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# Let's dance from the floor... Let me hear you sing along | 0:00:02 | 0:00:05 | |
# Driving through the quicksteps... # | 0:00:05 | 0:00:07 | |
In rural Northern Ireland, country music is the new clubbing. | 0:00:07 | 0:00:12 | |
The country night is as big, if not bigger, than the nightclub scene. | 0:00:12 | 0:00:16 | |
And if you're looking for love out in the sticks, | 0:00:16 | 0:00:20 | |
you can forget about Tinder. | 0:00:20 | 0:00:22 | |
If you want to eye up the local talent, | 0:00:22 | 0:00:25 | |
there's nowhere better than a country music gig. | 0:00:25 | 0:00:27 | |
Anything in the bag for later? | 0:00:27 | 0:00:29 | |
Well, I haven't shot yet, but when he shoots, he scores. | 0:00:29 | 0:00:32 | |
But for our would-be lovers, | 0:00:34 | 0:00:36 | |
attractiveness is only part of the package. | 0:00:36 | 0:00:39 | |
Girls, are yous out on the pull tonight? | 0:00:39 | 0:00:42 | |
We don't want a man holding us back from a good night's dancing, like. | 0:00:42 | 0:00:44 | |
If you're going to stand a chance of impressing the opposite sex... | 0:00:44 | 0:00:48 | |
-Hello, girls. We're boys. -..you need a bit more about you. | 0:00:48 | 0:00:52 | |
-Being a farmer helps. -I'd be more into my beef farmers. | 0:00:52 | 0:00:57 | |
Oh, and you'd better be able to jive. | 0:00:57 | 0:01:00 | |
Wouldn't matter if you're, like, Brad Pitt. | 0:01:00 | 0:01:03 | |
If you can't dance, you're no good. | 0:01:03 | 0:01:04 | |
We're following some hopefuls over an endless country summer | 0:01:07 | 0:01:11 | |
as they try and dance their way to romance. | 0:01:11 | 0:01:14 | |
These are the Northern Irish music lovers who are keepin' 'er country. | 0:01:17 | 0:01:21 | |
MUSIC: Knee Deep In My Heart by Shane Filan | 0:01:27 | 0:01:31 | |
20-year-old Enda works as a bus driver. | 0:01:36 | 0:01:40 | |
But come clocking off time, he has another driving passion. | 0:01:40 | 0:01:44 | |
Country music. | 0:01:44 | 0:01:46 | |
The country night is as big, if not bigger, than the nightclub scene. | 0:01:51 | 0:01:56 | |
Everybody's going to the country now | 0:01:56 | 0:01:58 | |
and everyone wants to learn the country. | 0:01:58 | 0:02:00 | |
Before, you'd be laughed at if you were jiving. | 0:02:00 | 0:02:02 | |
Now, you're kind of laughed at if you can't jive. | 0:02:02 | 0:02:05 | |
Having two left feet doesn't just leave you open to ridicule. | 0:02:05 | 0:02:09 | |
It can seriously diminish your chances | 0:02:09 | 0:02:11 | |
with the demanding ladies of the dance halls. | 0:02:11 | 0:02:14 | |
If you can't dance, the ladies don't want to know you, to be quite honest with you. | 0:02:14 | 0:02:17 | |
Wouldn't matter if you're, like, Brad Pitt. | 0:02:17 | 0:02:19 | |
If you can't dance, you're no good. | 0:02:19 | 0:02:21 | |
Enda can't dance yet, so his country nights out have more in common | 0:02:26 | 0:02:30 | |
with the cloakroom assistant than his jiving-mad friends. | 0:02:30 | 0:02:34 | |
So, he has set himself the goal | 0:02:34 | 0:02:36 | |
of going from absolute beginner to accomplished jiver | 0:02:36 | 0:02:39 | |
over the course of a single summer. | 0:02:39 | 0:02:41 | |
Men, if you're taking your ladies out for a jive, | 0:02:44 | 0:02:46 | |
lady's hands always sit on top of the man's hands, all right? | 0:02:46 | 0:02:50 | |
So, our first move is going to be... | 0:02:50 | 0:02:52 | |
One is where your hands finish. | 0:02:52 | 0:02:54 | |
Two, you bring your hand back. Three is back where one was. | 0:02:54 | 0:02:58 | |
-And then the lady's going to spin off solo... -What?! | 0:02:58 | 0:03:00 | |
..so you have to let go of hands. | 0:03:00 | 0:03:02 | |
She's going to spin off to the right. | 0:03:02 | 0:03:04 | |
By the end of the lesson, you'll have enough for a jive at the weekend. | 0:03:04 | 0:03:07 | |
Every week, we're going to progress and add a few more moves every week. | 0:03:07 | 0:03:10 | |
Oh, I don't turn yet? | 0:03:12 | 0:03:14 | |
'When you see these boys maybe jiving with two girls, like, | 0:03:18 | 0:03:21 | |
'and I can't even jive one.' | 0:03:21 | 0:03:23 | |
Oh, I was meant to turn. | 0:03:23 | 0:03:26 | |
I'm never going to get this. | 0:03:26 | 0:03:28 | |
You will. | 0:03:28 | 0:03:30 | |
I wouldn't have the confidence to actually get up to dance. | 0:03:30 | 0:03:33 | |
And they would literally leave you standing on the dance floor. | 0:03:33 | 0:03:36 | |
So I wouldn't even bother until I'd learned how to dance. | 0:03:36 | 0:03:39 | |
Wrong hand. | 0:03:43 | 0:03:44 | |
Again. Just keep practising it. | 0:03:44 | 0:03:47 | |
I'd like to be able to just go up and ask anybody out to dance, | 0:03:47 | 0:03:52 | |
any girl out to dance, and be able to know the steps, | 0:03:52 | 0:03:55 | |
know all there is to know about the dancing. | 0:03:55 | 0:03:58 | |
Won't be a wheel like them in the country. | 0:03:59 | 0:04:02 | |
MUSIC: Stop The World And Let Me Off | 0:04:02 | 0:04:05 | |
In Fermanagh, the Breslin sisters might just be the kinds of girls | 0:04:06 | 0:04:09 | |
that Enda is dreaming of being able to ask to jive. | 0:04:09 | 0:04:12 | |
Regular faces on the circuit, | 0:04:12 | 0:04:14 | |
they know what to look for in a potential dancing partner. | 0:04:14 | 0:04:17 | |
Have you ever noticed whenever you're on a night out | 0:04:19 | 0:04:22 | |
and you see somebody that can dance, | 0:04:22 | 0:04:23 | |
you'll just be like, "Oh, God, I want him to dance with me." | 0:04:23 | 0:04:26 | |
There's normally a queue waiting on that. | 0:04:26 | 0:04:28 | |
There's one fella in particular and they do stand waiting on him. | 0:04:28 | 0:04:32 | |
If Enda wants to stand a chance of impressing girls like the Breslins, | 0:04:32 | 0:04:36 | |
he just has to keep working on his moves. | 0:04:36 | 0:04:39 | |
