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# It's a brand-new dance, dance... # | 0:00:02 | 0:00:04 | |
This programme contains scenes which some viewers may find upsetting. | 0:00:04 | 0:00:08 | |
Billionaires now control more of the world's wealth than ever before. | 0:00:08 | 0:00:12 | |
This is £3,000. | 0:00:12 | 0:00:14 | |
And they are scouring the globe for the latest must-have luxury goods... | 0:00:14 | 0:00:18 | |
You've got a stingray, you've got lizard on the tongue, | 0:00:18 | 0:00:22 | |
-you've got elephant on the side. -..and top of the list are animals. | 0:00:22 | 0:00:26 | |
The Russian sable. | 0:00:26 | 0:00:28 | |
High-quality, expensive and beautiful. | 0:00:28 | 0:00:32 | |
Crocodile skins are just like diamonds | 0:00:32 | 0:00:34 | |
and they're extremely precious. | 0:00:34 | 0:00:36 | |
Brands are literally going to the ends of the earth to find them. | 0:00:36 | 0:00:40 | |
I can see the trail where she's been. Look at that! What am I doing? | 0:00:42 | 0:00:46 | |
But how much do we really know about where this stuff comes from? | 0:00:46 | 0:00:50 | |
REGGIE GASPS | 0:00:50 | 0:00:51 | |
Just caught it with his bare hands. Look at that. | 0:00:51 | 0:00:54 | |
Why do you have a lynx here? | 0:00:54 | 0:00:55 | |
And what's the real cost of luxury fashion? | 0:00:55 | 0:00:58 | |
The scale of this is just jaw-dropping. | 0:00:58 | 0:01:03 | |
# Fashion... # | 0:01:03 | 0:01:04 | |
I have literally come to the other side of the planet | 0:01:04 | 0:01:07 | |
to find out the truth behind fashion and the animal trade. | 0:01:07 | 0:01:11 | |
# Fashion... | 0:01:11 | 0:01:13 | |
# Fashion! # | 0:01:14 | 0:01:16 | |
MUSIC: Vogue by Madonna | 0:01:21 | 0:01:25 | |
The international fashion industry is huge | 0:01:25 | 0:01:28 | |
and worth £26 billion to UK PLC alone. | 0:01:28 | 0:01:30 | |
# Strike the pose... # | 0:01:32 | 0:01:34 | |
Trends and styles come and go, and this year | 0:01:34 | 0:01:37 | |
it's all about fur. | 0:01:37 | 0:01:38 | |
# Vogue, vogue... # | 0:01:38 | 0:01:41 | |
But fur is still controversial | 0:01:41 | 0:01:44 | |
and this is what the anti-fur protest looks like | 0:01:44 | 0:01:47 | |
at London Fashion Week. | 0:01:47 | 0:01:49 | |
It is a symbol of wealth, to be sure. | 0:01:52 | 0:01:54 | |
You've always had that nouveau-riche customer who just doesn't care | 0:01:54 | 0:01:57 | |
what it is, as long as it's expensive. | 0:01:57 | 0:01:59 | |
-When I was growing up, fur was seen as taboo. -Yes. | 0:01:59 | 0:02:03 | |
It was something that people were throwing red paint on. | 0:02:03 | 0:02:05 | |
After the crash of 2007, there's been a whole new | 0:02:05 | 0:02:09 | |
generation of super-rich. You know, what we talk about is the 1%, | 0:02:09 | 0:02:13 | |
and they have never had | 0:02:13 | 0:02:15 | |
this indoctrination against wearing fur, and they have money to buy it. | 0:02:15 | 0:02:21 | |
And if there's one group that bought fur back into fashion, | 0:02:23 | 0:02:27 | |
it's these guys. | 0:02:27 | 0:02:29 | |
Some rappers have included fur | 0:02:29 | 0:02:30 | |
in their own exclusive fashion lines. | 0:02:30 | 0:02:34 | |
Kanye West even had a fur backpack at a cool 6,000. | 0:02:34 | 0:02:38 | |
And then you have the Chinese, and the Chinese are an enormous market. | 0:02:39 | 0:02:44 | |
All of this is about China. | 0:02:44 | 0:02:46 | |
80% of fashion purchases today are by Chinese. | 0:02:46 | 0:02:50 | |
That's incredible. | 0:02:50 | 0:02:51 | |
It's a completely virgin market for everything in luxury, | 0:02:51 | 0:02:55 | |
including fur. | 0:02:55 | 0:02:56 | |
The fur market is now worth 40 billion worldwide. | 0:02:58 | 0:03:02 | |
That's an increase of 70% in the last ten years. | 0:03:02 | 0:03:06 | |
Lots of people think it's OK to wear fur again. | 0:03:06 | 0:03:11 | |
But how much do we really know about where it comes from? | 0:03:11 | 0:03:14 | |
'I've come to Russia, home to some of the world's most expensive fur.' | 0:03:19 | 0:03:23 | |
What about this? | 0:03:28 | 0:03:29 | |
'It's never really gone out of fashion here.' | 0:03:29 | 0:03:31 | |
What is this? INDISTINCT | 0:03:33 | 0:03:34 | |
I'm here to meet a man who's described as a legend | 0:03:36 | 0:03:38 | |
in the industry... | 0:03:38 | 0:03:39 | |
Well, that ain't warm. | 0:03:43 | 0:03:44 | |
..Igor Gulyaev. | 0:03:45 | 0:03:46 | |
Hello. | 0:03:49 | 0:03:50 | |
-Igor. -Nice to meet you. -Reggie, nice to meet you, yeah. | 0:03:50 | 0:03:54 | |
Igor has designed luxury coats | 0:03:55 | 0:03:56 | |
for some of the world's most famous faces. | 0:03:56 | 0:04:00 | |
I've never been to a fur boutique before, | 0:04:00 | 0:04:03 | |
so what sort of furs do we have? | 0:04:03 | 0:04:05 | |
For instance, what's this? | 0:04:05 | 0:04:07 | |
-Lynx. -Lynx. | 0:04:07 | 0:04:10 | |
Wow, OK. | 0:04:10 | 0:04:11 | |
-Look at this. Boom! -It's racoon. | 0:04:11 | 0:04:14 | |
It, er, coyote. | 0:04:16 | 0:04:17 | |
-OK. -What is it? It's raccoon? | 0:04:17 | 0:04:20 | |
REGGIE LAUGHS | 0:04:20 | 0:04:22 | |
-Is this mink? -Mink. | 0:04:22 | 0:04:24 | |
OK, what...? Oh, my goodness. | 0:04:24 | 0:04:27 | |
Wow. Wow. | 0:04:27 | 0:04:29 | |
It's soft, isn't it? | 0:04:29 | 0:04:30 | |
THEY LAUGH | 0:04:30 | 0:04:31 | |
-You have to go to...Oscar. -Look at this. | 0:04:31 | 0:04:33 | |
I feel regal. IGOR LAUGHS | 0:04:35 | 0:04:37 | |
It's funny, isn't it? I don't actually own any fur, | 0:04:37 | 0:04:40 | |
but the minute you get it on, you suddenly feel expensive. | 0:04:40 | 0:04:43 | |
Da. | 0:04:43 | 0:04:45 | |
-Oh, man, look at this. -Ah? | 0:04:45 | 0:04:46 | |
What is this? What am I wearing? | 0:04:46 | 0:04:49 | |
Fox. | 0:04:49 | 0:04:50 | |
-This is fox. -Yes, it's dead fox. | 0:04:50 | 0:04:52 | |
And how many animals have gone into making this particular coat? | 0:04:52 | 0:04:55 | |
-Ten. -About ten? | 0:04:58 | 0:05:00 | |
THEY LAUGH | 0:05:04 | 0:05:05 | |
I guess that's what it comes down to, right? | 0:05:06 | 0:05:09 | |
Do you think most people don't consider the animal | 0:05:09 | 0:05:12 | |
-when they buy a fur? -No. | 0:05:12 | 0:05:13 | |
-They're just thinking about the beauty of the feeling? -Yes. | 0:05:13 | 0:05:16 | |
Why is that? | 0:05:16 | 0:05:17 | |
-Not really, no. -Ah? | 0:05:22 | 0:05:23 | |
When you buy meat, when you buy... | 0:05:23 | 0:05:26 | |
kolbasa? | 0:05:26 | 0:05:28 | |
Sausages. | 0:05:28 | 0:05:29 | |
-When you buy sausages, do you think about the animal? -No. -It is here. | 0:05:29 | 0:05:33 | |
I thought mink was the most expensive fur, | 0:05:34 | 0:05:37 | |
but for the global super-rich | 0:05:37 | 0:05:39 | |
there's something even more exclusive. | 0:05:39 | 0:05:41 | |
-What fur is this? -The Russian sable. -This is Russian sable. | 0:05:41 | 0:05:46 | |
Last year, a fur coat by Fendi, | 0:05:46 | 0:05:48 | |
made from wild caught sable, sold for over one million Euros. | 0:05:48 | 0:05:52 | |
This is the stuff that sends the super-rich crazy. | 0:05:53 | 0:05:57 | |
Why's it so expensive? | 0:05:59 | 0:06:00 | |
IGOR LAUGHS | 0:06:02 | 0:06:03 | |
What is so special about Russian sable, then? | 0:06:03 | 0:06:05 | |
So this is the diamond of your store? | 0:06:10 | 0:06:12 | |
-It is not only my store. In Russia. -Right. -The world. | 0:06:12 | 0:06:16 | |
High-quality, expensive, and beautiful. | 0:06:16 | 0:06:19 | |
WIND WHISTLES | 0:06:21 | 0:06:22 | |
Siberia. | 0:06:25 | 0:06:27 | |
More than 60 times the size of Britain. | 0:06:27 | 0:06:30 | |
This place is big. | 0:06:30 | 0:06:32 | |
It can drop to -40 here in the winter. | 0:06:33 | 0:06:36 | |
So I can see why they might want to wear fur. | 0:06:36 | 0:06:39 | |
Siberia is home of the legendary Russian sable. | 0:06:44 | 0:06:47 | |
DOG BARKS | 0:06:47 | 0:06:48 | |
'But before I find the sable, I need to find the hunter.' | 0:06:51 | 0:06:54 | |
