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A century after it sank, it still fascinates us. | 0:00:02 | 0:00:04 | |
HORN BLARES | 0:00:04 | 0:00:06 | |
Titanic. | 0:00:06 | 0:00:08 | |
Gigantic, extravagant, doomed, | 0:00:08 | 0:00:14 | |
and 100 years later, | 0:00:14 | 0:00:16 | |
the ship that has become a legend. | 0:00:16 | 0:00:19 | |
As she headed out to sea, | 0:00:19 | 0:00:20 | |
she carried over 2,200 passengers and crew. | 0:00:20 | 0:00:24 | |
The rich, the poor and everything in between. | 0:00:24 | 0:00:27 | |
And it's their stories I want to discover. | 0:00:27 | 0:00:30 | |
When Titanic hit an iceberg 1,500 men, women and children died. | 0:00:30 | 0:00:36 | |
But the human cost was counted not just at sea | 0:00:36 | 0:00:40 | |
but on land, where the impact of the tragedy lasted for generations. | 0:00:40 | 0:00:46 | |
That is why, to this day, Titanic touches us all. | 0:00:46 | 0:00:50 | |
My Titanic story began when I was just 16, back in 1959. | 0:00:56 | 0:01:01 | |
Now, you might think of me as the dance judge off Strictly. | 0:01:01 | 0:01:04 | |
The spins were fantastic. | 0:01:04 | 0:01:07 | |
But before all that, | 0:01:07 | 0:01:09 | |
I was a welder for Harland & Wolff down at the docks. | 0:01:09 | 0:01:12 | |
They were the company that built Titanic, here in Belfast. | 0:01:12 | 0:01:15 | |
I worked for them 50 years later in London. | 0:01:15 | 0:01:20 | |
I used to weld all day, get home, scrub myself up | 0:01:20 | 0:01:23 | |
and dance all night. | 0:01:23 | 0:01:25 | |
Great times. | 0:01:25 | 0:01:26 | |
But now, I want to meet others with a connection, | 0:01:26 | 0:01:30 | |
to discover how Titanic affected some people's lives forever. | 0:01:30 | 0:01:35 | |
He would wake up screaming in the middle of the night saying | 0:01:35 | 0:01:37 | |
that all he could hear were the screams in the water. | 0:01:37 | 0:01:39 | |
As the ship went down, they sacked the lot of them. | 0:01:39 | 0:01:42 | |
He just couldn't bear the thought of Mary and her unborn child | 0:01:42 | 0:01:47 | |
and he slammed the door in her face. | 0:01:47 | 0:01:48 | |
I want find out why, in the 21st century, this 100-year-old story | 0:01:48 | 0:01:52 | |
still means so much to us. | 0:01:52 | 0:01:55 | |
In this programme, | 0:01:58 | 0:02:00 | |
I'm going to visit the places left scarred by the mighty ship and the story begins in Belfast. | 0:02:00 | 0:02:06 | |
This was the city that built her and it's the place where, | 0:02:06 | 0:02:09 | |
before she even hit the water, | 0:02:09 | 0:02:11 | |
Titanic claimed the lives of her very first victims. | 0:02:11 | 0:02:16 | |
Belfast is steeped in the history of shipbuilding. | 0:02:16 | 0:02:19 | |
Even today, you can't escape the presence of the mighty Titanic. | 0:02:19 | 0:02:24 | |
I hope you like the murals. | 0:02:24 | 0:02:25 | |
I was part and parcel of designing them and getting them put up there. | 0:02:25 | 0:02:29 | |
I've just been looking at it and admiring it. | 0:02:29 | 0:02:31 | |
You may think the Titanic isn't positive, but it is from our perspective and community. | 0:02:31 | 0:02:35 | |
-It is. -That's the most famous ship in the world and it was built here. | 0:02:35 | 0:02:39 | |
And it was sunk by an Englishman. | 0:02:39 | 0:02:41 | |
-Built by the Irish and sunk by the English. -That's what we always say. | 0:02:41 | 0:02:45 | |
-Bye. -Cheerio. -All the best. | 0:02:45 | 0:02:47 | |
What a bit of luck. | 0:02:47 | 0:02:50 | |
Now, there you go. | 0:02:50 | 0:02:53 | |
There I am looking at it, up comes a guy in a car, | 0:02:53 | 0:02:56 | |
right out of the blue, and he built this. | 0:02:56 | 0:03:00 | |
Titanic's legacy is all over the city. | 0:03:00 | 0:03:02 | |
She was built by Harland & Wolff. | 0:03:02 | 0:03:06 | |
Today, their cranes still dominate the Belfast skyline. | 0:03:06 | 0:03:09 | |
In the 1900s, it was the largest shipyard in the world, | 0:03:09 | 0:03:12 | |
sending ships across the globe. | 0:03:12 | 0:03:15 | |
Then in 1909, the world's biggest shipbuilder began to build | 0:03:15 | 0:03:21 | |