Oh, my God, if a boy can't dance, it's the worst thing ever. | 0:04:39 | 0:04:42 | |
-You just want rid of him. -Oh, Jeez, you'll be running to the toilet! | 0:04:42 | 0:04:46 | |
If he can't dance, I'll always be like, "I'm wrecked. | 0:04:46 | 0:04:49 | |
"I can't dance any more." | 0:04:49 | 0:04:51 | |
"My feet are sore!" | 0:04:51 | 0:04:53 | |
They come along and I haven't a clue how to tell them I don't want to dance! | 0:04:53 | 0:04:56 | |
You know what I hate? When you wear sandals and they trample on your feet. | 0:04:56 | 0:05:00 | |
You can't wait to get rid of them. | 0:05:00 | 0:05:01 | |
You'll be like, "When's this song over?" | 0:05:01 | 0:05:03 | |
"I have to go and find my friend." | 0:05:03 | 0:05:05 | |
In contrast to his daughters, dad Tommy's preparation for a big | 0:05:09 | 0:05:13 | |
night out is a ham sandwich and a cup of tea. | 0:05:13 | 0:05:17 | |
Takes them an awful length of time to get ready. | 0:05:17 | 0:05:19 | |
In my days, you know, you'd get ready in a couple of seconds, | 0:05:19 | 0:05:22 | |
even ate - a couple of seconds, I'd be gone. | 0:05:22 | 0:05:25 | |
Young girls now, they'll be putting on that tan and make-up for hours. | 0:05:25 | 0:05:31 | |
Long ago, the ladies didn't put on that at all, | 0:05:31 | 0:05:34 | |
and it's funny even yet, I'd rather have a woman with none of that. | 0:05:34 | 0:05:37 | |
If they lean up against your shirt, they'd have you racked with | 0:05:37 | 0:05:40 | |
that tan and stuff on you - women would have none of that on them, you know? | 0:05:40 | 0:05:43 | |
Girls, he's out on the pull tonight. | 0:05:43 | 0:05:45 | |
We don't want a man holding us back from a good night's dancing, like. | 0:05:45 | 0:05:49 | |
If you get a man, it's always a bonus. | 0:05:49 | 0:05:52 | |
But you're not actually out looking for him. | 0:05:52 | 0:05:54 | |
If you get him, you get him, if you don't, you don't, is that it? | 0:05:54 | 0:05:57 | |
That's it. | 0:05:57 | 0:05:58 | |
I thought they would have been married long, long, long ago. | 0:05:58 | 0:06:01 | |
But there's no word of any of them getting married yet, and they're very fine looking girls - | 0:06:01 | 0:06:05 | |
not cos they're daughters of mine, but they're all good looking girls. | 0:06:05 | 0:06:09 | |
After the rigours of raising ten children, | 0:06:10 | 0:06:12 | |
Tommy is recently single, and he has thrown himself into country music | 0:06:12 | 0:06:16 | |
nights out, which always start in the kitchen. | 0:06:16 | 0:06:19 | |
LAUGHTER AND WHOOPING | 0:06:20 | 0:06:26 | |
Do you remember, he couldn't dance? | 0:06:27 | 0:06:29 | |
He had two left feet and he would trip over you! | 0:06:29 | 0:06:31 | |
But I think Daddy is a fierce wee dancer now, | 0:06:31 | 0:06:33 | |
burning wee holes in the floor! Flames coming out behind him. | 0:06:33 | 0:06:37 | |
You'd need to have a fire extinguisher beside you! | 0:06:37 | 0:06:40 | |
He's too busy looking for a woman. | 0:06:40 | 0:06:42 | |
THEY LAUGH | 0:06:42 | 0:06:44 | |
And there's no decent ones out there. You're not going to get them. | 0:06:44 | 0:06:47 | |
They're all gone! | 0:06:47 | 0:06:48 | |
WHOOPING | 0:06:48 | 0:06:52 | |
Simon and friend Eoin are dancers in demand on the country music | 0:07:10 | 0:07:13 | |
scene, so they're fuelling up for a weekend of jiving. | 0:07:13 | 0:07:17 | |
Eoin, you've got plenty there! | 0:07:18 | 0:07:20 | |
-I'll not go out there without eating them. -That's just his first plate! | 0:07:20 | 0:07:23 | |
There's a whole bag of Dublin Queens out there. | 0:07:23 | 0:07:25 | |
We started the Dublin Queens this week, they're balls of flour. | 0:07:25 | 0:07:28 | |
Lovely. That's them there. | 0:07:28 | 0:07:30 | |
It's not everybody who gets excited about a spud. | 0:07:30 | 0:07:32 | |
Well, he likes a good spud. | 0:07:32 | 0:07:34 | |
On the jiving scene, appearance is everything. | 0:07:34 | 0:07:38 | |
And Simon's hectic dancing schedule has been causing problems. | 0:07:38 | 0:07:42 | |
The issues are when he's out three nights a week, there's about | 0:07:42 | 0:07:46 | |
12 shirts down there for washing and ironing for the following week. | 0:07:46 | 0:07:49 | |
And I just can't keep up with it. | 0:07:49 | 0:07:52 | |
So, now, I do the washing and he has to do his own ironing. | 0:07:52 | 0:07:55 | |
I'm actually going to try and get him to do all the ironing. | 0:07:55 | 0:07:58 | |
You know, that's the next step. | 0:07:58 | 0:08:00 | |
Because he's very, very good at it. | 0:08:00 | 0:08:02 | |
He doesn't realise how hard the make-up is to get off the shirts. | 0:08:02 | 0:08:05 | |
It has to be steeped, the one wash wouldn't do it. | 0:08:05 | 0:08:08 | |
Whenever you'd be dancing there, | 0:08:08 | 0:08:09 | |
her head might brush past your sleeve on your shirt | 0:08:09 | 0:08:12 | |
and the make-up would just wipe off on it, | 0:08:12 | 0:08:15 | |
then you might have your arm round somebody, or... | 0:08:15 | 0:08:17 | |
Different wee things, | 0:08:17 | 0:08:18 | |
there's different ways for make-up to get onto your shirt. | 0:08:18 | 0:08:21 | |
MUSIC VOLUME INCREASES | 0:08:23 | 0:08:26 | |
# In '65, I learned to jive In the borderland in Muff | 0:08:28 | 0:08:33 | |
# Friday night was show band night That's where I'd strut my stuff | 0:08:33 | 0:08:38 | |
# We all came out from Derry Each weekend after work | 0:08:38 | 0:08:44 | |
# Man, we all looked smashing We had hair and miniskirts... # | 0:08:44 | 0:08:50 | |
You're some dancer, Simon, you can fairly move! You don't need a lady to dance with. | 0:08:50 | 0:08:54 | |
He is a good jiver, he definitely is. | 0:08:57 | 0:09:00 | |
He's great music in him, great rhythm. | 0:09:00 | 0:09:03 | |
So, he definitely is that. I'd highly recommend him! | 0:09:03 | 0:09:06 | |
You need two people to dance, and if the girl can't dance, the boy can't dance, | 0:09:06 | 0:09:10 | |
