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Underneath the streets of London... | 0:00:03 | 0:00:05 | |
..an army of more than 10,000 engineers | 0:00:06 | 0:00:09 | |
is building a brand-new subterranean railway. | 0:00:09 | 0:00:12 | |
OK! | 0:00:13 | 0:00:14 | |
Crossrail. | 0:00:14 | 0:00:16 | |
We've done the maths, we've checked the maths | 0:00:16 | 0:00:18 | |
and we've checked them a third time. | 0:00:18 | 0:00:20 | |
Costing almost £15 billion, it's one of the most ambitious | 0:00:20 | 0:00:24 | |
rail projects in Britain since the time of Brunel. | 0:00:24 | 0:00:27 | |
I've been doing civil engineering for 35 or so years. | 0:00:28 | 0:00:31 | |
Even I can't appreciate the scale until I come down here. | 0:00:31 | 0:00:34 | |
Head him up! | 0:00:34 | 0:00:35 | |
It was a lot easier when I was five years younger | 0:00:35 | 0:00:38 | |
and two stone lighter! | 0:00:38 | 0:00:40 | |
This is a crucial stage of the project | 0:00:41 | 0:00:43 | |
for workers digging 42 kilometres of tunnels... | 0:00:43 | 0:00:47 | |
We only get one chance to build this tunnel so we have to get it right. | 0:00:48 | 0:00:51 | |
When you do these things, you're building a part of history, | 0:00:51 | 0:00:54 | |
it's going to be here for a couple of hundred years. | 0:00:54 | 0:00:56 | |
..and constructing ten vast new stations. | 0:00:56 | 0:00:59 | |
I've never build a train station before, | 0:01:01 | 0:01:03 | |
never mind one in a dock, underwater. | 0:01:03 | 0:01:05 | |
For almost two years, cameras have been following crews, | 0:01:05 | 0:01:08 | |
working cheek-by-jowl with some of London's | 0:01:08 | 0:01:11 | |
most distinguished residents. | 0:01:11 | 0:01:13 | |
That's ready to start pumping! | 0:01:15 | 0:01:17 | |
Facing a constant battle to keep London moving. | 0:01:17 | 0:01:20 | |
This area is where the gridlock is. | 0:01:20 | 0:01:22 | |
Haven't been able to go up and down these streets for four years. | 0:01:22 | 0:01:25 | |
Is Crossrail essential? | 0:01:26 | 0:01:28 | |
Be wonderful... | 0:01:28 | 0:01:30 | |
when it's done. | 0:01:30 | 0:01:31 | |
Constructing Crossrail is like undertaking open-heart surgery | 0:01:31 | 0:01:35 | |
on a patient whilst that patient is awake. | 0:01:35 | 0:01:38 | |
This is the exclusive inside story of the epic endeavour | 0:01:38 | 0:01:41 | |
to build London's new Underground. | 0:01:41 | 0:01:44 | |
London. Home to more than eight million people. | 0:01:54 | 0:01:57 | |
The key to keeping everyone moving - the Tube. | 0:02:01 | 0:02:04 | |
A vast network of 270 stations and 250 miles of track. | 0:02:04 | 0:02:09 | |
The London Underground handles more than a billion journeys a year. | 0:02:14 | 0:02:18 | |
All you've got to do is go on the underground system | 0:02:20 | 0:02:23 | |
in the morning and you can see it's very crowded. | 0:02:23 | 0:02:26 | |
The forecast for London is one of continued growth, | 0:02:26 | 0:02:29 | |
an extra million people in the next 10 or 15 years. | 0:02:29 | 0:02:32 | |
This 150-year-old network struggles to cope with peak demand. | 0:02:34 | 0:02:39 | |
The last new Tube, the Jubilee Line, was opened 35 years ago. | 0:02:41 | 0:02:47 | |
So, today, engineers are building a brand-new underground railway line | 0:02:47 | 0:02:51 | |
to help take the strain. | 0:02:51 | 0:02:53 | |
Passing right across London, it's called Crossrail. | 0:02:54 | 0:02:58 | |
It will run overground, from Reading and Heathrow in the west... | 0:03:00 | 0:03:04 | |
..straight underneath Central London. | 0:03:08 | 0:03:11 | |
It will connect key mainline train stations | 0:03:11 | 0:03:15 | |
with the historic Square Mile. | 0:03:15 | 0:03:16 | |
And the new business district. | 0:03:18 | 0:03:20 | |
Before terminating at Shenfield and Abbey Wood in the east. | 0:03:21 | 0:03:24 | |
120 kilometres of railway will link to the rest | 0:03:25 | 0:03:29 | |
of the Tube and open in 2018. | 0:03:29 | 0:03:31 | |
Heathrow, Europe's busiest airport, | 0:03:33 | 0:03:36 | |
will be just 28 minutes from London's West End, | 0:03:36 | 0:03:39 | |
a journey that currently takes almost an hour on the Tube. | 0:03:39 | 0:03:42 | |
Another eight minutes will whisk you to the booming East End. | 0:03:45 | 0:03:49 | |
An idea born in 1974, it's taken 40 years to get to this point. | 0:03:50 | 0:03:55 | |
And the project isn't without controversy. | 0:03:56 | 0:03:59 | |
It is a big job. | 0:03:59 | 0:04:01 | |
Probably the biggest single rail project | 0:04:01 | 0:04:04 | |
that the UK has ever seen. | 0:04:04 | 0:04:06 | |
Pretty much everything we do has an impact on somebody. | 0:04:06 | 0:04:10 | |
The budget for Crossrail is 14.8 billion. | 0:04:10 | 0:04:14 | |
This is taxpayers' money, it's important to remember that. | 0:04:14 | 0:04:17 | |
The other thing I've got to sign here is a £21 million | 0:04:17 | 0:04:20 | |
payment authorisation to one of our tunnelling contractors. | 0:04:20 | 0:04:23 | |
And this one's OK. | 0:04:23 | 0:04:25 | |
Building Crossrail in the middle of nowhere would be a big enough | 0:04:26 | 0:04:30 | |
technical challenge, | 0:04:30 | 0:04:31 | |
but to do that right in the centre of London, with all of | 0:04:31 | 0:04:34 | |
the neighbours above and around us, makes it more complex still. | 0:04:34 | 0:04:38 | |
Oxford Street - the shopping Mecca that runs through the heart | 0:04:39 | 0:04:43 | |
of London, between Marble Arch and Tottenham Court Road. | 0:04:43 | 0:04:47 | |
It's the busiest shopping street in Europe. | 0:04:49 | 0:04:52 | |
200 million people visit the high-end stores here each year. | 0:04:52 | 0:04:56 | |
Engineers must dig the tunnels for Crossrail | 0:04:59 | 0:05:02 | |
right underneath this area. | 0:05:02 | 0:05:03 | |
The new train line will soon make it easier for people to travel here. | 0:05:05 | 0:05:08 | |
But building the tunnels below ground without disrupting | 0:05:09 | 0:05:12 | |
the stores and shoppers above is no simple task... | 0:05:12 | 0:05:15 | |
..even for tunnel construction manager Steve Parker... | 0:05:18 | 0:05:21 | |
Hey, Mario! | 0:05:21 | 0:05:22 | |
..who has more than 25 years' tunnelling experience. | 0:05:22 | 0:05:25 | |
Oh, well, another glorious day at work. | 0:05:25 | 0:05:28 | |
A lot of people will say that tunnelling is boring. | 0:05:29 | 0:05:32 | |
If you look up in the Yellow Pages "boring", | 0:05:32 | 0:05:34 | |
it says, "See civil engineers." | 0:05:34 | 0:05:37 | |
I am a civil engineer. | 0:05:37 | 0:05:38 | |
Steve is part of a 500-strong team. | 0:05:39 | 0:05:42 | |
And this is the great picture at the Royal Oak Portal | 0:05:42 | 0:05:45 | |
and there's our tunnelling team. | 0:05:45 | 0:05:47 | |
A few Hollywood players in there, yes. | 0:05:47 | 0:05:49 | |
-Willie, where are you on this? -There you are. | 0:05:49 | 0:05:52 | |
Ah, he's right in the middle! | 0:05:53 | 0:05:54 | |
That's Willie Archibald, our tunnel surveyor, | 0:05:54 | 0:05:57 | |
and he's got a certain height, and we use that as a unit of measure. | 0:05:57 | 0:06:01 | |
One Willie Archibald is a standard tunnelling unit of measure. | 0:06:01 | 0:06:05 | |
We've got the woolly hat here on the "Where's Wally?" thing, | 0:06:05 | 0:06:09 | |
and we move it around from time to time. | 0:06:09 | 0:06:11 | |
Steve, Willie and the team oversee the running of two giant | 0:06:16 | 0:06:20 | |
tunnel-boring machines - "TBMs". | 0:06:20 | 0:06:23 | |
In all, there are eight of these clay-eating monsters. | 0:06:25 | 0:06:28 | |
Each one is a 150 metres long | 0:06:29 | 0:06:32 | |
and weighs 1,000 tonnes. | 0:06:32 | 0:06:34 | |
These digging demons can burrow up to 72 metres a day. | 0:06:37 | 0:06:41 | |
In the future I want to be taking my family in this tunnel and say, | 0:06:44 | 0:06:48 | |
"Look, I worked on this." | 0:06:48 | 0:06:49 | |
I think many tunnellers like to think of themselves as kind of the unsung heroes. | 0:06:49 | 0:06:53 | |