the world's biggest ship. | 0:03:21 | 0:03:23 | |
On this very slipway, 15,000 men took three years to build her | 0:03:23 | 0:03:29 | |
and Titanic's keel stretched from here all the way to the water. | 0:03:29 | 0:03:33 | |
At 880 feet she would be the longest ship the world had ever seen. | 0:03:35 | 0:03:41 | |
And at 46,000 tons, the heaviest. | 0:03:41 | 0:03:45 | |
When they decided to build Titanic, Harland & Wolff realised | 0:03:45 | 0:03:48 | |
there wasn't a dry dock in the world big enough to accommodate her | 0:03:48 | 0:03:51 | |
so they built one and this is it. | 0:03:51 | 0:03:53 | |
Once Titanic's vast hull was afloat, it was towed into this giant dry dock | 0:03:57 | 0:04:02 | |
where she fitted with only feet to spare. | 0:04:02 | 0:04:06 | |
If you want to get an idea of just how giant she was | 0:04:07 | 0:04:10 | |
this is the place to come. | 0:04:10 | 0:04:13 | |
Slowly her hull rose over the rooftops of East Belfast | 0:04:15 | 0:04:18 | |
and the noise of her construction could be heard right across the city. | 0:04:18 | 0:04:22 | |
When I worked in the London yard in the '60s, | 0:04:24 | 0:04:27 | |
I was a welder, but that was all a long time ago now. | 0:04:27 | 0:04:31 | |
Now, look at that. | 0:04:36 | 0:04:39 | |
That's why I gave up welding. | 0:04:39 | 0:04:41 | |
Ships have been welded for around 80 years, | 0:04:41 | 0:04:44 | |
but when they built Titanic they used rivets | 0:04:44 | 0:04:47 | |
and riveting makes welding look like a bit of light handicraft. | 0:04:47 | 0:04:51 | |
It took five men to hammer home just one rivet. | 0:04:51 | 0:04:55 | |
It was a hell of a job. | 0:04:55 | 0:04:57 | |
One lad, usually only a child, would heat the rivet | 0:04:59 | 0:05:04 | |
in a portable furnace until it was white hot. | 0:05:04 | 0:05:07 | |
Then the white hot rivet was pushed through the hole. | 0:05:09 | 0:05:13 | |
Two men braced themselves against the rivet, | 0:05:13 | 0:05:17 | |
while on the other side two more started to hammer with a heavy sledge. | 0:05:17 | 0:05:23 | |
The hammering made the rivet expand and hold the sheets in place. | 0:05:23 | 0:05:27 | |
I'll tell you what, that is hard work. | 0:05:27 | 0:05:29 | |
It took us about four minutes to do just one successful rivet | 0:05:29 | 0:05:34 | |
but in 1912, a riveting team could take just 20 seconds | 0:05:34 | 0:05:39 | |
and there were three million rivets on Titanic. | 0:05:39 | 0:05:42 | |
If I'd been welding on the Titanic, she wouldn't have sailed until 1950. | 0:05:44 | 0:05:48 | |
With red hot metal, ladders and scaffolds to deal with, | 0:05:48 | 0:05:52 | |
the shipyard could be a fatal place to work. | 0:05:52 | 0:05:56 | |
Before Titanic even touched the water | 0:05:56 | 0:05:58 | |
she claimed the lives of eight men. | 0:05:58 | 0:06:01 | |
There are no photographs of these workers, | 0:06:01 | 0:06:03 | |
just their names recorded on death certificates. | 0:06:03 | 0:06:07 | |
"Robert James Murphy, married, 49, a rivet counter. | 0:06:07 | 0:06:10 | |
"Shock following compound fracture of skull | 0:06:13 | 0:06:16 | |
"resulting from an accidental fall." | 0:06:16 | 0:06:19 | |
This is John Kelly, 19 years old. | 0:06:19 | 0:06:22 | |
"Accidentally fell off the ship." | 0:06:22 | 0:06:24 | |
Samuel Joseph Scott, he's 15 years old. | 0:06:24 | 0:06:29 | |
"Accidentally fell 23 feet from a ladder, died instantly." | 0:06:29 | 0:06:34 | |
It really does pull at your heartstrings. | 0:06:34 | 0:06:37 | |
They were just working guys who died doing their job. | 0:06:37 | 0:06:41 | |
It's just tragic and it's sad. | 0:06:41 | 0:06:44 | |
A century ago, deaths like these were a fact of shipbuilding | 0:06:46 | 0:06:50 | |
and Harland & Wolff was no exception. | 0:06:50 | 0:06:53 | |
They worked out there was one death for every 10,000 tons of ship. | 0:06:53 | 0:06:58 | |
Una Reilly, from the Belfast Titanic Society, | 0:06:58 | 0:07:01 | |
has found the cost of each death recorded carefully | 0:07:01 | 0:07:04 | |
