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Across the country, | 0:00:02 | 0:00:03 | |
thousands of farming families work tirelessly around the clock. | 0:00:03 | 0:00:07 | |
Bring them up, Isabel! Well done! | 0:00:08 | 0:00:11 | |
Here they come! | 0:00:11 | 0:00:12 | |
Shake it, baby, shake it! | 0:00:12 | 0:00:14 | |
But there's one day each year... | 0:00:14 | 0:00:16 | |
Come on, girl, out you go. | 0:00:16 | 0:00:17 | |
..when they get to leave the daily routine behind. | 0:00:17 | 0:00:19 | |
Woohoo! | 0:00:19 | 0:00:22 | |
These are show days... | 0:00:22 | 0:00:24 | |
Welcome to the Pembrokeshire County Show. | 0:00:24 | 0:00:26 | |
..when they come together as a community... | 0:00:26 | 0:00:29 | |
Salute! | 0:00:29 | 0:00:30 | |
..to showcase the fruits of their labour... | 0:00:30 | 0:00:33 | |
Had a quick look at the competition. | 0:00:33 | 0:00:34 | |
I'm in with a chance. | 0:00:34 | 0:00:35 | |
..and try to win prizes for their breed champions... | 0:00:36 | 0:00:39 | |
Well done. Wahey! | 0:00:39 | 0:00:42 | |
It's showbusiness, folks. | 0:00:42 | 0:00:44 | |
..and award-winning producer. | 0:00:44 | 0:00:45 | |
I got first! | 0:00:45 | 0:00:47 | |
You've had the last two jars. | 0:00:48 | 0:00:50 | |
There will be highs... | 0:00:50 | 0:00:51 | |
Yes! Yes! | 0:00:51 | 0:00:53 | |
..and lows... | 0:00:53 | 0:00:55 | |
No! No, no, no. | 0:00:55 | 0:00:57 | |
..for the dedicated farmers who give everything to walk away a champion. | 0:00:57 | 0:01:03 | |
No way! | 0:01:03 | 0:01:04 | |
We spend more than £2 billion on flowers each year in the UK - | 0:01:14 | 0:01:19 | |
a staggering 90% of them are imported. | 0:01:19 | 0:01:22 | |
However, there is a growing group of enthusiasts | 0:01:24 | 0:01:27 | |
who are determined to break that trend. | 0:01:27 | 0:01:29 | |
Natalie Davis from Worcestershire... | 0:01:31 | 0:01:33 | |
I do things the natural way, | 0:01:33 | 0:01:35 | |
the hard way, my husband keeps telling me. | 0:01:35 | 0:01:37 | |
..and Cate Morris from Gloucestershire... | 0:01:37 | 0:01:39 | |
They'll make sparkly Christmas tree decorations, won't they? | 0:01:39 | 0:01:43 | |
..are both equally passionate about flowers... | 0:01:43 | 0:01:46 | |
..and are hoping to make their mark at this year's Malvern Autumn Show. | 0:01:47 | 0:01:51 | |
You're never happy with it. | 0:01:52 | 0:01:54 | |
You never just walk away and say, "Enough." | 0:01:54 | 0:01:56 | |
-Are you exhausted? -It's one of the best days I've ever had. -Really? | 0:01:56 | 0:01:59 | |
-Absolutely. -Oh, that's great. | 0:01:59 | 0:02:01 | |
This is a prestigious celebration of spectacular colour | 0:02:01 | 0:02:05 | |
and variety. | 0:02:05 | 0:02:06 | |
Winning here will help gain recognition for their creativity | 0:02:06 | 0:02:10 | |
and help build business. | 0:02:10 | 0:02:12 | |
In the rich arable pastures of Worcestershire, | 0:02:19 | 0:02:22 | |
the Davis family is building a different kind of organic farm. | 0:02:22 | 0:02:25 | |
We're a working flower farm. | 0:02:28 | 0:02:30 | |
We've got about three acres now of flowers, which we're growing, | 0:02:30 | 0:02:33 | |
some inside, some outside. | 0:02:33 | 0:02:35 | |
Watering, weeding and tending to the flowers is a family affair. | 0:02:35 | 0:02:39 | |
Two-year-old Elodie loves getting stuck in. | 0:02:40 | 0:02:43 | |
Andy and I grew all the flowers for our wedding. | 0:02:49 | 0:02:53 | |
Mum helped a lot. | 0:02:53 | 0:02:54 | |
And since then, the business has kind of grown from there. | 0:02:54 | 0:02:57 | |
People have said to me, "Oh, can you grow this for me, can you grow that?" | 0:02:57 | 0:03:00 | |
And then here we are as a fully fledged working business | 0:03:00 | 0:03:02 | |
three years on. | 0:03:02 | 0:03:04 | |
I really want this to be a part of the resurgence of British flowers, | 0:03:04 | 0:03:07 | |
which we are seeing nationwide. | 0:03:07 | 0:03:08 | |
Like Elodie, Natalie's passion for gardening started early. | 0:03:10 | 0:03:14 | |
I used to grow sunflowers in my mum's garden, | 0:03:14 | 0:03:17 | |
and just the kind of pure magic of seeing something emerge | 0:03:17 | 0:03:19 | |
from the soil that you planted a few months earlier | 0:03:19 | 0:03:22 | |
is just something so special and so captivating as a child. | 0:03:22 | 0:03:24 | |
So if I can make a business out of doing that love, | 0:03:24 | 0:03:27 | |
then I'm onto a real winner. | 0:03:27 | 0:03:29 | |
Running a photography business from home means husband Andy is always | 0:03:30 | 0:03:35 | |
around to lend a hand. | 0:03:35 | 0:03:37 | |
I never thought I'd be farming flowers. | 0:03:37 | 0:03:39 | |
I married a teacher originally, and then, yeah, | 0:03:39 | 0:03:42 | |
she has these wacky ideas where farming and flowers came together, | 0:03:42 | 0:03:46 | |
-I suppose. -Yeah. | 0:03:46 | 0:03:48 | |
I put this up, it was my Christmas present to you, | 0:03:48 | 0:03:50 | |
and it took me four days, so... | 0:03:50 | 0:03:52 | |
It's a little bit more complicated than... | 0:03:52 | 0:03:54 | |
Because he is very pedantic, very particular, aren't you? | 0:03:54 | 0:03:56 | |
Well, I have to be. That's my job, isn't it? | 0:03:56 | 0:03:58 | |
I'm a... I'm a perfectionist. | 0:03:58 | 0:04:01 | |
Yeah. | 0:04:01 | 0:04:03 | |
Andy's background in photography is fantastic. | 0:04:03 | 0:04:06 | |
Bring it in a bit close to you, slightly. | 0:04:06 | 0:04:08 | |
That's nice, that's nice. | 0:04:08 | 0:04:09 | |
Yeah. | 0:04:09 | 0:04:11 | |
It enables me to kind of really boost my media profile | 0:04:11 | 0:04:14 | |
and to help my websites and things like that. | 0:04:14 | 0:04:17 | |
Yeah, that's great. | 0:04:18 | 0:04:19 | |
-I like that one. The flowers look really good, don't they? -Yeah. | 0:04:19 | 0:04:22 | |
There's no age limit when it comes to gardening | 0:04:23 | 0:04:26 | |
and Elodie proves you don't need grown-up wellies to be a farmer. | 0:04:26 | 0:04:31 | |
Shall we go and see the chickens? Come on, then. | 0:04:31 | 0:04:33 | |
We just wanted to do something different and to raise a family | 0:04:33 | 0:04:37 | |
on a farm, and that's really important to us, | 0:04:37 | 0:04:39 | |
to be able to have space and the energy to be able | 0:04:39 | 0:04:41 | |
to run around and enjoy our lovely landscape. | 0:04:41 | 0:04:45 | |
Morning, chickens. You all OK today? | 0:04:45 | 0:04:47 | |
And a waste-not, want-not approach ensures Natalie gets the most out of | 0:04:50 | 0:04:55 | |
everything. | 0:04:55 | 0:04:57 | |
Chickens are really important for me | 0:04:57 | 0:04:58 | |
because the poo goes down, and I use it to feed my flowers, and it's a | 0:04:58 | 0:05:01 | |
really essential nutrient that I give back to my soil, | 0:05:01 | 0:05:04 | |
which is fantastic. | 0:05:04 | 0:05:05 | |
