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BBC Four Collections - | 0:00:02 | 0:00:03 | |
Archive programmes chosen by experts. | 0:00:03 | 0:00:07 | |
For this Collection, Gary Boyd-Hope | 0:00:07 | 0:00:09 | |
has selected programmes celebrating Britain's steam railway legacy. | 0:00:09 | 0:00:13 | |
More programmes on this theme | 0:00:13 | 0:00:15 | |
and other BBC Four Collections | 0:00:15 | 0:00:16 | |
are available on BBC iPlayer. | 0:00:16 | 0:00:18 | |
NOSTALGIC GUITAR AND VIOLIN MUSIC | 0:00:20 | 0:00:23 | |
The scenery's absolutely idyllic. | 0:01:20 | 0:01:23 | |
I mean, it's England, and it seems to me that the locomotive, | 0:01:23 | 0:01:27 | |
and the spirit of the men who worked the locomotive, | 0:01:27 | 0:01:30 | |
is the best of England, and look! Here, look at it. | 0:01:30 | 0:01:35 | |
It's incredible, it really is - absolutely amazing! | 0:01:35 | 0:01:38 | |
And the thought passes lightly through my head | 0:01:38 | 0:01:42 | |
that some people want to close this! | 0:01:42 | 0:01:45 | |
And they actually want to take this away from us - and this is England! | 0:01:45 | 0:01:49 | |
And it's the best spirit of England, the spirit of determination | 0:01:49 | 0:01:52 | |
to get this damn great big engine along the line at tremendous speeds. | 0:01:52 | 0:01:56 | |
'Settle-Carlisle. | 0:02:00 | 0:02:01 | |
'For those of you who think that this is something to do with | 0:02:01 | 0:02:04 | |
'living in that town, you should be informed that Settle-Carlisle | 0:02:04 | 0:02:08 | |
'is one of the most magnificent stretches of railway line | 0:02:08 | 0:02:10 | |
'in England, if not the most magnificent. | 0:02:10 | 0:02:14 | |
'It goes up and over the Pennines, has supreme viaducts, | 0:02:14 | 0:02:17 | |
'is 72 miles long, reaches over 1,100 feet above sea level, | 0:02:17 | 0:02:22 | |
'is England's highest main line, experiences terrible weather, | 0:02:22 | 0:02:26 | |
'was completed in 1875, and was the last main line | 0:02:26 | 0:02:30 | |
'to be constructed in this country by pick and shovel, | 0:02:30 | 0:02:32 | |
'wielded by a couple of thousand navvies | 0:02:32 | 0:02:34 | |
'some 200 of whom died in the five-year task. | 0:02:34 | 0:02:38 | |
'But now they want to close this line | 0:02:39 | 0:02:41 | |
'and shut down a piece of history - the Settle-Carlisle piece. | 0:02:41 | 0:02:45 | |
'Of course, the men who worked here will regret its passing, | 0:02:45 | 0:02:49 | |
'even if their memories are quite clear of The Long Drag - | 0:02:49 | 0:02:51 | |
'as they used to call this line - | 0:02:51 | 0:02:53 | |
'of the days when steam was king, | 0:02:53 | 0:02:56 | |
'of lives dedicated to the Settle-Carlisle.' | 0:02:56 | 0:02:59 | |
The steam engines - they were the daddy of all engineering | 0:03:04 | 0:03:08 | |
in my opinion, for the massive things they could pull. | 0:03:08 | 0:03:11 | |
Right from Kirkby Stephen, you could hear the trains coming. | 0:03:11 | 0:03:14 | |
You couldn't see them, but you could see the smoke drifting away up, | 0:03:14 | 0:03:18 | |
and eventually the old trains used to appear, | 0:03:18 | 0:03:20 | |
and it used to take them quite some considerable time | 0:03:20 | 0:03:24 | |
to get to Ais Gill box. | 0:03:24 | 0:03:25 | |
And the sound was fantastic. | 0:03:25 | 0:03:29 | |
DEREK SOAMES: I remember the times in steam days - | 0:03:30 | 0:03:32 | |
you used to love to get an engine coming from the Leeds area, | 0:03:32 | 0:03:35 | |
which was topped up with good, hard Yorkshire coal, | 0:03:35 | 0:03:37 | |
and you'd say to the driver, | 0:03:37 | 0:03:39 | |
"Drop us a bit of coal off," and he'd drop these big slabs of coal, | 0:03:39 | 0:03:42 | |
and you'd just crack them, and we had a big cast-iron stove in those days, | 0:03:42 | 0:03:45 | |
and feed them in in layers, shut the door, you'd get the stovepipe | 0:03:45 | 0:03:49 | |