and Mum was always a really good dancer, too. | 0:09:10 | 0:09:12 | |
I didn't have a good jive for about 25 years, until he started. | 0:09:12 | 0:09:16 | |
THEY LAUGH | 0:09:16 | 0:09:18 | |
My husband, he doesn't jive at all, there's no music in him. | 0:09:19 | 0:09:22 | |
You can't be good at everything! | 0:09:22 | 0:09:24 | |
# I told my dad No nine-to-five for me... # | 0:09:24 | 0:09:27 | |
It's a brave move, Simon, going for the pink shirt tonight. | 0:09:27 | 0:09:30 | |
-What's that saying? -Pink makes the girls wink. -It makes the girls wink. | 0:09:30 | 0:09:34 | |
It might seem like a brave move, but this shirt has been tried | 0:09:34 | 0:09:37 | |
and tested, it doesn't show sweat too badly. | 0:09:37 | 0:09:40 | |
I'm up for a white one tonight, | 0:09:40 | 0:09:41 | |
but it can get pretty sweaty in it, so I thought I might as well | 0:09:41 | 0:09:44 | |
go for the white T-shirt underneath it, it'll soak a right bit of it. | 0:09:44 | 0:09:48 | |
Forget about the Million, you're not taking any more of mine, | 0:09:48 | 0:09:51 | |
you've used it all. Bit of David Beckham. | 0:09:51 | 0:09:53 | |
# I looked out my window, what did I see... # | 0:09:57 | 0:10:02 | |
Meanwhile, the Breslins | 0:10:02 | 0:10:04 | |
and their friend Dervla have arrived in Monaghan to dance | 0:10:04 | 0:10:07 | |
to one of Ireland's top country stars, Robert Mizzell. | 0:10:07 | 0:10:10 | |
One of the attractions of the country scene is a return to | 0:10:15 | 0:10:18 | |
old school forms of courting, | 0:10:18 | 0:10:20 | |
and dad Tommy is taking a keen interest in his girls' love life. | 0:10:20 | 0:10:24 | |
I'll be keeping a wee eye on them, to see who they'll be dancing with, | 0:10:24 | 0:10:26 | |
if they are a rich puppet or a poor puppet, you know what I mean? | 0:10:26 | 0:10:29 | |
I'll be keeping them right, you know what I mean? | 0:10:29 | 0:10:32 | |
For Samantha and Dervla, it's thin pickings on the courting front. | 0:10:33 | 0:10:37 | |
WHOOPING | 0:10:37 | 0:10:39 | |
There's a few good looking fellas, and they're all right, | 0:10:39 | 0:10:42 | |
but they're bit too old for us, I'd say. | 0:10:42 | 0:10:44 | |
They mostly have their wives with them. | 0:10:44 | 0:10:47 | |
There's no chance of romance for us tonight, unfortunately. | 0:10:47 | 0:10:50 | |
Or maybe we're lucky that way! | 0:10:50 | 0:10:52 | |
There may be no romance in the air, | 0:10:59 | 0:11:01 | |
but Emma has bagged herself a jiving ace. | 0:11:01 | 0:11:04 | |
Fella that took me out for a dance, I don't know where he was taught how, | 0:11:04 | 0:11:07 | |
but he is just absolutely brilliant, he's some beat in him, like, | 0:11:07 | 0:11:10 | |
he just has the rhythm of the music. | 0:11:10 | 0:11:12 | |
Well, I just said to him, "I'd love to dance the way you can dance, | 0:11:18 | 0:11:21 | |
"I went to dancing lessons and I wasn't taught like that." | 0:11:21 | 0:11:24 | |
And he was like, "Well, sure, if you gave me your number, I'll be able | 0:11:24 | 0:11:27 | |
"to meet up with you and teach you how to dance the way I was taught." | 0:11:27 | 0:11:30 | |
And I don't know if that was a wee bit cheesy, | 0:11:30 | 0:11:33 | |
to get my number, like, but I might give it a go. | 0:11:33 | 0:11:35 | |
I'd like to get dancing the way he dances. | 0:11:35 | 0:11:37 | |
WHOOPING AND CHEERING | 0:11:41 | 0:11:44 | |
That's a brand-new song off my latest album, | 0:11:44 | 0:11:46 | |
that's Down On The Bayou, ladies and gentlemen... | 0:11:46 | 0:11:49 | |
# I try my best, pass all my tests But you don't seem to see... # | 0:11:58 | 0:12:02 | |
Country music diehards Simon | 0:12:02 | 0:12:04 | |
and Eoin are at the Dungiven Barn Dance, which is in full swing. | 0:12:04 | 0:12:08 | |
-If we can't get a dance tonight, Eoin... -Ha-ha, true! | 0:12:09 | 0:12:13 | |
Look at that! | 0:12:13 | 0:12:15 | |
# Oh, kiss me, Mary, kiss me, Mary Kiss me one more time... | 0:12:16 | 0:12:20 | |
Dancing is hot and sweaty work, | 0:12:22 | 0:12:24 | |
and two accomplished pros such as Simon and Eoin have a couple | 0:12:24 | 0:12:28 | |
of tricks up their sleeve to keep them looking fresh at all times. | 0:12:28 | 0:12:32 | |
Come on out and change your shirt, I'm out here now. | 0:12:38 | 0:12:41 | |
Right, come on ahead, quick. | 0:12:41 | 0:12:43 | |
-Whoo! -He's sweating a bit. | 0:12:43 | 0:12:45 | |
Need to get that changed, boys. | 0:12:46 | 0:12:48 | |
-What do you think? -Aye, not bad. -Good talent. | 0:12:48 | 0:12:50 | |
Pretty good, some talent about. | 0:12:50 | 0:12:52 | |
Anything in the bag for later? | 0:12:52 | 0:12:54 | |
Well, haven't shot yet, but when he shoots, he scores, like! | 0:12:54 | 0:12:57 | |
Got a bit of spade work done. | 0:12:57 | 0:12:59 | |
To keep the whole dry shirt routine seamless, | 0:12:59 | 0:13:02 | |
it is important not to be too obvious. | 0:13:02 | 0:13:05 | |
You know, if I'm back in, | 0:13:05 | 0:13:06 | |
mostly they'll know that I'm changing my shirt, I mean, | 0:13:06 | 0:13:09 | |
some people will say, "Oh, you've went out and changed your shirt!" | 0:13:09 | 0:13:12 | |
You're like, "Yeah, I have!" | 0:13:12 | 0:13:13 | |
Mine's the same colour, the same white collar, it's all right. | 0:13:13 | 0:13:17 | |
Done, sorted. | 0:13:21 | 0:13:22 | |
Just have to pretend there's hair gel here. | 0:13:22 | 0:13:24 | |
Courage to finish the night, that's the way to go. | 0:13:24 | 0:13:27 | |
Aye, we'll get the jive on, then. Need somebody we can jive with. | 0:13:27 | 0:13:30 | |
We'll either split two girls up or we'll take two that we know | 0:13:30 | 0:13:34 | |
can dance, or we've seen. | 0:13:34 | 0:13:36 | |
Anything at all. | 0:13:36 | 0:13:38 | |
-You can't get fussy at this stage! -No. | 0:13:38 | 0:13:40 | |
Simon and Eoin might have the moves, but impressing 22-year-old | 0:13:43 | 0:13:47 | |