So I look after my soil and my soil looks after me. | 0:05:05 | 0:05:07 | |
She's gone out. Cordelia's gone out. | 0:05:09 | 0:05:11 | |
-Yay! -Yay! | 0:05:11 | 0:05:14 | |
And it's also great for Elodie to grow up learning where eggs | 0:05:14 | 0:05:16 | |
come from and having chickens as part of her life. | 0:05:16 | 0:05:18 | |
It's important for me as well. | 0:05:18 | 0:05:20 | |
Pass them to Mummy. What a good girl you are! | 0:05:21 | 0:05:24 | |
Fantastic. Two eggs today. | 0:05:24 | 0:05:27 | |
Well done, Ella. | 0:05:27 | 0:05:28 | |
Equally important is Natalie's grown-not-flown idea | 0:05:31 | 0:05:36 | |
that lies at the heart of the farm. | 0:05:36 | 0:05:38 | |
I want to completely change the way that the British public think about | 0:05:38 | 0:05:41 | |
flowers. Unfortunately, now there is a real trend | 0:05:41 | 0:05:44 | |
where British roses are grown overseas, | 0:05:44 | 0:05:46 | |
and they grow them without the scent, | 0:05:46 | 0:05:50 | |
because the scent attracts bugs and pests. | 0:05:50 | 0:05:52 | |
I couldn't think of anything worse than a rose without any scent, | 0:05:52 | 0:05:55 | |
so, for me, I want to grow proper roses as they should be grown, | 0:05:55 | 0:05:59 | |
and we're encouraging the scent. I like the bees, I like the bugs. | 0:05:59 | 0:06:02 | |
They are part of it. | 0:06:02 | 0:06:03 | |
Having recently invested in a polytunnel, | 0:06:04 | 0:06:07 | |
the couple aim to grow by outsmarting the weather. | 0:06:07 | 0:06:10 | |
Dahlias are kind of my main crop in the polytunnel. | 0:06:11 | 0:06:13 | |
They just really thrive in this environment, actually. | 0:06:13 | 0:06:16 | |
They like to be nice and warm, | 0:06:16 | 0:06:17 | |
they like to be a little bit protected from the slugs, | 0:06:17 | 0:06:19 | |
which I'm always fighting a battle against. | 0:06:19 | 0:06:21 | |
I do midnight slug hunts out there. | 0:06:21 | 0:06:23 | |
I come out and I collect all the slugs and put them | 0:06:23 | 0:06:25 | |
in bottles and all sorts. | 0:06:25 | 0:06:26 | |
Because I don't use chemicals, | 0:06:26 | 0:06:28 | |
I do things the natural way - | 0:06:28 | 0:06:29 | |
the hard way, that my husband keeps telling me! | 0:06:29 | 0:06:31 | |
As well as slug hunting, | 0:06:33 | 0:06:35 | |
Natalie's working day often includes meeting customers, | 0:06:35 | 0:06:38 | |
who come directly to her. | 0:06:38 | 0:06:40 | |
We're going to have a party... | 0:06:41 | 0:06:43 | |
-OK. -And I'm looking at having something, as a centrepiece, | 0:06:43 | 0:06:46 | |
something that's colourful, something that is fragrant. | 0:06:46 | 0:06:49 | |
OK, brilliant. I'll show you some red. | 0:06:49 | 0:06:51 | |
They're beautiful. They're like pom-poms. | 0:06:52 | 0:06:54 | |
They're lovely, aren't they? | 0:06:54 | 0:06:55 | |
I think, to make it a bit bolder, | 0:06:55 | 0:06:57 | |
I think the white pom-poms would be brilliant. | 0:06:57 | 0:06:59 | |
-Yeah, they'll look lovely. -They're beautiful. | 0:06:59 | 0:07:01 | |
-Yes. -And they'd look lovely with the red pom-poms. | 0:07:01 | 0:07:03 | |
Yes, OK. | 0:07:03 | 0:07:04 | |
That's got a lovely shape as well. | 0:07:05 | 0:07:07 | |
-It's gorgeous. -Yeah. | 0:07:07 | 0:07:10 | |
Lovely. Really lovely. | 0:07:10 | 0:07:11 | |
Whether flowers or flock, a farm is still a farm, | 0:07:12 | 0:07:16 | |
meaning 365 days of toil to get the job done. | 0:07:16 | 0:07:21 | |
It is like having animals - if you're not here and you leave them, | 0:07:21 | 0:07:23 | |
they're just not going to survive without you, so it is very much, | 0:07:23 | 0:07:27 | |
it needs me to be in charge all the time, really. | 0:07:27 | 0:07:29 | |
People think flowers is a nice sort of prettification of the landscape, | 0:07:31 | 0:07:34 | |
but actually it's gruelling work. | 0:07:34 | 0:07:35 | |
It's physical labour. | 0:07:35 | 0:07:37 | |
It's long hours. | 0:07:37 | 0:07:38 | |
It's not an easy job, definitely not, | 0:07:38 | 0:07:41 | |
but I couldn't do it if I didn't love it. | 0:07:41 | 0:07:43 | |
40 miles south, in the north Cotswolds, | 0:07:48 | 0:07:51 | |
Deerhurst Farm is home to another kind of flower enthusiast. | 0:07:51 | 0:07:55 | |
Cate Morris is a busy mum and farmer's wife | 0:07:57 | 0:08:00 | |
living on 500 acres of land. | 0:08:00 | 0:08:03 | |
We farm cereals mainly with maize, oilseed rapes and barley - linseed, | 0:08:03 | 0:08:08 | |
now and again, which is a little bit different. | 0:08:08 | 0:08:10 | |
But her main passion is flowers. | 0:08:10 | 0:08:13 | |
My mum was always a gardener and my gran, I suppose, brought up, | 0:08:14 | 0:08:19 | |
and they always arranged flowers from the garden. | 0:08:19 | 0:08:22 | |
For 30 years, | 0:08:24 | 0:08:25 | |
Cate has been responsible for whipping her small village | 0:08:25 | 0:08:29 | |
into a floral frenzy. | 0:08:29 | 0:08:31 | |
Deerhurst Flower Festival is, for a small village of 27 houses, is huge. | 0:08:32 | 0:08:37 | |
It started about 30 years ago. | 0:08:38 | 0:08:40 | |
From that point on, it's happened every other year, | 0:08:40 | 0:08:43 | |
and it attracts around 3,000 visitors. | 0:08:43 | 0:08:46 | |
It raises over £20,000 for the church. | 0:08:46 | 0:08:49 | |
Where we're sat here is completely different. | 0:08:50 | 0:08:53 | |
Teas, crafts, all sorts, ice cream stalls, you know, | 0:08:53 | 0:08:57 | |
everything you can think of. | 0:08:57 | 0:08:59 | |
It's actually the biggest community thing we do, really. | 0:08:59 | 0:09:01 | |
With a vast farm to keep ticking over, and a busy family to run, | 0:09:03 | 0:09:08 | |
Cate doesn't always have time to dedicate to her flowers. | 0:09:08 | 0:09:11 | |
Well, my nickname is Teapot cos I'm that small. | 0:09:12 | 0:09:16 | |
It's a terrible name. | 0:09:16 | 0:09:17 | |
It sounds like something out of the '50s. | 0:09:17 | 0:09:19 | |
A support mechanism, I suppose. | 0:09:19 | 0:09:21 | |
Come on, Eric! | 0:09:21 | 0:09:22 | |
I don't go out to work, but I do work hard every day. | 0:09:24 | 0:09:28 | |
Come on, then. Good girl. | 0:09:28 | 0:09:29 | |
I support him with all his, you know, | 0:09:31 | 0:09:33 | |
agronomy and things like that that happen, you know, all the paperwork, | 0:09:33 | 0:09:37 | |
the holiday cottage, turnaround, bookings, all that stuff, | 0:09:37 | 0:09:40 | |
plus look after the kids - | 0:09:40 | 0:09:42 | |
you know, everything that comes with, you know, | 0:09:42 | 0:09:44 | |
everyday life. | 0:09:44 | 0:09:46 | |
Husband Tim does the bulk of the farming with the help | 0:09:46 | 0:09:50 | |
of 17-year-old son Harry. | 0:09:50 | 0:09:52 | |
15-year-old daughter Bridget is still at school. | 0:09:55 | 0:09:58 | |
She's the one who introduced pigs to the farm. | 0:09:58 | 0:10:01 | |
Hello, Bella. | 0:10:01 | 0:10:02 | |
Good girl. | 0:10:03 | 0:10:05 | |
Bella's a Gloucester Old Spot. | 0:10:05 | 0:10:07 | |