Of course he drives a Lada. | 0:06:55 | 0:06:57 | |
REGGIE LAUGHS | 0:06:57 | 0:06:59 | |
Hello, are you Vadim? SHE SPEAKS IN RUSSIAN | 0:06:59 | 0:07:02 | |
They'll show you. | 0:07:02 | 0:07:04 | |
Hello, Vadim? | 0:07:04 | 0:07:05 | |
HE SPEAKS IN RUSSIAN | 0:07:05 | 0:07:07 | |
Wrong house. | 0:07:07 | 0:07:08 | |
I'm pretty sure the last person he expected to open the door to was a black guy and a camera crew. | 0:07:10 | 0:07:14 | |
REGGIE LAUGHS | 0:07:14 | 0:07:17 | |
Vadim? Reggie, nice to meet you. | 0:07:17 | 0:07:19 | |
How are you doing? | 0:07:19 | 0:07:21 | |
You're actually wearing sandals in the snow? | 0:07:21 | 0:07:23 | |
HE SPEAKS IN RUSSIAN | 0:07:23 | 0:07:24 | |
It's perfect. He's already way more of a man than I am. | 0:07:24 | 0:07:27 | |
Two days ago, Vadim set his traps. | 0:07:29 | 0:07:31 | |
Now we're heading out to check them for sable. | 0:07:31 | 0:07:34 | |
It looks like my transport's sorted. | 0:07:35 | 0:07:38 | |
In the back of that. | 0:07:38 | 0:07:39 | |
RUSSIAN FOLK MUSIC | 0:07:39 | 0:07:41 | |
'The journey takes us across a massive frozen lake. | 0:07:49 | 0:07:53 | |
'Lake Baikal.' | 0:07:53 | 0:07:54 | |
This is a first. | 0:07:56 | 0:07:57 | |
This is the deepest lake in the world, | 0:07:58 | 0:08:00 | |
containing a fifth of all of the planet's fresh water. | 0:08:00 | 0:08:03 | |
We've just stopped because the drivers are having, um, | 0:08:07 | 0:08:10 | |
a cup or two of vodka... | 0:08:10 | 0:08:12 | |
and, um, this is unlike anything I've ever seen before. | 0:08:12 | 0:08:16 | |
This is solid ice, and if you look through it, | 0:08:16 | 0:08:19 | |
it's perfectly clear, | 0:08:19 | 0:08:21 | |
you can see the bed, right there, and all the rocks. | 0:08:21 | 0:08:23 | |
It's incredible! | 0:08:25 | 0:08:26 | |
'It's a gruelling two-hour journey to the first trap.' | 0:08:28 | 0:08:31 | |
This looks a lot more fun than it feels! Ah! | 0:08:36 | 0:08:40 | |
Oi! | 0:08:44 | 0:08:45 | |
This is the moment when we venture out into the, er, | 0:08:48 | 0:08:52 | |
into the unknown to try and check those traps | 0:08:52 | 0:08:54 | |
and see what we can find. | 0:08:54 | 0:08:55 | |
'It's a tough life being a fur trapper. | 0:08:59 | 0:09:02 | |
'If Vadim doesn't catch a sable, then his family doesn't eat.' | 0:09:02 | 0:09:05 | |
HE SPEAKS IN RUSSIAN | 0:09:05 | 0:09:07 | |
Vadim uses spring-loaded traps, | 0:09:13 | 0:09:15 | |
especially designed not to damage the fur. | 0:09:15 | 0:09:17 | |
You can't even see the trap itself, | 0:09:20 | 0:09:22 | |
he's put on a piece of paper over it and, um, | 0:09:22 | 0:09:24 | |
re-covered the whole area with snow | 0:09:24 | 0:09:26 | |
so there's no way of knowing there's anything in there, | 0:09:26 | 0:09:28 | |
so in theory this is the perfect set-up to get a sable. | 0:09:28 | 0:09:32 | |
All right, so the trap's empty. | 0:09:33 | 0:09:35 | |
I take it we're going to go on and see if we can find any others, | 0:09:35 | 0:09:38 | |
but why exactly do you have a gun on your back? | 0:09:38 | 0:09:41 | |
Good! Do you want to lead the way, Mr Gunman? | 0:09:52 | 0:09:55 | |
All right. | 0:09:55 | 0:09:56 | |
This just gets better and better, doesn't it? | 0:09:58 | 0:10:01 | |
There it is. | 0:10:03 | 0:10:04 | |
What do we think, Vadim? | 0:10:04 | 0:10:05 | |
You're making me jump! THEY LAUGH | 0:10:11 | 0:10:14 | |
So this is what everybody's searching for? | 0:10:17 | 0:10:20 | |
The sable is a small carnivore related to the ferret. | 0:10:20 | 0:10:24 | |
Once trapped, it freezes to death in a couple of hours. | 0:10:25 | 0:10:29 | |
I'm wearing gloves, but I can feel just how beautiful this fur is. | 0:10:29 | 0:10:33 | |
It's quite hard to get my head around, that this is worth so much | 0:10:33 | 0:10:36 | |
and as well as that, this will become something that will be, | 0:10:36 | 0:10:40 | |
that will be coveted and loved somewhere halfway around the world. | 0:10:40 | 0:10:44 | |
Vadim's definitely pleased, | 0:10:44 | 0:10:46 | |
he's having a celebratory cigarette over there, he's enjoying himself! | 0:10:46 | 0:10:50 | |
Vadim, what quality is this skin? Just how valuable is this? | 0:10:50 | 0:10:54 | |
Less than 100 doesn't really seem like a lot of money | 0:11:11 | 0:11:14 | |
when you think how much a sable coat will eventually sell for. | 0:11:14 | 0:11:18 | |
Is your wife going to be happy that we're returning home with something? | 0:11:18 | 0:11:21 | |
With just an hour of light left, | 0:11:26 | 0:11:28 | |
it's definitely time to get out of the cold. | 0:11:28 | 0:11:30 | |
It's not looking too great. The, um... | 0:11:32 | 0:11:33 | |
Ski-Doo in front of me has just crashed. | 0:11:33 | 0:11:36 | |
I think it smashed its lights as well. | 0:11:36 | 0:11:38 | |
"Come to Siberia," they said. | 0:11:40 | 0:11:42 | |
"There'll be adventure," they said. | 0:11:42 | 0:11:44 | |
Work-out, more like. | 0:11:44 | 0:11:45 | |
'After a long day, we finally reach Vadim's hunting cabin.' | 0:11:50 | 0:11:54 | |
This is where we sleep. | 0:11:54 | 0:11:56 | |
It's one of those moments where you realise | 0:11:56 | 0:11:58 | |
how much of a man you aren't. | 0:11:58 | 0:12:01 | |
I'd love to help, but, um, probably only going to slow 'em down. | 0:12:02 | 0:12:06 | |
Maybe I could do some carrying, that would be good. Shall I help carry? | 0:12:08 | 0:12:12 | |
Shall we take some inside? Yeah? | 0:12:12 | 0:12:14 | |
The sable is left to gently thaw overnight. | 0:12:21 | 0:12:24 | |
OK, so what's the, what's the nail in the string for? | 0:12:36 | 0:12:39 | |
I've actually owned one coat with a fur collar before. | 0:12:52 | 0:12:57 | |
I at no point | 0:12:57 | 0:12:59 | |
really sort of considered | 0:12:59 | 0:13:01 | |
where that little bit of fur had come from. | 0:13:01 | 0:13:04 | |
A lot of people in the West will probably be shocked | 0:13:08 | 0:13:11 | |
by watching this footage and watching this process. | 0:13:11 | 0:13:14 | |
Do you think it's ridiculous that people are surprised or, | 0:13:14 | 0:13:18 | |
or shocked by what it is you're doing? | 0:13:18 | 0:13:20 | |
That's the last bit now, that's the head just coming off. | 0:13:36 | 0:13:39 | |
Rrr! | 0:13:45 | 0:13:46 | |
So, this is it. This is the world-famous sable skin, | 0:13:56 | 0:13:58 | |
this is what people all over the world are paying top dollar for now. | 0:13:58 | 0:14:01 | |
When you just sort of focus on this, the fur, it's pretty spectacular. | 0:14:01 | 0:14:07 | |
But the minute you pull out | 0:14:07 | 0:14:09 | |
and sort of take into account the process | 0:14:09 | 0:14:12 | |
and what Vadim's just thrown out the door, | 0:14:12 | 0:14:14 | |
which is actually the carcass, | 0:14:14 | 0:14:16 | |
this is a very surreal 25 minutes of my life. | 0:14:16 | 0:14:22 | |
One and two. | 0:14:34 | 0:14:36 | |
Lot seven, er... | 0:14:36 | 0:14:38 | |
Er, 60, 60. Yes, 60... | 0:14:38 | 0:14:40 | |
So how does a fur pelt that Vadim sells for 80 | 0:14:40 | 0:14:44 | |
end up as part of a coat costing one million Euros? | 0:14:44 | 0:14:47 | |
I'm back in St Petersburg with fur fashion designer Igor. | 0:14:49 | 0:14:53 | |
He's bought me to the annual fur auction. | 0:14:54 | 0:14:57 | |
This is where people start making big money. | 0:14:57 | 0:14:59 | |
56, I'm in. 56... | 0:14:59 | 0:15:02 | |
And is it always this international? | 0:15:02 | 0:15:04 | |
-Because there's people from the UK, people from China. -China... | 0:15:04 | 0:15:07 | |
-There's Russians... -Italian and Greek. | 0:15:07 | 0:15:10 | |
Ah, ah! | 0:15:10 | 0:15:11 | |
-I've been coming here since I'm 18. -Right. | 0:15:11 | 0:15:14 | |
Born and bred in Brixton. | 0:15:14 | 0:15:15 | |
What is so special about Russian sable, then? | 0:15:15 | 0:15:17 | |
-It's a very, very special article. -Yeah? | 0:15:17 | 0:15:19 | |
-It's just wonderful. -Yeah? -It's wonderful. | 0:15:19 | 0:15:21 | |
