Browse content similar to Episode 5. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Britain is a green and pleasant land. | 0:00:02 | 0:00:06 | |
But for how long? | 0:00:06 | 0:00:07 | |
We're now getting to a position where any site's worth putting a planning application in for. | 0:00:07 | 0:00:12 | |
After the biggest shake-up of the planning system in 40 years, | 0:00:12 | 0:00:15 | |
the race is on to get Britain building. | 0:00:15 | 0:00:19 | |
If I had the house here, | 0:00:19 | 0:00:20 | |
I'm thinking of building a Berlin wall here, at least six feet high. | 0:00:20 | 0:00:24 | |
So constructors are making plans. | 0:00:24 | 0:00:27 | |
Whoever designed that needs to be shot. | 0:00:27 | 0:00:30 | |
Objectors are making noises. | 0:00:30 | 0:00:32 | |
I've had enough of it for what we've got in this town for councillors. | 0:00:32 | 0:00:35 | |
-The load of -BLEEP -they're putting up. | 0:00:35 | 0:00:37 | |
And neighbours are going to war. | 0:00:37 | 0:00:40 | |
We always won our battles as a family. We'll win this one. | 0:00:40 | 0:00:44 | |
In the firing line, shaping the country of the future, are Britain's planners. | 0:00:44 | 0:00:49 | |
-And nothing happens in the hall? -No. -No? Yes? No? Yes? | 0:00:49 | 0:00:53 | |
Thanks for letting us visit. We'll see you on Thursday. | 0:00:53 | 0:00:56 | |
Another British planning cock-up, really. | 0:00:56 | 0:00:59 | |
Planners don't just oversee new construction. | 0:01:17 | 0:01:20 | |
They are also responsible for any changes to Britain's 370,000 listed buildings, | 0:01:20 | 0:01:26 | |
which include landmarks such as Hadrian's Wall, | 0:01:26 | 0:01:31 | |
Stonehenge, and the pedestrian crossing made famous by the Beatles. | 0:01:31 | 0:01:36 | |
In Cheltenham, the Grade II listed Royal Crescent was built in 1806 | 0:01:39 | 0:01:44 | |
for upper-class visitors taking in the spa waters. | 0:01:44 | 0:01:48 | |
Its latest owners are about to restore one of the houses | 0:01:50 | 0:01:54 | |
after selling their family home. | 0:01:54 | 0:01:56 | |
If we put this through for planning here, | 0:01:56 | 0:01:58 | |
that wall and that wall will go out. | 0:01:58 | 0:02:01 | |
The Smith family have paid half a million pounds for the privilege. | 0:02:01 | 0:02:05 | |
What we'd like now is a house that we can stay in for years and years | 0:02:05 | 0:02:08 | |
that would fit all the grandchildren! | 0:02:08 | 0:02:11 | |
We saw this house looking really unloved and thought the challenge was to restore it to what it was. | 0:02:15 | 0:02:22 | |
It gripped us. | 0:02:22 | 0:02:23 | |
It's been there 200 years, and maybe it'll be there in another 200 years | 0:02:23 | 0:02:27 | |
-with our family. -That's so cheesy! | 0:02:27 | 0:02:29 | |
The Smiths have decided to keep it in the family. | 0:02:29 | 0:02:32 | |
It's going to need a steel, anyway, because it's likely to be supporting something. | 0:02:32 | 0:02:36 | |
They've entrusted 22-year-old daughter Sophie | 0:02:36 | 0:02:39 | |
with the job of project managing the restoration. | 0:02:39 | 0:02:42 | |
Picture-framer Dad Chris will be the creative force behind the design. | 0:02:44 | 0:02:48 | |
I doubt if anybody has thought about this property | 0:02:48 | 0:02:51 | |
five per cent of what I've thought about it. | 0:02:51 | 0:02:55 | |
I'd say I'm much more of an expert on this project | 0:02:55 | 0:02:58 | |
than anybody at the moment. | 0:02:58 | 0:03:00 | |
We'll discuss Mima's room, cos that's easy, isn't it? | 0:03:00 | 0:03:03 | |
Walk on! | 0:03:03 | 0:03:05 | |
I've got a huge amount of knowledge and experience. | 0:03:05 | 0:03:09 | |
I do understand buildings and I do try and point people in the right direction. | 0:03:10 | 0:03:15 | |
Karen Radford is the planner with the power to approve or reject the Smiths' plans. | 0:03:16 | 0:03:22 | |
I'm heritage and conservation manager at Cheltenham Borough Council. | 0:03:22 | 0:03:25 | |
And my job is to deal with applications for listed building consent on listed buildings. | 0:03:25 | 0:03:32 | |
I do love architecture. I love history. I love Cheltenham. | 0:03:32 | 0:03:35 | |
I was brought up in Cheltenham, born in Cheltenham, | 0:03:35 | 0:03:38 | |
so I really do love it with a passion. | 0:03:38 | 0:03:40 | |
The person who is responsible | 0:03:40 | 0:03:42 | |
for overseeing that heritage for future generations is me. | 0:03:42 | 0:03:47 | |
It's something that I don't take lightly. | 0:03:48 | 0:03:50 | |
The Smiths have sent their plans to Karen, hoping for a quick approval | 0:03:50 | 0:03:55 | |
as they need to move out of the house they sold. | 0:03:55 | 0:03:58 | |
'People will think we're mad, because it's a ginormous house. | 0:04:00 | 0:04:03 | |
'We're a small family. We're struggling with budgets, like anyone would do. | 0:04:03 | 0:04:08 | |
We haven't got anywhere to live, | 0:04:08 | 0:04:09 | |
so we need it to be done pretty quickly. | 0:04:09 | 0:04:12 | |
But I like to work under pressure. | 0:04:12 | 0:04:15 | |
I feel that great things happen when under pressure. | 0:04:15 | 0:04:17 | |
Get a bit of adrenaline going, so it should pay off, definitely. | 0:04:17 | 0:04:20 | |
The property was last used as a nursing home. | 0:04:26 | 0:04:29 | |
It has ten bedrooms over four floors. | 0:04:29 | 0:04:33 | |
The Smiths are planning to restore it to its Regency splendour | 0:04:35 | 0:04:38 | |
while introducing one big, modern twist. | 0:04:38 | 0:04:42 | |
If I bring you through here, we've got the original kitchen. | 0:04:42 | 0:04:45 | |
It's not going to be a kitchen any more. It's going to be a garden room, or a sun room, | 0:04:45 | 0:04:50 | |
to get as much light in as possible and bring our guests and friends round. | 0:04:50 | 0:04:54 | |
So one of our plans for this | 0:04:54 | 0:04:57 | |
is to put in these bi-folding doors on this elevation here. | 0:04:57 | 0:05:02 | |
These bi-folding doors would then go on to the decking | 0:05:02 | 0:05:05 | |
and serve this nice decking area which we've also put in for planning permission. | 0:05:05 | 0:05:09 | |
We're going to have the big opening across there, | 0:05:10 | 0:05:13 | |
so that the wall comes to the decking, | 0:05:13 | 0:05:14 | |
with glazed panels, to make it as transparent as possible | 0:05:14 | 0:05:18 | |
and look really uber-cool as well. | 0:05:18 | 0:05:20 | |
Together with case officer Martin Chandler, | 0:05:26 | 0:05:30 | |
Karen has to decide whether to authorise the decking | 0:05:30 | 0:05:33 | |
and the demolition of the external wall. | 0:05:33 | 0:05:36 | |
I don't think so. | 0:05:38 | 0:05:40 | |
To put some decking, or balcony, call it what you will, along there, | 0:05:40 | 0:05:45 | |
that whole area, I think it would be unacceptable. | 0:05:45 | 0:05:48 | |
There's a lot of it, isn't there, and it is going to compromise the building. | 0:05:48 | 0:05:53 | |
We might have a party here. | 0:05:55 | 0:05:57 | |
We're thinking of the summertime and that, the romantic way of thinking about it. | 0:05:57 | 0:06:03 | |
Me and my friends sunbathing in our bikinis. | 0:06:03 | 0:06:06 | |
You never know, if we're allowed, we might have a Jacuzzi downstairs as well. | 0:06:06 | 0:06:10 | |
Which would be quite nice! | 0:06:10 | 0:06:12 | |
I think it's one of those applications where obviously the people are eager to move in. | 0:06:13 | 0:06:18 | |
They've got lots of ideas. | 0:06:18 | 0:06:20 | |
In some respects, I think there's a lot of naivety in what they're proposing to do. | 0:06:20 | 0:06:26 | |
From our point of view, we need to be making sure | 0:06:26 | 0:06:29 | |
that they're not compromising the building. | 0:06:29 | 0:06:32 | |
Alterations to listed buildings are allowed if they help to preserve them. | 0:06:32 | 0:06:37 | |
Karen's not convinced the decking does that. | 0:06:37 | 0:06:40 | |
But before coming to a final decision, | 0:06:40 | 0:06:43 | |
she needs to make a site visit. | 0:06:43 | 0:06:45 | |
What will we do there? | 0:06:45 | 0:06:46 | |
'People put in things and you think, "This is just nonsense. | 0:06:46 | 0:06:50 | |
'"This is just silly." | 0:06:50 | 0:06:52 | |
'So I always try and educate people and say, | 0:06:52 | 0:06:55 | |
'"You actually have something really special here | 0:06:55 | 0:06:58 | |
'"and it's part of the history of Britain."' | 0:06:58 | 0:07:01 | |
In England, planners look after the construction of over 100,000 houses a year. | 0:07:13 | 0:07:19 | |
Every five minutes, a new house is completed. | 0:07:19 | 0:07:22 | |
It may be a multi-billion-pound business, | 0:07:22 | 0:07:25 | |
but there is still room for members of the public to have their say in the planning process. | 0:07:25 | 0:07:30 | |