She is due to have piglets tomorrow. | 0:10:07 | 0:10:11 | |
I show them at the Three Counties Show. | 0:10:12 | 0:10:15 | |
Bella and Didi next door and Acorn, who's outside. | 0:10:15 | 0:10:20 | |
Oh, and Eric. | 0:10:20 | 0:10:21 | |
Giving the pigs breakfast is just one of the many jobs that ends up | 0:10:23 | 0:10:27 | |
on Cate's daily list. | 0:10:27 | 0:10:28 | |
Good girl. What are you doing? Come on, then. | 0:10:29 | 0:10:32 | |
A farmer's daughter and former vet's nurse, | 0:10:32 | 0:10:35 | |
Cate is a dab hand with livestock. | 0:10:35 | 0:10:37 | |
This is my natural comfort zone. | 0:10:37 | 0:10:39 | |
This is what I've been used to all my life, really, | 0:10:39 | 0:10:41 | |
whether it be sheep, cattle, pigs. | 0:10:41 | 0:10:43 | |
I'm happiest out here, messing about with the animals. | 0:10:43 | 0:10:45 | |
There's quite a few mouths to feed, | 0:10:47 | 0:10:49 | |
including the reluctant Acorn. | 0:10:49 | 0:10:52 | |
I'm going to throw some nuts on her shed to wake her up | 0:10:52 | 0:10:55 | |
because they don't hear very well. | 0:10:55 | 0:10:57 | |
Come on, Akes! | 0:10:57 | 0:10:58 | |
Acorn! | 0:11:02 | 0:11:03 | |
Come on, pig! Acorn, come on! | 0:11:07 | 0:11:10 | |
Come on! | 0:11:10 | 0:11:11 | |
Come on, then. Good girl. | 0:11:13 | 0:11:15 | |
What a good pig. | 0:11:15 | 0:11:17 | |
Let's have it, then. | 0:11:17 | 0:11:19 | |
That's it. She's breeding size, so ultimately, | 0:11:19 | 0:11:22 | |
you're trying to breed better Old Spots all the time. | 0:11:22 | 0:11:25 | |
Those that don't make the cut then go into the food chain | 0:11:25 | 0:11:28 | |
and return as sausages. | 0:11:28 | 0:11:31 | |
With such a busy life, | 0:11:37 | 0:11:39 | |
the local church provides a perfect sanctuary | 0:11:39 | 0:11:42 | |
to practise her arranging. | 0:11:42 | 0:11:44 | |
A good pedestal, you... Well, any good arrangement - | 0:11:44 | 0:11:47 | |
you have to put your foliage in first | 0:11:47 | 0:11:49 | |
because that's really the structure. | 0:11:49 | 0:11:52 | |
So if you haven't got structure, | 0:11:52 | 0:11:53 | |
it doesn't matter how fantastic your flowers are, | 0:11:53 | 0:11:56 | |
it won't look particularly brilliant. | 0:11:56 | 0:11:57 | |
There's one thing scissor-happy Cate will have to watch out for at this | 0:11:59 | 0:12:03 | |
-year's show. -I'm renowned for making a mess, | 0:12:03 | 0:12:06 | |
so I have to be a bit tidier at Malvern. | 0:12:06 | 0:12:08 | |
The person next to you gets pretty fed up if you start flinging stalks | 0:12:08 | 0:12:11 | |
at them and leaving things they can trip over. | 0:12:11 | 0:12:13 | |
Cate is the ultimate multitasker and the backbone of the farm. | 0:12:15 | 0:12:19 | |
It's a varied and very special life. | 0:12:20 | 0:12:24 | |
You know, one day you're mucking out pigs and the next day | 0:12:24 | 0:12:26 | |
you're dressed up and going to a ball, you know. | 0:12:26 | 0:12:30 | |
It's just ace, it's brilliant. | 0:12:30 | 0:12:32 | |
I think you're quite privileged to actually be able to call yourself a | 0:12:32 | 0:12:35 | |
farmer's wife. | 0:12:35 | 0:12:36 | |
Back in Worcestershire, Natalie and her dad John are ploughing, | 0:12:44 | 0:12:48 | |
with the help of their '60s vintage tractor Mehitable. | 0:12:48 | 0:12:53 | |
We've had such a great fantastic first year of flower farming | 0:12:53 | 0:12:56 | |
that I've decided to plough up even more of our land, | 0:12:56 | 0:12:59 | |
so we are going to be almost doubling the size for next year | 0:12:59 | 0:13:02 | |
because we've had a huge demand for weddings and people seem really | 0:13:02 | 0:13:06 | |
interested in buying British flowers. | 0:13:06 | 0:13:08 | |
John is his daughter's biggest fan and supports her dreams. | 0:13:08 | 0:13:12 | |
It's got to be done. The return from conventional farming nowadays is | 0:13:13 | 0:13:17 | |
pitiful when you consider the investment and so, | 0:13:17 | 0:13:20 | |
if there are other ways in which more can be earned from the land, | 0:13:20 | 0:13:23 | |
and especially doing something that you love doing, it's got to be good. | 0:13:23 | 0:13:26 | |
And especially if you can find a business where your father comes | 0:13:26 | 0:13:29 | |
-over and does all the hard work for you, it's even better, isn't it? -SHE CHUCKLES | 0:13:29 | 0:13:33 | |
It helps having Dad next door, doesn't it? | 0:13:33 | 0:13:35 | |
-It helps you! -It does help me, yeah! | 0:13:35 | 0:13:37 | |
It's great that she's been able to | 0:13:37 | 0:13:39 | |
perhaps corner a little bit of a market | 0:13:39 | 0:13:41 | |
that might bring back a healthy return. | 0:13:41 | 0:13:43 | |
We'll have to wait and see. | 0:13:43 | 0:13:44 | |
A win at this year's Malvern floral competition | 0:13:47 | 0:13:50 | |
could help sow the seeds for success. | 0:13:50 | 0:13:52 | |
For me, the ability to compete, actually, is a real chance | 0:13:52 | 0:13:55 | |
to kind of showcase British flowers | 0:13:55 | 0:13:57 | |
and to kind of really show people that we can do just | 0:13:57 | 0:13:59 | |
as good with British flowers as we can with imported flowers, | 0:13:59 | 0:14:03 | |
which are the kind of the mainstay and the norm for lots of people. | 0:14:03 | 0:14:06 | |
And it's clear to see where Natalie's rustic style comes from. | 0:14:08 | 0:14:11 | |
I get inspired from nature, really - | 0:14:12 | 0:14:15 | |
from the colours that I see out when I'm walking, | 0:14:15 | 0:14:18 | |
from the wild flowers that are so abundant in all the hedgerows | 0:14:18 | 0:14:20 | |
and from those kind of shapes and tones. | 0:14:20 | 0:14:22 | |
I go for walks with the dog and I'll see wonderful flowing trees, | 0:14:22 | 0:14:26 | |
and I'll use that within my floral art. | 0:14:26 | 0:14:28 | |
I tend to work with nature rather than against it, | 0:14:28 | 0:14:30 | |
so I make sure that the lines all sort of seem to be natural | 0:14:30 | 0:14:33 | |
and seem to be wild-looking. | 0:14:33 | 0:14:35 | |
This will be Natalie's first year competing at this level. | 0:14:35 | 0:14:39 | |
I'm going to be collaborating with other members | 0:14:39 | 0:14:41 | |
of Flowers From The Farm, who are all coming together | 0:14:41 | 0:14:44 | |
to try and showcase British flowers, | 0:14:44 | 0:14:46 | |
so I won't be on my own. I'll be with some of the volunteers as well. | 0:14:46 | 0:14:49 | |
It's a very exciting time. | 0:14:49 | 0:14:51 | |
We're up against quite a few very good florists, | 0:14:51 | 0:14:53 | |
so it'll be interesting to see how our flowers go down. | 0:14:53 | 0:14:56 | |
With such ambitious plans, she needs to ask her dad another favour. | 0:14:56 | 0:15:01 | |
So this beauty is going to be featuring at Malvern Autumn Show. | 0:15:01 | 0:15:05 | |
-She's going to do what? -She's going to be the centrepiece, | 0:15:05 | 0:15:08 | |