in the directors' records. | 0:07:04 | 0:07:06 | |
You can see here they have recorded how much the compensation was. | 0:07:08 | 0:07:12 | |
£795. So we're not talking megabucks here? | 0:07:12 | 0:07:16 | |
No. We're not, indeed. It seemed to be a standard £100 a life. | 0:07:16 | 0:07:20 | |
Here they were building the then biggest ship in the world | 0:07:20 | 0:07:24 | |
and eight deaths was perhaps thought to be not too bad. | 0:07:24 | 0:07:29 | |
Finally, on May 31st 1911, five giant hydraulic rams | 0:07:31 | 0:07:37 | |
sent Titanic sliding down the slipway and towards the water. | 0:07:37 | 0:07:41 | |
She was now the largest moving structure on Earth. | 0:07:41 | 0:07:46 | |
A crowd of workers and dignitaries cheered her on. | 0:07:46 | 0:07:49 | |
The launch took just 62 seconds | 0:07:49 | 0:07:52 | |
but that was long enough for Titanic to claim the life of a final shipbuilder. | 0:07:52 | 0:07:57 | |
"James Dobbin, married, 43 years old, shipwright." | 0:07:59 | 0:08:04 | |
He was responsible for the giant chains and wooden props | 0:08:04 | 0:08:09 | |
that held Titanic secure on the slipway. | 0:08:09 | 0:08:12 | |
"Accidentally crushed under a piece of timber. | 0:08:13 | 0:08:17 | |
"Shock and haemorrhaging followed the fracture of his pelvis." | 0:08:17 | 0:08:21 | |
He was killed as Titanic made her way to the sea. | 0:08:21 | 0:08:25 | |
Like the seven other dead shipbuilders, | 0:08:25 | 0:08:28 | |
James gave his life to Titanic, | 0:08:28 | 0:08:30 | |
but as she left Belfast lock | 0:08:30 | 0:08:32 | |
they were only the first of the victims she would leave in her wake. | 0:08:32 | 0:08:37 | |
As Titanic made her way to Southampton, | 0:08:39 | 0:08:42 | |
her passengers made their way from all over Britain and Europe, | 0:08:42 | 0:08:46 | |
excited emigrants travelling to their new lives, | 0:08:46 | 0:08:50 | |
the rich and famous, who had paid fortunes | 0:08:50 | 0:08:53 | |
to be the first to enjoy Titanic's luxury. | 0:08:53 | 0:08:56 | |
All headed here to Southampton, where hundreds of crew were signing up to work | 0:08:56 | 0:09:00 | |
on the biggest ship in the world. | 0:09:00 | 0:09:02 | |
This is the dock where Titanic took on her first paying passengers. | 0:09:02 | 0:09:07 | |
She filled up with coal, water and food and the crew came on board | 0:09:07 | 0:09:12 | |
and about 700 of them came from right here in Southampton. | 0:09:12 | 0:09:16 | |
So when news of the sinking reached the city, | 0:09:17 | 0:09:20 | |
the streets were filled with dread. | 0:09:20 | 0:09:22 | |
By midnight, Titanic was sinking | 0:09:22 | 0:09:26 | |
but many of her crew stuck to their posts and helped passengers to safety, | 0:09:26 | 0:09:29 | |
until around 2:15am, when the ship disappeared beneath the waves. | 0:09:29 | 0:09:35 | |
Survival time in the freezing water was just minutes. | 0:09:35 | 0:09:39 | |
Soon, three-quarters of Titanic's crew were dead. | 0:09:39 | 0:09:43 | |
Anxious families gathered outside the offices of the White Star Line in Southampton | 0:09:48 | 0:09:53 | |
desperate for news. | 0:09:53 | 0:09:55 | |
More often than not, when the news did arrive it was bad. | 0:09:55 | 0:09:59 | |
Children lost their fathers, women lost their husbands, brothers and sons. | 0:10:00 | 0:10:05 | |
The whole town was in mourning. | 0:10:05 | 0:10:08 | |
The community around the dock wasn't just devastated with grief, | 0:10:08 | 0:10:12 | |
it also faced poverty. | 0:10:12 | 0:10:14 | |
There were 880-odd crew. | 0:10:15 | 0:10:17 | |
Of those, more than 600-odd were living in Southampton. | 0:10:19 | 0:10:23 | |
549 of them didn't survive | 0:10:23 | 0:10:28 | |
and these are the dock communities. This is the old town. | 0:10:28 | 0:10:32 | |
Each of those red dots | 0:10:32 | 0:10:34 | |
is a crew member who was lost. | 0:10:34 | 0:10:36 | |
If you weren't directly affected | 0:10:36 | 0:10:39 | |
-then you knew somebody who was. -Yeah. | 0:10:39 | 0:10:41 | |
You were related to somebody who was, | 0:10:41 | 0:10:43 | |
