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This programme contains some scenes which some viewers may find upsetting | 0:00:02 | 0:00:07 | |
They say to understand a person, | 0:00:14 | 0:00:16 | |
you have to walk a mile in their shoes. | 0:00:16 | 0:00:18 | |
So that's exactly what I'm going to do. | 0:00:21 | 0:00:23 | |
I'm joining the Mexican army | 0:00:23 | 0:00:25 | |
to fight on the front line of the war on drugs. | 0:00:25 | 0:00:28 | |
Any sort of mental picture I have of Acapulco is the glory days, | 0:00:33 | 0:00:37 | |
those pictures of Hollywood stars coming here in the '50s, I guess. | 0:00:37 | 0:00:40 | |
Things are very different in Acapulco now. | 0:00:40 | 0:00:43 | |
I'm hoping these guys will help me understand exactly what's changed. | 0:00:43 | 0:00:47 | |
Mexico is at war with itself. | 0:00:50 | 0:00:53 | |
The country is being torn apart | 0:00:53 | 0:00:55 | |
by cartels fighting over the 30 billion drug trade. | 0:00:55 | 0:00:59 | |
Acapulco was once a glamorous holiday paradise. | 0:01:02 | 0:01:05 | |
Now it's the fourth most violent city in the world. | 0:01:07 | 0:01:11 | |
A place where 1,000 people were murdered last year alone. | 0:01:12 | 0:01:15 | |
Now the army has been deployed on the streets. | 0:01:18 | 0:01:21 | |
The latest desperate response | 0:01:21 | 0:01:22 | |
to a war that is spiralling out of control. | 0:01:22 | 0:01:24 | |
For one week, I'll be living and working alongside them, | 0:01:30 | 0:01:34 | |
finding out what it's like to be a young Mexican soldier. | 0:01:34 | 0:01:37 | |
Fighting in a war where you don't know who your enemy is | 0:01:39 | 0:01:42 | |
and you don't know who to trust. | 0:01:42 | 0:01:44 | |
I'm enrolling in Unit 27 | 0:02:10 | 0:02:11 | |
of the 56th Infantry Battalion in Acapulco | 0:02:11 | 0:02:15 | |
for what is traditionally the biggest week of the year, | 0:02:15 | 0:02:18 | |
the Easter holidays. | 0:02:18 | 0:02:19 | |
SHOUTED ORDERS | 0:02:27 | 0:02:29 | |
I think that was for me to learn it. | 0:02:34 | 0:02:36 | |
Hello. | 0:02:37 | 0:02:39 | |
There's normally 1,500 soldiers here, but for this week, | 0:02:45 | 0:02:48 | |
the government has sent in an extra 2,500 men to try and help out | 0:02:48 | 0:02:53 | |
the struggling police force. | 0:02:53 | 0:02:56 | |
HE SHOUTS ORDERS | 0:02:56 | 0:02:58 | |
This is me. This is you. The one with nothing in it. | 0:03:13 | 0:03:17 | |
OK. | 0:03:19 | 0:03:21 | |
'I've been assigned one of the only English speakers, | 0:03:21 | 0:03:23 | |
'a 20-year-old private called Luis, as a guide and translator.' | 0:03:23 | 0:03:27 | |
Toothbrush, toothpaste, gel. | 0:03:27 | 0:03:30 | |
-Anything you need. -So everything has a space. | 0:03:30 | 0:03:33 | |
I can't put my personal things there, I can't put my vest there. | 0:03:33 | 0:03:36 | |
Everything has... | 0:03:36 | 0:03:38 | |
What is it like living with this much order? | 0:03:38 | 0:03:40 | |
You have to wear your shirt a certain way, wear your sleeves | 0:03:40 | 0:03:43 | |
a certain way, hang your clothes a certain way. | 0:03:43 | 0:03:45 | |
Luis has been with the army for 18 months, | 0:04:03 | 0:04:05 | |
one of thousands of ordinary young Mexicans | 0:04:05 | 0:04:07 | |
who were signed up to try and help end the cycle of bloodshed. | 0:04:07 | 0:04:12 | |
MEXICAN NATIONAL ANTHEM | 0:04:16 | 0:04:18 | |
The first duty of the day is roll call. | 0:04:18 | 0:04:21 | |
With no training, I feel totally out of my depth. | 0:04:21 | 0:04:25 | |
MEN SING NATIONAL ANTHEM | 0:04:25 | 0:04:28 | |
So we are overlooking Acapulco beach. | 0:04:44 | 0:04:48 | |
When you're here on service, do you ever go down there to the beach? | 0:04:48 | 0:04:52 | |
With a helmet on in the summer?! | 0:04:52 | 0:04:54 | |
What on earth are you walking on the beach for? | 0:04:57 | 0:05:00 | |
You're walking on the beach for turtles? | 0:05:01 | 0:05:04 | |
There's got to be something else. | 0:05:04 | 0:05:07 | |
You're not carrying bulletproof vests for turtles? | 0:05:07 | 0:05:10 | |
Why is it so dangerous? Because of the turtles? | 0:05:11 | 0:05:13 | |
On the beach? | 0:05:15 | 0:05:16 | |
What are they doing on the beach? | 0:05:17 | 0:05:19 | |
Isn't that where...? | 0:05:19 | 0:05:21 | |
SHOUTED ORDERS | 0:05:23 | 0:05:25 | |
I've never handled a rifle before | 0:05:40 | 0:05:43 | |
but with 18,000 murders in Mexico last year alone... | 0:05:43 | 0:05:46 | |
