Browse content similar to Cuba. Check below for episodes and series from the same categories and more!
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This programme contains some strong language. | 0:00:02 | 0:00:10 | |
Do you think there'll be people naked in there? | 0:00:19 | 0:00:21 | |
I don't know what to expect at all. | 0:00:21 | 0:00:23 | |
-It's there. -Wait a minute! | 0:00:23 | 0:00:25 | |
Those are all blokes, old ones. | 0:00:25 | 0:00:27 | |
LAUGHTER | 0:00:27 | 0:00:28 | |
Where in the world would you choose | 0:00:28 | 0:00:30 | |
to spend your golden years? | 0:00:30 | 0:00:31 | |
There's a big wide world out there that's ready, | 0:00:37 | 0:00:39 | |
that can teach us an awful lot. | 0:00:39 | 0:00:41 | |
Do you speak English? No. | 0:00:41 | 0:00:43 | |
I think it's a huge adventure to find out more. | 0:00:44 | 0:00:47 | |
-Cheers. -Salud! -Salud! -Salud. | 0:00:47 | 0:00:49 | |
A group of famous pensioners are on a global quest... | 0:00:49 | 0:00:52 | |
ALL SHOUT | 0:00:52 | 0:00:54 | |
..travelling the world, | 0:00:54 | 0:00:56 | |
exploring how different countries deal with growing old. | 0:00:56 | 0:00:59 | |
I've gone MAD! | 0:00:59 | 0:01:01 | |
Bring it on, I can't wait for it. | 0:01:01 | 0:01:03 | |
Having sampled a super-sized | 0:01:05 | 0:01:06 | |
retirement in China... | 0:01:06 | 0:01:08 | |
This is a nightmare! | 0:01:08 | 0:01:10 | |
..Miriam Margolyes... | 0:01:12 | 0:01:13 | |
-How are you? -Was wondering where you were! | 0:01:13 | 0:01:15 | |
Wayne Sleep, and Bobby George... | 0:01:15 | 0:01:17 | |
-Hello. -Oh, hello! | 0:01:17 | 0:01:19 | |
..are reuniting with well-known Marigold face, Jan Leeming. | 0:01:19 | 0:01:23 | |
-ALL: Hello! -How are you? | 0:01:23 | 0:01:25 | |
It's lovely to have somebody new again, that you sort of knew, but | 0:01:25 | 0:01:28 | |
didn't get to know a lot. | 0:01:28 | 0:01:30 | |
And this time, they're trying out the Communist approach... | 0:01:30 | 0:01:33 | |
-Got your passport? -Yeah, here. | 0:01:33 | 0:01:36 | |
..in Cuba. | 0:01:36 | 0:01:38 | |
I'm going to do as much as I can while I can, | 0:01:38 | 0:01:40 | |
because once you're pushing up the daisies, | 0:01:40 | 0:01:43 | |
there's no chance to do anything! | 0:01:43 | 0:01:45 | |
Cuba - an island nation on the cusp of change. | 0:01:55 | 0:01:59 | |
Famous for its vibrant culture, | 0:02:00 | 0:02:03 | |
Communist revolution and vintage cars. | 0:02:03 | 0:02:07 | |
And with a life expectancy of 79, | 0:02:08 | 0:02:11 | |
one of the highest in Latin America, | 0:02:11 | 0:02:13 | |
could this be a place to spend your golden years? | 0:02:13 | 0:02:16 | |
Do you think it's going to be very hot when we leave this... | 0:02:16 | 0:02:20 | |
-I'm hot already, I'm sweating. -Yeah. | 0:02:20 | 0:02:22 | |
I feel like I'm melting. | 0:02:22 | 0:02:24 | |
Oh, my goodness. | 0:02:24 | 0:02:25 | |
The group have landed in Cuba's capital city, Havana. | 0:02:27 | 0:02:30 | |
From the airport, it's a half-hour journey to one of the coastal | 0:02:32 | 0:02:35 | |
districts on the northern edge of the city. | 0:02:35 | 0:02:37 | |
-Welcome to Cuba. -Yeah, thank you! | 0:02:38 | 0:02:41 | |
Thank you. Can you take that? | 0:02:41 | 0:02:42 | |
-Of course. -That's my first thing done! | 0:02:42 | 0:02:45 | |
You're in, you're in, doll! | 0:02:45 | 0:02:47 | |
You wait for me over there, I pick up the car. | 0:02:47 | 0:02:49 | |
-OK. "Picking up the car". -OK? | 0:02:49 | 0:02:51 | |
-Very good English. -OK! | 0:02:51 | 0:02:53 | |
Yeah, better than my Spanish. | 0:02:55 | 0:02:57 | |
I have been living with a Spanish | 0:02:57 | 0:02:59 | |
gentleman for 23 years. | 0:02:59 | 0:03:03 | |
And I don't speak a word of Spanish. | 0:03:03 | 0:03:06 | |
MAN SPEAKS SPANISH | 0:03:06 | 0:03:08 | |
WAYNE REPEATS | 0:03:08 | 0:03:11 | |
I know "Hola", for instance. | 0:03:11 | 0:03:13 | |
And "como estas?" How are you? | 0:03:13 | 0:03:16 | |
And that's about it. | 0:03:16 | 0:03:17 | |
-It's hot. -You can feel the warmth here now, can't you? | 0:03:17 | 0:03:20 | |
I have to be careful not to get thrush. | 0:03:20 | 0:03:22 | |
-Really?! -Yeah, under your arms and in your groin. | 0:03:22 | 0:03:26 | |
You've GOT to make sure that all the crevices are dry. | 0:03:26 | 0:03:29 | |
-Yes. -I know that Jan, she is a lady, and I'm an old tart. | 0:03:29 | 0:03:35 | |
So I will have to be careful about my language. | 0:03:35 | 0:03:39 | |
It does piss her off a bit. | 0:03:39 | 0:03:41 | |
Are we going in one of these? | 0:03:42 | 0:03:44 | |
Is a 1949 Chevy. | 0:03:44 | 0:03:46 | |
-1949? -Fantastic! | 0:03:46 | 0:03:48 | |
Oh, this is incredible. It just reminds me of all those | 0:03:48 | 0:03:50 | |
Elvis Presley movies I used to see in the '50s and '60s. | 0:03:50 | 0:03:54 | |
I love the car! | 0:03:54 | 0:03:55 | |
It's a little bit high. | 0:03:55 | 0:03:57 | |
-It is -BLEEP -high! | 0:03:57 | 0:03:59 | |
I'm in. | 0:03:59 | 0:04:01 | |
HE LAUGHS | 0:04:01 | 0:04:02 | |
Oh, dear. | 0:04:02 | 0:04:04 | |
OK, here we go! | 0:04:04 | 0:04:05 | |
How old's this, 1949? | 0:04:07 | 0:04:10 | |
1949, sir. | 0:04:10 | 0:04:11 | |
So that's 67, 68 years old. | 0:04:11 | 0:04:14 | |
-That's incredible. -Old-fashioned, see. | 0:04:14 | 0:04:16 | |
-Built to last. -Like you, Bob. | 0:04:16 | 0:04:18 | |
I was just going to say you, as it happens. | 0:04:18 | 0:04:20 | |
Look at them. Look at the colours! | 0:04:22 | 0:04:25 | |
It's like a rainbow! | 0:04:26 | 0:04:28 | |
-VOICEOVER: -Would I even THINK of retiring to Cuba? | 0:04:28 | 0:04:31 | |
Put it this way, if I had...a partner... | 0:04:31 | 0:04:34 | |
..I'd go anywhere in the world. | 0:04:36 | 0:04:38 | |
Who's that guy? | 0:04:39 | 0:04:40 | |
Right in front of us is Che Guevara. | 0:04:40 | 0:04:42 | |
After the revolution nearly 60 years ago, | 0:04:44 | 0:04:47 | |
Cuba relied heavily on Soviet support until | 0:04:47 | 0:04:49 | |
the USSR's collapse in 1991. | 0:04:49 | 0:04:52 | |
In the economic crisis that followed, | 0:04:54 | 0:04:56 | |
Cuba started to open its doors to tourism. | 0:04:56 | 0:04:58 | |
You said you've been to Cuba before. | 0:05:00 | 0:05:01 | |
-Yeah. -Was that with the ballet? | 0:05:01 | 0:05:03 | |
Yes, they have an international ballet festival. | 0:05:03 | 0:05:06 | |
-VOICEOVER: -I've been to Havana three times before. | 0:05:06 | 0:05:09 | |
It's palatial. | 0:05:09 | 0:05:10 | |
I mean, all these palaces that the Spanish built in 1900 are all | 0:05:10 | 0:05:16 | |
corroding and falling down as if it's under the sea. | 0:05:16 | 0:05:19 | |
Some people, when they first come here, they don't like it at all | 0:05:19 | 0:05:22 | |
cos they think it's too... | 0:05:22 | 0:05:24 | |
..too poverty stricken. | 0:05:25 | 0:05:27 | |
But I just think it's romantic. | 0:05:27 | 0:05:29 | |
This is history. | 0:05:29 | 0:05:31 | |
-And you can't get away from your history. -No. | 0:05:31 | 0:05:34 | |
For the duration of their time in the city, | 0:05:36 | 0:05:38 | |
the group will be staying in the neighbourhood of Vedado | 0:05:38 | 0:05:41 | |
with two local families. | 0:05:41 | 0:05:43 | |
Oh, it's here. | 0:05:44 | 0:05:46 | |
Miriam and Bobby are moving into a house owned by married couple, | 0:05:46 | 0:05:50 | |
Horacio and Marta. | 0:05:50 | 0:05:52 | |
-Si! -Hola! | 0:05:54 | 0:05:56 | |
Siamo arrivati! | 0:05:56 | 0:05:59 | |
-Hi, hello, how are you? -Hello. | 0:06:00 | 0:06:02 | |
-I'm Miriam. -Horacio. | 0:06:02 | 0:06:04 | |
Even when I don't look, I am your host. | 0:06:04 | 0:06:07 | |
-How nice. -I'm Bobby. -You look my host. | 0:06:07 | 0:06:09 | |
-Bobby, how are you? -You look a perfect host! | 0:06:09 | 0:06:11 | |
Welcome to Casa Antigua in Havana. | 0:06:11 | 0:06:12 | |
-Thank you very much. -Let me help you with your luggage. | 0:06:12 | 0:06:15 | |
-Hello. -Hi. | 0:06:16 | 0:06:18 | |
Yo no habla inglese, pero puedo entender. | 0:06:18 | 0:06:20 | |
She doesn't speak English, but... | 0:06:20 | 0:06:21 | |
-No. Parlo italiano. -Hello, darling. | 0:06:21 | 0:06:24 | |
Oh, well if you speak some Italian, then maybe it's OK. | 0:06:24 | 0:06:28 | |
-Bobby. Bobby. -Bienvenido a la casa. | 0:06:28 | 0:06:29 | |