They've got an offering here of 260,000 skins | 0:15:21 | 0:15:26 | |
and they're 100% sold. | 0:15:26 | 0:15:28 | |
Er, lot 44, 44... | 0:15:28 | 0:15:31 | |
'Nearly 20 million will be spent on sable at this auction alone.' | 0:15:31 | 0:15:36 | |
It seems some of the biggest brands are literally fighting each other | 0:15:37 | 0:15:40 | |
to get the best furs. | 0:15:40 | 0:15:42 | |
And it's getting quite rowdy. | 0:15:42 | 0:15:44 | |
-Up! -Up! -Up now! | 0:15:44 | 0:15:47 | |
Up! | 0:15:47 | 0:15:48 | |
-Up! -Up! | 0:15:48 | 0:15:50 | |
Up! | 0:15:50 | 0:15:52 | |
76. 76, 78... | 0:15:52 | 0:15:55 | |
This is the only auction in the world where you can buy wild sable. | 0:15:55 | 0:15:59 | |
82 upstairs, 82. | 0:15:59 | 0:16:01 | |
No! | 0:16:01 | 0:16:02 | |
He dropped! | 0:16:02 | 0:16:05 | |
-He dropped. -He didn't drop... | 0:16:05 | 0:16:07 | |
'With the argument raging, | 0:16:07 | 0:16:09 | |
'I decide to go backstage and see what all the fuss is about.' | 0:16:09 | 0:16:13 | |
The scale of this is just jaw-dropping. | 0:16:13 | 0:16:17 | |
I've never seen anything like this before. | 0:16:17 | 0:16:19 | |
It just sort of brings it home, the size of this industry. | 0:16:19 | 0:16:23 | |
People are buying a lot of these animals because it takes 40, | 0:16:23 | 0:16:27 | |
40 of these to make one coat. | 0:16:27 | 0:16:29 | |
But that room over there, | 0:16:29 | 0:16:31 | |
with around a quarter of a million of them, | 0:16:31 | 0:16:34 | |
it is just unbelievable. | 0:16:34 | 0:16:35 | |
The sable at the auction are mostly trapped in the wild. | 0:16:42 | 0:16:46 | |
But there's another side to the Russian fur industry. | 0:16:48 | 0:16:51 | |
This is a fur farm on the outskirts of Siberia's | 0:16:54 | 0:16:57 | |
second-biggest city, Irkutsk. | 0:16:57 | 0:17:00 | |
Morning. | 0:17:00 | 0:17:01 | |
-Reggie, nice to meet you. Are you Victor? -Victor. | 0:17:01 | 0:17:03 | |
Nice to meet you. Nice to meet you. | 0:17:03 | 0:17:05 | |
'The farm's manager and his outstanding sable hat | 0:17:05 | 0:17:09 | |
'have agreed to show me around.' | 0:17:09 | 0:17:11 | |
What am I walking into here? This is, this is huge. | 0:17:11 | 0:17:15 | |
Over 80% of the world's fur is produced in farms. | 0:17:15 | 0:17:19 | |
Wow. | 0:17:30 | 0:17:31 | |
There's so many of them. They're jumping all over the place. | 0:17:31 | 0:17:35 | |
They're cartwheeling, they're flipping, | 0:17:35 | 0:17:38 | |
they're bouncing about the cages. | 0:17:38 | 0:17:40 | |
Um... | 0:17:40 | 0:17:41 | |
They don't look that happy to me. | 0:17:41 | 0:17:43 | |
These animals seem desperate to escape. | 0:17:46 | 0:17:49 | |
Is there a reason for them to behave like this? | 0:17:51 | 0:17:54 | |
Are these cages big enough for that? | 0:18:06 | 0:18:09 | |
SABLE GROWLS | 0:18:24 | 0:18:26 | |
Unlike some other animals, captive breeding of sable is difficult, | 0:18:28 | 0:18:32 | |
but the possible rewards mean Victor is persevering. | 0:18:32 | 0:18:35 | |
This is huge... | 0:18:39 | 0:18:41 | |
Sable is just one part of this huge operation. | 0:18:51 | 0:18:55 | |
So what do we have in these cages outside? | 0:18:55 | 0:18:58 | |
HE SPEAKS IN RUSSIAN | 0:18:58 | 0:19:00 | |
Now these guys are almost three times the size of the sable, | 0:19:02 | 0:19:06 | |
but the cages are the same size. | 0:19:06 | 0:19:07 | |
Is there a reason for that? | 0:19:07 | 0:19:09 | |
And they seem to be moving the same way as the sable. Why is that? | 0:19:16 | 0:19:21 | |
These animals are clearly in a state of distress. | 0:19:30 | 0:19:33 | |
In your opinion, do you think the consumer | 0:19:33 | 0:19:36 | |
cares where the fur comes from? | 0:19:36 | 0:19:38 | |
The main fur being produced here is mink. | 0:19:49 | 0:19:52 | |
They're related to sable, but they're much easier to breed | 0:19:52 | 0:19:55 | |
and they've been farmed for generations around the world. | 0:19:55 | 0:19:58 | |
Is this mink? That one? | 0:19:58 | 0:20:00 | |
So this shed and all of the sheds before it | 0:20:04 | 0:20:08 | |
are absolutely huge - they go on forever. | 0:20:08 | 0:20:10 | |
The farm produces around 70,000 pelts a year. | 0:20:11 | 0:20:15 | |
They'll get 15 euros for each one. | 0:20:15 | 0:20:17 | |
There are around 70 fur farms in Russia. | 0:20:17 | 0:20:20 | |
And this isn't even one of the biggest. | 0:20:22 | 0:20:25 | |
Two million. | 0:20:47 | 0:20:49 | |
But Victor has one more surprise for me. | 0:20:49 | 0:20:52 | |
THEY CONVERSE IN RUSSIAN | 0:20:54 | 0:20:57 | |
What is this? | 0:20:58 | 0:20:59 | |
Why...why do you have a lynx here? | 0:21:05 | 0:21:07 | |
I remembered seeing a lynx coat back in Igor's boutique. | 0:21:16 | 0:21:20 | |
He told me not to think about the animal, | 0:21:20 | 0:21:22 | |
just the beauty of the fur. | 0:21:22 | 0:21:24 | |
To see one in those conditions is... | 0:21:25 | 0:21:27 | |
It's heartbreaking. | 0:21:27 | 0:21:29 | |
It's in a tiny cage, no bigger than this, | 0:21:29 | 0:21:31 | |
and it is just going up and down with crazy eyes, | 0:21:31 | 0:21:34 | |
and it is trampling over its own waste. | 0:21:34 | 0:21:36 | |
It just really doesn't sit well with me at all. | 0:21:38 | 0:21:41 | |
My understanding of fur has always been one thing, | 0:21:50 | 0:21:52 | |
and that is, you know, you see a fur coat, | 0:21:52 | 0:21:54 | |
you imagine that it's come from some hunter in the wild, | 0:21:54 | 0:21:57 | |
you know, a pack of guys going out with guns | 0:21:57 | 0:21:59 | |
and returning with animals over their shoulder. | 0:21:59 | 0:22:02 | |
That's the way I've always understood the process to work. | 0:22:02 | 0:22:05 | |
But we are talking millions of furs coming from farms. | 0:22:08 | 0:22:12 | |
That means that millions of animals are in cages. | 0:22:12 | 0:22:15 | |
That means that millions of animals are being raised | 0:22:15 | 0:22:17 | |
to be skinned to make a coat. | 0:22:17 | 0:22:20 | |
I don't know. It's just really unsettling | 0:22:20 | 0:22:23 | |
that these animals are being kept in conditions | 0:22:23 | 0:22:26 | |
where they are quite clearly distressed | 0:22:26 | 0:22:28 | |
for their entire life. | 0:22:28 | 0:22:29 | |
MINK BARKS AND GROWLS | 0:22:29 | 0:22:32 | |
I'm not saying I'm going to go and join animal rights | 0:22:33 | 0:22:36 | |
when I leave here, but I definitely am feeling | 0:22:36 | 0:22:38 | |
a shift in my attitude towards fur, definitely. | 0:22:38 | 0:22:41 | |
The sheer scale of fur farming makes me think | 0:22:44 | 0:22:46 | |
that the demand for fur has gone way beyond the super-rich. | 0:22:46 | 0:22:49 | |
Back in London, I am starting to see fur everywhere. | 0:22:52 | 0:22:55 | |
It's...quite hard to ignore the fact | 0:22:56 | 0:22:59 | |
that so many people have some sort of fur, | 0:22:59 | 0:23:01 | |
on their coat or on their person some way, | 0:23:01 | 0:23:05 | |
be that real or faux. | 0:23:05 | 0:23:07 | |
It's everywhere. I just watch people walking by | 0:23:07 | 0:23:09 | |
and they have fur trim on their hoods, their gloves... | 0:23:09 | 0:23:12 | |
Even after all the animal rights activists, | 0:23:12 | 0:23:14 | |
it's still seen as appealing. | 0:23:14 | 0:23:16 | |
-Yeah. -And pretty. | 0:23:16 | 0:23:18 | |
So, how do the tastes of the super-rich | 0:23:18 | 0:23:20 | |
spread to us mere mortals? | 0:23:20 | 0:23:22 | |
You have the high-end, the luxury fashion, | 0:23:22 | 0:23:25 | |
that sets the trends and it trickles down | 0:23:25 | 0:23:27 | |
to fast fashion, high-street shops. | 0:23:27 | 0:23:30 | |
Fendi and other companies have put out these little pom-poms, | 0:23:30 | 0:23:33 | |
just clip them onto your coat or your bag or whatever. | 0:23:33 | 0:23:36 | |
-It is an entry-level product. -Right. | 0:23:36 | 0:23:38 | |
# I-I-I-I-I I like you very much... # | 0:23:38 | 0:23:42 | |
But even these entry-level products | 0:23:42 | 0:23:44 | |
go for around £300. | 0:23:44 | 0:23:47 | |