..the army has insisted that I get some weapons training. | 0:05:48 | 0:05:50 | |
OK. | 0:05:57 | 0:05:58 | |
Have you ever been in a shoot-out? | 0:06:25 | 0:06:26 | |
How old were you when this happened? Your first time? | 0:06:28 | 0:06:31 | |
Right, and people were shooting at you? | 0:06:31 | 0:06:34 | |
Who was shooting at you? | 0:06:34 | 0:06:36 | |
Were they the main threat here? | 0:06:37 | 0:06:40 | |
And they're not afraid to shoot you guys. | 0:06:40 | 0:06:42 | |
Is that all he said? | 0:06:49 | 0:06:51 | |
OK. | 0:06:56 | 0:06:57 | |
Sorry. | 0:06:58 | 0:06:59 | |
I've been told after lunch, our unit will be carrying out an armed patrol | 0:07:01 | 0:07:05 | |
on Acapulco's main tourist beach. | 0:07:05 | 0:07:07 | |
So why exactly do you have to patrol somewhere like the beach? | 0:07:09 | 0:07:13 | |
You mentioned that, you know, | 0:07:13 | 0:07:15 | |
at points you have to patrol the beaches in your full gear. | 0:07:15 | 0:07:20 | |
What makes Acapulco so dangerous? | 0:07:27 | 0:07:30 | |
You can't talk to me about it? What do you mean? | 0:07:33 | 0:07:36 | |
I need to know if I'm going to be out there with you! | 0:07:36 | 0:07:39 | |
'It's astonishing to be told there's nothing to worry about in Acapulco. | 0:07:50 | 0:07:54 | |
'According to the papers, it's the deadliest city in Mexico.' | 0:07:54 | 0:07:58 | |
I've been told that it's not dangerous here, | 0:08:08 | 0:08:10 | |
that it's safe, but there's about 30 of us | 0:08:10 | 0:08:13 | |
and we're all wearing bulletproof vests. Everyone has got a gun. | 0:08:13 | 0:08:18 | |
It can't be that safe if everybody is this armed, this protected. | 0:08:20 | 0:08:26 | |
Technically, I guess I'm on my first mission. | 0:08:41 | 0:08:43 | |
I'm heading down to the beach. I do know it's busy, | 0:08:43 | 0:08:46 | |
it's the Easter holiday weekend, | 0:08:46 | 0:08:47 | |
it's the busiest time here in Acapulco and it's also, I imagine, | 0:08:47 | 0:08:53 | |
the perfect time to kick up some trouble if you want, | 0:08:53 | 0:08:57 | |
which is probably why these guys are here. | 0:08:57 | 0:08:59 | |
A sea of green has departed from these cars and you've got | 0:09:19 | 0:09:22 | |
loads of residents, loads of holiday-makers just stood staring. | 0:09:22 | 0:09:27 | |
Luis and his fellow soldiers patrol the main beaches five times a day. | 0:09:32 | 0:09:37 | |
They are ordinary Mexicans carrying guns | 0:09:37 | 0:09:39 | |
as a show of force against their fellow countrymen. | 0:09:39 | 0:09:42 | |
Is that gun on safety? Cos you keep hitting me with it. | 0:09:48 | 0:09:51 | |
I don't want any accidents. | 0:09:51 | 0:09:52 | |
In years gone by, Acapulco would have entertained 350,000 overseas | 0:10:04 | 0:10:09 | |
tourists a year. Today, there's barely a foreigner in sight. | 0:10:09 | 0:10:13 | |
It feels like everybody that we are passing on this beach is Mexican. | 0:10:16 | 0:10:19 | |
I'm not really hearing any other accents. | 0:10:19 | 0:10:22 | |
What sort of tourists are you getting here now? | 0:10:22 | 0:10:25 | |
Right, so they are all Mexican? | 0:10:29 | 0:10:31 | |
Why aren't there any international tourists any more? | 0:10:31 | 0:10:34 | |
There's clearly not a lot here right now, so why are there a lot less? | 0:10:37 | 0:10:41 | |
'I'm not going to get very far talking to Luis. | 0:10:43 | 0:10:46 | |
'It's obvious he isn't authorised to talk about certain subjects.' | 0:10:46 | 0:10:50 | |
Is it possible for me to talk to any of the tourists? | 0:10:52 | 0:10:55 | |
OK, let me ask some of these guys over here. | 0:10:56 | 0:11:00 | |
These young guys, let's see what they have to say. | 0:11:00 | 0:11:04 | |
Hola. Hello, guys. | 0:11:04 | 0:11:06 | |
I was under the impression that this is a massive holiday | 0:11:06 | 0:11:10 | |
and this time of year gets very busy, | 0:11:10 | 0:11:13 | |
but it seems as if all of the tourists here are Mexican. | 0:11:13 | 0:11:16 | |
Why do you think there aren't any international tourists here? | 0:11:16 | 0:11:19 | |
Do you not think that there is a big problem with cartels and narcos? | 0:11:28 | 0:11:32 | |
Enjoy the sun. I'm very jealous of you right now. | 0:11:43 | 0:11:47 | |
Enjoy your holiday. | 0:11:47 | 0:11:49 | |
From what the locals have said, | 0:11:52 | 0:11:53 | |
the recent trouble in Acapulco is putting off international tourists. | 0:11:53 | 0:11:57 | |