your child went to school with somebody who was. | 0:10:43 | 0:10:46 | |
-Yeah. -It was something that affected every member of the community. | 0:10:46 | 0:10:51 | |
The city archives hold recordings of men and women remembering the aftermath of Titanic. | 0:10:54 | 0:11:00 | |
'A great hush descended on the town | 0:11:02 | 0:11:04 | |
'because I don't think there was hardly a single street in Southampton | 0:11:04 | 0:11:08 | |
'who hadn't lost somebody on that ship.' | 0:11:08 | 0:11:12 | |
'Yeah, I remember ever so plain. This girl at school | 0:11:14 | 0:11:17 | |
'used to come and say, "Are you coming down the dock gate?" | 0:11:17 | 0:11:20 | |
'Me and my sister used to go down the dock gate to see if her father's name was up there. | 0:11:20 | 0:11:25 | |
'Several girls at school had fathers on there, or brothers, or some relation.' | 0:11:25 | 0:11:32 | |
When you listen to these people reminiscing about their childhood, | 0:11:32 | 0:11:36 | |
it's very, very poignant, | 0:11:36 | 0:11:40 | |
and it just takes you back, somehow, 100 years. | 0:11:40 | 0:11:44 | |
Nowhere was Titanic's death toll felt more sharply | 0:11:44 | 0:11:49 | |
than on the streets of Southampton. | 0:11:49 | 0:11:52 | |
More victims came from here than anywhere else in the world. | 0:11:52 | 0:11:56 | |
A charity was set up for victims' families | 0:11:56 | 0:11:58 | |
and donations flooded in from across Southampton. | 0:11:58 | 0:12:02 | |
There were enormous efforts made. | 0:12:03 | 0:12:06 | |
Practically every theatre had a concert or a benefit. | 0:12:06 | 0:12:10 | |
Practically any event that was planned to be happening | 0:12:10 | 0:12:15 | |
-suddenly became an opportunity to collect. -Right. | 0:12:15 | 0:12:17 | |
And as a result, they managed to raise 41,000, | 0:12:17 | 0:12:22 | |
-just in Southampton, for the fund, and that was a lot of money for the time. -Certainly. | 0:12:22 | 0:12:26 | |
Memorials to Southampton's Titanic dead are dotted around the city. | 0:12:26 | 0:12:31 | |
Some crew did survive | 0:12:31 | 0:12:33 | |
and found it impossible to put Titanic behind them. | 0:12:33 | 0:12:36 | |
Mandy Reeves' great-great-grandfather was a boot steward on board. | 0:12:36 | 0:12:41 | |
He lived, but was left traumatised. | 0:12:41 | 0:12:45 | |
He suffered terrible sleep sweats | 0:12:45 | 0:12:47 | |
and he would wake up screaming in the middle of the night, | 0:12:47 | 0:12:51 | |
saying that all he could hear were the screams in the water. | 0:12:51 | 0:12:53 | |
He felt guilty to be alive. | 0:12:53 | 0:12:55 | |
Philip Littlejohn's grandfather, Alexander, | 0:12:55 | 0:12:58 | |
was a first-class steward from Southampton. | 0:12:58 | 0:13:02 | |
The months following the disaster were torture. | 0:13:02 | 0:13:06 | |
So your grandfather did survive? | 0:13:06 | 0:13:08 | |
Yes, he survived the sinking but the effects on his life afterwards were very apparent. | 0:13:08 | 0:13:14 | |
That, before the accident. | 0:13:14 | 0:13:18 | |
Within six months, he then looked like that, | 0:13:18 | 0:13:23 | |
-purely through the effects of shock. -How old was he here? | 0:13:23 | 0:13:26 | |
-40 in both pictures. -That is incredible. | 0:13:26 | 0:13:31 | |
Just as extraordinary is the way the White Star Line | 0:13:31 | 0:13:35 | |
treated the crew who survived the sinking. | 0:13:35 | 0:13:38 | |
The other thing we need here is his discharge book | 0:13:38 | 0:13:41 | |
which recorded all his voyages, | 0:13:41 | 0:13:44 | |
including the 13th voyage for the White Star Line, the Titanic. | 0:13:44 | 0:13:49 | |
Engaged the 10th April 1912, in Southampton | 0:13:49 | 0:13:53 | |
and discharged on the 15th April at sea. | 0:13:53 | 0:13:57 | |
For "discharge" read "the sack". | 0:13:57 | 0:14:00 | |
In other words, as the ship went down they sacked the lot of them. | 0:14:00 | 0:14:03 | |
It's almost beyond belief that this could happen. | 0:14:03 | 0:14:08 | |
In fact, when they reached New York they were penniless. | 0:14:08 | 0:14:11 | |
White Star washed their hands of them | 0:14:11 | 0:14:13 | |