The real trick has been getting younger people to want to buy fur. | 0:23:47 | 0:23:51 | |
Younger consumers are definitely less stigmatised or wary | 0:23:55 | 0:23:59 | |
of buying and wearing fur. | 0:23:59 | 0:24:01 | |
The fur companies are sponsoring competitions in schools | 0:24:01 | 0:24:06 | |
and providing the fur to teach students how to use it. | 0:24:06 | 0:24:09 | |
Ten years ago, 50 or 60 designers used fur in their collections. | 0:24:09 | 0:24:12 | |
Today, it is about 400 to 500. | 0:24:12 | 0:24:15 | |
-Is that faux or is it real? -It's faux fur. | 0:24:15 | 0:24:17 | |
Would you ever wear real fur? | 0:24:17 | 0:24:18 | |
Yeah, no, I have no problem with wearing real fur. | 0:24:18 | 0:24:21 | |
If you don't mind me asking, how old are you? | 0:24:21 | 0:24:23 | |
I'm 23. | 0:24:23 | 0:24:24 | |
I think that you get to a stage where people are like, | 0:24:24 | 0:24:26 | |
-"Oh, well, going to start wearing it again." -Yeah. | 0:24:26 | 0:24:29 | |
They just want to be fashionable | 0:24:29 | 0:24:30 | |
and if that is the look of the moment, | 0:24:30 | 0:24:32 | |
that's what it is, and that's why these designers | 0:24:32 | 0:24:35 | |
have such great power, | 0:24:35 | 0:24:36 | |
because that look permeates our entire culture. | 0:24:36 | 0:24:40 | |
This high-street revival means that the industry has to source | 0:24:41 | 0:24:44 | |
more and more fur at rock-bottom prices. | 0:24:44 | 0:24:48 | |
A lot of it is produced in even worse conditions | 0:24:48 | 0:24:50 | |
than what I saw in Russia. | 0:24:50 | 0:24:52 | |
China is the world's biggest supplier of cheap fur. | 0:24:54 | 0:24:57 | |
It is often so cheap, it costs less than the fake stuff. | 0:24:57 | 0:25:01 | |
But fur is only part of the story. | 0:25:07 | 0:25:10 | |
London is now at the heart of the global network of designers | 0:25:10 | 0:25:14 | |
who see animal products as the key | 0:25:14 | 0:25:15 | |
to unlocking the super-rich's wallet. | 0:25:15 | 0:25:19 | |
And there is one man who knows better than most how to do it. | 0:25:19 | 0:25:22 | |
-Ethan. -Hi, good afternoon. -Reg. -How are you? | 0:25:26 | 0:25:28 | |
Yeah, really good, really good. Thank you for having me. | 0:25:28 | 0:25:31 | |
I am entering the magical world of Ethan Koh, | 0:25:34 | 0:25:37 | |
a Singaporean designer of bespoke, handcrafted, luxury handbags. | 0:25:37 | 0:25:42 | |
Crocodile skins are just like diamonds | 0:25:45 | 0:25:47 | |
and they are extremely precious. | 0:25:47 | 0:25:49 | |
The attention to detail is paramount. | 0:25:49 | 0:25:52 | |
You know, every bag has a special feature, | 0:25:52 | 0:25:54 | |
so this is an interesting trap door. | 0:25:54 | 0:25:56 | |
We recently had a customer who recently did a count of my pieces | 0:25:56 | 0:25:59 | |
and she came up with 62. | 0:25:59 | 0:26:01 | |
-OK. -This is £3,000. | 0:26:01 | 0:26:04 | |
And, obviously, range up to £25,000. | 0:26:04 | 0:26:07 | |
The Australian saltwater crocodile is one of the most expensive - | 0:26:11 | 0:26:14 | |
like this one here - | 0:26:14 | 0:26:16 | |
because the scales on the side are very small and round, | 0:26:16 | 0:26:20 | |
just like diamonds, | 0:26:20 | 0:26:21 | |
and especially for a woman's handbag, | 0:26:21 | 0:26:23 | |
to use a skin like this, it makes the bag shinier and better | 0:26:23 | 0:26:27 | |
and the effect is beautiful. | 0:26:27 | 0:26:29 | |
Ethan's bags are sold in some of the most exclusive stores in the world, | 0:26:29 | 0:26:33 | |
but a select few customers get a bag designed personally for them. | 0:26:33 | 0:26:37 | |
So, what is it that qualifies a client to sit with you | 0:26:37 | 0:26:40 | |
and design a bag, face to face? | 0:26:40 | 0:26:43 | |
Of course, we never recommend the bespoke service | 0:26:43 | 0:26:46 | |
to someone that has never appreciated or acquired | 0:26:46 | 0:26:49 | |
any of our basic pieces in the collection. | 0:26:49 | 0:26:51 | |
Well, if that is the case, be honest - | 0:26:51 | 0:26:53 | |
how many bags have I got to buy to get here with you? | 0:26:53 | 0:26:56 | |
I really feel that you should have around three of these bags... | 0:26:56 | 0:27:00 | |
Three...? You've got to buy three bags before you get in? | 0:27:00 | 0:27:03 | |
Yeah, and I think maybe you should get, like, | 0:27:03 | 0:27:05 | |
two colours of each, right? | 0:27:05 | 0:27:06 | |
-Then you know our service better. -LAUGHING: Yeah. | 0:27:06 | 0:27:09 | |
My bank would definitely know more about the brand, that's for sure. | 0:27:09 | 0:27:12 | |
And then, we will have a bag maybe named after you. | 0:27:12 | 0:27:14 | |
REGGIE LAUGHS | 0:27:14 | 0:27:16 | |
The saltwater crocodile is one of the world's greatest predators. | 0:27:25 | 0:27:29 | |
I have come to its home in northern Australia | 0:27:34 | 0:27:37 | |
and this is the farm where they are bred. | 0:27:37 | 0:27:40 | |
Here, they raise, kill and skin thousands of crocs every year. | 0:27:41 | 0:27:46 | |
'Charlie is one of the croc handlers.' | 0:27:49 | 0:27:51 | |
OK, Reggie... | 0:27:51 | 0:27:53 | |
-Now, our male is in that back pond. -Yeah. | 0:27:53 | 0:27:56 | |
So the best place for us... | 0:27:56 | 0:27:59 | |
REGGIE LAUGHS NERVOUSLY | 0:27:59 | 0:28:00 | |
-..is inside? -After you. | 0:28:00 | 0:28:01 | |
-CHARLIE LAUGHS -No, I'll go first. | 0:28:01 | 0:28:04 | |
-You are seriously going in there? -I'm seriously going in there. | 0:28:04 | 0:28:07 | |
'Today, Charlie and his team are trying to catch | 0:28:07 | 0:28:09 | |
'one of their big males, called Eric.' | 0:28:09 | 0:28:12 | |
And then our challenge is to get that rope over his top jaw. | 0:28:12 | 0:28:15 | |
So, when you are ready, boys. | 0:28:15 | 0:28:17 | |
Oh, oh, oh... | 0:28:23 | 0:28:24 | |
And, of course, the death roll. | 0:28:26 | 0:28:28 | |
-And as long as... -I was about to sprint there, Charlie. | 0:28:32 | 0:28:34 | |
As long as Ken doesn't let go of the rope, we are fine. | 0:28:34 | 0:28:37 | |
Don't let go of the rope! | 0:28:37 | 0:28:39 | |
So, if I came into contact with this guy in the wild, | 0:28:39 | 0:28:41 | |
what do you think would happen to me? | 0:28:41 | 0:28:43 | |
If you're swimming in any river or billabong in the top end, | 0:28:43 | 0:28:46 | |
and you came across him, and he grabbed you, | 0:28:46 | 0:28:49 | |
you would have a 0% chance of survival. | 0:28:49 | 0:28:52 | |
Today is a big day for Eric - as a prize breeder, | 0:28:56 | 0:28:59 | |
he is about to be introduced to a new female. | 0:28:59 | 0:29:02 | |
One, two, three... | 0:29:02 | 0:29:04 | |
But before he is introduced to his new mate, | 0:29:07 | 0:29:09 | |
his jaws have been taped up so he doesn't eat her. | 0:29:09 | 0:29:13 | |
It's the croc version of safe sex. | 0:29:13 | 0:29:14 | |
Just use your pole. | 0:29:14 | 0:29:16 | |
He's poking it with a stick. | 0:29:16 | 0:29:18 | |
What is...? What is going on? | 0:29:19 | 0:29:21 | |
Go. | 0:29:21 | 0:29:23 | |
Ready? Go. | 0:29:23 | 0:29:25 | |
Eric was born in the wild. | 0:29:25 | 0:29:27 | |
He was brought here after being suspected of killing two people. | 0:29:27 | 0:29:31 | |
The only thing that is stopping it from running at me, | 0:29:32 | 0:29:35 | |
and everyone else, | 0:29:35 | 0:29:36 | |
is a bit of old sack covering its eyes. | 0:29:36 | 0:29:40 | |
Eric is too old and too scarred for his skin to be used as a handbag, | 0:29:40 | 0:29:45 | |
but he is great for breeding. | 0:29:45 | 0:29:46 | |
But they do need to tape his mouth up, | 0:29:48 | 0:29:50 | |
to stop them from killing the female that will be put in the enclosure. | 0:29:50 | 0:29:54 | |
So he can't actually bite her head off. Literally. | 0:29:57 | 0:30:02 | |
God help that female. | 0:30:02 | 0:30:04 | |
They're going to be living together for the next few weeks. | 0:30:04 | 0:30:07 | |
But most baby crocs still come from eggs collected in the wild | 0:30:15 | 0:30:19 | |