farmer's daughter Eleanor takes more than just quick feet. | 0:13:47 | 0:13:52 | |
You get talking to them and you maybe see what line of work | 0:13:52 | 0:13:54 | |
they're in, if they are big-time farmer, or if they're beef or dairy. | 0:13:54 | 0:13:59 | |
I'd be more into the beef farmers, I suppose I can relate more. | 0:13:59 | 0:14:03 | |
These dairy farmers, if you married one of them, | 0:14:03 | 0:14:05 | |
you might not get too many holidays, | 0:14:05 | 0:14:07 | |
because they're always with their cattle, morning, noon and night. | 0:14:07 | 0:14:11 | |
As an only child on a family farm, her parents are also taking | 0:14:11 | 0:14:15 | |
an active interest in who she might court with. | 0:14:15 | 0:14:19 | |
A few weeks ago there, | 0:14:19 | 0:14:20 | |
a new vet started working in the practice in the town, | 0:14:20 | 0:14:23 | |
and my dad came in to me one evening and he says, | 0:14:23 | 0:14:26 | |
"Oh, I see there's a new young fella working at the vet's there. | 0:14:26 | 0:14:30 | |
"I'll maybe send you in from now on." I think he was maybe | 0:14:30 | 0:14:33 | |
hinting at something there that he saw, a prospect. | 0:14:33 | 0:14:38 | |
Eleanor and her friend Aisling have been known to travel | 0:14:41 | 0:14:44 | |
hundreds of miles from rural County Down in search | 0:14:44 | 0:14:47 | |
of a good country music night out. | 0:14:47 | 0:14:50 | |
You know the way to a man's heart is through his belly? | 0:14:53 | 0:14:56 | |
-It's the same sort of idea with the horses. -Same with the horses, right. | 0:14:56 | 0:14:59 | |
So, you remember that when you're cooking your man a big dinner. | 0:14:59 | 0:15:02 | |
You feed them well and they keep coming back. That's the way to do it. | 0:15:03 | 0:15:07 | |
Eleanor's mum and dad might have high expectations about her | 0:15:07 | 0:15:10 | |
meeting a suitable partner, but she may be already taken. | 0:15:10 | 0:15:13 | |
I got Penny when I was 16, and I remember that | 0:15:15 | 0:15:18 | |
because I sort of had to make a decision between a boy and a horse. | 0:15:18 | 0:15:23 | |
So I went for the horse! | 0:15:23 | 0:15:26 | |
That's all I can really say about that. | 0:15:27 | 0:15:30 | |
So I think I made the right decision. | 0:15:30 | 0:15:33 | |
Would you do the same again, Eleanor? | 0:15:33 | 0:15:35 | |
Yeah, I probably would. I prefer my horse. | 0:15:35 | 0:15:37 | |
She's strong and reliable and we've a good working relationship going on. | 0:15:37 | 0:15:43 | |
See, she's enjoying that. | 0:15:43 | 0:15:44 | |
You wouldn't get that sort of a response from a man. | 0:15:44 | 0:15:47 | |
The summer is rolling on. | 0:15:51 | 0:15:53 | |
If Enda wants to be able to compete on the dancing front with the likes | 0:15:55 | 0:15:59 | |
of Simon and Eoin before autumn, he's going to have to learn fast. | 0:15:59 | 0:16:03 | |
Just as well you don't need a dance floor to practise your steps. | 0:16:08 | 0:16:12 | |
Just getting finished up here for the day | 0:16:12 | 0:16:15 | |
waiting on Tammy to come for a wee sneaky private lesson. | 0:16:15 | 0:16:18 | |
Cos I think I need it. | 0:16:19 | 0:16:21 | |
-Well, Enda. -Tammy. -Y'all ready for this? | 0:16:26 | 0:16:30 | |
Out anywhere over the weekend? | 0:16:30 | 0:16:32 | |
-I was out Saturday night for a while, yeah. -Any jiving? -I tried to jive. | 0:16:32 | 0:16:37 | |
-Trying? -Trying. -How did it go? | 0:16:37 | 0:16:40 | |
Went all right. I kind of forgot most things, but. | 0:16:40 | 0:16:43 | |
-Have you your shoes with you or what's the craic? -I forgot them. | 0:16:43 | 0:16:47 | |
-You forgot them? -Mmm, I was working all day. | 0:16:47 | 0:16:50 | |
-Right, are you comfortable enough to dance in them? -Aye. | 0:16:50 | 0:16:53 | |
A good dancer never blames his shoes, so we'll give it a go. | 0:16:53 | 0:16:57 | |
-If you want to find the rhythm with a lady, what do you do? -This. | 0:16:57 | 0:17:01 | |
-Yeah, and where does your feet go? -I don't know. | 0:17:01 | 0:17:05 | |
Right foot in and out. | 0:17:05 | 0:17:08 | |
And in and out. | 0:17:08 | 0:17:10 | |
Out, in, out, in. | 0:17:10 | 0:17:14 | |
So if you practise that, that then eventually becomes your footwork. | 0:17:14 | 0:17:18 | |
-Right. -When you're ready. | 0:17:18 | 0:17:21 | |
-One, two, three. -OK, stop there. | 0:17:21 | 0:17:25 | |
You're not driving a bus. A lady's a delicate thing. | 0:17:25 | 0:17:28 | |
I want you to put your arms... | 0:17:28 | 0:17:29 | |
You're in control of her, | 0:17:29 | 0:17:31 | |
-you're not swinging like you're steering the wheel of a bus. -OK. | 0:17:31 | 0:17:35 | |
If you are swinging your lady out to here, you're going | 0:17:35 | 0:17:38 | |
-to drop hands and loss her to some other man. -I don't want that. | 0:17:38 | 0:17:42 | |
No, so you have to keep her in control and keep her close to you. | 0:17:42 | 0:17:45 | |
-Right. -Ready to try with a piece of music? -Yeah, we'll give it a go. | 0:17:45 | 0:17:50 | |
MUSIC: Hold Onto Your Hat by Derek Ryan | 0:17:50 | 0:17:53 | |
In, out, in, out. | 0:17:53 | 0:17:55 | |
One, two, three. | 0:17:59 | 0:18:01 | |
One, two. Right hand. | 0:18:03 | 0:18:05 | |
Excellent. | 0:18:06 | 0:18:08 | |
One, two. And your feet are moving, that's good. | 0:18:08 | 0:18:12 | |
One, two, half turn. | 0:18:12 | 0:18:15 | |
One, two, three. | 0:18:16 | 0:18:18 | |
One, two, three. | 0:18:20 | 0:18:21 | |
-Glad to see the song to end? -Aye. | 0:18:26 | 0:18:28 | |
The hardest part of jiving is remembering what comes next. | 0:18:28 | 0:18:31 | |
But the key for you, Enda, is just to keep practising | 0:18:31 | 0:18:34 | |
and working at it. | 0:18:34 | 0:18:36 | |
But I think you'll get there. Very good. | 0:18:36 | 0:18:38 | |
# I met her in the Galteemore In the Galteemore in Cricklewood... # | 0:18:38 | 0:18:43 | |
The Breslins - Dad Tommy, daughter Samantha and friend Dervla - | 0:18:43 | 0:18:47 | |