Jan and Wayne are staying just around | 0:06:29 | 0:06:31 | |
the corner with their retired hosts, | 0:06:31 | 0:06:33 | |
Antonio and Diana. | 0:06:33 | 0:06:35 | |
-Hola! -Hola! -Como estas? | 0:06:35 | 0:06:38 | |
-Hello, nice to meet you. -Mi nombre, Wayne. -Wayne. | 0:06:38 | 0:06:41 | |
-My name is Tony. -Tony... | 0:06:41 | 0:06:43 | |
-And Diana. -Diana. | 0:06:43 | 0:06:45 | |
Como estas, come stai? | 0:06:45 | 0:06:47 | |
-Ah, muy bien, muy bien. -Good. Good, good, good. | 0:06:47 | 0:06:49 | |
-Un poquito espanol, hablar. -OK! -Espanol. | 0:06:49 | 0:06:53 | |
-Come. -It's really beautiful. | 0:06:54 | 0:06:56 | |
Rooms, this way. Here is one of the rooms. | 0:06:56 | 0:07:00 | |
Miriam, what side are you going to lay on? | 0:07:00 | 0:07:02 | |
-What side do you want? -Look, they've put daffodils, little flowers. | 0:07:02 | 0:07:05 | |
-Do you want that side or I have that side? -You choose the side! | 0:07:05 | 0:07:07 | |
And I teach classical ballet | 0:07:09 | 0:07:12 | |
and jazz and tap. | 0:07:12 | 0:07:15 | |
And Jan was famous. | 0:07:18 | 0:07:20 | |
She read the news on television. | 0:07:20 | 0:07:22 | |
Can I tell my own story, please? | 0:07:22 | 0:07:23 | |
Well, get on... Well, you will anyway! | 0:07:23 | 0:07:25 | |
I can't get a bloody word in edgeways. | 0:07:25 | 0:07:28 | |
-VOICEOVER: -Jan is a very sensitive woman. | 0:07:28 | 0:07:29 | |
She'll defend her ground because she thinks she's being attacked, and | 0:07:29 | 0:07:33 | |
she's not. So you have to have kid | 0:07:33 | 0:07:36 | |
gloves on with Jan, sometimes. | 0:07:36 | 0:07:37 | |
-Are you all right? -Yes, sit down and rock yourself to sleep. | 0:07:52 | 0:07:55 | |
Lovely. | 0:07:55 | 0:07:57 | |
-Ooh! -Got the fans on for us. | 0:07:58 | 0:08:00 | |
I'm always a bit nervous of rocking chairs. | 0:08:00 | 0:08:02 | |
Oh, they're lovely. | 0:08:02 | 0:08:05 | |
Lovely, eh? | 0:08:05 | 0:08:06 | |
Beautiful place. | 0:08:06 | 0:08:08 | |
MARTA SPEAKS SPANISH | 0:08:09 | 0:08:11 | |
I think you are using her | 0:08:11 | 0:08:13 | |
rocking chair. It's better you go to other side... | 0:08:13 | 0:08:16 | |
-No, because I've got the fan! -You have fan, eh. | 0:08:16 | 0:08:18 | |
-No, I want this one! -There is fan for everybody. | 0:08:18 | 0:08:20 | |
I want this one! | 0:08:20 | 0:08:22 | |
No, I like it here. | 0:08:22 | 0:08:23 | |
What I like, I like. | 0:08:24 | 0:08:26 | |
I like this. | 0:08:26 | 0:08:28 | |
MARTA SPEAKS SPANISH | 0:08:28 | 0:08:29 | |
Move that one there, and then... | 0:08:29 | 0:08:32 | |
You see how bossy I am. | 0:08:32 | 0:08:34 | |
Because... | 0:08:35 | 0:08:36 | |
MIRIAM LAUGHS | 0:08:38 | 0:08:40 | |
Thank you. I just love this. | 0:08:40 | 0:08:43 | |
Do you know, when there's a bit of a breeze, this is most acceptable, | 0:08:46 | 0:08:49 | |
-isn't it? -Yeah, it's very nice. | 0:08:49 | 0:08:51 | |
Hello, we're up here. | 0:08:51 | 0:08:53 | |
Oh, hello! Hello. Hello. | 0:08:53 | 0:08:55 | |
-Come on up. -Hi! Hi, hi. | 0:08:55 | 0:08:57 | |
To mark the group's arrival in the neighbourhood, | 0:08:57 | 0:09:00 | |
Jan and Wayne have been invited over | 0:09:00 | 0:09:01 | |
to Horacio and Marta's for their | 0:09:01 | 0:09:04 | |
first taste of Cuban home cooking. | 0:09:04 | 0:09:07 | |
-Looks gorgeous. -Ah, that is a royal cake. | 0:09:07 | 0:09:09 | |
That is fries and a layer of chicken. | 0:09:09 | 0:09:11 | |
-Chicken, ah! -And over, mayonnaise. | 0:09:11 | 0:09:14 | |
Wow. | 0:09:14 | 0:09:16 | |
-Can we begin? -Of course. | 0:09:16 | 0:09:18 | |
ALL: Salud! | 0:09:18 | 0:09:22 | |
WAYNE AND ANTONIO SPEAK SPANISH | 0:09:22 | 0:09:26 | |
It's good? | 0:09:28 | 0:09:29 | |
-Lovely. -Te gusta? -Mmm. -Lovely. | 0:09:29 | 0:09:32 | |
What do you do? | 0:09:32 | 0:09:33 | |
I mean, there's a great deal of art around this place. | 0:09:33 | 0:09:35 | |
We are both a product of the system and the revolution. | 0:09:35 | 0:09:39 | |
Everything was very easy, and we tried many things. | 0:09:39 | 0:09:43 | |
Isolated? | 0:09:55 | 0:09:56 | |
-Isolation. -Insulated. -So the revolution, in the | 0:09:56 | 0:09:59 | |
beginning, was a very good thing for you? | 0:09:59 | 0:10:00 | |
Yes, of course. | 0:10:00 | 0:10:02 | |
I want to ask about the internet, | 0:10:02 | 0:10:05 | |
because I know that this is not the | 0:10:05 | 0:10:09 | |
same in Cuba as it is in other countries. | 0:10:09 | 0:10:12 | |
-A car? -Card. -OK. | 0:10:13 | 0:10:15 | |
-VOICEOVER: -The internet, I came to, I suppose, late in life. | 0:10:15 | 0:10:20 | |
And it is incredibly important. | 0:10:20 | 0:10:22 | |
I don't have time for porn and Instagram, | 0:10:22 | 0:10:26 | |
but not to be able to get e-mails and send e-mails, | 0:10:26 | 0:10:30 | |
and connect with my wider circle of friends, | 0:10:30 | 0:10:35 | |
is going to be very difficult. | 0:10:35 | 0:10:37 | |
And those are the cards for access. | 0:10:43 | 0:10:45 | |
You must scratch... | 0:10:45 | 0:10:47 | |
-Scratch... -..this, and you... | 0:10:47 | 0:10:50 | |
-Reveal the number. -You can read. | 0:10:50 | 0:10:53 | |
-Right, catch you later, then, son. -Well, have a luck. | 0:10:53 | 0:10:55 | |
-Thank you, thank you. -See you later. | 0:10:55 | 0:10:57 | |
And enjoy your access. | 0:10:57 | 0:10:59 | |
Thank you very much indeed. | 0:10:59 | 0:11:00 | |
Subject to state censorship, | 0:11:02 | 0:11:04 | |
the internet in Cuba is amongst the | 0:11:04 | 0:11:06 | |
most tightly controlled in the world. | 0:11:06 | 0:11:08 | |
With the majority of home connections banned, | 0:11:09 | 0:11:12 | |
most residents must make a trip to their local Wi-Fi zone. | 0:11:12 | 0:11:15 | |
Oh, I thought it was going to be a shop you went to. | 0:11:17 | 0:11:19 | |
-It's in the middle of a park, then? -No, it really is in a park. | 0:11:19 | 0:11:22 | |
So you can pick the internet up in this area, then? | 0:11:22 | 0:11:25 | |
Apparently. We'll sit here. | 0:11:25 | 0:11:27 | |
Thank you. | 0:11:28 | 0:11:30 | |
Siamo inglese, qui. | 0:11:31 | 0:11:33 | |
-We are English. -Yeah? | 0:11:33 | 0:11:35 | |
-OK. -From London. | 0:11:35 | 0:11:37 | |
Oh, OK, nice to meet you. | 0:11:37 | 0:11:39 | |
Nice to meet you. | 0:11:39 | 0:11:41 | |
With the state pension as low as 11 a month, | 0:11:41 | 0:11:43 | |
and Wi-Fi access costing around 1.50 an hour, | 0:11:43 | 0:11:47 | |
surfing the net doesn't come cheap. | 0:11:47 | 0:11:50 | |
You've got to scratch that off, or something. | 0:11:50 | 0:11:52 | |
That's the number, isn't it? | 0:11:52 | 0:11:53 | |
-That's the number. -Yeah, wait a minute. | 0:11:53 | 0:11:56 | |
That's my password, and then I go to... | 0:11:56 | 0:11:58 | |
Miriam, what's your password? | 0:11:58 | 0:12:00 | |
I'm not telling you! | 0:12:00 | 0:12:01 | |
BOBBY LAUGHS | 0:12:01 | 0:12:02 | |
"Hello." It should be "hello"! | 0:12:02 | 0:12:05 | |
Ah, dear. | 0:12:07 | 0:12:09 | |
Oh, they stop! Do they? | 0:12:15 | 0:12:17 | |
JAN LAUGHS | 0:12:17 | 0:12:18 | |
Wayne and Jan have decided to venture into Havana's city centre to | 0:12:20 | 0:12:23 | |
do some shopping. | 0:12:23 | 0:12:25 | |
Ooh! Mind the rubble, darling. | 0:12:26 | 0:12:27 | |
Cuba has two currencies. | 0:12:29 | 0:12:32 | |
Exchange rate. | 0:12:32 | 0:12:34 | |
I don't know what this means. | 0:12:34 | 0:12:36 | |
While most locals use Cuban pesos, | 0:12:36 | 0:12:38 | |
foreigners generally use the international currency | 0:12:38 | 0:12:41 | |
known as "kooks". | 0:12:41 | 0:12:42 | |
-Yay! -It worked. | 0:12:43 | 0:12:46 | |
-The last time I was here, that was still being done up. -Yeah. | 0:12:48 | 0:12:51 | |
It was filthy dirty. | 0:12:51 | 0:12:53 | |
Look what they've done with it since. | 0:12:53 | 0:12:55 | |
It's incredible. | 0:12:55 | 0:12:57 | |
I expected Havana to be like this. | 0:12:57 | 0:12:59 | |
I didn't expect so much decrepit-ness. | 0:12:59 | 0:13:03 | |
But then of course, I mean, they had almost 60 years in the wilderness, | 0:13:03 | 0:13:07 | |
you know. I mean, you know, the curtain came down, and that was that. | 0:13:07 | 0:13:11 | |
Look how narrow that shop is! | 0:13:11 | 0:13:13 | |