and Charlie is taking me with him. | 0:30:19 | 0:30:21 | |
This is what's going to protect me! | 0:30:21 | 0:30:23 | |
Just in case a croc attacks. | 0:30:23 | 0:30:24 | |
Whatever happened to something sharp? | 0:30:26 | 0:30:28 | |
This is it. We're off to go and get some crocodile eggs. | 0:30:34 | 0:30:37 | |
Fingers crossed I don't run into Momma Crocodile. | 0:30:37 | 0:30:40 | |
40 years ago, crocs were hunted in the wild for their skins, | 0:30:41 | 0:30:44 | |
so much so they nearly became extinct. | 0:30:44 | 0:30:48 | |
This is unreal. | 0:30:48 | 0:30:50 | |
Look at it! | 0:30:50 | 0:30:51 | |
Since then, strict controls on hunting have meant that croc farms | 0:30:53 | 0:30:56 | |
have taken over supplying skins to the fashion industry. | 0:30:56 | 0:31:00 | |
The wild population is now back to full strength. | 0:31:00 | 0:31:03 | |
We're just going to have a quick look out here at this new area. | 0:31:05 | 0:31:09 | |
Landowners protect the crocs' habitat | 0:31:09 | 0:31:11 | |
because they make money from each egg that is collected. | 0:31:11 | 0:31:15 | |
There are nests everywhere. | 0:31:15 | 0:31:17 | |
OK, here's one. A new one. | 0:31:18 | 0:31:20 | |
What am I looking for? | 0:31:20 | 0:31:21 | |
They're like a mound of vegetation. | 0:31:21 | 0:31:24 | |
The female rakes up this vegetation into a mound | 0:31:24 | 0:31:27 | |
and then she lays the eggs inside it. | 0:31:27 | 0:31:29 | |
What we want to do is I'm going to drop some tape on this | 0:31:29 | 0:31:32 | |
so that when we're on the ground, we can actually locate it. | 0:31:32 | 0:31:36 | |
Charlie and the farmer are protecting the world croc population | 0:31:36 | 0:31:39 | |
by finding and buying the eggs. | 0:31:39 | 0:31:42 | |
So what's the plan when we finally touch down? | 0:31:42 | 0:31:45 | |
We're going to be very, very careful. | 0:31:45 | 0:31:48 | |
Strike while the iron is hot, Reggie. | 0:31:48 | 0:31:50 | |
Here goes nothing. | 0:31:51 | 0:31:52 | |
Maybe not the best start. | 0:31:56 | 0:31:57 | |
And suddenly we're alone. | 0:32:07 | 0:32:09 | |
Let me get this straight, the helicopter's gone | 0:32:09 | 0:32:11 | |
and it's just you, me, these paddles, | 0:32:11 | 0:32:14 | |
a nest with about 50-odd eggs in it | 0:32:14 | 0:32:16 | |
and the mother of those eggs somewhere near here. | 0:32:16 | 0:32:19 | |
Yes. | 0:32:19 | 0:32:21 | |
In a word, yes. | 0:32:21 | 0:32:22 | |
She's here somewhere. | 0:32:22 | 0:32:24 | |
She'll always stay near her nest, either at it or in the vicinity, | 0:32:24 | 0:32:29 | |
and I think you might have seen a little trail that goes | 0:32:29 | 0:32:32 | |
-into that nest that we just tagged. -Yeah. | 0:32:32 | 0:32:34 | |
And that's her. | 0:32:34 | 0:32:35 | |
I can see the trail where she's been. Look at that! | 0:32:35 | 0:32:38 | |
Can you see it? Right there! | 0:32:38 | 0:32:40 | |
We're going to avoid that little... | 0:32:40 | 0:32:41 | |
Yes, we are. | 0:32:41 | 0:32:43 | |
We're definitely going to avoid that trail. | 0:32:43 | 0:32:45 | |
Look, a four and five-metre-size crocodile can hide | 0:32:45 | 0:32:48 | |
in about half a metre of water, | 0:32:48 | 0:32:50 | |
so we've just got to be careful. | 0:32:50 | 0:32:53 | |
You don't find this in England. | 0:32:53 | 0:32:55 | |
No. | 0:32:55 | 0:32:56 | |
This is all I've got to defend myself. | 0:32:56 | 0:33:00 | |
What am I doing? | 0:33:00 | 0:33:02 | |
What am I doing? What am I doing? What am I doing? | 0:33:02 | 0:33:04 | |
What am I doing? What am I doing here? | 0:33:04 | 0:33:07 | |
What am I doing? | 0:33:07 | 0:33:09 | |
What am I doing? | 0:33:09 | 0:33:10 | |
The other members of the crew arrive | 0:33:12 | 0:33:14 | |
and I'm beginning to feel slightly more reassured. | 0:33:14 | 0:33:17 | |
One of the team is Giovanna, | 0:33:18 | 0:33:20 | |
a croc scientist who's also co-owner of the farm. | 0:33:20 | 0:33:23 | |
So, a couple of months ago, | 0:33:24 | 0:33:26 | |
I was asked to get involved with a programme about fashion. | 0:33:26 | 0:33:30 | |
This is true fashion, darling. | 0:33:30 | 0:33:32 | |
Do you really believe that? | 0:33:37 | 0:33:39 | |
Yeah? | 0:33:39 | 0:33:41 | |
Do you see yourself intrinsically connected to fashion, then? | 0:33:41 | 0:33:44 | |
It's a real sort of strange place to have a realisation, | 0:33:53 | 0:33:58 | |
but it appears that, if people don't buy the handbags, | 0:33:58 | 0:34:03 | |
technically the crocs die out. | 0:34:03 | 0:34:05 | |
The challenge is - how do we make sure that trade is good, | 0:34:05 | 0:34:09 | |
that it's managed, sustainable | 0:34:09 | 0:34:11 | |
and doesn't lead to the decline of the species? | 0:34:11 | 0:34:13 | |
That's the challenge for us as researchers and managers | 0:34:13 | 0:34:17 | |
and I think we've done it here in Australia, certainly, | 0:34:17 | 0:34:21 | |
because we've got more than enough crocodiles. | 0:34:21 | 0:34:23 | |
There's a track leading up to the nest as well. | 0:34:25 | 0:34:27 | |
We need to be careful | 0:34:27 | 0:34:29 | |
because that means that Momma Croc has been here recently. | 0:34:29 | 0:34:32 | |
We can see where she's been laying, | 0:34:32 | 0:34:34 | |
so you get that groove across the top. | 0:34:34 | 0:34:36 | |
The tail, where she's laid across the nest. | 0:34:36 | 0:34:39 | |
What we've got to watch out for is for the water over here. | 0:34:39 | 0:34:43 | |
We want to keep an eye on that | 0:34:43 | 0:34:44 | |
just in case she's around and she decide she's going to come up. | 0:34:44 | 0:34:47 | |
-Here, you see? Could be just here. -She's just trying to freak me out. | 0:34:47 | 0:34:50 | |
Why are you poking it? If she's there, what are you doing? | 0:34:50 | 0:34:53 | |
Stop poking it, you crazy person! | 0:34:53 | 0:34:55 | |
You're on guard. Ah-ha! | 0:34:55 | 0:34:57 | |
-We've got eggs? -We have eggs. | 0:34:57 | 0:34:59 | |
Here we go. Beautiful! | 0:35:00 | 0:35:03 | |
Look at that, it's full of eggs. Look at it! | 0:35:03 | 0:35:05 | |
Every time I come to the swamp and I find a new nest, | 0:35:05 | 0:35:09 | |
it's like giving birth over and over again. | 0:35:09 | 0:35:13 | |
-50 times in one! -That's it. | 0:35:13 | 0:35:14 | |
This is the highlight of my job. Really. | 0:35:16 | 0:35:18 | |
I can't help but notice the amount of eggs | 0:35:18 | 0:35:20 | |
that are actually coming out of the nest. | 0:35:20 | 0:35:22 | |
By taking that many eggs from the wild, | 0:35:22 | 0:35:24 | |
does it deplete the population? | 0:35:24 | 0:35:25 | |
Not in the slightest. | 0:35:25 | 0:35:27 | |
In fact, because our crocodile populations are now so big - | 0:35:27 | 0:35:31 | |
they're back to pristine levels - | 0:35:31 | 0:35:34 | |
even if we allowed all these to hatch, they would die, | 0:35:34 | 0:35:37 | |
because the bigger crocodiles are going to kill them. | 0:35:37 | 0:35:40 | |
This is really what's driving conservation now, | 0:35:40 | 0:35:44 | |
is the ability to have these eggs, sell them. | 0:35:44 | 0:35:46 | |
Yeah, they're dangerous animals | 0:35:46 | 0:35:48 | |
and the best way to really conserve | 0:35:48 | 0:35:51 | |
a big, dangerous predator like saltwater crocodiles | 0:35:51 | 0:35:54 | |
is to make them economically valuable in some way. | 0:35:54 | 0:35:57 | |
With Momma Crocodile due back any minute, | 0:35:59 | 0:36:02 | |
I think we've overstayed our welcome. | 0:36:02 | 0:36:05 | |
OK, that's our chopper. | 0:36:05 | 0:36:06 | |
Time to go? | 0:36:06 | 0:36:08 | |
This is incredible. | 0:36:17 | 0:36:19 | |
Back at the farm, the eggs will be put into incubators. | 0:36:26 | 0:36:29 | |
They're kept at a specific temperature | 0:36:29 | 0:36:31 | |
so they'll develop into males. | 0:36:31 | 0:36:33 | |
It's feeding time. | 0:36:38 | 0:36:40 | |
These little guys will one day end up as bags. | 0:36:41 | 0:36:45 | |
Will some of these big brands not take the skin | 0:36:56 | 0:36:58 | |