about two foot red...you know, you were well away on those times! | 0:03:49 | 0:03:54 | |
JOHN GARDNER: They needed a good fire, | 0:03:56 | 0:03:58 | |
because, well, winter time, when they opened the box | 0:03:58 | 0:04:00 | |
at six o'clock in the morning, | 0:04:00 | 0:04:01 | |
it was really, really, really cold. | 0:04:01 | 0:04:04 | |
GEORGE HORNER: We've had some good times here, yes. Plenty of activity. | 0:04:08 | 0:04:12 | |
Plenty to interest you, you know. | 0:04:12 | 0:04:14 | |
Particularly afternoons, when you had the freights wanting | 0:04:14 | 0:04:20 | |
to shunt in the sidings, and you had the through-freights wanting | 0:04:20 | 0:04:24 | |
to come as well, but many of those were express freights, | 0:04:24 | 0:04:27 | |
and mixed in with those, of course, were the passengers - | 0:04:27 | 0:04:30 | |
the Thames-Clyde and those - | 0:04:30 | 0:04:32 | |
and you'd have the line...the road, clear for those, | 0:04:32 | 0:04:35 | |
so you had to just watch what you were doing | 0:04:35 | 0:04:37 | |
as far as timing was concerned. | 0:04:37 | 0:04:39 | |
At these country stations, you know, | 0:04:41 | 0:04:43 | |
they were ideal paces | 0:04:43 | 0:04:45 | |
for learning railway work, because you got a little bit of everything. | 0:04:45 | 0:04:49 | |
You booked tickets, you booked parcels, | 0:04:49 | 0:04:51 | |
and it was a good education for later on in life. | 0:04:51 | 0:04:54 | |
The whole system's a family, you know, | 0:04:56 | 0:04:58 | |
and they all worked together. This is... | 0:04:58 | 0:05:01 | |
So in many parts of the country on the railways, | 0:05:01 | 0:05:04 | |
it's the old family firm. | 0:05:04 | 0:05:06 | |
I find it particularly strong in areas like this. | 0:05:06 | 0:05:09 | |
I think more so, because you've got to work with your colleagues | 0:05:09 | 0:05:13 | |
very closely when conditions are bad. | 0:05:13 | 0:05:17 | |
You know, the success of the job depends on that. | 0:05:17 | 0:05:19 | |
You can get professional expert railwaymen come on to this area, | 0:05:24 | 0:05:28 | |
then they've got to learn about the Settle and Carlisle - | 0:05:28 | 0:05:30 | |
it's totally different. | 0:05:30 | 0:05:32 | |
OSMOND HUDSON: The isolation, the vastness of the country around it, | 0:05:33 | 0:05:38 | |
and the gradual flow of life. | 0:05:38 | 0:05:42 | |
Although it was out in the wilds, life wasn't slow. It wasn't dead. | 0:05:42 | 0:05:47 | |
There was always something there, | 0:05:47 | 0:05:50 | |
even without the running of the trains. | 0:05:50 | 0:05:52 | |
There was the birds, the curlews, the livestock, the sheep. Everything. | 0:05:52 | 0:05:58 | |
He's his own man, the Dalesman. | 0:06:01 | 0:06:04 | |
He's got his own dialect, for a start, | 0:06:04 | 0:06:07 | |
and he's got his own way of thinking. | 0:06:07 | 0:06:09 | |
I think if you get Dalesmen... yes, they are a different breed. | 0:06:10 | 0:06:14 | |
They've got to be, for the sort of environment they live in. | 0:06:14 | 0:06:18 | |
Ribblehead Viaduct, of course, | 0:06:21 | 0:06:23 | |
is placed right at the head of the dale. | 0:06:23 | 0:06:26 | |
The wind roars in more or less from the sea, | 0:06:26 | 0:06:29 | |
and the first thing it comes to is Ribblehead Viaduct. | 0:06:29 | 0:06:33 | |
And when the wind's in that direction, | 0:06:34 | 0:06:36 | |
you can walk across Ribblehead Viaduct | 0:06:36 | 0:06:39 | |
and you can light your pipe without shielding the match. | 0:06:39 | 0:06:42 | |
The wind'll roar underneath | 0:06:42 | 0:06:43 | |
and it'll hit the parapet and fly over the top. | 0:06:43 | 0:06:46 | |
Now, once you walk off the end of the viaduct, | 0:06:46 | 0:06:49 | |
unless you're prepared for it, it'll bowl you down the bank. | 0:06:49 | 0:06:53 | |
'The Ribblehead Viaduct is both the main attraction | 0:06:53 | 0:06:56 | |
