude nine earthquake. | 0:47:28 | 0:47:31 | |
It is an extraordinary achievement. | 0:47:37 | 0:47:39 | |
In just over a couple of weeks, they've erected a building | 0:47:39 | 0:47:43 | |
capable of housing more than 1,000 people. | 0:47:43 | 0:47:46 | |
China is relying on innovative engineering like this. | 0:47:49 | 0:47:52 | |
It has to, when migration into its cities is so rapid. | 0:47:54 | 0:47:57 | |
Around 100 new tower blocks are needed every week, | 0:47:57 | 0:48:01 | |
just to keep up. | 0:48:01 | 0:48:03 | |
Across the planet a vast migration is taking place. | 0:48:06 | 0:48:09 | |
Hundreds of thousands of us arrive in the world's cities every day, | 0:48:10 | 0:48:14 | |
and they're groaning under the strain. | 0:48:14 | 0:48:17 | |
Half of the population of Caracas now live in slums. | 0:48:17 | 0:48:20 | |
In Mumbai, over six million of the city's population | 0:48:22 | 0:48:25 | |
are crammed into barely 6% of its living space. | 0:48:25 | 0:48:28 | |
And in Lagos, 70% of the residents | 0:48:30 | 0:48:32 | |
make up one of the largest slums on the planet. | 0:48:32 | 0:48:36 | |
In our new urban world, there are now over one billion squatters. | 0:48:36 | 0:48:41 | |
This is Earth's biggest construction project. | 0:48:47 | 0:48:50 | |
Well, at least part of it. And this is Uberajara, the man behind it. | 0:48:50 | 0:48:54 | |
Now, it may not look much at the moment, | 0:48:57 | 0:49:00 | |
but people like him are laying more bricks, | 0:49:00 | 0:49:02 | |
they're pouring more concrete, | 0:49:02 | 0:49:05 | |
building more houses than any place on Earth, | 0:49:05 | 0:49:07 | |
and if you look around here, | 0:49:07 | 0:49:09 | |
these are actually the cities of the future. | 0:49:09 | 0:49:12 | |
Here in Brazil, slums are known as favelas. | 0:49:15 | 0:49:18 | |
Rio alone has over 700 of them, home to up to 1.5 million people. | 0:49:18 | 0:49:24 | |
That's about double the population of Leeds, crammed into slums. | 0:49:24 | 0:49:28 | |
This is Daniella. | 0:49:32 | 0:49:34 | |
She's eight months pregnant and the reason for this project. | 0:49:34 | 0:49:38 | |
Her family have been slowly extending this house | 0:49:38 | 0:49:41 | |
for four generations. | 0:49:41 | 0:49:43 | |
It was Daniella's great-grandfather who laid the first bricks | 0:49:44 | 0:49:48 | |
in this house, and as time went by and the family expanded, | 0:49:48 | 0:49:51 | |
future generations built more and more rooms. | 0:49:51 | 0:49:54 | |
Thousands of families extend their homes in this way, | 0:49:55 | 0:49:59 | |
and it's this chaotic approach to urban planning | 0:49:59 | 0:50:03 | |
that makes districts like this so cramped and overcrowded. | 0:50:03 | 0:50:06 | |
Slums or shanty towns, favelas, whatever you want to call them, | 0:50:17 | 0:50:21 | |
wherever you are in the world, they get a lot of bad press. | 0:50:21 | 0:50:24 | |
But the city of Rio, cleverly, has realised, actually, | 0:50:24 | 0:50:27 | |
you're never going to eradicate them. | 0:50:27 | 0:50:30 | |
The best way to deal with them is to embrace them. | 0:50:30 | 0:50:33 | |
And a central part of their plan is passing above my head right now. | 0:50:33 | 0:50:36 | |
Rio has built the most extensive urban cable car system in the world. | 0:50:43 | 0:50:48 | |
And it's had a profound effect on the residents of the favelas. | 0:50:52 | 0:50:56 | |
Where they used to be isolated from the rest of the city, | 0:50:58 | 0:51:01 | |
now the cable car lets them fly above the chaotic streets below. | 0:51:01 | 0:51:06 | |
It is a genius solution, isn't it? | 0:51:13 | 0:51:15 | |
Suddenly, all the people who live deep in the favela there | 0:51:15 | 0:51:18 | |