My fear is that the army have only allowed me to be here as part of | 0:11:57 | 0:12:00 | |
a wider campaign to win them back. | 0:12:00 | 0:12:02 | |
I can't get Luis to give me | 0:12:15 | 0:12:16 | |
any specific details about the cartel violence, | 0:12:16 | 0:12:19 | |
but on more personal subjects, he seems willing to open up. | 0:12:19 | 0:12:23 | |
How about the guys you grew up with? | 0:12:24 | 0:12:26 | |
Were any of them drawn into the cartels? | 0:12:26 | 0:12:28 | |
One of them has already died? He's the same age as you. You're only 20. | 0:12:38 | 0:12:41 | |
This kid the same age? | 0:12:41 | 0:12:43 | |
So what is it that would make a young man want to join the cartel? | 0:12:46 | 0:12:50 | |
So what was it that made you go for the military over the cartels, then? | 0:12:58 | 0:13:02 | |
I'd always imagined that the people who join the cartels | 0:13:14 | 0:13:17 | |
were just...the bad guys, | 0:13:17 | 0:13:19 | |
but Luis actually know some of the people who ended up joining them | 0:13:19 | 0:13:23 | |
and I can't imagine what it's like | 0:13:23 | 0:13:25 | |
to have to fight against people you grew up with. | 0:13:25 | 0:13:28 | |
You can take everything off now. | 0:13:28 | 0:13:30 | |
I don't remember the last time | 0:13:39 | 0:13:40 | |
I was this physically flipping knackered. | 0:13:40 | 0:13:43 | |
For whatever reason, I can't find a flipping brush. | 0:13:43 | 0:13:46 | |
I've got to clean my boots. | 0:13:46 | 0:13:48 | |
I'm having to borrow one. | 0:13:50 | 0:13:52 | |
Like a right novice. | 0:13:52 | 0:13:54 | |
Trying to get some of the sand off it first. | 0:14:00 | 0:14:02 | |
The sergeant walked around and was telling us to wake up, | 0:14:25 | 0:14:30 | |
and at that point, we sort of stared a little bit, | 0:14:30 | 0:14:33 | |
then the lights came on. | 0:14:33 | 0:14:35 | |
You had no choice but to get up. | 0:14:35 | 0:14:38 | |
Is it always this early when you guys get up? | 0:14:49 | 0:14:51 | |
Sometimes you don't sleep? Why would you go without sleep? | 0:14:53 | 0:14:56 | |
-Patrolling. -Patrolling? | 0:14:56 | 0:14:59 | |
Do you not feel like you're missing out at all? | 0:15:11 | 0:15:14 | |
If you feel you're missing out on so much, what keeps you here? | 0:15:28 | 0:15:32 | |
Life here is strictly disciplined - | 0:15:42 | 0:15:44 | |
a daily routine of patrols and a gruelling fitness regime. | 0:15:44 | 0:15:47 | |
MEN SHOUT | 0:15:47 | 0:15:50 | |
The first duty of the day is a 5K run around the barracks. | 0:15:57 | 0:16:01 | |
It's 35 degrees. | 0:16:01 | 0:16:03 | |
I run 5K at home. | 0:16:14 | 0:16:16 | |
But that, this heat... Boy! | 0:16:16 | 0:16:20 | |
I have never... | 0:16:20 | 0:16:23 | |
That is something else. | 0:16:23 | 0:16:24 | |
There's no time to recover before we head out again. | 0:16:29 | 0:16:32 | |
Looks like we are all leaving. | 0:16:37 | 0:16:39 | |
Everybody has suddenly jumped back in. | 0:16:39 | 0:16:43 | |
All clipped up, so I guess I should follow suit. | 0:16:43 | 0:16:46 | |
We're travelling into Colonia Jardin Mangos, | 0:16:56 | 0:16:59 | |
one of Acapulco's poorest suburbs. | 0:16:59 | 0:17:01 | |
The barrio has a reputation of being a cartel stronghold. | 0:17:05 | 0:17:08 | |
Once a normal neighbourhood, | 0:17:08 | 0:17:10 | |
it is now entirely controlled by powerful criminals. | 0:17:10 | 0:17:14 | |
Speaking to the Major, it feels like | 0:17:37 | 0:17:39 | |
I'm still being given the army's official line. | 0:17:39 | 0:17:42 | |
I've been told off-camera | 0:17:42 | 0:17:44 | |
there were nine drug-related murders in Acapulco yesterday. | 0:17:44 | 0:17:47 | |
The majority in areas just like this. | 0:17:47 | 0:17:50 | |
In a situation like this, how do you tell | 0:17:54 | 0:17:57 | |
if somebody is up to mischief | 0:17:57 | 0:17:59 | |
and how do you tell that somebody is just a local? | 0:17:59 | 0:18:02 | |
Nobody is acting particularly erratically. | 0:18:02 | 0:18:04 | |
What are the giveaways? | 0:18:13 | 0:18:15 | |
'These streets feel like a very different proposition | 0:18:28 | 0:18:31 | |
'to the tourist zone.' | 0:18:31 | 0:18:32 | |
'You don't know who's an ordinary resident | 0:18:36 | 0:18:39 | |
'and who's a cartel foot soldier.' | 0:18:39 | 0:18:41 | |
'Even with these heavily armed soldiers, | 0:18:43 | 0:18:45 | |
'it feels like we could be ambushed at any minute.' | 0:18:45 | 0:18:48 | |
What are you looking for here? | 0:19:08 | 0:19:10 | |