so that the public can come in and see her. | 0:15:08 | 0:15:10 | |
-You don't want me to wash it? -No, definitely. | 0:15:10 | 0:15:13 | |
I want her to look rustic and... She's a working vehicle. | 0:15:13 | 0:15:15 | |
-Well, she is. -She does a job, doesn't she? -Yeah, yeah. | 0:15:15 | 0:15:17 | |
I want her to go straight to Malvern, really looking | 0:15:17 | 0:15:20 | |
as she does, actually. | 0:15:20 | 0:15:21 | |
As well as John, | 0:15:23 | 0:15:24 | |
her mother Roz is also pitching in to help. | 0:15:24 | 0:15:28 | |
I've always enjoyed painting. | 0:15:28 | 0:15:31 | |
-You're very good at art. -I would probably have liked to have gone | 0:15:31 | 0:15:33 | |
to art school, but it was not to be, | 0:15:33 | 0:15:36 | |
so I went into agriculture instead! | 0:15:36 | 0:15:39 | |
Far more fun, driving a tractor! | 0:15:39 | 0:15:40 | |
THEY LAUGH | 0:15:40 | 0:15:42 | |
It's a real first. We've never shown at Malvern, have we? | 0:15:42 | 0:15:44 | |
-No. -I couldn't do it without Mum | 0:15:44 | 0:15:46 | |
cos she's my horticultural expert, and I really need Mum | 0:15:46 | 0:15:49 | |
every now and then to come and say, | 0:15:49 | 0:15:51 | |
"Am I doing this right, or what's up with this particular | 0:15:51 | 0:15:53 | |
"plant?" And she's just there. | 0:15:53 | 0:15:54 | |
She just knows it all. She's just fantastic. | 0:15:54 | 0:15:56 | |
-You're the expert. -We're just going to go and have some fun, aren't we? | 0:15:56 | 0:16:00 | |
-Yeah. We're going to go and have a lot of fun. -Yeah. | 0:16:00 | 0:16:02 | |
Time for Natalie to share the plans for her vision. | 0:16:04 | 0:16:09 | |
-I was thinking a big front one on the grille... -Yeah. | 0:16:09 | 0:16:11 | |
..with something trailing, so it sort of comes down. | 0:16:11 | 0:16:14 | |
Cos when they walk in the hall, that's what they're going to see, | 0:16:14 | 0:16:16 | |
-so that needs to be full, doesn't it? -Absolutely. | 0:16:16 | 0:16:19 | |
The RHS judges are renowned for being incredibly difficult to | 0:16:19 | 0:16:23 | |
please. They once didn't let someone have a gold standard because | 0:16:23 | 0:16:26 | |
a little bit of pot was showing, so they're really tight on standards, | 0:16:26 | 0:16:29 | |
so it's going to be a really difficult environment | 0:16:29 | 0:16:32 | |
to please those judges! | 0:16:32 | 0:16:33 | |
And a preshow run-through goes some way to calm the nerves. | 0:16:35 | 0:16:39 | |
I'm just going to weave up something | 0:16:39 | 0:16:41 | |
cos I want it more than just ivy wrapped around. | 0:16:41 | 0:16:43 | |
I think we need some fresh flowers coming out of it, don't we? | 0:16:43 | 0:16:46 | |
We could wrap it in hessian, nice and rustic. | 0:16:46 | 0:16:49 | |
-Yeah, we could do. That would be lovely. -Mm-hm. | 0:16:49 | 0:16:51 | |
But then, what do you think about the seat? | 0:16:51 | 0:16:53 | |
I think it looks pretty cool as it is. | 0:16:53 | 0:16:54 | |
-You still want to see the tractor... -So just leave it like that? -Yes. | 0:16:54 | 0:16:57 | |
OK. | 0:16:57 | 0:16:59 | |
As well as the judges' high standards, | 0:16:59 | 0:17:01 | |
Natalie will have a lot more to contend with. | 0:17:01 | 0:17:05 | |
The difficult thing with us is we're dealing with a natural product, | 0:17:05 | 0:17:08 | |
so that's a real challenge for us, is that we're up against the time | 0:17:08 | 0:17:10 | |
in terms of, you know, the flowers will wilt if we do it too early, | 0:17:10 | 0:17:13 | |
so it's a really crucial timing. | 0:17:13 | 0:17:15 | |
That's the pressure, really, for Malvern Autumn Show. | 0:17:15 | 0:17:18 | |
In the North Cotswolds, Cate's mind is also on the show. | 0:17:25 | 0:17:29 | |
Oh, it's like a badge of honour to win a class at Malvern, you know. | 0:17:30 | 0:17:34 | |
They're quite big shows in the floral art world. | 0:17:34 | 0:17:37 | |
We're bigger than Chelsea, so it is quite a big deal. | 0:17:37 | 0:17:40 | |
And like flower farmer Natalie, | 0:17:42 | 0:17:44 | |
Cate draws her inspiration from the countryside. | 0:17:44 | 0:17:47 | |
I suppose I'm a traditional arranger. | 0:17:48 | 0:17:50 | |
It's the Malvern Autumn Show and it is called Seasonal Splendour, | 0:17:50 | 0:17:54 | |
so, for me, it is about using seasonal flowers and foliage | 0:17:54 | 0:17:58 | |
that you can find at home because that's what it's about. | 0:17:58 | 0:18:01 | |
Hedgerows, you know, walk down the river, | 0:18:01 | 0:18:03 | |
you might find a bit of driftwood, | 0:18:03 | 0:18:04 | |
you know, anything like that, really. | 0:18:04 | 0:18:06 | |
Come on! | 0:18:08 | 0:18:09 | |
Whilst Cate likes to use what she can get her hands on locally... | 0:18:09 | 0:18:13 | |
They'll make really good | 0:18:13 | 0:18:15 | |
-sparkly Christmas tree decorations, won't they? -Uh-huh. | 0:18:15 | 0:18:18 | |
..her garden won't provide everything she needs for the show. | 0:18:18 | 0:18:22 | |
Instead, she sources her flowers from her local wholesaler. | 0:18:23 | 0:18:28 | |
-Morning, Chris, how are you? -Morning, Cate. Fine, thank you. | 0:18:28 | 0:18:31 | |
-And you? -Good. Ooh! You've got some gourds. | 0:18:31 | 0:18:33 | |
Malvern Autumn Show is about celebrating harvest, | 0:18:33 | 0:18:36 | |
which is obviously really important to us as farmers and as a society, | 0:18:36 | 0:18:40 | |
so it's a real celebration of agriculture through harvest. | 0:18:40 | 0:18:45 | |
Maybe that one. Yeah, go with that one first. | 0:18:45 | 0:18:47 | |
No problem. Do you want flowers as well? | 0:18:47 | 0:18:49 | |
-Yes, please. -OK, so go and have a look. | 0:18:49 | 0:18:51 | |
-Oh, right. -Right, then, what are we after? | 0:18:51 | 0:18:55 | |
-I'm looking for autumn, really. -OK. -Autumn colours - | 0:18:55 | 0:18:58 | |
golds and bronzes, rather than anything else. | 0:18:58 | 0:19:02 | |
Cate is entering the Seasonal Splendour class, | 0:19:02 | 0:19:05 | |
which is a pedestal display. | 0:19:05 | 0:19:07 | |
In a pedestal class, | 0:19:07 | 0:19:09 | |
I'm sort of punching above my weight a little bit, | 0:19:09 | 0:19:11 | |
so I shall be happy if I get any card of any description. | 0:19:11 | 0:19:16 | |
Ooh, and the chillies, they're nice. | 0:19:16 | 0:19:19 | |
It becomes a passion, really. | 0:19:19 | 0:19:20 | |
It becomes a, you know, | 0:19:20 | 0:19:22 | |
can I do better than the other person and can I get that red card? | 0:19:22 | 0:19:25 | |
-That looks really good. -Is that what you're looking for? -Yeah. Thank you. -No problem. | 0:19:25 | 0:19:29 | |
Satisfied with her pick of autumn, Cate heads home to check up on Tim, | 0:19:29 | 0:19:35 | |
who for once isn't out on the combine. | 0:19:35 | 0:19:37 | |
I'm just constructing this pedestal for Cate to do her flower arranging | 0:19:38 | 0:19:43 | |
at the show. It's what they call the mechanics of the job, I think, | 0:19:43 | 0:19:46 | |