and Woolworths let them stand behind the counters | 0:14:13 | 0:14:15 | |
and whatever they took in a day they could spend on food and clothes. | 0:14:15 | 0:14:19 | |
So thanks to Woolies, my grandfather got food and clothes. | 0:14:19 | 0:14:22 | |
-Is that really what happened? -Absolutely true. | 0:14:22 | 0:14:25 | |
The families of crew who died were eventually compensated | 0:14:27 | 0:14:31 | |
but there was no bringing back the loved ones who had been lost. | 0:14:31 | 0:14:36 | |
But what Southampton shows us is that the tragedy of Titanic | 0:14:36 | 0:14:40 | |
isn't just about those who died that night. | 0:14:40 | 0:14:43 | |
It's about thousands of other people as well. | 0:14:43 | 0:14:45 | |
Parents, wives, children and the survivors themselves | 0:14:45 | 0:14:50 | |
were all faced with the struggle to rebuild their lives | 0:14:50 | 0:14:54 | |
in the wake of the giant ship. | 0:14:54 | 0:14:56 | |
The scars left by Titanic are felt not just in Britain | 0:14:59 | 0:15:03 | |
but around the world. | 0:15:03 | 0:15:05 | |
Titanic carried people from over two dozen different countries. | 0:15:05 | 0:15:09 | |
Not just passengers, but also as crew. | 0:15:09 | 0:15:12 | |
In fact, there was one area of the ship | 0:15:12 | 0:15:16 | |
that relied exclusively on foreign expertise. | 0:15:16 | 0:15:19 | |
Dining on Titanic was quite an international affair. | 0:15:19 | 0:15:23 | |
In the a la carte restaurant, the first-class diners expected | 0:15:23 | 0:15:26 | |
the finest food to be served with style and panache | 0:15:26 | 0:15:30 | |
and that responsibility fell to 37 Italian waiters. | 0:15:30 | 0:15:35 | |
Luigi Gatti moved to London from Italy in the 1880s. | 0:15:35 | 0:15:39 | |
By 1910, he ran a very successful restaurant in London. | 0:15:39 | 0:15:44 | |
But he was ambitious and pitched for the contract to operate on-board restaurants for the White Star Line. | 0:15:44 | 0:15:50 | |
He won and one of his first contracts was to run | 0:15:50 | 0:15:54 | |
Titanic's Cafe Parisien. | 0:15:54 | 0:15:58 | |
It was a golden opportunity, a chance to show the world what he could do, | 0:15:58 | 0:16:03 | |
to produce the finest dining to the rich and famous - | 0:16:03 | 0:16:07 | |
the Astors, the Guggenheims - on the world's grandest ship. | 0:16:07 | 0:16:11 | |
So he chose waiting staff that could deliver the goods. | 0:16:11 | 0:16:14 | |
He recruited men he had worked with before, | 0:16:14 | 0:16:17 | |
including the best staff from his London restaurant, | 0:16:17 | 0:16:21 | |
and he tempted away experienced waiters from some of the city's top hotels. | 0:16:21 | 0:16:26 | |
They came from all over Italy and their new boss, Luigi Gatti, | 0:16:27 | 0:16:31 | |
had a fine reputation, both as a chef and as a bloke. | 0:16:31 | 0:16:35 | |
So many of them didn't hesitate to sign up with him | 0:16:35 | 0:16:38 | |
and join him on Titanic. | 0:16:38 | 0:16:40 | |
They faced a daunting task, helping to feed 3,000 people, | 0:16:44 | 0:16:49 | |
three times a day for six days. | 0:16:49 | 0:16:52 | |
Staff needed to dish out over 50,000 meals. | 0:16:52 | 0:16:56 | |
That is a lot of grub and this is a lot of grog. | 0:16:56 | 0:17:00 | |
When Titanic was in Southampton | 0:17:00 | 0:17:03 | |
she took on enough food to feed a small town. | 0:17:03 | 0:17:06 | |
50 tons of meat, 40 tons of potatoes, 35,000 eggs, | 0:17:06 | 0:17:11 | |
1,500 gallons of milk and that was just the basics. | 0:17:11 | 0:17:16 | |
It was a Titanic-sized shopping list | 0:17:16 | 0:17:19 | |
and the chefs on board cooked up some Titanic-sized dinners. | 0:17:19 | 0:17:24 | |
In 1912, Titanic's luxury, opulence and novelty | 0:17:24 | 0:17:28 | |
made it THE way for millionaires to cross the Atlantic. | 0:17:28 | 0:17:32 | |
The 320 first-class passengers all expected the highest standards of service. | 0:17:32 | 0:17:38 | |
So in his Cafe Parisien, Luigi Gatti needed to really pull it out of the bag. | 0:17:38 | 0:17:42 | |
What do you make of that, 11 courses? | 0:17:42 | 0:17:45 | |