Was anybody kidnapped? | 0:19:15 | 0:19:17 | |
These bits of the barrio, | 0:19:21 | 0:19:23 | |
I take it, are the bits that are dangerous, right? | 0:19:23 | 0:19:26 | |
The minute we went into that quiet little road | 0:19:45 | 0:19:48 | |
and you could see the dark corners, | 0:19:48 | 0:19:50 | |
even in the midday sun, | 0:19:50 | 0:19:53 | |
you could see where things could go wrong. | 0:19:53 | 0:19:57 | |
Where someone could jump out with a gun, where someone could attack you. | 0:19:57 | 0:20:00 | |
The minute those places became obvious, | 0:20:00 | 0:20:04 | |
sadly I started to see how an seemingly quiet barrio | 0:20:04 | 0:20:08 | |
could become quite a dangerous place. | 0:20:08 | 0:20:11 | |
We didn't come under fire today | 0:20:15 | 0:20:17 | |
or even see the cartel but I'm getting a sense of | 0:20:17 | 0:20:19 | |
the sort of pressure these soldiers have to work under. | 0:20:19 | 0:20:22 | |
Do you feel like you're in danger? | 0:20:25 | 0:20:26 | |
When do you feel like you're in danger, if it's not all the time? | 0:20:28 | 0:20:31 | |
Has anyone in your unit died? | 0:20:35 | 0:20:36 | |
How did they react to that? | 0:20:44 | 0:20:46 | |
Why not? | 0:20:52 | 0:20:54 | |
'He may not have witnessed the death of a fellow soldier, but Luis knows | 0:21:00 | 0:21:04 | |
'only too well the consequences of living in a country | 0:21:04 | 0:21:07 | |
'so consumed by violence.' | 0:21:07 | 0:21:09 | |
-And everyone knows who the guy is? -Yep. | 0:21:41 | 0:21:44 | |
How do you feel about losing a family member in the line of duty? | 0:21:44 | 0:21:48 | |
-Your grandfather was an officer, right? -Yep. | 0:21:48 | 0:21:51 | |
I'm sorry to hear about your grandpa. It's difficult. | 0:22:09 | 0:22:12 | |
To only have a couple of days to get over it, it's pretty tough. | 0:22:12 | 0:22:17 | |
For him to lose his grandfather on the job | 0:22:20 | 0:22:22 | |
is probably a massive reality check | 0:22:22 | 0:22:25 | |
because, you know, his grandfather was a police officer and, in theory, | 0:22:25 | 0:22:28 | |
his job is even more dangerous. | 0:22:28 | 0:22:30 | |
You know, I was 14 when my grandfather passed away | 0:22:33 | 0:22:36 | |
but, you know, he died of something fairly natural. | 0:22:36 | 0:22:40 | |
For a guy at 20 to lose his grandfather to a criminal | 0:22:40 | 0:22:46 | |
on the streets of the city that you live in and patrol... | 0:22:46 | 0:22:50 | |
I don't know how that would make me feel about coming back to work. | 0:22:50 | 0:22:54 | |
The army is telling me it is safe here. | 0:22:55 | 0:22:58 | |
But I want to find out for myself the reality of the dangers | 0:22:58 | 0:23:01 | |
young soldiers like Luis are facing. | 0:23:01 | 0:23:02 | |
Hopefully I can now finally get some answers. | 0:23:07 | 0:23:10 | |
I've been summoned to meet the general at his office. | 0:23:12 | 0:23:16 | |
Hi. Reggie. | 0:23:20 | 0:23:21 | |
-Pleasure to meet you. -How are you? -Very good, thank you. | 0:23:21 | 0:23:25 | |
Thank you so much for finding the time to meet me. | 0:23:25 | 0:23:29 | |
So, firstly, | 0:23:29 | 0:23:31 | |
I really, really desperately want to understand why the military are here | 0:23:31 | 0:23:35 | |
in Acapulco. | 0:23:35 | 0:23:37 | |
Why do you think that the police | 0:23:46 | 0:23:47 | |
haven't been able to get control of the situation? | 0:23:47 | 0:23:50 | |
So just how dangerous are the cartels | 0:24:04 | 0:24:06 | |
and how powerful is organised crime here? | 0:24:06 | 0:24:08 | |
I don't know if that's really answered the question again. | 0:24:35 | 0:24:39 | |
Let's move on, let's move on. OK. | 0:24:39 | 0:24:42 | |
So do you think that the locals feel as safe as the tourists? | 0:24:42 | 0:24:45 | |
Pleasure to meet you. | 0:25:07 | 0:25:09 | |
Thank you very much. Adios. | 0:25:09 | 0:25:12 | |
That was a lot harder than I thought it would be. | 0:25:12 | 0:25:15 | |
I guess what's really important here is maintaining a level of... | 0:25:15 | 0:25:20 | |
..front isn't the right word, but presence, you know. | 0:25:22 | 0:25:25 | |
There is a version that they are desperate to present to the world | 0:25:25 | 0:25:28 | |
which is that everything is under control. | 0:25:28 | 0:25:32 | |
I don't know, man. | 0:25:32 | 0:25:34 | |
How I leave this place and what I leave Mexico with | 0:25:34 | 0:25:38 | |
is going to have to come down to | 0:25:38 | 0:25:39 | |