Planner Rebecca Coley is in Rochdale, | 0:07:32 | 0:07:35 | |
where developers want to extend this terrace | 0:07:35 | 0:07:38 | |
and build three new houses on waste ground at the end of the cul-de-sac. | 0:07:38 | 0:07:42 | |
The front of the properties would be here, with a small garden there, | 0:07:44 | 0:07:48 | |
basically continuing the terrace, but with a gap between them. | 0:07:48 | 0:07:52 | |
But the same style of house. | 0:07:52 | 0:07:54 | |
On this side of the site over here, would be a parking area, | 0:07:54 | 0:07:58 | |
five spaces across the top here | 0:07:58 | 0:08:00 | |
with what they show, a space here to allow for turning. | 0:08:00 | 0:08:05 | |
I think the scheme is absolutely fine. | 0:08:06 | 0:08:08 | |
It's recommended for approval by officers. | 0:08:08 | 0:08:11 | |
This kind of site, when it's ideal for housing development, | 0:08:11 | 0:08:15 | |
is really the sort of site we should be seeking to redevelop. | 0:08:15 | 0:08:18 | |
But one local is determined to stop the project. | 0:08:26 | 0:08:31 | |
He has studied the plans for days | 0:08:31 | 0:08:33 | |
and has finally spotted a flaw. | 0:08:33 | 0:08:36 | |
Don't want to be doing with all that rubbish, do we? | 0:08:38 | 0:08:41 | |
Builder Dennis Sutcliffe-Smith | 0:08:42 | 0:08:44 | |
thinks the developer has got his measurements wrong. | 0:08:44 | 0:08:47 | |
So that's ten | 0:08:50 | 0:08:51 | |
to here. | 0:08:51 | 0:08:53 | |
That's five car parking spaces. | 0:08:53 | 0:08:56 | |
This is where... | 0:08:57 | 0:08:58 | |
..the wall of the new houses comes. | 0:09:00 | 0:09:02 | |
So if anybody can turn a car round | 0:09:02 | 0:09:06 | |
in that space from there to there, | 0:09:06 | 0:09:09 | |
I wish them well! | 0:09:09 | 0:09:11 | |
They've got it wrong. | 0:09:13 | 0:09:14 | |
If you put five parking spaces there, none of us can turn round. | 0:09:16 | 0:09:21 | |
So we'd all have to reverse out in the street | 0:09:21 | 0:09:23 | |
with children in the back. That's wrong. | 0:09:23 | 0:09:25 | |
It's a nice, pleasant area and it's a really nice quiet suburb and street. | 0:09:26 | 0:09:32 | |
It will disrupt everybody's lives on this street. | 0:09:32 | 0:09:35 | |
The planners have recommended the scheme for approval. | 0:09:39 | 0:09:43 | |
But objections from Dennis and the residents | 0:09:43 | 0:09:45 | |
mean the final decision will be made by the councillors on Rochdale's planning committee. | 0:09:45 | 0:09:50 | |
It's made up of members of the public who are elected every four years. | 0:09:50 | 0:09:55 | |
-Are you the architect or... -The resident. -The resident. | 0:09:55 | 0:09:58 | |
-So where are the parking spaces? -Here. | 0:10:00 | 0:10:03 | |
-Where we're standing, here? -Yeah. In this corner, yes. | 0:10:03 | 0:10:07 | |
Do you think you can fit five cars in there? I've measured it out. | 0:10:07 | 0:10:10 | |
You've only got 1.7 metres. | 0:10:10 | 0:10:11 | |
Sorry, a resident can't lobby you on a site visit. | 0:10:11 | 0:10:15 | |
-Please, sir. You have your opportunity to speak at the committee this evening. -OK. | 0:10:15 | 0:10:19 | |
-Please don't address the members because they may not be able to vote on it later. -OK. -No problem. | 0:10:19 | 0:10:24 | |
-They're quite small, anyway. They're not your average-sized parking. -Yeah. | 0:10:24 | 0:10:30 | |
Dennis has fallen foul of strict planning procedure. | 0:10:30 | 0:10:34 | |
Members of the public can't voice their objections to the committee on site visits. | 0:10:34 | 0:10:38 | |
'Well, I thought that's maybe why they sort of came. | 0:10:38 | 0:10:41 | |
'You know, to look at the area' | 0:10:41 | 0:10:44 | |
and then we could voice our concerns while they're here. | 0:10:44 | 0:10:46 | |
But he's determined to make his voice heard. | 0:10:46 | 0:10:50 | |
So when the councillors meet again at the town hall that evening, | 0:10:52 | 0:10:55 | |
Dennis is fully prepared. | 0:10:55 | 0:10:58 | |
Hello. My name's Dennis Sutcliffe-Smith. | 0:10:58 | 0:11:00 | |
I've got a few concerns about this development. | 0:11:00 | 0:11:03 | |
This is a quiet dead-end street | 0:11:03 | 0:11:05 | |
with seven number houses, | 0:11:05 | 0:11:07 | |
six number with small children. | 0:11:07 | 0:11:10 | |
13, in total, under the age of 11. | 0:11:10 | 0:11:13 | |
There is only just enough room at present to turn a standard vehicle around. | 0:11:13 | 0:11:18 | |
And if you even put one parking space in that area | 0:11:18 | 0:11:22 | |
it means there will be absolutely no opportunity to turn a vehicle around. | 0:11:22 | 0:11:26 | |
This development will make a very small street and an unsafe place for children. | 0:11:26 | 0:11:31 | |
-Thank you. -Thank you. | 0:11:31 | 0:11:33 | |
Can you ask the highways officer to come in, please? | 0:11:33 | 0:11:35 | |
I agree. | 0:11:35 | 0:11:37 | |
We need to look at this further and I'd like it deferred, if possible. | 0:11:37 | 0:11:40 | |
OK. So can we defer that, please? | 0:11:40 | 0:11:45 | |
For another highways. Thank you. | 0:11:45 | 0:11:47 | |
The planners will have to return to the site to re-measure. | 0:11:49 | 0:11:52 | |
Dennis has managed to delay the decision, | 0:11:52 | 0:11:55 | |
but will he succeed in completely derailing the development? | 0:11:55 | 0:12:00 | |
At least we've had a deferral. | 0:12:00 | 0:12:02 | |
So we might be able to measure it up properly, this time. | 0:12:02 | 0:12:05 | |
I might have to hold the end of the tape measure for him! | 0:12:05 | 0:12:08 | |
Great architects of the past | 0:12:21 | 0:12:23 | |
have left their ground-breaking designs all over Britain. | 0:12:23 | 0:12:27 | |
In the Scottish borders lives a landowner | 0:12:29 | 0:12:32 | |
who is determined to leave his own mark... | 0:12:32 | 0:12:35 | |
planners permitting. | 0:12:35 | 0:12:36 | |
I think I'm definitely a bit of a romantic. | 0:12:36 | 0:12:39 | |
I think when I bought the plot | 0:12:39 | 0:12:41 | |
I thought, without quite knowing what I was going to do with it, | 0:12:41 | 0:12:44 | |
that I could do something exciting with it. | 0:12:44 | 0:12:46 | |
There's such an obvious house site up there | 0:12:47 | 0:12:50 | |
that anybody seeing it would think this is a good site for a house. | 0:12:50 | 0:12:53 | |
Robert Younger is a solicitor specialising in fishery legislation | 0:12:57 | 0:13:01 | |
and a lover of modern architecture. | 0:13:01 | 0:13:03 | |
He has spent £20,000 commissioning the design of his new modern house. | 0:13:05 | 0:13:11 | |
More than anything, it's a really exciting design of a building. | 0:13:11 | 0:13:15 | |
I think what you notice most strongly about this | 0:13:16 | 0:13:19 | |
is this glazed pavilion that's standing on top here. | 0:13:19 | 0:13:23 | |
I mean, it was exhibited at the Royal Academy, it's had quite a lot of press. People have loved it. | 0:13:23 | 0:13:28 | |
The house may have pleased architecture enthusiasts all over the country, | 0:13:28 | 0:13:33 | |
but will it win over the man who has to give it planning permission? | 0:13:33 | 0:13:38 | |
There is a lot of pressure on the Borders countryside for new housing. | 0:13:40 | 0:13:43 | |
We want to make sure they're in the right locations | 0:13:43 | 0:13:46 | |
in a sympathetic way. | 0:13:46 | 0:13:48 | |
The Scottish Borders council has introduced a commitment | 0:13:48 | 0:13:52 | |
to improve the quality of architecture in the area. | 0:13:52 | 0:13:55 | |
So Robert's application would appear nicely timed. | 0:13:56 | 0:13:59 | |
I'm looking at the centre of the site | 0:13:59 | 0:14:03 | |
to see quite what the impact of the house would be. | 0:14:03 | 0:14:06 | |
Part of the argument in favour of the development | 0:14:07 | 0:14:11 | |
is that it would be a very unusual design, | 0:14:11 | 0:14:14 | |
a brock style hill fort type structure. | 0:14:14 | 0:14:17 | |
There is an intrinsic value in the design | 0:14:17 | 0:14:21 | |
in its uniqueness. | 0:14:21 | 0:14:23 | |
Sir Richard Murphy is the architect responsible for the design. | 0:14:26 | 0:14:30 | |
You get the best of all worlds. | 0:14:30 | 0:14:32 | |
You get your own kingdom, your own little walled garden, | 0:14:32 | 0:14:36 | |
but you also get amazing extensive views from upstairs of the whole landscape. | 0:14:36 | 0:14:40 | |
It's nice to have the two things, really. | 0:14:40 | 0:14:42 | |
I met Prince Charles once at a reception at Holyrood. | 0:14:43 | 0:14:47 | |
I was introduced as a prominent modern architect, | 0:14:47 | 0:14:50 | |
which was like being thrown to the lions. He prodded me in the chest | 0:14:50 | 0:14:53 | |