'and the main headache of the Settle-Carlisle. | 0:06:56 | 0:06:59 | |
'Its 24 arches, some over 100 feet high, are in need of repair, | 0:06:59 | 0:07:04 | |
'perhaps an excuse for wanting to close the line. | 0:07:04 | 0:07:06 | |
'But the curving viaduct is a listed structure and cannot be pulled down, | 0:07:11 | 0:07:16 | |
'trains or no trains, and if it has to stand, | 0:07:16 | 0:07:19 | |
'what better purpose can it serve | 0:07:19 | 0:07:22 | |
'than the one for which it was designed - for supporting trains. | 0:07:22 | 0:07:26 | |
'And that goes for the rest of the line, for its other viaducts | 0:07:26 | 0:07:30 | |
'and for all its excellence.' | 0:07:30 | 0:07:33 | |
When you see structures like Ribblehead Viaduct | 0:07:39 | 0:07:41 | |
and Arten Gill and Dent Head, and tunnels like Blea Moor | 0:07:41 | 0:07:45 | |
and Rise Hill, they certainly were engineering feats. | 0:07:45 | 0:07:49 | |
I mean, to someone before the railway was built, | 0:07:49 | 0:07:52 | |
to walk across these fells, | 0:07:52 | 0:07:54 | |
he'd wonder how the hell he was going to put a railway | 0:07:54 | 0:07:57 | |
through here at all, but nevertheless, they did! | 0:07:57 | 0:08:01 | |
And certainly, it is a monument to those that built it. | 0:08:01 | 0:08:04 | |
Well, they're unbelievable. | 0:08:05 | 0:08:07 | |
How did they manage to get the stone cut, | 0:08:07 | 0:08:09 | |
transport it by horse and wheelbarrow? | 0:08:09 | 0:08:12 | |
It's beyond comprehension, really. | 0:08:13 | 0:08:16 | |
Now a line is served by helicopter. | 0:08:16 | 0:08:19 | |
That was done on horseback and foot. | 0:08:19 | 0:08:22 | |
How come they got the tunnels to meet | 0:08:22 | 0:08:25 | |
after walking so far? | 0:08:25 | 0:08:27 | |
The traverse between Blea Moor and Dent Head - | 0:08:27 | 0:08:31 | |
it'd be nothing short of miraculous in those days, | 0:08:31 | 0:08:35 | |
because nine times out of ten, as the old saying says, | 0:08:35 | 0:08:39 | |
if you can see the hills, it's going to rain, if you can't - it's raining! | 0:08:39 | 0:08:43 | |
'We treasure Hadrian's Wall, York Minster | 0:08:44 | 0:08:48 | |
'and all manner of monuments. | 0:08:48 | 0:08:49 | |
'So is Settle-Carlisle one of those | 0:08:49 | 0:08:52 | |
'or just an expensive stretch of track that will have to go?' | 0:08:52 | 0:08:56 | |
One of the sad things, I feel, is for... | 0:08:56 | 0:08:59 | |
not so much MY grandchildren, but grandchildren's grandchildren, | 0:08:59 | 0:09:02 | |
there's going to be an awful gap in history if things like | 0:09:02 | 0:09:05 | |
Ribblehead Viaduct have gone, | 0:09:05 | 0:09:06 | |
because we've preserved medieval things, | 0:09:06 | 0:09:10 | |
and these children are going to say, | 0:09:10 | 0:09:11 | |
"Well, what did my great-grandparents do?" you know. | 0:09:11 | 0:09:14 | |
We've spent so much - not that I've anything against it - | 0:09:14 | 0:09:17 | |
on buying art collections and preserving them, | 0:09:17 | 0:09:20 | |
and yet letting our own English history disappear. | 0:09:20 | 0:09:25 | |
'But for every commuter who loathes the sight of trains, | 0:09:25 | 0:09:28 | |
'there seem to be as many people who can't see enough of them, | 0:09:28 | 0:09:32 | |
'particularly those with steam. | 0:09:32 | 0:09:34 | |
'British Rail has learned that steam excursions - as pulled | 0:09:34 | 0:09:37 | |
'by the well-preserved Sir Nigel Gresley - do make money | 0:09:37 | 0:09:40 | |
'but argues that such tourism is not its job.' | 0:09:40 | 0:09:43 | |
WHISTLE BLOWS | 0:09:50 | 0:09:53 | |
'On this particular excursion, | 0:10:03 | 0:10:06 | |
'to see something of what his ministry was closing down, | 0:10:06 | 0:10:09 | |
'was David Mitchell, Transport Minister.' | 0:10:09 | 0:10:12 | |
Well, I'm a pro-rail minister. | 0:10:12 | 0:10:14 | |