what I see and what I figure out for myself. | 0:25:39 | 0:25:41 | |
Our unit has been given the afternoon off | 0:25:49 | 0:25:52 | |
and I want to use it to get some answers elsewhere | 0:25:52 | 0:25:55 | |
to work out just how safe the area Luis patrols really is. | 0:25:55 | 0:26:00 | |
After buying a local newspaper, | 0:26:09 | 0:26:11 | |
I've come to a beach frequented by residents, | 0:26:11 | 0:26:14 | |
five minutes from the main tourist zone | 0:26:14 | 0:26:16 | |
where three of yesterday's nine murders took place. | 0:26:16 | 0:26:21 | |
Yeah, it would make sense that it was there. | 0:26:21 | 0:26:24 | |
The picture shows him laid out by a wall. | 0:26:24 | 0:26:26 | |
There's candles burning just over here. | 0:26:26 | 0:26:29 | |
It was right there. | 0:26:32 | 0:26:33 | |
Look. That's exactly it. Right there. | 0:26:33 | 0:26:35 | |
They haven't even managed to clean all the blood away. Still there! | 0:26:35 | 0:26:39 | |
And everything carries on exactly as normal just a day after. | 0:26:41 | 0:26:44 | |
Look at that. There's kids playing right there. | 0:26:44 | 0:26:47 | |
Yesterday I was with the army | 0:26:56 | 0:26:57 | |
patrolling the beach all of five minutes' walk | 0:26:57 | 0:27:00 | |
in that direction. | 0:27:00 | 0:27:01 | |
The beach was quite clearly a tourist beach, | 0:27:01 | 0:27:04 | |
whereas this beach that I'm at at the moment | 0:27:04 | 0:27:07 | |
is pretty much just local people. | 0:27:07 | 0:27:09 | |
The reason that I'm here | 0:27:11 | 0:27:12 | |
and the reason that I'm absolutely flabbergasted | 0:27:12 | 0:27:15 | |
at what has gone on here is that three people were shot yesterday. | 0:27:15 | 0:27:18 | |
A 15-year-old, a 25-year-old and a man who was 54. | 0:27:18 | 0:27:21 | |
Right here. 20 minutes after I left that beach just over there, | 0:27:21 | 0:27:26 | |
with the military yesterday. | 0:27:26 | 0:27:29 | |
There are pictures of where I'm sat right now. | 0:27:29 | 0:27:31 | |
Literally right here. This is here. | 0:27:31 | 0:27:34 | |
It's not taken long to find shocking evidence, but are these deaths | 0:27:36 | 0:27:40 | |
confined to criminals, | 0:27:40 | 0:27:42 | |
or are ordinarily people being caught up in the violence, too? | 0:27:42 | 0:27:45 | |
Do you work here all the time? Was you working here yesterday? | 0:27:47 | 0:27:50 | |
I read in the newspaper that | 0:27:50 | 0:27:51 | |
there was something that happened here yesterday. | 0:27:51 | 0:27:54 | |
All right. Gracias. | 0:28:02 | 0:28:04 | |
Many of the locals are scared of talking. | 0:28:05 | 0:28:07 | |
But one resident businesswoman | 0:28:08 | 0:28:10 | |
has agreed to meet me at a secret location. | 0:28:10 | 0:28:12 | |
-Nice to meet you. -Gracias. | 0:28:12 | 0:28:14 | |
Why did your shop close? | 0:28:35 | 0:28:37 | |
These people that have been killed, are they local tourists? | 0:29:00 | 0:29:03 | |
Are they cartel members? Are they shop owners? Who is getting killed? | 0:29:03 | 0:29:07 | |
It's clear that the fallout from this war | 0:29:28 | 0:29:30 | |
spreads way beyond rival cartels, | 0:29:30 | 0:29:32 | |
affecting almost every part of Mexican society. | 0:29:32 | 0:29:35 | |
Police, government officials | 0:29:37 | 0:29:39 | |
and even the security services in some areas | 0:29:39 | 0:29:42 | |
have been accused of corruption. | 0:29:42 | 0:29:44 | |
The tourists themselves might not be targets, | 0:29:46 | 0:29:48 | |
but with so much violence in the city, | 0:29:48 | 0:29:50 | |
can Luis and his fellow soldiers really keep them safe? | 0:29:50 | 0:29:54 | |
'I've managed to track down Carlos, | 0:29:58 | 0:30:00 | |
'a local photographer, at his office on the main tourist strip. | 0:30:00 | 0:30:04 | |
'He's been following the recent escalation in violence.' | 0:30:04 | 0:30:06 | |
This is nice. | 0:30:06 | 0:30:08 | |
So if it is assassinations that you are taking pictures of, | 0:30:18 | 0:30:21 | |
is this happening out in the open? | 0:30:21 | 0:30:23 | |
Anywhere? So even on one of the main beaches here | 0:30:37 | 0:30:40 | |
where all the tourists go to? | 0:30:40 | 0:30:42 | |
'Carlos offers to show me some pictures he's taken recently.' | 0:30:47 | 0:30:50 | |
Oh, my God! | 0:30:56 | 0:30:57 | |
And is that on the main beach that's here? | 0:31:09 | 0:31:11 | |
The photographic evidence is shocking. | 0:31:13 | 0:31:15 | |
People have been killed all over the city. | 0:31:15 | 0:31:18 | |