and said, "I bet you don't live in a house you designed." | 0:14:53 | 0:14:56 | |
I said, "Well, actually, I do, Prince Charles. | 0:14:56 | 0:14:58 | |
"I designed a house for a lady here to rent out, | 0:14:58 | 0:15:01 | |
"and I liked it so much I became the tenant." | 0:15:01 | 0:15:03 | |
Richard has had his projects built all over the world, | 0:15:03 | 0:15:07 | |
but knows just how hard it is to get planning permission in Britain. | 0:15:07 | 0:15:11 | |
I happen to think the system is now completely out of control in this country. | 0:15:11 | 0:15:16 | |
It's a very negative-minded system. | 0:15:16 | 0:15:19 | |
When we stand here in 100 years' time, | 0:15:19 | 0:15:23 | |
and look back at the '70s, '80s and '90s, | 0:15:23 | 0:15:26 | |
we'll look at how insipid and pathetic the architectural contribution was | 0:15:26 | 0:15:33 | |
because of the heavy-handed nature of planners. | 0:15:33 | 0:15:37 | |
Planner Carlos has been inspecting Robert's plot | 0:15:41 | 0:15:45 | |
and neighbouring properties on the other side of the hill. | 0:15:45 | 0:15:48 | |
And something doesn't add up. | 0:15:49 | 0:15:52 | |
Our policy allows for a new house next to a group of three houses. | 0:15:53 | 0:15:58 | |
What I needed to check here, first and foremost, | 0:15:58 | 0:16:02 | |
was whether we, in fact, had three houses. | 0:16:02 | 0:16:04 | |
We have two houses on this side. | 0:16:04 | 0:16:07 | |
And that's where we've got the problem. | 0:16:07 | 0:16:09 | |
We don't have the group that we need | 0:16:09 | 0:16:12 | |
for this to be supported. | 0:16:12 | 0:16:14 | |
It's a wonderful setting. | 0:16:16 | 0:16:18 | |
You can completely understand why someone would want to build a house here. | 0:16:18 | 0:16:21 | |
The difficulty is the policy doesn't allow it to be built | 0:16:21 | 0:16:27 | |
because of where it's proposed. | 0:16:27 | 0:16:29 | |
Since the 1980s, | 0:16:31 | 0:16:34 | |
the Scottish Borders council has placed tight restrictions | 0:16:34 | 0:16:37 | |
on any new homes in open countryside. | 0:16:37 | 0:16:40 | |
We're trying to keep The Borders the way people expect they should be | 0:16:42 | 0:16:45 | |
which is predominantly rural and not scattered with individual houses around every corner. | 0:16:45 | 0:16:49 | |
When the report from Carlos comes in, | 0:16:54 | 0:16:56 | |
it recommends refusal for Robert's stone-built modern house in the country. | 0:16:56 | 0:17:01 | |
It's a situation architect Richard Murphy has found himself in many times before. | 0:17:04 | 0:17:09 | |
What worries me is people always rush to make the safest judgement | 0:17:10 | 0:17:14 | |
which is basically to say no. | 0:17:14 | 0:17:15 | |
If in doubt, say no. | 0:17:15 | 0:17:18 | |
This mentality of stopping things is going to be the end of this country. | 0:17:18 | 0:17:22 | |
-Is it a lack of confidence? -Yes, total lack of confidence. | 0:17:22 | 0:17:24 | |
It's rejected by planners, | 0:17:24 | 0:17:28 | |
and so the next thing is it goes in front of a planning committee | 0:17:28 | 0:17:32 | |
and they can either reject it out of hand, which I hope they won't, | 0:17:32 | 0:17:36 | |
or, I'm hoping that they will decide to have a hearing. | 0:17:36 | 0:17:40 | |
Because then one has an opportunity of putting forward a point of view. | 0:17:40 | 0:17:44 | |
Well, we'll battle away. You know. | 0:17:44 | 0:17:47 | |
The Scottish Borders council local review body | 0:17:47 | 0:17:49 | |
is due to decide on the modern house in three weeks. | 0:17:49 | 0:17:53 | |
Hopefully, those two words "common sense" will prevail. | 0:17:53 | 0:17:56 | |
Because it is common sense. | 0:17:56 | 0:17:58 | |
Common sense versus dogma. | 0:17:58 | 0:18:00 | |
-We've got dogma at the moment. -We've got two dogs! | 0:18:00 | 0:18:04 | |
LAUGHTER | 0:18:04 | 0:18:06 | |
In Cheltenham, the new owners in Royal Crescent | 0:18:17 | 0:18:21 | |
are eager to begin restoration | 0:18:21 | 0:18:23 | |
as they need to move out of their family home in two weeks' time. | 0:18:23 | 0:18:26 | |
Lots of people here today, by the sounds of it. | 0:18:28 | 0:18:30 | |
-It starts for real today. It's good. -Good. | 0:18:30 | 0:18:32 | |
Even though they're still waiting for planning permission, | 0:18:32 | 0:18:35 | |
they've started clearing the property. | 0:18:35 | 0:18:37 | |
Conservation officer Karen Radford has seen their plans | 0:18:40 | 0:18:44 | |
which involve the demolition of some original features. | 0:18:44 | 0:18:47 | |
So she's decided to pay a visit to the house. | 0:18:47 | 0:18:50 | |
Some people think double yellow lines are there to be ignored. | 0:18:51 | 0:18:54 | |
Some people don't park on double yellow lines. | 0:18:54 | 0:18:56 | |
Some people will respect historic buildings. | 0:18:56 | 0:18:58 | |
Some people will ask us a lot of detailed questions | 0:18:58 | 0:19:02 | |
and apologise for wasting our time. | 0:19:02 | 0:19:05 | |
We need to be making sure that they're not compromising the building. | 0:19:05 | 0:19:09 | |
So they've started work on site. | 0:19:12 | 0:19:14 | |
-Hello, I'm Karen. -Sorry? -Karen Radford, Heritage and Conservation. | 0:19:17 | 0:19:21 | |
So, Grade II listed building. | 0:19:23 | 0:19:26 | |
Any repair or alteration which affects the character of a listed building requires consent. | 0:19:26 | 0:19:31 | |
So I'm slightly concerned that you've got someone on site. | 0:19:31 | 0:19:34 | |
If you're starting to do the work which requires consent, | 0:19:34 | 0:19:37 | |
-that can be a criminal offence. -Yes, I know that. | 0:19:37 | 0:19:40 | |
So as long as you're familiar with that. OK. | 0:19:40 | 0:19:43 | |
As the owners face the threat of a criminal prosecution, | 0:19:45 | 0:19:49 | |
work on the site grinds to a halt. | 0:19:49 | 0:19:52 | |
That door would never have been in that position. | 0:19:53 | 0:19:56 | |
It would have been here more. | 0:19:56 | 0:19:58 | |
Karen's first job is to inspect the house and decide which features are original | 0:19:59 | 0:20:05 | |
and which are contemporary and need replacing. | 0:20:05 | 0:20:08 | |
I think that is absolutely hideous. | 0:20:09 | 0:20:11 | |
Whoever put them in committed a criminal offence. | 0:20:11 | 0:20:14 | |
We just don't know who that person was. | 0:20:14 | 0:20:17 | |
I would suggest that you change it. | 0:20:17 | 0:20:19 | |
-If you leave that in there, that may then cause you problems later on. -Mm. | 0:20:19 | 0:20:23 | |
Chris has come here and he wants this house as close to how it was | 0:20:26 | 0:20:31 | |
when it was originally built. | 0:20:31 | 0:20:33 | |
And he's paying for it, as well. He's not doing anything on the cheap. | 0:20:33 | 0:20:37 | |
And then you get this woman come in and she throws a massive spanner in the works. | 0:20:37 | 0:20:41 | |
Next on the agenda are Chris's plans for the restoration of the house. | 0:20:41 | 0:20:45 | |
So nothing happens in the hall, yeah? | 0:20:45 | 0:20:47 | |
-No. -No? Yes? No? Yes? | 0:20:47 | 0:20:50 | |
He wants to build a decked area at the back of the house. | 0:20:50 | 0:20:53 | |
To access it, he wants to demolish a 200-year-old wall. | 0:20:53 | 0:20:58 | |
The decking is an issue which I have major concerns with. | 0:21:01 | 0:21:04 | |
You've got a Grade II listed building. | 0:21:04 | 0:21:07 | |
This is a building of national / international importance. | 0:21:07 | 0:21:10 | |
What you're removing is a substantial section of external wall | 0:21:10 | 0:21:14 | |
with a chimney breast. | 0:21:14 | 0:21:16 | |
How can you be arguing that that's preserving the historic character? | 0:21:16 | 0:21:19 | |
What about if we did a smaller section? | 0:21:19 | 0:21:22 | |
Sophie's plan B is to have a smaller opening | 0:21:22 | 0:21:26 | |
and remove the kitchen window instead. | 0:21:26 | 0:21:28 | |
-This window is definitely original. -Yes. | 0:21:30 | 0:21:32 | |
The loss of that window, it's a two-star listed building, | 0:21:32 | 0:21:35 | |
would not be acceptable. | 0:21:35 | 0:21:37 | |
Great. Thanks for telling us that. | 0:21:37 | 0:21:39 | |
-There's no point in beating about the bush. -Yeah. | 0:21:39 | 0:21:41 | |
-It just would not be acceptable. -OK. -What about below? | 0:21:41 | 0:21:45 | |
-Explain. -What do you mean? | 0:21:45 | 0:21:47 | |
Could we - this is just thinking quite quickly - below, could we take this section out | 0:21:47 | 0:21:54 | |
and have it so that, if we wanted to, | 0:21:54 | 0:21:56 | |
we could lift this and maybe have some kind of doorway open | 0:21:56 | 0:22:00 | |
so that we could access it? | 0:22:00 | 0:22:01 | |
We're on a raised ground floor. | 0:22:01 | 0:22:04 | |