if it's got a scratch on it? | 0:36:58 | 0:36:59 | |
They only breed males because they grow much faster. | 0:37:09 | 0:37:13 | |
They're killed when they're four years old. | 0:37:13 | 0:37:15 | |
That's when their belly skin is wide enough. | 0:37:15 | 0:37:17 | |
It takes two animals to make one handbag. | 0:37:17 | 0:37:20 | |
The farm gets about 1,000 per croc. | 0:37:22 | 0:37:25 | |
Many crocodile farmers around the world | 0:37:28 | 0:37:30 | |
have poor animal welfare standards | 0:37:30 | 0:37:33 | |
and an unsustainable approach to how many they take from the wild. | 0:37:33 | 0:37:37 | |
But from what I've seen in Australia, | 0:37:40 | 0:37:42 | |
farming allows large numbers of crocs | 0:37:42 | 0:37:44 | |
to live out their lives in their natural habitat. | 0:37:44 | 0:37:48 | |
-OK, so we're heading into the incubator. -OK. | 0:37:48 | 0:37:50 | |
-We have about 1,100 eggs at the moment. -1,100. | 0:37:50 | 0:37:54 | |
We're just in time for the first hatchlings of the season. | 0:37:54 | 0:37:58 | |
So typically what are the crocs like | 0:37:58 | 0:38:00 | |
-the minute they get out of those eggs? Are they... -You will find out. | 0:38:00 | 0:38:03 | |
Right, well, they're definitely inquisitive. | 0:38:03 | 0:38:05 | |
-Are they aggressive at all? -Yeah. Yes. | 0:38:05 | 0:38:08 | |
As soon as they hatch, straight away they latch to your finger. | 0:38:08 | 0:38:12 | |
-They have very sharp little teeth. -Right. | 0:38:12 | 0:38:15 | |
So we're going just to help him just to come out. | 0:38:15 | 0:38:18 | |
This is very much like a scene in Jurassic Park. | 0:38:18 | 0:38:20 | |
Absolutely. | 0:38:20 | 0:38:22 | |
I'm shaking, I'm so scared I'm going to hurt the thing. | 0:38:22 | 0:38:25 | |
-Oh! -It's all right! It's all right! | 0:38:25 | 0:38:28 | |
It's OK! | 0:38:28 | 0:38:30 | |
It's OK. It's all right. | 0:38:30 | 0:38:32 | |
It got me! Look! It properly bit me! | 0:38:32 | 0:38:35 | |
Sorry, mate. | 0:38:35 | 0:38:36 | |
-Welcome to the world! It's cool out here. -That's right. | 0:38:36 | 0:38:39 | |
Fresh out of the shell, they are cute but they do bite, | 0:38:39 | 0:38:42 | |
and I can tell you that first-hand. | 0:38:42 | 0:38:46 | |
Giovanna and her team are doing everything they can | 0:38:46 | 0:38:49 | |
to save these once-endangered animals. | 0:38:49 | 0:38:51 | |
This is the happy time. Happy time for us. | 0:38:51 | 0:38:53 | |
This is gorgeous. | 0:38:53 | 0:38:55 | |
Giovanna and Charlie are essentially conservationists | 0:38:55 | 0:38:58 | |
and they are doing whatever it takes to ensure that crocodiles survive | 0:38:58 | 0:39:03 | |
and that they stay a part of this ecosystem. | 0:39:03 | 0:39:06 | |
Look at that! Boom! | 0:39:06 | 0:39:08 | |
I've seen it first-hand. | 0:39:09 | 0:39:11 | |
Crocodiles are still here in this part of Australia | 0:39:11 | 0:39:14 | |
because of businesses like this. | 0:39:14 | 0:39:17 | |
With such an insatiable appetite for croc skin, | 0:39:22 | 0:39:25 | |
it's driven a fashion boom for all things exotic. | 0:39:25 | 0:39:28 | |
Jay, how you doing, man? You all right? | 0:39:32 | 0:39:34 | |
I'm meeting with an old friend of mine, Jay, | 0:39:34 | 0:39:37 | |
who owns a huge sneaker accessory brand | 0:39:37 | 0:39:39 | |
and has borrowed a pair of trainers | 0:39:39 | 0:39:40 | |
that you certainly couldn't get on the high street. | 0:39:40 | 0:39:44 | |
These are the Nike Air Jordan 1s, dubbed the Brooklyn Zoos. | 0:39:44 | 0:39:48 | |
The trainers are not made by Nike | 0:39:50 | 0:39:52 | |
but have been specially customised for the luxury market. | 0:39:52 | 0:39:56 | |
Literally, on the inside, you've got "pair seven of ten." | 0:39:56 | 0:39:59 | |
There literally are only ten pairs of these. | 0:39:59 | 0:40:01 | |
How much are these selling for? | 0:40:01 | 0:40:03 | |
At the moment, you can get them from anywhere between 10 and 20 grand. | 0:40:03 | 0:40:07 | |
There's nine different skins. | 0:40:07 | 0:40:09 | |
-Nine different animals? -Nine different animals on this shoe. | 0:40:09 | 0:40:12 | |
But what is it about animal skin specifically | 0:40:12 | 0:40:14 | |
-that people love so much? -It's the luxury element of it. | 0:40:14 | 0:40:17 | |
It's the exclusiveness of it, do you get what I'm saying? | 0:40:17 | 0:40:20 | |
It's like, "You can't have these," or, "You'd better be prepared | 0:40:20 | 0:40:23 | |
"to part with some serious money to be able to get these." | 0:40:23 | 0:40:25 | |
It's that bragging right, you know? | 0:40:25 | 0:40:27 | |
What is it that made the shoes so famous? | 0:40:27 | 0:40:29 | |
When Jay Z wore them at the Nets game. | 0:40:29 | 0:40:31 | |
If you've got a pair of these you're in a very special club, you know? | 0:40:31 | 0:40:35 | |
And is that club the epitome of luxury, then? | 0:40:35 | 0:40:37 | |
Yeah. I would say so. | 0:40:37 | 0:40:39 | |
You have a stingray. | 0:40:39 | 0:40:41 | |
You've got lizard on the tongue. | 0:40:41 | 0:40:43 | |
-You've got elephant on the side. -What? Hang on. | 0:40:43 | 0:40:46 | |
-Elephant skin is something you don't hear... -This is it. | 0:40:46 | 0:40:48 | |
I've never seen that before with a shoe, either. | 0:40:48 | 0:40:51 | |
You've got boa on there, you've got crocodile. | 0:40:51 | 0:40:53 | |
You have ostrich on the side here. Python. | 0:40:53 | 0:40:57 | |
Much of the world's python skin comes from Indonesia. | 0:41:00 | 0:41:03 | |
Indonesia makes up 2% of the Earth's land | 0:41:05 | 0:41:08 | |
but its rich jungles provide the fashion industry | 0:41:08 | 0:41:11 | |
with over 14% of its exotic skins. | 0:41:11 | 0:41:14 | |
Many of them come from the island of Java. | 0:41:17 | 0:41:20 | |
-Dian? -Reggie? -Reggie. Nice to meet you. | 0:41:24 | 0:41:27 | |
Thank you for having me. Shall we make a move? | 0:41:27 | 0:41:30 | |
Dian is a local wildlife photographer | 0:41:30 | 0:41:32 | |
who's going to take me to a python hunter. | 0:41:32 | 0:41:34 | |
Look at the state of this face. Look. | 0:41:41 | 0:41:44 | |
That's the face of someone who isn't looking forward to meeting pythons. | 0:41:44 | 0:41:48 | |
Look at this. Everyone's out. Hello. | 0:41:48 | 0:41:51 | |
Our snake catcher is called Ahmed. | 0:41:51 | 0:41:53 | |
This is our guy. Hello. | 0:41:53 | 0:41:55 | |
Hello! | 0:41:55 | 0:41:57 | |
He provides for his family by catching pythons in the wild | 0:41:58 | 0:42:02 | |
and selling them. | 0:42:02 | 0:42:04 | |
Are you the only person in your family that catches snakes? | 0:42:04 | 0:42:07 | |
-This is Dad, right? -Yes. -OK. | 0:42:12 | 0:42:15 | |
Have you ever been bitten? | 0:42:15 | 0:42:16 | |
Oh, let's see. | 0:42:18 | 0:42:20 | |
-Cobra. -A cobra? Wow. | 0:42:20 | 0:42:24 | |
With that in mind, it's time to go hunting. | 0:42:34 | 0:42:37 | |
And we're not the only hunters on the way to Snake Central. | 0:42:38 | 0:42:42 | |
So, is this what they're actually going to put the snakes in? | 0:42:42 | 0:42:45 | |
How are you supposed to get that around the snake? | 0:42:48 | 0:42:50 | |
Ah! Sneaky! | 0:42:52 | 0:42:54 | |
And we're off. | 0:42:57 | 0:42:59 | |
Doesn't look like the bus driver's waiting around. | 0:42:59 | 0:43:02 | |
We've got to literally scarper to get on. | 0:43:02 | 0:43:04 | |
This is a bit tight, isn't it? | 0:43:09 | 0:43:11 | |
And there's a whole bunch of snake catchers everywhere. | 0:43:11 | 0:43:15 | |
One hour later, the hunt begins. | 0:43:15 | 0:43:17 | |
They're already looking in the bushes now. | 0:43:19 | 0:43:22 | |
The snake we're looking for is called a reticulated python. | 0:43:22 | 0:43:25 | |
It can grow up to eight metres long. | 0:43:25 | 0:43:28 | |
It kills by squeezing things to death. | 0:43:30 | 0:43:33 | |
It's immensely strong. | 0:43:33 | 0:43:36 | |
And the only bit of self-defence I've got is a torch. | 0:43:36 | 0:43:39 | |