I'm not ashamed of it, | 0:10:14 | 0:10:16 | |
and I think I've sanctioned more expenditure and investment | 0:10:16 | 0:10:20 | |
in modernising British Rail than any other minister in a similar period. | 0:10:20 | 0:10:24 | |
I very much see the railways as having been very much down | 0:10:24 | 0:10:29 | |
and been the Aunt Sally of public comment, | 0:10:29 | 0:10:33 | |
now picking themselves up with modernisation with a huge programme - | 0:10:33 | 0:10:38 | |
electrification, new rolling stock, new signallings - | 0:10:38 | 0:10:41 | |
to get themselves into the 21st century | 0:10:41 | 0:10:43 | |
and really be competitive, be attractive, | 0:10:43 | 0:10:46 | |
not get their business because there's no alternative | 0:10:46 | 0:10:50 | |
but because people actually want to use their services. | 0:10:50 | 0:10:54 | |
WHISTLE BLOWS | 0:10:54 | 0:10:55 | |
'The whole line is now up for sale, including the ten stations | 0:11:02 | 0:11:07 | |
'still operational, and those that are no more than decayed grandeur, | 0:11:07 | 0:11:11 | |
'showing the pride that used to be, as at Hellifield. | 0:11:11 | 0:11:14 | |
'Instead of being vandalised, | 0:11:14 | 0:11:16 | |
'the place could become station number one, en route to Settle | 0:11:16 | 0:11:19 | |
'and Carlisle, and this remnant of the Midland Railway, | 0:11:19 | 0:11:23 | |
'which was incorporated within the London, Midland and Scottish in 1923, | 0:11:23 | 0:11:27 | |
'could once again flourish like the Midland Railway of old. | 0:11:27 | 0:11:32 | |
'The line does still exist. | 0:11:32 | 0:11:34 | |
'So does its equipment, signals and signal boxes, | 0:11:34 | 0:11:37 | |
'and so does the tradition of the Midland Railway Line.' | 0:11:37 | 0:11:40 | |
We like to think, if anybody said, "Which line do you work on?" | 0:11:41 | 0:11:44 | |
it's still the Midland. | 0:11:44 | 0:11:46 | |
After all these years, we still think of it as the Midland, | 0:11:46 | 0:11:49 | |
even though the Midland finished in '22. | 0:11:49 | 0:11:51 | |
And we've taken a pride in keeping the signal box | 0:11:51 | 0:11:54 | |
at Settle Junction as the Midland had it. | 0:11:54 | 0:11:57 | |
It is maroon board with white letters. | 0:11:57 | 0:12:01 | |
I always get up in the morning around about ten past five, | 0:12:03 | 0:12:06 | |
when I'm on early turn, to be here for six. | 0:12:06 | 0:12:09 | |
The dog's downstairs, and it knows which turn I'm on, | 0:12:09 | 0:12:12 | |
because on early turn, it comes with me, on late turn, it comes with me, | 0:12:12 | 0:12:15 | |
on nights, it stops at home with the wife. | 0:12:15 | 0:12:17 | |
When I'm ready, it's ready. | 0:12:17 | 0:12:19 | |
And it comes with me and it'll sit in the box all day long, | 0:12:19 | 0:12:23 | |
and as soon as it hears my mate's car - he can pick it up | 0:12:23 | 0:12:25 | |
further back up the road - he'll know the sound | 0:12:25 | 0:12:27 | |
of his own car, and it'll be stood up ready for going home then. | 0:12:27 | 0:12:32 | |
BELL RINGS | 0:12:32 | 0:12:34 | |
When you passed out as a young lad to be a signalman | 0:12:41 | 0:12:44 | |
and you walked in for the first time, you began to think, | 0:12:44 | 0:12:47 | |
"Well, it's my little kingdom is this. | 0:12:47 | 0:12:50 | |
"Nobody else. It's private, it's mine, | 0:12:50 | 0:12:53 | |
"and I'm the boss of this section of line now." | 0:12:53 | 0:12:56 | |
I think that goes with you all the way through your signalling life. | 0:12:56 | 0:13:00 | |
It is your little place. | 0:13:00 | 0:13:03 | |
We still have two of the original Midland instruments | 0:13:03 | 0:13:08 | |
which has brass centre and brass names on. | 0:13:08 | 0:13:11 | |
We take a pride in keeping the last little bit | 0:13:11 | 0:13:14 | |
of the old Midland shining. | 0:13:14 | 0:13:16 | |
It's like anything else - | 0:13:19 | 0:13:20 | |