Because it's all underground. | 0:06:53 | 0:06:55 | |
Steve's crew is about to face its toughest test yet. | 0:06:58 | 0:07:02 | |
They must weave one of the tunnelling machines through | 0:07:02 | 0:07:05 | |
the tightest point of the entire route, | 0:07:05 | 0:07:08 | |
known as "the Eye of the Needle". | 0:07:08 | 0:07:10 | |
At the east end of Oxford Street | 0:07:13 | 0:07:15 | |
lies London Underground's Tottenham Court Road station. | 0:07:15 | 0:07:19 | |
It's where the Tube's Northern Line and Central Line intersect. | 0:07:19 | 0:07:23 | |
Crossrail needs to link into this super-hub. | 0:07:24 | 0:07:27 | |
But digging tunnels here is not easy. | 0:07:28 | 0:07:31 | |
Pipes, cables and sewers crowd the ground. | 0:07:31 | 0:07:35 | |
The Tube's busy Northern Line platforms... | 0:07:35 | 0:07:38 | |
..and two escalators | 0:07:39 | 0:07:42 | |
make the earth extremely crowded. | 0:07:42 | 0:07:46 | |
The only option for Steve's team is to drive their tunnelling machine | 0:07:46 | 0:07:49 | |
through the tightest of gaps. | 0:07:49 | 0:07:52 | |
85 centimetres above a live, running Tube line | 0:07:52 | 0:07:56 | |
and 35 centimetres below the escalators. | 0:07:56 | 0:08:00 | |
It's the closest any Crossrail tunnel will come to the critical | 0:08:00 | 0:08:04 | |
infrastructure that keeps London ticking. | 0:08:04 | 0:08:06 | |
At the controls for the tightest drive of them all | 0:08:10 | 0:08:13 | |
is shift engineer Ed Batty. | 0:08:13 | 0:08:15 | |
We've been in tricky spots before but nothing where we've had | 0:08:18 | 0:08:21 | |
something below us | 0:08:21 | 0:08:22 | |
and above us in such a close proximity | 0:08:22 | 0:08:25 | |
so, yeah, it's a first for me. | 0:08:25 | 0:08:27 | |
My first job on a TBM, one year and one month I've been down here. | 0:08:27 | 0:08:32 | |
The first six months was a learning curve | 0:08:32 | 0:08:34 | |
and now I know what the crack is, basically. | 0:08:34 | 0:08:38 | |
ALARM-LIKE SOUND | 0:08:38 | 0:08:40 | |
What's going on now? | 0:08:40 | 0:08:41 | |
That's the TBM belt just about to start | 0:08:41 | 0:08:44 | |
and that's the belt that goes all the way out. | 0:08:44 | 0:08:47 | |
Four kilometres of conveyor belt transport the excavated | 0:08:47 | 0:08:51 | |
London clay out to the surface. | 0:08:51 | 0:08:53 | |
By the end of the project, | 0:08:56 | 0:08:58 | |
the tunnelling machines will have mined over six million tonnes | 0:08:58 | 0:09:01 | |
of earth - enough to fill Wembley Stadium three times. | 0:09:01 | 0:09:05 | |
Hey, guys. Lovely morning. | 0:09:18 | 0:09:20 | |
Steve and the team are meeting with London Underground. | 0:09:20 | 0:09:23 | |
We need to make sure the perimeters are absolutely clear so that we avoid | 0:09:23 | 0:09:28 | |
some sort of unnecessary response. | 0:09:28 | 0:09:30 | |
The tunnellers can't interrupt Tube services during the 48 hours | 0:09:30 | 0:09:35 | |
it will take their machine to pass through the Eye of the Needle. | 0:09:35 | 0:09:39 | |
The tunnel boring machine is passing directly over a platform tunnel. | 0:09:39 | 0:09:42 | |
So our customers will be able see the impact of the tunnel | 0:09:42 | 0:09:45 | |
boring machine passing by. | 0:09:45 | 0:09:47 | |
For example, you could have tiles falling off. | 0:09:47 | 0:09:49 | |
If we had customers on the platform who started seeing | 0:09:49 | 0:09:52 | |
a lot of fluid come in, they might cause a panic. | 0:09:52 | 0:09:55 | |
If the worst comes to the worst, we might have to evacuate the station. | 0:09:55 | 0:09:59 | |
The only thing we need to discuss is what surveillance regime | 0:09:59 | 0:10:02 | |
we're going to have in place. | 0:10:02 | 0:10:04 | |
The team agree to keep a close eye | 0:10:04 | 0:10:06 | |
on the platform as the tunnellers pass overhead. | 0:10:06 | 0:10:09 | |
I suppose the real excitement, | 0:10:11 | 0:10:13 | |
if you like, or the adrenaline will start if there is an incident. | 0:10:13 | 0:10:16 | |
TANNOY: Customers for all stations to Morden | 0:10:16 | 0:10:19 | |
should take the next available train and change at Kennington. | 0:10:19 | 0:10:23 | |
Tottenham Court Road station was built in 1900, | 0:10:28 | 0:10:32 | |
for the Central London Railway, now the Central Line. | 0:10:32 | 0:10:35 | |
The first line to run all day on Sundays | 0:10:37 | 0:10:39 | |
and nicknamed the "Twopenny Tube", | 0:10:39 | 0:10:41 | |
it was affordable and proved hugely popular. | 0:10:41 | 0:10:44 | |
The new link made the shops on Oxford Street easier to reach, | 0:10:47 | 0:10:51 | |
boosting their profits. | 0:10:51 | 0:10:52 | |
The new stations here will deliver another 120,000 shoppers a day | 0:10:55 | 0:11:00 | |
to the streets. | 0:11:00 | 0:11:02 | |
Crossrail engineers have 40 sprawling worksites | 0:11:08 | 0:11:11 | |
spread out across London. | 0:11:11 | 0:11:13 | |
Some are little more than shafts allowing access to the new | 0:11:15 | 0:11:18 | |
train tunnels growing underground. | 0:11:18 | 0:11:20 | |
Others are giant holes puncturing the landscape, | 0:11:23 | 0:11:26 | |
forming the outlines of ten new stations. | 0:11:26 | 0:11:28 | |
The sites in Central London are hemmed in between office blocks, | 0:11:31 | 0:11:36 | |
busy shops and roads that never stop. | 0:11:36 | 0:11:39 | |
This makes construction work extra difficult. | 0:11:42 | 0:11:44 | |
One of the pinch points | 0:11:47 | 0:11:49 | |
is two stops east of Tottenham Court Road, | 0:11:49 | 0:11:52 | |
the site for a new Crossrail station serving Liverpool Street. | 0:11:52 | 0:11:55 | |
In four years' time, this will be a spacious new ticket hall. | 0:11:57 | 0:12:01 | |
But right now there's almost no room for manoeuvre. | 0:12:01 | 0:12:04 | |
We'll get cracking then, yeah? Reeeet! | 0:12:06 | 0:12:09 | |
An elite squad of crane riggers is assembling to clear some space. | 0:12:10 | 0:12:14 | |
Right, this is me team I'll be working with, | 0:12:14 | 0:12:16 | |
this is Gurg from down here, so he knows the area. | 0:12:16 | 0:12:20 | |
And this is the Scouser, Lee. You've probably seen him on Crimewatch. | 0:12:20 | 0:12:24 | |
Cheers, Steve. | 0:12:24 | 0:12:26 | |
I'll never be welcome in Liverpool again, will I? | 0:12:26 | 0:12:28 | |
Well, I love me van! | 0:12:28 | 0:12:30 | |
Laptop, kitchen sink, it's all in here somewhere. | 0:12:30 | 0:12:34 | |
I try and keep it really tidy, | 0:12:34 | 0:12:36 | |
everybody takes the mick cos it's such a tidy van. | 0:12:36 | 0:12:38 | |
He polishes that every day. | 0:12:38 | 0:12:40 | |
When he gets home, he gives himself another hour on the time sheet | 0:12:40 | 0:12:43 | |
and gives his van a good polish. | 0:12:43 | 0:12:45 | |
Seven years in the army, that's what it is, you're either tidy or | 0:12:45 | 0:12:48 | |
you're in a lot of trouble, like. | 0:12:48 | 0:12:50 | |
The huge 280-tonne crawler crane has been hauling heavy equipment | 0:12:50 | 0:12:55 | |
around the site. | 0:12:55 | 0:12:56 | |
Steve leads the team tasked with lifting it from the cramped space | 0:12:56 | 0:13:01 | |
so building work can begin. | 0:13:01 | 0:13:02 | |
The lifting of the crane out of the hole, | 0:13:02 | 0:13:05 | |
it's not something you do every day. | 0:13:05 | 0:13:06 | |
I've been doing it 15 years now, I suppose it's never easy, like. | 0:13:06 | 0:13:11 | |
The crane is so huge, and the site so small... | 0:13:11 | 0:13:13 | |
Put the rest of the barriers in. | 0:13:13 | 0:13:15 | |
..that first they need to close off a side street | 0:13:15 | 0:13:18 | |
to lay its 60-metre-long boom arm down. | 0:13:18 | 0:13:20 | |
Keep moving her down, mate, keep moving her down. | 0:13:23 | 0:13:26 | |
Nice and steady. And hold it there, stop. | 0:13:26 | 0:13:29 | |
Just watch yourself, cos that's going to slam that way. | 0:13:30 | 0:13:33 | |
Hold it there, Norbert. | 0:13:33 | 0:13:35 | |
Steve now needs to bring in a big mobile crane to dismantle | 0:13:45 | 0:13:48 | |
the rest of the crawler. | 0:13:48 | 0:13:50 | |