If the decking is unacceptable, what do you want a door there for? | 0:22:04 | 0:22:07 | |
-We wouldn't have a door. -Exactly. So let's talk about the decking | 0:22:07 | 0:22:09 | |
-rather than talk about a door and then talk about the decking. -OK. Decking. | 0:22:09 | 0:22:13 | |
With the main living area on the first floor, | 0:22:14 | 0:22:16 | |
the family want the raised decking so they have access to a light, outdoor space. | 0:22:16 | 0:22:22 | |
I think that's... I think it would look really weird. | 0:22:22 | 0:22:25 | |
Really, really weird. | 0:22:25 | 0:22:27 | |
The thing is, we're reinstating this house as a family home. | 0:22:27 | 0:22:31 | |
I think that developing that into a small balcony would make sense of this area. | 0:22:31 | 0:22:37 | |
-I feel it would enhance... -Look, it's not something that I'd support. | 0:22:37 | 0:22:41 | |
If you feel strongly about it, | 0:22:41 | 0:22:44 | |
then put in an application and go to appeal. | 0:22:44 | 0:22:46 | |
-That's the way it will be determined. -OK. | 0:22:46 | 0:22:51 | |
At the end of the visit, Karen has refused permission for the decking, | 0:22:51 | 0:22:55 | |
has said no to knocking down the kitchen wall | 0:22:55 | 0:22:57 | |
and doesn't want the Smiths to interfere with their Regency window. | 0:22:57 | 0:23:01 | |
It's been brilliant you coming along. I think I've gained a lot of knowledge. | 0:23:03 | 0:23:07 | |
I think you need to be very careful about how much more work you need to do | 0:23:07 | 0:23:12 | |
because there's going to be a point | 0:23:12 | 0:23:14 | |
at which you're going to be straying into that area | 0:23:14 | 0:23:18 | |
where you need listed building consent and we'll be here with our enforcement officers. | 0:23:18 | 0:23:22 | |
That's not a situation we want to get into. | 0:23:22 | 0:23:24 | |
We want to see the building refurbished. | 0:23:24 | 0:23:26 | |
But equally, it needs to be done within the legislation | 0:23:26 | 0:23:30 | |
and be done in an acceptable manner. | 0:23:30 | 0:23:32 | |
-So we can only give you the advice and I hope we get revised drawings. -Thanks for your advice. | 0:23:32 | 0:23:38 | |
Right. Thanks! Bye! | 0:23:38 | 0:23:40 | |
Well, there you go. | 0:23:46 | 0:23:48 | |
I felt like crying. It just hurts a lot. | 0:23:50 | 0:23:54 | |
But I've got to keep the professional speaking. | 0:23:54 | 0:23:56 | |
I've got to understand that they've got a job and they're working within legislation. | 0:23:56 | 0:24:00 | |
But it was an outright no about the decking and the opening. | 0:24:00 | 0:24:03 | |
It was just like, "ouch!" It was pretty painful. | 0:24:03 | 0:24:08 | |
But we prepared ourselves for this meeting. | 0:24:08 | 0:24:11 | |
-We knew... -We're going to go down fighting! | 0:24:11 | 0:24:13 | |
Occasionally, there are conflicts between what people want to do | 0:24:16 | 0:24:19 | |
and the historic character of the building. | 0:24:19 | 0:24:22 | |
It is always a very difficult balancing act | 0:24:22 | 0:24:25 | |
between saying to people, "We understand that this is your building, | 0:24:25 | 0:24:29 | |
"you've invested in it for your future, for you and your family." | 0:24:29 | 0:24:32 | |
And at the same time we're saying, "No, you need to do x, y and z." | 0:24:32 | 0:24:36 | |
Is anyone tuna panini? Did you order food? | 0:24:41 | 0:24:44 | |
The Smiths are going right back to the drawing board. | 0:24:45 | 0:24:48 | |
We've got a massive fight ahead of us for that. | 0:24:48 | 0:24:50 | |
With only two weeks to go before they have to move out of their current house, | 0:24:50 | 0:24:55 | |
the race is on to get their new home ready on time. | 0:24:55 | 0:24:59 | |
In Rochdale, there are plans to build three homes in a cul-de-sac. | 0:25:11 | 0:25:15 | |
But one local is determined to stop them. | 0:25:15 | 0:25:18 | |
Dennis Sutcliffe-Smith complained that five parking spaces for the new scheme | 0:25:18 | 0:25:23 | |
were too many for the size of the road, | 0:25:23 | 0:25:26 | |
forcing the planners to come and re-measure. | 0:25:26 | 0:25:29 | |
What we've done is, we've just changed the plans round | 0:25:29 | 0:25:32 | |
to show three parking spaces, one for each property, | 0:25:32 | 0:25:36 | |
and the ability to turn round. | 0:25:36 | 0:25:39 | |
You come in, into there, reverse back out, then go out the way you came. | 0:25:39 | 0:25:45 | |
This area will be cross-hatched. No parking. | 0:25:45 | 0:25:48 | |
People would use that to turn. | 0:25:48 | 0:25:50 | |
Yeah? The highway scheme works. | 0:25:51 | 0:25:53 | |
But Dennis is not giving up yet. | 0:25:55 | 0:25:57 | |
Looking into it further, just the disruption it'll cause during construction. | 0:25:57 | 0:26:04 | |
There's going to be tradesmen, there'll be materials delivered. | 0:26:04 | 0:26:09 | |
Building houses is not a safe place for kids to be playing out on. | 0:26:09 | 0:26:13 | |
I understand all that, but we would have to refuse every planning application on that basis. | 0:26:13 | 0:26:17 | |
I'll speak to members whether they think that's appropriate, | 0:26:17 | 0:26:20 | |
but you'll have an opportunity to address the committee. | 0:26:20 | 0:26:23 | |
-When's the next meeting? -The meeting is on 2nd October. | 0:26:23 | 0:26:27 | |
Rochdale has a shortage of nearly 900 houses | 0:26:28 | 0:26:31 | |
that the planners have to fill in the next five years. | 0:26:31 | 0:26:35 | |
All construction does disrupt the lives of surrounding properties | 0:26:35 | 0:26:40 | |
while it goes on. I completely understand the gentleman's concerns. | 0:26:40 | 0:26:43 | |
But it's not a reason to refuse a planning application. | 0:26:43 | 0:26:47 | |
The planners are happy with the revised road layout. | 0:26:51 | 0:26:54 | |
Any objectors here? | 0:26:56 | 0:26:57 | |
-Yes. -Could you come forward, please? | 0:26:57 | 0:26:59 | |
But Dennis isn't. | 0:27:01 | 0:27:03 | |
He wants the scheme refused because of the potential danger | 0:27:03 | 0:27:07 | |
and disruption to residents. | 0:27:07 | 0:27:09 | |
I don't see how just painting a few lines on a road is going to work. | 0:27:09 | 0:27:14 | |
Secondly, if planning was passed... | 0:27:14 | 0:27:17 | |
While Dennis is speaking, the planners discuss how best to address his new concerns. | 0:27:17 | 0:27:22 | |
Surely this council should agree | 0:27:23 | 0:27:25 | |
that the safety of the residents should be of paramount importance | 0:27:25 | 0:27:29 | |
and ensure the developer come up with some form of control | 0:27:29 | 0:27:32 | |
to minimise the risk. | 0:27:32 | 0:27:34 | |
Thank you. | 0:27:34 | 0:27:35 | |
Thank you. | 0:27:35 | 0:27:37 | |
Your major objection seems to be the parking and the turning. | 0:27:37 | 0:27:41 | |
Have you no other objections to it? | 0:27:41 | 0:27:43 | |
I don't see how having a construction site at the end of the street | 0:27:43 | 0:27:47 | |
is going to make that a safe place for anybody. | 0:27:47 | 0:27:51 | |
You must understand that construction doesn't go on for ever. | 0:27:51 | 0:27:55 | |
If it went on for a day and there was an accident, | 0:27:55 | 0:27:58 | |
who would be responsible if we've got to reverse out onto a street? | 0:27:58 | 0:28:02 | |
-Can I just bring the planning office in? -What we can do, | 0:28:02 | 0:28:05 | |
and strictly, this is not a particularly enforceable condition, | 0:28:05 | 0:28:08 | |
but, given that it would address the issue, | 0:28:08 | 0:28:11 | |
is to require that a turning area is retained during the construction period, at the end of the road. | 0:28:11 | 0:28:17 | |
Equating to the turning area as shown on the plans that you have there. | 0:28:17 | 0:28:21 | |
So if we can go for a vote for approval. | 0:28:21 | 0:28:24 | |
-Unanimous. -OK. Carried. Thank you. | 0:28:30 | 0:28:34 | |
The houses have got permission. | 0:28:34 | 0:28:36 | |
But Dennis's persistence has paid off. | 0:28:36 | 0:28:39 | |
His masterclass in objecting | 0:28:40 | 0:28:42 | |
means the committee have agreed to impose traffic restrictions | 0:28:42 | 0:28:45 | |
during construction. | 0:28:45 | 0:28:46 | |
I've got it deferred. I've had them out on site visits. | 0:28:46 | 0:28:50 | |
So I gave them a bit of a run-around, but not far enough. Not far enough. | 0:28:50 | 0:28:55 | |
The objector definitely came out of that with greater concessions to his objections. | 0:28:58 | 0:29:03 | |
If objectors want the best possible outcome, | 0:29:03 | 0:29:07 | |
I always recommend they come and speak in front of a planning committee | 0:29:07 | 0:29:11 | |
because a planning committee are more likely to respond to that emotive plea. | 0:29:11 | 0:29:17 | |