Since the army were first deployed here five months ago, | 0:31:18 | 0:31:21 | |
there have been 29 murders on the city's beaches. | 0:31:21 | 0:31:24 | |
Tourism is the lifeblood of the economy here. | 0:32:05 | 0:32:08 | |
It provides 70% of Guerrero State's GDP, | 0:32:08 | 0:32:12 | |
so it's understandable why the army have been deployed here, | 0:32:12 | 0:32:15 | |
and it seems, alongside deterrence, part of the role it plays | 0:32:15 | 0:32:19 | |
is to present an image of a safe city to the outside world. | 0:32:19 | 0:32:22 | |
This is the bit of Acapulco that the government care about, | 0:32:24 | 0:32:27 | |
the police care about, | 0:32:27 | 0:32:28 | |
the military care about, and people are being killed right here. | 0:32:28 | 0:32:32 | |
To be fair to them, it's not like they are not doing anything. | 0:32:32 | 0:32:36 | |
They are definitely working their socks off. | 0:32:36 | 0:32:38 | |
I have joined in. They're patrolling the beaches, | 0:32:38 | 0:32:40 | |
they are up and down this main strip all day, | 0:32:40 | 0:32:42 | |
even going into the barrios. | 0:32:42 | 0:32:44 | |
I've seen it myself, so they are doing something, | 0:32:44 | 0:32:46 | |
they are making a difference, | 0:32:46 | 0:32:48 | |
but people are still being killed even here, so... | 0:32:48 | 0:32:52 | |
I don't know. | 0:32:52 | 0:32:54 | |
Is it enough? | 0:32:54 | 0:32:55 | |
I'm halfway through my time with the army, | 0:33:11 | 0:33:13 | |
but today we're leaving Acapulco. | 0:33:13 | 0:33:15 | |
It looks like everybody has packed a massive backpack | 0:33:15 | 0:33:20 | |
with what looks like tents on it. | 0:33:20 | 0:33:23 | |
This could be a very long day. | 0:33:23 | 0:33:25 | |
The army's mission here is to tackle the war on drugs | 0:33:34 | 0:33:37 | |
at both ends of the supply chain. | 0:33:37 | 0:33:39 | |
Fighting the cartels in the city | 0:33:39 | 0:33:41 | |
and going after the drug production itself. | 0:33:41 | 0:33:43 | |
Late for my briefing. | 0:33:46 | 0:33:48 | |
So far the army haven't exactly been forthcoming about the violence, | 0:33:49 | 0:33:53 | |
but I'm trying to keep an open mind | 0:33:53 | 0:33:56 | |
about what they're going to show me. | 0:33:56 | 0:33:59 | |
We're heading eight hours north-west of Acapulco into the mountains, | 0:34:04 | 0:34:08 | |
where the cartels use intimidation and violence | 0:34:08 | 0:34:11 | |
to force farmers to grow vast fields of poppies | 0:34:11 | 0:34:13 | |
used to produce to heroin. | 0:34:13 | 0:34:15 | |
Just another example of how ordinary people | 0:34:21 | 0:34:23 | |
have been sucked into the drug trade. | 0:34:23 | 0:34:26 | |
What are the dangers here? | 0:34:29 | 0:34:31 | |
Get shot at. OK. Anything else? | 0:34:34 | 0:34:37 | |
Is it is common for farmers | 0:34:43 | 0:34:45 | |
to organise themselves to shoot at soldiers? | 0:34:45 | 0:34:48 | |
-Really? Even though you are trained and they are not? -Yes. | 0:34:48 | 0:34:50 | |
The Aguero Mountains | 0:35:04 | 0:35:06 | |
is where 40% of all heroin supplied to America is produced. | 0:35:06 | 0:35:10 | |
It's an industry worth ten billion US dollars. | 0:35:12 | 0:35:15 | |
We're heading to a temporary army base deep in the mountains. | 0:35:33 | 0:35:37 | |
Up here, the military simply isn't welcome. | 0:35:37 | 0:35:39 | |
In these remote locations, | 0:35:41 | 0:35:43 | |
agriculture is the only source of income, | 0:35:43 | 0:35:46 | |
so many of the local farmers are dependent on growing poppies. | 0:35:46 | 0:35:49 | |
What do hawks do? | 0:36:03 | 0:36:04 | |
'It must be strange for young men like Luis, | 0:36:19 | 0:36:22 | |
'a soldier fighting a war against his own countrymen, | 0:36:22 | 0:36:25 | |
'never knowing who the enemy actually is.' | 0:36:25 | 0:36:28 | |
Everybody that passes by, I'm looking at their backpacks, | 0:36:29 | 0:36:32 | |
I'm looking at their bags, thinking, "What are they carrying down?" | 0:36:32 | 0:36:36 | |
There's quite a lot of people | 0:36:40 | 0:36:42 | |
passing by in the opposite direction. | 0:36:42 | 0:36:44 | |
HE TRANSLATES INTO SPANISH | 0:36:44 | 0:36:46 | |
Is there any reason we're not stopping them? | 0:36:46 | 0:36:49 | |
It's hard to even see what direction the road is going in next. | 0:37:12 | 0:37:15 | |
For some reason there's a random van just parked up here in the dark. | 0:37:26 | 0:37:29 | |