in the flower arranging world. | 0:19:46 | 0:19:48 | |
Tim's a bit of a perfectionist. | 0:19:48 | 0:19:51 | |
Not a bit, a lot of a perfectionist. | 0:19:51 | 0:19:53 | |
He creates me a nice base and then I do the flowers in it. | 0:19:53 | 0:19:56 | |
Farmers are jacks of all trades but masters of none, but... | 0:19:56 | 0:20:00 | |
..we do sort of get called upon to do all sorts of different jobs. | 0:20:01 | 0:20:04 | |
It turns out that Tim is able to turn his hand to most things. | 0:20:06 | 0:20:10 | |
If I say, "I want this, this, and this," he'll create it for me, | 0:20:10 | 0:20:14 | |
mainly using old agricultural spares, so he's created nice... | 0:20:14 | 0:20:19 | |
..with springs off tractors. | 0:20:19 | 0:20:21 | |
He's done a wire dragon for me before now. | 0:20:22 | 0:20:24 | |
He's quite good like that. | 0:20:24 | 0:20:26 | |
That piece of wood has been sat in the shed for 12 months | 0:20:27 | 0:20:30 | |
and I've been looking at it, thinking, "What can I do with it?" | 0:20:30 | 0:20:34 | |
And then, the schedule came out and I went, | 0:20:34 | 0:20:36 | |
"Ooh, could create a pedestal!" | 0:20:36 | 0:20:38 | |
That's more or less complete as it's going to be. | 0:20:40 | 0:20:43 | |
There's a block that they put their flowers in, goes there, | 0:20:43 | 0:20:46 | |
and then she builds up the arrangement around it. | 0:20:46 | 0:20:49 | |
Teaming up is a good recipe for success. | 0:20:49 | 0:20:52 | |
We work together quite a lot, | 0:20:52 | 0:20:53 | |
but probably best not on the farm so much, | 0:20:53 | 0:20:56 | |
with too close quarters! | 0:20:56 | 0:20:59 | |
You have to be friends, don't you, as well? | 0:20:59 | 0:21:01 | |
Cos it's quite a test. | 0:21:01 | 0:21:02 | |
Farming marriages are, you know, | 0:21:02 | 0:21:05 | |
if you can stick the first sort of five years, you'll stick the course. | 0:21:05 | 0:21:08 | |
So I'll leave Cate to get on with her flowers | 0:21:08 | 0:21:11 | |
and I do the farming bit! | 0:21:11 | 0:21:12 | |
HE LAUGHS | 0:21:12 | 0:21:14 | |
So good luck to Cate. It's over to her, really. | 0:21:14 | 0:21:16 | |
After weeks of preparation and planning, | 0:21:20 | 0:21:23 | |
it's finally time to pack up for the Malvern Autumn Show. | 0:21:23 | 0:21:26 | |
-Are they OK? -Put them in the pick-up. | 0:21:26 | 0:21:29 | |
For Cate, it's a welcome break from the farm and a chance to indulge her | 0:21:30 | 0:21:34 | |
passion and, hopefully, find recognition for it. | 0:21:34 | 0:21:38 | |
Cross my fingers, toes and hope that I do OK. | 0:21:38 | 0:21:42 | |
For Natalie, there's a lot at stake. | 0:21:42 | 0:21:45 | |
It's the perfect opportunity to bring her British flowers to a wider | 0:21:45 | 0:21:49 | |
audience. A win of any kind will mean growth all round, | 0:21:49 | 0:21:53 | |
both in the soil and in the bank. | 0:21:53 | 0:21:56 | |
Right, let's go. Let's get on with it, then. | 0:21:56 | 0:21:58 | |
All aboard. | 0:22:00 | 0:22:01 | |
OK! | 0:22:01 | 0:22:02 | |
Put those in carefully. | 0:22:03 | 0:22:04 | |
We're going to put them on top of the other flowers. | 0:22:04 | 0:22:07 | |
OK. | 0:22:07 | 0:22:08 | |
With their fresh flowers and foliage cut, | 0:22:10 | 0:22:13 | |
it's a race against time to get them to the show. | 0:22:13 | 0:22:16 | |
Nestled beneath the backdrop of the misty Malvern Hills | 0:22:33 | 0:22:36 | |
in Worcestershire, | 0:22:36 | 0:22:38 | |
the 19-year-old Malvern Autumn Show is a two-day seasonal spectacular. | 0:22:38 | 0:22:42 | |
Inspired by autumn, | 0:22:50 | 0:22:52 | |
it offers up all the riches that harvest time can bring. | 0:22:52 | 0:22:55 | |
It's a complete day out. | 0:23:00 | 0:23:01 | |
For anybody who loves the outdoors or the rural | 0:23:01 | 0:23:03 | |
life, they're going to have a really great day here. | 0:23:03 | 0:23:06 | |
Over the next two days, | 0:23:08 | 0:23:10 | |
the Wye Hall will be transformed by an abundance of colour. | 0:23:10 | 0:23:15 | |
Florists, growers and amateur rangers | 0:23:15 | 0:23:17 | |
will come together to showcase the best of their art. | 0:23:17 | 0:23:21 | |
To place here could boost business and reward the creative endeavour. | 0:23:22 | 0:23:27 | |
Malvern Autumn Show is the last | 0:23:29 | 0:23:30 | |
of the RHS shows to be judged in the year, | 0:23:30 | 0:23:33 | |
so everyone's out to get those last medals that can be awarded. | 0:23:33 | 0:23:36 | |
The standard is absolutely staggering. | 0:23:36 | 0:23:38 | |
Natalie and her trusty vintage tractor Mehitable have arrived, | 0:23:40 | 0:23:44 | |
and it's time to get cracking. | 0:23:44 | 0:23:47 | |
The first thing I've got to do is the structure | 0:23:50 | 0:23:52 | |
and that's the hardest bit. | 0:23:52 | 0:23:54 | |
Dad would hate me for saying this, but there are bits of her that are | 0:23:54 | 0:23:56 | |
falling down, so we need to attach | 0:23:56 | 0:23:58 | |
bits of floral foam all over the place to her. | 0:23:58 | 0:24:01 | |
This foam will support the flowers and keep them fresh until judging. | 0:24:01 | 0:24:06 | |
I stupidly haven't got enough of these beauties. | 0:24:06 | 0:24:09 | |
I'm going to need my cable ties | 0:24:09 | 0:24:10 | |
because they just hold everything up. | 0:24:10 | 0:24:13 | |
Leaving the farm in Tim's capable hand, | 0:24:19 | 0:24:22 | |
Cate has made the 18-mile journey with her colourful cargo. | 0:24:22 | 0:24:26 | |
Sometimes, just putting things on the pedestal just gives you... | 0:24:31 | 0:24:36 | |
I don't know, you just feel a bit more...relaxed. | 0:24:36 | 0:24:39 | |
Like Natalie, Cate's first big challenge | 0:24:41 | 0:24:44 | |
is to work out the structure, | 0:24:44 | 0:24:46 | |
starting with the all-important floral foam. | 0:24:46 | 0:24:49 | |
I suppose it's like painting by numbers when you've done it | 0:24:49 | 0:24:52 | |
quite a few times. If you can't get the skeleton right, | 0:24:52 | 0:24:54 | |
then you can't fill in and you can't get the shape right. | 0:24:54 | 0:24:58 | |
That ivy leaf is not good enough. | 0:25:02 | 0:25:04 | |
It's going to come out, so it's no good. | 0:25:04 | 0:25:06 | |
Her pedestal display is one of nine amateur entries in this year's | 0:25:06 | 0:25:11 | |
Seasonal Splendour class. | 0:25:11 | 0:25:14 | |
The standard is extremely high, so if I've got a first, | 0:25:14 | 0:25:19 | |
second or third card, I would be thrilled, | 0:25:19 | 0:25:21 | |
or a highly commended would be amazing, | 0:25:21 | 0:25:23 | |
but the reality is that that's quite a tough call today. | 0:25:23 | 0:25:26 | |
When I judge, I'm actually looking for distinction. | 0:25:29 | 0:25:33 | |
I'm looking for the wow factor, something special. | 0:25:33 | 0:25:37 | |
Detail is really vitally important. | 0:25:37 | 0:25:38 | |
They've got to have thought about all those tiny little bits that... | 0:25:38 | 0:25:42 | |