-They've made a shop out of a staircase. -Mmm! | 0:13:13 | 0:13:16 | |
Very industrious, | 0:13:16 | 0:13:18 | |
turning your staircase into a shop. | 0:13:18 | 0:13:20 | |
Very good. What is this hat? This one? | 0:13:20 | 0:13:23 | |
Can I try? It's quite nice. | 0:13:23 | 0:13:25 | |
-Let's have a look. Suits you. -Yeah? | 0:13:27 | 0:13:29 | |
-Yes. -La cuenta? -20. | 0:13:29 | 0:13:32 | |
-20. Ooh, it's too much. -Yeah. | 0:13:32 | 0:13:33 | |
-No, everybody 20. -Everybody? You sure? | 0:13:33 | 0:13:36 | |
20 kooks is the equivalent of nearly £15. | 0:13:36 | 0:13:40 | |
Thank you. Thank you. | 0:13:40 | 0:13:43 | |
Thank you very much. | 0:13:43 | 0:13:44 | |
You know, in England, it's much easier to do internet. | 0:13:48 | 0:13:51 | |
How, for you, a young person... | 0:13:51 | 0:13:53 | |
-Um... -Come fa? -Ah! Er... | 0:13:54 | 0:13:57 | |
We don't need this. | 0:13:59 | 0:14:02 | |
-Really? You don't need it? -No. | 0:14:02 | 0:14:04 | |
I think it makes them more intelligent, not to have internet. | 0:14:04 | 0:14:07 | |
I think we're all a load of wankers on it, frankly. | 0:14:07 | 0:14:10 | |
It's much better if you talk to people, and look at people, | 0:14:10 | 0:14:13 | |
and don't have your head buried in a screen all the time. | 0:14:13 | 0:14:16 | |
She'll do all this, and she won't get no e-mails. | 0:14:16 | 0:14:19 | |
I think it's a good thing if it don't control your life. | 0:14:19 | 0:14:22 | |
But it's not just the internet, it's the actual phone itself. | 0:14:22 | 0:14:26 | |
You go on the train, no-one says good morning to you, cos | 0:14:26 | 0:14:28 | |
they're all on their phones. | 0:14:28 | 0:14:30 | |
We've got to have it, but I think it's a bit over the top sometimes. | 0:14:30 | 0:14:33 | |
I've got 119 e-mails! | 0:14:33 | 0:14:36 | |
You said I didn't have any. | 0:14:36 | 0:14:37 | |
-Yeah, they only done that for a laugh. It's probably the same one, sent 119 times! -Oh, shut up! | 0:14:37 | 0:14:43 | |
112, I've got. | 0:14:43 | 0:14:44 | |
Oh, 112, not so many now then. | 0:14:44 | 0:14:46 | |
-You're a tease! -Oh, dear. | 0:14:48 | 0:14:51 | |
I like to be on the internet for hours at a time. | 0:14:51 | 0:14:53 | |
So if I were living here for a long | 0:14:53 | 0:14:56 | |
time, I would have to have internet, | 0:14:56 | 0:15:00 | |
and I think I would have to wait until it became more easily available. | 0:15:00 | 0:15:03 | |
Ridiculous. | 0:15:03 | 0:15:05 | |
I mean, I can't look through 112... | 0:15:05 | 0:15:07 | |
Yeah, but, like you said, a lot of them are rubbish ones. | 0:15:07 | 0:15:10 | |
-A lot of them are rubbish. -Yeah. | 0:15:10 | 0:15:11 | |
I'm not going to do a survey on incontinence. | 0:15:14 | 0:15:17 | |
-Little bit of a dance, darling. -Little bit of a dance? | 0:15:23 | 0:15:26 | |
My mother said, "If you've got a good lead, then you can dance, | 0:15:26 | 0:15:30 | |
-"if you have a sense of rhythm". -Hello there. -Hi! | 0:15:30 | 0:15:33 | |
It's the group's first evening in Havana. | 0:15:33 | 0:15:35 | |
-Hola! -Hola! | 0:15:35 | 0:15:37 | |
Here we are. | 0:15:38 | 0:15:40 | |
Keen to sample the local night life, they're meeting up | 0:15:40 | 0:15:43 | |
before heading out for a night on the tiles. | 0:15:43 | 0:15:46 | |
What were your, what was yours like? | 0:15:46 | 0:15:48 | |
We had a good time, we went to the park. | 0:15:48 | 0:15:50 | |
And we did our internet. | 0:15:50 | 0:15:52 | |
It's noticeable that nobody's obsessed with it. | 0:15:52 | 0:15:55 | |
And this is good for me, because I can't do it, so forget about it. | 0:15:55 | 0:15:59 | |
And I just get on with life. | 0:15:59 | 0:16:00 | |
I think it's time to go, because it's getting late. | 0:16:00 | 0:16:03 | |
-Oh, OK. Come on. -Will you play the piano for us at some stage? | 0:16:03 | 0:16:06 | |
-Come on, on we go, andiamo. -Come on. | 0:16:06 | 0:16:08 | |
And don't tell me my knickers show, Jan, because I know they do. | 0:16:08 | 0:16:11 | |
Tonight, Horatio and Marta are taking the group to one of Havana's | 0:16:14 | 0:16:17 | |
premier nightspots. | 0:16:17 | 0:16:19 | |
Just five minutes from their home-stay, | 0:16:20 | 0:16:23 | |
it's a destination for pensioners all over the city. | 0:16:23 | 0:16:27 | |
-She's ready. -I'm ready, look. | 0:16:27 | 0:16:28 | |
-She's ready. -I'm ready. | 0:16:28 | 0:16:30 | |
Every week, for 1.50, | 0:16:32 | 0:16:35 | |
hundreds of Cubans over the age of 60 pack the dance floor. | 0:16:35 | 0:16:39 | |
Horatio and Marta are like a double act. | 0:16:54 | 0:16:57 | |
They have it in their bodies, this natural rhythm they have here. | 0:16:57 | 0:17:02 | |
Two sparkling water. | 0:17:13 | 0:17:14 | |
Pablo! | 0:17:15 | 0:17:17 | |
Sparkling water, two bottles. | 0:17:18 | 0:17:21 | |
Glass, glass. You want a glass? | 0:17:21 | 0:17:23 | |
Just for me, the music is too loud. | 0:17:25 | 0:17:28 | |
But it was very infectious. | 0:17:28 | 0:17:30 | |
It's good to shake your bits about. | 0:17:30 | 0:17:33 | |
SHE LAUGHS | 0:17:33 | 0:17:34 | |
I like Cuba. | 0:17:37 | 0:17:39 | |
-I like Cuba, don't you? -Yes. | 0:17:39 | 0:17:42 | |
I'm surprised by it. | 0:17:42 | 0:17:43 | |
I'm not very good. | 0:17:45 | 0:17:49 | |
You see, I'm a strange individual in some ways. | 0:17:51 | 0:17:54 | |
Although I like my quietness, | 0:17:54 | 0:17:57 | |
I like my own company, I'd love to still be in a relationship - | 0:17:57 | 0:18:02 | |
I was all my adult life. | 0:18:02 | 0:18:04 | |
And yet, I'm very independent. | 0:18:04 | 0:18:07 | |
What? | 0:18:13 | 0:18:15 | |
I'm very flattered, but not today. | 0:18:16 | 0:18:21 | |
Maybe. | 0:18:22 | 0:18:23 | |
-OK. -OK? -OK. -Yeah? | 0:18:25 | 0:18:27 | |
It's been a fabulous evening, and it's nice to think that, even at my | 0:18:31 | 0:18:35 | |
age, guys are happy to dance with me. | 0:18:35 | 0:18:37 | |
Woo! | 0:18:38 | 0:18:39 | |
THEY LAUGH | 0:18:39 | 0:18:41 | |
This was your first time in Havana, yes? | 0:18:43 | 0:18:45 | |
Yes. | 0:18:45 | 0:18:47 | |
-Tell me your impressions. -Fantastic! | 0:18:47 | 0:18:49 | |
-Cup of tea? -Got the tea, yeah, here we go, look. | 0:19:05 | 0:19:08 | |
-Agua. -Agua. -No, basta. | 0:19:08 | 0:19:10 | |
It's 8am, and the temperature in Havana is already 30 degrees. | 0:19:10 | 0:19:15 | |
It's boiling, and I'm going to sweat in my groin! | 0:19:17 | 0:19:20 | |
-Good morning. -Good morning! -Good morning. -How are you? | 0:19:29 | 0:19:32 | |
THEY LAUGH | 0:19:32 | 0:19:34 | |
-It is a... -Good morning. -Ah! -Started already? | 0:19:34 | 0:19:37 | |
Tell me about last night. | 0:19:37 | 0:19:39 | |
-Your impressions. -Last night was very interesting. | 0:19:39 | 0:19:43 | |
-Was it? -Yes! | 0:19:43 | 0:19:44 | |
-I loved it, last night, all the dancing. -Yeah, good fun. | 0:19:44 | 0:19:47 | |
-I had a date, or could have had. -You didn't? | 0:19:47 | 0:19:49 | |
A gentleman came up and asked me to dance. | 0:19:51 | 0:19:53 | |
He was very kind, and guided me through the dancing. | 0:19:53 | 0:19:56 | |
Then said, "You come to another dance place." | 0:19:56 | 0:19:59 | |
-Ah! -And I said, "Thank you very much, but no." | 0:19:59 | 0:20:03 | |
And he was so persistent. | 0:20:03 | 0:20:05 | |
-He just wanted a fuck, love. -Yeah! | 0:20:05 | 0:20:07 | |
Oh, stop being so vulgar, Miriam. | 0:20:07 | 0:20:11 | |
No way was I going to go somewhere in Cuba with a man I didn't know! | 0:20:11 | 0:20:14 | |
-You must be joking! -Ooh, I would! | 0:20:14 | 0:20:16 | |
ALL LAUGH | 0:20:16 | 0:20:19 | |
I have another two. | 0:20:25 | 0:20:27 | |
Right, OK. | 0:20:27 | 0:20:28 | |
But I have this other. | 0:20:28 | 0:20:31 | |
You've done me like a kipper. | 0:20:31 | 0:20:33 | |
With the city heat rising, | 0:20:39 | 0:20:41 | |
Miriam, Jan and Wayne have decided to cool off with a morning dip. | 0:20:41 | 0:20:45 | |
I expect it to be a bit like a warm bath. | 0:20:45 | 0:20:48 | |
-Yeah, hopefully. -Yes, I hope it will be. -Well, I don't think it... -Don't think it'll be that hot. | 0:20:48 | 0:20:52 | |
..can't be as cold as it is in the UK. | 0:20:52 | 0:20:55 | |
Close to their neighbourhood, they've heard about a spot | 0:20:55 | 0:20:57 | |
where pensioners socialise and swim, | 0:20:57 | 0:21:00 | |