once you're used to it, it seems fairly automatic. | 0:13:20 | 0:13:24 | |
I get people sometimes, | 0:13:24 | 0:13:25 | |
they'll call at the box and they'll look at all the levers | 0:13:25 | 0:13:28 | |
and they'll say, "How do you know which to pull?" | 0:13:28 | 0:13:30 | |
So I always tell them the same thing, "What'll come - pull it!" | 0:13:30 | 0:13:33 | |
But it isn't a faff like that. | 0:13:33 | 0:13:36 | |
It's all interlocked nowadays. | 0:13:36 | 0:13:38 | |
TRAIN APPROACHES | 0:13:44 | 0:13:46 | |
You get to know the drivers. | 0:13:49 | 0:13:51 | |
The signalmen put their hand up to the driver, and the driver | 0:13:51 | 0:13:53 | |
either gives you a toot or he puts his hand up and waves back. | 0:13:53 | 0:13:56 | |
The majority of them we know. | 0:13:56 | 0:13:58 | |
Some we only know by sight, but it's a friendly wave, | 0:13:58 | 0:14:00 | |
and you just think, well, there's somebody there that recognises me. | 0:14:00 | 0:14:05 | |
One of things which hasn't perhaps had the spotlight | 0:14:10 | 0:14:12 | |
put on it as much as it warrants | 0:14:12 | 0:14:15 | |
is the sheer dedication of British Rail staff - | 0:14:15 | 0:14:19 | |
signal staff, perhaps, playing an unseen role, | 0:14:19 | 0:14:22 | |
as well as drivers and others, | 0:14:22 | 0:14:25 | |
all of whom make up the team that runs British Rail, | 0:14:25 | 0:14:28 | |
and there is a long tradition there. | 0:14:28 | 0:14:30 | |
One finds, many men I talk to on the railways, | 0:14:30 | 0:14:33 | |
their father worked on the railways before, | 0:14:33 | 0:14:35 | |
and they've spent the whole of their lives working on the railways. | 0:14:35 | 0:14:38 | |
There's not only a love of the railways | 0:14:38 | 0:14:41 | |
but there is a dedication to ensuring that they operate properly. | 0:14:41 | 0:14:43 | |
It's ridiculous. It's only a machine, | 0:14:57 | 0:15:00 | |
but it's got tremendous rhythm. | 0:15:00 | 0:15:02 | |
It's got vitality | 0:15:02 | 0:15:04 | |
and it's got a man shovelling away. | 0:15:04 | 0:15:07 | |
I know what's going on at the front. | 0:15:07 | 0:15:09 | |
There is a man working so hard up at the front there, | 0:15:09 | 0:15:12 | |
shovelling away to get me along the track, | 0:15:12 | 0:15:16 | |
and the engine's putting out this wonderfully responsive sound. | 0:15:16 | 0:15:19 | |
He's responding to the man who's working at his job, sweating, | 0:15:19 | 0:15:25 | |
hot and not giving up - hammering away. It's wonderful! | 0:15:25 | 0:15:30 | |
I was a signalman on Western region. I was a Great Western man. | 0:15:32 | 0:15:37 | |
And I was fascinated to discover a new railway, | 0:15:37 | 0:15:41 | |
um...and to learn how other railwaymen ran their railways. | 0:15:41 | 0:15:47 | |
And to discover the hardships that they had to put up with on this line. | 0:15:47 | 0:15:51 | |
And how they loyally came to work, day in, day out, winter and summer. | 0:15:51 | 0:15:55 | |
We're here on a lovely sunny day. Those men got up anywhere. | 0:15:55 | 0:16:00 | |
The deep snow, freezing rain, and cycled here, walked here. | 0:16:00 | 0:16:04 | |
Don't forget, long before motorcars came, | 0:16:04 | 0:16:07 | |
these men were coming here to work. | 0:16:07 | 0:16:10 | |
One minute, it can be all right. | 0:16:12 | 0:16:14 | |
The next minute, it can be all different. | 0:16:14 | 0:16:15 | |
In a matter of quarter of an hour, 20 minutes, it can change, | 0:16:15 | 0:16:19 | |
just like that. Oh, yeah. | 0:16:19 | 0:16:22 | |
On the Friday, on the 1st of June, | 0:16:22 | 0:16:23 | |
I was going up for six o'clock, early start, | 0:16:23 | 0:16:26 | |
and we'd a clear, white frost. | 0:16:26 | 0:16:29 | |
And I just said to my mate, I said, "It sounds crackers, but it looks | 0:16:30 | 0:16:35 | |
"as though it'll snow." He said, "I know it's crackers, but it does." | 0:16:35 | 0:16:39 | |