I'm going to look round tomorrow for some birds in nests | 0:29:19 | 0:29:22 | |
and plant them up them trees! | 0:29:22 | 0:29:24 | |
Then ring the Bird Protection Society! | 0:29:24 | 0:29:26 | |
In the Scottish Borders, | 0:29:32 | 0:29:34 | |
the planners have refused permission to build a modern five-bedroomed house. | 0:29:34 | 0:29:39 | |
But applicant Robert thinks he's got a solution. | 0:29:41 | 0:29:44 | |
His plot of land was once the gateway to this aristocratic estate. | 0:29:45 | 0:29:50 | |
Robert is offering the council the complete restoration of the parkland | 0:29:51 | 0:29:56 | |
if they let him build his house. | 0:29:56 | 0:29:59 | |
It's hard to imagine that this particular landscape | 0:29:59 | 0:30:01 | |
was once extremely grand, manicured. | 0:30:01 | 0:30:04 | |
And all sorts of grand lords and ladies | 0:30:04 | 0:30:07 | |
would have been rattling down this driveway in the 19th century in their carriages. | 0:30:07 | 0:30:12 | |
The proposal that we're putting to the council | 0:30:14 | 0:30:17 | |
is to restore the parkland into its former orientation | 0:30:17 | 0:30:21 | |
and basically, the views opening up and closing as you go down | 0:30:21 | 0:30:26 | |
would mirror the experience of the 19th-century carriage | 0:30:26 | 0:30:30 | |
coming down the hill as you go on your journey down towards Carolside House. | 0:30:30 | 0:30:34 | |
If they give permission, then we have the grounds for restoration. | 0:30:36 | 0:30:39 | |
If they don't, then the obligation is to replant this | 0:30:39 | 0:30:42 | |
and all the public benefits of restoration will be lost for another generation. | 0:30:42 | 0:30:47 | |
Robert's land borders the 18th-century Carolside House | 0:30:49 | 0:30:53 | |
at the bottom of the hill. | 0:30:53 | 0:30:54 | |
Its owner would benefit from having the landscape restored for free. | 0:30:54 | 0:30:59 | |
But the price to pay would be the construction of Robert's house. | 0:30:59 | 0:31:03 | |
In my view, the proposed house is a very ugly structure. | 0:31:05 | 0:31:08 | |
Not something that one would particularly wish to see. | 0:31:09 | 0:31:12 | |
Anthony Foyle has lived at Carolside House for 21 years. | 0:31:14 | 0:31:18 | |
My grandfather started a bookshop in London called Foyles, | 0:31:18 | 0:31:21 | |
which some of you may have heard of. | 0:31:21 | 0:31:23 | |
Both my wife and I have been described as rather 18th century, | 0:31:25 | 0:31:28 | |
although we have both recently learned to use computers! | 0:31:28 | 0:31:32 | |
I have grown up with beautiful things. | 0:31:36 | 0:31:39 | |
And we have an informal taste in design. | 0:31:39 | 0:31:44 | |
I would question whether it's an enhancement to see this proposed house. | 0:31:44 | 0:31:49 | |
It may be unobtrusive, but I don't believe the house is in keeping with its setting. | 0:31:49 | 0:31:53 | |
The Scottish Borders Council review body is about to discuss Robert's new plans. | 0:31:56 | 0:32:02 | |
I'd be lying if I said I wasn't a bit nervous! | 0:32:02 | 0:32:05 | |
But it's like exam day. | 0:32:05 | 0:32:07 | |
And I hope they give it proper consideration. But we'll see. | 0:32:07 | 0:32:13 | |
We have a house which would not normally have been given permission. | 0:32:13 | 0:32:20 | |
We have to look as to whether a designed landscape is sufficient | 0:32:20 | 0:32:25 | |
to outweigh policy. | 0:32:25 | 0:32:27 | |
In the Borders, the applicant is not permitted to speak at committee meetings. | 0:32:27 | 0:32:32 | |
So it's left to the councillors to interpret Robert's new plans. | 0:32:32 | 0:32:36 | |
But the debate raises more questions than answers. | 0:32:36 | 0:32:40 | |
I'm assuming that what we're really talking about in base terms | 0:32:41 | 0:32:44 | |
from what it says in the documents, | 0:32:44 | 0:32:46 | |
that there is no money to restore the landscape as things stand. | 0:32:46 | 0:32:49 | |
What are we determining the application of? | 0:32:49 | 0:32:53 | |
The councillors want to know more. | 0:32:53 | 0:32:55 | |
So after a 40-minute debate, | 0:32:55 | 0:32:58 | |
the chairman takes matters back into his own hands. | 0:32:58 | 0:33:01 | |
We cannot proceed to a full consideration of this matter | 0:33:02 | 0:33:07 | |
unless we have information on the value of the designed landscape | 0:33:07 | 0:33:13 | |
and whether its importance outweighs our normal policy. | 0:33:13 | 0:33:19 | |
Thank you. That's been a positive discussion. | 0:33:19 | 0:33:21 | |
Robert's offer has interested the councillors. | 0:33:25 | 0:33:27 | |
They are willing to consider allowing an isolated house | 0:33:27 | 0:33:31 | |
if the restored landscape proves to be a benefit to the public. | 0:33:31 | 0:33:35 | |
They're looking for specific evidence from the forestry commission | 0:33:35 | 0:33:38 | |
and from their own heritage experts | 0:33:38 | 0:33:41 | |
to kind of see the weight of the counter arguments. | 0:33:41 | 0:33:44 | |
The review body will meet again after the landscape experts have examined Robert's application. | 0:33:45 | 0:33:50 | |
I think we live to fight another day. | 0:33:50 | 0:33:53 | |
So that's good. | 0:33:53 | 0:33:55 | |
Stone Cottage, in Cheshire. | 0:34:01 | 0:34:04 | |
Home to self-made millionaire Danny Lees and his Jack Russell, Bertie. | 0:34:04 | 0:34:09 | |
Oh, he's a brilliant dog. I'll miss him when he goes. | 0:34:09 | 0:34:12 | |
He's 13 now. | 0:34:12 | 0:34:14 | |
I brought him home in the front of my shirt from a pub. | 0:34:15 | 0:34:17 | |
I bought him for 50 quid in a pub. | 0:34:17 | 0:34:19 | |
Cracking dog. | 0:34:21 | 0:34:23 | |
Danny made his money making industrial doors | 0:34:23 | 0:34:26 | |
and spends it doing up run-down barns and houses. | 0:34:26 | 0:34:29 | |
That was derelict. | 0:34:29 | 0:34:31 | |
A big sign on the end of it, "Danger, keep out." | 0:34:31 | 0:34:35 | |
Then we turned it into that. | 0:34:35 | 0:34:37 | |
Over about two years, I built that. | 0:34:37 | 0:34:40 | |
That was the downstairs bathroom! | 0:34:41 | 0:34:43 | |
Danny's proudest achievement is his house. | 0:34:45 | 0:34:48 | |
He bought an old stone cottage with amazing views. | 0:34:48 | 0:34:52 | |
Then flattened it. | 0:34:53 | 0:34:55 | |
It was completely derelict. It was ready to fall down anyhow. | 0:34:56 | 0:34:58 | |
We got permission to knock it down and rebuild. | 0:34:58 | 0:35:01 | |
And this is the new house. | 0:35:02 | 0:35:04 | |
Rebuilding Stone Cottage from scratch | 0:35:06 | 0:35:09 | |
meant Danny got things his way. | 0:35:09 | 0:35:12 | |
An old-looking house, with all the modern facilities. | 0:35:12 | 0:35:16 | |
It's in a conservation area. | 0:35:16 | 0:35:18 | |
So they wouldn't let me go much bigger. | 0:35:18 | 0:35:20 | |
So we stuck to the rules but went down below and put a basement in. | 0:35:20 | 0:35:24 | |
It was called Stone Cottage, so I decided to build it in stone. | 0:35:27 | 0:35:30 | |
I just put some nice stone features on the corners to make it look Olde Worlde. | 0:35:30 | 0:35:34 | |
There's a nice feature there. Everybody goes mad for Bully. | 0:35:37 | 0:35:40 | |
And there's my Jack Russell on this end. | 0:35:43 | 0:35:45 | |
I'm a bit of a perfectionist. | 0:35:46 | 0:35:49 | |
I put my mark on that and every house I've built since I started. | 0:35:49 | 0:35:52 | |
They're just unique to me. | 0:35:52 | 0:35:55 | |
Can't wait to get stuck into this pub and getting cracking with that. | 0:35:57 | 0:35:59 | |
The pub is the Farmer's Arms | 0:36:02 | 0:36:04 | |
in the nearby village of Huxley. | 0:36:04 | 0:36:06 | |
After two centuries, | 0:36:06 | 0:36:08 | |
the last pint was pulled a year ago. | 0:36:08 | 0:36:11 | |
Come on, Bertie. | 0:36:12 | 0:36:13 | |
Danny is selling his house | 0:36:16 | 0:36:18 | |
and spending over a million on this country pub. | 0:36:18 | 0:36:21 | |
He plans to demolish it completely | 0:36:21 | 0:36:24 | |
and build a brand new but "old-looking" replacement. | 0:36:24 | 0:36:28 | |
He even plans to move into a flat above the bar. | 0:36:28 | 0:36:31 | |
You can imagine out here, tables and chairs, | 0:36:32 | 0:36:34 | |
looking over the view having your lunch of a day like today. | 0:36:34 | 0:36:37 | |
A nice steak, half a roast duck. | 0:36:39 | 0:36:42 | |
Olde Worlde food. | 0:36:42 | 0:36:44 | |
You'll have to leave the pies to me. I make the best pies in the world. | 0:36:44 | 0:36:47 | |
This was the restaurant. | 0:36:51 | 0:36:52 | |
It's rotten as a pear. | 0:36:52 | 0:36:55 | |
Look at all the damp in the walls. | 0:36:55 | 0:36:57 | |
We've got to build a new cellar. The cellar's collapsed in this one. | 0:36:57 | 0:37:00 | |