in the refreshing waters of the Gulf of Mexico. | 0:21:00 | 0:21:04 | |
-Hola! -Hola! | 0:21:04 | 0:21:05 | |
-Hola! -So, do you come here every day to swim? | 0:21:07 | 0:21:10 | |
-Yes, every day. -And it's a good way of saying, "Hello, how are you?"? | 0:21:10 | 0:21:14 | |
Discuss your problems? | 0:21:14 | 0:21:16 | |
-Yes, yeah. -So you're never alone. | 0:21:16 | 0:21:18 | |
-No. -No. | 0:21:18 | 0:21:20 | |
I think loneliness, for elderly people, is worse than anything. | 0:21:20 | 0:21:24 | |
-Of course. -And you keep healthy. | 0:21:24 | 0:21:26 | |
-Yeah, good! -How old are you? | 0:21:26 | 0:21:28 | |
-80. -80! | 0:21:28 | 0:21:30 | |
Gosh! That's amazing. | 0:21:30 | 0:21:32 | |
How often do you come? | 0:21:35 | 0:21:37 | |
Every day. Every day. | 0:21:37 | 0:21:40 | |
Because he is also a save-guard, you know? | 0:21:40 | 0:21:45 | |
A lifeguard. That's why you have a good physique. | 0:21:45 | 0:21:50 | |
Ella es una mujer muy bonita. | 0:21:50 | 0:21:52 | |
He says that you're a beautiful lady. | 0:21:52 | 0:21:53 | |
Thank you. Thank you. | 0:21:53 | 0:21:57 | |
Thank you. I'll have to come and live here! | 0:21:57 | 0:21:59 | |
-Of course. -I don't get that kind of attention at home. | 0:21:59 | 0:22:02 | |
Coming to Cuba is a good idea. | 0:22:02 | 0:22:04 | |
-Shall we go in? -Yes, let's do it! | 0:22:04 | 0:22:07 | |
Now, I want to see how they're getting in. | 0:22:09 | 0:22:11 | |
-Because I won't be so agile. -No. | 0:22:11 | 0:22:13 | |
Be very careful. | 0:22:13 | 0:22:15 | |
-VOICEOVER: -I don't really care much about appearance. | 0:22:16 | 0:22:19 | |
Jan, for example, she is, | 0:22:19 | 0:22:20 | |
as it were, my opposite number. | 0:22:20 | 0:22:22 | |
She's everything that Miriam isn't. | 0:22:22 | 0:22:25 | |
I can talk, I can make jokes, I can... | 0:22:25 | 0:22:28 | |
..I hope, make people happy. | 0:22:28 | 0:22:30 | |
But I don't look great. But I manage. | 0:22:30 | 0:22:33 | |
-I'm in! -She's in, she's in. | 0:22:33 | 0:22:36 | |
You know, do I worry about it at night? No. | 0:22:36 | 0:22:39 | |
I don't. | 0:22:39 | 0:22:41 | |
I can't turn over. | 0:22:41 | 0:22:43 | |
That's the thing. | 0:22:43 | 0:22:44 | |
Push me towards there, I'm getting scared. | 0:22:44 | 0:22:48 | |
-Yeah. -It's really hard to turn over. | 0:22:48 | 0:22:52 | |
It makes me nervous. | 0:22:52 | 0:22:54 | |
I'm just, you know, I'm a frightened Jew. | 0:22:56 | 0:22:59 | |
That's what I am. | 0:22:59 | 0:23:01 | |
-Ooh! -OK. -Mucho. | 0:23:07 | 0:23:12 | |
Whilst the others are at the beach, | 0:23:12 | 0:23:14 | |
Bobby has joined Horatio for a Cuban daily ritual - | 0:23:14 | 0:23:19 | |
newspaper and a coffee. | 0:23:19 | 0:23:20 | |
-Three? -Grandma, tambien. | 0:23:20 | 0:23:23 | |
What's that? | 0:23:24 | 0:23:27 | |
Oh, right. | 0:23:29 | 0:23:31 | |
In Cuba, locals can only read newspapers | 0:23:31 | 0:23:34 | |
approved by the government. | 0:23:34 | 0:23:35 | |
So when you read the paper, this is, obviously, this is an official one? | 0:23:35 | 0:23:39 | |
This is the official information from the government. | 0:23:39 | 0:23:42 | |
The government, so, obviously, | 0:23:42 | 0:23:44 | |
it could be, like, trimmed down a bit, | 0:23:44 | 0:23:47 | |
because they don't want to put everything in the paper, or not? | 0:23:47 | 0:23:50 | |
Well, whatever you read here is what the Government decide the people... | 0:23:50 | 0:23:55 | |
-Should know. -..will read. | 0:23:55 | 0:23:57 | |
I see. OK. | 0:23:57 | 0:23:58 | |
Let's go up here, shall we? | 0:23:59 | 0:24:01 | |
Is he married? | 0:24:04 | 0:24:07 | |
No, not now. | 0:24:07 | 0:24:08 | |
Oh. You mean he's widowed, or divorced? | 0:24:08 | 0:24:11 | |
-He? -Yeah. -Divorced. -Divorced. | 0:24:11 | 0:24:15 | |
With a body like that, I should think the women run after him. | 0:24:15 | 0:24:18 | |
HE SPEAKS SPANISH | 0:24:18 | 0:24:21 | |
-What? -He said you are very beautiful woman. | 0:24:21 | 0:24:25 | |
Thank you very much. | 0:24:25 | 0:24:26 | |
Well, you are a very lovely man. | 0:24:26 | 0:24:28 | |
We could go for coffee, and you could translate. | 0:24:28 | 0:24:31 | |
-Yeah! -Thank you. -Gracias, mucho... -Thank you. | 0:24:31 | 0:24:34 | |
-Oh, yeah. -Nice body. -Yes. | 0:24:39 | 0:24:41 | |
-Big balls. -Oh, stop it! | 0:24:41 | 0:24:43 | |
Oh, Miriam! | 0:24:43 | 0:24:45 | |
I just said that so you would... | 0:24:45 | 0:24:47 | |
To wind me up! | 0:24:47 | 0:24:48 | |
-You like talking to men. -I do. | 0:24:50 | 0:24:52 | |
I openly admit, and it's nothing to do with flirting, | 0:24:52 | 0:24:55 | |
I like men's company. | 0:24:55 | 0:24:57 | |
I like talking with men, and, quite frankly, if they say nice things, | 0:24:57 | 0:25:02 | |
-it's lovely. -He could come and save me in the water any day! | 0:25:02 | 0:25:05 | |
JAN LAUGHS | 0:25:05 | 0:25:07 | |
Oh, that's a baby coffee. | 0:25:09 | 0:25:11 | |
-It's espresso. -Espresso, is it? | 0:25:11 | 0:25:14 | |
They're tiny! Looks like an egg cup. | 0:25:14 | 0:25:17 | |
It's strong. | 0:25:17 | 0:25:19 | |
That is the Cuban style for drink coffee. | 0:25:19 | 0:25:24 | |
It's not bad. | 0:25:24 | 0:25:25 | |
I like it. Like most Cubans, | 0:25:25 | 0:25:28 | |
one of the most important things in any Cuban house | 0:25:28 | 0:25:30 | |
is to offer a coffee. | 0:25:30 | 0:25:32 | |
So what was it like growing up, as a kid? | 0:25:32 | 0:25:35 | |
My memories just...are related | 0:25:35 | 0:25:39 | |
with the revolution. | 0:25:39 | 0:25:41 | |
The '50s, the situation in Cuba was really hard for everybody. | 0:25:41 | 0:25:46 | |
Fidel was the driver, but the feeling, | 0:25:46 | 0:25:50 | |
the national feeling was to change the situation. | 0:25:50 | 0:25:53 | |
Yeah, but when I was young it was hard, as well. | 0:25:53 | 0:25:56 | |
It was, cos after the war it was horrible. | 0:25:56 | 0:26:00 | |
I was brought up, my dad was blind, I didn't have anything. | 0:26:00 | 0:26:04 | |
I had to go to jumble sales to get the clothes. | 0:26:04 | 0:26:07 | |
When you're young, you always remember something. | 0:26:07 | 0:26:09 | |
And I always say, colour telly... | 0:26:09 | 0:26:11 | |
-Collie? -..coloured, colour television... -Yeah. | 0:26:11 | 0:26:15 | |
..and the Beatles, changed the way we lived. | 0:26:15 | 0:26:19 | |
HORATIO LAUGHS | 0:26:19 | 0:26:20 | |
That's what I say. | 0:26:20 | 0:26:22 | |
-It's like here. -It's changed for you, but it's the same as us. | 0:26:22 | 0:26:25 | |
Same as me. | 0:26:25 | 0:26:26 | |
Every summer, Havana is host to one of the world's best known carnivals. | 0:26:29 | 0:26:33 | |
Having been invited to take part in tonight's celebrations, | 0:26:35 | 0:26:38 | |
Wayne is keen to explore the local dance scene. | 0:26:38 | 0:26:41 | |
-VOICEOVER: -For me to move abroad and settle down, I need my culture fix. | 0:26:42 | 0:26:46 | |
Dance and choreography are still very important to me. | 0:26:46 | 0:26:49 | |
I tried to retire when I was 40 years old - boring! | 0:26:49 | 0:26:53 | |
I couldn't do that for longer than a week. | 0:26:53 | 0:26:55 | |
The dance company is run by veteran choreographer Santiago Alfonso. | 0:27:01 | 0:27:06 | |
I've never seen anything like this before. | 0:27:06 | 0:27:09 | |
The suppleness of the bodies is incredible. | 0:27:18 | 0:27:21 | |
That's why the Cuban dancers are some of the best in the world now. | 0:27:21 | 0:27:26 | |
-Thanks for coming. -Fantastic. | 0:27:29 | 0:27:31 | |
-Thanks for coming. -Thank you. -Welcome! | 0:27:31 | 0:27:33 | |
How are you? It's fantastic. | 0:27:35 | 0:27:38 | |
-Hello! Hola! -Buenas! -Buenas! | 0:27:38 | 0:27:42 | |
Nombre Wayne Sleep. | 0:27:42 | 0:27:44 | |
And I was with the Royal Ballet... | 0:27:44 | 0:27:46 | |
SANTIAGO TRANSLATES | 0:27:46 | 0:27:48 | |
..for 20 years. | 0:27:48 | 0:27:50 | |
I'm 69 years old. | 0:27:50 | 0:27:52 | |
-Oh, you're younger than me! -I'm not younger than you! | 0:27:52 | 0:27:55 | |
-You're younger than me. -78. | 0:27:55 | 0:27:57 | |
-You're not 78! -I am, too. | 0:27:57 | 0:27:59 | |
God, there's hope for us all. | 0:27:59 | 0:28:00 | |
-You see something. -Look at you! | 0:28:00 | 0:28:03 | |