The obvious place to position this | 0:13:52 | 0:13:55 | |
is the empty narrow strip on site, | 0:13:55 | 0:13:57 | |
from where it can easily lift out the crawler crane. | 0:13:57 | 0:14:00 | |
But the world's oldest underground railway, | 0:14:03 | 0:14:05 | |
the Metropolitan Line, runs less than two metres below the surface. | 0:14:05 | 0:14:09 | |
Putting the crane here could damage the Victorian tunnels. | 0:14:10 | 0:14:14 | |
So the team has no option but to position their crane on Moorgate. | 0:14:15 | 0:14:18 | |
Closing off one of London's major traffic arteries. | 0:14:20 | 0:14:23 | |
Moorgate is an essential thoroughfare into the heart | 0:14:27 | 0:14:30 | |
of the historic business district. | 0:14:30 | 0:14:32 | |
Over 400,000 people work in the City during the week | 0:14:33 | 0:14:37 | |
but at the weekend it's relatively quiet. | 0:14:37 | 0:14:41 | |
We're going to be slinging you in through the head there. | 0:14:41 | 0:14:44 | |
Once they close Moorgate tonight, Steve's team have just | 0:14:44 | 0:14:47 | |
a single weekend to get the crawler crane off site. | 0:14:47 | 0:14:50 | |
This part of London has always been busy. | 0:14:53 | 0:14:57 | |
When Victorian engineers built the Metropolitan Line | 0:14:57 | 0:15:00 | |
in the 1860s, they closed streets for years. | 0:15:00 | 0:15:03 | |
Cutting huge trenches into the ground to form Tube tunnels | 0:15:05 | 0:15:09 | |
caused major disruption. | 0:15:09 | 0:15:10 | |
Cor! | 0:15:14 | 0:15:15 | |
Steve can't afford to cause gridlock here today. | 0:15:15 | 0:15:18 | |
He needs everything to run like clockwork. | 0:15:20 | 0:15:23 | |
Yeah, it was a lot easier when I was about five years younger | 0:15:23 | 0:15:27 | |
and two stone lighter! | 0:15:27 | 0:15:28 | |
In the heart of the West End, Crossrail's new station | 0:15:36 | 0:15:39 | |
at Tottenham Court Road will be a gateway to the shops | 0:15:39 | 0:15:42 | |
of Oxford Street. | 0:15:42 | 0:15:43 | |
As well as the vibrant area of Soho. | 0:15:45 | 0:15:48 | |
Soho is London's entertainment hub, home to hundreds of bars, | 0:15:50 | 0:15:54 | |
restaurants and the West End's famous theatres. | 0:15:54 | 0:15:57 | |
Here we are in the middle of Soho Square. | 0:16:01 | 0:16:04 | |
Crossrail is building a new station directly underneath our feet here. | 0:16:04 | 0:16:07 | |
Our tunnel boring machine is directly under this building | 0:16:07 | 0:16:10 | |
opposite us there. | 0:16:10 | 0:16:11 | |
Advancing on average 22 metres a day, | 0:16:13 | 0:16:16 | |
Crossrail's vast tunnel boring machine is | 0:16:16 | 0:16:19 | |
closing in on the Eye of the Needle. | 0:16:19 | 0:16:21 | |
We've got to pass under a couple of buildings before | 0:16:22 | 0:16:25 | |
it gets to the Eye of the Needle, but before we get there | 0:16:25 | 0:16:28 | |
obviously we've got to protect the buildings. | 0:16:28 | 0:16:30 | |
We don't want to put the table-tennis table out of level. | 0:16:30 | 0:16:33 | |
It's all part of keeping London moving. | 0:16:35 | 0:16:37 | |
Digging directly under a city is a delicate operation. | 0:16:40 | 0:16:44 | |
The loose ground around freshly dug tunnels could settle unevenly, | 0:16:45 | 0:16:49 | |
potentially causing buildings to tilt. | 0:16:49 | 0:16:52 | |
So Crossrail's engineers use a network of lasers | 0:16:52 | 0:16:55 | |
and targets to spot any movement of buildings. | 0:16:55 | 0:16:58 | |
If you look closely at the buildings, | 0:17:04 | 0:17:06 | |
you can see lines of these prisms that are all across the facades. | 0:17:06 | 0:17:09 | |
On the far corner there, on the brackets away from the building, | 0:17:09 | 0:17:12 | |
you can see an automatic station up on the end there. | 0:17:12 | 0:17:15 | |
It'll know where these prisms are supposed to be, | 0:17:15 | 0:17:17 | |
it'll turn the instrument to see where it last read the prism from, | 0:17:17 | 0:17:21 | |
and then it'll take the shot that'll give it the exact location of the prism. | 0:17:21 | 0:17:24 | |
You'll see it rotating round now, working its way around, | 0:17:24 | 0:17:28 | |
and then sending all that data back to the control room | 0:17:28 | 0:17:30 | |
so we know where all these prisms are in real time. | 0:17:30 | 0:17:33 | |
Data from thousands of targets | 0:17:38 | 0:17:40 | |
installed across Central London flows back to Tunnel Control. | 0:17:40 | 0:17:43 | |
Simon Leavy analyses any slight change in ground level | 0:17:46 | 0:17:49 | |
picked up by the instruments. | 0:17:49 | 0:17:51 | |
If the ground moves either up or down, we can tell from these graphs. | 0:17:52 | 0:17:57 | |
The nodes on the points are blue | 0:17:57 | 0:17:59 | |
so that means they're not in any trigger area | 0:17:59 | 0:18:02 | |
but if they go to a green, it's a green alert, amber and red. | 0:18:02 | 0:18:07 | |
Robot trackers keep check on some of the most historic buildings | 0:18:10 | 0:18:13 | |
in London, 24 hours a day. | 0:18:13 | 0:18:16 | |
Amongst them is one of the oldest structures in Soho Square. | 0:18:18 | 0:18:22 | |
The Grade I listed charity and chapel House of St Barnabas. | 0:18:23 | 0:18:28 | |
This is just so 1750s. | 0:18:29 | 0:18:33 | |
This building was the anchor building for the development | 0:18:33 | 0:18:37 | |
of the square here in Soho. | 0:18:37 | 0:18:39 | |
If we look up, this is the plasterwork installed in 1754. | 0:18:39 | 0:18:45 | |
It's a classic piece of rococo work. | 0:18:45 | 0:18:49 | |
The main hall and the Silk Room next door together constitute | 0:18:49 | 0:18:55 | |
the last complete set of rococo plasterwork in London. | 0:18:55 | 0:18:59 | |
And so the house is monitored in a variety of ways. | 0:18:59 | 0:19:02 | |
There's a theodolite looking at these two faces | 0:19:02 | 0:19:05 | |
and there's another theodolite at the back. | 0:19:05 | 0:19:07 | |
I'm standing on top of monitoring devices, | 0:19:07 | 0:19:10 | |
which are built into the floor, and there are monitoring devices | 0:19:10 | 0:19:13 | |
above my head, again built into the floor. | 0:19:13 | 0:19:15 | |
This broad staircase was designed to look completely floating free. | 0:19:15 | 0:19:20 | |
Crossrail have built a steel framework, | 0:19:20 | 0:19:24 | |
which is underneath the staircase. | 0:19:24 | 0:19:26 | |
It's not supporting the staircase, it's a safety net. | 0:19:26 | 0:19:29 | |
Were the staircase to fall apart, the steel frame would catch it | 0:19:29 | 0:19:33 | |
and we would be able to rebuild it using the existing materials. | 0:19:33 | 0:19:37 | |
The House of St Barnabas is bristling with gadgets. | 0:19:39 | 0:19:42 | |
But, despite supporting its stairway and protecting its pillars, | 0:19:43 | 0:19:48 | |
there's a problem. | 0:19:48 | 0:19:49 | |
As engineers dig passages beneath Soho Square | 0:19:52 | 0:19:56 | |
to link up Tottenham Court Road's two new platforms... | 0:19:56 | 0:19:59 | |
..the excavations are disturbing the ground. | 0:20:01 | 0:20:04 | |
In Soho Square now we have some amber triggers | 0:20:05 | 0:20:08 | |
on the levelling points. | 0:20:08 | 0:20:09 | |
It's not to do with the TBM, it's the new ticket hall, | 0:20:09 | 0:20:12 | |
so they're actually excavating fairly deep in that area. | 0:20:12 | 0:20:16 | |
Sensors on the House of St Barnabas have triggered alerts. | 0:20:18 | 0:20:22 | |
Reverend Scott fears cracks in his plasterwork are getting worse. | 0:20:22 | 0:20:26 | |
The corner behind me has been gently moving towards the square. | 0:20:26 | 0:20:31 | |
And we are watching the cracks that are forming in the plasterwork. | 0:20:32 | 0:20:37 | |
Now, we don't want to be panicky about this, | 0:20:37 | 0:20:40 | |
but you have to keep an eye on what's going on. | 0:20:40 | 0:20:43 | |
The main thing is to try to ensure that it all stays up there. | 0:20:43 | 0:20:46 | |
The Reverend isn't the only Soho resident worried about the impact | 0:20:51 | 0:20:55 | |
of Crossrail's construction work here. | 0:20:55 | 0:20:57 | |