There's no good going, "Oh, that'll do". | 0:25:42 | 0:25:44 | |
If a leaf has one tiny nick at the side, you'll get marked down. | 0:25:45 | 0:25:50 | |
It has to be perfect. | 0:25:50 | 0:25:51 | |
So no slug holes in your hostas, no curled-up leaves, | 0:25:51 | 0:25:56 | |
because if they've got a bit of frost or anything like that, | 0:25:56 | 0:25:58 | |
cos it was a bit frosty this morning. | 0:25:58 | 0:26:00 | |
So you have to be really, really... | 0:26:00 | 0:26:02 | |
..particular, almost clinical, really, about what you're doing. | 0:26:03 | 0:26:06 | |
The leaf's not good enough. Look, it's got a hole in it. | 0:26:07 | 0:26:11 | |
There's one there and a tiny little hole up there. | 0:26:11 | 0:26:13 | |
It's not cool cos I'm running out of foliage. | 0:26:14 | 0:26:16 | |
I'm using things that I've got on my hedgerow. | 0:26:25 | 0:26:27 | |
This was grabbed out of our trees last night, | 0:26:27 | 0:26:29 | |
just to create a bit of shape. | 0:26:29 | 0:26:31 | |
Some lovely natural ivy, which is great this time of year. | 0:26:31 | 0:26:34 | |
I'm a little bit nervous that I'm going to run out of this | 0:26:36 | 0:26:38 | |
if I'm not too careful, so I'm going to be a bit careful with it. | 0:26:38 | 0:26:41 | |
The pressure is on, | 0:26:42 | 0:26:44 | |
as this category is being judged | 0:26:44 | 0:26:46 | |
by the Royal Horticultural Society. | 0:26:46 | 0:26:49 | |
When I first started exhibiting... | 0:26:49 | 0:26:51 | |
..I really felt sick, that first one. | 0:26:52 | 0:26:55 | |
I can relate to a new exhibitor. | 0:26:55 | 0:26:57 | |
That sense of pride of what one's doing, and the fear of the judges, | 0:26:57 | 0:27:01 | |
and, "Will they understand what I've put together here?" | 0:27:01 | 0:27:04 | |
You need to try something different. | 0:27:04 | 0:27:06 | |
Anyone in business will tell you, if you don't change or evolve, | 0:27:06 | 0:27:12 | |
and stay the same, you lose trade. | 0:27:12 | 0:27:15 | |
That's exactly the same as an exhibitor. | 0:27:15 | 0:27:17 | |
You can't stay still. | 0:27:17 | 0:27:19 | |
The Royal Horticultural Society was founded in London in 1804. | 0:27:22 | 0:27:26 | |
Gaining its Royal Charter in 1861, | 0:27:28 | 0:27:31 | |
the charity's vision is to enrich life through plants | 0:27:31 | 0:27:35 | |
and make the UK a greener, more beautiful place. | 0:27:35 | 0:27:38 | |
Today, shows like Malvern and Chelsea help continue that vision. | 0:27:41 | 0:27:47 | |
Natalie has called on her friends to bring her vision to life. | 0:27:47 | 0:27:51 | |
Any particular colour, any flower? | 0:27:52 | 0:27:54 | |
You go for it. Anything at all. | 0:27:54 | 0:27:56 | |
-Right. -Directing the team, | 0:27:56 | 0:27:59 | |
Natalie combines all their skills to transform the tractor. | 0:27:59 | 0:28:03 | |
We've got the other milk churn. | 0:28:07 | 0:28:09 | |
Bryony's going to do that. | 0:28:09 | 0:28:10 | |
-Lovely. -I'll crack on doing a bit more filler there. -Yeah. | 0:28:10 | 0:28:14 | |
What we have got is those reeds for the tyres. | 0:28:17 | 0:28:20 | |
-OK. -Shall we have a look, see if they're going to work? | 0:28:20 | 0:28:22 | |
-Yes. -And kind of make our own wreath. | 0:28:22 | 0:28:25 | |
-OK, cool. -Yeah, that would be great. | 0:28:25 | 0:28:27 | |
Cate may be on her own in the amateur section, | 0:28:28 | 0:28:31 | |
but it's all coming together. | 0:28:31 | 0:28:33 | |
I've actually got the foliage in. | 0:28:33 | 0:28:35 | |
Just putting in the berries | 0:28:35 | 0:28:37 | |
and the skimmia are coming in to give it that burnt redness. | 0:28:37 | 0:28:41 | |
And the Chinese lanterns, just to give it that sort of autumny field. | 0:28:41 | 0:28:46 | |
I do have a bit of a hole in my hosta leaf. | 0:28:46 | 0:28:49 | |
Might risk it. | 0:28:50 | 0:28:51 | |
Might just go... | 0:28:51 | 0:28:52 | |
Maybe! | 0:28:54 | 0:28:55 | |
I think it's natural decay, rather than a hole, | 0:28:55 | 0:28:58 | |
so that's how I'm going with it. | 0:28:58 | 0:29:00 | |
It'll be fine. I'm sure it'll be fine. | 0:29:00 | 0:29:02 | |
Outside, the show is in full swing. | 0:29:05 | 0:29:08 | |
It's harvest galore. | 0:29:08 | 0:29:09 | |
And sheepdog trials with a twist. | 0:29:11 | 0:29:14 | |
Away. Away, away, away. | 0:29:14 | 0:29:16 | |
APPLAUSE | 0:29:16 | 0:29:18 | |
OK. | 0:29:23 | 0:29:24 | |
The front grille's all sorted now, which is fantastic, | 0:29:26 | 0:29:29 | |
and we have got the Karma Choc dahlias, | 0:29:29 | 0:29:30 | |
which are really lovely and nice and deep and beautiful, | 0:29:30 | 0:29:33 | |
and actually, these Cafe Au Lait dahlias, which are really nice. | 0:29:33 | 0:29:35 | |
You can't import them, so actually, | 0:29:35 | 0:29:37 | |
it's quite special to bring those to Malvern Autumn Show. | 0:29:37 | 0:29:39 | |
We've got a fair bit done, but a fair way to go as well, | 0:29:42 | 0:29:44 | |
so I'm not going to get comfy yet. | 0:29:44 | 0:29:46 | |
We need to crack on. | 0:29:46 | 0:29:47 | |
The RHS will be judging Natalie and | 0:29:53 | 0:29:56 | |
all the commercial exhibitors today. | 0:29:56 | 0:29:58 | |
Judging criteria for the RHS is, first of all, | 0:30:03 | 0:30:07 | |
you judge the plants - are they excellent, very good, good, etc? | 0:30:07 | 0:30:11 | |
And then you go the overall impression, | 0:30:11 | 0:30:14 | |
and then you go to the endeavour. | 0:30:14 | 0:30:16 | |
Now, the endeavour's a difficult one. | 0:30:16 | 0:30:18 | |
You know, it's how difficult was it to put together? | 0:30:18 | 0:30:22 | |
Have they used anything original? | 0:30:22 | 0:30:24 | |
Is there anything that would excite the audience? | 0:30:24 | 0:30:28 | |
I've no idea whether going for the tractor | 0:30:30 | 0:30:33 | |
is going to make us stand out | 0:30:33 | 0:30:35 | |
or whether it's a bit of a risk, or a step too far. | 0:30:35 | 0:30:37 | |
I'm not sure. The theme's Arboretum, so we'll see. | 0:30:37 | 0:30:40 | |
All the other exhibitors here have got trees and they're all decorating | 0:30:41 | 0:30:44 | |
their trees beautifully, | 0:30:44 | 0:30:45 | |
whereas we've gone for a tractor that actually was bought to be in an | 0:30:45 | 0:30:49 | |
orchard, and so we're going to have some apples and we're going to tie | 0:30:49 | 0:30:52 | |
that theme in a little bit more subtly, | 0:30:52 | 0:30:54 | |
so whether the judges can pick up on the nuances of our exhibit, | 0:30:54 | 0:30:57 | |
we'll wait to see. | 0:30:57 | 0:30:58 | |
Let's hope so, eh?! | 0:30:58 | 0:30:59 | |
This year has been a year of total extremes, | 0:31:03 | 0:31:06 | |
so to actually see these guys put on, with their skill, | 0:31:06 | 0:31:10 | |
all what they do here is amazing. | 0:31:10 | 0:31:12 | |
In the amateur section, | 0:31:17 | 0:31:18 | |
Cate's base structure is ready | 0:31:18 | 0:31:21 | |