He's still moving. Is he a good teacher? | 0:28:03 | 0:28:05 | |
ALL: Yes! | 0:28:05 | 0:28:07 | |
Yeah, you have to say yes! | 0:28:07 | 0:28:08 | |
SANTIAGO AND WAYNE LAUGH | 0:28:08 | 0:28:10 | |
Can you tell me about this dance? | 0:28:10 | 0:28:13 | |
What do you call this dance? | 0:28:13 | 0:28:14 | |
No, no. | 0:28:14 | 0:28:16 | |
-..all together. -It's fantastic. | 0:28:20 | 0:28:22 | |
-Loved it. -Now you do it with us. | 0:28:22 | 0:28:24 | |
-Oh! -Do the thing with us. -Now I will learn Cuban dance. | 0:28:24 | 0:28:27 | |
ALL: OK, yes! | 0:28:27 | 0:28:28 | |
WAYNE LAUGHS | 0:28:28 | 0:28:31 | |
This way. | 0:28:31 | 0:28:33 | |
-VOICEOVER: -Why I keep coming back to Cuba, it's for the passion and the drive they have. | 0:28:35 | 0:28:39 | |
The hunger is incredible, | 0:28:39 | 0:28:41 | |
that you don't really see anywhere else. | 0:28:41 | 0:28:43 | |
That's it! | 0:28:47 | 0:28:48 | |
When I joined in, I felt like a complete beginner. | 0:28:48 | 0:28:51 | |
None of my classical technique came into use at all. | 0:28:51 | 0:28:54 | |
-Thank you. -Say something. | 0:29:03 | 0:29:05 | |
I can't speak. | 0:29:05 | 0:29:06 | |
-It was fantastic. -Like that? | 0:29:10 | 0:29:11 | |
-I won't be able to walk for a week! -OK. | 0:29:11 | 0:29:14 | |
Marta! | 0:29:19 | 0:29:21 | |
-E possibile venire un momento? -Si! | 0:29:21 | 0:29:24 | |
I want to make some gin-tonica. | 0:29:26 | 0:29:29 | |
Agua tonica? | 0:29:29 | 0:29:30 | |
Tonica, gin, er, ghiccia, ice. | 0:29:30 | 0:29:34 | |
Hielo? | 0:29:34 | 0:29:36 | |
-Gielo. -Gielo. One moment, please. | 0:29:36 | 0:29:38 | |
Just going to fart. | 0:29:39 | 0:29:41 | |
SHE FARTS | 0:29:41 | 0:29:42 | |
That's it. | 0:29:42 | 0:29:43 | |
-Sorry, Bobby. -I heard it. | 0:29:45 | 0:29:47 | |
'Kin hell! | 0:29:51 | 0:29:53 | |
Love gin and tonic. | 0:29:53 | 0:29:55 | |
It's a great drink. | 0:29:55 | 0:29:56 | |
It's really my only tipple. | 0:29:59 | 0:30:01 | |
Well, that's not quite true, because I do like whisky. | 0:30:04 | 0:30:07 | |
Chin, chin. | 0:30:07 | 0:30:09 | |
-Salud! -Salut. -Lovely job. | 0:30:09 | 0:30:11 | |
-Needs more gin. -Mmm. | 0:30:15 | 0:30:18 | |
That was incredible. | 0:30:21 | 0:30:23 | |
I've never seen dancing like that before. | 0:30:23 | 0:30:25 | |
I've seen every other kind of dance, | 0:30:25 | 0:30:27 | |
and it's incredible. And look at this view! | 0:30:27 | 0:30:29 | |
-This is... -This is Havana. | 0:30:29 | 0:30:31 | |
This is Havana. | 0:30:31 | 0:30:33 | |
Cuba is a culture of confluences. | 0:30:33 | 0:30:37 | |
We have from Spain, we have from Africa. | 0:30:37 | 0:30:41 | |
-I see, yes. -All mix. | 0:30:41 | 0:30:43 | |
On top of that, our weather. | 0:30:43 | 0:30:46 | |
-Our light. -Yes. | 0:30:46 | 0:30:48 | |
-That makes us very open people. -Yes, yes. | 0:30:48 | 0:30:51 | |
Do you think you can go on teaching for ever? | 0:30:51 | 0:30:53 | |
Till the... I would love, if the Lord blesses me, | 0:30:54 | 0:30:59 | |
I would love to be working till the last minute. | 0:30:59 | 0:31:02 | |
I think the key to old age, from what I've seen here, | 0:31:03 | 0:31:07 | |
is that you must keep going, keep doing something. | 0:31:07 | 0:31:11 | |
If I lived here, I'd teach class, maybe form my own group, | 0:31:11 | 0:31:16 | |
and just get something new going. | 0:31:16 | 0:31:18 | |
Oh, I wouldn't be sitting by a pool. | 0:31:18 | 0:31:20 | |
Well, some of the day! | 0:31:20 | 0:31:22 | |
But your bum's got to go out, in, | 0:31:30 | 0:31:32 | |
-out, in, out, in... -Oh, my goodness. | 0:31:32 | 0:31:35 | |
It's 6pm. | 0:31:35 | 0:31:37 | |
Ahead of tonight's carnival, | 0:31:37 | 0:31:38 | |
the group are gathering at Wayne and Jan's house. | 0:31:38 | 0:31:41 | |
It's very different from ours. | 0:31:41 | 0:31:43 | |
-Yes, it is. -It's modern. | 0:31:43 | 0:31:45 | |
Yours is very arty. | 0:31:45 | 0:31:46 | |
-Oh, that's beautiful. -Isn't it? | 0:31:47 | 0:31:50 | |
Lovely. | 0:31:50 | 0:31:52 | |
To help get in the carnival spirit, Wayne has been sent a traditional | 0:31:52 | 0:31:56 | |
outfit by the dance company he will be performing with. | 0:31:56 | 0:31:59 | |
I'm really going to enjoy it. | 0:31:59 | 0:32:01 | |
Once you hear that music, you just can't help dancing and moving. | 0:32:01 | 0:32:06 | |
And I'm sure all my lot will be jigging around in their seats as well. | 0:32:06 | 0:32:09 | |
-Hello! -Oh, wow. | 0:32:11 | 0:32:12 | |
-Ole! -Ole! | 0:32:12 | 0:32:15 | |
Is that a skirt? You've got to wear a skirt as well? | 0:32:15 | 0:32:17 | |
Oh, yeah, you wait. | 0:32:17 | 0:32:18 | |
-Oh, my God! -Actually, I think it's rather stylish. | 0:32:18 | 0:32:22 | |
What, they keep the flies away, them bottoms, are they, or something? | 0:32:22 | 0:32:25 | |
Well, there we are, loves, I'm off. | 0:32:25 | 0:32:28 | |
-Thank you! -All right son, be lucky. | 0:32:28 | 0:32:30 | |
Dear, oh, dear, does it ever end? | 0:32:30 | 0:32:32 | |
It's carnival time in Havana. | 0:32:39 | 0:32:42 | |
Throughout August, thousands of locals flock to the coastal road, | 0:32:44 | 0:32:48 | |
known as the Malecon, to soak up the free festival atmosphere. | 0:32:48 | 0:32:51 | |
I never thought I would ever | 0:32:52 | 0:32:55 | |
be performing in Havana Carnival. | 0:32:55 | 0:32:58 | |
Very nice! | 0:33:00 | 0:33:02 | |
For one night only, Wayne will be joining one of the dance | 0:33:02 | 0:33:05 | |
troupes from across the city that make up the traditional parade. | 0:33:05 | 0:33:09 | |
I'm feeling like the Pirate Of The Caribbean! | 0:33:12 | 0:33:15 | |
But I'm not feeling very good about the dance. | 0:33:15 | 0:33:18 | |
Oh! | 0:33:18 | 0:33:20 | |
-VOICEOVER: -I've done no rehearsal for this. | 0:33:23 | 0:33:25 | |
But I've got two beautiful ladies, | 0:33:25 | 0:33:27 | |
who look like zebras in black and white, | 0:33:27 | 0:33:30 | |
who are going to guide me through. | 0:33:30 | 0:33:31 | |
I'll be like putty in their hands. | 0:33:31 | 0:33:34 | |
Blimey! There's lots of people. | 0:33:34 | 0:33:37 | |
I always try and steer clear of places like this. | 0:33:37 | 0:33:41 | |
I get a bit nervous in big crowds, because I'm so short. | 0:33:42 | 0:33:47 | |
But the colour, and the movement, as Barry Humphries would say, | 0:33:47 | 0:33:51 | |
the vitality. | 0:33:51 | 0:33:53 | |
No, it's good. | 0:33:55 | 0:33:56 | |
-Wayne's over there. -I can see him! | 0:34:05 | 0:34:07 | |
Dance is always part of my life. | 0:34:18 | 0:34:20 | |
I think it's given me a tenacity, a staying power. | 0:34:20 | 0:34:24 | |
The worse thing about growing old is that you have much less time than | 0:34:26 | 0:34:30 | |
you had when you were younger, when we didn't even think of a time | 0:34:30 | 0:34:33 | |
limit to our lives. | 0:34:33 | 0:34:35 | |
So I don't believe in suddenly saying things like, | 0:34:35 | 0:34:38 | |
"Oh, I don't think I could do that now." | 0:34:38 | 0:34:41 | |
I'm not growing old gracefully. | 0:34:41 | 0:34:42 | |
I'm growing old as a, sort of, juvenile delinquent. | 0:34:42 | 0:34:46 | |
Fantastic! | 0:34:48 | 0:34:50 | |
-I didn't know what I was doing! -Wonderful, wonderful. | 0:34:50 | 0:34:53 | |
I was a bit worried that I'd make a fool of myself in front of all these | 0:34:53 | 0:34:57 | |
fantastic moving men and women. | 0:34:57 | 0:34:59 | |
And I think we just about pulled it off. | 0:34:59 | 0:35:02 | |
You know, there's life in the old boy yet! | 0:35:02 | 0:35:05 | |
Right, are we going? Oh, no, we're waiting for Madam. | 0:35:21 | 0:35:24 | |
Miriam's having a "dump", she said. | 0:35:24 | 0:35:27 | |
Miriam felt another movement. | 0:35:27 | 0:35:29 | |
And I don't want to be there when it moves! | 0:35:29 | 0:35:31 | |
-Here I am. -Was it a big one? -Yup. | 0:35:36 | 0:35:39 | |
WAYNE LAUGHS | 0:35:39 | 0:35:40 | |
Wayne! | 0:35:40 | 0:35:41 | |
Well, we're going to hear about it anyway. | 0:35:41 | 0:35:44 | |
You don't have to join in, you know! | 0:35:44 | 0:35:46 | |
-Sorry to hold you up. -As long as you feel better. | 0:35:46 | 0:35:48 | |
-Well, I feel more secure, let's put it like that. -Good. | 0:35:49 | 0:35:53 | |
This morning, the group are making the short walk to the local park. | 0:35:53 | 0:35:57 | |