I think it's fantastic. There are some great dishes on here. | 0:17:45 | 0:17:49 | |
The advantage of having 11 courses like this is | 0:17:49 | 0:17:52 | |
that you can really show off the opulence, the elegance, the beauty, | 0:17:52 | 0:17:56 | |
the richness, frankly, of the restaurant. | 0:17:56 | 0:17:59 | |
-We're going to prepare one of these dishes? -Yes, we are. | 0:17:59 | 0:18:02 | |
We're going to prepare this dish here, | 0:18:02 | 0:18:04 | |
the filet mignon lili, which was one of the entrees | 0:18:04 | 0:18:06 | |
and the entrees were really for the chefs to show their skill. | 0:18:06 | 0:18:09 | |
This is a dish which would have taken about two days | 0:18:09 | 0:18:12 | |
to prepare from start to finish. | 0:18:12 | 0:18:14 | |
How are we going to start this off? | 0:18:14 | 0:18:16 | |
We're going to start by making a brown roux which is going to be the base to thicken the sauce. | 0:18:16 | 0:18:21 | |
Cooking this dish shows just how much it took to impress those millionaire passengers. | 0:18:21 | 0:18:26 | |
The sauce alone took two whole days to make. | 0:18:26 | 0:18:29 | |
It has to be thickened, strained, reduced, | 0:18:29 | 0:18:33 | |
concentrated and fortified. | 0:18:33 | 0:18:35 | |
What is amazing, | 0:18:35 | 0:18:37 | |
this isn't one course, this is just a sauce for one course. | 0:18:37 | 0:18:41 | |
Yes, and now we've got potatoes, the artichokes, the foie gras, | 0:18:41 | 0:18:45 | |
the truffle and, of course, the steak to prepare as well. | 0:18:45 | 0:18:49 | |
We've got to peel, slice, roast, blanch, sear, | 0:18:49 | 0:18:52 | |
layer and garnish. | 0:18:52 | 0:18:55 | |
When you see a dish like this you realise why so many of the rich | 0:18:55 | 0:19:00 | |
paid thousands of pounds in today's money to travel on board. | 0:19:00 | 0:19:04 | |
Food in a restaurant is not just about the food, it's also about the service. | 0:19:04 | 0:19:07 | |
It's when these dishes leave the kitchen that the true theatre starts. | 0:19:07 | 0:19:11 | |
So Gatti has got most of his relatives, his chosen waiters, | 0:19:11 | 0:19:14 | |
that really are the chosen few, from his London restaurants. | 0:19:14 | 0:19:18 | |
The best of the best. | 0:19:18 | 0:19:20 | |
But on April the 14th, around 20 to midnight, | 0:19:21 | 0:19:24 | |
Luigi and his team were clearing up, when, suddenly, | 0:19:24 | 0:19:28 | |
they heard an unusual noise. | 0:19:28 | 0:19:29 | |
-CREAKING -Titanic had hit the iceberg. It tore a gash in her hull 100 metres long. | 0:19:31 | 0:19:38 | |
Water flooded in. | 0:19:38 | 0:19:40 | |
Officers rushed to their posts, | 0:19:40 | 0:19:42 | |
stewards helped passengers into their lifejackets, | 0:19:42 | 0:19:45 | |
the crew manned the lifeboats, but what about Luigi and the waiters? | 0:19:45 | 0:19:50 | |
They were restaurant staff not sailors. | 0:19:50 | 0:19:53 | |
They knew little about what to do on a sinking ship. | 0:19:53 | 0:19:57 | |
So where did they fit in the pecking order for a place in a lifeboat? | 0:19:57 | 0:20:00 | |
We don't know. | 0:20:00 | 0:20:02 | |
What we do know is that Luigi Gatti | 0:20:02 | 0:20:04 | |
and every one of his waiters lost their lives. | 0:20:04 | 0:20:07 | |
There are memorials to the waiters in their native Italy. | 0:20:11 | 0:20:15 | |
One of these is Alphonso Perotti. | 0:20:15 | 0:20:19 | |
Just before he boarded, he sent a postcard to his mother. | 0:20:19 | 0:20:22 | |
His grandchildren still cherish it. | 0:20:22 | 0:20:24 | |
The story of the Italian waiters tells us that Titanic | 0:20:56 | 0:21:00 | |
is an experience shared by all nationalities and all classes. | 0:21:00 | 0:21:05 | |
In the final moments, the ship didn't discriminate. | 0:21:05 | 0:21:09 | |
I've come to Eastbourne, | 0:21:11 | 0:21:13 | |
to discover how two friends chose to die side by side | 0:21:13 | 0:21:16 | |
and how the sinking left a family torn apart. | 0:21:16 | 0:21:20 | |
This is the story of the Titanic band. | 0:21:20 | 0:21:24 | |
Now, we might think we know it well. | 0:21:24 | 0:21:26 | |