The Star Cafe was started in 1933 by my father. | 0:21:00 | 0:21:05 | |
I personally have only been here 52 years, | 0:21:05 | 0:21:09 | |
so, yeah, got a bit more to go yet. | 0:21:09 | 0:21:12 | |
Since work began, Mario's road has been closed to traffic | 0:21:12 | 0:21:17 | |
and the cafe is now within touching distance of the building site. | 0:21:17 | 0:21:21 | |
Obviously it affects the amount of people that can get down to here. | 0:21:21 | 0:21:25 | |
So a big bulk of our clients has gone. | 0:21:26 | 0:21:29 | |
I say our trade is down, yeah, 35% without any hesitation. | 0:21:30 | 0:21:35 | |
Is Crossrail essential? | 0:21:35 | 0:21:38 | |
Be wonderful... | 0:21:38 | 0:21:40 | |
when it's done. | 0:21:40 | 0:21:41 | |
Two stops back east, at Liverpool Street... | 0:21:50 | 0:21:53 | |
..the fight for space on the cramped site has forced the team | 0:21:56 | 0:21:59 | |
to close off a side street to break up a huge crane. | 0:21:59 | 0:22:03 | |
What we're going to do now, we're going to split | 0:22:04 | 0:22:07 | |
the top two pins to the boom now and lay it down on the floor. | 0:22:07 | 0:22:10 | |
And we'll, er, knock it to bits. | 0:22:10 | 0:22:13 | |
HE SIGHS | 0:22:18 | 0:22:20 | |
To be in my type of position? | 0:22:20 | 0:22:23 | |
A good back and knees. | 0:22:23 | 0:22:25 | |
And good with an 'ammer normally helps as well! | 0:22:25 | 0:22:28 | |
That's it... | 0:22:30 | 0:22:31 | |
Yeah, it's knackered, I'll get me paint. | 0:22:31 | 0:22:34 | |
Obviously, when you take a crane to bits, you've got to examine it | 0:22:34 | 0:22:37 | |
for any damage, any defects and that, so it's safe for the next job. | 0:22:37 | 0:22:41 | |
I'll mark it down, obviously someone will get a bill somewhere for it, | 0:22:41 | 0:22:45 | |
cos they're not cheap. | 0:22:45 | 0:22:47 | |
I'll do me tag. | 0:22:47 | 0:22:48 | |
It's damaged but it's perfectly safe to work still. | 0:22:48 | 0:22:52 | |
Right, we'll go for the main rope now, Norbert. | 0:22:52 | 0:22:55 | |
-Norbert's me crane driver. -Where's he? | 0:22:55 | 0:22:57 | |
He's...in the crane. | 0:22:57 | 0:23:00 | |
And he loves his crane, like, | 0:23:00 | 0:23:01 | |
so he's sat in there with his air conditioning and his newspaper | 0:23:01 | 0:23:05 | |
and his dirty books, whatever else crane drivers read all day. | 0:23:05 | 0:23:09 | |
HE LAUGHS | 0:23:09 | 0:23:10 | |
Right, we'll get these pins out. | 0:23:18 | 0:23:21 | |
These four here. | 0:23:28 | 0:23:30 | |
Are they the damaged places? | 0:23:30 | 0:23:31 | |
Yeah, they're damaged, they'll have to be replaced. | 0:23:31 | 0:23:34 | |
It's the brightest colour we could get, bright pink. | 0:23:34 | 0:23:37 | |
Look at that, bobby-dazzler. | 0:23:37 | 0:23:39 | |
Innit? | 0:23:39 | 0:23:40 | |
They call him King Rigger. He's not bad to work with. | 0:23:42 | 0:23:44 | |
He likes the whip, getting yous to do things now and again. | 0:23:44 | 0:23:48 | |
Me Scouser's gone missing. | 0:23:48 | 0:23:50 | |
Hey, Steve! | 0:23:50 | 0:23:51 | |
Oh, he's there, it's all right, we've found him. He's not been arrested. | 0:23:51 | 0:23:55 | |
Right! | 0:23:55 | 0:23:56 | |
Once we're happy and the lights go red, we'll close the north side off, both lanes. | 0:23:59 | 0:24:04 | |
With the boom arm down, Steve's ready to get a mobile crane | 0:24:04 | 0:24:07 | |
into place on the road to lift out the rest of the crawler. | 0:24:07 | 0:24:12 | |
It's time to shut down Moorgate. | 0:24:12 | 0:24:13 | |
OK, mate, as soon as it's red and it's safe to do so, go for it. | 0:24:16 | 0:24:19 | |
That taxi's your last one, mate - as soon as that taxi's out. | 0:24:19 | 0:24:23 | |
Moorgate is now closed. | 0:24:26 | 0:24:28 | |
The team only has the weekend | 0:24:28 | 0:24:30 | |
to break down and remove the crawler crane | 0:24:30 | 0:24:32 | |
before the road must reopen for the Monday-morning rush hour. | 0:24:32 | 0:24:36 | |
But there's a hitch with the 350-tonne mobile crane | 0:24:39 | 0:24:42 | |
they're calling in to lift out the crawler. | 0:24:42 | 0:24:44 | |
I don't know if you've heard about the crane. | 0:24:44 | 0:24:47 | |
I haven't. Well, I've just had a heads-up. | 0:24:47 | 0:24:49 | |
The 350-tonne crane has got damaged on another site - | 0:24:49 | 0:24:52 | |
-it won't be coming here. -OK. | 0:24:52 | 0:24:54 | |
There are only two of those 350-tonne cranes in the UK at the moment. | 0:24:54 | 0:24:58 | |
One's committed on another job and couldn't be released | 0:24:58 | 0:25:00 | |
and the other one's been damaged, so here we are trying to re-plan. | 0:25:00 | 0:25:04 | |
Back west, next to the new Tottenham Court Road station site... | 0:25:20 | 0:25:23 | |
..tunnelling work beneath Soho Square | 0:25:26 | 0:25:29 | |
is causing the ground to settle. | 0:25:29 | 0:25:31 | |
The Grade I listed House of St Barnabas has a slight tilt, | 0:25:33 | 0:25:38 | |
threatening its rare rococo decor. | 0:25:38 | 0:25:41 | |
Engineers must stop the earth from sinking before it gets any worse. | 0:25:43 | 0:25:47 | |
Before works began, they created a vast subterranean protection system. | 0:25:50 | 0:25:54 | |
They dug 22 unique shafts around central London | 0:25:56 | 0:25:59 | |
to protect historic buildings. | 0:25:59 | 0:26:01 | |
Four of these shafts are in Soho Square. | 0:26:03 | 0:26:06 | |
A spider's web of thin tube stretches out from each shaft. | 0:26:07 | 0:26:11 | |
Each tube has holes every metre. | 0:26:12 | 0:26:14 | |
Engineers send a special device called a packer | 0:26:16 | 0:26:19 | |
to the spot where the ground is settling. | 0:26:19 | 0:26:21 | |
The packer precision-injects grout to fill up any voids... | 0:26:23 | 0:26:27 | |
..lifting the earth back to its original position, | 0:26:28 | 0:26:31 | |
protecting plasterwork, preventing further cracks | 0:26:31 | 0:26:34 | |
and keeping buildings - like the House of St Barnabas - safe. | 0:26:34 | 0:26:38 | |
TAM number 46 then, yeah? | 0:26:39 | 0:26:41 | |
This shaft in the southeast corner of Soho Square | 0:26:43 | 0:26:46 | |
is the "office" for grouters Lloyd and Tony. | 0:26:46 | 0:26:49 | |
This is what we call a packer. | 0:26:51 | 0:26:53 | |
This rubber part here will inflate. | 0:26:53 | 0:26:55 | |
That'll form a seal to prevent any grout coming back out. | 0:26:55 | 0:26:58 | |
90 metres, a long way to push the packer, | 0:26:58 | 0:27:01 | |
but you take the rough with the smooth, I think. | 0:27:01 | 0:27:04 | |
-Two, six, one, five! -OK! Two, six, one, five. | 0:27:04 | 0:27:08 | |
Lloyd and Tony spend up to 12 hours a day down this shaft, | 0:27:13 | 0:27:17 | |
packing holes under Soho Square. | 0:27:17 | 0:27:19 | |
OK, that's depth, inflate the packer. | 0:27:22 | 0:27:25 | |
That's ready to start pumping! | 0:27:32 | 0:27:33 | |
Yeah, pumping now. | 0:27:33 | 0:27:35 | |
I've been on the job for about 16 months. | 0:27:40 | 0:27:42 | |
Tony's been with us for about...six months? | 0:27:42 | 0:27:45 | |
We generally tend to stick together as a team as well, you know. | 0:27:45 | 0:27:49 | |
Yeah, we do come... not too close obviously, | 0:27:49 | 0:27:52 | |
you don't want to get too close in a place like this. | 0:27:52 | 0:27:55 | |
You get used to talking to yourself but apart from that it's all right. | 0:27:55 | 0:27:58 | |
Thirteen, three, zero, seven, five! | 0:27:58 | 0:28:01 | |
OK, up on the reel. | 0:28:01 | 0:28:03 | |
Whoa! | 0:28:10 | 0:28:11 | |
Now we're off to Crossrail in their new offices | 0:28:18 | 0:28:21 | |
and we usually meet with them regularly | 0:28:21 | 0:28:23 | |
to survey the monitoring, to discuss any particular | 0:28:23 | 0:28:26 | |
operations that have taken place, and then we can co-ordinate. | 0:28:26 | 0:28:30 | |
Welcome to the House of Barnabas periodic meeting. | 0:28:31 | 0:28:36 | |
The team will meet once a month for the next four years to keep check | 0:28:36 | 0:28:40 | |
on Soho's historic buildings. | 0:28:40 | 0:28:43 | |