To help keep Cuba's elderly population fit and healthy, | 0:36:04 | 0:36:07 | |
the state funds a variety of neighbourhood initiatives. | 0:36:07 | 0:36:10 | |
One of the most popular are the alfresco exercise programmes. | 0:36:11 | 0:36:16 | |
Uno, dos... | 0:36:21 | 0:36:22 | |
-I'll do this bit all right. -How are you doing, dear? | 0:36:24 | 0:36:26 | |
Yeah, this is all right. I don't mind doing this bit. | 0:36:26 | 0:36:29 | |
-Do you like it? -No, I don't like it. | 0:36:30 | 0:36:32 | |
-Non mi piace. -Ah, non ti piace? | 0:36:32 | 0:36:36 | |
What kind of exercise do you like? | 0:36:36 | 0:36:38 | |
-Ti piace? -Zero! -Zero! | 0:36:39 | 0:36:41 | |
WOMAN LAUGHS | 0:36:41 | 0:36:42 | |
It's good, very good for our... | 0:36:42 | 0:36:44 | |
..health, especially when we are not so young. | 0:36:46 | 0:36:51 | |
WOMAN LAUGHS | 0:36:51 | 0:36:52 | |
True. | 0:36:52 | 0:36:53 | |
Respiramos... | 0:36:54 | 0:36:56 | |
I would like to be more active, so I should get off my bottom. | 0:36:56 | 0:37:00 | |
You dig your grave with your knife and fork. | 0:37:02 | 0:37:05 | |
GROUP SING AND HUM TO MUSIC | 0:37:06 | 0:37:08 | |
So you do this every day? | 0:37:13 | 0:37:14 | |
Yes, it's very good. I suffer chronic stress. | 0:37:14 | 0:37:18 | |
So I started taking here classes of exercises, | 0:37:18 | 0:37:22 | |
and also in the old-age university. | 0:37:22 | 0:37:27 | |
What is the old-age university? | 0:37:27 | 0:37:29 | |
They give you different subjects that are very interesting subjects, | 0:37:29 | 0:37:33 | |
to, how to deal with your problems, | 0:37:33 | 0:37:35 | |
-day by day. -Is it free? | 0:37:35 | 0:37:37 | |
-Do you have to pay? -No, it's free. | 0:37:37 | 0:37:39 | |
-Totally free. -This is the government, presumably. -Yes, yes. | 0:37:39 | 0:37:42 | |
The government give it for free, to anyone over... | 0:37:42 | 0:37:46 | |
50, 48, something like that. | 0:37:46 | 0:37:48 | |
-And up to 90. -Up to 90! | 0:37:48 | 0:37:51 | |
And more. | 0:37:51 | 0:37:52 | |
As well as free health care, Cuba's pensioners have access to over 230 | 0:37:58 | 0:38:02 | |
state-run day centres. | 0:38:02 | 0:38:04 | |
In Havana, there's a university for senior citizens. | 0:38:05 | 0:38:08 | |
Miriam and Bobby are keen to see if they can learn anything new. | 0:38:11 | 0:38:15 | |
What is the subject today? | 0:38:16 | 0:38:18 | |
Today we are going to introduce, to... | 0:38:18 | 0:38:21 | |
..participate in a class about sexuality... | 0:38:21 | 0:38:25 | |
About sexuality? | 0:38:25 | 0:38:26 | |
..in the elderly people. | 0:38:26 | 0:38:28 | |
Oh, elderly sexuality. | 0:38:28 | 0:38:30 | |
Oh, that's new. | 0:38:30 | 0:38:31 | |
BOBBY LAUGHS | 0:38:31 | 0:38:32 | |
That's different, isn't it? | 0:38:32 | 0:38:34 | |
Oh, yeah, I might learn something. | 0:38:34 | 0:38:36 | |
What we're planning to put across the table is that, how much | 0:38:38 | 0:38:43 | |
stigma there is against the third age | 0:38:43 | 0:38:47 | |
on this particular subject of sexuality. | 0:38:47 | 0:38:50 | |
Grandchildren sometimes said, "Grandma and | 0:38:50 | 0:38:53 | |
"grandad should not have sex because it's dangerous for them." | 0:38:53 | 0:38:57 | |
And that is not the reality. | 0:38:57 | 0:38:59 | |
-VOICEOVER: -I don't have sex very much now. | 0:39:00 | 0:39:03 | |
My partner and I deeply love each other. | 0:39:03 | 0:39:06 | |
And we cuddle. | 0:39:06 | 0:39:08 | |
I enfold her in my arms, | 0:39:08 | 0:39:10 | |
and I feel joy. | 0:39:10 | 0:39:12 | |
Absolute joy. | 0:39:12 | 0:39:13 | |
But there isn't a lot of penetration, let's put it like that. | 0:39:13 | 0:39:17 | |
There is an expression that says, "Factory is closing down, | 0:39:20 | 0:39:24 | |
"but the amusement park is about to open!" | 0:39:24 | 0:39:28 | |
Would you like to share your age? | 0:39:30 | 0:39:33 | |
I'm 72. | 0:39:33 | 0:39:35 | |
Esta pensado un poco, pero cree que es 72. Miriam, you don't mind if I ask you? | 0:39:35 | 0:39:40 | |
No, I'm 76. | 0:39:40 | 0:39:41 | |
And I'm lesbian. | 0:39:41 | 0:39:43 | |
-And I have a partner for nearly 50 years. -OK. | 0:39:43 | 0:39:46 | |
Miriam has said... | 0:39:46 | 0:39:48 | |
Ella es lesbiana y tiene una companera por casi cincuenta anos. | 0:39:48 | 0:39:53 | |
What I loved about the Cubans was | 0:39:58 | 0:40:01 | |
when I told them that I was a lesbian, they didn't faint, | 0:40:01 | 0:40:05 | |
they clapped, because I've been with my partner so long. | 0:40:05 | 0:40:08 | |
They were pleased for me. | 0:40:08 | 0:40:10 | |
I am absolutely astonished to be | 0:40:10 | 0:40:14 | |
sitting here talking about sex with | 0:40:14 | 0:40:19 | |
a lot of strangers in such an open, | 0:40:19 | 0:40:22 | |
relaxed, informative, way. | 0:40:22 | 0:40:26 | |
This would NOT happen in England. | 0:40:26 | 0:40:31 | |
I think the Cuban people are just fabulous. | 0:40:37 | 0:40:42 | |
-They just... -I mean, if you'd said that we were going to spend the | 0:40:42 | 0:40:45 | |
afternoon talking about sex with a lot of old people, I'd have said, "Oh, I don't think I'll like that." | 0:40:45 | 0:40:49 | |
But that was really brilliant. | 0:40:49 | 0:40:52 | |
They looked happy, they were cheerful. | 0:40:52 | 0:40:54 | |
They're investing in life, still. | 0:40:54 | 0:40:57 | |
I think it's delicious. | 0:40:57 | 0:40:59 | |
It's early evening in Havana. | 0:41:15 | 0:41:16 | |
Jan is getting ready for a double date with the 70-year-old lifeguard | 0:41:18 | 0:41:22 | |
and the married couple she met at the beach. | 0:41:22 | 0:41:25 | |
Life is for experiences. | 0:41:25 | 0:41:27 | |
And aren't I fortunate to be given the chance? | 0:41:27 | 0:41:31 | |
Up to there he's got a body of a 30-year-old. | 0:41:31 | 0:41:35 | |
It's going to be interesting. | 0:41:35 | 0:41:37 | |
Especially as Renaldo doesn't speak a word of English, | 0:41:37 | 0:41:41 | |
which rather inhibits conversation, but we'll get by. | 0:41:41 | 0:41:44 | |
I could at least say good evening. What's that? | 0:41:46 | 0:41:49 | |
-Buenas noches. -Oh, buenas noches. -Buenas noches. -Buenas noches. | 0:41:49 | 0:41:53 | |
There's "que tal?" How are you? | 0:41:53 | 0:41:55 | |
-Oh, look! -Oh! | 0:41:55 | 0:41:57 | |
JAN GIGGLES | 0:41:57 | 0:41:59 | |
-Hello. -Oh, my goodness. -Hola! | 0:41:59 | 0:42:01 | |
-Hola! -Hola. | 0:42:01 | 0:42:02 | |
-Buenas tardes. -No, no, buenas noches. | 0:42:02 | 0:42:05 | |
Oh, buenas noches. | 0:42:05 | 0:42:06 | |
Oh, my goodness. | 0:42:08 | 0:42:09 | |
Thank you. Right, bye-bye. | 0:42:09 | 0:42:12 | |
Bye-bye. See you later. Enjoy your evening. | 0:42:12 | 0:42:15 | |
Take care. | 0:42:15 | 0:42:17 | |
-VOICEOVER: -I know I've been married a few times, but I've never had | 0:42:17 | 0:42:20 | |
anybody, really, to look after me. | 0:42:20 | 0:42:24 | |
Oh, the car! | 0:42:24 | 0:42:26 | |
I live on my own, and have done for 14 years. | 0:42:26 | 0:42:31 | |
But there's a part of me that would very much like to share. | 0:42:31 | 0:42:35 | |
You have car? | 0:42:35 | 0:42:38 | |
You have a car? | 0:42:38 | 0:42:39 | |
Like, you, car? | 0:42:40 | 0:42:43 | |
DRIVER SPEAKS SPANISH | 0:42:43 | 0:42:45 | |
Moto, moto, moto. | 0:42:45 | 0:42:47 | |
Motorbike? Ah. | 0:42:47 | 0:42:50 | |
SHE LAUGHS | 0:42:50 | 0:42:52 | |
I'm glad you didn't pick me up on that! | 0:42:52 | 0:42:54 | |
Jan and Renaldo are heading to one of Havana's home-run restaurants, | 0:42:56 | 0:43:00 | |
known as paladares. | 0:43:00 | 0:43:02 | |
Thank you! Muchas gracias. | 0:43:02 | 0:43:05 | |
Thank you. | 0:43:05 | 0:43:07 | |
-Hello. -Hello! -Hello, hello. | 0:43:07 | 0:43:10 | |
-Hello, Arestes. -Hello, Jan. -Hello, Miriam. | 0:43:10 | 0:43:12 | |
-Ooh, sorry! -Two. -French way. | 0:43:12 | 0:43:14 | |
To help the lines of communication, Miriam and Arestes will be acting as | 0:43:14 | 0:43:18 | |
their interpreters for the evening. | 0:43:18 | 0:43:20 | |
I feel so embarrassed that I speak no Spanish. | 0:43:20 | 0:43:24 | |
And poor Renaldo, I mean, you know, | 0:43:24 | 0:43:27 | |
we're communicating with sign language. | 0:43:27 | 0:43:30 | |
By sign! That's universal. | 0:43:30 | 0:43:32 | |