As the ship went down, eight brave musicians played on. | 0:21:26 | 0:21:31 | |
But that was only the start of the story. | 0:21:31 | 0:21:33 | |
All the musicians died, but of course, their stories lived on. | 0:21:33 | 0:21:39 | |
And for the family of one, | 0:21:39 | 0:21:41 | |
his heroic death led to a tale of jealousy, bitterness and greed. | 0:21:41 | 0:21:46 | |
His name was Jock Hume | 0:21:46 | 0:21:48 | |
but my connection to him is through one of his best mates on Titanic, John Woodward. | 0:21:48 | 0:21:54 | |
John was a cellist at the Grand Hotel Eastbourne | 0:21:54 | 0:21:58 | |
and like him, I used to perform there, not as a musician but as a dancer. | 0:21:58 | 0:22:04 | |
Ah, yes, yes. This is the place. | 0:22:06 | 0:22:10 | |
It's the early '70s, I'm young, | 0:22:10 | 0:22:13 | |
I'm 25 years old, my hair is dark. | 0:22:13 | 0:22:15 | |
I used to come here for special functions | 0:22:15 | 0:22:19 | |
and we would be the cabaret, my wife and I. | 0:22:19 | 0:22:23 | |
Ballroom dancing. I've got to say, the place hasn't changed at all. | 0:22:25 | 0:22:30 | |
And I'm sure the place hasn't changed | 0:22:30 | 0:22:33 | |
since dear old John Woodward was here, back in the early 1900s. | 0:22:33 | 0:22:37 | |
John Woodward played next door to the ballroom, in the Great Hall. | 0:22:42 | 0:22:46 | |
Today, that job is done by the Palm Court Strings Orchestra. | 0:22:46 | 0:22:50 | |
Do you think this environment would have been one that would have sort of helped him along? | 0:22:50 | 0:22:56 | |
Absolutely. If he played here, which I know he did, | 0:22:56 | 0:22:59 | |
he couldn't have had a better learning curve | 0:22:59 | 0:23:01 | |
for going on the Titanic. | 0:23:01 | 0:23:03 | |
It would have been a fantastic grounding for playing while people are talking, and having tea. | 0:23:03 | 0:23:08 | |
Was there great camaraderie, do you think, between the musicians? | 0:23:08 | 0:23:11 | |
I don't think they could have gone off on these long trips, | 0:23:11 | 0:23:14 | |
you know, and not be close. | 0:23:14 | 0:23:16 | |
-It would have been a nightmare for them if they had. -Yeah. | 0:23:16 | 0:23:19 | |
I think they probably were really good friends. | 0:23:19 | 0:23:21 | |
In search of adventure, John left Eastbourne | 0:23:26 | 0:23:28 | |
and signed up with the White Star Line. | 0:23:28 | 0:23:30 | |
He got a job playing on Titanic and it cost him his young life. | 0:23:30 | 0:23:35 | |
There's a memorial to John at the bandstand on the seafront at Eastbourne. | 0:23:35 | 0:23:39 | |
"John Wesley Woodward, a member of the Eastbourne Municipal Orchestra | 0:23:41 | 0:23:46 | |
"and the Grand Hotel Eastbourne Orchestra." | 0:23:46 | 0:23:49 | |
It goes on to say how he died on the Titanic in 1912. | 0:23:51 | 0:23:55 | |
"Faithful unto death." | 0:23:55 | 0:23:57 | |
When you see a thing like this | 0:23:58 | 0:24:02 | |
it makes you appreciate the bravery of these guys. | 0:24:02 | 0:24:05 | |
These guys weren't big tough soldiers or sailors, | 0:24:05 | 0:24:08 | |
they were musicians. | 0:24:08 | 0:24:10 | |
Yet they stayed with the ship until it went down. | 0:24:10 | 0:24:14 | |
John's story is tragic, but there is another story just as sad - | 0:24:17 | 0:24:22 | |
about another musician, one of his closest friends, | 0:24:22 | 0:24:24 | |
somebody that he played beside and died beside. | 0:24:24 | 0:24:28 | |
Jock Hume was from Dumfries. | 0:24:31 | 0:24:33 | |
He was in love with a girl, but his father didn't approve | 0:24:33 | 0:24:36 | |
and an angry feud erupted. | 0:24:36 | 0:24:39 | |
Jock turned his back on his dad | 0:24:39 | 0:24:41 | |
and took a job at White Star to build a life for himself and Mary. | 0:24:41 | 0:24:46 | |
Then, the week before Jock was to commence his work on the Titanic, | 0:24:48 | 0:24:51 | |
Mary discovered she was pregnant. | 0:24:51 | 0:24:54 | |
Jock was delighted and promised | 0:24:54 | 0:24:57 | |
that when he returned they would be married. | 0:24:57 | 0:24:59 | |
Every night, | 0:24:59 | 0:25:02 | |