You're better to knock it down and rebuild. | 0:37:01 | 0:37:04 | |
I keep pinching myself, thinking I'm mad. | 0:37:07 | 0:37:09 | |
But I can't wait to get cracking. | 0:37:09 | 0:37:12 | |
Come on. Let's go. | 0:37:13 | 0:37:15 | |
Danny's submitted his plans. | 0:37:17 | 0:37:19 | |
It'll be down to head planner Fiona Edwards | 0:37:19 | 0:37:22 | |
to consider if they're right for the old pub. | 0:37:22 | 0:37:25 | |
He wants to knock it down. You can see there's an existing building here. | 0:37:26 | 0:37:30 | |
It is empty at the moment. | 0:37:30 | 0:37:32 | |
So rather than just redevelop, | 0:37:32 | 0:37:34 | |
tart the existing building up, so to speak, | 0:37:34 | 0:37:37 | |
he's going to knock it down and put a new building in its place | 0:37:37 | 0:37:40 | |
which will be fit for purpose in terms of modern facilities and the kitchen and that sort of thing. | 0:37:40 | 0:37:45 | |
The issue is it's in a conservation area | 0:37:45 | 0:37:48 | |
so we will be consulting with our colleagues in the conservation section. | 0:37:48 | 0:37:52 | |
Obviously their findings will be interesting | 0:37:52 | 0:37:55 | |
and we'll wait to see what they make of the proposals. | 0:37:55 | 0:37:58 | |
John Healey is Cheshire West and Chester Council's conservation officer. | 0:38:00 | 0:38:05 | |
He's consulted on all changes affecting historic buildings. | 0:38:05 | 0:38:08 | |
This is an object lesson as to how it can be done. | 0:38:09 | 0:38:12 | |
Sensitively, really. | 0:38:12 | 0:38:14 | |
Today, he's revisiting a listed barn. | 0:38:14 | 0:38:17 | |
One of the principles of conservation | 0:38:19 | 0:38:21 | |
is to try and maintain as much as possible of the historic fabric. | 0:38:21 | 0:38:25 | |
Here, we've got a very good examples of how you can carefully conserve, | 0:38:25 | 0:38:29 | |
in this case, the timber frame. | 0:38:29 | 0:38:31 | |
Alterations occur to buildings. That's the nature of how buildings evolve. | 0:38:33 | 0:38:38 | |
They don't evolve by total demolition. | 0:38:38 | 0:38:40 | |
In Cheltenham, all building work in Royal Crescent stopped | 0:38:54 | 0:38:58 | |
after a visit from conservation officer Karen Radford. | 0:38:58 | 0:39:01 | |
She rejected plans to build decking at the back of the house. | 0:39:01 | 0:39:05 | |
Lovely Karen. | 0:39:07 | 0:39:09 | |
I've never had a teacher like it, so I can't say that, | 0:39:09 | 0:39:11 | |
but it was the scary teacher in a horrible film. | 0:39:11 | 0:39:14 | |
Owner Chris Smith has revised his plans | 0:39:15 | 0:39:18 | |
and is back to his day job as a picture framer | 0:39:18 | 0:39:21 | |
while he waits for a response. | 0:39:21 | 0:39:23 | |
The decision will be tomorrow. | 0:39:23 | 0:39:26 | |
In a weird way, I'm prepared for anything. | 0:39:27 | 0:39:31 | |
I felt that the decking they were suggesting | 0:39:31 | 0:39:35 | |
was going to compromise all sorts of things. | 0:39:35 | 0:39:37 | |
In order to get to the decking, they needed to demolish quite a bit of the building. | 0:39:37 | 0:39:41 | |
And the decking itself was then going to take up a huge area | 0:39:41 | 0:39:45 | |
of the external space, compromising the basement, | 0:39:45 | 0:39:48 | |
which would then give problems with light and ventilation. | 0:39:48 | 0:39:51 | |
In itself not practical problems that were insurmountable, | 0:39:51 | 0:39:55 | |
but just not appropriate. Really not appropriate. | 0:39:55 | 0:40:00 | |
I understand why people don't want to buy listed buildings. | 0:40:01 | 0:40:05 | |
All we had from Karen was, "No. | 0:40:05 | 0:40:08 | |
"No. No. No. No. No. | 0:40:08 | 0:40:10 | |
"No. Close you down. No." | 0:40:10 | 0:40:12 | |
It seemed to be one of those conversations. | 0:40:12 | 0:40:14 | |
I was exhausted! | 0:40:14 | 0:40:16 | |
Exhausted. It's like we went in for three rounds with Frank Bruno. | 0:40:16 | 0:40:21 | |
But it was Karen! | 0:40:21 | 0:40:22 | |
I'm supposed to be travelling light! But it's not really happening. | 0:40:25 | 0:40:28 | |
The time has come for the Smiths to leave the house they sold | 0:40:29 | 0:40:32 | |
in order to fund the restoration. | 0:40:32 | 0:40:34 | |
We're moving from this house, which is our current family home of 15 years | 0:40:35 | 0:40:39 | |
to temporary accommodation tonight. | 0:40:39 | 0:40:43 | |
I think we're just a weird family and do everything last minute. | 0:40:43 | 0:40:47 | |
Most people are more organised and employ an architect | 0:40:47 | 0:40:50 | |
and get it done the proper way. | 0:40:50 | 0:40:52 | |
I think we like to make a mark on a property and show we've done it and it's us. | 0:40:52 | 0:40:57 | |
-So, we've got these revised drawings. -We have, yes. | 0:41:02 | 0:41:05 | |
Came in last week, I think, while we were on site visits. | 0:41:05 | 0:41:08 | |
So if we start from the basement up. | 0:41:08 | 0:41:10 | |
The Smiths will have eight bedrooms in the new house, | 0:41:11 | 0:41:14 | |
just as it was when it was built in 1806. | 0:41:14 | 0:41:17 | |
The downstairs will become a self-contained flat | 0:41:17 | 0:41:20 | |
for daughters Sophie and Mimi. | 0:41:20 | 0:41:23 | |
It looks like it's gone. | 0:41:25 | 0:41:27 | |
Yeah. So the decking's been completely removed. | 0:41:27 | 0:41:30 | |
Those applications have been withdrawn. | 0:41:30 | 0:41:33 | |
Yes. Fine. OK. | 0:41:33 | 0:41:35 | |
We backed down completely. | 0:41:35 | 0:41:37 | |
Sod the decking at the moment! | 0:41:37 | 0:41:40 | |
We'll see what Karen says. | 0:41:40 | 0:41:42 | |
We don't want to mess with Karen. And we don't want to be criminals! | 0:41:42 | 0:41:45 | |
I am a little bit scared of Karen! | 0:41:46 | 0:41:48 | |
We do need to move forward, you know? | 0:41:48 | 0:41:51 | |
We're in accommodation | 0:41:51 | 0:41:53 | |
and there's a certain amount of work that needs to be done so that we can live in there. | 0:41:53 | 0:41:58 | |
-Cheers for that. -Thank you. | 0:41:58 | 0:42:00 | |
-See you. -OK. Bye. | 0:42:00 | 0:42:02 | |
The decking's got removed, so that's not going to be an issue. | 0:42:02 | 0:42:06 | |
Because they haven't got the decking, | 0:42:06 | 0:42:08 | |
they don't need to remove a substantial section of historic external wall. | 0:42:08 | 0:42:13 | |
So that's all good. | 0:42:13 | 0:42:15 | |
Everything's absolutely fine. Not an issue at all. | 0:42:15 | 0:42:18 | |
Six months after buying their bit of the Royal Crescent, | 0:42:18 | 0:42:21 | |
the Smiths can now finally start to restore it. | 0:42:21 | 0:42:25 | |
Members of the local review panel in the Scottish Borders | 0:42:33 | 0:42:36 | |
are about to decide whether to allow the construction | 0:42:36 | 0:42:39 | |
of architect Richard Murphy's modern house on parkland near Earlston. | 0:42:39 | 0:42:44 | |
It would be great if it happened. If it did, I think everyone would be very excited about it. | 0:42:47 | 0:42:51 | |
It's something to be proud of. | 0:42:51 | 0:42:54 | |
I think it would be wonderful to live here. | 0:42:54 | 0:42:57 | |
I think it would be interesting for the Borders to have the house. | 0:42:57 | 0:43:00 | |
I think it's a plus. | 0:43:00 | 0:43:02 | |
It's not a minus, it's a plus. | 0:43:02 | 0:43:04 | |
And I just hope common sense prevails. | 0:43:04 | 0:43:06 | |
I am the appellant, Bob Younger. | 0:43:10 | 0:43:12 | |
Owner Robert Younger has promised to restore a 19-acre historic parkland | 0:43:12 | 0:43:17 | |
if planning permission is granted. | 0:43:17 | 0:43:19 | |
He's already invested more than £20,000 in the project. | 0:43:19 | 0:43:23 | |
Three years of work all down to this last couple of hours. | 0:43:23 | 0:43:27 | |
It's the penalties, the final 20 minutes of action! | 0:43:27 | 0:43:32 | |
Either we're going to be jumping for joy | 0:43:32 | 0:43:34 | |
or pounding the earth with our fists. | 0:43:34 | 0:43:37 | |
We shall see. | 0:43:37 | 0:43:39 | |
OK, folks. | 0:43:39 | 0:43:40 | |
The planners rejected the project | 0:43:42 | 0:43:44 | |
as a 1980 Scottish Border law put a ban on isolated houses in the countryside. | 0:43:44 | 0:43:49 | |
We appreciate that the applicants seek an exceptional decision | 0:43:49 | 0:43:54 | |
to allow for the house because they plan to restore the site around it. | 0:43:54 | 0:43:57 | |
But we don't think this case is strong enough. | 0:43:57 | 0:44:00 | |
Good morning, ladies and gentlemen. | 0:44:00 | 0:44:02 | |
Robert's appeal has escalated to the highest authority in the Scottish planning system. | 0:44:02 | 0:44:07 | |
The Review Committee. | 0:44:07 | 0:44:09 | |
Unlike regular meetings, | 0:44:10 | 0:44:11 | |