I did report that everything was fine. | 0:28:43 | 0:28:45 | |
Then the summary sheet won't have any triggers, | 0:28:45 | 0:28:49 | |
unless we get realignments. THEY ALL LAUGH | 0:28:49 | 0:28:53 | |
They'll keep a close eye on the House of St Barnabas, | 0:28:53 | 0:28:56 | |
and its exquisite rococo plasterwork. | 0:28:56 | 0:28:59 | |
The charming lady here has survived to keep us entertained | 0:28:59 | 0:29:04 | |
in the 21st century, and I hope for many more. | 0:29:04 | 0:29:07 | |
One stop west of Tottenham Court Road, in the heart of Mayfair, | 0:29:18 | 0:29:21 | |
engineers are building Crossrail's new Bond Street station. | 0:29:21 | 0:29:25 | |
New Bond Street is one of the most expensive streets in Europe | 0:29:26 | 0:29:30 | |
so it's definitely one of the poshest parts of London. | 0:29:30 | 0:29:33 | |
Any settlement that's generated in this area | 0:29:33 | 0:29:36 | |
could potentially cause damage to buildings, so we spend a huge amount | 0:29:36 | 0:29:39 | |
of time, money and effort making sure that doesn't happen. | 0:29:39 | 0:29:43 | |
We've established a network of grout shafts | 0:29:43 | 0:29:45 | |
and by doing that we can physically lift whole buildings, | 0:29:45 | 0:29:50 | |
the whole area if need be, | 0:29:50 | 0:29:51 | |
and we can make sure there's no damage to any buildings. | 0:29:51 | 0:29:55 | |
Building grout shafts in the congested heart | 0:29:55 | 0:29:58 | |
of London's swankiest district solves one problem, | 0:29:58 | 0:30:01 | |
but means compromises must be made. | 0:30:01 | 0:30:04 | |
This shaft sits right next door to Bonhams - | 0:30:06 | 0:30:09 | |
a fine art auctioneers established over 200 years ago. | 0:30:09 | 0:30:12 | |
Lot number 36, ladies and gentlemen. | 0:30:12 | 0:30:15 | |
A splendid Imperial vase. | 0:30:15 | 0:30:17 | |
Start the bidding here at £400,000. | 0:30:17 | 0:30:20 | |
400,000 is offered. 420. | 0:30:20 | 0:30:22 | |
As you can see, it's a very tight site here, there's very little room. | 0:30:22 | 0:30:26 | |
And you can see how close Bonhams' building is. | 0:30:28 | 0:30:31 | |
It's only a metre or so away from the edge of our grout shaft. | 0:30:31 | 0:30:34 | |
£700,000. | 0:30:34 | 0:30:36 | |
750. | 0:30:37 | 0:30:39 | |
800. | 0:30:39 | 0:30:41 | |
850. | 0:30:41 | 0:30:42 | |
Attending an auction is incredibly exciting. | 0:30:42 | 0:30:45 | |
I've been in the business for 30-odd years and, | 0:30:45 | 0:30:48 | |
yeah, your adrenaline goes, it's an exciting spectacle, if you like. | 0:30:48 | 0:30:52 | |
It is like putting on a show. | 0:30:52 | 0:30:54 | |
One million pounds. There's the bid. | 0:30:54 | 0:30:56 | |
£1,250,000, I'll take. | 0:30:56 | 0:30:59 | |
Quite sure, no more for you? | 0:30:59 | 0:31:02 | |
I'm selling for £1,250,000. | 0:31:02 | 0:31:06 | |
All done? | 0:31:06 | 0:31:07 | |
The priceless, the fragile, the unique - | 0:31:10 | 0:31:14 | |
items for sale must be carefully exhibited in Bonhams gallery. | 0:31:14 | 0:31:18 | |
We've got a very special sale coming up | 0:31:18 | 0:31:21 | |
where we're going to have about 34 select motorcars. | 0:31:21 | 0:31:25 | |
The sale content value is around about 13, 14 million pounds. | 0:31:25 | 0:31:30 | |
James needs to get 14 vintage cars through Bonhams' | 0:31:30 | 0:31:33 | |
back alley and into the showroom for sale. | 0:31:33 | 0:31:36 | |
This is where Crossrail's grout shaft is | 0:31:38 | 0:31:41 | |
and they've put these metal plates on top of the circle | 0:31:41 | 0:31:46 | |
so that we can get our motorcars over the grout shaft. | 0:31:46 | 0:31:50 | |
We've not yet tested getting a car in here, | 0:31:50 | 0:31:53 | |
so getting the first car over that plate will be one of those | 0:31:53 | 0:31:58 | |
sort of moments that you have your heart in your mouth. | 0:31:58 | 0:32:02 | |
So this is the pinch point here, 230 centimetres, | 0:32:03 | 0:32:06 | |
but realistically you've got about 210 centimetres, with a little | 0:32:06 | 0:32:11 | |
bit of contingency either side. | 0:32:11 | 0:32:13 | |
The slightest scratch is going to affect them visually | 0:32:13 | 0:32:17 | |
and affect their value as well. | 0:32:17 | 0:32:19 | |
On paper it works but we all know on paper is not necessarily | 0:32:19 | 0:32:22 | |
what it's like in reality. | 0:32:22 | 0:32:24 | |
Across town, in London's financial heart, lift supervisor Steve | 0:32:28 | 0:32:33 | |
is fuelling up for the day ahead. | 0:32:33 | 0:32:35 | |
You can't beat a good cup of coffee in the morning, can you? | 0:32:37 | 0:32:40 | |
Bit expensive down here, though. | 0:32:40 | 0:32:42 | |
Well, up north I could get about four cups, a night out with me whippets, | 0:32:42 | 0:32:47 | |
maybe buy a couple of pigeons and still have a tanner left. | 0:32:47 | 0:32:51 | |
Right, lads, come on then. | 0:32:51 | 0:32:52 | |
The crane originally booked for this lift has been | 0:32:54 | 0:32:57 | |
damaged on another site. | 0:32:57 | 0:33:00 | |
They've hired in the biggest replacement they could find, | 0:33:00 | 0:33:02 | |
but it might not be big enough. | 0:33:02 | 0:33:05 | |
The crane's turned up and he's only got 52 tonnes of ballast | 0:33:05 | 0:33:08 | |
with him, which is adequate to do all but the last lift. | 0:33:08 | 0:33:11 | |
Without enough ballast to stabilise the mobile crane, | 0:33:13 | 0:33:16 | |
the heavy load could cause it to topple. | 0:33:16 | 0:33:18 | |
Steve's team must source extra ballast for the biggest lift - fast. | 0:33:23 | 0:33:27 | |
Obviously what he's got on now isn't sufficient for the heavier lifts | 0:33:34 | 0:33:37 | |
later on in the day, | 0:33:37 | 0:33:39 | |
but it's good enough for what we've got to load out this morning. | 0:33:39 | 0:33:44 | |
Start taking her up, mate, we'll get it over the section. | 0:33:44 | 0:33:49 | |
All the way. | 0:33:49 | 0:33:50 | |
The team make headway, hauling the lighter parts | 0:33:53 | 0:33:56 | |
of the crawler off site. | 0:33:56 | 0:33:57 | |
Right, mate, start taking her up. | 0:33:57 | 0:33:59 | |
Leaving the 44-tonne base section until last. | 0:33:59 | 0:34:03 | |
That's lovely that, mate, no bother. | 0:34:03 | 0:34:05 | |
You've just got to be careful of the buildings, | 0:34:12 | 0:34:14 | |
people walking underneath. | 0:34:14 | 0:34:16 | |
The heaviest load we've got today is the car body of the crane, | 0:34:19 | 0:34:23 | |
it's 44 tonnes all up, | 0:34:23 | 0:34:25 | |
we need the full 96 tonnes of ballast on the crane to lift that. | 0:34:25 | 0:34:28 | |
They urgently need the extra ballast to arrive on site | 0:34:30 | 0:34:34 | |
to finish the job and reopen Moorgate | 0:34:34 | 0:34:36 | |
in time for the Monday-morning rush hour. | 0:34:36 | 0:34:39 | |
CAR HORNS | 0:34:44 | 0:34:48 | |
Crossrail's road closures in the city are a bane for motorists, | 0:34:48 | 0:34:52 | |
especially London's 23,000 cab drivers. | 0:34:52 | 0:34:56 | |
Cabbies'll moan about everything. | 0:34:56 | 0:34:58 | |
But you've got to have a good moan if you want to live in London. | 0:34:58 | 0:35:03 | |
Mike Zihni has been a cab driver for 12 years. | 0:35:03 | 0:35:07 | |
Crossrail's made all the roads rotten. | 0:35:10 | 0:35:13 | |
This area is where the gridlock is. | 0:35:13 | 0:35:15 | |
Haven't been able to go up and down these streets for four years. | 0:35:15 | 0:35:20 | |
You can't do the rat runs any more, | 0:35:20 | 0:35:22 | |
so they've messed up what we call the dirty dozen - dozen streets | 0:35:22 | 0:35:26 | |
that get you through the north part of Soho, to get out of it. | 0:35:26 | 0:35:30 | |
They're like little arteries into a heart. | 0:35:30 | 0:35:33 | |
One or two of them start shutting, boom, boom, boom. | 0:35:33 | 0:35:35 | |
CAR HORN | 0:35:35 | 0:35:37 | |
I've seen cabbies, like, pulling their hair out, foaming at the mouth, | 0:35:37 | 0:35:42 | |
crying almost on the dashboard. | 0:35:42 | 0:35:44 | |
DELUGE OF CAR HORNS | 0:35:46 | 0:35:48 | |