and now it's time for her star flowers. | 0:31:21 | 0:31:24 | |
Hopefully, I've done what they want and brought it forward and taking it | 0:31:25 | 0:31:29 | |
back through the wood as well, | 0:31:29 | 0:31:31 | |
so that you have perspective of it flowing through the wood, | 0:31:31 | 0:31:33 | |
not being static. | 0:31:33 | 0:31:35 | |
I've chosen quite a mix of flowers today. | 0:31:37 | 0:31:40 | |
I've got a shamrock chrysanth because it is a British-grown thing. | 0:31:40 | 0:31:45 | |
It symbolises, I suppose, more old-fashioned autumnal arranging. | 0:31:45 | 0:31:50 | |
Back at the tractor, | 0:31:57 | 0:31:58 | |
Natalie's mum is arriving with much-needed supplies. | 0:31:58 | 0:32:02 | |
-A splash of autumn colour, isn't it? -Think we've brought enough? | 0:32:02 | 0:32:05 | |
I think you've brought enough, yeah! | 0:32:05 | 0:32:07 | |
And husband Andy. | 0:32:07 | 0:32:08 | |
Hey, thank you. | 0:32:08 | 0:32:10 | |
-Then I've got these. -No, hang on. | 0:32:10 | 0:32:11 | |
This is the really important thing. | 0:32:11 | 0:32:13 | |
Yes! | 0:32:13 | 0:32:15 | |
Daughter Elodie is also on hand to lend a critical eye. | 0:32:15 | 0:32:19 | |
Do you think it's any good? | 0:32:19 | 0:32:22 | |
You love it, don't you? What are you? | 0:32:22 | 0:32:24 | |
Monkey. | 0:32:24 | 0:32:25 | |
You're a monkey. What do monkeys do? | 0:32:25 | 0:32:27 | |
Ooh, ooh, ooh, ooh! | 0:32:27 | 0:32:28 | |
Yeah! | 0:32:28 | 0:32:29 | |
Cate's daughter Bridget is also at the show and she's entered the | 0:32:31 | 0:32:35 | |
Christmas Decoration class. | 0:32:35 | 0:32:37 | |
Which one are you going to put it on? | 0:32:38 | 0:32:40 | |
For ages 12 to 16, | 0:32:40 | 0:32:42 | |
this class stipulates that the decoration must be designed to hang | 0:32:42 | 0:32:46 | |
and can be brought already assembled. | 0:32:46 | 0:32:49 | |
We do it every year, | 0:32:49 | 0:32:51 | |
and we go to my house and we all make them together. | 0:32:51 | 0:32:54 | |
-Yeah. -I like that. -That one's really good. -I know, that is so cute. | 0:32:54 | 0:32:57 | |
-And the little mouse in it. -Yeah. -That's sweet. | 0:32:57 | 0:33:00 | |
Definitely not preassembled, | 0:33:05 | 0:33:08 | |
Cate can decide to change anything she likes along the way - | 0:33:08 | 0:33:12 | |
but not without risk. | 0:33:12 | 0:33:14 | |
You've got to make sure you don't over-push your flowers in, | 0:33:16 | 0:33:19 | |
otherwise your oasis starts to crumble away, | 0:33:19 | 0:33:22 | |
so a bit tense at the moment | 0:33:22 | 0:33:23 | |
cos you've just got to get everything in the right place | 0:33:23 | 0:33:26 | |
and then leave it alone and run away and hide! | 0:33:26 | 0:33:29 | |
It's a bit like having a souffle that you take out of the oven, | 0:33:30 | 0:33:34 | |
it looks great, and then it goes...pffff! | 0:33:34 | 0:33:36 | |
Sleeves rolled up, Natalie's mother Roz has jumped straight in. | 0:33:40 | 0:33:45 | |
We've all come together in doing our bit to cover up | 0:33:46 | 0:33:50 | |
Mehitable and make her look beautiful. | 0:33:50 | 0:33:54 | |
What I'm looking for is a wow factor, | 0:33:54 | 0:33:57 | |
when you come in and she just looks wow! | 0:33:57 | 0:34:00 | |
Covered in flowers, | 0:34:00 | 0:34:01 | |
covered in British flowers, and it just makes your heart sing. | 0:34:01 | 0:34:05 | |
In the giant veg tent, looks simply don't matter. | 0:34:14 | 0:34:19 | |
It's all about the whoppers. | 0:34:19 | 0:34:20 | |
9.20kg. | 0:34:25 | 0:34:27 | |
Every visitor on the showground will want to see our giant vegetables, | 0:34:27 | 0:34:31 | |
over 500 entries in that category alone, | 0:34:31 | 0:34:34 | |
and we really are expecting world records. | 0:34:34 | 0:34:36 | |
I'm David Thomas from Cornwall and I grow giant veg. | 0:34:39 | 0:34:43 | |
It's a hobby and it's fascinating | 0:34:44 | 0:34:46 | |
to start with a small seed and end up with something huge. | 0:34:46 | 0:34:48 | |
It's addictive to me and I love it. | 0:34:50 | 0:34:52 | |
I hold the record for the heaviest red cabbage. | 0:34:52 | 0:34:55 | |
The heaviest cucumber. | 0:34:56 | 0:34:58 | |
And the heaviest parsnip. | 0:34:58 | 0:35:00 | |
To grow a giant veg is no big secret. | 0:35:02 | 0:35:04 | |
It's just good care and the right seed to start with, really. | 0:35:04 | 0:35:08 | |
This is a giant green cabbage. | 0:35:10 | 0:35:12 | |
We picked it up with the neighbour's mini digger in the garden, | 0:35:12 | 0:35:14 | |
dropped it in the back of the truck, | 0:35:14 | 0:35:16 | |
and then there's a forklift this end that unloads for us. | 0:35:16 | 0:35:19 | |
If you break a leaf off, that doesn't count. | 0:35:19 | 0:35:22 | |
You can't weigh the broken leaf. | 0:35:22 | 0:35:24 | |
So everything's done as gentle as possible. | 0:35:24 | 0:35:26 | |
Every ounce counts. | 0:35:26 | 0:35:27 | |
Back in the floral hall, the judges are due to inspect in an hour. | 0:35:32 | 0:35:36 | |
I think, for timing, | 0:35:37 | 0:35:39 | |
not sure. Because when you think of it, we've got this stand to do | 0:35:39 | 0:35:44 | |
and also the one behind you, so we are on a deadline now. | 0:35:44 | 0:35:48 | |
The flower board is designed to hold lots of separate stems | 0:35:48 | 0:35:52 | |
to showcase variety. | 0:35:52 | 0:35:54 | |
These are little test tubes that have got rubber lids | 0:35:56 | 0:35:58 | |
with a hole in, and you can poke the stems of the flowers through | 0:35:58 | 0:36:01 | |
so they're permanently in water, but it's all hidden behind the wall. | 0:36:01 | 0:36:05 | |
There are hundreds and hundreds of test tubes | 0:36:05 | 0:36:07 | |
all the way around the back here. | 0:36:07 | 0:36:08 | |
And we've done them all. | 0:36:08 | 0:36:10 | |
A little bit tense at the moment. | 0:36:18 | 0:36:19 | |
One more big flower to put in there, | 0:36:19 | 0:36:22 | |
and then a bit of filling, and see where we are after that. | 0:36:22 | 0:36:25 | |
But, yes, need it to be... | 0:36:25 | 0:36:27 | |
Don't want to see any of this green foam in here. | 0:36:27 | 0:36:30 | |
But at the same time, your foam is becoming... | 0:36:30 | 0:36:33 | |
..quite hole-y, so every time you put a flower in, | 0:36:34 | 0:36:37 | |
you might disintegrate your foam, | 0:36:37 | 0:36:39 | |
so it's getting a bit critical as to how much more you put in. | 0:36:39 | 0:36:44 | |
Just going to tidy up. | 0:36:49 | 0:36:51 | |
Clear everything out, make it nice and neat, | 0:36:51 | 0:36:53 | |
which isn't easy when we've been drilling holes | 0:36:53 | 0:36:55 | |
and the place is covered in flowers. | 0:36:55 | 0:36:57 | |
So we've just got to crack on and get it tidy. | 0:36:57 | 0:36:59 | |
T minus 30 minutes for judging, | 0:37:02 | 0:37:03 | |
so we've got to really get a wriggle on. | 0:37:03 | 0:37:06 | |
So, yes, it's tight. Tight, tight, tight. Ooph! | 0:37:06 | 0:37:09 | |