Jock and the band entertained the first-class passengers, | 0:25:02 | 0:25:05 | |
in the luxurious restaurant, and that's where they were when Titanic struck the iceberg. | 0:25:05 | 0:25:11 | |
As the diners went up onto deck, | 0:25:12 | 0:25:15 | |
the band followed them into the cold night air | 0:25:15 | 0:25:17 | |
and continued to play as commotion turned into chaos. | 0:25:17 | 0:25:22 | |
In the midst of it all the band struck up. | 0:25:25 | 0:25:28 | |
The story goes that the last tune they played was Nearer My God To Thee. | 0:25:28 | 0:25:33 | |
There were over 2,200 people on Titanic | 0:25:40 | 0:25:43 | |
and lifeboat places for just 1,180. | 0:25:43 | 0:25:47 | |
It was certain hundreds would die. | 0:25:49 | 0:25:51 | |
As they played, it must have become clear to the band how it would all end. | 0:25:51 | 0:25:56 | |
But rather than fight for a place in the lifeboat, | 0:25:57 | 0:26:00 | |
Jock and his friends played on to their deaths. | 0:26:00 | 0:26:03 | |
Titanic left Mary grief stricken. | 0:26:05 | 0:26:08 | |
Worse, it left her unmarried and pregnant with a child, with no father - | 0:26:08 | 0:26:13 | |
a desperate position for a woman in 1912. | 0:26:13 | 0:26:16 | |
So she turned to Jock's father, Andrew. | 0:26:17 | 0:26:20 | |
He couldn't have given her a colder reception. | 0:26:20 | 0:26:23 | |
Yvonne Hume is Andrew's great-granddaughter. | 0:26:23 | 0:26:27 | |
He just couldn't bear the thought of Mary and her unborn child. | 0:26:27 | 0:26:31 | |
It was as simple as that. He did not accept her existence. | 0:26:31 | 0:26:35 | |
His son was his and no-one else's and he slammed the door in her face. | 0:26:35 | 0:26:41 | |
A special fund was set up to compensate the families of Titanic victims | 0:26:41 | 0:26:45 | |
so Mary applied for help, but Jock's father was determined to deny her. | 0:26:45 | 0:26:50 | |
Andrew also applied to the relief fund | 0:26:50 | 0:26:53 | |
because as far as he was concerned, | 0:26:53 | 0:26:56 | |
Mary was not entitled to that money. It was for him to have, | 0:26:56 | 0:26:59 | |
to stop her from getting it. | 0:26:59 | 0:27:01 | |
The dispute was settled in court, | 0:27:01 | 0:27:04 | |
and Mary received the money she was entitled to | 0:27:04 | 0:27:06 | |
but the family rift never healed | 0:27:06 | 0:27:09 | |
and for 100 years, one side of the family was entirely lost to the other. | 0:27:09 | 0:27:16 | |
Yvonne had no idea what happened to the daughter of her great-uncle Jock | 0:27:16 | 0:27:20 | |
until she looked into her family history. | 0:27:20 | 0:27:23 | |
The letter came through the door and it was from a long-lost cousin. | 0:27:23 | 0:27:27 | |
"I'm Jock Hume's grandson. | 0:27:27 | 0:27:29 | |
"I wondered if you'd like to meet up and compare notes." | 0:27:29 | 0:27:33 | |
Well, we met and this is how I found everything out. | 0:27:33 | 0:27:36 | |
The Titanic disaster broke up the family for 100 years | 0:27:36 | 0:27:41 | |
and only now is Yvonne getting to know the cousins she never knew she had. | 0:27:41 | 0:27:45 | |
The tale of Jock Hume, his father, his fiancee and his child | 0:27:46 | 0:27:51 | |
shows us that 100 years later, tales from the Titanic can still surprise us | 0:27:51 | 0:27:56 | |
and the sinking wasn't the end of the story, | 0:27:56 | 0:27:59 | |
it was just the beginning of hundreds more. | 0:27:59 | 0:28:02 | |
Join me next time, when I discover the stories of the men who are remembered with pride. | 0:28:07 | 0:28:12 | |
He was a wonderful draughtsman but by Jove he was a great papa | 0:28:12 | 0:28:16 | |
and that's what matters. | 0:28:16 | 0:28:17 | |
The hero who was forgotten. | 0:28:17 | 0:28:20 | |
It was ridiculous that Barmouth had nothing to commemorate a man | 0:28:20 | 0:28:24 | |
who lived here and learnt to sail here. | 0:28:24 | 0:28:26 | |
And the man who wished he was. | 0:28:26 | 0:28:28 | |
I simply don't know how I would have behaved, and with respect, I don't think you do either. | 0:28:28 | 0:28:32 | |
Subtitles by Red Bee Media Ltd | 0:28:44 | 0:28:47 |