You've just got to keep your cool and just go with the flow and | 0:35:48 | 0:35:52 | |
not get too stressed out about it all, you'll just drive yourself mad. | 0:35:52 | 0:35:56 | |
If you want to work in it, you've got to put up with it. | 0:35:56 | 0:35:59 | |
Underneath Oxford Street, | 0:36:03 | 0:36:06 | |
the tunnel boring machine | 0:36:06 | 0:36:08 | |
is marching towards Tottenham Court Road. | 0:36:08 | 0:36:10 | |
It's a critical time for Tim Morrison, | 0:36:13 | 0:36:16 | |
who heads London Underground's engineering team. | 0:36:16 | 0:36:19 | |
Constructing Crossrail is like | 0:36:20 | 0:36:22 | |
undertaking open-heart surgery on a patient whilst that patient is awake | 0:36:22 | 0:36:26 | |
because we're trying to maintain | 0:36:26 | 0:36:28 | |
the operation of the railway as it is without disrupting it at all. | 0:36:28 | 0:36:31 | |
There are 31 locations where Crossrail are doing something | 0:36:31 | 0:36:34 | |
that has the potential to affect London Underground. | 0:36:34 | 0:36:37 | |
It could be that they're digging a very large hole close to us, | 0:36:37 | 0:36:40 | |
it could be that they are doing some demolition work, | 0:36:40 | 0:36:42 | |
for example, near to our railway. | 0:36:42 | 0:36:44 | |
Each generation of engineers faces the same challenge | 0:36:49 | 0:36:52 | |
upgrading London's transport networks | 0:36:52 | 0:36:55 | |
to keep the city moving. | 0:36:55 | 0:36:56 | |
Back in the '60s, it was building the new Victoria Line that | 0:36:58 | 0:37:02 | |
threatened to clog vital arteries. | 0:37:02 | 0:37:04 | |
NEWSREEL: Ten-and-a-half miles of route, twelve stations, | 0:37:04 | 0:37:07 | |
eleven of them at intersections with one or more existing lines. | 0:37:07 | 0:37:11 | |
And the biggest engineering enterprise is at Oxford Circus. | 0:37:11 | 0:37:15 | |
Oxford Circus is just a stone's throw away from Tim's office. | 0:37:17 | 0:37:21 | |
We're standing on the junction of Oxford Street and Regent Street. | 0:37:21 | 0:37:24 | |
Probably one of the busiest interchanges in the whole of London, I would think. | 0:37:24 | 0:37:28 | |
In 1963, engineers had to build a new ticket hall | 0:37:28 | 0:37:32 | |
for Oxford Circus, directly underneath this busy junction. | 0:37:32 | 0:37:35 | |
It would take almost five years to construct. | 0:37:37 | 0:37:40 | |
So instead of closing the road they built a giant bridge across it, | 0:37:40 | 0:37:44 | |
to keep traffic moving while they dug underneath. | 0:37:44 | 0:37:48 | |
NEWSREEL: The intention was to erect the bridge in one long weekend - | 0:37:48 | 0:37:51 | |
the August Bank Holiday weekend, 1963. | 0:37:51 | 0:37:54 | |
The area took on a beleaguered look as D-Day came nearer. | 0:37:56 | 0:38:00 | |
Buses re-routed and traffic diverted, policemen deployed | 0:38:00 | 0:38:05 | |
and essential services endangered. | 0:38:05 | 0:38:07 | |
And so zero hour arrived, 1.30 on the Saturday afternoon. | 0:38:10 | 0:38:14 | |
And it was raining - of course(!) | 0:38:14 | 0:38:16 | |
Then the hardware started arriving. | 0:38:22 | 0:38:24 | |
The largest of the girders was 35 feet long | 0:38:24 | 0:38:27 | |
and weighed just over five tonnes, but the iron fighters were | 0:38:27 | 0:38:30 | |
tossing them around as though this was the Braemar Games! | 0:38:30 | 0:38:34 | |
There's no bolting down, which saved time. And bolts. | 0:38:34 | 0:38:37 | |
And they can't shift because the whole structure interlocks. | 0:38:37 | 0:38:40 | |
So it went on for the rest of Sunday. | 0:38:40 | 0:38:43 | |
And we were still waiting for the bit that didn't fit. | 0:38:43 | 0:38:46 | |
There was something like 245 individual steel elements | 0:38:47 | 0:38:50 | |
that were slowly assembled and they got it right first time. | 0:38:50 | 0:38:53 | |
And right on the dot, 6.30am, Tuesday the 6th of August, 1963, | 0:38:53 | 0:38:59 | |
with all services functioning, the first traffic crossed. | 0:38:59 | 0:39:02 | |
Keeping the buses moving, keeping cars moving, and that's allowed them | 0:39:04 | 0:39:08 | |
to be progressively excavating the soil below the Circus itself. | 0:39:08 | 0:39:12 | |
If we don't learn lessons from the past, | 0:39:12 | 0:39:14 | |
we won't be able to do the more challenging projects of the future. | 0:39:14 | 0:39:17 | |
So, 50 years ago almost to the day, | 0:39:17 | 0:39:19 | |
we had this incredible feat of engineering, | 0:39:19 | 0:39:22 | |
and 50 years later we're about to send a tunnelling machine | 0:39:22 | 0:39:26 | |
through a very congested part of Tottenham Court Road station. | 0:39:26 | 0:39:29 | |
There are now just two days to go | 0:39:36 | 0:39:38 | |
before Crossrail's tunnelling machine | 0:39:38 | 0:39:41 | |
goes through the Eye of the Needle. | 0:39:41 | 0:39:43 | |
It's going to get a lot of attention from everybody | 0:39:48 | 0:39:51 | |
and we want to get it right. | 0:39:51 | 0:39:52 | |
Do you know how expensive this photoshoot is? | 0:39:54 | 0:39:57 | |
It's going to be a very close encounter. | 0:39:58 | 0:40:00 | |
The ruler's showing how close this 7.1-metre, 900-tonne | 0:40:00 | 0:40:05 | |
tunnelling machine is going to LU operational infrastructure. | 0:40:05 | 0:40:10 | |
This is our TBM and this is the pile bottom. | 0:40:10 | 0:40:13 | |
-Wow, that it tight, isn't it? -It's unbelievable. | 0:40:13 | 0:40:16 | |
That's how good we are. | 0:40:16 | 0:40:18 | |
If we actually hit the Northern Line platform, | 0:40:18 | 0:40:20 | |
then London Underground would have to close the station. | 0:40:20 | 0:40:24 | |
We've looked at where all the different structures are and we've | 0:40:24 | 0:40:27 | |
convinced ourselves that there is an eye that we can go through. | 0:40:27 | 0:40:31 | |
There's just five centimetres' margin for error as Willie lines up | 0:40:37 | 0:40:41 | |
his tunnel boring machine with the Eye of the Needle. | 0:40:41 | 0:40:44 | |
Yep, OK! | 0:40:44 | 0:40:46 | |
His eyes and ears on-board is graduate shift engineer Ed Batty. | 0:40:53 | 0:40:58 | |
We're now in the TBM control cabin, and from this little room | 0:41:00 | 0:41:04 | |
we can control all the systems on the machine. | 0:41:04 | 0:41:07 | |
It's also where we control the navigation from as well. | 0:41:07 | 0:41:10 | |
And the steering's here, basically. | 0:41:10 | 0:41:12 | |
These represent the rams, there's 22 rams, these numbers, | 0:41:12 | 0:41:16 | |
so if you want to go down you put more pressure on the top. | 0:41:16 | 0:41:19 | |
Although the team can fine-tune the direction of their tunnel, | 0:41:21 | 0:41:25 | |
as they pass through the Eye of the Needle they need to be sure | 0:41:25 | 0:41:28 | |
they're lined up precisely with the tunnel's intended route. | 0:41:28 | 0:41:32 | |
We're coming up to the Northern Line and it's under a metre below us. | 0:41:33 | 0:41:37 | |
That line will still be operating, | 0:41:37 | 0:41:39 | |
so there's going to be the day-to-day commuters whizzing | 0:41:39 | 0:41:42 | |
underneath us while we tunnel over the top, unnoticed. | 0:41:42 | 0:41:45 | |
We'll even be able to hear the trains as we pass over, | 0:41:45 | 0:41:48 | |
it's that close. | 0:41:48 | 0:41:50 | |
And we only get one chance to build this tunnel | 0:41:50 | 0:41:52 | |
so we have to get it right. | 0:41:52 | 0:41:53 | |
The team must know exactly where they are at all times. | 0:41:55 | 0:41:58 | |
And, crucially, where they're headed. | 0:41:58 | 0:42:01 | |
To guide them, | 0:42:01 | 0:42:03 | |
they've rigged a clever device behind the head of the machine. | 0:42:03 | 0:42:06 | |
It constantly fires a laser towards prisms - in front and behind - | 0:42:06 | 0:42:11 | |
telling them if they're staying on track or veering off course. | 0:42:11 | 0:42:15 | |
They reposition this guiding light at each bend in the tunnel. | 0:42:15 | 0:42:20 | |
This laser precision is critical to steering the tunnelling machine | 0:42:20 | 0:42:24 | |