And it started to snow and it put about three inch down right sharp. | 0:16:39 | 0:16:42 | |
It snowed like the deuce. Snowflakes like half crowns. | 0:16:42 | 0:16:46 | |
And then it give over about half past eight, nine o'clock, | 0:16:46 | 0:16:51 | |
it gave over. And...the sun came out. | 0:16:51 | 0:16:55 | |
At half past ten, quarter to 11, | 0:16:55 | 0:16:57 | |
it had all gone, and I came home in short sleeves. | 0:16:57 | 0:16:59 | |
If you get a clear, sunny day at Blea Moor, you can see for miles. | 0:17:03 | 0:17:09 | |
And...apart from the trains going by, it's very, very quiet. | 0:17:09 | 0:17:14 | |
You get the feeling of tranquillity up there now. | 0:17:20 | 0:17:23 | |
Very, very quiet. | 0:17:23 | 0:17:25 | |
You're out on the fells, you hear nothing - | 0:17:25 | 0:17:27 | |
only maybe the odd sheep bleat | 0:17:27 | 0:17:30 | |
or the fell birds, the curlews and things like that. | 0:17:30 | 0:17:33 | |
And, yes, you're far remote from the madding crowd, | 0:17:33 | 0:17:36 | |
certainly, up there. | 0:17:36 | 0:17:37 | |
WHISTLE BLOWS | 0:17:40 | 0:17:41 | |
They were tough men. | 0:17:51 | 0:17:53 | |
They had to be tough men because of the geographical location | 0:17:53 | 0:17:58 | |
of the drag, the climatic conditions. | 0:17:58 | 0:18:00 | |
When I first discovered the place, | 0:18:00 | 0:18:03 | |
and I was absolutely amazed that such a railway existed, | 0:18:03 | 0:18:06 | |
coming from Great Western territory. | 0:18:06 | 0:18:08 | |
I'd never dreamt that railways could even look like this. | 0:18:08 | 0:18:12 | |
WHISTLE BLOWS | 0:18:24 | 0:18:25 | |
When you consider the Settle-Carlisle, | 0:18:25 | 0:18:27 | |
you're talking about people. | 0:18:27 | 0:18:29 | |
People under stress, people challenged, the wilderness. | 0:18:29 | 0:18:32 | |
And, of course, the best bit of the Settle-Carlisle is that wilderness | 0:18:32 | 0:18:36 | |
area from Ribblehead through to Garsdale, on to Ais Gill, | 0:18:36 | 0:18:41 | |
where you can walk through peat bogs, | 0:18:41 | 0:18:44 | |
you can have your legs whipped by heather, | 0:18:44 | 0:18:46 | |
and then you suddenly look up in this wilderness | 0:18:46 | 0:18:49 | |
and you're aware of a top-class train travelling along with people | 0:18:49 | 0:18:54 | |
lolling about and perhaps having meals or reading newspapers, | 0:18:54 | 0:18:58 | |
and you get this sudden little dash of civilisation | 0:18:58 | 0:19:01 | |
in an area where everything is still so primeval. | 0:19:01 | 0:19:04 | |
SILENCE | 0:19:09 | 0:19:11 | |
There are countless miles hacked through solid rock, | 0:19:24 | 0:19:29 | |
mile after mile, done in the most appalling weather. | 0:19:29 | 0:19:33 | |
The men who built this railway line weren't the same people as us. | 0:19:33 | 0:19:37 | |
They couldn't have been, could they? | 0:19:37 | 0:19:39 | |
They must have been so much stronger and tougher. | 0:19:39 | 0:19:41 | |
WHISTLE BLOWS | 0:19:41 | 0:19:44 | |
Lots of people use the railway line. | 0:20:16 | 0:20:18 | |
Um...and at the moment, | 0:20:18 | 0:20:20 | |
the people who want to shut it are even saying that, | 0:20:20 | 0:20:23 | |
"Oh, well, they're only tourists." | 0:20:23 | 0:20:26 | |
But they pay their money and they come here. | 0:20:26 | 0:20:30 | |
And they use the railway and they keep it going, | 0:20:31 | 0:20:33 | |
so that we've got this wonderful reminder of what our forefathers did. | 0:20:33 | 0:20:37 | |
Surely no-one who bats for Britain would want to get rid of this? | 0:20:37 | 0:20:44 | |
And this locomotive and the whole thing that it stands for. | 0:20:44 | 0:20:48 | |
This is a Victorian value, this railway is a Victorian value. | 0:20:48 | 0:20:52 | |
DAVID MITCHELL: It's one of the most historic railways in the country. | 0:20:56 | 0:20:59 | |
It's the last one built by pick and shovel. | 0:20:59 | 0:21:01 | |