are back out seeing Irish country artist Michael English. | 0:18:47 | 0:18:50 | |
# In the Galteemore in Cricklewood | 0:18:50 | 0:18:52 | |
# I asked her for a dance and she said she would | 0:18:52 | 0:18:55 | |
# The band played an oldie called In The Mood | 0:18:55 | 0:18:58 | |
# I met her in the Galteemore... # | 0:18:58 | 0:19:01 | |
But as the evening goes on, | 0:19:03 | 0:19:04 | |
as far as dancing with the opposite sex is concerned, | 0:19:04 | 0:19:07 | |
it looks like only one member of the party is getting all the action. | 0:19:07 | 0:19:11 | |
This is called I Don't Want The Money. | 0:19:14 | 0:19:15 | |
# I don't want the money | 0:19:21 | 0:19:24 | |
# I just want your time... # | 0:19:24 | 0:19:26 | |
Daddy has every woman out on the floor there. | 0:19:26 | 0:19:29 | |
I had two dances with him. He has every other woman out on the floor. | 0:19:29 | 0:19:33 | |
-I don't know how he does it. -Neither do I. He's in his element. | 0:19:33 | 0:19:37 | |
Holy shit, he's as fit as I am. Fit as a fiddle. | 0:19:37 | 0:19:40 | |
# If our love dies It won't go to heaven | 0:19:40 | 0:19:47 | |
# Cos it's already been there all the time... # | 0:19:49 | 0:19:57 | |
Daddy's getting all the dances. | 0:19:59 | 0:20:01 | |
That's cos older men are just always up for a bit of jiving. | 0:20:01 | 0:20:04 | |
He waltzing round the floor and sitting smiling just like... | 0:20:04 | 0:20:09 | |
"I'm watching you." | 0:20:09 | 0:20:10 | |
He's a great dancer. He has every woman on the floor on the floor. | 0:20:17 | 0:20:21 | |
He knows them all, he dances them all, isn't that right, Tommy? | 0:20:21 | 0:20:25 | |
-Yeah, you're right. -And he's looking for Miss Right, by the way. | 0:20:25 | 0:20:28 | |
So many dance partners to get through, so little time. | 0:20:33 | 0:20:37 | |
Here we go. | 0:20:37 | 0:20:38 | |
Two, three, four. | 0:20:38 | 0:20:40 | |
-What's that on your shirt? -I think maybe... | 0:20:50 | 0:20:54 | |
And you're talking about not getting it off. | 0:20:54 | 0:20:57 | |
Girls just like it a bit tighter than a man wants. I'm not... | 0:20:57 | 0:21:00 | |
As you know yourself... | 0:21:00 | 0:21:02 | |
-Don't go into any detail. -No, I'm kinda shy as you can see. -Shy?! | 0:21:02 | 0:21:08 | |
-Shy?! You are not shy. -I'm normally a wee bit tight, Samantha. | 0:21:08 | 0:21:13 | |
Well, you needn't think I'm cleaning that in the morning. | 0:21:13 | 0:21:16 | |
One of the climaxes of the country summer | 0:21:20 | 0:21:23 | |
is the Clonmany Festival in Donegal. | 0:21:23 | 0:21:25 | |
And Simon and Eoin are at home making sure | 0:21:25 | 0:21:28 | |
they have enough shirts for the dancing. | 0:21:28 | 0:21:30 | |
Country music seems to be working wonders for Simon's domestic skills. | 0:21:31 | 0:21:35 | |
He's coming on, isn't he? A little bit of make-up there, Simon. | 0:21:35 | 0:21:39 | |
That shirt'll be no good to you. | 0:21:39 | 0:21:41 | |
There's going to be more make-up on it, | 0:21:41 | 0:21:43 | |
going to make the washing machine earn its keep. | 0:21:43 | 0:21:45 | |
You could meet the woman of your dreams out there. | 0:21:48 | 0:21:51 | |
That could happen any night, I suppose. | 0:21:51 | 0:21:53 | |
Somebody new. | 0:21:53 | 0:21:55 | |
You could end up going places or going on a date the next morning | 0:21:55 | 0:21:59 | |
-or something. -I don't think so. -You'd be like David Beckham. | 0:21:59 | 0:22:01 | |
You'd call your first child where you met the partner. | 0:22:01 | 0:22:04 | |
He called his first child Brooklyn cos he met whatever in Brooklyn. | 0:22:04 | 0:22:08 | |
Ballyliffin wouldn't be a great name. | 0:22:08 | 0:22:10 | |
Call it something, Donegal or North West. | 0:22:10 | 0:22:14 | |
In Rathfriland, Eleanor | 0:22:18 | 0:22:20 | |
and Aisling are getting ready for one of the biggest events in | 0:22:20 | 0:22:22 | |
the country music calendar - | 0:22:22 | 0:22:24 | |
the annual young farmers dance in Ballymena. | 0:22:24 | 0:22:26 | |
I am going for it and I have no idea what dress I'm going to wear | 0:22:26 | 0:22:30 | |
-to match this. -Pink matches. | 0:22:30 | 0:22:31 | |
I think I have one pink dress and it's in Belfast. | 0:22:31 | 0:22:34 | |
I'm wearing either black and white or black and white. | 0:22:34 | 0:22:37 | |
Right, monochrome look. | 0:22:37 | 0:22:39 | |
It's a chance for the girls to reminisce about some | 0:22:39 | 0:22:42 | |
of the fellas they've met on previous nights out. | 0:22:42 | 0:22:46 | |
Who was that boy you met last time? | 0:22:46 | 0:22:47 | |
-Oh, Robert! -Robert! | 0:22:47 | 0:22:50 | |
Yes, that's right. | 0:22:53 | 0:22:54 | |
He was the one that tried to slip in in front of us at the bar, | 0:22:54 | 0:22:57 | |
-but we wangled a wee free drink out of it. -Good old Robbie. | 0:22:57 | 0:23:01 | |
Then he gave me lessons in how to change gears in a 40-foot trailer. | 0:23:01 | 0:23:06 | |
-Sounds exciting. -It was. | 0:23:06 | 0:23:08 | |
It's a three transition gearbox or something. | 0:23:08 | 0:23:10 | |
High, medium, low | 0:23:10 | 0:23:12 | |
and you've to go through the gears with every transition. | 0:23:12 | 0:23:16 | |
Then I got my licence out and showed him | 0:23:16 | 0:23:18 | |
I did the trailer test category B and E. | 0:23:18 | 0:23:20 | |
-Love at first sight. -He seemed suitably impressed, so he did. | 0:23:20 | 0:23:24 | |
Eoin and Simon have arrived in small-town Donegal | 0:23:28 | 0:23:30 | |
for an open-air country music dancing festival. | 0:23:30 | 0:23:33 | |
And dancing isn't the only thing they're interested in. | 0:23:33 | 0:23:36 | |
Hello, girls. We're boys. | 0:23:37 | 0:23:41 | |
There's a lot of very good-looking girls, from this angle anyway. | 0:23:41 | 0:23:44 | |
When we're dancing that might be a different story, | 0:23:44 | 0:23:47 | |