So they're following the river bank. | 0:43:44 | 0:43:46 | |
If they find a hole, it's a snake's house. | 0:43:46 | 0:43:50 | |
OK. | 0:43:50 | 0:43:51 | |
He's taken his shoes off. | 0:43:53 | 0:43:55 | |
Surely that can't be the smartest idea. | 0:43:55 | 0:43:57 | |
Should be telling Dian. | 0:44:02 | 0:44:03 | |
Watch your step. | 0:44:09 | 0:44:10 | |
REGGIE GASPS | 0:44:20 | 0:44:21 | |
He just caught it with his bare hands. | 0:44:25 | 0:44:27 | |
Look at that! | 0:44:27 | 0:44:29 | |
You just caught it with your hands! Why are you laughing? | 0:44:29 | 0:44:32 | |
This is insane! How long is this? | 0:44:32 | 0:44:34 | |
Oh, man, it's wrapping around me, look! | 0:44:39 | 0:44:41 | |
It's got me! | 0:44:41 | 0:44:43 | |
Oh, my God! | 0:44:43 | 0:44:46 | |
This is mad. Look at that! | 0:44:46 | 0:44:49 | |
-So, is this a good one, then? -Yes. | 0:44:50 | 0:44:53 | |
How much do you think this is going to be worth? | 0:44:53 | 0:44:56 | |
25. | 0:44:56 | 0:44:58 | |
Whoa! | 0:45:03 | 0:45:04 | |
'And it's not just snakes they're hunting.' | 0:45:16 | 0:45:19 | |
And how many of those would you catch in a night? | 0:45:21 | 0:45:23 | |
Well, you guys are just... | 0:45:25 | 0:45:27 | |
You're catching everything here. | 0:45:27 | 0:45:29 | |
'If these guys are doing this every night, | 0:45:29 | 0:45:31 | |
'I'm surprised there's anything left.' | 0:45:31 | 0:45:34 | |
They might have found another snake. | 0:45:34 | 0:45:36 | |
Yeah, there we go. | 0:45:36 | 0:45:37 | |
What sort of snake is this? Is it another python? | 0:45:54 | 0:45:57 | |
Wow, it's absolutely gorgeous. | 0:45:58 | 0:46:00 | |
So this is the skin that they're all paying the money for, right? | 0:46:00 | 0:46:02 | |
Look at that, it's beautiful. | 0:46:02 | 0:46:04 | |
No, let's just get it in the barrel. | 0:46:12 | 0:46:14 | |
Get it in the barrel. | 0:46:14 | 0:46:15 | |
Head-first? God, I forget there's another one in there already. | 0:46:19 | 0:46:22 | |
You know, when you look at the skin and you look at the colour of it, | 0:46:26 | 0:46:29 | |
and you look at how beautiful it is, and how individual | 0:46:29 | 0:46:31 | |
each section of this is, you can understand why people want it. | 0:46:31 | 0:46:34 | |
You can understand why people are catching them, | 0:46:34 | 0:46:37 | |
and why these designer labels are putting them all over their bags. | 0:46:37 | 0:46:40 | |
But...it's a living creature. | 0:46:42 | 0:46:45 | |
You know, this is... | 0:46:45 | 0:46:48 | |
This is a creature that was minding its own business ten minutes ago, | 0:46:48 | 0:46:51 | |
and now, suddenly, the beginning of its journey to becoming | 0:46:51 | 0:46:54 | |
somebody's purse begins right here. | 0:46:54 | 0:46:57 | |
'And it's just a tiny part of a billion-dollar trade.' | 0:47:00 | 0:47:03 | |
The next morning, we arranged to meet Ahmed. | 0:47:09 | 0:47:12 | |
The locals call this place Snake Village. | 0:47:12 | 0:47:15 | |
-HORN BEEPS -Hey. | 0:47:15 | 0:47:17 | |
'He's brought in last night's catch.' | 0:47:17 | 0:47:19 | |
I know that face, hello. | 0:47:19 | 0:47:21 | |
How you doing? All of you fit on this one little bike? | 0:47:21 | 0:47:24 | |
It's unbelievable. | 0:47:24 | 0:47:25 | |
And what's in there? | 0:47:25 | 0:47:27 | |
So, how many of these pythons are actually still alive? | 0:47:28 | 0:47:30 | |
You've got three in there? | 0:47:32 | 0:47:33 | |
'All of the animals taken from the nearby jungle are brought here.' | 0:47:35 | 0:47:39 | |
Oh, man. | 0:47:40 | 0:47:41 | |
Looks like the work's all happening in here. | 0:47:41 | 0:47:43 | |
Is that frogs? I didn't even realise! | 0:47:43 | 0:47:45 | |
There's tons of them getting stripped. | 0:47:45 | 0:47:49 | |
Cut into pieces and what looks like being cleaned for cooking, I guess. | 0:47:49 | 0:47:53 | |
That's a lot of frogs. | 0:47:55 | 0:47:57 | |
-Is that snake skins? -Yes. | 0:47:57 | 0:47:58 | |
It is? So many of them. | 0:47:58 | 0:48:00 | |
Oh, my goodness, look at this... | 0:48:00 | 0:48:02 | |
'The owner of this factory is Jamari.' | 0:48:02 | 0:48:04 | |
Hey. Hello, Reggie. Nice to meet you. | 0:48:04 | 0:48:07 | |
Wow, what are these? Are these python skins? | 0:48:07 | 0:48:09 | |
And how long ago were these brought to you? | 0:48:09 | 0:48:11 | |
And how many days has this been out in the sun? | 0:48:18 | 0:48:20 | |
Just five hours? Right. | 0:48:22 | 0:48:24 | |
It's really strange seeing the skins at this stage of the process | 0:48:24 | 0:48:27 | |
because right now, they just feel a million miles away | 0:48:27 | 0:48:30 | |
from the animals that we caught last night. | 0:48:30 | 0:48:32 | |
This just feels like bits of paper. | 0:48:32 | 0:48:34 | |
And look at that, he's just folding up a huge python. | 0:48:34 | 0:48:36 | |
That's like...three or four pythons in an elastic band. | 0:48:36 | 0:48:41 | |
'Ahmed will get paid per metre for his three pythons. | 0:48:43 | 0:48:46 | |
'So Jamari needs to measure up.' | 0:48:46 | 0:48:49 | |
I've never seen anything like this before in my life. | 0:48:49 | 0:48:51 | |
I mean, he's literally just grabbing the snake by its neck | 0:48:51 | 0:48:54 | |
so he can stretch it out to measure it. | 0:48:54 | 0:48:57 | |
Three metres precisely. | 0:48:57 | 0:48:59 | |
'Any mark on the skin decreases how much the big brands will pay.' | 0:49:01 | 0:49:05 | |
He's got a live python in his hand, and he's not even thinking about it. | 0:49:05 | 0:49:08 | |
This, I guess, is really normal for him. | 0:49:08 | 0:49:11 | |
Whoa. | 0:49:11 | 0:49:13 | |
Look at the colour on this. | 0:49:14 | 0:49:16 | |
Whoa! | 0:49:18 | 0:49:19 | |
THEY LAUGH | 0:49:19 | 0:49:20 | |
This one's a tricky one. | 0:49:20 | 0:49:21 | |
-Did he just nearly bite you? -Yes. | 0:49:21 | 0:49:24 | |
3.5 metres. | 0:49:29 | 0:49:31 | |
It's big. | 0:49:31 | 0:49:32 | |
Ahmed will get around 80 for last night's catch. | 0:49:34 | 0:49:37 | |
This gets shared with the other hunters. | 0:49:37 | 0:49:39 | |
But once skins are turned into even the smallest luxury items, | 0:49:41 | 0:49:45 | |
their value can increase massively. | 0:49:45 | 0:49:47 | |
'For Ahmed, it's the end of his involvement. | 0:49:51 | 0:49:53 | |
'But there are thousands of hunters like him all over Indonesia.' | 0:49:53 | 0:49:57 | |
-It looks like there's another seller here now. -Oh, yeah. | 0:49:57 | 0:49:59 | |
Look at how many he's got! | 0:49:59 | 0:50:02 | |
Wow. | 0:50:02 | 0:50:03 | |
'The amount of animals that are being brought in is staggering.' | 0:50:03 | 0:50:07 | |
And there's more. No way! | 0:50:07 | 0:50:09 | |
So we've got two pythons, | 0:50:10 | 0:50:13 | |
and then lots of smaller snakes. | 0:50:13 | 0:50:15 | |
In any other circumstance, I'd help you carry them in. | 0:50:16 | 0:50:19 | |
Why is he so confident that the cobra's not going to bite him, | 0:50:28 | 0:50:32 | |
even though he's smacking it? | 0:50:32 | 0:50:33 | |
'Moving on from the sideshow, | 0:50:40 | 0:50:42 | |
'I ask if they've noticed a drop in numbers in the jungle.' | 0:50:42 | 0:50:45 | |
Is there actually a cap for the amount of snakes | 0:50:56 | 0:50:58 | |
that can come through his business per month, or per year? | 0:50:58 | 0:51:00 | |
And once you've got a licence, | 0:51:04 | 0:51:06 | |
you can take as many animals as you want? | 0:51:06 | 0:51:08 | |
'Smaller snakes and other reptiles aren't skinned for their skin, | 0:51:09 | 0:51:13 | |
'but for their meat, which demands high prices once it reaches China.' | 0:51:13 | 0:51:17 | |
Oh, my goodness... | 0:51:18 | 0:51:20 | |
It's another thing to add to my "I've never seen before" list. | 0:51:20 | 0:51:24 | |
There's buckets full of snake meat, | 0:51:24 | 0:51:27 | |
and what looks like smashed-up frog meat all in one big bucket. | 0:51:27 | 0:51:31 | |
And then there are vats of snakes being cooked. | 0:51:31 | 0:51:34 | |
'Now the time has come to slaughter last night's snakes.' | 0:51:40 | 0:51:44 | |