-OK. -Oh, thank you. | 0:43:32 | 0:43:34 | |
Ooh! | 0:43:34 | 0:43:35 | |
That's a very impressive menu. | 0:43:37 | 0:43:39 | |
-Do you need some help? -No, look! | 0:43:39 | 0:43:41 | |
ALL LAUGH | 0:43:41 | 0:43:44 | |
-VOICEOVER: -Another misconception of the young is, when you get older | 0:43:44 | 0:43:48 | |
there is no such thing as a physical relationship. | 0:43:48 | 0:43:51 | |
You have your children, and that's it. | 0:43:51 | 0:43:53 | |
That is not true. | 0:43:53 | 0:43:55 | |
Believe you and me. | 0:43:55 | 0:43:58 | |
The fires might slacken a bit, but they're still there. | 0:43:58 | 0:44:02 | |
Renaldo has been married a couple of times. | 0:44:02 | 0:44:05 | |
I'm told that, sometimes, | 0:44:05 | 0:44:07 | |
people divorce, but they stay in the same house? | 0:44:07 | 0:44:10 | |
That's true. In Havana the problems of living are... | 0:44:10 | 0:44:16 | |
It's very difficult. | 0:44:16 | 0:44:17 | |
To find somewhere to live? | 0:44:17 | 0:44:19 | |
-Yes. -The wife, the only wife, is still living in his house? | 0:44:19 | 0:44:22 | |
MIRIAM TRANSLATES | 0:44:22 | 0:44:26 | |
But you don't share... | 0:44:26 | 0:44:27 | |
Oh, I'm glad to hear that! | 0:44:32 | 0:44:33 | |
MIRIAM LAUGHS | 0:44:33 | 0:44:35 | |
This is just doing my head in! | 0:44:35 | 0:44:37 | |
ARESTES LAUGHS | 0:44:37 | 0:44:38 | |
I've always paid the bills. | 0:44:40 | 0:44:42 | |
I've always kept a roof over my head. | 0:44:42 | 0:44:44 | |
I can always keep myself busy. | 0:44:44 | 0:44:46 | |
But it would be lovely to have | 0:44:49 | 0:44:50 | |
somebody whom one could go on | 0:44:50 | 0:44:52 | |
holiday with, or go to the theatre with. | 0:44:52 | 0:44:55 | |
Up until the last 14 years, | 0:44:58 | 0:45:01 | |
I was invariably in a relationship, | 0:45:01 | 0:45:04 | |
and I was used to being part of a pair. | 0:45:04 | 0:45:07 | |
Le soir est bien, tres bien. | 0:45:09 | 0:45:13 | |
Mais, en espanol, c'est n'est pas possible, parce que je ne parle pas. | 0:45:13 | 0:45:19 | |
-VOICEOVER: -Unfortunately, it may never happen now. | 0:45:19 | 0:45:23 | |
Muchas gracias. | 0:45:23 | 0:45:25 | |
por the flores, and for a lovely evening. | 0:45:25 | 0:45:29 | |
Thank you. | 0:45:29 | 0:45:30 | |
Thank you very, very much. | 0:45:31 | 0:45:34 | |
-Adios! -Adios. | 0:45:34 | 0:45:36 | |
May I have some toast, please? | 0:45:49 | 0:45:51 | |
It's the group's last day in Havana. | 0:45:51 | 0:45:53 | |
I thought that was terracotta, | 0:45:55 | 0:45:57 | |
and I've just realised it's some sort of sausage meat. | 0:45:57 | 0:46:00 | |
SHE GIGGLES | 0:46:00 | 0:46:01 | |
-It's chicken sausage, actually. -Is it? -Mmm. | 0:46:01 | 0:46:04 | |
Bobby and I took sleeping pills last night, so we had a good sleep. | 0:46:04 | 0:46:07 | |
-Did you? -Good for you. -BOBBY: -I dreamt about you last night, Miriam. | 0:46:07 | 0:46:11 | |
-Ooh! -Oh. -Did you? -No, you wouldn't let me! | 0:46:11 | 0:46:13 | |
MIRIAM AND BOBBY LAUGH | 0:46:13 | 0:46:16 | |
To make the most of his remaining time, | 0:46:21 | 0:46:23 | |
Wayne has decided to venture out in a bid to improve his Spanish. | 0:46:23 | 0:46:28 | |
-Buenas dias! -Buenas dias. -Que tal? | 0:46:28 | 0:46:31 | |
SHE SPEAKS SPANISH | 0:46:31 | 0:46:33 | |
-Un mesa por una "person". -Bienvenido. | 0:46:33 | 0:46:35 | |
Gracias. | 0:46:36 | 0:46:39 | |
Could I have a cafe... | 0:46:39 | 0:46:42 | |
Um... | 0:46:42 | 0:46:43 | |
What's it called? Mojito? | 0:46:43 | 0:46:46 | |
No, macchiato. | 0:46:46 | 0:46:48 | |
No? Um, all right. | 0:46:48 | 0:46:51 | |
-Er...black coffee. -Black, short? -Espresso. | 0:46:51 | 0:46:54 | |
-Yes. -Espresso, con leche. | 0:46:54 | 0:46:56 | |
-Like cortado. -Cortado! | 0:46:56 | 0:46:58 | |
Yes, I know. | 0:46:58 | 0:47:00 | |
Yes, that's what I meant. | 0:47:00 | 0:47:01 | |
I want to thrill my husband with my Spanish when I get back to England. | 0:47:04 | 0:47:07 | |
HE LAUGHS | 0:47:07 | 0:47:10 | |
Gracias, senor. Que tal? | 0:47:11 | 0:47:15 | |
-Si, e te? -Oh, me, muy bien. | 0:47:15 | 0:47:19 | |
-OK. Buen provecho. -Thank you. | 0:47:19 | 0:47:22 | |
In Cuba, the game of dominoes is a national obsession. | 0:47:26 | 0:47:30 | |
Having practised against his hosts, | 0:47:31 | 0:47:34 | |
Bobby is venturing out with Horacio to a popular spot in the residential | 0:47:34 | 0:47:38 | |
neighbourhood of Marinal. | 0:47:38 | 0:47:40 | |
THEY SPEAK SPANISH | 0:47:40 | 0:47:44 | |
The pair are planning to take on some of the locals. | 0:47:44 | 0:47:47 | |
Anything you do, | 0:47:47 | 0:47:50 | |
in any sport, you want to win. | 0:47:50 | 0:47:54 | |
You know, I want to win. When you do bowls, you do snooker, pool... | 0:47:54 | 0:47:58 | |
If you are coming to lose, it's better not to go. | 0:47:58 | 0:48:01 | |
Yeah. You come to win. | 0:48:01 | 0:48:04 | |
-VOICEOVER: -I played dominoes when I was a kid. It was like playing cards, in a way. | 0:48:04 | 0:48:08 | |
More you do it, better you get at it. | 0:48:08 | 0:48:10 | |
Hello, sir. | 0:48:10 | 0:48:12 | |
The most important thing, when you get to a certain age, | 0:48:14 | 0:48:17 | |
you've got to be active. | 0:48:17 | 0:48:19 | |
You've got to get this bit going. | 0:48:19 | 0:48:22 | |
If this dies, the body goes with it. | 0:48:22 | 0:48:25 | |
Even better. | 0:48:27 | 0:48:29 | |
Lovely game, this, innit? | 0:48:29 | 0:48:31 | |
HE LAUGHS | 0:48:31 | 0:48:32 | |
-ON PHONE: -Hello? -Hello, Jose. | 0:48:34 | 0:48:36 | |
Who is this? | 0:48:36 | 0:48:38 | |
It's Wayne. | 0:48:38 | 0:48:39 | |
"Who's this"? | 0:48:39 | 0:48:40 | |
-Ah! -Ooh! | 0:48:40 | 0:48:42 | |
Yeah, I just missed you. | 0:48:42 | 0:48:44 | |
I just thought it would be nice to have a little chat, say hi! | 0:48:44 | 0:48:47 | |
Is it good views? | 0:48:47 | 0:48:49 | |
Oh, lots of good views. | 0:48:49 | 0:48:51 | |
My God, the men are beautiful! | 0:48:51 | 0:48:53 | |
Yes, there's a lot of eye candy in Cuba. | 0:48:53 | 0:48:56 | |
I'll tell you that now! | 0:48:56 | 0:48:57 | |
BOTH LAUGH | 0:48:57 | 0:48:59 | |
Well, I look forward to seeing you. | 0:48:59 | 0:49:02 | |
-Have fun, love you. -Bye, take care, bye. Bye. -Bye, bye. | 0:49:02 | 0:49:06 | |
I miss him. He's... You know, he's part of my life. | 0:49:07 | 0:49:11 | |
You know, at my age, 69, what is important are the cuddles. | 0:49:11 | 0:49:15 | |
The embracing, the knowing somebody's there. | 0:49:15 | 0:49:19 | |
I think, as you get older, | 0:49:19 | 0:49:21 | |
the main thing that keeps the relationship together | 0:49:21 | 0:49:24 | |
are separate bathrooms! | 0:49:24 | 0:49:26 | |
OTHER MEN SPEAK SPANISH | 0:49:31 | 0:49:38 | |
Oh, that won. | 0:49:38 | 0:49:39 | |
Great! This is my opening. | 0:49:43 | 0:49:45 | |
MEN LAUGH | 0:49:45 | 0:49:49 | |
Yeah, it was quite enjoyable, really. I mean, | 0:49:49 | 0:49:51 | |
I'm not very good at it. | 0:49:51 | 0:49:52 | |
THEY CHEER AND LAUGH | 0:49:52 | 0:49:56 | |
They're quite nice blokes, they were, and all. | 0:49:56 | 0:49:58 | |
They bought me a beer and, you know, they were friendly. | 0:49:58 | 0:50:01 | |
They were very friendly. | 0:50:01 | 0:50:02 | |
If I lived here, obviously I would probably go to a place like that. | 0:50:05 | 0:50:08 | |
To mark the end of their time in Cuba, tonight | 0:50:11 | 0:50:14 | |
the group are throwing a farewell party. | 0:50:14 | 0:50:17 | |
-Is this yours? -Yeah, yeah. -Oh, I didn't realise. | 0:50:17 | 0:50:19 | |
Jan has booked herself and Miriam | 0:50:19 | 0:50:21 | |
into the hairdresser's for a spruce-up. | 0:50:21 | 0:50:23 | |
What do you want to do? | 0:50:25 | 0:50:26 | |
I just want rollers... | 0:50:26 | 0:50:28 | |
WOMAN TRANSLATES | 0:50:28 | 0:50:29 | |
..to make it high. | 0:50:29 | 0:50:30 | |
Up, with some height, and maybe... | 0:50:32 | 0:50:36 | |
Maybe a cut. | 0:50:36 | 0:50:37 | |
THEY SPEAK SPANISH | 0:50:37 | 0:50:38 | |
Miriam, do you go to the hairdresser? | 0:50:42 | 0:50:45 | |
No. | 0:50:45 | 0:50:47 | |
-Not ever? -No. | 0:50:47 | 0:50:49 | |
I don't. I like the way I look. | 0:50:49 | 0:50:52 | |
That's what people don't understand. | 0:50:52 | 0:50:54 | |
I think that's admirable. | 0:50:54 | 0:50:56 | |
I mean, I wish that I had the confidence to go out with | 0:50:56 | 0:50:59 | |