So there's not much time left to make final changes. | 0:37:10 | 0:37:14 | |
You're never happy with it. | 0:37:17 | 0:37:18 | |
You never just walk away and say, "Enough." | 0:37:18 | 0:37:21 | |
And now I've moved the leaves, I've got a hole there. | 0:37:22 | 0:37:25 | |
So then you have to wiggle it all around again. | 0:37:25 | 0:37:27 | |
You need to show the tyre. | 0:37:31 | 0:37:32 | |
We do, don't we? | 0:37:32 | 0:37:33 | |
And then the other one into place. | 0:37:36 | 0:37:37 | |
Yeah, perfect. | 0:37:40 | 0:37:41 | |
Thank you very much, ladies, for all of your help today. | 0:37:47 | 0:37:50 | |
I couldn't have done it without you. I'm so, so grateful. | 0:37:50 | 0:37:52 | |
Thank you, girls. Thank you, everybody. | 0:37:52 | 0:37:55 | |
Never seen a tractor decorated like this before, so it's a first, | 0:38:00 | 0:38:04 | |
but it's brilliant. | 0:38:04 | 0:38:06 | |
It brings the countryside into the show. | 0:38:06 | 0:38:08 | |
With the hard work done, it's time for judging. | 0:38:11 | 0:38:14 | |
Judges Pip and Debbie are assessing all of the amateur classes. | 0:38:17 | 0:38:21 | |
It's a lovely season to be designing in. | 0:38:24 | 0:38:26 | |
You've got all these berries, fruits, wonderful colours. | 0:38:26 | 0:38:29 | |
We're just hoping to see some really great designs. | 0:38:29 | 0:38:32 | |
First up for scrutiny is Cate. | 0:38:40 | 0:38:43 | |
Her Seasonal Splendour display uses ivy, | 0:38:44 | 0:38:48 | |
hosta leaves, Chinese lanterns, | 0:38:48 | 0:38:51 | |
viburnum, skimmia | 0:38:51 | 0:38:54 | |
gourds and Fuego chrysanthemum. | 0:38:54 | 0:38:57 | |
Those hostas are lovely, aren't they? | 0:38:58 | 0:39:00 | |
Cate and Bridget can't wait any longer. | 0:39:02 | 0:39:05 | |
It's time to find out if the judges have awarded a card. | 0:39:05 | 0:39:09 | |
-What did we get? -Very highly commended! | 0:39:10 | 0:39:13 | |
-That's brilliant. -That's good! | 0:39:13 | 0:39:15 | |
-Well done. -Thank you. | 0:39:15 | 0:39:18 | |
-That's really good. -What has the judge said? | 0:39:18 | 0:39:21 | |
"Innovative use of wood slice to frame the design." | 0:39:21 | 0:39:25 | |
-Dad will be happy with that, yeah! -Yeah. | 0:39:25 | 0:39:27 | |
"The top chrysanthemum and surrounding foliage | 0:39:27 | 0:39:30 | |
"are leaning a little to the rear." That's OK. | 0:39:30 | 0:39:34 | |
-That's very good. Well done. -I'm so pleased with that. | 0:39:34 | 0:39:37 | |
It's a really, really great thing just to get a card | 0:39:37 | 0:39:40 | |
with three words on it. It's fab. | 0:39:40 | 0:39:43 | |
With Mum proud of her Highly Commended card, | 0:39:43 | 0:39:47 | |
Bridget makes a beeline for the Christmas tree, | 0:39:47 | 0:39:50 | |
to see how her decoration has fared. | 0:39:50 | 0:39:52 | |
Oh, I got second! | 0:39:52 | 0:39:53 | |
Really happy. | 0:39:55 | 0:39:56 | |
Mehitable has been adorned with dahlias, | 0:39:59 | 0:40:02 | |
hops, wheat and Virginia creeper... | 0:40:02 | 0:40:05 | |
..and given an orchard touch with added apples and pears... | 0:40:07 | 0:40:10 | |
..a garden bench and some decorative milk churns. | 0:40:12 | 0:40:15 | |
Natalie's exhibit is judged by a panel... | 0:40:17 | 0:40:20 | |
..who collectively score to award gold, silver-gilt, | 0:40:22 | 0:40:26 | |
silver and bronze, | 0:40:26 | 0:40:28 | |
or no card at all. | 0:40:28 | 0:40:29 | |
-Let's go and have a look. -Are you sure? -Yeah. -OK. | 0:40:31 | 0:40:34 | |
Oh, it's an envelope! | 0:40:37 | 0:40:38 | |
-Do you want to open it? -No, no. | 0:40:40 | 0:40:42 | |
It's a silver medal! | 0:40:44 | 0:40:46 | |
Wow! That is incredible. | 0:40:46 | 0:40:47 | |
That's great, isn't it? | 0:40:47 | 0:40:49 | |
-Well done, Mum. -Well done, you. | 0:40:49 | 0:40:50 | |
-Fantastic. -Yes! Got a silver medal! Woohoo! | 0:40:52 | 0:40:56 | |
That's great! We're going to have to put it on her, aren't we? | 0:40:56 | 0:40:58 | |
-Absolutely. -That's lovely, isn't it? | 0:40:58 | 0:41:00 | |
That's really amazing. | 0:41:02 | 0:41:03 | |
An RHS silver medal is a serious badge of honour | 0:41:03 | 0:41:06 | |
for a professional just starting out. | 0:41:06 | 0:41:10 | |
-Champagne on ice? -Yeah. | 0:41:10 | 0:41:12 | |
-Yeah. -Well done. | 0:41:12 | 0:41:14 | |
The Malvern Autumn Show floral competition | 0:41:14 | 0:41:17 | |
is over for another year. | 0:41:17 | 0:41:18 | |
With success all round, | 0:41:25 | 0:41:27 | |
the future is promising for our floral enthusiasts. | 0:41:27 | 0:41:31 | |
Come on, then. | 0:41:31 | 0:41:32 | |
Time for the Morris family to pop a cork or two. | 0:41:32 | 0:41:36 | |
We might have a little celebration this evening. | 0:41:36 | 0:41:38 | |
Champagne... Not... | 0:41:38 | 0:41:39 | |
Might be prosecco, you know, you never know. | 0:41:39 | 0:41:42 | |
You know what farmers are like, | 0:41:42 | 0:41:43 | |
you know, they don't splash the cash too often. | 0:41:43 | 0:41:45 | |
Very Highly Commended is not first, second or third, | 0:41:47 | 0:41:51 | |
but actually, in the floral art world, you're nearly there, | 0:41:51 | 0:41:53 | |
so that would be really my next challenge, then, to go for it. | 0:41:53 | 0:41:57 | |
Motivated to outdo herself at next year's show, for now, | 0:41:57 | 0:42:02 | |
it's back to daily farming life. | 0:42:02 | 0:42:04 | |
Good girl. What are you doing? Come on, then. | 0:42:04 | 0:42:06 | |
It's a varied and very special life. | 0:42:06 | 0:42:09 | |
No one day is ever the same. | 0:42:10 | 0:42:13 | |
And Cate wouldn't have it any other way. | 0:42:13 | 0:42:15 | |
I don't know anything else. It's just ace. It's brilliant. | 0:42:16 | 0:42:19 | |
I think you're quite privileged | 0:42:19 | 0:42:21 | |
to be able to call yourself a farmer's wife. | 0:42:21 | 0:42:23 | |
Natalie's first show has offered up some valuable insight. | 0:42:25 | 0:42:29 | |
I think I've learnt that, if you've got a can-do attitude, | 0:42:29 | 0:42:31 | |
you can achieve anything, really. | 0:42:31 | 0:42:33 | |
Her drive and determination to expand the business is unwavering. | 0:42:35 | 0:42:40 | |
It's got to be done. The return from conventional farming nowadays is | 0:42:40 | 0:42:44 | |
pitiful, and so if there are other ways in which more can be earned | 0:42:44 | 0:42:47 | |
from the land, and especially doing something that you love doing, | 0:42:47 | 0:42:50 | |
it's got to be good. | 0:42:50 | 0:42:52 | |
With a silver medal under her belt, | 0:42:52 | 0:42:54 | |
Natalie's floral future is very promising. | 0:42:54 | 0:42:58 | |
Thank you very much for all of your help. | 0:42:58 | 0:43:00 | |
-You've been a star. -Oh, I loved it. | 0:43:00 | 0:43:02 | |
-Have you? -Yeah, I really have. | 0:43:02 | 0:43:03 | |
-Are you exhausted? -It's one of the best days I've ever had. -Really? | 0:43:03 | 0:43:06 | |
-Absolutely. -That's great. | 0:43:06 | 0:43:07 |