I don't really want to walk through the door, | 0:51:44 | 0:51:46 | |
because on the other side of the door is a bit of the process | 0:51:46 | 0:51:49 | |
that I'm yet to see. And it's happening now. | 0:51:49 | 0:51:51 | |
So, erm... | 0:51:51 | 0:51:53 | |
Do you know what? I'm not going to lie to you guys. | 0:51:53 | 0:51:55 | |
Everybody behind the camera right now is going, "Go in, go in!" | 0:51:55 | 0:51:58 | |
But everything inside me is saying, "Stay right here!" | 0:51:58 | 0:52:02 | |
Come on, then. Come on. | 0:52:04 | 0:52:06 | |
Oh, my God... | 0:52:07 | 0:52:09 | |
All right, so, the snake is fighting for its life, literally, | 0:52:13 | 0:52:16 | |
right now, while the killer just grabs it, holds it still and... | 0:52:16 | 0:52:20 | |
AIR HISSES | 0:52:20 | 0:52:22 | |
..gives it a poke up the nose, and that's it. | 0:52:23 | 0:52:26 | |
It's like there's this weird popping noise | 0:52:26 | 0:52:29 | |
when it finally gets all the way in and... | 0:52:29 | 0:52:33 | |
The minute you hear it, it just stops fighting. | 0:52:33 | 0:52:35 | |
That, to me, really, really isn't humane at all. | 0:52:35 | 0:52:40 | |
Oh. | 0:52:40 | 0:52:41 | |
It's awful. | 0:52:41 | 0:52:43 | |
So he's just pulled this hose out. | 0:52:44 | 0:52:46 | |
I thought he was washing the snake down, but he's just put the hose in the snake's mouth. | 0:52:46 | 0:52:49 | |
So the snake that's just been killed is now being filled with water. Why is that? | 0:52:49 | 0:52:53 | |
Look, it's still moving. Why is that? | 0:53:00 | 0:53:02 | |
It's not alive, but the nerve system is still working. | 0:53:02 | 0:53:06 | |
Look at that. Look how much it's moving. | 0:53:06 | 0:53:08 | |
'The snake's slow metabolism means that nerves may react | 0:53:09 | 0:53:12 | |
'long past slaughter.' | 0:53:12 | 0:53:13 | |
'It's hard to say 100% that the snake doesn't feel any pain.' | 0:53:14 | 0:53:19 | |
Seeing a snake be killed by a long piece of metal through its nose... | 0:53:19 | 0:53:23 | |
If it doesn't put you off, there's something wrong with you. | 0:53:23 | 0:53:26 | |
'The pythons are now left full of water for a couple of hours, | 0:53:28 | 0:53:31 | |
'and then skinned.' | 0:53:31 | 0:53:34 | |
This has to be one of the most shocking things | 0:53:34 | 0:53:37 | |
I think I've ever seen. | 0:53:37 | 0:53:38 | |
It's time to leave Snake Village. | 0:53:40 | 0:53:42 | |
It's been an eye-opening few hours. | 0:53:42 | 0:53:44 | |
The way the snakes are killed is brutal. | 0:53:47 | 0:53:50 | |
But I was also struck by how many were being taken from the wild. | 0:53:50 | 0:53:54 | |
And there must be hundreds of other villages | 0:53:54 | 0:53:57 | |
just like this all over the country. | 0:53:57 | 0:53:59 | |
Whoa. | 0:54:01 | 0:54:03 | |
Oh, my God. | 0:54:03 | 0:54:05 | |
'There is now a fierce argument between wildlife experts | 0:54:05 | 0:54:08 | |
'over whether there are enough wild pythons | 0:54:08 | 0:54:11 | |
'to sustain the huge amount being caught, killed, | 0:54:11 | 0:54:14 | |
'skinned and exported.' | 0:54:14 | 0:54:16 | |
'To find out for myself, | 0:54:21 | 0:54:23 | |
'I've come to the capital of Indonesia, Jakarta, | 0:54:23 | 0:54:26 | |
'to meet wildlife expert Kintan in the city's pet markets.' | 0:54:26 | 0:54:30 | |
Look at the size of this place. | 0:54:30 | 0:54:32 | |
It just goes and goes, doesn't it? | 0:54:32 | 0:54:33 | |
Yep, the Jatinegara Market is one of the biggest | 0:54:33 | 0:54:37 | |
and also one of the most notorious markets in Jakarta. | 0:54:37 | 0:54:41 | |
-There's primates down there, there's monkeys. -Yes. | 0:54:41 | 0:54:44 | |
They know it's not supposed to be for sale. | 0:54:44 | 0:54:47 | |
Do the police actually ever get involved? | 0:54:47 | 0:54:49 | |
Unfortunately, that's not something that they regularly do. | 0:54:49 | 0:54:53 | |
In your opinion, then, | 0:54:53 | 0:54:55 | |
where would you say the majority of these animals are being taken from? | 0:54:55 | 0:54:58 | |
95% of the animals being traded are caught from the wild. | 0:54:58 | 0:55:02 | |
Kintan is particularly concerned | 0:55:03 | 0:55:05 | |
over how Indonesia's python population | 0:55:05 | 0:55:07 | |
is currently being threatened. | 0:55:07 | 0:55:09 | |
Indonesia has a quota of 175,000 for hunted pythons. | 0:55:09 | 0:55:17 | |
It's regulated under the Convention | 0:55:17 | 0:55:19 | |
on International Trade In Endangered Species, or CITIES. | 0:55:19 | 0:55:22 | |
But we don't have the mechanism to kind of trace that regulation | 0:55:22 | 0:55:26 | |
and enforce it. | 0:55:26 | 0:55:28 | |
So they have a quota, | 0:55:28 | 0:55:30 | |
but there are concerns over how adequate the policing really is. | 0:55:30 | 0:55:33 | |
In certain places, you cannot find these any more in the wild. | 0:55:33 | 0:55:37 | |
They used to be there in abundance. | 0:55:37 | 0:55:39 | |
-No way? -Yeah. -So, that many have been taken you can't just... | 0:55:39 | 0:55:42 | |
You literally can't find them? | 0:55:42 | 0:55:43 | |
They're essentially extinct in that area? | 0:55:43 | 0:55:45 | |
The problem is the illegal trade is so rampant there's probably | 0:55:45 | 0:55:48 | |
as much illegal pythons being caught as there are legal, | 0:55:48 | 0:55:52 | |
or under the quota. | 0:55:52 | 0:55:54 | |
There's just this massive grey area and there's no way | 0:55:54 | 0:55:56 | |
of knowing for sure where these animals are coming from. | 0:55:56 | 0:55:59 | |
Therefore, it's really hard to claim complete sustainability on a product | 0:55:59 | 0:56:02 | |
made from snakeskin. | 0:56:02 | 0:56:05 | |
It's a very bleak picture for Indonesian wildlife. | 0:56:05 | 0:56:07 | |
Yeah. | 0:56:07 | 0:56:08 | |
That's really sad. | 0:56:08 | 0:56:10 | |
Really sad. | 0:56:10 | 0:56:12 | |
It really feels as though there are no rules here. | 0:56:15 | 0:56:17 | |
You know, this is the Wild West of animal sale. | 0:56:17 | 0:56:21 | |
Because these animals predominantly aren't coming from farms. | 0:56:21 | 0:56:24 | |
They're being caught in the wild and sold on for a profit. | 0:56:24 | 0:56:27 | |
Not a great profit, at that. | 0:56:27 | 0:56:29 | |
Education needs to be put in place because it's not a bottomless pit. | 0:56:29 | 0:56:33 | |
These animals won't be here forever if there isn't regulation. | 0:56:33 | 0:56:37 | |
If we don't know how many animals are being taken and regulate that, | 0:56:37 | 0:56:41 | |
things are only going to go downhill. | 0:56:41 | 0:56:43 | |
Back in the UK, | 0:56:46 | 0:56:47 | |
I've had some time to think about what I've seen. | 0:56:47 | 0:56:50 | |
Once upon a time, fur and exotic skins were just for the rich. | 0:56:52 | 0:56:56 | |
But it seems now everyone's at it. | 0:56:56 | 0:56:59 | |
You walk down a high street here in London | 0:56:59 | 0:57:02 | |
and every window has something that resembles, or is a cheap, | 0:57:02 | 0:57:06 | |
knock-off version of a snakeskin, a python skin, or a bit of fur. | 0:57:06 | 0:57:11 | |
We spend billions on faux fur and other fake animal items. | 0:57:12 | 0:57:17 | |
But some of these cheap copies | 0:57:17 | 0:57:18 | |
are actually made out of low-grade real fur, and real skins. | 0:57:18 | 0:57:23 | |
So the message is really simple. | 0:57:24 | 0:57:26 | |
I'm not judging you, but do the research. | 0:57:28 | 0:57:30 | |
And I am saying that to myself as well, | 0:57:30 | 0:57:32 | |
because from this point forward I'm not going to do that any more. | 0:57:32 | 0:57:36 | |
And what about those with a bit more money to spend on the real thing? | 0:57:36 | 0:57:39 | |
I think we should all be asking ourselves, | 0:57:39 | 0:57:42 | |
this fur and these skins that we buy, are they sustainable? | 0:57:42 | 0:57:45 | |
Because if they're not and you're still spending your money on it, | 0:57:45 | 0:57:50 | |
that's irresponsible. | 0:57:50 | 0:57:51 |