through the Eye of the Needle. | 0:42:24 | 0:42:26 | |
So when we reach that position | 0:42:33 | 0:42:34 | |
we need to be super good at what we're doing. | 0:42:34 | 0:42:37 | |
There's no room for error. | 0:42:37 | 0:42:38 | |
We've got a series of targets in the tunnel, | 0:42:38 | 0:42:40 | |
they keep being built as we build the rings, | 0:42:40 | 0:42:43 | |
so this machine fires a laser at that position, it knows where it is. | 0:42:43 | 0:42:46 | |
If you're on a straight bit of tunnel, | 0:42:46 | 0:42:48 | |
the laser can go quite a distance without hitting anything. | 0:42:48 | 0:42:51 | |
If you imagine we're on a curve, we need to move this quite often. | 0:42:51 | 0:42:54 | |
There's a team of surveyors that come down here | 0:42:54 | 0:42:56 | |
and their sole job is to make sure that bit of kit | 0:42:56 | 0:43:00 | |
is in the right place and it's working accurately. | 0:43:00 | 0:43:03 | |
THEY SPEAK SPANISH | 0:43:06 | 0:43:08 | |
The driver is just constantly keeping an eye, making sure | 0:43:16 | 0:43:19 | |
he's in the centre of the target and taking the machine forward. | 0:43:19 | 0:43:23 | |
No steering wheel, but it's all done more like a computer game, | 0:43:23 | 0:43:27 | |
if you like, where he's trying to keep | 0:43:27 | 0:43:29 | |
the arrow in the centre of the target screen. | 0:43:29 | 0:43:31 | |
We'll be in tight control, so what's going on in here will be | 0:43:31 | 0:43:36 | |
very precise and we have to be absolutely spot on. | 0:43:36 | 0:43:40 | |
Oh... | 0:43:41 | 0:43:43 | |
Yep, OK. | 0:43:43 | 0:43:45 | |
They use the lasers to line the tunnelling machine up | 0:43:45 | 0:43:48 | |
to pass over the Northern Line platforms and under the escalators. | 0:43:48 | 0:43:52 | |
This is the closest a machine of this size has ever got | 0:43:52 | 0:43:56 | |
to an operational railway tunnel. | 0:43:56 | 0:43:58 | |
It's tight, it's going to be interesting, the next four or five shifts. | 0:43:58 | 0:44:02 | |
It's not far off, it's all getting very exciting now. | 0:44:02 | 0:44:04 | |
One stop west, over at Bond Street... | 0:44:06 | 0:44:09 | |
We've got a layout of the plan of where the cars are going | 0:44:14 | 0:44:17 | |
to get positioned. | 0:44:17 | 0:44:19 | |
..Crossrail's engineers have modified their grout shaft here, | 0:44:19 | 0:44:23 | |
so Bonhams can get 14 vintage cars into their saleroom | 0:44:23 | 0:44:26 | |
for a multi-million-pound auction. | 0:44:26 | 0:44:28 | |
It's the first time we've done something like this. | 0:44:28 | 0:44:31 | |
We'll bring them down in here into Haunch of Venison Yard, | 0:44:31 | 0:44:33 | |
which as you know is the back entrance of Bonhams. | 0:44:33 | 0:44:36 | |
Whoa, whoa, whoa! | 0:44:36 | 0:44:37 | |
It's pretty cool. It's a prestigious car, it's amazing. | 0:44:40 | 0:44:43 | |
I would like to know how old it is | 0:44:43 | 0:44:45 | |
and how it's in such good condition, it's amazing. | 0:44:45 | 0:44:48 | |
As you are! | 0:44:57 | 0:44:58 | |
Come on, boys! | 0:45:03 | 0:45:05 | |
This is ridiculously tight down here. | 0:45:05 | 0:45:06 | |
This is the bit where we get very, very close to Crossrail. | 0:45:12 | 0:45:15 | |
Anyway, we were going to use the cheapest car first off to see | 0:45:15 | 0:45:18 | |
whether it worked, but anyway, we've got | 0:45:18 | 0:45:20 | |
a £300,000 Clement as a test case. | 0:45:20 | 0:45:22 | |
It's a 1903 Clement Talbot that's 110 years old | 0:45:24 | 0:45:28 | |
and it's the oldest motor car in the sale. | 0:45:28 | 0:45:31 | |
First one in, yes! | 0:45:36 | 0:45:38 | |
So far, so good. We've got a one-car sale at the moment. | 0:45:38 | 0:45:41 | |
As you can see, we've got a bit of a Rolls-Royce traffic jam behind us. | 0:45:47 | 0:45:51 | |
We've got a Rolls-Royce 20 horsepower, | 0:45:51 | 0:45:54 | |
which is a car from the late 1920s. | 0:45:54 | 0:45:56 | |
It's good, keep it like that. | 0:46:03 | 0:46:06 | |
Straighten up, keep coming, keep coming, keep coming... Straight. | 0:46:06 | 0:46:10 | |
And the Rolls-Royce Phantom 1. | 0:46:10 | 0:46:12 | |
With a combined value of almost £1 million, | 0:46:14 | 0:46:17 | |
the first three cars make it through the pinch point without a scratch. | 0:46:17 | 0:46:21 | |
Very, very heavy. | 0:46:22 | 0:46:23 | |
Two and a half tonnes. | 0:46:23 | 0:46:25 | |
-You must have had your Weetabix this morning! -Yeah, I did, yeah! | 0:46:25 | 0:46:29 | |
It's quite nice, that - wouldn't mind it myself. | 0:46:33 | 0:46:35 | |
If I had a chauffeur, I suppose. | 0:46:35 | 0:46:37 | |
One, two three! It's very close. | 0:46:54 | 0:46:57 | |
The Bentley S1 Fastback was the one that was most pressing on us | 0:46:57 | 0:47:01 | |
with the width where the Crossrail gantry is. | 0:47:01 | 0:47:03 | |
In their day, they were the fastest four-seater motor cars | 0:47:04 | 0:47:07 | |
on the planet, so they were really quite an important motor car. | 0:47:07 | 0:47:11 | |
OK, you're in. | 0:47:19 | 0:47:22 | |
Jeez! | 0:47:22 | 0:47:24 | |
Watch your back, here comes the Aston Martin DB6... | 0:47:25 | 0:47:28 | |
Right, has it got brakes? | 0:47:28 | 0:47:30 | |
The last few cars finally arrive. | 0:47:31 | 0:47:33 | |
It was a case of working with one another. | 0:47:42 | 0:47:44 | |
You've got to suffer some pain for the gain. | 0:47:44 | 0:47:46 | |
You can land at Heathrow and literally get to us | 0:47:46 | 0:47:49 | |
at New Bond Street in an obscenely short amount of time. | 0:47:49 | 0:47:53 | |
If Crossrail didn't undertake this construction here, | 0:47:55 | 0:47:58 | |
we wouldn't see the benefit. | 0:47:58 | 0:48:00 | |
After a quick polish, | 0:48:01 | 0:48:03 | |
the vintage vehicles are ready to go under the hammer. | 0:48:03 | 0:48:06 | |
They sell for the grand sum of almost £17 million. | 0:48:06 | 0:48:10 | |
C'mon, Tubsy, let's get down there. | 0:48:18 | 0:48:20 | |
All right then, la. | 0:48:20 | 0:48:21 | |
Over at the Liverpool Street site, | 0:48:21 | 0:48:24 | |
Steve's keeping a close eye on two teams this afternoon. | 0:48:24 | 0:48:28 | |
We were winning 3-0 at half-time. | 0:48:28 | 0:48:30 | |
I've got a bit of a shrine to me team in the front of the van, | 0:48:31 | 0:48:34 | |
the mighty Wolverhampton Wanderers. | 0:48:34 | 0:48:36 | |
That's me monkey - he goes everywhere with me. Done some miles, he has. | 0:48:36 | 0:48:40 | |
He's a big Wolves supporter and I'm a big Liverpool supporter, and | 0:48:40 | 0:48:44 | |
he's very, very bitter, over anyone else who's in the Premiership. | 0:48:44 | 0:48:48 | |
The ladies see this badge in your front window | 0:48:48 | 0:48:50 | |
and they just flock to it and they can't help 'emselves. | 0:48:50 | 0:48:53 | |
It's like a magnet for women. Yeah. | 0:48:53 | 0:48:57 | |
Don't tell me missus. | 0:48:57 | 0:48:59 | |
The extra 44 tonnes of ballast finally arrives. | 0:49:06 | 0:49:10 | |
Steve can now disconnect and lift out the two giant tracks... | 0:49:17 | 0:49:21 | |
Everything's going tickety-boo. | 0:49:27 | 0:49:30 | |
Look at that, thing of beauty! | 0:49:32 | 0:49:34 | |
He just needs one more thing to go his way. | 0:49:35 | 0:49:38 | |
You'd have known if they'd have lost, | 0:49:39 | 0:49:42 | |
cos your phone would've been going like mad. | 0:49:42 | 0:49:44 | |
-Everyone else would let you know. -Yeah. | 0:49:44 | 0:49:47 | |
I'm in a good mood now. Wolves have won 4-0 today. | 0:49:47 | 0:49:50 | |
What more can you ask for, eh? | 0:49:50 | 0:49:52 | |
4-0! Get in, my son! | 0:49:52 | 0:49:54 | |
This is the right crane, isn't it? It's not the other one? | 0:49:59 | 0:50:03 | |
It's final lift of the day, lads. Obviously it's the machine now. | 0:50:03 | 0:50:07 | |
We're going to spin her in the hole so she's the right way round | 0:50:07 | 0:50:11 | |
when she comes to going on the back of the wagon. | 0:50:11 | 0:50:14 | |
We'll get this up and on, like. | 0:50:14 | 0:50:17 | |
-Let's do it, lads. -Let's do it, let's fall in love? | 0:50:17 | 0:50:20 | |