no make-up, but I haven't. I envy you in a way. | 0:50:59 | 0:51:02 | |
-I don't... -It must be very nice. | 0:51:02 | 0:51:06 | |
Now, we get the Gypsy Rose Lee look. | 0:51:06 | 0:51:09 | |
-(IN ACCENT): -Cross my palm with silver! | 0:51:09 | 0:51:11 | |
Now, not too hot! | 0:51:14 | 0:51:16 | |
Il controllo... | 0:51:16 | 0:51:18 | |
Agua? | 0:51:18 | 0:51:19 | |
Per favor. | 0:51:21 | 0:51:23 | |
That is absolutely stunning. | 0:51:24 | 0:51:26 | |
He's brilliant. | 0:51:28 | 0:51:29 | |
WOMAN TRANSLATES | 0:51:30 | 0:51:32 | |
Brilliant. Oh, you are wonderful! Thank you. | 0:51:32 | 0:51:35 | |
Oh, my God! | 0:51:38 | 0:51:39 | |
It's too nice. | 0:51:39 | 0:51:41 | |
It's too elegant. | 0:51:41 | 0:51:43 | |
I want to scrunch it, like this. | 0:51:44 | 0:51:45 | |
Scrunch, scrunch! | 0:51:47 | 0:51:48 | |
-How do you feel? -Ridiculous! | 0:51:54 | 0:51:57 | |
-Why? -It's not me. | 0:51:57 | 0:51:59 | |
Well, then, run your hands through it when you get... | 0:51:59 | 0:52:01 | |
I'll sort it out when I get home, yeah. | 0:52:01 | 0:52:03 | |
-Of course. You look great. -Thank you. -You look lovely. It's a triumph. | 0:52:03 | 0:52:06 | |
I haven't looked like this for years! | 0:52:06 | 0:52:08 | |
-Bye! -Bye. | 0:52:08 | 0:52:09 | |
Oh! | 0:52:15 | 0:52:17 | |
-You dancing? -Mind the heights. | 0:52:17 | 0:52:19 | |
It's 6pm. | 0:52:19 | 0:52:20 | |
There we are. | 0:52:20 | 0:52:21 | |
Party preparations are underway. | 0:52:21 | 0:52:23 | |
It's very artistic, Wayne. | 0:52:23 | 0:52:25 | |
Ooh, thank you. | 0:52:25 | 0:52:27 | |
You haven't lost your touch, love. | 0:52:27 | 0:52:28 | |
Ooh, haven't lost my touch. Lovely. | 0:52:28 | 0:52:31 | |
And a special delivery has arrived. | 0:52:31 | 0:52:34 | |
Ooh, my God! | 0:52:34 | 0:52:36 | |
That is incredible. | 0:52:36 | 0:52:38 | |
Miriam won't like it, but I do! | 0:52:38 | 0:52:40 | |
HE LAUGHS | 0:52:40 | 0:52:41 | |
-Look at that! -Now I know why I'm Jewish when I look at that. | 0:52:41 | 0:52:44 | |
On festive occasions, it's | 0:52:44 | 0:52:46 | |
traditional to serve a hog-roast, Cuban style. | 0:52:46 | 0:52:49 | |
Smoking a cigar! | 0:52:49 | 0:52:51 | |
WAYNE LAUGHS | 0:52:51 | 0:52:52 | |
I tell you what, we could put a little rum, here? | 0:52:52 | 0:52:57 | |
Just a little, because... | 0:52:57 | 0:52:58 | |
-Yes. -..the fruit absorb a lot... | 0:52:58 | 0:53:01 | |
Yes? And we'll all get drunk? No! | 0:53:01 | 0:53:03 | |
For sure! | 0:53:03 | 0:53:04 | |
JAN LAUGHS | 0:53:04 | 0:53:05 | |
I don't know if I leave it on the bone. | 0:53:06 | 0:53:08 | |
I suppose I do, don't I? Some of it? | 0:53:08 | 0:53:11 | |
Nice! | 0:53:15 | 0:53:16 | |
Hello. | 0:53:16 | 0:53:18 | |
Everyone the group have met during their stay has been invited. | 0:53:18 | 0:53:22 | |
First of all, what would you like to drink? | 0:53:22 | 0:53:25 | |
-Hello, Miriam. -Hello. | 0:53:25 | 0:53:27 | |
Marta, you're going to have a gin and tonic, | 0:53:29 | 0:53:31 | |
because that's the only thing I can do. | 0:53:31 | 0:53:33 | |
Hello, my friend. There you go, son. | 0:53:34 | 0:53:36 | |
Lovely jubbly. | 0:53:36 | 0:53:37 | |
-Nice to see you. -Good. | 0:53:37 | 0:53:39 | |
Now, don't get too sexy! | 0:53:39 | 0:53:41 | |
Oh, you remembered! | 0:53:45 | 0:53:47 | |
Hello. Hello. | 0:53:47 | 0:53:49 | |
How lovely to see you. | 0:53:49 | 0:53:51 | |
Do you... ? Would you like a... | 0:53:54 | 0:53:55 | |
Oh, what's this? | 0:53:55 | 0:53:57 | |
Entonces para retengan de recuerdo. | 0:54:00 | 0:54:02 | |
That is a souvenir for you, for you, you see. | 0:54:02 | 0:54:05 | |
Oh! | 0:54:05 | 0:54:06 | |
HE SPEAKS SPANISH | 0:54:06 | 0:54:08 | |
For the moment that we are here, spend all the times here. | 0:54:08 | 0:54:12 | |
Ooh. Oops! | 0:54:13 | 0:54:16 | |
Ooh! Oh! | 0:54:16 | 0:54:18 | |
Thank you. | 0:54:19 | 0:54:20 | |
Oh, isn't that... | 0:54:21 | 0:54:23 | |
Oh, that's very good. | 0:54:23 | 0:54:25 | |
Thank you. How gorgeous. | 0:54:26 | 0:54:29 | |
Aren't I lucky? | 0:54:29 | 0:54:30 | |
OK, could you come and eat, please? | 0:54:32 | 0:54:34 | |
Eat. Food! | 0:54:34 | 0:54:36 | |
This way. Food. | 0:54:36 | 0:54:39 | |
Tony, this is Renaldo. | 0:54:40 | 0:54:43 | |
We met swimming. | 0:54:43 | 0:54:45 | |
He swims very well. Very well indeed. | 0:54:45 | 0:54:48 | |
Don't you? You... Renaldo, you swim well. | 0:54:48 | 0:54:52 | |
You are... Bueno, swim. | 0:54:52 | 0:54:54 | |
Swim very well. | 0:54:56 | 0:54:58 | |
SENORES... | 0:55:00 | 0:55:02 | |
..e caballeros! | 0:55:02 | 0:55:04 | |
GROUP CHEER AND SHOUT | 0:55:04 | 0:55:07 | |
Thank you to our friends in Havana who've been so kind, | 0:55:07 | 0:55:15 | |
so welcoming, so generous, so full of life. | 0:55:15 | 0:55:20 | |
We have learnt so much from you and we've had a wonderful week, | 0:55:20 | 0:55:26 | |
wonderful, and we want to come back. | 0:55:26 | 0:55:29 | |
Thank you very much. | 0:55:29 | 0:55:31 | |
THEY APPLAUD AND CHEER | 0:55:31 | 0:55:33 | |
Thank you very much. | 0:55:33 | 0:55:35 | |
-VOICEOVER: -They are living fully and well. | 0:55:35 | 0:55:37 | |
They are happy. They are still alive | 0:55:37 | 0:55:41 | |
and searching and full of life, actually. | 0:55:41 | 0:55:44 | |
And that's why I want to come back, because they give me hope. | 0:55:44 | 0:55:49 | |
Steady, old man! | 0:55:50 | 0:55:52 | |
SHE LAUGHS | 0:55:52 | 0:55:53 | |
The Cubans never stop going. | 0:55:53 | 0:55:56 | |
And they're excited, still, by life and that's what they can teach us, | 0:55:56 | 0:56:00 | |
to be excited every day, to wake up to a new day and think, | 0:56:00 | 0:56:04 | |
"I'm still alive, and I'm going to | 0:56:04 | 0:56:06 | |
"make full use of the day I've got left." | 0:56:06 | 0:56:09 | |
Oh, oh! And finish. | 0:56:10 | 0:56:12 | |
-JAN: -You're going! | 0:56:14 | 0:56:16 | |
It's been absolutely lovely. | 0:56:16 | 0:56:19 | |
Remember forever. | 0:56:21 | 0:56:23 | |
Oh, my God! He's speaking in English. | 0:56:23 | 0:56:26 | |
He says he will remember you for ever. | 0:56:26 | 0:56:28 | |
And I will remember you. | 0:56:28 | 0:56:30 | |
HE SPEAKS SPANISH | 0:56:30 | 0:56:32 | |
Oh! | 0:56:34 | 0:56:36 | |
-Bye. -It was a pleasure. -I do like Renaldo. | 0:56:36 | 0:56:39 | |
He'd... | 0:56:39 | 0:56:40 | |
..gone to the trouble of learning two words, and | 0:56:44 | 0:56:47 | |
he said, "Remember forever." | 0:56:47 | 0:56:49 | |
It was just one of those rather sweet, | 0:56:51 | 0:56:54 | |
rather magical moments that I'll always remember. | 0:56:54 | 0:56:57 | |
-MIRIAM: -It's funny, because I wasn't looking forward to this at all. | 0:57:00 | 0:57:03 | |
-I wasn't. I wasn't. -And I've enjoyed it, you know. | 0:57:03 | 0:57:06 | |
There's a lot of food left! | 0:57:06 | 0:57:08 | |
Odio packing. I hate packing. | 0:57:19 | 0:57:23 | |
The main thing is to have knickers at the top. | 0:57:23 | 0:57:26 | |
Put a bit of smelly on. | 0:57:26 | 0:57:28 | |
You never know, do you?! | 0:57:28 | 0:57:29 | |
-Hasta luegos! -Tony, thank you so much. | 0:57:31 | 0:57:33 | |
It was such a pleasure being with you in your home. | 0:57:33 | 0:57:36 | |
Thank you so much. | 0:57:36 | 0:57:38 | |
No, honestly, it's... | 0:57:41 | 0:57:44 | |
Really, happy. | 0:57:44 | 0:57:46 | |
Right. I'm in. | 0:57:46 | 0:57:48 | |
Ritorni pronto. | 0:57:51 | 0:57:52 | |
-WAYNE: -Yes, "returne pronto". | 0:57:52 | 0:57:54 | |
I'm understanding it more. | 0:57:55 | 0:57:57 | |
I can't say it, | 0:57:57 | 0:57:58 | |
but I understand Spanish much more now I've been here. | 0:57:58 | 0:58:01 | |
"Ayer" is today. | 0:58:01 | 0:58:03 | |
Or is it yesterday? | 0:58:05 | 0:58:07 | |
I just can't wait to get in with all you guys! | 0:58:10 | 0:58:15 | |
Next time... | 0:58:15 | 0:58:16 | |
..a new group of well-known marigold faces... | 0:58:16 | 0:58:18 | |
Oh, you're not hanging about, babe. | 0:58:18 | 0:58:21 | |
..try to find the key to longevity... | 0:58:21 | 0:58:23 | |
SHE GRUNTS | 0:58:23 | 0:58:25 | |
..in Iceland. | 0:58:25 | 0:58:27 | |
There he is. Look at that, look at that. | 0:58:27 | 0:58:29 | |
-We have just witnessed... -The death of two old men! | 0:58:29 | 0:58:34 |