There doesn't seem to be anyone in it, but as it is dark, | 0:37:29 | 0:37:33 | |
I think we should leave it rather than check it and keep going. | 0:37:33 | 0:37:37 | |
It does look pretty suspect. | 0:37:37 | 0:37:39 | |
Suddenly we've got electricity poles again. | 0:37:57 | 0:37:59 | |
We're in the middle of nowhere and there's a whole village here. | 0:37:59 | 0:38:03 | |
There seems to be a lot of lights and a lot of property. | 0:38:03 | 0:38:06 | |
-They look wealthy? -Yep. -What's the giveaway? | 0:38:09 | 0:38:11 | |
What are the chances the entire village is involved | 0:38:18 | 0:38:21 | |
in the fields that we're going to destroy? | 0:38:21 | 0:38:23 | |
-So we're here now. -Yes, we're here. | 0:38:30 | 0:38:33 | |
Yeah? Are we going to camp up? | 0:38:33 | 0:38:35 | |
Yes. | 0:38:35 | 0:38:36 | |
We're joining another battalion | 0:38:39 | 0:38:41 | |
who have been here for the last two weeks. | 0:38:41 | 0:38:43 | |
Just pass it through. | 0:38:46 | 0:38:48 | |
After setting up camp, Luis and I are assigned to night watch. | 0:38:50 | 0:38:55 | |
So if something does kick off, what happens then? | 0:39:00 | 0:39:03 | |
It's been a long day. How much does your tiredness play a part | 0:39:17 | 0:39:21 | |
in something like this? | 0:39:21 | 0:39:22 | |
Because we've been up since very early in the morning. | 0:39:22 | 0:39:25 | |
I heard something. | 0:40:12 | 0:40:14 | |
I think the thing that strikes me mostly | 0:40:26 | 0:40:28 | |
is that they aren't really individuals. | 0:40:28 | 0:40:31 | |
Everything is about the team, | 0:40:31 | 0:40:33 | |
everything is about the unit and nothing is about an individual. | 0:40:33 | 0:40:37 | |
They were saying that if there were an attack, | 0:40:37 | 0:40:42 | |
he'd send me back and he'd sacrifice himself | 0:40:42 | 0:40:44 | |
trying to defend his brothers, the other soldiers. | 0:40:44 | 0:40:47 | |
You know, after a day as long as this, | 0:40:50 | 0:40:52 | |
and ahead of a night in this thing, | 0:40:52 | 0:40:56 | |
um...I think I'm coming away... from a very long day... | 0:40:56 | 0:41:01 | |
..with a slightly better picture | 0:41:03 | 0:41:05 | |
of what it means to be part of this unit. | 0:41:05 | 0:41:07 | |
Once again the day begins before the sun is up. | 0:41:27 | 0:41:30 | |
This looks like the stodgiest, | 0:41:33 | 0:41:36 | |
heaviest breakfast in the world for a reason. | 0:41:36 | 0:41:39 | |
I think the minute the sun is fully in the sky, we're going to set off. | 0:41:39 | 0:41:43 | |
To get to the poppy fields, | 0:41:44 | 0:41:47 | |
we have a long hike across rough terrain ahead. | 0:41:47 | 0:41:49 | |
I'll come to your side. | 0:42:08 | 0:42:10 | |
To avoid detection, the plantations are often grown | 0:42:15 | 0:42:19 | |
in the most remote parts of the mountains. | 0:42:19 | 0:42:22 | |
The army has used air reconnaissance | 0:42:22 | 0:42:24 | |
to locate this poppy field in advance. | 0:42:24 | 0:42:26 | |
He's just pointed out this piping. | 0:42:37 | 0:42:40 | |
The guys who are actually responsible for the poppy field, | 0:42:40 | 0:42:43 | |
they put piping in so they can consistently water and control | 0:42:43 | 0:42:49 | |
the level of water going to their crop. | 0:42:49 | 0:42:52 | |
Right, suddenly... | 0:42:59 | 0:43:01 | |
suddenly we've stopped. | 0:43:01 | 0:43:03 | |
Which, to me, can mean only one thing. | 0:43:05 | 0:43:07 | |
I guess we're here. | 0:43:07 | 0:43:09 | |
-You see all those flowers? -Yeah. | 0:43:10 | 0:43:12 | |
'We immediately find evidence | 0:43:15 | 0:43:16 | |
'that the poppy growers have been here recently.' | 0:43:16 | 0:43:19 | |
We've just found some bags of stuff. | 0:43:19 | 0:43:21 | |
You can see beer cans and food and stuff. | 0:43:33 | 0:43:35 | |
They've been hanging out here for a while. | 0:43:35 | 0:43:36 | |
Growing these plants is the first stage in heroin production. | 0:43:53 | 0:43:56 | |
The farmers extract the natural gum | 0:43:56 | 0:43:58 | |
to make into a paste which is refined and then turned into heroin | 0:43:58 | 0:44:03 | |
with a street value of 130,000 per kilo. | 0:44:03 | 0:44:06 | |
What is the white stuff? | 0:44:10 | 0:44:11 | |
Wow! And that just comes out of this plant? | 0:44:15 | 0:44:18 | |
And that's all they need? | 0:44:25 | 0:44:27 | |
How much do they get out of each plant? Because that's not much. | 0:44:28 | 0:44:31 | |
It's just a little bit. | 0:44:31 | 0:44:33 | |