It runs through the most superb scenery. | 0:21:01 | 0:21:05 | |
And over 60% of the people who ride on it | 0:21:05 | 0:21:08 | |
ride for the sheer pleasure of seeing that scenery | 0:21:08 | 0:21:12 | |
and enjoying the ride. | 0:21:12 | 0:21:14 | |
We don't think that it's necessarily right, that that is an activity | 0:21:15 | 0:21:19 | |
which should be subsidised any more than other pleasures | 0:21:19 | 0:21:22 | |
which one goes to | 0:21:22 | 0:21:25 | |
in the way of tourist attractions are subsidised either. | 0:21:25 | 0:21:28 | |
I would like to feel that the line | 0:21:32 | 0:21:34 | |
would continue as part of British Railways. | 0:21:34 | 0:21:36 | |
I think this is absolutely essential. | 0:21:36 | 0:21:38 | |
The proposal at the moment, of course, | 0:21:38 | 0:21:40 | |
is, in a measure, to privatise it. I think this would be very sad, | 0:21:40 | 0:21:43 | |
because it would no longer be an honest railway, | 0:21:43 | 0:21:46 | |
part of the system, doing a good job | 0:21:46 | 0:21:49 | |
in carrying passengers as part of a network. | 0:21:49 | 0:21:53 | |
British Rail mustn't misunderstand us. | 0:21:53 | 0:21:55 | |
It isn't that we're against them. Quite the contrary. | 0:21:55 | 0:21:59 | |
Those people who've come forward from all over our country | 0:21:59 | 0:22:02 | |
have been people who make use of British Rail. | 0:22:02 | 0:22:04 | |
I'm a regular rail user. | 0:22:04 | 0:22:06 | |
It isn't that I'm simply involved in a campaign against British Rail, | 0:22:06 | 0:22:10 | |
quite the contrary. | 0:22:10 | 0:22:12 | |
And now that there is the prospect of a private operator, | 0:22:12 | 0:22:16 | |
those of us who are involved | 0:22:16 | 0:22:17 | |
are cooperating to make that a success too. | 0:22:17 | 0:22:21 | |
Because whoever owns it, we want to see it in operation. | 0:22:21 | 0:22:25 | |
For instance, we get parcels from all over the country, and if people, | 0:22:25 | 0:22:29 | |
other firms, won't take them to the station, we get Red Star to collect. | 0:22:29 | 0:22:33 | |
So, I mean, for Red Star and British Rail, | 0:22:33 | 0:22:35 | |
it's parcels and money revenue coming in from all over the country, | 0:22:35 | 0:22:39 | |
besides us sending them from here, so it's...very important to us. | 0:22:39 | 0:22:44 | |
Nobody wants to see it shut. | 0:22:44 | 0:22:45 | |
This line is the most direct line from the Midlands | 0:22:50 | 0:22:54 | |
and West Yorkshire to the North. | 0:22:54 | 0:22:57 | |
People come from Scotland, Wales, London. They come on a round trip. | 0:22:57 | 0:23:02 | |
So British Rail are bound to lose revenue from all over the country, | 0:23:02 | 0:23:06 | |
because they're coming here to ride on this most spectacular line. | 0:23:06 | 0:23:10 | |
'In their fight against the impending closure, | 0:23:10 | 0:23:13 | |
'the Friends of the Settle-Carlisle Line Association | 0:23:13 | 0:23:15 | |
'have been campaigning for more business, | 0:23:15 | 0:23:18 | |
'collecting thousands of signatures | 0:23:18 | 0:23:20 | |
'and encouraging visitors to come and see and use what might go for good.' | 0:23:20 | 0:23:24 | |
- Are you drawing up? - I'm drawing up. | 0:23:24 | 0:23:27 | |
Nobody on? | 0:23:27 | 0:23:29 | |
Right, away when you're ready, then. | 0:23:29 | 0:23:31 | |
We mounted the campaign because this railway line is so important | 0:23:32 | 0:23:36 | |
for the people of the localities between Settle and Carlisle. | 0:23:36 | 0:23:40 | |
It's an essential tourist route, in addition. | 0:23:40 | 0:23:44 | |
And from that, of course, | 0:23:44 | 0:23:45 | |
the communities derive an enormous financial benefit, | 0:23:45 | 0:23:48 | |
as we can see from our guesthouse logbooks. | 0:23:48 | 0:23:50 | |
We've had a gentleman staying with us that was on the committee | 0:23:50 | 0:23:53 | |