have quick and easy access to the rest of the city, | 0:51:18 | 0:51:21 | |
something that they just didn't have before. | 0:51:21 | 0:51:23 | |
It's an investment the city hopes will transform people's lives. | 0:51:26 | 0:51:29 | |
OK, I'm going to try a little experiment just to show you | 0:51:33 | 0:51:35 | |
how much things have changed. | 0:51:35 | 0:51:37 | |
This is Hamaris and Romerio. | 0:51:37 | 0:51:39 | |
I'm going to go to that yellow cable car station over there | 0:51:39 | 0:51:42 | |
using the actual cable car itself. | 0:51:42 | 0:51:44 | |
And these two guys are going to run at ground level | 0:51:44 | 0:51:47 | |
over there as fast as they can. | 0:51:47 | 0:51:49 | |
Are you ready? Three, two, one, run! | 0:51:49 | 0:51:52 | |
Here we go. | 0:52:08 | 0:52:09 | |
Of course, I've got the easy option. The boys' journey | 0:52:15 | 0:52:18 | |
is a baffling labyrinth of narrow streets and endless steps. | 0:52:18 | 0:52:22 | |
You can see just how densely populated all the houses are. | 0:52:23 | 0:52:27 | |
There's absolutely no way you could drive in between the houses, | 0:52:27 | 0:52:30 | |
let alone set up a bus system or a tram system or anything like that. | 0:52:30 | 0:52:35 | |
And travelling on foot means being careful to avoid crime hotspots. | 0:52:35 | 0:52:39 | |
The great thing about this gondola system | 0:52:42 | 0:52:44 | |
is that the stations themselves, they've got a police station, | 0:52:44 | 0:52:46 | |
they've got a health centre, a community centre. | 0:52:46 | 0:52:49 | |
They have become these integral parts of the entire community. | 0:52:49 | 0:52:53 | |
The houses are so tightly packed together, | 0:52:55 | 0:52:58 | |
engineers had to lay the cables painstakingly across the rooftops, | 0:52:58 | 0:53:02 | |
before raising them to a height of over 30 metres. | 0:53:02 | 0:53:05 | |
OK, so that is about, what? | 0:53:09 | 0:53:12 | |
Three-and-a-half minutes from that station to this station, | 0:53:12 | 0:53:15 | |
something like that. Wonder how my pals are getting on. | 0:53:15 | 0:53:18 | |
The cable car has only been open since July 2011 | 0:53:21 | 0:53:25 | |
and it's already transforming this area. | 0:53:25 | 0:53:28 | |
Thriving property market. | 0:53:30 | 0:53:32 | |
Our local friendly estate agent tells us, nine months ago, 10 grand. | 0:53:32 | 0:53:36 | |
Post cable-car, 30 grand. | 0:53:36 | 0:53:38 | |
But they'll take an offer. | 0:53:39 | 0:53:40 | |
Darkness falls and there's still no sign of the boys. | 0:53:42 | 0:53:46 | |
In fairness, sunset's pretty rapid in this part of the world. | 0:53:46 | 0:53:51 | |
Still, they have been gone for more than an hour. | 0:53:51 | 0:53:53 | |
You made it! | 0:53:56 | 0:53:58 | |
Very good! Very good! Well done! Well done! | 0:53:59 | 0:54:03 | |
The cable car represents a brighter future for this area. | 0:54:06 | 0:54:10 | |
And who knows? | 0:54:10 | 0:54:11 | |
One day, this favela may become a sought-after place to live. | 0:54:11 | 0:54:15 | |
But if you think that's an impossible dream, | 0:54:19 | 0:54:22 | |
then look what happened somewhere a little closer to home. | 0:54:22 | 0:54:26 | |
This is one of London's trendiest spots, | 0:54:26 | 0:54:30 | |
and it's kind of a good example, actually, of how cities | 0:54:30 | 0:54:33 | |
can radically change over time. | 0:54:33 | 0:54:34 | |
This was one of the worst slums in all of London, | 0:54:34 | 0:54:37 | |
one of the worst slums in all of Europe. | 0:54:37 | 0:54:39 | |
Now look at it. | 0:54:39 | 0:54:41 | |
This is Notting Hill in London, famous for a film, a carnival | 0:54:43 | 0:54:49 | |
and astronomical house prices. | 0:54:49 | 0:54:52 | |