Me arse ain't hanging out, is it? | 0:50:27 | 0:50:29 | |
The delays mean Steve can't start the biggest lift | 0:50:30 | 0:50:33 | |
until the very end of the day. | 0:50:33 | 0:50:36 | |
Right, you got the front end here | 0:50:37 | 0:50:39 | |
just starting to come off the deck now. | 0:50:39 | 0:50:41 | |
We might have to just inch it up | 0:50:41 | 0:50:43 | |
to get over this cherry picker, mate, all right? | 0:50:43 | 0:50:46 | |
Just pinch her up mate, | 0:50:46 | 0:50:47 | |
just so it's going over the top of that Harris fencing. | 0:50:47 | 0:50:50 | |
Hand you over to them lads, Nick, while I come up to the top... | 0:51:01 | 0:51:04 | |
Whoa! Whoa! | 0:51:11 | 0:51:13 | |
Just hang fire there. | 0:51:14 | 0:51:16 | |
Yeah, spot on, mate, keep going down, keep going down. | 0:51:16 | 0:51:20 | |
Weight's off, weight's off, Steve. | 0:51:20 | 0:51:22 | |
Good man, sound job that, Nick, beautiful. | 0:51:22 | 0:51:24 | |
All me lads are safe, | 0:51:27 | 0:51:30 | |
no damage to any equipment, | 0:51:30 | 0:51:31 | |
you can't ask more than that, can you? | 0:51:31 | 0:51:34 | |
And Wolves have won 4-0 today. | 0:51:34 | 0:51:36 | |
Win here for all this and a win for Wolves. | 0:51:36 | 0:51:39 | |
Cheers, lads, thank you very much. High-five, Lee. | 0:51:39 | 0:51:43 | |
C'mon, let's get up to t'North. | 0:51:45 | 0:51:47 | |
With the site clear, work can now begin digging out | 0:51:51 | 0:51:54 | |
the 40-metre-deep hole that will form Liverpool Street Station's | 0:51:54 | 0:51:58 | |
new ticket hall. | 0:51:58 | 0:52:00 | |
In four years' time, | 0:52:00 | 0:52:03 | |
it will be packed with up to 70,000 commuters each day. | 0:52:03 | 0:52:06 | |
Job done, the team can open Moorgate | 0:52:11 | 0:52:13 | |
in time for the Monday-morning rush hour. | 0:52:13 | 0:52:16 | |
Right, Craig, I'm going to open my side now. | 0:52:18 | 0:52:21 | |
Right, your first cars are coming through. | 0:52:21 | 0:52:24 | |
At Tottenham Court Road, | 0:52:34 | 0:52:36 | |
the 1,000-tonne tunnel-building monster is finally entering | 0:52:36 | 0:52:39 | |
the Eye of the Needle. | 0:52:39 | 0:52:41 | |
Welcome, everyone, to Sunday morning, the 8th. | 0:52:48 | 0:52:50 | |
This is the day Steve and Willie's team has been working towards. | 0:52:50 | 0:52:55 | |
That's where we are at the moment, | 0:52:55 | 0:52:57 | |
just touching the side of Charing Cross Road. | 0:52:57 | 0:52:59 | |
-We're under the site of the old Astoria Theatre, aren't we, Willie? -Yep. | 0:52:59 | 0:53:03 | |
Today, the tunnel boring machine | 0:53:03 | 0:53:06 | |
will reach the narrowest point of its route across London. | 0:53:06 | 0:53:09 | |
So the crossing starts on back shift this afternoon | 0:53:10 | 0:53:13 | |
-and I think we're going to be there. -Yep. | 0:53:13 | 0:53:15 | |
Today is the critical day, it's the start of passing over | 0:53:15 | 0:53:18 | |
the Northern Line and so this is the critical point. | 0:53:18 | 0:53:21 | |
The culmination of a lot of work over the last couple of months. | 0:53:21 | 0:53:25 | |
So people getting off the train in the next hour or so | 0:53:26 | 0:53:29 | |
will not realise that above their head is a 900-tonne, | 0:53:29 | 0:53:34 | |
7.1-metre-diameter tunnelling machine. | 0:53:34 | 0:53:37 | |
It's vital the crossing goes unnoticed, | 0:53:39 | 0:53:42 | |
or passengers on the Tube platform below could panic. | 0:53:42 | 0:53:47 | |
General comment just to say be aware of proximity of LU assets. | 0:53:47 | 0:53:51 | |
I mean, I would like Ed to keep an eye on the belt. | 0:53:51 | 0:53:53 | |
Yeah, just extra vigilance. | 0:53:53 | 0:53:56 | |
So over the next 20 rings | 0:53:59 | 0:54:01 | |
we're directly above the Northern Line platform. | 0:54:01 | 0:54:05 | |
The Eye of the Needle. We're just about to go through it. | 0:54:06 | 0:54:10 | |
PHONE RINGS | 0:54:10 | 0:54:12 | |
Hello? | 0:54:12 | 0:54:13 | |
-Is that Ed? -Hi, Steve, how you doing? | 0:54:13 | 0:54:16 | |
We've got one more ring to go before the cutter head gets in line | 0:54:16 | 0:54:19 | |
with the angle of the northbound line. | 0:54:19 | 0:54:22 | |
Tim Morrison of LU said he was down this morning. | 0:54:22 | 0:54:25 | |
He was there and he said he could hear the TBM and hear the miners. | 0:54:25 | 0:54:29 | |
We're that close, so he can actually hear what we're doing here? | 0:54:33 | 0:54:36 | |
Yes, he could hear, but that was with no trains running. | 0:54:36 | 0:54:39 | |
Our one concern is that there are cracks within London clay, | 0:54:39 | 0:54:42 | |
some of the water could ease out and find the simplest | 0:54:42 | 0:54:46 | |
path of travel, which could be the big platform tunnel. | 0:54:46 | 0:54:50 | |
The TBM cutter head is now directly above the Northern Line | 0:55:09 | 0:55:12 | |
northbound station platform, so about 850mm below my feet | 0:55:12 | 0:55:17 | |
is the crown of their tunnel, so not a big distance at all. | 0:55:17 | 0:55:21 | |
You see where there's a blockwork wall here, | 0:55:21 | 0:55:24 | |
just behind the tiled edge - | 0:55:24 | 0:55:26 | |
that is pretty much the centre line where the tunnelling machine | 0:55:26 | 0:55:29 | |
is actually crossing this structure. | 0:55:29 | 0:55:31 | |
Sam is one of the guys who's been based down on the platform. | 0:55:31 | 0:55:34 | |
He's specifically looking for any fluid ingress from the tunnelling machine | 0:55:34 | 0:55:37 | |
because that's something that we are concerned is a possibility. | 0:55:37 | 0:55:40 | |
The tunnelling machine at the moment is quite literally above the tunnel crown. | 0:55:40 | 0:55:44 | |
There is that apprehension because there is a small risk | 0:55:44 | 0:55:47 | |
that we could see some ingress, | 0:55:47 | 0:55:49 | |
and so I guess that makes it more exciting. | 0:55:49 | 0:55:51 | |
With the tunnelling machine now inside the Eye of the Needle, | 0:55:57 | 0:56:01 | |
the team must continue their vigil throughout the night. | 0:56:01 | 0:56:04 | |
As London sleeps... | 0:56:21 | 0:56:24 | |
..the 150-metre-long earth-eating giant | 0:56:26 | 0:56:29 | |
continues its relentless drive. | 0:56:29 | 0:56:31 | |
Willie, got an update where we are? | 0:56:40 | 0:56:42 | |
Yep, we're building 3024 just now. | 0:56:42 | 0:56:45 | |
The team - and machine - make it through the tight spot. | 0:56:49 | 0:56:53 | |
Yep, OK! | 0:56:53 | 0:56:54 | |
No passengers panicked, no platforms evacuated. | 0:56:54 | 0:56:58 | |
We've passed over two platform tunnels | 0:56:58 | 0:57:01 | |
with a 900-tonne tunnelling machine. | 0:57:01 | 0:57:04 | |
That's even a first, I think. | 0:57:04 | 0:57:05 | |
-Yes, it is, yeah. -Cheers. | 0:57:05 | 0:57:07 | |
The lads have been working down here really hard | 0:57:09 | 0:57:11 | |
and so have the guys up in the control room. | 0:57:11 | 0:57:14 | |
A big relief. I'm chuffed that we've done it so well | 0:57:14 | 0:57:17 | |
and we've had such good results. | 0:57:17 | 0:57:19 | |
We've done it, yeah, got through the tricky spot. | 0:57:19 | 0:57:21 | |
The trains have kept running, | 0:57:21 | 0:57:23 | |
passengers haven't known that we've been there. | 0:57:23 | 0:57:26 | |
It's been a great achievement and I'm glad to be part of that team. | 0:57:28 | 0:57:31 | |
The team leaves a perfectly formed Tube tunnel in their wake. | 0:57:33 | 0:57:36 | |
There are still two huge jobs to complete. | 0:57:41 | 0:57:44 | |
Finish digging the 42 kilometres of tunnels... | 0:57:46 | 0:57:49 | |
You can't be normal if you go underground, can you, | 0:57:49 | 0:57:51 | |
earn your living in the bowels of the earth. | 0:57:51 | 0:57:54 | |
..and construct ten new stations, | 0:57:55 | 0:57:58 | |
each the size of a cathedral, before the trains can run. | 0:57:58 | 0:58:01 | |
It's difficult to appreciate the scale of it. | 0:58:02 | 0:58:05 | |
The station is designed to deal with 32,000 people per hour. | 0:58:05 | 0:58:10 | |
It's absolutely huge. | 0:58:10 | 0:58:12 |