but there's only one thing we can do and that's find out. | 0:23:47 | 0:23:51 | |
# Wham, bam, thank you, ma'am | 0:23:51 | 0:23:53 | |
# I'll be on my way | 0:23:53 | 0:23:56 | |
# Thank you but no thank you | 0:23:56 | 0:23:58 | |
# Not today... # | 0:23:58 | 0:23:59 | |
The Clonmany Festival is headlined by country star Robert Mizzell | 0:23:59 | 0:24:03 | |
and is an extravaganza of all things country | 0:24:03 | 0:24:06 | |
before the chill autumn nights begin to set in. | 0:24:06 | 0:24:08 | |
# I'm just too young to get married, you see | 0:24:11 | 0:24:16 | |
# There's too many places... # | 0:24:16 | 0:24:19 | |
It's a pretty open floor. Anybody can walk on to it. | 0:24:19 | 0:24:21 | |
There's a lot of girls just standing round the edge. | 0:24:21 | 0:24:23 | |
They're just itching for somebody to take them up, so it's just a matter | 0:24:23 | 0:24:26 | |
of going up and saying, "Are you coming for a dance?" | 0:24:26 | 0:24:28 | |
-Shall we give it a go then? -Let's go. | 0:24:30 | 0:24:33 | |
Not that fast now! | 0:24:33 | 0:24:35 | |
# I didn't know it way back then how she influenced me... # | 0:24:36 | 0:24:39 | |
There's a girl there in a white dress, I asked her for a dance. | 0:24:39 | 0:24:42 | |
"Aye, I can dance, no problem." | 0:24:42 | 0:24:44 | |
I danced with her for about 30 seconds, she turns around and goes, | 0:24:44 | 0:24:47 | |
"Oh, no, I can't dance in heels, you're a professional. | 0:24:47 | 0:24:49 | |
"You know what you're at here, I don't." | 0:24:49 | 0:24:51 | |
And I'm a complete bluffer, like anybody else, | 0:24:51 | 0:24:53 | |
I just try and pass myself at it. | 0:24:53 | 0:24:56 | |
I really can't in these shoes. | 0:24:56 | 0:24:58 | |
-You can't dance in them shoes? -No. | 0:24:58 | 0:25:01 | |
-You've messed my hair and everything now. -Sorry, darling. | 0:25:01 | 0:25:04 | |
She turned around and said, | 0:25:04 | 0:25:06 | |
"I can't dance any more," and sort of turned and walked away. | 0:25:06 | 0:25:09 | |
It sort of makes you feel down on yourself at times, | 0:25:09 | 0:25:12 | |
but what do you do? | 0:25:12 | 0:25:14 | |
You just look for somebody else and go over and say, "Can YOU dance?" | 0:25:14 | 0:25:17 | |
If they say yes, well, then, back up you go again and away you go, like. | 0:25:17 | 0:25:21 | |
Farmer's girl Eleanor | 0:25:23 | 0:25:25 | |
and friend Aisling are in Ballymena where the biggest country | 0:25:25 | 0:25:28 | |
music gig of the year takes place in a livestock yard. | 0:25:28 | 0:25:32 | |
Oh, there's piles of people here. It's huge. | 0:25:32 | 0:25:35 | |
My word, how are we ever going to find anyone here? | 0:25:35 | 0:25:39 | |
You'd be totally lost. | 0:25:39 | 0:25:41 | |
# Hold on to your hat... # | 0:25:41 | 0:25:45 | |
Derek Ryan is the hottest ticket on the country music circuit. | 0:25:45 | 0:25:49 | |
Over 2,000 young farmers have travelled for miles around | 0:25:49 | 0:25:52 | |
so there's no shortage of eligible bachelors with a good acreage. | 0:25:52 | 0:25:56 | |
The girls were soon jiving their way through the floor, but it's | 0:25:59 | 0:26:02 | |
not just a man's jiving skills that Eleanor is interested in. | 0:26:02 | 0:26:06 | |
# I'll care for you and love you too until the day I die | 0:26:06 | 0:26:10 | |
# Hold on to your hat... # | 0:26:10 | 0:26:12 | |
Being a dairy farmer is a fatal blow for any young man's chances | 0:26:30 | 0:26:33 | |
with the discerning Eleanor. | 0:26:33 | 0:26:35 | |
But the night is still young. | 0:26:35 | 0:26:37 | |
Here we go. One, two, one, two, three. | 0:26:37 | 0:26:39 | |
He has a couple of vintage tractors and that, | 0:26:55 | 0:26:58 | |
so that's a common interest too. | 0:26:58 | 0:26:59 | |
But he's a beef and a sheep farmer, so a bit of craic. | 0:26:59 | 0:27:04 | |
He is a good dancer, so I'll definitely jive with him again, | 0:27:15 | 0:27:18 | |
maybe learn a few more steps from him or something. | 0:27:18 | 0:27:21 | |
# My country so-o-oul So-o-oul... # | 0:27:21 | 0:27:26 | |
While Eleanor seems to have found some common ground in | 0:27:26 | 0:27:30 | |
vintage tractors, Aisling is in demand as a dance partner. | 0:27:30 | 0:27:34 | |
He was lovely. He was really nice. A pure farmer. | 0:27:34 | 0:27:39 | |
Nice shirt, brown shoes and he was, he was good at the jiving, | 0:27:39 | 0:27:43 | |
he wasn't so good at the waltzing, but he was a good jiver, | 0:27:43 | 0:27:46 | |
so what more can you want? | 0:27:46 | 0:27:48 | |
# Praise the Lord I saw the light... # | 0:27:48 | 0:27:52 | |
I think Aisling's maybe found a man with a bit of potential. | 0:27:52 | 0:27:55 | |
He was well turned out and he seemed like a good gentleman anyway. | 0:27:55 | 0:27:59 | |
She seemed to like him and as far as you can tell, | 0:27:59 | 0:28:02 | |
they got a wee Facebook add, so it's maybe all systems go. | 0:28:02 | 0:28:06 | |
There are a couple of interesting characters on the scene. | 0:28:06 | 0:28:09 | |
I don't know if I'll be bringing any of them home any time soon, | 0:28:09 | 0:28:12 | |
but we'll keep going out and keep jiving away and see what happens. | 0:28:12 | 0:28:16 | |
# I ain't seen no misery since you've been gone | 0:28:16 | 0:28:21 | |
# Well, hello trouble... # | 0:28:21 | 0:28:23 | |
Back on the Main Street of Clonmany, | 0:28:23 | 0:28:25 | |
country music star Robert Mizzell is bringing his open-air concert | 0:28:25 | 0:28:28 | |
to a close and, as usual, | 0:28:28 | 0:28:31 | |
it has been a night of non-stop jiving for the boys. | 0:28:31 | 0:28:34 | |
Thank you! | 0:28:39 | 0:28:42 | |
But as the clean-up begins, | 0:28:45 | 0:28:47 | |
Eoin seems to have lost his wingman, Simon. | 0:28:47 | 0:28:50 | |
He's living up to his name, Slippery Simon. He's long gone. | 0:28:50 | 0:28:53 | |
I haven't seen him in an hour or two. | 0:28:53 | 0:28:55 | |
He's not away by himself, that's one thing for sure. | 0:28:55 | 0:28:58 | |