There are 17,000 hectares of opium poppy fields like this one | 0:44:43 | 0:44:48 | |
across Mexico, | 0:44:48 | 0:44:50 | |
making it the number one supplier of heroin to the United States. | 0:44:50 | 0:44:55 | |
It's horrifying to think that a harmless looking plant like this | 0:44:55 | 0:44:58 | |
can be the cause of so much bloodshed. | 0:44:58 | 0:45:01 | |
And that boys like Luis have grown up in a country | 0:45:01 | 0:45:04 | |
ravaged by violence because of it. | 0:45:04 | 0:45:07 | |
Has anyone you know ever suffered | 0:45:09 | 0:45:10 | |
from the product of a field like this? | 0:45:10 | 0:45:12 | |
Friends of yours? | 0:45:17 | 0:45:18 | |
If ever you needed motivation, | 0:45:26 | 0:45:27 | |
I think having friends who are affected by this stuff is, | 0:45:27 | 0:45:33 | |
you know, is going to drive you every morning | 0:45:33 | 0:45:36 | |
when you get up at 5:30 | 0:45:36 | 0:45:37 | |
to get out here and sweat and work your arse off. | 0:45:37 | 0:45:40 | |
This is without doubt feeding a hell of a lot of people. | 0:45:43 | 0:45:46 | |
The village that we came through to get here | 0:45:46 | 0:45:48 | |
didn't look particularly poor, | 0:45:48 | 0:45:49 | |
but at the same time it is hurting a lot of people all over the world. | 0:45:49 | 0:45:53 | |
So for someone like Luis, | 0:45:53 | 0:45:55 | |
who feels like this is affecting his friends, his family, | 0:45:55 | 0:45:59 | |
his area, I can understand why you'd be motivated. | 0:45:59 | 0:46:02 | |
It takes us an entire day to clear just one field. | 0:46:06 | 0:46:10 | |
I'm sure that this exercise has been, at least in part, | 0:46:10 | 0:46:14 | |
for my benefit. | 0:46:14 | 0:46:16 | |
Reports say the army has cleared 83,000 fields like this one. | 0:46:18 | 0:46:24 | |
But heading back down the mountain, | 0:46:24 | 0:46:26 | |
the sheer scale of the problem becomes apparent. | 0:46:26 | 0:46:29 | |
It seems like every road we take, we spot another field on a mountain. | 0:46:33 | 0:46:38 | |
They're everywhere. | 0:46:39 | 0:46:41 | |
So that's one there. Is that one as well? | 0:46:45 | 0:46:47 | |
That's two up there. | 0:46:47 | 0:46:49 | |
That's just on this mountain. | 0:46:51 | 0:46:53 | |
We've still got all of these to get through to get home. | 0:46:53 | 0:46:56 | |
It's almost like they are building factories on every mountain. | 0:46:59 | 0:47:03 | |
For every one that you take out, | 0:47:12 | 0:47:13 | |
another five are being planted, so how can you keep up? | 0:47:13 | 0:47:17 | |
HE SIGHS | 0:47:29 | 0:47:30 | |
I want to go home. | 0:47:30 | 0:47:32 | |
-Yeah? -Yeah. | 0:47:32 | 0:47:34 | |
My time here has come to an end, and I say my goodbyes to a group | 0:47:43 | 0:47:47 | |
of soldiers who are putting their lives on the line every day. | 0:47:47 | 0:47:50 | |
Bye-bye. Bye-bye, take care. | 0:47:50 | 0:47:53 | |
'I can't help but feel the army has wanted to convince me | 0:47:53 | 0:47:56 | |
'that Acapulco is a safe place, | 0:47:56 | 0:47:58 | |
'safe enough for the tourists to come back. | 0:47:58 | 0:48:01 | |
'But despite all their hard work, | 0:48:01 | 0:48:03 | |
'there were at least 240 murders in the first four months of 2016. | 0:48:03 | 0:48:09 | |
'So it's almost impossible to agree. | 0:48:09 | 0:48:11 | |
'And that's just in Acapulco. | 0:48:13 | 0:48:15 | |
'In the last decade, the cartel violence | 0:48:15 | 0:48:17 | |
'has claimed the lives of over 100,000 people across the country. | 0:48:17 | 0:48:22 | |
'And from what I've seen in the mountains, | 0:48:22 | 0:48:25 | |
'stopping the supply looks like an unwinnable battle.' | 0:48:25 | 0:48:29 | |
There is a real serious issue here | 0:48:29 | 0:48:31 | |
and the people that have been brought in to fix things | 0:48:31 | 0:48:35 | |
are definitely doing their job, | 0:48:35 | 0:48:37 | |
but, through no fault of their own, | 0:48:37 | 0:48:39 | |
I don't know if they're doing enough. | 0:48:39 | 0:48:41 | |
You can hack down a poppy field one day, but if there are five | 0:48:45 | 0:48:49 | |
being planted the next, are you just chasing your own tail? | 0:48:49 | 0:48:53 | |
There are some serious problems here | 0:49:02 | 0:49:04 | |
and I don't think they are on their way to being fixed | 0:49:04 | 0:49:07 | |
and I don't see them being fixed any time soon, unfortunately. | 0:49:07 | 0:49:11 | |
Hey. | 0:49:20 | 0:49:21 | |
Gracias! | 0:49:21 | 0:49:22 | |
Civilian! | 0:49:26 | 0:49:27 |