the councillors and the objectors are allowed to quiz the applicant. | 0:44:11 | 0:44:16 | |
Why is the house and your, or someone else's occupancy of that house, | 0:44:17 | 0:44:22 | |
necessary in order to protect the landscape? | 0:44:22 | 0:44:25 | |
Yeah, good question. | 0:44:25 | 0:44:27 | |
Having somebody there within that parcel of land, | 0:44:27 | 0:44:30 | |
there is a much greater chance | 0:44:30 | 0:44:32 | |
that it will be looked after, as against being a bit of commercial forestry. | 0:44:32 | 0:44:37 | |
Mr Foyle? | 0:44:37 | 0:44:39 | |
Is it true that the cost of the ongoing maintenance and management | 0:44:39 | 0:44:43 | |
could not be met by this or any future owner of the site | 0:44:43 | 0:44:45 | |
unless this application is allowed? | 0:44:45 | 0:44:47 | |
I'm the owner of the land | 0:44:47 | 0:44:49 | |
and I can tell you right now that's not going to happen. | 0:44:49 | 0:44:52 | |
There is no other circumstances in which that money | 0:44:52 | 0:44:57 | |
is going to find its way into the restoration of the land | 0:44:57 | 0:44:59 | |
other than this scheme. | 0:44:59 | 0:45:01 | |
So it's up to us, poor wee souls that we are, | 0:45:02 | 0:45:06 | |
to make a decision on this. | 0:45:06 | 0:45:08 | |
After the public debate, | 0:45:08 | 0:45:10 | |
it's time for the five councillors to vote on the application. | 0:45:10 | 0:45:14 | |
This is a decision that we make on balance. | 0:45:14 | 0:45:16 | |
And I think on balance I have to take the view | 0:45:16 | 0:45:21 | |
that the officer has got it right. | 0:45:21 | 0:45:23 | |
The first councillor is against. | 0:45:25 | 0:45:27 | |
I think that the link is tenuous. | 0:45:27 | 0:45:30 | |
I think it's a tenuous link to argue that because you have a house there | 0:45:30 | 0:45:35 | |
and are living in it you're in a position to protect the landscape. | 0:45:35 | 0:45:37 | |
I would propose that we dismiss the appeal and support the officer's recommendation. | 0:45:37 | 0:45:43 | |
Two councillors are against. | 0:45:44 | 0:45:47 | |
My slight concern is that we are, in effect, shutting down | 0:45:47 | 0:45:52 | |
any opportunity to create parklands again | 0:45:52 | 0:45:56 | |
with our approach to planning as it stands. | 0:45:56 | 0:45:59 | |
To achieve things, sometimes you have to take risks | 0:45:59 | 0:46:02 | |
and I think that's important sometimes to create nice things. | 0:46:02 | 0:46:06 | |
I vote to support the appeal. | 0:46:06 | 0:46:08 | |
The third councillor is in favour. | 0:46:10 | 0:46:13 | |
I will second Councillor Barbery. | 0:46:15 | 0:46:17 | |
With two councillors in favour, and two against, | 0:46:19 | 0:46:22 | |
the fate of Richard Murphy's design | 0:46:22 | 0:46:25 | |
depends on the vote of Bill White, | 0:46:25 | 0:46:27 | |
a financial advisor and newly-elected councillor. | 0:46:27 | 0:46:30 | |
Councillor White? | 0:46:30 | 0:46:32 | |
I think I've sat on the fence for this a while. My colleagues think I'm still sitting on the fence. | 0:46:32 | 0:46:40 | |
Tying those two together, you've got to have the planning permission for the house to do the works, | 0:46:40 | 0:46:46 | |
I'm not really convinced of that. | 0:46:46 | 0:46:49 | |
So I'll go with Councillor Baird. | 0:46:51 | 0:46:54 | |
So the decision of the planning officer is upheld. | 0:46:56 | 0:47:01 | |
Thank you. | 0:47:03 | 0:47:05 | |
It's the end of the line. | 0:47:06 | 0:47:08 | |
With no more chances to go to appeal, | 0:47:08 | 0:47:10 | |
Richard Murphy's design will not be built. | 0:47:10 | 0:47:13 | |
All architects die bitter, even the ones you think are the most successful. | 0:47:16 | 0:47:20 | |
They've all got drawers of unbuilt projects that they wanted to build. | 0:47:20 | 0:47:24 | |
Yeah, I'm annoyed as a taxpayer | 0:47:24 | 0:47:27 | |
cos here you are having the offer of restoring a historic landscape | 0:47:27 | 0:47:31 | |
at no expense to the taxpayer. | 0:47:31 | 0:47:33 | |
And that's been rejected, as well. | 0:47:33 | 0:47:35 | |
I find that all very disappointing, really. | 0:47:35 | 0:47:38 | |
And very small-minded. | 0:47:38 | 0:47:41 | |
It's just another British planning cock-up, really. | 0:47:41 | 0:47:46 | |
There is a point there to be made that our policy is perhaps a little bit strict. | 0:47:49 | 0:47:54 | |
But the difficulty is that you're trying to balance | 0:47:54 | 0:47:56 | |
the protection of the countryside | 0:47:56 | 0:47:59 | |
with the odd very exceptional house in the country. | 0:47:59 | 0:48:05 | |
It's really not that easy to frame a policy that serves both camps, really. | 0:48:05 | 0:48:11 | |
The project has cost applicant Robert Younger more than £20,000. | 0:48:11 | 0:48:17 | |
For me, in terms of the effort, the life force, the money I've put into this project, | 0:48:17 | 0:48:22 | |
that's the end. | 0:48:22 | 0:48:24 | |
I'll go forward just feeling a bit sadder that we as a generation | 0:48:24 | 0:48:29 | |
have not put something interesting into the landscape. | 0:48:29 | 0:48:31 | |
When people look back at us in the future, what will they think? | 0:48:31 | 0:48:35 | |
In the Cheshire village of Huxley, | 0:48:44 | 0:48:47 | |
the 200-year-old Farmer's Arms is facing total demolition. | 0:48:47 | 0:48:52 | |
Self-made millionaire Danny Lees | 0:48:52 | 0:48:55 | |
wants to flatten it and put a new pub and restaurant in its place. | 0:48:55 | 0:49:00 | |
If they like old-fashioned, the pub's going to be the same. | 0:49:00 | 0:49:03 | |
All oak beams and Olde Worlde countrified. | 0:49:03 | 0:49:07 | |
It'll look as though it's been here for hundreds of years, | 0:49:07 | 0:49:10 | |
not two or three years. | 0:49:10 | 0:49:12 | |
Are you going for a ride in the van now? Are we off? | 0:49:12 | 0:49:14 | |
Are we going to the pub? Come on, let's go. | 0:49:14 | 0:49:17 | |
Over the next eight weeks, Danny's plans are open for public consultations. | 0:49:20 | 0:49:25 | |
If the locals object, | 0:49:25 | 0:49:27 | |
then the case could go before a planning committee. | 0:49:27 | 0:49:30 | |
As far as I'm aware, | 0:49:30 | 0:49:31 | |
we are likely to be the oldest established historical group in the Cheshire area. | 0:49:31 | 0:49:36 | |
But so far, the signs are good for Danny. | 0:49:36 | 0:49:40 | |
Realistically, a building has a natural life. | 0:49:41 | 0:49:43 | |
When it comes to the end of that natural life, | 0:49:43 | 0:49:45 | |
it's important that the conscience is not lost | 0:49:45 | 0:49:47 | |
but the building itself can be another incarnation. | 0:49:47 | 0:49:52 | |
We certainly need a pub in the village. | 0:49:52 | 0:49:54 | |
Every village has to have a pub, to be its heart. | 0:49:54 | 0:49:58 | |
Great. Very needed in the village. | 0:49:58 | 0:50:00 | |
Heather Carr. Sit down, please. | 0:50:00 | 0:50:02 | |
I nearly had a heart attack. | 0:50:02 | 0:50:05 | |
If that works on a battlefield, it'll work in a meeting. | 0:50:05 | 0:50:07 | |
Danny has public support. | 0:50:09 | 0:50:11 | |
But before he can knock down the old pub, | 0:50:11 | 0:50:14 | |
Conservation Officer John Healey | 0:50:14 | 0:50:16 | |
needs to decide if it's worth saving. | 0:50:16 | 0:50:19 | |
It's basically a small cottage which, over the years, | 0:50:20 | 0:50:23 | |
has grown to provide for the local population. | 0:50:23 | 0:50:26 | |
It's very charming. It's very typical, rather than exceptional. | 0:50:26 | 0:50:30 | |
But it's representative of something which is becoming rarer and rarer | 0:50:30 | 0:50:35 | |
and that is something which originated as a public house in the true sense of the word. | 0:50:35 | 0:50:40 | |
In other words, it was a small cottage which served home brew in a domestic setting. | 0:50:40 | 0:50:46 | |
Records suggest part of the pub was once used as a military hospital | 0:50:48 | 0:50:53 | |
during the Napoleonic War. | 0:50:53 | 0:50:55 | |
It's a simple building, but it's been in the heart of the village for centuries. | 0:50:55 | 0:50:59 | |
I think the authenticity is surely a unique selling point | 0:51:03 | 0:51:06 | |
from a business point of view. | 0:51:06 | 0:51:08 | |
The age of the building | 0:51:08 | 0:51:10 | |
and the amount of original fabric surviving internally and externally | 0:51:10 | 0:51:15 | |
is also providing strong justification for the retention of the building. | 0:51:15 | 0:51:19 | |
Unfortunately, there is a mindset here to provide a completely new building. | 0:51:19 | 0:51:24 | |
The place would be sadder for its loss. | 0:51:24 | 0:51:27 | |
John is recommending to the planners that they should turn down Danny's application. | 0:51:29 | 0:51:34 | |