I'm trying to ring him here, but there's no answer. | 0:28:59 | 0:29:02 | |
He's not answering, anyway, so he must be busy of some sort. | 0:29:02 | 0:29:06 | |
Going straight to voicemail, | 0:29:06 | 0:29:08 | |
so he's obviously at something he shouldn't be at. | 0:29:08 | 0:29:10 | |
# And as I wonder where you are | 0:29:10 | 0:29:17 | |
# I'm so lonesome I could cry. # | 0:29:17 | 0:29:24 | |
Summer is coming to an end and time is running out for Enda. | 0:29:31 | 0:29:36 | |
This Saturday night is the big one, the end of season barn dance. | 0:29:38 | 0:29:42 | |
This is what I've been practising the jive for. | 0:29:42 | 0:29:46 | |
This was all towards this one night. | 0:29:46 | 0:29:48 | |
So I want to go out there, strut the stuff, show everybody what | 0:29:48 | 0:29:52 | |
I've learnt, that it wasn't a waste of time, especially Tammy. | 0:29:52 | 0:29:58 | |
Fingers crossed I don't be swinging the girls like I swing a bus. | 0:29:58 | 0:30:01 | |
Enda has only one more of Tammy's lessons left to | 0:30:03 | 0:30:06 | |
perfect his technique. | 0:30:06 | 0:30:08 | |
Get your partner. Enda, get your partner. | 0:30:09 | 0:30:13 | |
-Get a partner. -You're shaking. -Aye, I'm shaking. -Why? | 0:30:13 | 0:30:18 | |
-Just a nervous thing. -Really? | 0:30:18 | 0:30:20 | |
One. Smiles, ladies face. | 0:30:20 | 0:30:23 | |
Three, two, one double out. One back, ladies. | 0:30:23 | 0:30:28 | |
-Toe spin. What are you at? -I don't know. -Back to the start. | 0:30:28 | 0:30:36 | |
No mistakes this time, Enda. That's it. | 0:30:36 | 0:30:39 | |
Pushing off each other so the man's going to turn this time | 0:30:39 | 0:30:42 | |
and the lady's going to spin back round. Catching two right hands. | 0:30:42 | 0:30:45 | |
So two right hands back-to-back. | 0:30:45 | 0:30:48 | |
Right hands back-to-back. Has everybody got that far? | 0:30:48 | 0:30:53 | |
Let's put them together quickly. | 0:30:53 | 0:30:55 | |
Oh, no, I was right enough. | 0:30:55 | 0:30:57 | |
-Yeah. -Hang on, I'll swing you. | 0:30:57 | 0:31:01 | |
But things are looking distinctly bumpy. | 0:31:01 | 0:31:04 | |
Oh, no. | 0:31:04 | 0:31:07 | |
THEY LAUGH | 0:31:10 | 0:31:12 | |
Teacher Tammy steps in to steady the boat. | 0:31:12 | 0:31:15 | |
See here, you're going like this. Try and stay up. | 0:31:19 | 0:31:22 | |
Three, two... | 0:31:22 | 0:31:23 | |
That's better. | 0:31:31 | 0:31:33 | |
-Well done. Just a wee bit of work. -Aye. | 0:31:36 | 0:31:40 | |
-Right, Lyn, your turn. -I'm a lot better than when I started. | 0:31:40 | 0:31:44 | |
I'd have the confidence now to go and ask a girl out to dance now, | 0:31:44 | 0:31:47 | |
so that was the main thing and I can do that. | 0:31:47 | 0:31:49 | |
I feel I can do that now, so that's the first hurdle over. | 0:31:49 | 0:31:53 | |
Now it's the big stage that's the next hurdle. | 0:31:53 | 0:31:56 | |
I hope all goes well on Saturday. | 0:31:56 | 0:31:58 | |
Tommy's country summer has moved up a level. | 0:32:03 | 0:32:07 | |
While out dancing with the girls, he has met someone special. | 0:32:07 | 0:32:11 | |
Tonight is a big night. | 0:32:11 | 0:32:13 | |
After the split in his marriage, | 0:32:13 | 0:32:14 | |
he's getting ready for his first ever date. | 0:32:14 | 0:32:19 | |
..This night I was up there and I met this girl, a lovely person. | 0:32:19 | 0:32:25 | |
I never met the like of her in my life. I'm telling you, | 0:32:25 | 0:32:28 | |
would you believe it, when I met her first, there was | 0:32:28 | 0:32:31 | |
something different about her than any other woman. | 0:32:31 | 0:32:34 | |
I'm going to meet her tonight | 0:32:34 | 0:32:36 | |
and this is the first date ever in my life. I'm a bit shaky now. | 0:32:36 | 0:32:39 | |
I'll have to take a wee brandy before I go | 0:32:39 | 0:32:41 | |
because I'll be shaking going up the road. | 0:32:41 | 0:32:44 | |
Especially a woman talking to me, it'll scare the life out of me, | 0:32:44 | 0:32:47 | |
I'm telling you it will. | 0:32:47 | 0:32:48 | |
D-K-N-Y, whatever that means. | 0:32:48 | 0:32:51 | |
I don't know much about it, | 0:32:51 | 0:32:53 | |
but they like the wee tint of a wee scent around the neck, they like it. | 0:32:53 | 0:32:57 | |
You wouldn't believe they liked the old perfume. | 0:32:57 | 0:33:00 | |
Some women are very particular about themselves, you know. | 0:33:00 | 0:33:03 | |
But I'm not as particular, to tell you the truth. Anything will do me. | 0:33:03 | 0:33:07 | |
I'd wear a boiler suit, anything would do me. | 0:33:07 | 0:33:10 | |
We're ready for the dancing now, lad. Are you ready to come? | 0:33:10 | 0:33:14 | |
Bring the brandy with you! | 0:33:14 | 0:33:15 | |
# Why'd do you come in here looking like that | 0:33:15 | 0:33:17 | |
# In your high-heeled boots and your painted-on jeans | 0:33:17 | 0:33:20 | |
# All decked out like a cowgirl's dreams | 0:33:20 | 0:33:23 | |
# Why'd you come in here looking like that? # | 0:33:23 | 0:33:27 | |
And it took you a long time to come for your first date, | 0:33:27 | 0:33:30 | |
but I'm delighted because you are a star, I love you to bits. | 0:33:30 | 0:33:34 | |
It took me a wee while to get to know you, Tommy. | 0:33:34 | 0:33:36 | |
I have to get to know the person. | 0:33:36 | 0:33:38 | |
I don't go out on a date with just anybody. | 0:33:38 | 0:33:40 | |
-You wouldn't go on a date with just anybody? -No. | 0:33:40 | 0:33:43 | |
I've been clouted before, I won't be clouted again! | 0:33:43 | 0:33:45 | |
Oh, golly, golly. Right, right. | 0:33:47 | 0:33:49 | |
I didn't think you were going to ask me out to dance at all. | 0:33:49 | 0:33:53 | |
I love dancing with a good dancer and you are one of them | 0:33:53 | 0:33:56 | |
-as well as a singer. -I'm learning very quickly once I met you. | 0:33:56 | 0:34:00 | |
You're a great teacher, so you are. | 0:34:00 | 0:34:03 | |