of the Friends of the Settle-Carlisle Railway, and he said he did... | 0:23:53 | 0:23:58 | |
a survey on it and he said that it is making money. It is. | 0:23:58 | 0:24:03 | |
And if they put more trains on, which they've cut a lot down now, | 0:24:03 | 0:24:07 | |
if they put more trains on, then they could be filled. | 0:24:07 | 0:24:11 | |
ENGINE NOISE DROWNS CHAT | 0:24:11 | 0:24:14 | |
Thank you. | 0:24:17 | 0:24:18 | |
Did you make 'em? | 0:24:19 | 0:24:20 | |
No, no, but they're made locally, though. | 0:24:20 | 0:24:23 | |
They're very nice. | 0:24:25 | 0:24:26 | |
We've got a beaker to give to the driver. | 0:24:26 | 0:24:28 | |
- Pardon, who? - The driver. | 0:24:28 | 0:24:31 | |
- Yes. - Are you the driver? | 0:24:31 | 0:24:33 | |
- Yes. - There you are, look. | 0:24:33 | 0:24:35 | |
Thank you very much. | 0:24:35 | 0:24:37 | |
Kind lad. Thank you. | 0:24:37 | 0:24:38 | |
'A stop for water - and tea and cakes - at Garsdale, | 0:24:40 | 0:24:44 | |
'just before the summit at Ais Gill.' | 0:24:44 | 0:24:46 | |
THEY CHATTER | 0:24:46 | 0:24:48 | |
'It was surely occasion for lynching the minister | 0:24:50 | 0:24:53 | |
'who had announced the closure. But his obvious enthusiasm | 0:24:53 | 0:24:56 | |
'for this piece of England warmed even the enthusiasts. | 0:24:56 | 0:24:59 | |
'Perhaps his keenness was the end of him, as he was soon to be reshuffled, | 0:24:59 | 0:25:04 | |
'given a knighthood and permitted to resign for family reasons. | 0:25:04 | 0:25:09 | |
'Ministers may come and go, but will the line survive, find a backer | 0:25:09 | 0:25:13 | |
'and get the support it needs from those who believe that the majesty | 0:25:13 | 0:25:17 | |
'of a steam train's departure on such a line | 0:25:17 | 0:25:19 | |
'just cannot be allowed to die?' | 0:25:19 | 0:25:22 | |
WHISTLE BLOWS | 0:25:27 | 0:25:29 | |
SHEEP BLEAT | 0:25:43 | 0:25:45 | |
SHEEP BLEAT | 0:26:02 | 0:26:04 | |
When it comes to the future, I'm afraid...finance comes into it. | 0:27:21 | 0:27:26 | |
It is a beautiful railway. | 0:27:27 | 0:27:29 | |
But if there isn't money going through the ticket halls, | 0:27:29 | 0:27:33 | |
it's a shame, | 0:27:33 | 0:27:35 | |
and I can't see why stuff can't be diverted to the railways. | 0:27:35 | 0:27:39 | |
It went once upon a time. Surely it'll go again. | 0:27:39 | 0:27:43 | |
I've been on 43 years now | 0:28:00 | 0:28:02 | |
and, er...I would like to think that I could manage another seven. | 0:28:02 | 0:28:07 | |
I hope that the Settle-Carlisle keeps going. | 0:28:07 | 0:28:10 | |
It'd be nice to think I'd got 50 years in one firm. | 0:28:10 | 0:28:13 | |
As far as I'm concerned, I've done quite a lot of years on the railway. | 0:28:18 | 0:28:23 | |
I think we've come to a situation now where new ideas are coming in. | 0:28:23 | 0:28:27 | |
Quite frankly, I think that people like myself tend to hang back | 0:28:27 | 0:28:32 | |
to the old ideas, rightly or wrongly. | 0:28:32 | 0:28:35 | |
And I think it's probably time we were going | 0:28:35 | 0:28:38 | |
and let some of the younger lads have a go! | 0:28:38 | 0:28:41 | |
I don't think our ideas would probably fit in very well | 0:28:41 | 0:28:44 | |
with the new order, but... | 0:28:44 | 0:28:46 | |
one's got to face progress, I suppose. | 0:28:46 | 0:28:49 | |
We're friends of the line. | 0:28:57 | 0:28:59 | |
And people like myself who live locally | 0:28:59 | 0:29:03 | |
have been rail users and friends of the line for a lifetime. | 0:29:03 | 0:29:08 | |
Perhaps it IS too sentimental, but I'm not ashamed of that. | 0:29:08 | 0:29:12 | |
It's a lovely line, | 0:29:12 | 0:29:14 | |
and perhaps we're having a love affair with it - why not? | 0:29:14 | 0:29:17 | |
It must stay open. It's got to stay open. It can't close. | 0:29:19 | 0:29:22 | |
It's too important to people like ourselves. | 0:29:22 | 0:29:25 |