It's quite a lot, £1,600 a week. | 0:54:53 | 0:54:56 | |
If I wanted to buy it, what would that house be worth now? | 0:54:56 | 0:55:00 | |
Probably looking at about 2.5 million. | 0:55:00 | 0:55:03 | |
See, that's ridiculous. | 0:55:03 | 0:55:05 | |
You've got Holland Park Tube two minutes away, | 0:55:05 | 0:55:07 | |
the park itself is five minutes away. | 0:55:07 | 0:55:09 | |
There's a roof terrace on the top, there's open-plan living, | 0:55:09 | 0:55:13 | |
there's modern bathrooms. | 0:55:13 | 0:55:14 | |
It's a good kind of fashionable area, community feel, | 0:55:14 | 0:55:17 | |
it's really nice. | 0:55:17 | 0:55:18 | |
-Two million, can I get it for that? -Nope. | 0:55:18 | 0:55:20 | |
-Seriously? -Yep, most things go for asking price around here. | 0:55:20 | 0:55:24 | |
But that's not how Charles Dickens saw it. | 0:55:26 | 0:55:30 | |
I've got my own particulars here, | 0:55:31 | 0:55:33 | |
-this is the same description of the same street but from 1850. -OK. | 0:55:33 | 0:55:38 | |
OK, so this was when Charles Dickens was writing | 0:55:38 | 0:55:40 | |
and sort of chronicling the area. | 0:55:40 | 0:55:42 | |
"There are foul ditches, open sewers, | 0:55:42 | 0:55:44 | |
"defective drains, smelling most offensively | 0:55:44 | 0:55:46 | |
"and generating large quantities of poisonous gases." | 0:55:46 | 0:55:49 | |
"Stagnant water is found at every turn, | 0:55:49 | 0:55:52 | |
"not a drop of clean water can be obtained. | 0:55:52 | 0:55:55 | |
"All is charged to saturation with putrescent matter." | 0:55:55 | 0:55:59 | |
-Grotty. -Sounds disgusting! | 0:55:59 | 0:56:01 | |
And you're trying to charge me 2.5 million for the house! | 0:56:01 | 0:56:04 | |
You can't... I mean look at it, it's in black... | 0:56:04 | 0:56:06 | |
There's Charles Dickens! Anyway. I'll take it! | 0:56:06 | 0:56:09 | |
Not every slum is going to turn into Notting Hill, | 0:56:13 | 0:56:16 | |
but the moral of the story is cities do change, | 0:56:16 | 0:56:20 | |
because they have to. | 0:56:20 | 0:56:22 | |
Our population has exploded, | 0:56:27 | 0:56:29 | |
and the modern urban world is taking up the strain. | 0:56:29 | 0:56:32 | |
This is Tokyo, the biggest city the world has ever seen. | 0:56:34 | 0:56:38 | |
In little more than a generation, it's trebled in size. | 0:56:42 | 0:56:45 | |
It's an intricate man-made landscape, | 0:56:45 | 0:56:49 | |
covering an area eight times the size of London. | 0:56:49 | 0:56:51 | |
A generation ago, a city of this scale | 0:56:54 | 0:56:57 | |
would have been inconceivable. | 0:56:57 | 0:56:59 | |
But in the future, there will be more cities of over 30 million. | 0:57:02 | 0:57:07 | |
And we've already seen a glimpse of what they may look like. | 0:57:08 | 0:57:12 | |
'Super-tall buildings will make the most of the space above ground... | 0:57:17 | 0:57:21 | |
'..and giant tunnelling machines will open up the earth below.' | 0:57:25 | 0:57:28 | |
Hello! | 0:57:30 | 0:57:32 | |
'With human ingenuity, | 0:57:32 | 0:57:34 | |
'our ability to redesign the planet is almost limitless.' | 0:57:34 | 0:57:39 | |
I think that this is up there with any natural landscape. | 0:57:47 | 0:57:52 | |
But cities aren't just about buildings and boxes | 0:57:53 | 0:57:56 | |
and roads and railways. | 0:57:56 | 0:57:58 | |
They're about something much more important. | 0:57:58 | 0:58:00 | |
Ultimately, they are about us. | 0:58:00 | 0:58:02 | |
As a species, we seem to thrive living together in our millions. | 0:58:09 | 0:58:14 | |
We've become an urban animal and we've chosen a future | 0:58:15 | 0:58:20 | |
that will have a man-made world at its heart. | 0:58:20 | 0:58:23 | |
Subtitles by Red Bee Media Ltd | 0:58:49 | 0:58:52 |