I've danced with a lot of girls and I mean a lot of girls. | 0:34:03 | 0:34:07 | |
You'd have seen me sometimes dancing any nights I go, | 0:34:07 | 0:34:10 | |
20, 25, 30, maybe more even, girls a night. | 0:34:10 | 0:34:14 | |
20 maybe 10, some nights 15. | 0:34:14 | 0:34:17 | |
But when I did come across her, there were some feelings that | 0:34:17 | 0:34:22 | |
she was the one that I did really, really want. | 0:34:22 | 0:34:24 | |
That's only the first that I ever really wanted. | 0:34:24 | 0:34:27 | |
I've been so lucky she's saying the same to me. | 0:34:27 | 0:34:31 | |
It's very hard to get somebody respectable and decent, | 0:34:31 | 0:34:33 | |
and hopefully the two of us will work out. It would be great if we do. | 0:34:33 | 0:34:37 | |
She's a lovely person. I hope it works out. | 0:34:37 | 0:34:39 | |
Are you trying to get me drunk? | 0:34:39 | 0:34:41 | |
A wee beer wouldn't do that. No, no. | 0:34:43 | 0:34:46 | |
# You know I like my chicken fried | 0:34:48 | 0:34:50 | |
# Cold beer on a Friday night | 0:34:50 | 0:34:53 | |
# Pair of jeans that fit just right and the radio on... # | 0:34:53 | 0:34:59 | |
The countdown is over for Enda. | 0:34:59 | 0:35:01 | |
He set himself the challenge of learning to jive over the summer | 0:35:01 | 0:35:05 | |
and now the big night has arrived. | 0:35:05 | 0:35:07 | |
Tonight's the night. We're heading for Dungiven. | 0:35:10 | 0:35:13 | |
Hopefully I'll have the courage now to ask somebody out to dance | 0:35:13 | 0:35:16 | |
and hopefully I'll remember all me moves. | 0:35:16 | 0:35:20 | |
So the sweat is on. | 0:35:20 | 0:35:22 | |
I bought the best dancing shoe on the market. These bad boys. | 0:35:25 | 0:35:31 | |
Hopefully they'll make me dance better. | 0:35:31 | 0:35:33 | |
# Dancing for my baby tonight You just sing along... # | 0:35:39 | 0:35:44 | |
Country star John McNicholl is playing the Dungiven barn dance. | 0:35:44 | 0:35:48 | |
# Come on, dance Let's dance... # | 0:35:48 | 0:35:51 | |
Are you all excited? | 0:35:54 | 0:35:56 | |
-Nervous. -Don't be nervous, you know the stuff, you've been there | 0:35:56 | 0:36:00 | |
and you've done it now and... | 0:36:00 | 0:36:01 | |
It's all right at dance practice, but this is the real McCoy. | 0:36:01 | 0:36:05 | |
Even though the night has arrived, | 0:36:05 | 0:36:07 | |
dance teacher Tammy is still coaching Enda on the basic moves. | 0:36:07 | 0:36:11 | |
Lady under, as the lady comes back the man goes under. | 0:36:11 | 0:36:14 | |
Leave him alone, he's nervous, God love him. | 0:36:14 | 0:36:16 | |
-We're going to have a wee practice when we go in any way. -Aye. | 0:36:16 | 0:36:20 | |
# Ain't going to need this house no longer | 0:36:20 | 0:36:22 | |
# Ain't going to need this house no more | 0:36:22 | 0:36:24 | |
# Ain't got time to fix the shingles, ain't got time... # | 0:36:24 | 0:36:28 | |
To get the night started, | 0:36:28 | 0:36:29 | |
it's straight onto the dance floor for an easy warm-up routine, | 0:36:29 | 0:36:32 | |
a line dance called the Hucklebuck. | 0:36:32 | 0:36:34 | |
# Ain't going to need this house longer | 0:36:34 | 0:36:37 | |
# I'm getting ready to meet the saints | 0:36:37 | 0:36:38 | |
# This old house is getting shaky... # | 0:36:40 | 0:36:43 | |
Jiving and the country music scene is very traditional. | 0:36:43 | 0:36:46 | |
It's up to the man to invite a woman to the dance floor. | 0:36:46 | 0:36:49 | |
But Enda is getting cold feet. | 0:36:50 | 0:36:52 | |
-You can do it. -No. -You can do it! | 0:36:52 | 0:36:55 | |
-Tammy spies a potential dancing partner. -Just go over and ask her. | 0:36:56 | 0:37:03 | |
-I don't know. -Just do it. Go on. | 0:37:03 | 0:37:07 | |
Having plucked up the courage, it is the moment of truth. | 0:37:08 | 0:37:12 | |
# Let's dance on the floor with your baby tonight | 0:37:20 | 0:37:24 | |
# Let me hear you sing along | 0:37:24 | 0:37:26 | |
# Jiving through the quicksteps | 0:37:26 | 0:37:28 | |
# Until the break of dawn | 0:37:28 | 0:37:30 | |
# Come on, dance, let's dance | 0:37:30 | 0:37:33 | |
# It's here where we belong | 0:37:33 | 0:37:36 | |
# I'll just keep on singing If you just dance along... # | 0:37:36 | 0:37:41 | |
Ten dance classes, two private lessons | 0:37:41 | 0:37:44 | |
and a lot of hard graft, Enda has pulled it off. | 0:37:44 | 0:37:47 | |
That boy can jive. | 0:37:47 | 0:37:48 | |
# But I'm crazy over you... # | 0:37:49 | 0:37:52 | |
Go on, Enda! Whoo! | 0:37:52 | 0:37:56 | |
Yeah, he was very good, so he was. | 0:37:56 | 0:37:59 | |
He's a great dancer. He just came over and took me by surprise. | 0:37:59 | 0:38:02 | |
Somebody I was told he couldn't even dance and he came over | 0:38:02 | 0:38:04 | |
and he pretty much taught me how to dance. | 0:38:04 | 0:38:06 | |
He was that good. | 0:38:06 | 0:38:08 | |
# I'll keep on singing if you just dance along | 0:38:08 | 0:38:13 | |
# I'll keep on singing if you just dance along. # | 0:38:13 | 0:38:20 | |
To go out there tonight and do it and ask some stranger to dance, | 0:38:20 | 0:38:23 | |
it's a big lift of my shoulders. I just love it now. | 0:38:23 | 0:38:28 | |
It feels great to be able to go out and ask somebody to jive. | 0:38:28 | 0:38:32 | |
And no more watching handbags and phones and high-heeled shoes, | 0:38:32 | 0:38:36 | |
that's all finished now. | 0:38:36 | 0:38:38 | |
A dancer all the time for me. | 0:38:38 | 0:38:40 | |
# Ireland's turned to country everywhere you go | 0:38:40 | 0:38:44 | |
# From Cork right up to Donegal | 0:38:44 | 0:38:47 | |
# From Dublin to Mayo | 0:38:47 | 0:38:49 | |
# Yeah, me and my band gonna cross the land | 0:38:49 | 0:38:52 | |
# We're putting on a show | 0:38:52 | 0:38:54 | |
# People say it's here to stay Ireland's turned to country | 0:38:54 | 0:38:59 | |
# And I do believe it's here to stay Ireland's turned to country. # | 0:38:59 | 0:39:05 |