They have six weeks to make their decision, but Danny's preparing for the worst. | 0:51:34 | 0:51:39 | |
If I couldn't take it down, I'd have to put it back on the market again. | 0:51:40 | 0:51:44 | |
Simple as that. | 0:51:44 | 0:51:45 | |
In Cheltenham, after a planning battle that lasted for five months, | 0:51:51 | 0:51:55 | |
restoration plans for Royal Crescent were finally approved by the conservation officer. | 0:51:55 | 0:52:00 | |
Its owners, the Smith family, have realised their dream | 0:52:01 | 0:52:04 | |
and finally become Cheltenham residents. | 0:52:04 | 0:52:08 | |
Let's have a curry and sit on my bed and watch Friends! | 0:52:08 | 0:52:10 | |
Although they've only managed to restore the kitchen so far | 0:52:10 | 0:52:14 | |
and are all sleeping in the basement. | 0:52:14 | 0:52:16 | |
We've moved in. All our stuff is in storage at the moment, | 0:52:16 | 0:52:20 | |
so it's still a bit difficult, but we're very happy to be here. | 0:52:20 | 0:52:23 | |
It feels strange, because when we bought the house, we couldn't see what it would look like. | 0:52:23 | 0:52:28 | |
There was so much that needed doing. | 0:52:28 | 0:52:30 | |
It's really nice. A really nice space. | 0:52:30 | 0:52:32 | |
I think it's going to be great. | 0:52:32 | 0:52:34 | |
Since approval two months ago, | 0:52:38 | 0:52:39 | |
specialised builders and craftsmen have been working to restore original features | 0:52:39 | 0:52:44 | |
and build new ones according to the conservation officer's recommendations. | 0:52:44 | 0:52:49 | |
I can see the end of the road. | 0:52:51 | 0:52:52 | |
Whereas a couple of months ago, I couldn't see the end of the road. | 0:52:52 | 0:52:55 | |
I felt I was the one who knew more about this building | 0:52:55 | 0:52:59 | |
than anybody else. | 0:52:59 | 0:53:01 | |
As we've started the project, we've learned a tremendous amount. | 0:53:01 | 0:53:04 | |
They may have planning permission to restore the house, | 0:53:04 | 0:53:08 | |
but they still see the decking as a missed opportunity. | 0:53:08 | 0:53:12 | |
Initially, we had a hell of a lot of creativity. | 0:53:12 | 0:53:16 | |
We were all guns blazing. We had loads of ideas. | 0:53:16 | 0:53:20 | |
And when we had the site meeting, which was quite confrontational, | 0:53:20 | 0:53:25 | |
the whole dream was crushed. | 0:53:25 | 0:53:27 | |
But there are signs of the Smiths' creativity making a new appearance. | 0:53:27 | 0:53:32 | |
We haven't been defeated yet. | 0:53:32 | 0:53:35 | |
-It's been a big learning process. -Can I say something there? | 0:53:35 | 0:53:39 | |
-I haven't finished! -We haven't been defeated by the negative response we had | 0:53:39 | 0:53:44 | |
-in our first... -I'm grateful for what they've done. I hadn't finished. | 0:53:44 | 0:53:48 | |
It's made us realise we don't want a decking the size we originally wanted. | 0:53:48 | 0:53:53 | |
Dad Chris has designed a new decking half the size of the original one | 0:53:53 | 0:53:58 | |
hoping it would blend in better with their Regency house. | 0:53:58 | 0:54:01 | |
We'd like to present this back to planning | 0:54:01 | 0:54:04 | |
and I think that Karen's going to be very impressed when this lands on her desk. | 0:54:04 | 0:54:09 | |
What we've got is a glazing panel going round the outside here. | 0:54:09 | 0:54:13 | |
Which actually is see-through. | 0:54:13 | 0:54:16 | |
And also, underneath, you can still see the building there. | 0:54:16 | 0:54:19 | |
So if you were at the back of the building, there's not much you'd see of what we're putting into place. | 0:54:19 | 0:54:24 | |
She'll be delighted, I think. | 0:54:24 | 0:54:27 | |
It will be done. Definitely it will be. | 0:54:27 | 0:54:30 | |
It's going to be uber-cool. | 0:54:30 | 0:54:32 | |
Lovely Karen. | 0:54:32 | 0:54:33 | |
Come on, Bertie. | 0:54:41 | 0:54:42 | |
There's a good lad. | 0:54:42 | 0:54:44 | |
In Cheshire, Danny Lees still hasn't got permission to demolish the Farmer's Arms. | 0:54:45 | 0:54:50 | |
But that hasn't stopped him working on the project. | 0:54:50 | 0:54:53 | |
I've got all ten of these out of an old railway station. | 0:54:53 | 0:54:58 | |
They're going to be the beer garden. | 0:54:59 | 0:55:00 | |
Without planning permission, Danny is only allowed to remove the building's roof and fixtures. | 0:55:02 | 0:55:07 | |
The walls will have to wait. | 0:55:07 | 0:55:10 | |
I don't count my chickens before they hatch. | 0:55:11 | 0:55:14 | |
But mark my words, when it is right, we'll get on with it | 0:55:14 | 0:55:17 | |
We're going back a bit Olde Worlde. There'll be nothing modern about that pub. | 0:55:17 | 0:55:21 | |
But it'll be class. | 0:55:21 | 0:55:23 | |
Conservation Officer John Healey has recommended the building be saved. | 0:55:27 | 0:55:32 | |
But with no official historic listing, | 0:55:32 | 0:55:35 | |
the final decision is down to the planners. | 0:55:35 | 0:55:38 | |
He's got quite big living accommodation. | 0:55:40 | 0:55:42 | |
He's basically showing two flats above. | 0:55:42 | 0:55:45 | |
So he's got living accommodation for staff. | 0:55:45 | 0:55:48 | |
He's got predominantly a large lounge and restaurant | 0:55:48 | 0:55:51 | |
and a decent kitchen to serve the restaurant. | 0:55:51 | 0:55:54 | |
So economically, it is important. | 0:55:54 | 0:55:56 | |
It might only create one, two or three jobs, | 0:55:56 | 0:55:58 | |
but in this day and age, it's good to get any jobs created. | 0:55:58 | 0:56:01 | |
And it obviously retains wealth within the borough. | 0:56:01 | 0:56:04 | |
Just because it's survived | 0:56:04 | 0:56:07 | |
doesn't mean it's of sufficient merit to warrant its retention. | 0:56:07 | 0:56:09 | |
So in this instance, we're taking a pragmatic view | 0:56:09 | 0:56:13 | |
and we're going to recommend approval. | 0:56:13 | 0:56:15 | |
This time, Conservation Officer John Healey has been overruled. | 0:56:16 | 0:56:20 | |
It is words, not law. We do take his advice on board. | 0:56:20 | 0:56:24 | |
We don't always agree with him. | 0:56:24 | 0:56:26 | |
I would say 85% of the time we do, | 0:56:26 | 0:56:30 | |
but sometimes we have to agree to differ. | 0:56:30 | 0:56:32 | |
Because we have perhaps a slightly different agenda. | 0:56:32 | 0:56:34 | |
We're about promoting growth, and sustainable growth. | 0:56:34 | 0:56:38 | |
And John is perhaps more about preserving what he considers is good of the past. | 0:56:38 | 0:56:43 | |
Over in Huxley, | 0:56:54 | 0:56:56 | |
Danny wastes no time in pulling down the Farmer's Arms | 0:56:56 | 0:57:00 | |
to the ground. | 0:57:00 | 0:57:01 | |
He's even bought his own digger. | 0:57:01 | 0:57:04 | |
I'm glad they saw sense and let us get on with it. | 0:57:05 | 0:57:08 | |
At the end of the day, it's wasted a lot of time. | 0:57:08 | 0:57:11 | |
I'm only trying to employ people and get stuck in. | 0:57:11 | 0:57:13 | |
At the end of the day, when it's up and running, | 0:57:13 | 0:57:16 | |
it will be an asset for the area. | 0:57:16 | 0:57:19 | |
Danny is recycling all the old bricks and slates | 0:57:19 | 0:57:22 | |
but even so, Conservation Officer John Healey has one less historic building to look after. | 0:57:22 | 0:57:29 | |
It's a sad end to it, really, isn't it? | 0:57:29 | 0:57:31 | |
It's a...pile of rubble. | 0:57:31 | 0:57:34 | |
We have lost a part of the historic environment | 0:57:35 | 0:57:40 | |
of the district. | 0:57:40 | 0:57:42 | |
No hard feelings to John Healey. | 0:57:44 | 0:57:47 | |
If he wants to come down in a few years when I've built it, | 0:57:47 | 0:57:50 | |
there will be somewhere to list! That's a promise. | 0:57:50 | 0:57:52 | |
Next time on The Planners... | 0:57:58 | 0:58:00 | |
locals go ape, when the planners deal with a zoo's application | 0:58:00 | 0:58:04 | |
to expand. | 0:58:04 | 0:58:05 | |
How do you feel? | 0:58:05 | 0:58:06 | |
Appalling. | 0:58:06 | 0:58:08 | |
The whole thing is just fantasy land now. | 0:58:08 | 0:58:10 | |
We're living in an alternative universe. | 0:58:10 | 0:58:13 | |
A scheme to convert a period mansion fails to impress. | 0:58:14 | 0:58:18 | |
I just can't see any justification for taking this one forward in any form at the moment. | 0:58:18 | 0:58:23 | |
Do the locals want this building to be derelict? That will happen if the planners get their way. | 0:58:23 | 0:58:27 | |
And one planner... | 0:58:27 | 0:58:29 | |
This is the site for the proposal for up to 100 homes. | 0:58:29 | 0:58:32 | |
..comes under attack. | 0:58:32 | 0:58:34 | |
I don't think she quite understands the impact of her decisions. | 0:58:34 | 0:58:38 | |
Or maybe she does and she just doesn't care. | 0:58:38 | 0:58:41 | |
Subtitles by Red Bee Media Ltd | 0:59:06 | 0:59:09 |